The stars are aligned for Guillermo del Toro’s “Nightmare Alley,” his adaptation of William Lindsay Gresham’s 1946 noir novel that was quickly turned into a 1947 movie starring Tyrone Power. The Searchlight movie, out December 17 in theaters only, is among the top early contenders for Best Picture and Best Director according to the Gold Derby odds, and that’s perhaps expected: del Toro’s last film, the science-fiction hybrid “The Shape of Water” won both awards at the 2018 Oscars.
But about those stars: del Toro has assembled a murderer’s row of past Oscar winners and nominees, including Bradley Cooper, Cate Blanchett, Rooney Mara, David Straithairn, Toni Collette, Richard Jenkins, and Willem Dafoe, to tell the story of a carnival worker turned con man (Cooper) and the tangled web of deception in which he becomes ensnarled.
“This has no supernatural element. It’s based completely in a reality world,” del Toro told Vanity Fair.
But about those stars: del Toro has assembled a murderer’s row of past Oscar winners and nominees, including Bradley Cooper, Cate Blanchett, Rooney Mara, David Straithairn, Toni Collette, Richard Jenkins, and Willem Dafoe, to tell the story of a carnival worker turned con man (Cooper) and the tangled web of deception in which he becomes ensnarled.
“This has no supernatural element. It’s based completely in a reality world,” del Toro told Vanity Fair.
- 9/17/2021
- by Christopher Rosen
- Gold Derby
Guillermo del Toro takes a walk on the noir side in his first film since winning the Oscar for directing the 2017 best picture winner “The Shape of Things.” “Nightmare Alley,’ based on the uncompromising 1946 novel by William Lindsay Gresham, offers a bleak depiction of humanity including low-rent carnivals filled with has-beens, geeks and “rum-dums.” Searchlight Pictures is giving “Nightmare Alley,” which had to shut down production during the height of Covid in 2020, the “A” treatment, opening the film on Dec. 3 just in time for awards consideration.
The innovative Mexican filmmaker best known for his acclaimed fantasy, horror (“The Devil’s Backbone”) and sci-fi (‘Hellboy”) productions, co-wrote the screenplay with Kim Morgan. Bradley Cooper plays Stan Carlisle, a handsome manipulative carny worker who has a massive chip on his shoulder. Stan wants to hit the big time and with the help of carnival headliner Zeena (Toni Collette) resurrects her old mentalist act.
The innovative Mexican filmmaker best known for his acclaimed fantasy, horror (“The Devil’s Backbone”) and sci-fi (‘Hellboy”) productions, co-wrote the screenplay with Kim Morgan. Bradley Cooper plays Stan Carlisle, a handsome manipulative carny worker who has a massive chip on his shoulder. Stan wants to hit the big time and with the help of carnival headliner Zeena (Toni Collette) resurrects her old mentalist act.
- 6/4/2021
- by Susan King
- Gold Derby
One of the most glamorous / unsavory films noir ever, this creepy tale of a master con-man undone by warped ambition was planned as a career-altering role for the big star Tyrone Power. Power plumbs the depths of personal degradation in terms that even today skew to the squeamish side of human experience. Almost as fascinating are the women Power uses, arrayed in dynamic contrast: Coleen Gray, Joan Blondell and Helen Walker. Yes, this is the movie about ‘The Geek’… Hollywood hadn’t been this intimate with the seamy underside of carnival life since Tod Browning’s Freaks. The disc extras include top contributions from James Ursini and Alain Silver, Imogen Sara Smith and even Coleen Gray.
Nightmare Alley
Blu-ray
The Criterion Collection 1078
1947 / B&w / 1:37 Academy / 111 min. / available through The Criterion Collection / Street Date May 25, 2021 / 39.95
Starring: Tyrone Power, Coleen Gray, Joan Blondell, Helen Walker, Taylor Holmes, Mike Mazurki, Ian Keith,...
Nightmare Alley
Blu-ray
The Criterion Collection 1078
1947 / B&w / 1:37 Academy / 111 min. / available through The Criterion Collection / Street Date May 25, 2021 / 39.95
Starring: Tyrone Power, Coleen Gray, Joan Blondell, Helen Walker, Taylor Holmes, Mike Mazurki, Ian Keith,...
- 5/11/2021
- by Glenn Erickson
- Trailers from Hell
Normal 0 false false false En-us X-none X-none
“Geek Love”
By Raymond Benson
One of the more unique entries in the film noir movement of the 1940s and 50s is the 1947 melodrama, Nightmare Alley. Based on a novel by William Lindsay Gresham, the picture was made only because Tyrone Power expressed the desire to star in it after reading the grim tale of a carnival barker who rises to the top of the charlatan world, only to ultimately fall hard to rock bottom.
While classified as film noir, the picture has little of the usual trappings of the movement. There is no central crime in the story, there are no cynical detectives, and one can argue that there are no femmes fatale. It is only in the visual presentation that one can consider Nightmare Alley an item of film noir—the high contrast black and white photography, the heavy light and shadows,...
“Geek Love”
By Raymond Benson
One of the more unique entries in the film noir movement of the 1940s and 50s is the 1947 melodrama, Nightmare Alley. Based on a novel by William Lindsay Gresham, the picture was made only because Tyrone Power expressed the desire to star in it after reading the grim tale of a carnival barker who rises to the top of the charlatan world, only to ultimately fall hard to rock bottom.
While classified as film noir, the picture has little of the usual trappings of the movement. There is no central crime in the story, there are no cynical detectives, and one can argue that there are no femmes fatale. It is only in the visual presentation that one can consider Nightmare Alley an item of film noir—the high contrast black and white photography, the heavy light and shadows,...
- 5/4/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Production has wrapped on Guillermo del Toro’s “Nightmare Alley,” the upcoming psychological thriller film led by a starry ensemble including Bradley Cooper, Cate Blanchett, Toni Collette, Rooney Mara, Willem Dafoe, Richard Jenkins, and Ron Perlman. While Disney-owned distributor Searchlight Pictures has yet to reveal a release date, the film’s co-screenwriter Kim Morgan (writing with Del Toro) revealed the end of the film’s production on Instagram Saturday. Independently, Guillermo del Toro confirmed that shooting was completed to IndieWire. (See Morgan’s post below.)
Production was suspended on March 13 due to the pandemic, but resumed safely in September. The film shot mainly in Toronto. Based on the novel by William Lindsay Gresham, the film centers on an ambitious young carny (Cooper) with a talent for manipulating people with a few well-chosen words. He hooks-up with a female psychiatrist (Blanchett) who, it turns out, is even more dangerous than he is.
Production was suspended on March 13 due to the pandemic, but resumed safely in September. The film shot mainly in Toronto. Based on the novel by William Lindsay Gresham, the film centers on an ambitious young carny (Cooper) with a talent for manipulating people with a few well-chosen words. He hooks-up with a female psychiatrist (Blanchett) who, it turns out, is even more dangerous than he is.
- 12/12/2020
- by Ryan Lattanzio
- Indiewire
Murder, He Says
Blu ray
Kino Lorber
1945 / 1.33:1 / 94 min.
Starring Fred MacMurray, Marjorie Main, Peter Whitney
Cinematography by Theodor Sparkuhl
Directed by George Marshall
The Snopes family were a collection of Southern-fried scoundrels introduced by William Faulkner in 1940’s The Hamlet. Over the course of three novels and several short stories, the clan proved themselves capable of just about any atrocity. They were so comically loathsome they could have been kissing cousins to Mamie, Mert and Bert: the Fleagle family – a slapstick version of the Snopes. Even the local sheriff is terrified of the Fleagles and a greenhorn census taker from the big city is about to find out why.
Fred MacMurray plays Pete Marshall, the eager beaver field man for the Trotter Poll who’s searching for a missing colleague last seen headed toward the Fleagle house, way, way out in the woods (where presumably no one can hear...
Blu ray
Kino Lorber
1945 / 1.33:1 / 94 min.
Starring Fred MacMurray, Marjorie Main, Peter Whitney
Cinematography by Theodor Sparkuhl
Directed by George Marshall
The Snopes family were a collection of Southern-fried scoundrels introduced by William Faulkner in 1940’s The Hamlet. Over the course of three novels and several short stories, the clan proved themselves capable of just about any atrocity. They were so comically loathsome they could have been kissing cousins to Mamie, Mert and Bert: the Fleagle family – a slapstick version of the Snopes. Even the local sheriff is terrified of the Fleagles and a greenhorn census taker from the big city is about to find out why.
Fred MacMurray plays Pete Marshall, the eager beaver field man for the Trotter Poll who’s searching for a missing colleague last seen headed toward the Fleagle house, way, way out in the woods (where presumably no one can hear...
- 3/28/2020
- by Charlie Largent
- Trailers from Hell
A thyroid operation every ten years, plus regular libations of an eerie green liquid, has allowed Anton Diffring to live over a hundred years without looking a year over forty. Hammer’s medical horror show features Christopher Lee, Hazel Court and sumptuous cinematography, but not a whole lot of surprises.
The Man Who Could Cheat Death
Blu-ray
Kl Studio Classics
1959 / Color/ 1:66 widescreen / 83 min. / Street Date March 14, 2017 / available through Kino Lorber / 29.95
Starring: Anton Diffring, Hazel Court, Christopher Lee, Arnold Marle, Delphi Lawrence.
Cinematography: Jack Asher
Production Design: Bernard Robinson
Art Direction: Roy Ashton
Film Editor: John Dunsford
Original Music: Richard Rodney Bennett
Written by Jimmy Sangster from a play by Barré Lyndon
Produced by Michael Carreras
Directed by Terence Fisher
For its first two years of Technicolor horror Hammer Films could seemingly do no wrong. In just a few months their revivals of classic horror motifs were being bankrolled and...
The Man Who Could Cheat Death
Blu-ray
Kl Studio Classics
1959 / Color/ 1:66 widescreen / 83 min. / Street Date March 14, 2017 / available through Kino Lorber / 29.95
Starring: Anton Diffring, Hazel Court, Christopher Lee, Arnold Marle, Delphi Lawrence.
Cinematography: Jack Asher
Production Design: Bernard Robinson
Art Direction: Roy Ashton
Film Editor: John Dunsford
Original Music: Richard Rodney Bennett
Written by Jimmy Sangster from a play by Barré Lyndon
Produced by Michael Carreras
Directed by Terence Fisher
For its first two years of Technicolor horror Hammer Films could seemingly do no wrong. In just a few months their revivals of classic horror motifs were being bankrolled and...
- 3/7/2017
- by Glenn Erickson
- Trailers from Hell
Turner Classic Movies has released three Alan Ladd titles in a set titled "Alan Ladd: The 1940s Collection". Here is the official press release:
Handsome leading man Alan Ladd found success in the 1940s and ‘50s, first as the tough guy in several films noir co-starring Veronica Lake and then as the stoic hero in Westerns such as Shane (1953). Turner Classic Movies and Universal are proud to present this three-film collection that showcases Ladd’s talents in a range of genres from thriller to adventure, as well as the work of such directors as Irving Pichel and Frank Tuttle, and writers the likes of Richard Maibaum and Seton I. Miller. Lucky Jordan (1942) Directed by Frank Tuttle (who also directed Ladd’s breakthrough film This Gun for Hire the same year), Lucky Jordan stars Ladd as a racketeer who gets drafted into the Us Army and will do anything to...
Handsome leading man Alan Ladd found success in the 1940s and ‘50s, first as the tough guy in several films noir co-starring Veronica Lake and then as the stoic hero in Westerns such as Shane (1953). Turner Classic Movies and Universal are proud to present this three-film collection that showcases Ladd’s talents in a range of genres from thriller to adventure, as well as the work of such directors as Irving Pichel and Frank Tuttle, and writers the likes of Richard Maibaum and Seton I. Miller. Lucky Jordan (1942) Directed by Frank Tuttle (who also directed Ladd’s breakthrough film This Gun for Hire the same year), Lucky Jordan stars Ladd as a racketeer who gets drafted into the Us Army and will do anything to...
- 6/26/2016
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Coleen Gray actress ca. 1950. Coleen Gray: Actress in early Stanley Kubrick film noir, destroyer of men in cult horror 'classic' Actress Coleen Gray, best known as the leading lady in Stanley Kubrick's film noir The Killing and – as far as B horror movie aficionados are concerned – for playing the title role in The Leech Woman, died at age 92 in Aug. 2015. This two-part article, which focuses on Gray's film career, is a revised and expanded version of the original post published at the time of her death. Born Doris Bernice Jensen on Oct. 23, 1922, in Staplehurst, Nebraska, at a young age she moved with her parents, strict Lutheran Danish farmers, to Minnesota. After getting a degree from St. Paul's Hamline University, she relocated to Southern California to be with her then fiancé, an army private. At first, she eked out a living as a waitress at a La Jolla hotel...
- 10/14/2015
- by Andre Soares
- Alt Film Guide
Coleen Gray actress ca. 1950. Coleen Gray: Actress in early Stanley Kubrick film noir, destroyer of men in cult horror 'classic' Actress Coleen Gray, best known as the leading lady in Stanley Kubrick's film noir The Killing and – as far as B horror movie aficionados are concerned – for playing the title role in The Leech Woman, died at age 92 in Aug. 2015. This two-part article, which focuses on Gray's film career, is a revised and expanded version of the original post published at the time of her death. Born Doris Bernice Jensen on Oct. 23, 1922, in Staplehurst, Nebraska, at a young age she moved with her parents, strict Lutheran Danish farmers, to Minnesota. After getting a degree from St. Paul's Hamline University, she relocated to Southern California to be with her then fiancé, an army private. At first, she eked out a living as a waitress at a La Jolla hotel...
- 10/14/2015
- by Andre Soares
- Alt Film Guide
Nightmare Alley
Written by Jules Furthman
Directed by Edmund Goulding
U.S.A., 1947
Who can tell when they are being conned? Or lied to for that matter? Some people are blessed (or cursed) with a potentially dangerous gift, that of being able to fool their way into earning other people’s confidence. It is a perverse talent to say the least, a double-edged sword. When caught in a rut, the ability to smooth talk one’s way to calmer shores is commendable, but when the same talents are applied by someone with far fewer moral scruples, then the consequences may ultimately prove painful for both the con victim and the artist. Nightmare Alley, directed by Edmund Goulding, is a bit of an anomaly within film noir for its setting and the sort of protagonist the story evolves around. In fact, the case can be made that he is more antagonist than protagonist.
Written by Jules Furthman
Directed by Edmund Goulding
U.S.A., 1947
Who can tell when they are being conned? Or lied to for that matter? Some people are blessed (or cursed) with a potentially dangerous gift, that of being able to fool their way into earning other people’s confidence. It is a perverse talent to say the least, a double-edged sword. When caught in a rut, the ability to smooth talk one’s way to calmer shores is commendable, but when the same talents are applied by someone with far fewer moral scruples, then the consequences may ultimately prove painful for both the con victim and the artist. Nightmare Alley, directed by Edmund Goulding, is a bit of an anomaly within film noir for its setting and the sort of protagonist the story evolves around. In fact, the case can be made that he is more antagonist than protagonist.
- 9/21/2013
- by Edgar Chaput
- SoundOnSight
Fred MacMurray movies: ‘Double Indemnity,’ ‘There’s Always Tomorrow’ Fred MacMurray is Turner Classic Movies’ "Summer Under the Stars" today, Thursday, August 7, 2013. Although perhaps best remembered as the insufferable All-American Dad on the long-running TV show My Three Sons and in several highly popular Disney movies from 1959 to 1967, e.g., The Absent-Minded Professor, Son of Flubber, Boy Voyage!, MacMurray was immeasurably more interesting as the All-American Jerk. (Photo: Fred MacMurray ca. 1940.) Someone once wrote that Fred MacMurray would have been an ideal choice to star in a biopic of disgraced Republican president Richard Nixon. Who knows, the (coincidentally Republican) MacMurray might have given Anthony Hopkins a run for his Best Actor Academy Award nomination. After all, MacMurray’s most admired movie performances are those in which he plays a scheming, conniving asshole: Billy Wilder’s classic film noir Double Indemnity (1944), in which he’s seduced by Barbara Stanwyck, and Wilder...
- 8/8/2013
- by Andre Soares
- Alt Film Guide
Joseph H. Lewis' The Big Combo (1955) and André De Toth's Pitfall (1948, right, with Dick Powell) will be screened as a film noir double bill at 7:30 p.m. on Wednesday, Feb. 8, at downtown Los Angeles' historic Million Dollar Theater. I haven't watched either movie, but the Los Angeles Times' Kenneth Turan's warns: The Big Combo's "big, dark shadows … will eat you alive." Sounds like a must-see. Cornel Wilde stars as a cop in pursuit of crime boss Richard Conte; all the while, both cop and criminal vie for the attention of curvaceous blonde Jean Wallace, Wilde's then real-life wife. (The couple were married 1951-1981.) Also in the Big Combo cast: Robert Middleton, Brian Donlevy, Lee Van Cleef, Helen Walker, and Earl Holliman. Screenplay by Philip Yordan (House of Strangers, Detective Story, Johnny Guitar). In Pitfall, former Warner Bros. crooner Dick Powell plays an insurance salesman who falls for sultry Lizabeth Scott,...
- 2/5/2012
- by Andre Soares
- Alt Film Guide
Just when you thought you could relax and enjoy Homeland, another revelation chills us to the bone. Sure, we knew that what happened last week didn't mean Brody was in the clear. But I was still thrown by this episode's twists.
Afterellen Bait
We know better than to expect much in the way of girl/girl action from Homeland, but we did get a teeny bit of eye candy this week in the form of Helen Walker and her arms. I call this screencap, "Helen, yeah!"
Feelings, Feelings, Feelings!
Most of the feelings this week whirled around love and loss. Saul's wife Mira leaves and despite the tension between them in the days before, we finally see Mira break down on her way to the airport. She does love Saul — she just can't live with the fact that he will always choose duty over her.
Carrie is confronted with real...
Afterellen Bait
We know better than to expect much in the way of girl/girl action from Homeland, but we did get a teeny bit of eye candy this week in the form of Helen Walker and her arms. I call this screencap, "Helen, yeah!"
Feelings, Feelings, Feelings!
Most of the feelings this week whirled around love and loss. Saul's wife Mira leaves and despite the tension between them in the days before, we finally see Mira break down on her way to the airport. She does love Saul — she just can't live with the fact that he will always choose duty over her.
Carrie is confronted with real...
- 11/22/2011
- by the linster
- AfterEllen.com
Homeland, Season 1, Episode 8: “Achilles Heel”
Written by Chip Johannessen
Directed by Tucker Gates
Airs Sundays at 10pm Et on Showtime
Homeland has dabbled in thematically structured episodes already, but “Achilles Heel” took that to another level and by doing so brought to mind a lot of what made the best episodes of the failed AMC show, Rubicon, so great. You take a theme and you let it seep into all the ongoing storylines, and by doing so you add extra weight and character even when not much is actually happening story-wise. Except that in this case, a lot did happen outside of the central theme of love in marriage.
The episode worked in that theme on multiple fronts in what was actually something of a Carrie-light episode. Brody and Jessica have begun to clear the air and air starting to resemble a happily married couple. They get invited to...
Written by Chip Johannessen
Directed by Tucker Gates
Airs Sundays at 10pm Et on Showtime
Homeland has dabbled in thematically structured episodes already, but “Achilles Heel” took that to another level and by doing so brought to mind a lot of what made the best episodes of the failed AMC show, Rubicon, so great. You take a theme and you let it seep into all the ongoing storylines, and by doing so you add extra weight and character even when not much is actually happening story-wise. Except that in this case, a lot did happen outside of the central theme of love in marriage.
The episode worked in that theme on multiple fronts in what was actually something of a Carrie-light episode. Brody and Jessica have begun to clear the air and air starting to resemble a happily married couple. They get invited to...
- 11/21/2011
- by Corey Atad
- SoundOnSight
Showtime Scene from “Homeland.”
On last night’s episode of “Homeland,” “Achilles’ Heel”, the CIA’s search for Tom Walker brings out the vulnerability in everyone involved, one way or the other.
The episode begins with the image of Walker, playing the role of homeless veteran to the T, standing at an intersection begging for money. Before too long, a late-model car with diplomatic plates rolls up, and the man in the back seat gives Walker a dollar, subtly purposeful as he does so.
On last night’s episode of “Homeland,” “Achilles’ Heel”, the CIA’s search for Tom Walker brings out the vulnerability in everyone involved, one way or the other.
The episode begins with the image of Walker, playing the role of homeless veteran to the T, standing at an intersection begging for money. Before too long, a late-model car with diplomatic plates rolls up, and the man in the back seat gives Walker a dollar, subtly purposeful as he does so.
- 11/21/2011
- by Chris Simmons
- Speakeasy/Wall Street Journal
Showtime
Last night’s pivotal episode of “Homeland,” “The Good Soldier,” was packed with lots to digest, so let’s dive right in.
We begin with Carrie at the agency, obsessively playing and replaying the footage of Brody’s encounter with Hamid, still convinced that Brody slipped his former guard the razor blade, which he used to take his own life. Finding nothing there, Carrie is later in a meeting with Saul, David, and David’s superior. Carrie embarrasses David,...
Last night’s pivotal episode of “Homeland,” “The Good Soldier,” was packed with lots to digest, so let’s dive right in.
We begin with Carrie at the agency, obsessively playing and replaying the footage of Brody’s encounter with Hamid, still convinced that Brody slipped his former guard the razor blade, which he used to take his own life. Finding nothing there, Carrie is later in a meeting with Saul, David, and David’s superior. Carrie embarrasses David,...
- 11/8/2011
- by Chris Simmons
- Speakeasy/Wall Street Journal
Showtime A scene from “Homeland.”
An unstable, clinically unwell CIA operative becomes obsessed with proving that a Marine, held captive by Al Queda for eight years and now returned as a war hero, is really a “turned” terrorist operative with plans to target the U.S. for an attack. This is the plot of the suspense-filled new series “Homeland,” aka, my latest obsessive TV watching habit.
Carrie Mathison is the CIA agent, and until 10 months ago, a rising, well-respected operative.
An unstable, clinically unwell CIA operative becomes obsessed with proving that a Marine, held captive by Al Queda for eight years and now returned as a war hero, is really a “turned” terrorist operative with plans to target the U.S. for an attack. This is the plot of the suspense-filled new series “Homeland,” aka, my latest obsessive TV watching habit.
Carrie Mathison is the CIA agent, and until 10 months ago, a rising, well-respected operative.
- 10/3/2011
- by Chris Simmons
- Speakeasy/Wall Street Journal
Netflix has revolutionized the home movie experience for fans of film with its instant streaming technology. Netflix Nuggets is my way of spreading the word about independent, classic and foreign films made available by Netflix for instant streaming.
This Week’s New Instant Releases…
Promised Lands (1974)
Streaming Available: 04/19/2011
Cast: Documentary
Director: Susan Sontag
Synopsis: Set in Israel during the final days of the 1973 Yom Kippur War, this powerful documentary — initially barred by Israel authorities — from writer-director Susan Sontag examines divergent perceptions of the enduring Arab-Israeli clash. Weighing in on matters related to socialism, anti-Semitism, nation sovereignty and American materialism are The Last Jew writer Yoram Kaniuk and military physicist Yuval Ne’eman.
Vision: From the Life of Hildegard von Bingen (2009)
Streaming Available: 04/19/2011
Cast: Barbara Sukowa, Heino Ferch, Hannah Herzsprung, Gerald Alexander Held, Lena Stolze, Sunnyi Melles
Synopsis: Directed by longtime star of independent German cinema Margarethe von Trotta, this reverent...
This Week’s New Instant Releases…
Promised Lands (1974)
Streaming Available: 04/19/2011
Cast: Documentary
Director: Susan Sontag
Synopsis: Set in Israel during the final days of the 1973 Yom Kippur War, this powerful documentary — initially barred by Israel authorities — from writer-director Susan Sontag examines divergent perceptions of the enduring Arab-Israeli clash. Weighing in on matters related to socialism, anti-Semitism, nation sovereignty and American materialism are The Last Jew writer Yoram Kaniuk and military physicist Yuval Ne’eman.
Vision: From the Life of Hildegard von Bingen (2009)
Streaming Available: 04/19/2011
Cast: Barbara Sukowa, Heino Ferch, Hannah Herzsprung, Gerald Alexander Held, Lena Stolze, Sunnyi Melles
Synopsis: Directed by longtime star of independent German cinema Margarethe von Trotta, this reverent...
- 4/20/2011
- by Travis Keune
- WeAreMovieGeeks.com
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