Matthias Glasner’s Dying was the winner of the top prize at this year’s German Film Awards, clinching the Golden Lola in the best film category along with a cash prize of €500,000 for the producers to invest in a future project.
The production by Port au Prince Film & Kultur Produktion, Schwarzweiß Filmproduktion and Senator Film Produktion, which had its world premiere in competition at this year’s Berlinale where it won the best screenplay Silver Bear, also garnered another three statuettes: Corinna Harfouch (best lead actress), Hans-Uwe Bauer (best supporting actor), and Lorenz Dangel (best film score).
Glasner’s family drama,...
The production by Port au Prince Film & Kultur Produktion, Schwarzweiß Filmproduktion and Senator Film Produktion, which had its world premiere in competition at this year’s Berlinale where it won the best screenplay Silver Bear, also garnered another three statuettes: Corinna Harfouch (best lead actress), Hans-Uwe Bauer (best supporting actor), and Lorenz Dangel (best film score).
Glasner’s family drama,...
- 5/6/2024
- ScreenDaily
Matthias Glasner’s epic dysfunctional family drama Dying has won the top prize for best film at the 2024 German Film Awards, the Lolas.
Dying was one of the critical favorites at this year’s Berlin Film Festival, where Glasner won the Silver Bear for best screenplay. The film stars Lars Eidinger as a classical conductor with an extremely dysfunctional family.
In addition to the top prize, Corinna Harfoch won the best actress Lola for her role in Dying, where she plays Eidinger’s sharp-tonged and cold-hearted mother. Her Dying co-star Hans-Uwe Bauer took best supporting actor, and the film also took the Lola for best film music for composer Lorenz Dangel.
Ayşe Polat took best director and best screenplay for In the Blind Spot, her twisty documentary-style conspiracy thriller set in modern-day Turkey. The film, which premiered in Berlin’s Encounters section last year, won the top prize at the Oldenburg Film Festival,...
Dying was one of the critical favorites at this year’s Berlin Film Festival, where Glasner won the Silver Bear for best screenplay. The film stars Lars Eidinger as a classical conductor with an extremely dysfunctional family.
In addition to the top prize, Corinna Harfoch won the best actress Lola for her role in Dying, where she plays Eidinger’s sharp-tonged and cold-hearted mother. Her Dying co-star Hans-Uwe Bauer took best supporting actor, and the film also took the Lola for best film music for composer Lorenz Dangel.
Ayşe Polat took best director and best screenplay for In the Blind Spot, her twisty documentary-style conspiracy thriller set in modern-day Turkey. The film, which premiered in Berlin’s Encounters section last year, won the top prize at the Oldenburg Film Festival,...
- 5/3/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Matthias Glasner’s Dying leads the Lolas, the German Film Awards, with nine nominations, including for best feature film, director, screenplay, and score.
Additionally, Lars Eidinger has been nominated as best actor and Corinna Harfouch as best actress; Robert Gwisdek and Hans-Uwe Bauer have both been nominated for best supporting actor.
The family drama premiered in competition at the Berlinale last month and will be released in Germany by Wild Bunch on April 25.
The Lolas will take place at a ceremony in Berlin on May 3.
Timm Kröger’s second feature The Universal Theory, which premiered in Venice’s Horizons section last September,...
Additionally, Lars Eidinger has been nominated as best actor and Corinna Harfouch as best actress; Robert Gwisdek and Hans-Uwe Bauer have both been nominated for best supporting actor.
The family drama premiered in competition at the Berlinale last month and will be released in Germany by Wild Bunch on April 25.
The Lolas will take place at a ceremony in Berlin on May 3.
Timm Kröger’s second feature The Universal Theory, which premiered in Venice’s Horizons section last September,...
- 3/19/2024
- ScreenDaily
German acting legend Hanna Schygulla will be honored this year with a lifetime achievement award at the German Film Awards.
Best known for her work with Rainer Werner Fassbinder, including The Marriage of Maria Braun (1979) Berlin Alexanderplatz (1980), and Lili Marleen (1981), Schygulla’s career has included collaborations with the likes of Wim Wenders (1975’s Wrong Move), Jean-Luc Godard (1982’s Passion) and Fatih Akin (2007’s The Edge of Heaven). More recently, the 80-year-old actress has a scene-stealing cameo in Yorgos Lanthimos’ Oscar-winner Poor Things as Martha von Kurtzroc, the eccentric woman Emma Stone’s character befriends on the cruise ship.
“Hanna Schygulla is an institution of German and European cinema,” said Alexandra Maria Lara, president of the German Film Academy, explaining the decision of the honorary jury. “Through her long-standing collaboration with Rainer Werner Fassbinder, she wrote herself into film history. She became an icon of German auteur cinema with international appeal.
Best known for her work with Rainer Werner Fassbinder, including The Marriage of Maria Braun (1979) Berlin Alexanderplatz (1980), and Lili Marleen (1981), Schygulla’s career has included collaborations with the likes of Wim Wenders (1975’s Wrong Move), Jean-Luc Godard (1982’s Passion) and Fatih Akin (2007’s The Edge of Heaven). More recently, the 80-year-old actress has a scene-stealing cameo in Yorgos Lanthimos’ Oscar-winner Poor Things as Martha von Kurtzroc, the eccentric woman Emma Stone’s character befriends on the cruise ship.
“Hanna Schygulla is an institution of German and European cinema,” said Alexandra Maria Lara, president of the German Film Academy, explaining the decision of the honorary jury. “Through her long-standing collaboration with Rainer Werner Fassbinder, she wrote herself into film history. She became an icon of German auteur cinema with international appeal.
- 3/13/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Poor Things Movie (Picture Credit: IMDb)
Poor Things is one of the most discussed movies of 2023, along with Oppenheimer and Barbie. The film stars Emma Stone in the lead role, has won several accolades, and received the Oscars 2024 nominations, too. When the film was released in 2023, critics and audiences praised it heavily.
The film is based on Alasdair Gray’s novel of the same name. The cine buffs who missed watching it on the big screen are eagerly awaiting the movie’s digital release. You don’t have to wait any longer, as the movie will finally be available to stream online. Read to know when and where it will be released digitally, along with other essential details like the cast and premise of Poor Things.
Poor Things Cast
The film stars Emma Stone as Bella Baxter, Wille Dafoe as Dr Godwin Baxter, Mark Ruffalo as Duncan Wedderburn, Ramy Youssef as Max McCandles,...
Poor Things is one of the most discussed movies of 2023, along with Oppenheimer and Barbie. The film stars Emma Stone in the lead role, has won several accolades, and received the Oscars 2024 nominations, too. When the film was released in 2023, critics and audiences praised it heavily.
The film is based on Alasdair Gray’s novel of the same name. The cine buffs who missed watching it on the big screen are eagerly awaiting the movie’s digital release. You don’t have to wait any longer, as the movie will finally be available to stream online. Read to know when and where it will be released digitally, along with other essential details like the cast and premise of Poor Things.
Poor Things Cast
The film stars Emma Stone as Bella Baxter, Wille Dafoe as Dr Godwin Baxter, Mark Ruffalo as Duncan Wedderburn, Ramy Youssef as Max McCandles,...
- 2/21/2024
- by Pooja Darade
- KoiMoi
We have 2 fantastic prize bundles to give away from Poor Things including: a Bubble bottle, Photo book, Novel, Sunglasses, Tote bag, T-shirt, Key ring and Postcards!
From filmmaker Yorgos Lanthimos and producer Emma Stone comes the tale of the fantastical evolution of Bella Baxter (Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). Under Baxter’s protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.
Poor Thing Starring: Emma Stone as Bella Baxter
Mark Ruffalo as Duncan Wedderburn
Willem Dafoe as Godwin Baxter
Ramy Youssef as Max McCandless
Christopher Abbot as Alfie Blessington
Suzy Bemba as Toinette...
From filmmaker Yorgos Lanthimos and producer Emma Stone comes the tale of the fantastical evolution of Bella Baxter (Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). Under Baxter’s protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.
Poor Thing Starring: Emma Stone as Bella Baxter
Mark Ruffalo as Duncan Wedderburn
Willem Dafoe as Godwin Baxter
Ramy Youssef as Max McCandless
Christopher Abbot as Alfie Blessington
Suzy Bemba as Toinette...
- 1/30/2024
- by Competitions
- HeyUGuys.co.uk
Yorgos Lanthimos’ Venice Golden Lion Winner Poor Things is here with Searchlight Pictures sewing up nine theaters in four major markets for leg one of the Emma Stone-starring surreal-period-comedy-horror.
The film debuts in NYC and LA as well as San Francisco and Austin (Alamo Drafthouse South Lamar). Lanthimos, Stone and stars Mark Ruffalo and Willem Dafoe join Q&As in New York and tickets have been selling out. Stone hosted SNL last Saturday, joining the exclusive “five-timers club”, and made stops in recent days at Good Morning America, Sunday Today and ABC News Live Prime to talk up the fantastical tale.
Stone plays Bella Baxter, a young Victorian woman mysteriously brought back to life by the brilliant and unorthodox scientist Godwin Baxter (Dafoe) who lives as the doctor’s ward.
The film debuts in NYC and LA as well as San Francisco and Austin (Alamo Drafthouse South Lamar). Lanthimos, Stone and stars Mark Ruffalo and Willem Dafoe join Q&As in New York and tickets have been selling out. Stone hosted SNL last Saturday, joining the exclusive “five-timers club”, and made stops in recent days at Good Morning America, Sunday Today and ABC News Live Prime to talk up the fantastical tale.
Stone plays Bella Baxter, a young Victorian woman mysteriously brought back to life by the brilliant and unorthodox scientist Godwin Baxter (Dafoe) who lives as the doctor’s ward.
- 12/8/2023
- by Jill Goldsmith
- Deadline Film + TV
A new extended look trailer for Poor Things featuring Emma Stone has just been released, and you can check it out right here (see above), before the film hits theaters on December 8, 2023!
From filmmaker Yorgos Lanthimos and producer Emma Stone comes the incredible tale and fantastical evolution of Bella Baxter (Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). Under Baxter’s protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.
About The Film
Genre: Romance, Sci-Fi Starring: Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Christopher Abbot, Suzy Bemba, Jerrod Carmichael, Kathryn Hunter, Vicki Pepperdine, Margaret Qualley,...
From filmmaker Yorgos Lanthimos and producer Emma Stone comes the incredible tale and fantastical evolution of Bella Baxter (Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). Under Baxter’s protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.
About The Film
Genre: Romance, Sci-Fi Starring: Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Christopher Abbot, Suzy Bemba, Jerrod Carmichael, Kathryn Hunter, Vicki Pepperdine, Margaret Qualley,...
- 10/20/2023
- by Editor
- CinemaNerdz
Could Oscar winner Emma Stone (La La Land) be back in the Oscar hunt with Searchlight Pictures’ Poor Things? According to critics who’ve caught festival screenings, the answer is a resounding yes.
“From filmmaker Yorgos Lanthimos and producer Emma Stone comes the incredible tale and fantastical evolution of Bella Baxter (Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). Under Baxter’s protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents,” reads Searchlight Pictures’ synopsis. “Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.”
Emma Stone and Mark Ruffalo in ‘Poor Things’ (Photo by Atsushi Nishijima © 2023 Searchlight Pictures)
The film marks the second feature film...
“From filmmaker Yorgos Lanthimos and producer Emma Stone comes the incredible tale and fantastical evolution of Bella Baxter (Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). Under Baxter’s protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents,” reads Searchlight Pictures’ synopsis. “Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.”
Emma Stone and Mark Ruffalo in ‘Poor Things’ (Photo by Atsushi Nishijima © 2023 Searchlight Pictures)
The film marks the second feature film...
- 10/19/2023
- by Rebecca Murray
- Showbiz Junkies
Yorgos Lanthimos’s films are prone to hitting audiences with a pit-of-the-stomach feeling, from the pyrrhic victory that closes and overwhelms The Favourite to the unbearable uncertainty of whether someone will disfigure themselves for the sake of love that lodges The Lobster in the heart like a knife. No matter how hard Lanthimos’s characters fight for agency or freedom or power or love, life is still savage and cruel and unforgiving.
But in Poor Things, as unpleasant as life can be, especially for a woman, there’s still hope in the sheer and bizarre splendor of it all. The film is adapted by Tony McNamara from Alasdair Gray’s novel of the same name, which is inspired by Mary Shelley’s Frankenstein and its interrogation of Victorian repression and hunger for the power of God. And for better and worse, Lanthimos’s acute awareness of that inspiration imbues the film with an unmistakable irony.
But in Poor Things, as unpleasant as life can be, especially for a woman, there’s still hope in the sheer and bizarre splendor of it all. The film is adapted by Tony McNamara from Alasdair Gray’s novel of the same name, which is inspired by Mary Shelley’s Frankenstein and its interrogation of Victorian repression and hunger for the power of God. And for better and worse, Lanthimos’s acute awareness of that inspiration imbues the film with an unmistakable irony.
- 10/5/2023
- by Kyle Turner
- Slant Magazine
Peel back the layers of creature feature make-up and look beyond the gaudy, Gaudí-in-a-fishbowl sets, try to dim the swirling burlesque of guts and gore and pleasures of the flesh and you’ll find a rather classic – and classically appealing – Victorian coming-of-age tale at the center of Yorgos Lanthimos’ “Poor Things.”
That the film remains witty and wise throughout its most lurid stretches makes the Venice Golden Lion contender one of the year’s most unexpected heart-warmers. That the filmmakers lavish commensurate attention on all those bawdy embellishments also guarantees you a bloody good time along the way.
Reteaming with the director who pushed her to new highs in 2018’s “The Favorite,” Emma Stone outdoes herself with a role that deploys her (already considerable) comedic talent to superlative effect. As if born out of a mad-science experiment fusing “Frankenstein” with “Pygmalion,” her turn as Bella Baxter – a peculiar creation with the mind of an infant,...
That the film remains witty and wise throughout its most lurid stretches makes the Venice Golden Lion contender one of the year’s most unexpected heart-warmers. That the filmmakers lavish commensurate attention on all those bawdy embellishments also guarantees you a bloody good time along the way.
Reteaming with the director who pushed her to new highs in 2018’s “The Favorite,” Emma Stone outdoes herself with a role that deploys her (already considerable) comedic talent to superlative effect. As if born out of a mad-science experiment fusing “Frankenstein” with “Pygmalion,” her turn as Bella Baxter – a peculiar creation with the mind of an infant,...
- 9/1/2023
- by Ben Croll
- The Wrap
Back in 2009, Yorgos Lanthimos led the so-called Greek Weird Wave with the Oscar-nominated Dogtooth, an unsettling exploration of a family of teenagers kept from the world by their father in a gated estate that they could never leave. The family is rich, so they can have anything they want except the wide world and their freedom; even sex can be bought in.
Lanthimos’ Poor Things, screening in competition in Venice and certainly one of the most eagerly awaited films at the festival, is packaged very differently. A sort of period film it is stuffed with extravagant costumes and sets that make Disneyland look restrained, all cut from the same spangled cloth as the royal romp The Favourite, Lanthimos’ last film. Strip away the decoration, however, and Poor Things is actually a return to those first concerns of Dogtooth: essentially,...
Lanthimos’ Poor Things, screening in competition in Venice and certainly one of the most eagerly awaited films at the festival, is packaged very differently. A sort of period film it is stuffed with extravagant costumes and sets that make Disneyland look restrained, all cut from the same spangled cloth as the royal romp The Favourite, Lanthimos’ last film. Strip away the decoration, however, and Poor Things is actually a return to those first concerns of Dogtooth: essentially,...
- 9/1/2023
- by Stephanie Bunbury
- Deadline Film + TV
It’s a failing of our society that we’ve allowed “interesting” to become a euphemism, a blandly veiled insult, something to say when no other praise comes to mind. Little in life is more important than interest: having it, attracting it, identifying it in any crevice of the everyday, making it strange and fresh in the process. Across his career, Yorgos Lanthimos has befuddled many a viewer into calling his work “interesting” as a placeholder for their confusion and excitement, and it’s hard to imagine that he’d ever take offense. He’s a filmmaker who revels in interest, in curiosity at the price of comfort, and in his lavish, violently ravishing new film “Poor Things,” he zeroes in on a heroine with the same craving. To Bella Baxter, a literal child in a woman’s body, everything is new and everything is interesting — words, bodies, maps, music,...
- 9/1/2023
- by Guy Lodge
- Variety Film + TV
A new behind-the-scenes video for Poor Things featuring Emma Stone has just been released, and you can check it out right here (see above)! The film will be in theaters on December 8, 2023!
Emma Stone and Mark Ruffalo in “Poor Things.” Photo by Yorgos Lanthimos. Courtesy of Searchlight Pictures. © 2023 20th Century Studios All Rights Reserved.
From filmmaker Yorgos Lanthimos and producer Emma Stone comes the incredible tale and fantastical evolution of Bella Baxter (Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). Under Baxter’s protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.
About The Film
Genre: Romance,...
Emma Stone and Mark Ruffalo in “Poor Things.” Photo by Yorgos Lanthimos. Courtesy of Searchlight Pictures. © 2023 20th Century Studios All Rights Reserved.
From filmmaker Yorgos Lanthimos and producer Emma Stone comes the incredible tale and fantastical evolution of Bella Baxter (Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin Baxter (Willem Dafoe). Under Baxter’s protection, Bella is eager to learn. Hungry for the worldliness she is lacking, Bella runs off with Duncan Wedderburn (Mark Ruffalo), a slick and debauched lawyer, on a whirlwind adventure across the continents. Free from the prejudices of her times, Bella grows steadfast in her purpose to stand for equality and liberation.
About The Film
Genre: Romance,...
- 8/30/2023
- by Editor
- CinemaNerdz
"We're not going anywhere. Neither now nor later." Janus Films has unveiled a new official trailer for a 4K restoration re-release of a film from 2000 titled Werckmeister Harmonies, which originally debuted at the Cannes Film Festival in the Directors' Fortnight section. This new 4K version premiered last year at the Toronto & Taipei Golden Horse Film Festivals, and will play in a few art house theaters, starting at Film at Lincoln Center in NYC. Worth catching in the cinema if you have the chance. "Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance." In this, a young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction - featuring a massive stuffed whale and strange man known as "the Prince." The film stars Sandor Bese, Lars Rudolph, Peter Fitz, Hanna Schygulla, plus many other locals.
- 5/6/2023
- by Alex Billington
- firstshowing.net
Editors note: This review was originally published in June 2021 after its world premiere at the Cannes Film Festival. The film opens in New York on Friday and in Los Angeles on April 21.
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Beautifully upholstered and decked out with a starry cast, Everything Went Fine (Tout S’est Bien Passé) is the sort of comforting, thoroughly mainstream commercial film not often seen in competition at the Cannes Film Festival. Although the subject of euthanasia does not normally suggest a good time at the movies, French director François Ozon serves one up anyway with the help of a raft of crafty and appealing veteran actors, lush filmmaking and savvy and deft handling of the central emotional dynamic.
Shortly after family patriarch André (André Dussollier) suffers a debilitating stroke, the 85-year-old insists to his daughter Emmanuèle (Sophie Marceau) that he wants to end to it all, on his own terms. He seems something of a borderline case,...
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Beautifully upholstered and decked out with a starry cast, Everything Went Fine (Tout S’est Bien Passé) is the sort of comforting, thoroughly mainstream commercial film not often seen in competition at the Cannes Film Festival. Although the subject of euthanasia does not normally suggest a good time at the movies, French director François Ozon serves one up anyway with the help of a raft of crafty and appealing veteran actors, lush filmmaking and savvy and deft handling of the central emotional dynamic.
Shortly after family patriarch André (André Dussollier) suffers a debilitating stroke, the 85-year-old insists to his daughter Emmanuèle (Sophie Marceau) that he wants to end to it all, on his own terms. He seems something of a borderline case,...
- 4/14/2023
- by Todd McCarthy
- Deadline Film + TV
Cohen Media Group has dropped the trailer for Francois Ozon’s drama “Everything Went Fine” ahead of its theatrical release in New York on April 14 and Los Angeles on April 21, followed by a national expansion.
“Everything Went Fine” is based on the autobiographical novel by author Emmanuèle Bernheim who previously collaborated on Ozon’s screenplays for “Under The Sand,” “Swimming Pool” and “Ricky.”
The movie follows 85-year-old art collector André Bernheim (André Dussolier) who, after a debilitating stroke, demands that his daughter Emmanuèle (Sophie Marceau), help him end life on his own terms. Faced with a painful decision, Emmanuèle, with the grudging support of her younger sister Pascale (Géraldine Pailhas), begins sorting through the processes and bureaucratic hurdles necessary to fulfill her father’s final wish, as she is forced to reconcile her past with a complicated, stubborn, yet charismatic man.
Here’s the trailer:
“Everything Went Fine” also stars...
“Everything Went Fine” is based on the autobiographical novel by author Emmanuèle Bernheim who previously collaborated on Ozon’s screenplays for “Under The Sand,” “Swimming Pool” and “Ricky.”
The movie follows 85-year-old art collector André Bernheim (André Dussolier) who, after a debilitating stroke, demands that his daughter Emmanuèle (Sophie Marceau), help him end life on his own terms. Faced with a painful decision, Emmanuèle, with the grudging support of her younger sister Pascale (Géraldine Pailhas), begins sorting through the processes and bureaucratic hurdles necessary to fulfill her father’s final wish, as she is forced to reconcile her past with a complicated, stubborn, yet charismatic man.
Here’s the trailer:
“Everything Went Fine” also stars...
- 3/30/2023
- by Elsa Keslassy
- Variety Film + TV
There's nothing like a good miniseries. The ability to take as much time as needed to tell a dense yet self-contained story, marrying the immediacy and formal panache of great cinema to the narrative depth of great TV, has allowed many auteurs in both mediums to create some of their finest and most vital work.
Historically, miniseries have been the province of some of television's most memorable hits, from "Roots" to "Taken" to "Band of Brothers." Series like Ingmar Bergman's "Scenes from a Marriage" and Mike Nichols' "Angels in America" are also regularly cited in the upper tiers of master directors' filmographies. In recent years, the format has seen a kind of mainstream revival, thanks largely to the smashing success of titles like "The Queen's Gambit" and "Watchmen."
But countless miniseries from around the world remain that have yet to receive the attention they deserve. Here are 12 examples of...
Historically, miniseries have been the province of some of television's most memorable hits, from "Roots" to "Taken" to "Band of Brothers." Series like Ingmar Bergman's "Scenes from a Marriage" and Mike Nichols' "Angels in America" are also regularly cited in the upper tiers of master directors' filmographies. In recent years, the format has seen a kind of mainstream revival, thanks largely to the smashing success of titles like "The Queen's Gambit" and "Watchmen."
But countless miniseries from around the world remain that have yet to receive the attention they deserve. Here are 12 examples of...
- 3/25/2023
- by Leo Noboru Lima
- Slash Film
François Ozon’s ode to Rainer Werner Fassbinder’s play and cult classic takes us on a spellbound carousel ride going round and round in circles with one man at the centre. Denis Ménochet as Peter von Kant is easily recognizable as a stand-in for Fassbinder, whose private life inspired the plot of his 1972 masterpiece. The film featured Margit Carstensen as Petra von Kant, a fashion designer who falls madly in love with a younger model named Karin (Hanna Schygulla) while living with and abusing her silent secretary Marlene.
Ozon in this free adaptation adds another turn of the screw by making the three protagonists male again, reversing the fashion industry background to the film world and the infatuation to an actor. The costumes by Pascaline Chavanne in Peter von Kant are excellent, especially those creamy suits...
Ozon in this free adaptation adds another turn of the screw by making the three protagonists male again, reversing the fashion industry background to the film world and the infatuation to an actor. The costumes by Pascaline Chavanne in Peter von Kant are excellent, especially those creamy suits...
- 12/28/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Also out during the Christmas and New Year period: ’Roald Dahl’s Matilda The Musical Singalong’ and ’Peter von Kant’.
In a special festive edition of the UK-Ireland box office preview, Screen has pulled together all the new titles to hit cinemas from December 23 up until January 1, including Corsage, Whitney Houston: I Wanna Dance With Somebody and a singalong version of Roald Dahl’s Matilda The Musical.
Out this weekend (December 23) is Wildcat for Dogwoof, in partnership with Amazon Studios. The documentary, which premiered this year at Telluride, follows a British soldier grappling with depression and post-traumatic stress disorder after...
In a special festive edition of the UK-Ireland box office preview, Screen has pulled together all the new titles to hit cinemas from December 23 up until January 1, including Corsage, Whitney Houston: I Wanna Dance With Somebody and a singalong version of Roald Dahl’s Matilda The Musical.
Out this weekend (December 23) is Wildcat for Dogwoof, in partnership with Amazon Studios. The documentary, which premiered this year at Telluride, follows a British soldier grappling with depression and post-traumatic stress disorder after...
- 12/23/2022
- by Mona Tabbara
- ScreenDaily
UK-Ireland box office preview: ‘Roald Dahl’s Matilda The Musical Singalong’ set for 775-site release
Also out during the Christmas and New Year period: ’Corsage’ and ’Whitney Houston: I Wanna Dance With Somebody’.
In a special festive edition of the UK-Ireland box office preview, Screen has pulled together all the new titles to hit cinemas from December 23 up until January 1. A singalong version of Road Dahl’s Matilda The Musical is the widest release of the period, set to play at 775 locations from January 1.
Roald Dahl’s Matilda The Musical is directed by Matthew Warchus, with Dennis Kelly writing and Tim Minchin composing, and is based on the stage musical created by the same trio.
In a special festive edition of the UK-Ireland box office preview, Screen has pulled together all the new titles to hit cinemas from December 23 up until January 1. A singalong version of Road Dahl’s Matilda The Musical is the widest release of the period, set to play at 775 locations from January 1.
Roald Dahl’s Matilda The Musical is directed by Matthew Warchus, with Dennis Kelly writing and Tim Minchin composing, and is based on the stage musical created by the same trio.
- 12/23/2022
- by Mona Tabbara
- ScreenDaily
John Waters officially unveiled his semi-annual list of top 10 films of the year, filled mostly with sex-laden dramas and yes, one Polish existential donkey movie.
Waters awarded the top honor of 2022 to François Ozon’s “Peter Von Kant,” calling the Rainer Werner Fassbinder-inspired feature “by far the best movie of the year” in a list shared with Artforum.
“Fassbinder’s classic lesbian melodrama is appropriated and remade as a gay Frenchman’s love letter to the original version,” Waters wrote. “Hilariously stilted, often overwrought, but always highly entertaining, this cock-eyed tribute will make you swoon when Hanna Schygulla finally makes an appearance and Isabelle Adjani soon follows. My God, it’s just plain Douglas Sirk perfect.”
Waters’ second pick, “Eo” by Jerzy Skolimowski, is another “tribute film” with Waters calling it “Bresson’s ‘Au Hasard Balthazar’ meets ‘Old Yeller.'”
“Can a donkey remember? Just ask Isabelle Huppert, who...
Waters awarded the top honor of 2022 to François Ozon’s “Peter Von Kant,” calling the Rainer Werner Fassbinder-inspired feature “by far the best movie of the year” in a list shared with Artforum.
“Fassbinder’s classic lesbian melodrama is appropriated and remade as a gay Frenchman’s love letter to the original version,” Waters wrote. “Hilariously stilted, often overwrought, but always highly entertaining, this cock-eyed tribute will make you swoon when Hanna Schygulla finally makes an appearance and Isabelle Adjani soon follows. My God, it’s just plain Douglas Sirk perfect.”
Waters’ second pick, “Eo” by Jerzy Skolimowski, is another “tribute film” with Waters calling it “Bresson’s ‘Au Hasard Balthazar’ meets ‘Old Yeller.'”
“Can a donkey remember? Just ask Isabelle Huppert, who...
- 12/7/2022
- by Samantha Bergeson
- Indiewire
“Cinema is not pages and it’s not minutes: it’s the way you look at the minute that passes,” Syrian director Ameer Fakher Eldin is talking about the 55-page script of “Yunan,” his follow up to “The Stranger” (Al Garib), which played at Venice Days in 2021. Eldin knows from the experience of editing his first film that one page doesn’t equal one minute. “It’s a two hour film,” he says.
Eldin’s second feature is due to film in the first half of 2023 and is currently being presented at this week’s Red Sea Souk Project Market of the Red Sea Film Festival. Iconic figure of New German Cinema Hanna Schygulla and Syrian actor Bassem Yakhour have both been cast in the production. They join Lebanese actor Georges Khabbaz (“Capernaum”), and German actor Sibel Kekilli, from “Game of Thrones” and Fatih Akin’s “Head On.”
Filming will...
Eldin’s second feature is due to film in the first half of 2023 and is currently being presented at this week’s Red Sea Souk Project Market of the Red Sea Film Festival. Iconic figure of New German Cinema Hanna Schygulla and Syrian actor Bassem Yakhour have both been cast in the production. They join Lebanese actor Georges Khabbaz (“Capernaum”), and German actor Sibel Kekilli, from “Game of Thrones” and Fatih Akin’s “Head On.”
Filming will...
- 12/5/2022
- by John Bleasdale
- Variety Film + TV
Legendary Hungarian director Béla Tarr is at peace.
“It’s time for the old guys to leave. Retire, enjoy the sun,” he tells Variety in Cairo.
Tarr, in town to collect his lifetime achievement award and lead a workshop for young filmmakers, stopped making feature films after 2011 “The Turin Horse.” He has no intention of going back on his word.
“Everyone knew it was going to be my last. I knew that if I manage to make this movie, I won’t be able to say more. The language I have been creating became perfect. It’s ready and packed, so take it or leave it. It’s up to you now,” he says.
“You can’t repeat yourself, it’s boring and fake. We all know these guys who had some success 30 years ago and they keep using the same recipe. But something that was powerful 30 years ago is not powerful today.
“It’s time for the old guys to leave. Retire, enjoy the sun,” he tells Variety in Cairo.
Tarr, in town to collect his lifetime achievement award and lead a workshop for young filmmakers, stopped making feature films after 2011 “The Turin Horse.” He has no intention of going back on his word.
“Everyone knew it was going to be my last. I knew that if I manage to make this movie, I won’t be able to say more. The language I have been creating became perfect. It’s ready and packed, so take it or leave it. It’s up to you now,” he says.
“You can’t repeat yourself, it’s boring and fake. We all know these guys who had some success 30 years ago and they keep using the same recipe. But something that was powerful 30 years ago is not powerful today.
- 11/18/2022
- by Marta Balaga
- Variety Film + TV
Rainer Werner Fassbinder died as he lived: at many frames per second. The cinephile’s errand of trying to watch everything the German filmmaker made in his lifetime, from all 10 hours of “Berlin Alexanderplatz” to more modestly scaled melodramas like “The Bitter Tears of Petra von Kant,” often feels like an act of running in place. Reports of his “contradictory” and “complex” nature reveal what we already know: He was a self-medicating, workaholic perfectionist who drove himself into the ground, completing more than 40 films in his short life, and died because of it. He also did not believe in love, or so say his latest collaborators in absentia, director François Ozon and Fassbinder’s longtime muse Hanna Schygulla.
Ozon has made his best film in years with “Peter von Kant,” one that will be seen by few but relished by all who do. The movie is both a response to...
Ozon has made his best film in years with “Peter von Kant,” one that will be seen by few but relished by all who do. The movie is both a response to...
- 9/2/2022
- by Ryan Lattanzio
- Indiewire
More than 20 years after adapting a Rainer Werner Fassbinder play called “Waters Drops on Burning Rocks” into a movie, François Ozon has made this gender-flipped adaptation of one of Fassbinder’s greatest films, “The Bitter Tears of Petra von Kant,” in an attempt to understand Fassbinder’s real-life struggle with the power plays of love.
Fassbinder’s “Petra von Kant” was shot very quickly on a very low budget, and he used a lot of long takes; every camera movement in Fassbinder’s version of this material feels so ultra-controlled that watching it is like getting tied up in an S & M dungeon or getting slowly strangled by a python. Ozon shoots his own “Peter von Kant” with a casualness that can feel frivolous, and he uses very conventional short takes for shot/reverse shot conversations.
Fassbinder’s “Petra von Kant” revolves around a lesbian love triangle that consists of...
Fassbinder’s “Petra von Kant” was shot very quickly on a very low budget, and he used a lot of long takes; every camera movement in Fassbinder’s version of this material feels so ultra-controlled that watching it is like getting tied up in an S & M dungeon or getting slowly strangled by a python. Ozon shoots his own “Peter von Kant” with a casualness that can feel frivolous, and he uses very conventional short takes for shot/reverse shot conversations.
Fassbinder’s “Petra von Kant” revolves around a lesbian love triangle that consists of...
- 9/2/2022
- by Dan Callahan
- The Wrap
Save Your Tears for Another Day: Ozon Revels in the Camp Mystique of R.W. Fassbinder
It’s clear François Ozon has long been obsessed with the cinema of New German Wave provocateur Rainer Werner Fassbinder, seeing as one of his first successes was 2000’s Water Drops on Burning Rocks, adapted from an unproduced screenplay of his idol’s. Over two decades later, and working at a similar breakneck pace, Ozon attempts something nearing sacrilege in Peter von Kant, a liberal reimagining of Fassbinder’s most hysterically excessive camp masterpiece, 1972’s The Bitter Tears of Petra von Kant (read review). Whereas the original was a femme-centric snake pit featuring three of Fassbinder’s usual muses, Ozon switches the queered perspective to male and transposes bits and pieces of Fassbinder’s own life into the von Kant prism about a monstrous artist who devours all those around him in the quest to quell his desires.
It’s clear François Ozon has long been obsessed with the cinema of New German Wave provocateur Rainer Werner Fassbinder, seeing as one of his first successes was 2000’s Water Drops on Burning Rocks, adapted from an unproduced screenplay of his idol’s. Over two decades later, and working at a similar breakneck pace, Ozon attempts something nearing sacrilege in Peter von Kant, a liberal reimagining of Fassbinder’s most hysterically excessive camp masterpiece, 1972’s The Bitter Tears of Petra von Kant (read review). Whereas the original was a femme-centric snake pit featuring three of Fassbinder’s usual muses, Ozon switches the queered perspective to male and transposes bits and pieces of Fassbinder’s own life into the von Kant prism about a monstrous artist who devours all those around him in the quest to quell his desires.
- 8/30/2022
- by Nicholas Bell
- IONCINEMA.com
He seems like a nice person, doesn't he? Strand Releasing has debuted an official US trailer for the French-German indie drama Peter von Kant, one of the latest features from prolific French filmmaker François Ozon. This first premiered at the 2022 Berlin Film Festival earlier this year. Based on the Rainer Werner Fassbinder cult play, The Bitter Tears of Petra Von Kant, François Ozon’s unique retelling finds "Peter von Kant", a successful, famous director (obviously Rwf), who lives with his assistant Karl, whom he likes to mistreat and humiliate. Through the great actress Sidonie, he meets and falls in love with Amir, a handsome young man of modest means. He offers to share his apartment and help Amir get into the world of cinema. Beyond that, there's not much more to this. The cast features Denis Ménochet as von Kant, Isabelle Adjani, Khalil Gharbia, Hanna Schygulla, Stéfan Crépon, and Aminthe Audiard.
- 6/27/2022
- by Alex Billington
- firstshowing.net
François Ozon is one of France’s most prolific filmmakers, directing 21 features and a handful of shorts since 1997. But his latest, “Peter von Kant,” is one of the most unique films of the director’s career. The playful spin on Rainer Werner Fassbinder’s “The Bitter Tears of Petra von Kant” is more than just a gender-swapped remake of Fassbinder’s classic German film about an abusive fashion designer.
Ozon made waves by reimagining Fassbinder’s film as an experimental biography of the director himself, casting Denis Menochet as a thinly veiled allegory for the legendary director, and replacing other characters in the film with members of his inner circle. The resulting movie was a hit at the 2022 Berlin International Film Festival and is set to make its North American theatrical debut this weekend. Watch the exclusive trailer below.
“The Bitter Tears of Petra von Kant” starred Margit Carstensen as the eponymous fashion designer,...
Ozon made waves by reimagining Fassbinder’s film as an experimental biography of the director himself, casting Denis Menochet as a thinly veiled allegory for the legendary director, and replacing other characters in the film with members of his inner circle. The resulting movie was a hit at the 2022 Berlin International Film Festival and is set to make its North American theatrical debut this weekend. Watch the exclusive trailer below.
“The Bitter Tears of Petra von Kant” starred Margit Carstensen as the eponymous fashion designer,...
- 6/24/2022
- by Christian Zilko
- Indiewire
Exclusive: The Berlin Film Festival, which got underway on Thursday evening, has recorded more than 50 positive Covid results from its testing procedures, organizers have confirmed to us.
A festival spokesperson said: “Since the beginning of the festival we have only detected eight cases of positive tests among the film teams. The Berlinale’s test buses, available for both accredited and audience, did approximately 2,700 tests and had only 54 positive tests.”
The festival continued: “In order to stop possible chains of infections, we are evaluating every case and situation thoroughly, tracking all contacts and identifying possible risk situations. We are still in pandemic times and obviously positive tests are still a reality in our daily lives. It is good to hear that the figures of positive tests are really low. With 2% of positive tests the figures are less than the average percentage of positive tests around Berlin.”
While the 2% figure is reassuring,...
A festival spokesperson said: “Since the beginning of the festival we have only detected eight cases of positive tests among the film teams. The Berlinale’s test buses, available for both accredited and audience, did approximately 2,700 tests and had only 54 positive tests.”
The festival continued: “In order to stop possible chains of infections, we are evaluating every case and situation thoroughly, tracking all contacts and identifying possible risk situations. We are still in pandemic times and obviously positive tests are still a reality in our daily lives. It is good to hear that the figures of positive tests are really low. With 2% of positive tests the figures are less than the average percentage of positive tests around Berlin.”
While the 2% figure is reassuring,...
- 2/13/2022
- by Andreas Wiseman
- Deadline Film + TV
Exclusive: Organizers of the Berlin Film Festival have told us that the world premiere screening of opening film Peter Von Kant was disrupted last night due to “a server problem.”
A festival spokesperson told us: “We very much regret that a server problem at the Berlinale Palast led to an interruption of the screening of Peter Von Kant. After 7 minutes of interruption the screening could be continued.”
The screen blacked out twice in quick succession during last night’s world premiere leading to audible frustration among guests. Reports are that the delay was closer to 10-15 minutes. Following the interruption, the movie played through to its end.
After the premiere, one of the hosts for the night took to the stage to apologize to guests. The film’s star Denis Menochet also thanked cinema-goers for their patience.
It has been a bumpy start for the festival. Covid protocols outside the...
A festival spokesperson told us: “We very much regret that a server problem at the Berlinale Palast led to an interruption of the screening of Peter Von Kant. After 7 minutes of interruption the screening could be continued.”
The screen blacked out twice in quick succession during last night’s world premiere leading to audible frustration among guests. Reports are that the delay was closer to 10-15 minutes. Following the interruption, the movie played through to its end.
After the premiere, one of the hosts for the night took to the stage to apologize to guests. The film’s star Denis Menochet also thanked cinema-goers for their patience.
It has been a bumpy start for the festival. Covid protocols outside the...
- 2/11/2022
- by Andreas Wiseman
- Deadline Film + TV
The breath of life and beating heart at the center of countless, Russian nesting doll layers of artifice and art-house reference, actor Denis Menochet doesn’t just anchor “Peter von Kant,” he makes the Francois Ozon project a film. Because without its venerable lead, this twenty-first feature from France’s most prolific modern director might be something of a lark — and wrangles it into a deep-in-the-weeds pseudo-biopic of the German filmmaker himself.
In some ways a sort of spiritual — if admittedly much less audacious — cousin to Todd Haynes’ “I’m Not There,” “Peter von Kant” looks to explore an artist through the prism of his own creations, pulling up the script to Fassbinder’s 1972 film (itself adapted from an earlier play) and Ctrl+H-ing each character with analogues for the director and those in his orbit. And so, in this telling, Peter von Kant is a hard-partying, West German director at...
In some ways a sort of spiritual — if admittedly much less audacious — cousin to Todd Haynes’ “I’m Not There,” “Peter von Kant” looks to explore an artist through the prism of his own creations, pulling up the script to Fassbinder’s 1972 film (itself adapted from an earlier play) and Ctrl+H-ing each character with analogues for the director and those in his orbit. And so, in this telling, Peter von Kant is a hard-partying, West German director at...
- 2/10/2022
- by Ben Croll
- Indiewire
How do you make something real out of something that was artificial to begin with? Should you even try? François Ozon has, with “Peter von Kant”: a deconstructed, gender-swapped and then fastidiously reconstructed overhaul of Rainer Werner Fassbinder’s “The Bitter Tears of Petra von Kant.” 50 years on, Fassbinder’s film remains as close to un-remake-able as any ever made, mainly because it remakes itself every second as it goes along. If this makes Ozon’s version, which opens this year’s Berlin Film Festival, an oddly self-invalidating proposition from the get-go, that impression only deepens as the minutes tick amusingly but inconsequentially by.
For the uninitiated (who are very obviously not the audience for this inside-baseball bauble), Fassbinder’s film is the story of a sadomasochistic lesbian love triangle between a successful fashion designer, her model protégée and her mute assistant. (It features perhaps cinema’s most famous...
For the uninitiated (who are very obviously not the audience for this inside-baseball bauble), Fassbinder’s film is the story of a sadomasochistic lesbian love triangle between a successful fashion designer, her model protégée and her mute assistant. (It features perhaps cinema’s most famous...
- 2/10/2022
- by Jessica Kiang
- Variety Film + TV
Exclusive: French actress Isabelle Adjani, co-star of the Berlin Film Festival’s opening film Peter Von Kant, has not traveled for the world premiere tonight due to being a close contact of someone with Covid, we understand from multiple sources.
The film is being represented in Berlin by director Francois Ozon and stars Denis Menochet, Khalil Garbia and Stéfan Crépon, among others.
Veteran German actress Hanna Schygulla, who has a supporting role in the film, is also not in attendance tonight, for reasons that remain unclear. The iconic German New Wave star is well known for her collaborations with legendary local filmmaker Rainer Werner Fassbinder, including in The Bitter Tears Of Petra Von Kant (1972), which is the inspiration for Ozon’s Peter Von Kant.
Berlin Film Festival Gets Underway With Messages Of Determination As Event Presses On Amid Question Marks
Fassbinder’s original follows a successful fashion designer who abandons...
The film is being represented in Berlin by director Francois Ozon and stars Denis Menochet, Khalil Garbia and Stéfan Crépon, among others.
Veteran German actress Hanna Schygulla, who has a supporting role in the film, is also not in attendance tonight, for reasons that remain unclear. The iconic German New Wave star is well known for her collaborations with legendary local filmmaker Rainer Werner Fassbinder, including in The Bitter Tears Of Petra Von Kant (1972), which is the inspiration for Ozon’s Peter Von Kant.
Berlin Film Festival Gets Underway With Messages Of Determination As Event Presses On Amid Question Marks
Fassbinder’s original follows a successful fashion designer who abandons...
- 2/10/2022
- by Andreas Wiseman
- Deadline Film + TV
The complete lineup for the 2022 Berlin International Film Festival, taking place February 10-20, 2022, has been unveiled and it’s a major collection of some of our most-anticipated films of the year. As teased yesterday, Claire Denis’ Fire (which now has the title Avec amour et acharnement (aka Both Sides of the Blade)) will premiere in competition, alongside Hong Sangsoo’s The Novelist’s Film, Carla Simón’s Summer 1993 follow-up Alcarràs, Ulrich Seidl’s Rimini, Rithy Panh’s Everything Will Be Ok, and more.
Elsewhere in the festival is Bertrand Bonello’s Coma, Dario Argento’s Dark Glasses, Andrew Dominik’s Nick Cave & Warren Ellis doc This Much I Know To Be True, Peter Strickland’s Flux Gourmet, Gastón Solnicki’s A Little Love Package, Quentin Dupieux’s Incredible But True, plus new shorts by Lucrecia Martel, Hlynur Pálmason, and more. Also recently announced was the Panorama section, which will open...
Elsewhere in the festival is Bertrand Bonello’s Coma, Dario Argento’s Dark Glasses, Andrew Dominik’s Nick Cave & Warren Ellis doc This Much I Know To Be True, Peter Strickland’s Flux Gourmet, Gastón Solnicki’s A Little Love Package, Quentin Dupieux’s Incredible But True, plus new shorts by Lucrecia Martel, Hlynur Pálmason, and more. Also recently announced was the Panorama section, which will open...
- 1/19/2022
- by Jordan Raup
- The Film Stage
The 72nd Berlin International Film Festival (February 10-20) revealed its Competition line-up on Wednesday, scroll down for the full list.
As previously announced, the International Competition opens this year with François Ozon’s Peter Von Kant. Joining the Ozon pic today were 17 further features, including new films from Hong Sang-soo, Claire Denis, Ulrich Seidl, and Rithy Panh.
This marks Denis’ first time in Berlin’s Competition, having been a regular at Cannes over the years, while her last film High Life debuted at Toronto. The director’s new movie Both Sides of the Blade (previously known as Fire) stars Juliette Binoche and Vincent Lindon.
South Korean filmmaker Hong Sang-soo picked up the Silver Bear for Best Director in 2020 for movie The Woman Who Ran. His latest pic is The Novelist’s Film, which Berlin Artistic Director today said celebrates chance encounters.
The Competition program is 17 world premieres plus one international premiere,...
As previously announced, the International Competition opens this year with François Ozon’s Peter Von Kant. Joining the Ozon pic today were 17 further features, including new films from Hong Sang-soo, Claire Denis, Ulrich Seidl, and Rithy Panh.
This marks Denis’ first time in Berlin’s Competition, having been a regular at Cannes over the years, while her last film High Life debuted at Toronto. The director’s new movie Both Sides of the Blade (previously known as Fire) stars Juliette Binoche and Vincent Lindon.
South Korean filmmaker Hong Sang-soo picked up the Silver Bear for Best Director in 2020 for movie The Woman Who Ran. His latest pic is The Novelist’s Film, which Berlin Artistic Director today said celebrates chance encounters.
The Competition program is 17 world premieres plus one international premiere,...
- 1/19/2022
- by Tom Grater
- Deadline Film + TV
Films by auteurs Claire Denis, Hong Sangsoo and Rithy Panh are part of the lineup in competition at the 72nd Berlin Film Festival.
Berlin’s 2022 selection spans 18 movies, seven directed by women, which will compete for the Golden and Silver Bears. The films originate from 15 countries, with 17 serving as world premieres. Two of the films are first features, both from women.
Artistic director Carlo Chatrian discussed the thematic throughline of “human and emotional bonds” across the selection, with the family unit serving as a key focal point in a number of movies. More than half are set in the present time, and two are within the pandemic era.
The festival hosts 12 returning filmmakers, eight of whom are in competition and five of whom already hold a Bear from Berlin.
The festival will go ahead as an in-person event, albeit with seating capacity in movie theaters reduced to 50% and without any parties or receptions.
Berlin’s 2022 selection spans 18 movies, seven directed by women, which will compete for the Golden and Silver Bears. The films originate from 15 countries, with 17 serving as world premieres. Two of the films are first features, both from women.
Artistic director Carlo Chatrian discussed the thematic throughline of “human and emotional bonds” across the selection, with the family unit serving as a key focal point in a number of movies. More than half are set in the present time, and two are within the pandemic era.
The festival hosts 12 returning filmmakers, eight of whom are in competition and five of whom already hold a Bear from Berlin.
The festival will go ahead as an in-person event, albeit with seating capacity in movie theaters reduced to 50% and without any parties or receptions.
- 1/19/2022
- by Naman Ramachandran
- Variety Film + TV
Peter Von Kant
Having recently crossed off the name of Sophie Marceau on his working with great French actresses bingo card with his last film (Tout s’est bien passé), his latest project, which began filming earlier last year, features the iconic Isabelle Adjani and the participation of Rainer Werner Fassbinder protégé Hanna Schygulla. Selected as the opening film for the next edition of the Berlin Intl. Film Festival, François Ozon makes a rare entry into biopic and film about a film genre and reteams with his By the Grace of God cinematographer Manuel Dacosse.
Gist: An adaptation of Rainer Werner Fassbinder’s The Bitter Tears of Petra von Kant, the character of Petra von Kant is instead a male character (played by Denis Menochet).…...
Having recently crossed off the name of Sophie Marceau on his working with great French actresses bingo card with his last film (Tout s’est bien passé), his latest project, which began filming earlier last year, features the iconic Isabelle Adjani and the participation of Rainer Werner Fassbinder protégé Hanna Schygulla. Selected as the opening film for the next edition of the Berlin Intl. Film Festival, François Ozon makes a rare entry into biopic and film about a film genre and reteams with his By the Grace of God cinematographer Manuel Dacosse.
Gist: An adaptation of Rainer Werner Fassbinder’s The Bitter Tears of Petra von Kant, the character of Petra von Kant is instead a male character (played by Denis Menochet).…...
- 1/14/2022
- by Eric Lavallée
- IONCINEMA.com
Good afternoon. Christmas feels like a lifetime ago (just asks Boris Johnson) and 2022 is certainly in full swing. Here’s your weekly dose of the biggest news and deep-dives of the week. Read on.
Berlin Is Back
In-person: Grab your steins, the 72nd Berlin International Film Festival is happening, and it’s happening in person. While the adjacent European Film Market is taking place virtually, organizers confirmed this week that the festival will progress as a physical event, albeit with certain restrictions in place. International Insider, for one, can’t wait.
Covid-friendly: Although the industry and Berlin organizers are breathing a collective sigh of relief, the festival will have a slightly depleted feel compared to previous years. The main offering has been reduced by four days and will now run February 10-16, cinemas will be reduced to 50% capacity and red carpets, press conferences and photo calls will also shrink in size.
Berlin Is Back
In-person: Grab your steins, the 72nd Berlin International Film Festival is happening, and it’s happening in person. While the adjacent European Film Market is taking place virtually, organizers confirmed this week that the festival will progress as a physical event, albeit with certain restrictions in place. International Insider, for one, can’t wait.
Covid-friendly: Although the industry and Berlin organizers are breathing a collective sigh of relief, the festival will have a slightly depleted feel compared to previous years. The main offering has been reduced by four days and will now run February 10-16, cinemas will be reduced to 50% capacity and red carpets, press conferences and photo calls will also shrink in size.
- 1/14/2022
- by Max Goldbart
- Deadline Film + TV
Exclusive: The Bitter Tears of Petra von Kant, Rainer Werner Fassbinder’s 1972 drama, is being reimagined for the second time in as many years, this time by a team of Iranian filmmakers.
Fassbinder’s movie has also been adapted by high-profile French filmmaker François Ozon, with his French-language version starring Denis Menochet, Isabelle Adjani and Hanna Schygulla set to open the Berlin Film Festival next month.
The Bitter Tears of Zahra Zand, which is Farsi-language, has now wrapped filming in London.
Directed and co-written by Vahid Hakimzadeh (Greater Things) along with co-writer and star Boshra Dastournezhad (Radio Dreams), the film is a tragicomic melodrama that tells the story of Zahra Zand (Dastournezhad), a high society fashion designer from Iran who has fled the Islamic revolution of 1979. Recently divorced, she lives in the fantasy world of her glamorous apartment in 1980s London. Distraught at the loss of her country, she descends...
Fassbinder’s movie has also been adapted by high-profile French filmmaker François Ozon, with his French-language version starring Denis Menochet, Isabelle Adjani and Hanna Schygulla set to open the Berlin Film Festival next month.
The Bitter Tears of Zahra Zand, which is Farsi-language, has now wrapped filming in London.
Directed and co-written by Vahid Hakimzadeh (Greater Things) along with co-writer and star Boshra Dastournezhad (Radio Dreams), the film is a tragicomic melodrama that tells the story of Zahra Zand (Dastournezhad), a high society fashion designer from Iran who has fled the Islamic revolution of 1979. Recently divorced, she lives in the fantasy world of her glamorous apartment in 1980s London. Distraught at the loss of her country, she descends...
- 1/13/2022
- by Tom Grater
- Deadline Film + TV
The 72nd edition of the Berlin International Film Festival will open with François Ozon drama Peter Von Kant, starring Denis Menochet, Isabelle Adjani and Hanna Schygulla.
The French-language film will play as part of the international Competition and get its world premiere on February 10, 2022, at the Berlinale Palast.
The feature is an adaptation of Rainer Werner Fassbinder’s heralded film Die bitteren Tränen der Petra von Kant (The Bitter Tears of Petra von Kant, 1972). The French filmmaker turns the character of Petra von Kant into a man and a filmmaker in a nod to Fassbinder.
Berlin organizers this morning announced protocols and restrictions for the in-person event, which will be shortened by three days and run with 50% capacity in cinemas.
The event remains one of the few festivals still on course to go ahead in-person at the start of 2022 after Sundance and Palm Springs were forced to cancel their physical...
The French-language film will play as part of the international Competition and get its world premiere on February 10, 2022, at the Berlinale Palast.
The feature is an adaptation of Rainer Werner Fassbinder’s heralded film Die bitteren Tränen der Petra von Kant (The Bitter Tears of Petra von Kant, 1972). The French filmmaker turns the character of Petra von Kant into a man and a filmmaker in a nod to Fassbinder.
Berlin organizers this morning announced protocols and restrictions for the in-person event, which will be shortened by three days and run with 50% capacity in cinemas.
The event remains one of the few festivals still on course to go ahead in-person at the start of 2022 after Sundance and Palm Springs were forced to cancel their physical...
- 1/12/2022
- by Andreas Wiseman
- Deadline Film + TV
The Berlin Film Festival has its opening film in François Ozon’s “Peter von Kant.”
The film, which stars Denis Menochet, Isabelle Adjani and Hanna Schygulla, is part of the fest’s International Competition and will have its world premiere on Feb. 10 at the Berlinale Palast. Variety revealed on Tuesday that the festival is planning to go ahead as an in-person event, and organizers provided further details of the plan on Wednesday.
“We are beyond thrilled to welcome back François Ozon to the festival and are happy to launch our next edition with his new film,” said Berlin artistic director Carlo Chatrian. “For this year’s opening, we were looking for a film that could bring lightness and verve into our somber daily lives. ‘Peter von Kant’ is a theatrical tour de force around the concept of lockdown. In the hands of Ozon, the kammerspiel becomes the perfect container for love and jealousy,...
The film, which stars Denis Menochet, Isabelle Adjani and Hanna Schygulla, is part of the fest’s International Competition and will have its world premiere on Feb. 10 at the Berlinale Palast. Variety revealed on Tuesday that the festival is planning to go ahead as an in-person event, and organizers provided further details of the plan on Wednesday.
“We are beyond thrilled to welcome back François Ozon to the festival and are happy to launch our next edition with his new film,” said Berlin artistic director Carlo Chatrian. “For this year’s opening, we were looking for a film that could bring lightness and verve into our somber daily lives. ‘Peter von Kant’ is a theatrical tour de force around the concept of lockdown. In the hands of Ozon, the kammerspiel becomes the perfect container for love and jealousy,...
- 1/12/2022
- by Manori Ravindran
- Variety Film + TV
Cohen Media Group and Curzon have jointly acquired all U.S. and U.K. distribution rights to “Everything Went Fine,” Francois Ozon’s film with Sophie Marceau, which just world-premiered in competition at Cannes and earned a warm critical welcome.
The deal was negotiated by Cmg senior VP Robert Aaronson, Curzon Artificial Eye’s managing director Louisa Dent and Sébasten Beffa and Nicolas Brigaud-Robert at Playtime.
“Everything Went Fine” marks Marceau’s first time working with Ozon, one of France’s most critically laureled helmers. The drama is based Emmanuèle Bernheim’s novel “Everything Went Well” and centers on a woman as she is confronted with her father’s declining health following a stroke. Sick and half-paralyzed in his hospital bed, André asks Emmanuèle to help him end his life. The film explores the father-daughter relationship.
Written and directed by Ozon, “Everything Went Fine” also stars Géraldine Pailhas, Charlotte Rampling,...
The deal was negotiated by Cmg senior VP Robert Aaronson, Curzon Artificial Eye’s managing director Louisa Dent and Sébasten Beffa and Nicolas Brigaud-Robert at Playtime.
“Everything Went Fine” marks Marceau’s first time working with Ozon, one of France’s most critically laureled helmers. The drama is based Emmanuèle Bernheim’s novel “Everything Went Well” and centers on a woman as she is confronted with her father’s declining health following a stroke. Sick and half-paralyzed in his hospital bed, André asks Emmanuèle to help him end his life. The film explores the father-daughter relationship.
Written and directed by Ozon, “Everything Went Fine” also stars Géraldine Pailhas, Charlotte Rampling,...
- 7/10/2021
- by Elsa Keslassy
- Variety Film + TV
François Ozon follows his darkly sensual melodrama about queer first love, Summer of 85, with a pivot back to sober dramatic territory in Everything Went Fine, which doubles as a gesture of gratitude toward the late novelist Emmanuèle Bernheim, his script collaborator on Under the Sand, Swimming Pool and 5×2. Taking a refreshingly frank, uncomplicated attitude to its fraught issues, the film stars Sophie Marceau in a compellingly grounded performance as Bernheim, asked to take on a role of tremendous moral and emotional weight by a man with whom she has always had a somewhat thorny relationship and yet finds impossible to deny.
The other actor who elevates the intimate drama is veteran André Dussollier as Emmanuèle’s father, André Bernheim, a cultured art collector whose vitality continues to peek through his distress even after the stroke that leaves him semi-paralyzed. He makes the unbending decision to end his life rather than...
The other actor who elevates the intimate drama is veteran André Dussollier as Emmanuèle’s father, André Bernheim, a cultured art collector whose vitality continues to peek through his distress even after the stroke that leaves him semi-paralyzed. He makes the unbending decision to end his life rather than...
- 7/7/2021
- by David Rooney
- The Hollywood Reporter - Movie News
Following on the heels (and somewhat novelty) of art-film director biopics Pasolini and Godard Mon Amour comes Enfant Terrible, which spans fifteen years in the life of the notorious Rainer Werner Fassbinder. Breathlessly running through a multitude of his films and strained interpersonal relationships in the span of 134 minutes, the film feels more concerned with hitting the major beats of a Wikipedia page than actually creating a fully formed cinematic character. À la David Fincher’s own highly inert showbiz-tale misfire Mank, one wonders what the specific point of this actually was in the first place.
Spanning from his early days in Munich’s avant-garde theatre to pathetic final moments on earth, the banalization of the great director and monstrous man’s life can’t help feeling like something of an insult. With a life dedicated to cinema, churning out three to five films per year, Fassbinder still found the...
Spanning from his early days in Munich’s avant-garde theatre to pathetic final moments on earth, the banalization of the great director and monstrous man’s life can’t help feeling like something of an insult. With a life dedicated to cinema, churning out three to five films per year, Fassbinder still found the...
- 5/7/2021
- by Ethan Vestby
- The Film Stage
Webster University Film Series has become the location for many national tours of international cinema, often acting as the only such venue in Missouri. The Series is host to speakers and visiting artists who address the pertinent issues in films presented. In an effort to further integrate film with education, the Film Series provides workshops with artists and experts.
As part of the Film Series virtual Speaker Series, Fassbinder February focuses on the works of Rainer Werner Fassbinder, the prolific LGBTQ+ film director of 1970s West Germany. Once a week, all throughout February, a guest speaker will give a talk on a different film of the trailblazing director. Each film is available on popular streaming services like The Criterion Channel, HBO Max, and/or Amazon Prime. Watch each ahead of time and then join The Webster University University Film Series all month long for interesting and thought-provoking discussions on the...
As part of the Film Series virtual Speaker Series, Fassbinder February focuses on the works of Rainer Werner Fassbinder, the prolific LGBTQ+ film director of 1970s West Germany. Once a week, all throughout February, a guest speaker will give a talk on a different film of the trailblazing director. Each film is available on popular streaming services like The Criterion Channel, HBO Max, and/or Amazon Prime. Watch each ahead of time and then join The Webster University University Film Series all month long for interesting and thought-provoking discussions on the...
- 1/11/2021
- by Tom Stockman
- WeAreMovieGeeks.com
Hungarian stage and screen director Kornel Mundruczo and partner/screenwriter Kata Weber collaborated closely on “Pieces of a Woman,” in which Vanessa Kirby and Shia Labeouf play a Boston couple devastated by the loss of their newborn baby during a home birth. The film had its world premiere on Saturday in the main competition section of the Venice Film Festival.
They spoke to Variety about various aspects of the meticulous work that went into delivering this powerful picture, which marks the first English-language feature by Mundruczo, who broke out internationally with his 2014 social parable “White Dog.” Excerpts from the conversation.
As I understand it, the film expands a multimedia theater piece you did together. How did that originate?
Kata Weber
I wanted to talk about a taboo, which I think really exists. Women who lose their babies are so relegated to isolation. People (around them) just don’t know how...
They spoke to Variety about various aspects of the meticulous work that went into delivering this powerful picture, which marks the first English-language feature by Mundruczo, who broke out internationally with his 2014 social parable “White Dog.” Excerpts from the conversation.
As I understand it, the film expands a multimedia theater piece you did together. How did that originate?
Kata Weber
I wanted to talk about a taboo, which I think really exists. Women who lose their babies are so relegated to isolation. People (around them) just don’t know how...
- 9/6/2020
- by Nick Vivarelli
- Variety Film + TV
Amazon Studios brings the story of Marie Curie to the screen with Radioactive starring Oscar-nominated actress Rosamund Pike as the pioneering scientist.
Directed by Marjane Satrapi (Persepolis) and written by Jack Thorne, Radioactive is based on the 2010 graphic novel Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout by Lauren Redniss. The film adaptation follows Curie’s life and the legacy of scientific breakthroughs. At the same time, the story tells the darker consequences that came about after her amazing work.
Curie married fellow scientist Pierre Curie (Sam Riley) who went on to raise two daughters and change the face of science forever by jointly winning the Nobel for the discovery of radium in 1903. After the death of her husband, Curie continues her research and invites scandal when she has an affair with another prominent scientist, Paul Langevin (Aneurin Barnard). However, it is Marie’s commitment to science which prevails,...
Directed by Marjane Satrapi (Persepolis) and written by Jack Thorne, Radioactive is based on the 2010 graphic novel Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout by Lauren Redniss. The film adaptation follows Curie’s life and the legacy of scientific breakthroughs. At the same time, the story tells the darker consequences that came about after her amazing work.
Curie married fellow scientist Pierre Curie (Sam Riley) who went on to raise two daughters and change the face of science forever by jointly winning the Nobel for the discovery of radium in 1903. After the death of her husband, Curie continues her research and invites scandal when she has an affair with another prominent scientist, Paul Langevin (Aneurin Barnard). However, it is Marie’s commitment to science which prevails,...
- 7/24/2020
- by Dino-Ray Ramos
- Deadline Film + TV
Perverse, erotic, debasing, and powerful, fashion photographer Helmut Newton’s photographs throughout the 20th century displayed a worship of women similar to a domineering male director and his female star. Fittingly, Newton is most famous in cinephile circles for a 1988 photograph he took in Los Angeles of David Lynch and his muse Isabella Rossellini, at the height of their “Blue Velvet” fame. In the black-and-white photo, the filmmaker fondles Rossellini’s face, looking into her soul not as a human being, but as a vessel for an idea. He’s a puppeteer, and she his puppet.
That’s very much how the German-Australian Newton perceived his mainly female subjects, and Gero von Boehm’s new documentary “Helmut Newton: The Bad and the Beautiful” spends the majority of its short, yet encompassing running time talking to those women, whom Newton clearly idolized. It’s a striking lineup of talking heads: Rossellini herself,...
That’s very much how the German-Australian Newton perceived his mainly female subjects, and Gero von Boehm’s new documentary “Helmut Newton: The Bad and the Beautiful” spends the majority of its short, yet encompassing running time talking to those women, whom Newton clearly idolized. It’s a striking lineup of talking heads: Rossellini herself,...
- 7/23/2020
- by Ryan Lattanzio
- Indiewire
Fear City: New York vs The Mafia
A new Netflix documentary series revisits New York City in the 1970s – an era where the city’s promise of fun was replaced with great fear instilled by the mob, until the FBI decided to go after all five families. “The boss asked me to come into his office,” remembers a man who worked closely on the case. “Said, we want to indite all five families at the same time. I said, what, are you shitting me?” The series details how the FBI...
A new Netflix documentary series revisits New York City in the 1970s – an era where the city’s promise of fun was replaced with great fear instilled by the mob, until the FBI decided to go after all five families. “The boss asked me to come into his office,” remembers a man who worked closely on the case. “Said, we want to indite all five families at the same time. I said, what, are you shitting me?” The series details how the FBI...
- 7/18/2020
- by Natalli Amato
- Rollingstone.com
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