After snagging nominations at the Golden Globe, Critics’ Choice Awards, SAG Awards, BAFTAs and more, Spike Lee‘s “BlacKkKlansman” has emerged as one of the leading contenders in the Oscar race for Best Picture. It tells the true story of Ron Stallworth (John David Washington), a black police detective who infiltrated the Ku Klux Klan in the 1970s with the help of a Jewish officer (Adam Driver). Gold Derby recently spoke with Driver, screenwriters Charlie Wachtel and David Rabinowitz, cinematographer Chayse Irvin, production designer Curt Beech, film editor Barry Alexander Brown, composer Terence Blanchard and hair stylist Lawanda M. Pierre about their work.
See Will ‘BlacKkKlansman’ win Spike Lee his long overdue Oscar?
“There’s obviously an importance to the story overall that you want to get right,” says Driver. Though it’s set in the late 1970s, Lee makes direct references to both our past and present, from D.W. Griffith...
See Will ‘BlacKkKlansman’ win Spike Lee his long overdue Oscar?
“There’s obviously an importance to the story overall that you want to get right,” says Driver. Though it’s set in the late 1970s, Lee makes direct references to both our past and present, from D.W. Griffith...
- 1/18/2019
- by Zach Laws
- Gold Derby
Lawanda M. Pierre reveals that Spike Lee “is very secretive sometimes when it comes to projects.” When he first called her about serving as hair department head on “BlacKkKlansman,” the only thing he wanted to know was whether or not she could “do an afro wig for a male lead? When I asked him, ‘Well, what is this for?’ he laughs and just hangs up.” But it didn’t matter that Lee was intentionally vague. “When he calls I pretty much do it.” Watch our exclusive video interview with Pierre above.
This Focus Features release tells the true story of Ron Stallworth (John David Washington), an African-American police officer who infiltrated the Ku Klux Klan in the late 1970s with the help of a white detective (Adam Driver) acting as his proxy.
See Adam Driver: ‘BlacKkKlansman’ shows how racism ‘has been part of the conversation in this country for so...
This Focus Features release tells the true story of Ron Stallworth (John David Washington), an African-American police officer who infiltrated the Ku Klux Klan in the late 1970s with the help of a white detective (Adam Driver) acting as his proxy.
See Adam Driver: ‘BlacKkKlansman’ shows how racism ‘has been part of the conversation in this country for so...
- 12/5/2018
- by Zach Laws
- Gold Derby
Spike Lee, who co-wrote and directed Focus Features’ “BlacKkKlansman,” says it was not an easy movie to make, but that everybody worked together. “We were all making the same film,” he explains, “which doesn’t always happen.”
The fact-based story centers on Ron Stallworth, a black cop who went undercover in Colorado Springs in the 1970s to expose local Ku Klux Klan activities. Lee pays tribute to some of his below-the-line colleagues as well as to such respected performers as Harry Belafonte, who co-stars in the film.
Barry Alexander Brown, Editor
“He’s cut almost everything for me; we go way, way back. For the sequence involving Mr. Belafonte, who brings such weight and gravitas — he was in the trenches with Dr. King — Kevin [Willmott, a co-writer] and I wanted him to talk about a real-life incident of lynching, which is the legacy of the Ku Klux Klan. There was an incident in Waco,...
The fact-based story centers on Ron Stallworth, a black cop who went undercover in Colorado Springs in the 1970s to expose local Ku Klux Klan activities. Lee pays tribute to some of his below-the-line colleagues as well as to such respected performers as Harry Belafonte, who co-stars in the film.
Barry Alexander Brown, Editor
“He’s cut almost everything for me; we go way, way back. For the sequence involving Mr. Belafonte, who brings such weight and gravitas — he was in the trenches with Dr. King — Kevin [Willmott, a co-writer] and I wanted him to talk about a real-life incident of lynching, which is the legacy of the Ku Klux Klan. There was an incident in Waco,...
- 10/31/2018
- by Tim Gray
- Variety Film + TV
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