Felipe Gálvez Haberle's The Settlers is now showing exclusively on Mubi in many countries.The Settlers.Weeks into Chile’s Constitutional Convention in August 2021, representative José Luis Vásquez Chogue made an emotional plea on behalf of the Selk’nam people, one of the last Indigenous communities to encounter with Western expansionism at the turn of the twentieth century, whereupon they were systematically murdered. “We always grew up in school hearing we were dead,” he attested, speaking in front of the elected body tasked with drafting a replacement for the nation’s Pinochet-era constitution. Amidst debates around the status of Chile’s many Indigenous groups, Vásquez Chogue recalled that his grandfather was among those held on Dawson Island internment camp in the Strait of Magellan. At the time of his speech, the Chilean government had yet to admit its role in such atrocities, and its constitution was the only one...
- 4/4/2024
- MUBI
Sean Durkin’s wrestling drama The Iron Claw will look to become box office champion on its opening weekend, starting in 517 UK-Ireland cinemas through Lionsgate.
The film tells the true story of the Von Erich brothers, who made history in the competitive world of professional wrestling in the early 1980s.
Zac Efron, Jeremy Allen White, 2017 Screen Star of Tomorrow Harris Dickinson and Stanley Simons star as the Von Erich brothers, with Lily James and Maura Tierney also on the cast; Arcade Fire member Richard Reed Parry wrote the film’s score.
The Iron Claw premiered in Dallas, Texas just hours...
The film tells the true story of the Von Erich brothers, who made history in the competitive world of professional wrestling in the early 1980s.
Zac Efron, Jeremy Allen White, 2017 Screen Star of Tomorrow Harris Dickinson and Stanley Simons star as the Von Erich brothers, with Lily James and Maura Tierney also on the cast; Arcade Fire member Richard Reed Parry wrote the film’s score.
The Iron Claw premiered in Dallas, Texas just hours...
- 2/9/2024
- ScreenDaily
Europe’s early 20th-century exploitation of Tierra del Fuego is told in an unsparingly bloody drama-thriller by first-time director Felipe Gálvez Haberle
This almost unbearably brutal and violent western drama-thriller from first-time feature director Felipe Gálvez Haberle was a prize winner at Cannes and Chile’s official entry for best international feature at the Academy Awards. At once explicit and yet mysterious and elliptical, it dramatically recreates some of the story behind the exploitation and colonisation of Tierra del Fuego by European commercial interests and the Santiago political establishment at the beginning of the 20th century. This involved the genocidal slaughter of Indigenous peoples by the now notorious businessman José Menéndez, a kind of Latin American oligarch who had been granted land rights for sheep farming, and used mercenaries to hunt and butcher Patagonian natives; these hired killers included ex-British Army soldier Alexander MacLennan, known as the “red pig...
This almost unbearably brutal and violent western drama-thriller from first-time feature director Felipe Gálvez Haberle was a prize winner at Cannes and Chile’s official entry for best international feature at the Academy Awards. At once explicit and yet mysterious and elliptical, it dramatically recreates some of the story behind the exploitation and colonisation of Tierra del Fuego by European commercial interests and the Santiago political establishment at the beginning of the 20th century. This involved the genocidal slaughter of Indigenous peoples by the now notorious businessman José Menéndez, a kind of Latin American oligarch who had been granted land rights for sheep farming, and used mercenaries to hunt and butcher Patagonian natives; these hired killers included ex-British Army soldier Alexander MacLennan, known as the “red pig...
- 2/7/2024
- by Peter Bradshaw
- The Guardian - Film News
In a lull for specialty openings early in the new year, three foreign-language films are taking a shot. The Settlers, winner of the Cannes Un Certain Regard Fipresci Prize, and Inshallah A Boy are Cannes alumns and Oscar submissions from, respectively, Chile and Jordan (neither short-listed in a competitive field). Driving Madeleine is a crowd pleasing French film.
The Settlers is a western presented by Mubi in limited release at the IFC Center/NY and Laemmle Royal/LA. The debut feature by writer-director Felipe Galvez is a frontier epic set at the turn of the 20th century as three horsemen set out across the Tierra del Fuego archipelago tasked with securing a wealthy landowner’s vast property. Accompanying a reckless British lieutenant and an American mercenary is mestizo marksman Segundo, who comes to realize their true mission is much darker. Stars Mark Stanley, Camillo Arancibia and Benjamin Westfall. Screenplay by Galvez and Antonia Girardi.
The Settlers is a western presented by Mubi in limited release at the IFC Center/NY and Laemmle Royal/LA. The debut feature by writer-director Felipe Galvez is a frontier epic set at the turn of the 20th century as three horsemen set out across the Tierra del Fuego archipelago tasked with securing a wealthy landowner’s vast property. Accompanying a reckless British lieutenant and an American mercenary is mestizo marksman Segundo, who comes to realize their true mission is much darker. Stars Mark Stanley, Camillo Arancibia and Benjamin Westfall. Screenplay by Galvez and Antonia Girardi.
- 1/12/2024
- by Jill Goldsmith
- Deadline Film + TV
The Ticp has previously funded titles including Cannes award-winner ‘Tiger Stripes’ and ‘The Settlers’.
A Taiwanese international funding scheme that backed Cannes award-winners Tiger Stripes and The Settlers looks set to shift its focus to more mainstream projects as part of a rethink of the programme.
The Taiwan International Co-funding Program (Ticp) was launched in January 2021 by the Taiwan Creative Content Agency (Taicca) and offered international features, TV series, animation and documentaries up to 30% of a production budget with a cap of $300,000.
However, three years into the scheme, its strategy is being revised to encompass more commercial titles, include more...
A Taiwanese international funding scheme that backed Cannes award-winners Tiger Stripes and The Settlers looks set to shift its focus to more mainstream projects as part of a rethink of the programme.
The Taiwan International Co-funding Program (Ticp) was launched in January 2021 by the Taiwan Creative Content Agency (Taicca) and offered international features, TV series, animation and documentaries up to 30% of a production budget with a cap of $300,000.
However, three years into the scheme, its strategy is being revised to encompass more commercial titles, include more...
- 1/5/2024
- by Gabriella Geisinger
- ScreenDaily
Taiwan’s government has suspended its Taiwan International Co-funding Program (Ticp) in a move that appears to signal a change in direction towards more mainstream projects.
The decision has prompted concern among Taiwan’s production community, as the fund was being accessed to set up a wide range of international co-production projects, many of which have secured slots at top international film festivals including Berlin, Venice and Cannes.
When contacted by Deadline, Taiwan Creative Content Agency (Taicca), which manages the fund, offered the following statement:
“To enhance international joint funding and co-production opportunities and to meet the demands of international investments, Taicca has undertaken discussions to revise and optimize the investment initiatives based on the experience of Taiwan’s International Co-funding Program (Ticp). This strategic move aims to attract a broader spectrum of large-scale investment projects, fostering more collaborations between Taiwan and the global community.”
Launched in January 2021, Ticp provides...
The decision has prompted concern among Taiwan’s production community, as the fund was being accessed to set up a wide range of international co-production projects, many of which have secured slots at top international film festivals including Berlin, Venice and Cannes.
When contacted by Deadline, Taiwan Creative Content Agency (Taicca), which manages the fund, offered the following statement:
“To enhance international joint funding and co-production opportunities and to meet the demands of international investments, Taicca has undertaken discussions to revise and optimize the investment initiatives based on the experience of Taiwan’s International Co-funding Program (Ticp). This strategic move aims to attract a broader spectrum of large-scale investment projects, fostering more collaborations between Taiwan and the global community.”
Launched in January 2021, Ticp provides...
- 1/5/2024
- by Liz Shackleton
- Deadline Film + TV
Next Step, a program organized by Cannes Critics’ Week whose recent alumni include Molly Manning Walker (“How to Have Sex”), has unveiled the participants of its milestone 10th edition.
Spearheaded by Thomas Rosso, a producer turned artistic director, the workshop selects emerging directors who have had their short films play at Cannes’ parallel section, Critics’ Week, and helps to develop their feature debuts. Over the last decade, Next Step has supported the development of 88 projects, 29 of which have been completed and 13 of which will shoot in 2024.
The filmmakers selected to take part in this edition include Anton Bialas, a French-Swedish filmmaker (“Manta Ray”) developing “Femminielli,” about a baroque nightclub in Paris; Spain’s Irati Gorostidi (“Contadores”) with “Anekumen,” a drama set in 1978 at the end of Franco’s regime in Spain; Swiss helmer Jela Hasler with “To Put Out One Fire,” about a young and idealistic urbanist working in Zurich...
Spearheaded by Thomas Rosso, a producer turned artistic director, the workshop selects emerging directors who have had their short films play at Cannes’ parallel section, Critics’ Week, and helps to develop their feature debuts. Over the last decade, Next Step has supported the development of 88 projects, 29 of which have been completed and 13 of which will shoot in 2024.
The filmmakers selected to take part in this edition include Anton Bialas, a French-Swedish filmmaker (“Manta Ray”) developing “Femminielli,” about a baroque nightclub in Paris; Spain’s Irati Gorostidi (“Contadores”) with “Anekumen,” a drama set in 1978 at the end of Franco’s regime in Spain; Swiss helmer Jela Hasler with “To Put Out One Fire,” about a young and idealistic urbanist working in Zurich...
- 12/15/2023
- by Elsa Keslassy
- Variety Film + TV
The six-day Next Step initiaive is to help feted shorts directors to make a feature.
Ten short-film directors from Egypt, China and throughout Europe have been selected to participate in the 10th edition of the prestigious Next Step prrogramme of Cannes’ Critics’ Week, taking place in Normandy and Paris from December 9-15.
Next Step brings together filmmakers who have premiered their films at Critics’ Week to present their upcoming features in development during a workshop with industry mentors. The aim is to keep up the momentum with filmmakers afterr what can be their frenetic first experience of a major film festival.
Ten short-film directors from Egypt, China and throughout Europe have been selected to participate in the 10th edition of the prestigious Next Step prrogramme of Cannes’ Critics’ Week, taking place in Normandy and Paris from December 9-15.
Next Step brings together filmmakers who have premiered their films at Critics’ Week to present their upcoming features in development during a workshop with industry mentors. The aim is to keep up the momentum with filmmakers afterr what can be their frenetic first experience of a major film festival.
- 12/11/2023
- by Rebecca Leffler
- ScreenDaily
Ena Sendijarević’s “Sweet Dreams,” Netherlands’ submission in the Academy Awards international feature category, has secured North American distribution via Dekanalog.
The film had its world premiere at Locarno, where it won the Pardo for best performance for Renée Soutendijk (“Suspiria”) and the second prize of the junior jury. The film debuted in North America in Toronto’s Centrepiece section and won the Silver Hugo new directors award at Chicago. It opened the Nederlands Film Festival, where it won another six awards, including best film, best director and best leading role.
Set on a remote Indonesian island, “Sweet Dreams” explores the final days of European colonialism. It follows Dutch sugar plantation owner Jan and his wife Agathe, who are at the top of the food chain. Jan, upon returning from his nightly visit to his native concubine Siti, suddenly drops dead in front of his wife. Desperate to keep the privileges of her status quo,...
The film had its world premiere at Locarno, where it won the Pardo for best performance for Renée Soutendijk (“Suspiria”) and the second prize of the junior jury. The film debuted in North America in Toronto’s Centrepiece section and won the Silver Hugo new directors award at Chicago. It opened the Nederlands Film Festival, where it won another six awards, including best film, best director and best leading role.
Set on a remote Indonesian island, “Sweet Dreams” explores the final days of European colonialism. It follows Dutch sugar plantation owner Jan and his wife Agathe, who are at the top of the food chain. Jan, upon returning from his nightly visit to his native concubine Siti, suddenly drops dead in front of his wife. Desperate to keep the privileges of her status quo,...
- 12/7/2023
- by Naman Ramachandran
- Variety Film + TV
France’s Centre National du cinéma et de l’image animée (Cnc) and Taiwan Creative Content Agency (Taicca) have signed a cooperation agreement, aimed at increasing collaboration and exchanges between the film and TV industries of Taiwan and France.
The agreement was signed by Cnc President Dominique Boutonnat and Taicca Chairperson Homme Tsai at the on-going Taiwan Creative Content Fest (Tccf) today. At the Tccf closing ceremony tomorrow, Taicca and Cnc will also present the Taicca X Cnc Award with a $30,000 cash prize.
Speaking at today’s signing ceremony, both sides stressed their common values, such as cultural exception and diversity, and said the agreement focuses on supporting emerging talent, encouraging creative freedom, digital content creation and international co-production.
Boutonnat said France and Taiwan would become key partners in “the work undertaken by all countries seeking a strong independent sector in the face of American or Chinese giants and streaming platforms.
The agreement was signed by Cnc President Dominique Boutonnat and Taicca Chairperson Homme Tsai at the on-going Taiwan Creative Content Fest (Tccf) today. At the Tccf closing ceremony tomorrow, Taicca and Cnc will also present the Taicca X Cnc Award with a $30,000 cash prize.
Speaking at today’s signing ceremony, both sides stressed their common values, such as cultural exception and diversity, and said the agreement focuses on supporting emerging talent, encouraging creative freedom, digital content creation and international co-production.
Boutonnat said France and Taiwan would become key partners in “the work undertaken by all countries seeking a strong independent sector in the face of American or Chinese giants and streaming platforms.
- 11/9/2023
- by Liz Shackleton
- Deadline Film + TV
The submissions for this year’s Oscar for best international feature include some of the best of world cinema. Below is a rundown of the entries for the 96th Academy Awards. The 15-title shortlist is slated to arrive on Dec. 21, prior to the nominations announcement on Jan. 23 and the ceremony itself, which is dated for March 10.
Albania
Alexander
Director: Ardit Sadiku
Logline: A documentary about an engineer who, after being fired by the navy for dissidence, hijacked a warship to get himself an dhis family to freedom.
Prodco: Ardit Sadiku Film
Argentina
The Delinquents
Director: Rodrigo Moreno
Logline: A ticklish, gently surreal saga following two colleagues who collude in robbing the bank where they work.
U.S. distribution: Mubi
Armenia
Amerikatsi
Director: Michael A. Goorjian
Logline: An Armenian-American relocates to Armenia after WWII and ends up in a Soviet prison for the crime of wearing a tie.
U.S.
Albania
Alexander
Director: Ardit Sadiku
Logline: A documentary about an engineer who, after being fired by the navy for dissidence, hijacked a warship to get himself an dhis family to freedom.
Prodco: Ardit Sadiku Film
Argentina
The Delinquents
Director: Rodrigo Moreno
Logline: A ticklish, gently surreal saga following two colleagues who collude in robbing the bank where they work.
U.S. distribution: Mubi
Armenia
Amerikatsi
Director: Michael A. Goorjian
Logline: An Armenian-American relocates to Armenia after WWII and ends up in a Soviet prison for the crime of wearing a tie.
U.S.
- 11/7/2023
- by Jessica Kiang
- Variety Film + TV
Oscar voters in the Best International Feature Film category have received their group assignments for this year’s initial round of voting, with 89 films included on the seven lists that the Academy has sent to members.
The lists, which were obtained by TheWrap, include presumed favorites “The Zone of Interest” (United Kingdom), “The Taste of Things” (France), “The Promised Land” (Denmark) and “Perfect Days” (Japan), along with a number of documentaries, among them Estonia’s “Smoke Sauna Sisterhood,” Brazil’s “Pictures of Ghosts” and Ukraine’s “20 Days in Mariupol.”
The 89 films are four short of the record of 93 qualifying films in the category. The list of group assignments does not make up the Academy’s official list of eligible films; it’s possible that assigned films might still fail to qualify before first-round voting begins on Dec. 18. For the most part, though, films that are included in the group...
The lists, which were obtained by TheWrap, include presumed favorites “The Zone of Interest” (United Kingdom), “The Taste of Things” (France), “The Promised Land” (Denmark) and “Perfect Days” (Japan), along with a number of documentaries, among them Estonia’s “Smoke Sauna Sisterhood,” Brazil’s “Pictures of Ghosts” and Ukraine’s “20 Days in Mariupol.”
The 89 films are four short of the record of 93 qualifying films in the category. The list of group assignments does not make up the Academy’s official list of eligible films; it’s possible that assigned films might still fail to qualify before first-round voting begins on Dec. 18. For the most part, though, films that are included in the group...
- 10/31/2023
- by Steve Pond
- The Wrap
Launching in the first year of the pandemic in 2020, Taiwan Creative Content Fest (Tccf) has taken a few years to secure its positioning in the global film markets calendar, but this year’s edition is on track to be its biggest and most international yet.
The event, which runs November 7-12 at Songshan Cultural and Creative Park in Taipei, is divided into three sections – Pitching, which has opened to international projects for the first time (see separate story for more details); Market, which has been extended from three to four days and has around 100 companies attending; and Innovation, which explores the intersection between content and technology.
Taiwan’s content industries suffered less than some of their neighbours during the pandemic, as being an island, the borders could be quickly closed, limiting the spread of Covid-19. For most of the past three years, shooting on film and TV projects has continued and cinemas remained open.
The event, which runs November 7-12 at Songshan Cultural and Creative Park in Taipei, is divided into three sections – Pitching, which has opened to international projects for the first time (see separate story for more details); Market, which has been extended from three to four days and has around 100 companies attending; and Innovation, which explores the intersection between content and technology.
Taiwan’s content industries suffered less than some of their neighbours during the pandemic, as being an island, the borders could be quickly closed, limiting the spread of Covid-19. For most of the past three years, shooting on film and TV projects has continued and cinemas remained open.
- 10/30/2023
- by Liz Shackleton
- Deadline Film + TV
Bradley Liew of Epicmedia Productions (Philippines), Stefano Centini of Volos Films (Taiwan/Italy) and Singapore’s Huang Junxiang have reunited to launch two genre projects at the Busan International Film Festival’s Asian Contents and Film Market.
The trio previously teamed on Sundance Midnight hit, “In My Mother’s Skin” by Kenneth Dagatan, which was recently ranked number six on Variety’s Best Horror Movies of 2023. The film was acquired by Amazon Studios and will stream on Prime Video from Oct. 12.
The producers are backing Dagatan’s “Molder,” a body-horror supernatural thriller set in a sleepy Italian town where an elderly Filipino immigrant struggling with signs of early onset dementia, grapples with the sudden disappearance of his wife and the mysterious young man who claims to have placed a curse upon them. The film aims to blend both Filipino folklore based supernatural horror with the experiences of the Filipino diaspora in Italy.
The trio previously teamed on Sundance Midnight hit, “In My Mother’s Skin” by Kenneth Dagatan, which was recently ranked number six on Variety’s Best Horror Movies of 2023. The film was acquired by Amazon Studios and will stream on Prime Video from Oct. 12.
The producers are backing Dagatan’s “Molder,” a body-horror supernatural thriller set in a sleepy Italian town where an elderly Filipino immigrant struggling with signs of early onset dementia, grapples with the sudden disappearance of his wife and the mysterious young man who claims to have placed a curse upon them. The film aims to blend both Filipino folklore based supernatural horror with the experiences of the Filipino diaspora in Italy.
- 10/8/2023
- by Naman Ramachandran and Patrick Frater
- Variety Film + TV
The 141 titles set to screen include 18 of this year’s international feature Oscar submissions.
Freud’s Last Session and Albert Brooks: Defending My Life are to get their world premieres at this year’s AFI Fest, running October 25-29 in Los Angeles.
Also among the 141 titles in the festival’s full line-up are All Of Us Strangers, American Fiction, Fallen Leaves and The Taste Of Things.
Matthew Brown’s Freud’s Last Session, with Anthony Hopkins and Matthew Goode, and Rob Reiner’s documentary about Albert Brooks will be part of AFI Fest’s Special Screening line-up.
Previously announced world premieres at...
Freud’s Last Session and Albert Brooks: Defending My Life are to get their world premieres at this year’s AFI Fest, running October 25-29 in Los Angeles.
Also among the 141 titles in the festival’s full line-up are All Of Us Strangers, American Fiction, Fallen Leaves and The Taste Of Things.
Matthew Brown’s Freud’s Last Session, with Anthony Hopkins and Matthew Goode, and Rob Reiner’s documentary about Albert Brooks will be part of AFI Fest’s Special Screening line-up.
Previously announced world premieres at...
- 9/28/2023
- by John Hazelton
- ScreenDaily
Reykjavik International Film Festival (September 28-October 8) is planning a busy 20th edition, with honorary awards going to Isabelle Huppert, Luca Guadagnino, Vicky Krieps, Nicolas Philibert, Luc Jacquet and Catherine Breillat, who will all come to the Icelandic capital.
A delegation from Cannes will include Christian Jeune, head of the film department, Maud Amson, director of sales and operations at the Marché du Film, and Bruno Muñoz, head of short films.
The festival’s Industry Days (October 3-7) will explore topics like AI and animation for adults; social impact through films; festival and distribution strategies; French-Iceland co-productions; and an open talk...
A delegation from Cannes will include Christian Jeune, head of the film department, Maud Amson, director of sales and operations at the Marché du Film, and Bruno Muñoz, head of short films.
The festival’s Industry Days (October 3-7) will explore topics like AI and animation for adults; social impact through films; festival and distribution strategies; French-Iceland co-productions; and an open talk...
- 9/27/2023
- by Wendy Mitchell
- ScreenDaily
Predicting the eventual five Oscar nominees for Best International Feature is made difficult by the three-step process that begins after the October 2, 2023 deadline for countries to submit entries. To be part of the selection process for this category, which was called Best Foreign Language Film before 2020, requires a great deal of dedication. (Scroll down for the most up-to-date 2024 Oscars Best International Feature predictions.)
In the days following the deadline for submissions, the academy determines each film’s eligibility. Then the several hundred academy members who serve on the International Feature screening committee are divided into groups and required to watch all their submissions over a six-week period that ends in early December. Their top 15 vote-getters will make it to the next round. That list of semi-finalists will be revealed on December 21, 2023.
These 15 films will be made available to the entire academy membership who can cast ballots for the final five...
In the days following the deadline for submissions, the academy determines each film’s eligibility. Then the several hundred academy members who serve on the International Feature screening committee are divided into groups and required to watch all their submissions over a six-week period that ends in early December. Their top 15 vote-getters will make it to the next round. That list of semi-finalists will be revealed on December 21, 2023.
These 15 films will be made available to the entire academy membership who can cast ballots for the final five...
- 9/25/2023
- by Paul Sheehan and Jacob Sarkisian
- Gold Derby
The Oscars Best International Feature Film race landed two major frontrunners on the same day on Thursday, with the United Kingdom submitting Jonathan Glazer’s chilling World War II drama “The Zone of Interest” and France following with Tran Anh Hung’s rapturous “The Taste of Things” in the one-film-per-country competition.
“The Zone of Interest,” set among German families who live on the outskirts of Auschwitz, won the Grand Prize at this year’s Cannes Film Festival and won raves as one of the most original and unnerving films to deal with the Holocaust since “Son of Saul,” which won the Oscar in this category eight years ago. It was considered the obvious choice for the U.K. to submit.
France, on the other hand, had an extremely difficult choice between Palme d’Or winner “Anatomy of a Fall,” starring Sandra Huller as a woman on trial for murdering her husband,...
“The Zone of Interest,” set among German families who live on the outskirts of Auschwitz, won the Grand Prize at this year’s Cannes Film Festival and won raves as one of the most original and unnerving films to deal with the Holocaust since “Son of Saul,” which won the Oscar in this category eight years ago. It was considered the obvious choice for the U.K. to submit.
France, on the other hand, had an extremely difficult choice between Palme d’Or winner “Anatomy of a Fall,” starring Sandra Huller as a woman on trial for murdering her husband,...
- 9/21/2023
- by Steve Pond
- The Wrap
by Cláudio Alves
Examining troubled history through art can be a necessary confrontation, even a search for catharsis. You can't move into a brighter future without acknowledging the shadows lurking in the past. It's no wonder, then, that countless filmmakers use their skills to make these excavations on the dig site of the screen. For all that Shinya Tsukamoto's Shadow of Fire and Felipe Gálvez Haberle's The Settlers tackle their respective countries' histories, they're not traditional period pieces content to passively restage yesteryears. They bear the weight of an artist's singular vision…...
Examining troubled history through art can be a necessary confrontation, even a search for catharsis. You can't move into a brighter future without acknowledging the shadows lurking in the past. It's no wonder, then, that countless filmmakers use their skills to make these excavations on the dig site of the screen. For all that Shinya Tsukamoto's Shadow of Fire and Felipe Gálvez Haberle's The Settlers tackle their respective countries' histories, they're not traditional period pieces content to passively restage yesteryears. They bear the weight of an artist's singular vision…...
- 9/13/2023
- by Cláudio Alves
- FilmExperience
It takes place on a sugar plantation, but Ena Sendijarević’s magnificently composed, eerily satirical “Sweet Dreams” has something more like acid flowing through its veins. Acid — or maybe formaldehyde, given the embalmed pallor of the dysfunctional Dutch colonial family whose values are so elegantly dissected within it. In only her second feature, after the Rotterdam-awarded “Take Me Somewhere Nice,” the Bosnian-Dutch filmmaker has established herself as a formidable talent with an eye for absurdity in Academy ratio, and a feel for the manicured, placid surfaces that contain rot and rebellion just as corsetry cinches in flesh.
It is 1900, and this little corner of the Dutch East Indies is verdant, damp jungle terrain. The air is thick with biting insects. Vincent Sinceretti’s extravagantly rich sound design is so multilayered that you can differentiate the crickets from the gnats from the omnipresent, whining mosquitoes. But part of the wilderness has been tamed — or more accurately,...
It is 1900, and this little corner of the Dutch East Indies is verdant, damp jungle terrain. The air is thick with biting insects. Vincent Sinceretti’s extravagantly rich sound design is so multilayered that you can differentiate the crickets from the gnats from the omnipresent, whining mosquitoes. But part of the wilderness has been tamed — or more accurately,...
- 8/25/2023
- by Jessica Kiang
- Variety Film + TV
Auteurs Agnieszka Holland, Wim Wenders, Hamaguchi Ryusuke and Aki Kaurismaki are among the filmmakers featured in the Toronto International Film Festival’s (TIFF) Centrepiece program.
The strand, previously known as Contemporary World Cinema, which honors and celebrates global cinematic achievements, features 47 titles from filmmakers representing 45 countries.
TIFF has also revealed the additional lineup of galas, special presentations and documentaries, which feature star wattage from around the world including Tommy Lee Jones and Anil Kapoor.
“We are very excited to present the new Centrepiece program, a cinematic journey that transcends boundaries and embraces the art of human experience,” said Anita Lee, TIFF chief programming officer. “The rebranding of the TIFF program, formerly Contemporary World Cinema, is a reflection of the festival’s vision to provide an elevated platform for international cinema, acclaimed titles from festivals around the globe, highly anticipated premieres from Canadian and international talents, and the latest work of influential filmmaking luminaries.
The strand, previously known as Contemporary World Cinema, which honors and celebrates global cinematic achievements, features 47 titles from filmmakers representing 45 countries.
TIFF has also revealed the additional lineup of galas, special presentations and documentaries, which feature star wattage from around the world including Tommy Lee Jones and Anil Kapoor.
“We are very excited to present the new Centrepiece program, a cinematic journey that transcends boundaries and embraces the art of human experience,” said Anita Lee, TIFF chief programming officer. “The rebranding of the TIFF program, formerly Contemporary World Cinema, is a reflection of the festival’s vision to provide an elevated platform for international cinema, acclaimed titles from festivals around the globe, highly anticipated premieres from Canadian and international talents, and the latest work of influential filmmaking luminaries.
- 8/10/2023
- by Naman Ramachandran
- Variety Film + TV
Ahead of Toronto International Film Festival kicking off in less than a month, the festival announced more additions, including Ryûsuke Hamaguchi’s Evil Does Not Exist, Close Your Eyes by Víctor Erice, Fallen Leaves by Aki Kaurismäki, Green Border by Agnieszka Holland, Perfect Days by Wim Wenders, About Dry Grasses by Nuri Bilge Ceylan, and more.
“We are very excited to present the new Centrepiece programme, a cinematic journey that transcends boundaries and embraces the art of human experience,” said Anita Lee, TIFF Chief Programming Officer. “The rebranding of the TIFF programme, formerly Contemporary World Cinema, is a reflection of the Festival’s vision to provide an elevated platform for international cinema, acclaimed titles from festivals around the globe, highly anticipated premieres from Canadian and international talents, and the latest work of influential filmmaking luminaries.”
See the lineup below.
Centrepiece Programme 2023
100 Yards Xu Haofeng, Xu Junfeng | China
International Premiere
About...
“We are very excited to present the new Centrepiece programme, a cinematic journey that transcends boundaries and embraces the art of human experience,” said Anita Lee, TIFF Chief Programming Officer. “The rebranding of the TIFF programme, formerly Contemporary World Cinema, is a reflection of the Festival’s vision to provide an elevated platform for international cinema, acclaimed titles from festivals around the globe, highly anticipated premieres from Canadian and international talents, and the latest work of influential filmmaking luminaries.”
See the lineup below.
Centrepiece Programme 2023
100 Yards Xu Haofeng, Xu Junfeng | China
International Premiere
About...
- 8/10/2023
- by Leonard Pearce
- The Film Stage
The programme comprises 47 films from 45 countries.
The Toronto International Film Festival (TIFF) has unveiled the line-up for its Centrepiece programme, with 47 titles screening from filmmakers representing 45 countries.
Included in the programme (previously known as Contemporary World Cinema) are Victor Erice’s Close Your Eyes, getting its North American premiere; Aki Kaurismaki’s Fallen Leaves, receiving its Canadian premiere; and Agnieszka Holland’s Green Border, a North American premiere.
Scroll down for the full list of Centrepiece titles
TIFF also announced additional titles for its Galas, Special Presentations and Documentaries programmes, among them the world premiere of Brian Helgeland’s Finestkind.
The Toronto International Film Festival (TIFF) has unveiled the line-up for its Centrepiece programme, with 47 titles screening from filmmakers representing 45 countries.
Included in the programme (previously known as Contemporary World Cinema) are Victor Erice’s Close Your Eyes, getting its North American premiere; Aki Kaurismaki’s Fallen Leaves, receiving its Canadian premiere; and Agnieszka Holland’s Green Border, a North American premiere.
Scroll down for the full list of Centrepiece titles
TIFF also announced additional titles for its Galas, Special Presentations and Documentaries programmes, among them the world premiere of Brian Helgeland’s Finestkind.
- 8/10/2023
- by John Hazelton
- ScreenDaily
The Toronto International Film Festival has added 59 more films to the lineup of its 2023 festival, including 47 international films in the Centrepiece program, which in previous years was known as Contemporary World Cinema. New films were also added to the Galas, Special Presentations and Documentary sections.
World premieres among the new selections include “Finestkind,” a crime thriller from Brian Helgeland (screenwriter of “L.A. Confidential”) starring Tommy Lee Jones and Ben Foster; The Movie Teller,” a film set in Chile starring Berenice Bejo from “An Education” director Lone Scherfig; and Jessica Yu’s “Quiz Lady,” with Sandra Oh and Awkwafina.
The Centrepiece selections include a number of films from May’s Cannes Film Festival, among them Wim Wenders’ “Perfect Days,” Nuri Bilge Ceylan’s “About Dry Grasses,” Aki Kaurismaki’s “Fallen Leaves,” Ramata-Toulaye Sy’s “Banel & Adama,” Amjad Al Rasheed’s “Inshallah a Boy,” Joanna Arnow’s “The Feeling That the...
World premieres among the new selections include “Finestkind,” a crime thriller from Brian Helgeland (screenwriter of “L.A. Confidential”) starring Tommy Lee Jones and Ben Foster; The Movie Teller,” a film set in Chile starring Berenice Bejo from “An Education” director Lone Scherfig; and Jessica Yu’s “Quiz Lady,” with Sandra Oh and Awkwafina.
The Centrepiece selections include a number of films from May’s Cannes Film Festival, among them Wim Wenders’ “Perfect Days,” Nuri Bilge Ceylan’s “About Dry Grasses,” Aki Kaurismaki’s “Fallen Leaves,” Ramata-Toulaye Sy’s “Banel & Adama,” Amjad Al Rasheed’s “Inshallah a Boy,” Joanna Arnow’s “The Feeling That the...
- 8/10/2023
- by Steve Pond
- The Wrap
The Toronto International Film Festival continues to expand its 2023 lineup with 47 films from 45 countries in the Centerpiece program, previously known as Contemporary World Cinema. The highlights include Cannes Film Festival winners “Fallen Leaves” from Aki Kaurismäki and “Perfect Days” from Wim Wenders as well as Agnieszka Holland’s Venice-bound “Green Border.” See the full lineup below.
“We are very excited to present the new Centrepiece program, a cinematic journey that transcends boundaries and embraces the art of human experience,” said Anita Lee, TIFF Chief Programming Officer, in an official statement. “The rebranding of the TIFF program, formerly Contemporary World Cinema, is a reflection of the festival’s vision to provide an elevated platform for international cinema, for acclaimed titles from festivals around the globe, highly anticipated premieres from Canadian and international talents, and the latest work of influential filmmaking luminaries.”
Centerpiece Program 2023
About Dry Grasses (Kuru Otlar Üstüne) Nuri Bilge Ceylan...
“We are very excited to present the new Centrepiece program, a cinematic journey that transcends boundaries and embraces the art of human experience,” said Anita Lee, TIFF Chief Programming Officer, in an official statement. “The rebranding of the TIFF program, formerly Contemporary World Cinema, is a reflection of the festival’s vision to provide an elevated platform for international cinema, for acclaimed titles from festivals around the globe, highly anticipated premieres from Canadian and international talents, and the latest work of influential filmmaking luminaries.”
Centerpiece Program 2023
About Dry Grasses (Kuru Otlar Üstüne) Nuri Bilge Ceylan...
- 8/10/2023
- by Ryan Lattanzio
- Indiewire
A dozen film titles with items dating back to this year’s Sundance (David Zonana‘s Heroic), Berlinale (Lila Aviles‘ Totem and Tatiana Huezo‘s The Echo) and the Cannes Film Festival (Felipe Galvez‘s The Settlers) will mix it up in the Horizontes Latinos Section of the San Sebastian International Film Festival. They will go up against the world premieres to The Sleepwalkers‘ Argentinean filmmaker Paula Hernandez‘s latest El Viento Que Arrasa (which will open the section) and Charcoal Brazilian filmmaker Carolina Markowicz‘s Toll which will close the section.…...
- 8/3/2023
- by Eric Lavallée
- IONCINEMA.com
The 12 Latin American titles compete for a €35,000 prize
Lila Aviles’ Totem and Felipe Galvez’s The Settlers are among the films selected for the Horizontes Latinos strand of the 71st San Sebastian International Film Festival.
The 12 Latin American titles are competing for the Horizontes Award of €35,000 which is split between the director and the Spanish distributor.
Totem first premiered at Berlinale earlier this year, picking up the Ecumenical jury prize before collecting further awards at Hong Kong and Jerusalem. The Mexican drama is told from the perspective of a seven-year-old girl as her family descends into crisis around her.
Winner...
Lila Aviles’ Totem and Felipe Galvez’s The Settlers are among the films selected for the Horizontes Latinos strand of the 71st San Sebastian International Film Festival.
The 12 Latin American titles are competing for the Horizontes Award of €35,000 which is split between the director and the Spanish distributor.
Totem first premiered at Berlinale earlier this year, picking up the Ecumenical jury prize before collecting further awards at Hong Kong and Jerusalem. The Mexican drama is told from the perspective of a seven-year-old girl as her family descends into crisis around her.
Winner...
- 8/3/2023
- by Ellie Calnan
- ScreenDaily
The festival runs June 23 - July 1.
Films by Jessica Hausner, Elegance Bratton and Sebastian Silva are among 36 titles selected for the Filmfest München’s three international competition strands, CineMasters, CineVision and CineRebels. The festival runs June 23-July 1.
CineMasters
Hausner’s Club Zero will be joined by another four Cannes competition titles - Aki Kaurismäki’s Fallen Leaves, Marco Bellocchio’s Kidnapped, Kaouther Ben Hania’s Four Daughters, and Hirokazu Kore-eda’s Monster - to screen in Munich’s CineMasters competition for the €50,000 Arri Award which is presented to the producers of the best international film.
The 12-title line-up also includes...
Films by Jessica Hausner, Elegance Bratton and Sebastian Silva are among 36 titles selected for the Filmfest München’s three international competition strands, CineMasters, CineVision and CineRebels. The festival runs June 23-July 1.
CineMasters
Hausner’s Club Zero will be joined by another four Cannes competition titles - Aki Kaurismäki’s Fallen Leaves, Marco Bellocchio’s Kidnapped, Kaouther Ben Hania’s Four Daughters, and Hirokazu Kore-eda’s Monster - to screen in Munich’s CineMasters competition for the €50,000 Arri Award which is presented to the producers of the best international film.
The 12-title line-up also includes...
- 6/13/2023
- by Martin Blaney
- ScreenDaily
Jonathan Glazer’s “The Zone of Interest” has scored a Fipresci award in Cannes.
The jury of the International Federation of Film Critics praised the film “for its formal radicality, the complexity of the sound and score, and its contrast between the invisible atrocities behind the wall and a supposed paradise,” Fipresci stated on Saturday.
“By presenting the horror as something usual, and using everyday-like dialogues, it’s a reflection on ignorance as a disease that connects the past with the present.”
Glazer’s take on a Nazi family living next door to Auschwitz and enjoying it – loosely based on the novel by Martin Amis, who tragically passed away on May 19, just before the premiere – has been getting rave reviews at the French festival, becoming one of the frontrunners for this year’s Palme d’Or.
Christian Friedel stars as real-life SS officer Rudolf Höss, joined by Sandra Hüller playing his wife,...
The jury of the International Federation of Film Critics praised the film “for its formal radicality, the complexity of the sound and score, and its contrast between the invisible atrocities behind the wall and a supposed paradise,” Fipresci stated on Saturday.
“By presenting the horror as something usual, and using everyday-like dialogues, it’s a reflection on ignorance as a disease that connects the past with the present.”
Glazer’s take on a Nazi family living next door to Auschwitz and enjoying it – loosely based on the novel by Martin Amis, who tragically passed away on May 19, just before the premiere – has been getting rave reviews at the French festival, becoming one of the frontrunners for this year’s Palme d’Or.
Christian Friedel stars as real-life SS officer Rudolf Höss, joined by Sandra Hüller playing his wife,...
- 5/27/2023
- by Marta Balaga
- Variety Film + TV
In Budd Boetticher’s 1959 parable of how we remember violence, “Ride Lonesome,” Randolph Scott confronts the man who killed his wife at the very spot where he murdered her.
“That was a long time ago,” the killer said. “I’d almost forgot.” Scott’s reply? “A man can do that.”
So too can a society. Especially when it’s all too convenient to forget things so unpleasant they may shake our very sense of identity. Felipe Galvez’s Chilean Western “The Settlers” may remind some viewers of a Boetticher film when they’re watching it: following three men on horseback on a cross-country journey, it dramatizes questions of identity and belonging, and how these things can be written in violence. Most Boetticher-like, in a tight 98 minutes “The Settlers” says more than a lot of films double its length. It’s one of the most chilling art-Westerns to come along in some time,...
“That was a long time ago,” the killer said. “I’d almost forgot.” Scott’s reply? “A man can do that.”
So too can a society. Especially when it’s all too convenient to forget things so unpleasant they may shake our very sense of identity. Felipe Galvez’s Chilean Western “The Settlers” may remind some viewers of a Boetticher film when they’re watching it: following three men on horseback on a cross-country journey, it dramatizes questions of identity and belonging, and how these things can be written in violence. Most Boetticher-like, in a tight 98 minutes “The Settlers” says more than a lot of films double its length. It’s one of the most chilling art-Westerns to come along in some time,...
- 5/22/2023
- by Christian Blauvelt
- Indiewire
The Eternal Memory
Chile, U.S.
Director: Maite Alberdi
Alberdi’s follow-up to Oscar- nominated “The Mole Agent” snagged Sundance’s top doc award and a worldwide distribution deal with MTV at Sundance. Co-produced by Fabula, it centers on a loving elderly couple struggling with the man’s fading memory.
The Cardinal (“El Cardenal”)
Chile, Argentina, Brazil
Director: Benjamín Ávila
Drama in development with Argentina’s Magma Cine, Brazil’s Gullane and Storyboard Media turns on a cardinal who struggles to accept the reality of Augusto Pinochet’s vicious dictatorship in the early 1970s.
Horizonte
Chile, Colombia, France, Germany, Luxembourg
Director: Cesar Augusto Acevedo
Chile’s Paulina Garcia stars in Colombian Acevedo’s follow-up to Cannes-winning “Land and Shade.” Film follows Basilio and his mother, who search for his father through a wartorn land of the dead.
The House (“La Casa”)
Chile, Germany
Director: Bettina Perut and Iván Osnovikoff
Docu...
Chile, U.S.
Director: Maite Alberdi
Alberdi’s follow-up to Oscar- nominated “The Mole Agent” snagged Sundance’s top doc award and a worldwide distribution deal with MTV at Sundance. Co-produced by Fabula, it centers on a loving elderly couple struggling with the man’s fading memory.
The Cardinal (“El Cardenal”)
Chile, Argentina, Brazil
Director: Benjamín Ávila
Drama in development with Argentina’s Magma Cine, Brazil’s Gullane and Storyboard Media turns on a cardinal who struggles to accept the reality of Augusto Pinochet’s vicious dictatorship in the early 1970s.
Horizonte
Chile, Colombia, France, Germany, Luxembourg
Director: Cesar Augusto Acevedo
Chile’s Paulina Garcia stars in Colombian Acevedo’s follow-up to Cannes-winning “Land and Shade.” Film follows Basilio and his mother, who search for his father through a wartorn land of the dead.
The House (“La Casa”)
Chile, Germany
Director: Bettina Perut and Iván Osnovikoff
Docu...
- 5/16/2023
- by Anna Marie de la Fuente
- Variety Film + TV
2023 edition has received a record number of applications.
Italy’s TorinoFilmLab (Tfl) has selected 10 projects for the 2023 edition of its FeatureLab training programme, for first or second film projects at an advanced development stage.
The 2023 iteration received a record 172 applications, from which one animation, one documentary and eight fiction projects have been chosen. Seven of the projects are debut feature, with three second films.
Scroll down for the selected projects
Two of the projects have previously participated in Tfl programmes: Irene Moray’s debut Sealskin, a Spanish feature set in a world where women are vanishing; and Francesco Romano’s debut The White House,...
Italy’s TorinoFilmLab (Tfl) has selected 10 projects for the 2023 edition of its FeatureLab training programme, for first or second film projects at an advanced development stage.
The 2023 iteration received a record 172 applications, from which one animation, one documentary and eight fiction projects have been chosen. Seven of the projects are debut feature, with three second films.
Scroll down for the selected projects
Two of the projects have previously participated in Tfl programmes: Irene Moray’s debut Sealskin, a Spanish feature set in a world where women are vanishing; and Francesco Romano’s debut The White House,...
- 5/5/2023
- by Ben Dalton
- ScreenDaily
Get your tux out of the mothballs and brush up on your French phrasebook: After feverish speculation about what might premiere at the 2023 Cannes Film Festival, the lineup has finally been announced.
Thierry Frémaux’s annual press conference, which you can watch below, has wrapped and we now know what will debut on the Croisette when Cannes takes place May 16-27. We already knew there’d be a spot for Martin Scorsese’s “Killers of the Flower Moon,” that Harrison Ford and James Mangold would be bringing fedora couture with “Indiana Jones and the Dial of Destiny” (filling this year’s blockbuster spot reserved by “Top Gun: Maverick” last year), and that, controversially, the Johnny Depp-starring film “Jeanne du Barry” by Maïwenn would open the festival.
Among the titles now confirmed to appear at Cannes are Wes Anderson’s “Asteroid City,” Jonathan Glazer’s “The Zone of Interest,” Todd Haynes’ “May/December,...
Thierry Frémaux’s annual press conference, which you can watch below, has wrapped and we now know what will debut on the Croisette when Cannes takes place May 16-27. We already knew there’d be a spot for Martin Scorsese’s “Killers of the Flower Moon,” that Harrison Ford and James Mangold would be bringing fedora couture with “Indiana Jones and the Dial of Destiny” (filling this year’s blockbuster spot reserved by “Top Gun: Maverick” last year), and that, controversially, the Johnny Depp-starring film “Jeanne du Barry” by Maïwenn would open the festival.
Among the titles now confirmed to appear at Cannes are Wes Anderson’s “Asteroid City,” Jonathan Glazer’s “The Zone of Interest,” Todd Haynes’ “May/December,...
- 4/13/2023
- by Christian Blauvelt
- Indiewire
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