Sheryl Crow’s earliest musical memory begins in the backseat of a powder blue Plymouth Station Wagon. Only three years old at the time, she was being driven by her parents into the heart of her hometown’s commercial district when, fortuitously, Petula Clark’s “Downtown” came on the radio. Young Sheryl sang at the top of her lungs the whole way home.
It was the beginning of a lifetime of music that’s followed Crow from those simpler Kennett, Missouri origins to the height of musical superstardom in the 1990s, 2000s, and on through to today. When Crow speaks about those formative years now, it’s with affection for her hearth and kin, her parents’ musical tastes, and their encouragement for her to play piano for friends. But her favorite early singing memories of that time?
“It was really the quiet times when I could go sit at the piano by myself,...
It was the beginning of a lifetime of music that’s followed Crow from those simpler Kennett, Missouri origins to the height of musical superstardom in the 1990s, 2000s, and on through to today. When Crow speaks about those formative years now, it’s with affection for her hearth and kin, her parents’ musical tastes, and their encouragement for her to play piano for friends. But her favorite early singing memories of that time?
“It was really the quiet times when I could go sit at the piano by myself,...
- 5/5/2022
- by David Crow
- Den of Geek
In the music world, it’s pretty much a given that the mellower the artist, the more troubled he or she may be — think of the demons lurking behind those all those languid guitar strums or yacht-rock tempos. (See: the Doobie Brothers.) And thanks to the new documentary Sheryl, which premieres on Showtime May 6th, we can now add another name to that list: Sheryl Crow.
As we approach next year’s 30th anniversary of Tuesday Night Music Club, the album that made her a star after several false starts,...
As we approach next year’s 30th anniversary of Tuesday Night Music Club, the album that made her a star after several false starts,...
- 5/4/2022
- by David Browne
- Rollingstone.com
When Amy Scott premiered her documentary about the life of director Hal Ashby at Sundance in January, she soon realized she was surrounded by others of her kind.
“I was like, ‘Dang, this is the year of the biopic," says Scott. "We felt like we were really in great company." Indeed, it has been a prolific year for artist portraits, with docs being released about Joan Jett (Bad Reputation), Elvis Presley (The King), Whitney Houston (Whitney), Quincy Jones (Quincy), Ryuichi Sakamoto (Ryuichi Sakamoto: Coda) and Fred Rogers (Won’t You Be My Neighbor?), which scored ...
“I was like, ‘Dang, this is the year of the biopic," says Scott. "We felt like we were really in great company." Indeed, it has been a prolific year for artist portraits, with docs being released about Joan Jett (Bad Reputation), Elvis Presley (The King), Whitney Houston (Whitney), Quincy Jones (Quincy), Ryuichi Sakamoto (Ryuichi Sakamoto: Coda) and Fred Rogers (Won’t You Be My Neighbor?), which scored ...
- 11/8/2018
- The Hollywood Reporter - Movie News
When Amy Scott premiered her documentary about the life of director Hal Ashby at Sundance in January, she soon realized she was surrounded by others of her kind.
“I was like, ‘Dang, this is the year of the biopic," says Scott. "We felt like we were really in great company." Indeed, it has been a prolific year for artist portraits, with docs being released about Joan Jett (Bad Reputation), Elvis Presley (The King), Whitney Houston (Whitney), Quincy Jones (Quincy), Ryuichi Sakamoto (Ryuichi Sakamoto: Coda) and Fred Rogers (Won’t You Be My Neighbor?), which scored ...
“I was like, ‘Dang, this is the year of the biopic," says Scott. "We felt like we were really in great company." Indeed, it has been a prolific year for artist portraits, with docs being released about Joan Jett (Bad Reputation), Elvis Presley (The King), Whitney Houston (Whitney), Quincy Jones (Quincy), Ryuichi Sakamoto (Ryuichi Sakamoto: Coda) and Fred Rogers (Won’t You Be My Neighbor?), which scored ...
- 11/8/2018
- The Hollywood Reporter - Film + TV
Jimmy Chin and Elizabeth Chai Vasarhelyi‘s “Free Solo” leads the third annual Critics’ Choice Documentary Awards with six bids, including Best Documentary and Best Director. Also nabbing nominations in those two top categories is Bing Liu‘s “Minding the Gap,” which is also in the running for Best First Time Director, as well as “Won’t You Be My Neighbor?,” “Dark Money,” “Hitler’s Hollywood,” and “Three Identical Strangers.” In all 10 films were nominated for the top prize at these awards bestowed by the Broadcast Film Critics Assn. (Bfca). The other four are “Crime + Punishment,” “Hal,” “Rbg,” and “Wild Wild Country.”
Last year the Bfca nominated 16 films for this award, three of which –“Abacus: Small Enough to Jail,” “Faces Places,” and “Strong Island” — went on to contend at the Oscars. And in 2016 the Bfca shared its Best Documentary winner (“O.J.: Made in America”) with the Academy...
Last year the Bfca nominated 16 films for this award, three of which –“Abacus: Small Enough to Jail,” “Faces Places,” and “Strong Island” — went on to contend at the Oscars. And in 2016 the Bfca shared its Best Documentary winner (“O.J.: Made in America”) with the Academy...
- 10/16/2018
- by John Benutty
- Gold Derby
Elizabeth Chai Vasarhelyi and Jimmy Chin’s “Free Solo,” a National Geographic documentary about Alex Honnold’s attempt to climb Yosemite’s El Capitan rock formation without any ropes or protective equipment, leads all films in nominations for the third annual Critics’ Choice Documentary Awards, the Broadcast Film Critics Association and Broadcast Television Journalists Associations announced on Monday.
“Free Solo” received five nominations, including Best Documentary and Best Director, and an additional honor for subject Honnold, who was one of eight subjects singled out in the Most Compelling Living Subject of a Documentary category.
Bing Liu’s “Minding the Gap” and Chapman Way and Maclain Way’s “Wild Wild Country” each received five nominations, while Kimberly Reed’s “Dark Money,” Rüdiger Suchsland’s “Hitler’s Hollywood” and Morgan Neville’s “Won’t You Be My Neighbor” received four each.
Also Read: 'Fahrenheit 11/9' Director Michael Moore to Receive Critics' Choice...
“Free Solo” received five nominations, including Best Documentary and Best Director, and an additional honor for subject Honnold, who was one of eight subjects singled out in the Most Compelling Living Subject of a Documentary category.
Bing Liu’s “Minding the Gap” and Chapman Way and Maclain Way’s “Wild Wild Country” each received five nominations, while Kimberly Reed’s “Dark Money,” Rüdiger Suchsland’s “Hitler’s Hollywood” and Morgan Neville’s “Won’t You Be My Neighbor” received four each.
Also Read: 'Fahrenheit 11/9' Director Michael Moore to Receive Critics' Choice...
- 10/15/2018
- by Steve Pond
- The Wrap
Jimmy Chin and Elizabeth Chai Vasarhelyi’s “Free Solo,” which captured rock climber Alex Honnold’s hair-raising ascent of Yosemite National Park’s 3,000-foot El Capitan rock formation, led the nominations for the third annual Critics’ Choice Documentary Awards, it was revealed Monday. The film netted six nominations including best documentary and best director.
Close behind with five mentions each were “Minding the Gap” and “Wild Wild Country,” from Hulu and Netflix respectively.
Voted on by the Broadcast Film Critics and Television Journalists Assns., the awards will be presented at a gala event hosted by science educator and television personality Bill Nye on Saturday, Nov. 10 at Bric in Brooklyn, New York.
The nominees are:
Best Documentary
“Crime + Punishment” – Director: Stephen Maing (Hulu)
“Dark Money” – Director: Kimberly Reed (PBS)
“Free Solo” – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Films)
“Hal” – Director: Amy Scott (Oscilloscope)
“Hitler’s Hollywood” – Director: Rüdiger Suchsland...
Close behind with five mentions each were “Minding the Gap” and “Wild Wild Country,” from Hulu and Netflix respectively.
Voted on by the Broadcast Film Critics and Television Journalists Assns., the awards will be presented at a gala event hosted by science educator and television personality Bill Nye on Saturday, Nov. 10 at Bric in Brooklyn, New York.
The nominees are:
Best Documentary
“Crime + Punishment” – Director: Stephen Maing (Hulu)
“Dark Money” – Director: Kimberly Reed (PBS)
“Free Solo” – Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi (National Geographic Documentary Films)
“Hal” – Director: Amy Scott (Oscilloscope)
“Hitler’s Hollywood” – Director: Rüdiger Suchsland...
- 10/15/2018
- by Kristopher Tapley
- Variety Film + TV
The Broadcast Film Critics Association (Bfca) and the Broadcast Television Journalists Association (Btja) have announced the nominees for the third annual Critics’ Choice Documentary Awards. The winners will be presented their awards at a gala event, hosted by science educator and television personality Bill Nye, on Saturday, November 10 at Bric in Brooklyn, New York.
Jimmy Chin and Elizabeth Chai Vasarhelyi’s “Free Solo” leads this year with six nominations and one honor, including Best Documentary, Best Directors, Best Sports Documentary, Most Innovative Documentary, Best Cinematography, Best Editing, and a Most Compelling Living Subject of a Documentary honor for Alex Honnold. “Minding the Gap” and “Wild Wild Country” follow with five nominations each, with “Dark Money,” “Hitler’s Hollywood,” and “Won’t You Be My Neighbor?” each earning four nods.
“We are thrilled to celebrate this year’s outstanding documentary work at the upcoming event,” said Broadcast Film Critics Association President...
Jimmy Chin and Elizabeth Chai Vasarhelyi’s “Free Solo” leads this year with six nominations and one honor, including Best Documentary, Best Directors, Best Sports Documentary, Most Innovative Documentary, Best Cinematography, Best Editing, and a Most Compelling Living Subject of a Documentary honor for Alex Honnold. “Minding the Gap” and “Wild Wild Country” follow with five nominations each, with “Dark Money,” “Hitler’s Hollywood,” and “Won’t You Be My Neighbor?” each earning four nods.
“We are thrilled to celebrate this year’s outstanding documentary work at the upcoming event,” said Broadcast Film Critics Association President...
- 10/15/2018
- by Kate Erbland
- Indiewire
The perilous attempt by climber Alex Honnold to become the first person ever to scale and solo climb Yosemite’s 3000 foot high El Capitan Mountain with no ropes or safety gear is chronicled in the documentary Free Solo, a film that has climbed the list of nominees with six nods (and one honor) for the 2018 Critics Choice Documentary Awards. The awards take place on Saturday November 10 in Brooklyn.
Bing Liu’s skateboarding docu, Minding The Gap, and the Emmy winning Netflix limited docu series Wild Wild Country follow with five nominations each. All three films are nominated in the Best Documentary category which includes theatrical features and streaming/television entries.
In what has been an outstanding year for docus, both critically and at the box office, three films that have earned big dollars in theaters are also well represented on the list – Morgan Neville’s poignant Mr. Rogers docu, Won...
Bing Liu’s skateboarding docu, Minding The Gap, and the Emmy winning Netflix limited docu series Wild Wild Country follow with five nominations each. All three films are nominated in the Best Documentary category which includes theatrical features and streaming/television entries.
In what has been an outstanding year for docus, both critically and at the box office, three films that have earned big dollars in theaters are also well represented on the list – Morgan Neville’s poignant Mr. Rogers docu, Won...
- 10/15/2018
- by Pete Hammond
- Deadline Film + TV
My Friend Hal: Scott Redefines the Showbiz Doc With Show-Stopping Debut Feature
Hal Ashby was one of the finest cinematic craftsmen who ever lived, with an astonishing career boasting some of the most seminal films from the 70s film history vault. His awe-inspiring editorial instinct and directorial aptitude courses through each project; a sublime talent inspiring subsequent generations of filmmakers to the present day. Editor-turned-director Amy Scott follows in the idyllic artist’s footsteps, cutting her teeth with a debut feature deconstructing the man and his obsessive genius that successfully (and repeatedly) captured an all-encompassing American experience. Hal is lively with infectious sincerity and passion, its stylish pizzazz and wide-reaching testimony effectively making it the definitive contemporary document of Ashby.…...
Hal Ashby was one of the finest cinematic craftsmen who ever lived, with an astonishing career boasting some of the most seminal films from the 70s film history vault. His awe-inspiring editorial instinct and directorial aptitude courses through each project; a sublime talent inspiring subsequent generations of filmmakers to the present day. Editor-turned-director Amy Scott follows in the idyllic artist’s footsteps, cutting her teeth with a debut feature deconstructing the man and his obsessive genius that successfully (and repeatedly) captured an all-encompassing American experience. Hal is lively with infectious sincerity and passion, its stylish pizzazz and wide-reaching testimony effectively making it the definitive contemporary document of Ashby.…...
- 9/19/2018
- by Matthew Roe
- IONCINEMA.com
When was the last time you watched Being There? Sure, everyone namedropped the Peter Sellers movie, about an idiot savant who watches TV and becomes a major political player, when a certain someone got elected President. And yes, Criterion put out a lovely DVD of it last year. But when was the last time you sat down and actually watched it? How about Coming Home, the returning-veteran movie that won Jon Voight and Jane Fonda respective Oscars, and helped usher in a wave of Vietnam movies? Or Shampoo, arguably Warren Beatty...
- 9/17/2018
- by David Fear
- Rollingstone.com
Hal Ashby‘s name is among the most respected names of Hollywood, including Francis Coppola, Martin Scorsese, and Steven Spielberg. However, Ashby is the unsung hero, whose compassionate and funny humanist dramas and gentle approach to directing endeared him to everyone he worked with.
Amy Scott‘s new documentary, “Hal,” tells the story of how Hal Ashby inspired Hollywood.
Continue reading ‘Hal’: Adam McKay & Others Talk The Changing Industry In The ’80s In This Exclusive Clip From Hal Ashby Doc at The Playlist.
Amy Scott‘s new documentary, “Hal,” tells the story of how Hal Ashby inspired Hollywood.
Continue reading ‘Hal’: Adam McKay & Others Talk The Changing Industry In The ’80s In This Exclusive Clip From Hal Ashby Doc at The Playlist.
- 9/14/2018
- by Jamie Rogers
- The Playlist
Weekend debuts are minimal as the film industry’s gravity heads north to the Toronto International Film Festival, though some roll outs hope to fill a narrow vacuum of new specialties in the marketplace ahead of the coming fall onslaught. Sundance premiere, Hal, about Oscar-nominated filmmaker Hal Ashby boasts an impressive roster of stars talking about the director behind classics such as Harold and Maude, Shampoo and Being There. Oscilloscope opens the doc exclusively in New York today before heading to L.A. next weekend. Music Box Films is rolling out French drama-mystery The Apparition, which it first viewed in the European Film Market coinciding with the Berlinale in February. And Uncork’d Entertainment is spearheading the stateside launch of South Africa’s Five Fingers for Marseilles, which it picked up out of Toronto last year, heading out Friday in a day and date release.
Also notable is that Ethan Hawke...
Also notable is that Ethan Hawke...
- 9/7/2018
- by Erik Pedersen
- Deadline Film + TV
Like many people, Amy Scott first came to the work of iconoclastic director Hal Ashby through “Harold and Maude.” The singularly joyful and macabre love story has been a staple of repertory theaters and college video viewings since it was released in 1971. “It blew my mind, it shifted my personal narrative,” says Scott, who makes her feature documentary directing debut with “Hal,” which screened this weekend at the Telluride Film Festival and opens in selected theaters on Sept. 7.
After being introduced to Ashby through her friends in film school, Scott continued her career as an editor, and when she read the biography “Being Hal Ashby: The Life of a Hollywood Rebel,” she realized that there was still no documentary about the seminal filmmaker.
Despite creating so many distinctive films of the 1970s, including “Coming Home,” “The Last Detail,” “Shampoo,” “Bound for Glory,” and “Being There,” which Scott calls his masterpiece,...
After being introduced to Ashby through her friends in film school, Scott continued her career as an editor, and when she read the biography “Being Hal Ashby: The Life of a Hollywood Rebel,” she realized that there was still no documentary about the seminal filmmaker.
Despite creating so many distinctive films of the 1970s, including “Coming Home,” “The Last Detail,” “Shampoo,” “Bound for Glory,” and “Being There,” which Scott calls his masterpiece,...
- 9/5/2018
- by Pat Saperstein
- Variety Film + TV
By the time Hal Ashby made it to the director’s chair in 1970 after a stint as one of the most acclaimed film editors of the 1960s, he’d grown out his hair to a shaggy fullness more in keeping with the hippie-ish message he sent over the airwaves when accepting his 1968 Oscar for editing “In the Heat of the Night”: “I hope we can use all of our talents and creativity for peace, and for love.”
Ashby would never lose his vibey guru mien thereafter, and through the Me Decade, he turned out a remarkable stretch of socially conscious, bitingly funny and character-rich pictures — including “The Last Detail,” “Shampoo” and “Being There” — that have made him a giant among cineastes who see the ’70s as Hollywood’s most satisfyingly adult and uncompromising period. But if there’s still the sense that Ashby isn’t as sanctified as American...
Ashby would never lose his vibey guru mien thereafter, and through the Me Decade, he turned out a remarkable stretch of socially conscious, bitingly funny and character-rich pictures — including “The Last Detail,” “Shampoo” and “Being There” — that have made him a giant among cineastes who see the ’70s as Hollywood’s most satisfyingly adult and uncompromising period. But if there’s still the sense that Ashby isn’t as sanctified as American...
- 9/5/2018
- by Robert Abele
- The Wrap
If you’ve already perused our massive fall preview, you’ll be familair with more than a handful of titles as we look deeper into this September’s film offerings. Alongside festival favorites from earlier this year (and beyond) all the way up to films just debuting at Telluride, Venice, and Tiff, it’s a strong start to a promising season for movie-going.
Matinees to See: Science Fair (9/14), A Simple Favor (9/14), White Boy Rick (9/14), I Think We’re Alone Now (9/14), A Boy. A Girl. A Dream. (9/14), Fahrenheit 11/9 (9/21), Love, Gilda (9/21), Monsters and Men (9/28)
15. Museo (Alonso Ruizpalacios; Sept. 15)
After his break-out film Güeros, Alonso Ruizpalacios premiered his latest film at Berlinale this year and now it finally arrives in theaters. Rory O’Connor said in his review, “It is the latest work of Alonso Ruizpalacios, an obliquely political filmmaker with an eye for cinematic homage. His latest is essentially a heist movie,...
Matinees to See: Science Fair (9/14), A Simple Favor (9/14), White Boy Rick (9/14), I Think We’re Alone Now (9/14), A Boy. A Girl. A Dream. (9/14), Fahrenheit 11/9 (9/21), Love, Gilda (9/21), Monsters and Men (9/28)
15. Museo (Alonso Ruizpalacios; Sept. 15)
After his break-out film Güeros, Alonso Ruizpalacios premiered his latest film at Berlinale this year and now it finally arrives in theaters. Rory O’Connor said in his review, “It is the latest work of Alonso Ruizpalacios, an obliquely political filmmaker with an eye for cinematic homage. His latest is essentially a heist movie,...
- 9/4/2018
- by Jordan Raup
- The Film Stage
Director Hal Ashby’s cinematic life is chronicled in Hal, a brisk yet eye opening documentary that will hopefully draw more moviegoers to his work. Filmmaker Amy Scott, though obviously an enthusiast of Ashby’s work, steers clear of unabashed reverence with her doc, giving Hal a refreshingly even eyed look at the master storyteller.
Ashby first cut [...]
The post Review: Riveting ‘Hal’ Documentary Spotlights Director’s Cinematic Obsessions appeared first on Hollywood Outbreak.
Ashby first cut [...]
The post Review: Riveting ‘Hal’ Documentary Spotlights Director’s Cinematic Obsessions appeared first on Hollywood Outbreak.
- 9/4/2018
- by Hollywood Outbreak
- HollywoodOutbreak.com
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