One of 12 films to compete in the World Cinema Documentary Competition at Sundance this year, The Cleaners tells the story of so-called “digital scavengers.” These are individuals outsourced by Silicon Valley companies to delete supposedly inappropriate content from the internet. The Cleaners takes place in a nocturnal Manila designed to evoke Blade Runner and Gotham City. The film’s cinematographers – Axel Schneppat and Max Preiss – spoke with Filmmaker before the film’s five showings at Sundance. Below they discuss the cinematic challenge of shedding “light on an industry virtually kept in the dark.” Filmmaker: How and why did you wind up […]...
- 1/22/2018
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Eyes Wide Open; The Special Relationship; The Ghost; Rapt; Robin Hood: Extended Cut; Cop Out
There may well be precedents, but I honestly can't remember the last time I saw a movie about a passionate gay relationship played out amid Jerusalem's orthodox Hasidic community. It says a lot about Eyes Wide Open (2009, 12, Peccadillo), however, that the apparent novelty of its subject matter (which has provoked the inevitable moniker "a Jewish Brokeback Mountain") never overshadows the haunting power of the film. Zohar Strauss stars as Aaron, the married butcher who invites enigmatic student Ezri (Ran Danker) into his home and business with emotionally and socially disruptive results. Religion and dawning sexuality clash as the two men embark upon a furtive, forbidden relationship under the mournful eye of Aaron's increasingly estranged wife, to the mounting hostility of the strictly demarcated community.
Demonstrating an unfussy empathy for his subjects, director Haim Tabakman...
There may well be precedents, but I honestly can't remember the last time I saw a movie about a passionate gay relationship played out amid Jerusalem's orthodox Hasidic community. It says a lot about Eyes Wide Open (2009, 12, Peccadillo), however, that the apparent novelty of its subject matter (which has provoked the inevitable moniker "a Jewish Brokeback Mountain") never overshadows the haunting power of the film. Zohar Strauss stars as Aaron, the married butcher who invites enigmatic student Ezri (Ran Danker) into his home and business with emotionally and socially disruptive results. Religion and dawning sexuality clash as the two men embark upon a furtive, forbidden relationship under the mournful eye of Aaron's increasingly estranged wife, to the mounting hostility of the strictly demarcated community.
Demonstrating an unfussy empathy for his subjects, director Haim Tabakman...
- 9/18/2010
- by Mark Kermode
- The Guardian - Film News
By Harvey Karten - Isn't it great to live in New York City, where next-door neighbors in your apartment building don't know your name and don't care? Unfriendly? Perhaps. But who needs the opposite? Certainly not one Aaron (Zohar Strauss), the principal in Haim Tabakman's freshman picture about a fellow in his thirties who lives on one of the winding streets of Jerusalem's ultra-orthodox neighborhoods. The snoopy people of the area know everybody's business and they care enough to send the very worst packing if they don't like what he's doing. And what an "evil" person is doing, in their estimation, is to violate some aspect of the first Five Books of the Bible. Ruth and Naomi, David and Jonathan, and Daniel and Ashpenaz may have had more than casual friendships with each other, but Leviticus 18:22 states "Thou shalt not lie with mankind as with women: it is abomination.
- 1/24/2010
- Arizona Reporter
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