India premieres of France’s “The Taste of Things” and Korea’s “Exhuma” will open and close respectively the first edition of India’s Cinevesture International Film Festival.
Tran Anh Hung won best director at Cannes 2023 for “The Taste of Things,” which was subsequently submitted as France’s official entry to the Oscars’ international feature category. Jang Jae-hyun’s “Exhuma” is Korea’s biggest box office hit of 2024.
International highlights of the program include Jonathan Glazer’s Oscar-winning “The Zone of Interest,” Kore-eda Hirokazu’s “Monster,” Darren Aronivsky’s “The Whale,” starring Brendan Fraser, Steffi Niederzoll’s Berlinale winner “Seven Winters in Tehran,” Anthony Chen’s Singapore Oscar entry “Breaking Ice” and Prasanna Vithanage’s Busan-winning “Paradise.”
Indian films include Jayant Digambar Somalkar’s Toronto winner “Sthal,” Karan Tejpal’s Venice title “Stolen,” Rima Das’ Toronto title “Tora’s Husband,” Gurvinder Singh’s Rotterdam film “Adh Chanani Raat,” Lijo Jose Pellissery...
Tran Anh Hung won best director at Cannes 2023 for “The Taste of Things,” which was subsequently submitted as France’s official entry to the Oscars’ international feature category. Jang Jae-hyun’s “Exhuma” is Korea’s biggest box office hit of 2024.
International highlights of the program include Jonathan Glazer’s Oscar-winning “The Zone of Interest,” Kore-eda Hirokazu’s “Monster,” Darren Aronivsky’s “The Whale,” starring Brendan Fraser, Steffi Niederzoll’s Berlinale winner “Seven Winters in Tehran,” Anthony Chen’s Singapore Oscar entry “Breaking Ice” and Prasanna Vithanage’s Busan-winning “Paradise.”
Indian films include Jayant Digambar Somalkar’s Toronto winner “Sthal,” Karan Tejpal’s Venice title “Stolen,” Rima Das’ Toronto title “Tora’s Husband,” Gurvinder Singh’s Rotterdam film “Adh Chanani Raat,” Lijo Jose Pellissery...
- 3/11/2024
- by Naman Ramachandran
- Variety Film + TV
Following The Film Stage’s collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
In all honesty, the films of 2023 should take a backseat to the images we are seeing every day in Gaza, where journalists and average citizens have been recording and documenting a daily assault on their homes and livelihoods by the Idf. Whatever fakery we watched and enjoyed in the cinema this year should always be kept in perspective in importance with images that are real and actually happening right now. The Palestinians who have documented these important images have been targeted and killed with intent and purpose to silence what their photos and videos are showing and saying.
List of journalists who have been killed.
The below is of lesser note:
Best First Watches:
Angel’s Egg La belle noiseuse Centipede Horror Charley Varrick Coffy Crimson Gold...
In all honesty, the films of 2023 should take a backseat to the images we are seeing every day in Gaza, where journalists and average citizens have been recording and documenting a daily assault on their homes and livelihoods by the Idf. Whatever fakery we watched and enjoyed in the cinema this year should always be kept in perspective in importance with images that are real and actually happening right now. The Palestinians who have documented these important images have been targeted and killed with intent and purpose to silence what their photos and videos are showing and saying.
List of journalists who have been killed.
The below is of lesser note:
Best First Watches:
Angel’s Egg La belle noiseuse Centipede Horror Charley Varrick Coffy Crimson Gold...
- 1/3/2024
- by Soham Gadre
- The Film Stage
After a three-year hiatus, the Jio Mami Mumbai Film Festival is returning with a larger lineup and an expanded focus on South Asian cinema.
The festival will feature 250 films including 40 world premieres, 45 Asia premieres and 70 South Asia Premieres. The opening and closing films have not been finalized yet.
The festival’s new vision is to become a hub for South Asian and South Asian diaspora cinema and talent and, in keeping with this, the main competition is for 14 films from the region. These include the world premieres of Leesa Gazi’s “A House Named Shahana” (Bangladesh-u.K.), Dibakar Das Roy’s “Dilli Dark” (India), Sumanth Bhat’s “Mithya” (India) and Fazil Razak’s “The Sentence” (India). The new focus will also include 46 non-competition films from South Asia.
The Icons South Asia strand features Anand Patwardhan’s Toronto title “The World is Family”; “Indi(r)a’s Emergency” by Vikramaditya Motwane...
The festival will feature 250 films including 40 world premieres, 45 Asia premieres and 70 South Asia Premieres. The opening and closing films have not been finalized yet.
The festival’s new vision is to become a hub for South Asian and South Asian diaspora cinema and talent and, in keeping with this, the main competition is for 14 films from the region. These include the world premieres of Leesa Gazi’s “A House Named Shahana” (Bangladesh-u.K.), Dibakar Das Roy’s “Dilli Dark” (India), Sumanth Bhat’s “Mithya” (India) and Fazil Razak’s “The Sentence” (India). The new focus will also include 46 non-competition films from South Asia.
The Icons South Asia strand features Anand Patwardhan’s Toronto title “The World is Family”; “Indi(r)a’s Emergency” by Vikramaditya Motwane...
- 10/9/2023
- by Naman Ramachandran
- Variety Film + TV
Director Jayant Digambar Somalkar’s debut Marathi film ‘Sthal’ (A Match) won the top Asian award on Sunday at the Toronto International Film Festival for its sheer raw power.The film is the story of the fight of a young woman against the oppressive patriarchy which forces its decisions on her life.
Dedicating the Netpac (Network for the Promotion of Asia Pacific Cinema) award to “all the brave women of the world who challenge their adverse circumstances,” Somalkar said this film is also very personal to him “as it was shot in my hometown where I was born.”
Meenakshi Shedde, who as TIFF’s Senior Programme Advisor for South Asia, was instrumental in bringing the film to this festival, said: “I am absolutely delighted with the Netpac Award going to Sthal (A Match).”
She said, “It is a raw and powerful film about women who are paraded before potential suitors to arrange their marriages.
Dedicating the Netpac (Network for the Promotion of Asia Pacific Cinema) award to “all the brave women of the world who challenge their adverse circumstances,” Somalkar said this film is also very personal to him “as it was shot in my hometown where I was born.”
Meenakshi Shedde, who as TIFF’s Senior Programme Advisor for South Asia, was instrumental in bringing the film to this festival, said: “I am absolutely delighted with the Netpac Award going to Sthal (A Match).”
She said, “It is a raw and powerful film about women who are paraded before potential suitors to arrange their marriages.
- 9/18/2023
- by Agency News Desk
- GlamSham
Director Jayant Digambar Somalkar’s debut Marathi film ‘Sthal’ (A Match) won the top Asian award on Sunday at the Toronto International Film Festival for its sheer raw power.The film is the story of the fight of a young woman against the oppressive patriarchy which forces its decisions on her life.
Dedicating the Netpac (Network for the Promotion of Asia Pacific Cinema) award to “all the brave women of the world who challenge their adverse circumstances,” Somalkar said this film is also very personal to him “as it was shot in my hometown where I was born.”
Meenakshi Shedde, who as TIFF’s Senior Programme Advisor for South Asia, was instrumental in bringing the film to this festival, said: “I am absolutely delighted with the Netpac Award going to Sthal (A Match).”
She said, “It is a raw and powerful film about women who are paraded before potential suitors to arrange their marriages.
Dedicating the Netpac (Network for the Promotion of Asia Pacific Cinema) award to “all the brave women of the world who challenge their adverse circumstances,” Somalkar said this film is also very personal to him “as it was shot in my hometown where I was born.”
Meenakshi Shedde, who as TIFF’s Senior Programme Advisor for South Asia, was instrumental in bringing the film to this festival, said: “I am absolutely delighted with the Netpac Award going to Sthal (A Match).”
She said, “It is a raw and powerful film about women who are paraded before potential suitors to arrange their marriages.
- 9/18/2023
- by Agency News Desk
Cord Jefferson’s American Fiction picked up the top People’s Choice honor Sunday at the Toronto Film Festival, which wrapped up a 48th edition with little Hollywood star wattage amid the uncertainty of dual Hollywood strikes.
Jefferson’s feature directorial debut, an adaptation for Orion of Percival Everett’s 2001 novel Erasure, had its world premiere in Toronto at the Princess Alexandra Theatre on Sept. 8. MRC is the film’s studio and financier.
The American drama about U.S. racial dynamics portrays a Black academic, played by Jeffrey Wright, who grows frustrated that the only “Black books” that seem to find a wide (and white) audience are those that tread on stereotypes.
“My gratitude towards everyone who watched American Fiction [and] discussed it afterwards among friends and colleagues is endless. The film is now in your hands, and I’m so grateful that it was embraced in this way,” Jefferson said in a statement Sunday morning.
Jefferson’s feature directorial debut, an adaptation for Orion of Percival Everett’s 2001 novel Erasure, had its world premiere in Toronto at the Princess Alexandra Theatre on Sept. 8. MRC is the film’s studio and financier.
The American drama about U.S. racial dynamics portrays a Black academic, played by Jeffrey Wright, who grows frustrated that the only “Black books” that seem to find a wide (and white) audience are those that tread on stereotypes.
“My gratitude towards everyone who watched American Fiction [and] discussed it afterwards among friends and colleagues is endless. The film is now in your hands, and I’m so grateful that it was embraced in this way,” Jefferson said in a statement Sunday morning.
- 9/17/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
“American Fiction” has won the People’s Choice Award at the Toronto International Film Festival, TIFF organizers announced at an awards brunch on Sunday.
The Orion/MGM film by first-time director Cord Jefferson is a barbed satire that stars Jeffrey Wright as a writer who, to his dismay, achieves enormous success after as a joke writing a book filled with what he feels are the worst and most pandering cliches of Black representation. In its review, TheWrap called the film “an outlandishly assured directorial debut, a beautifully modulated film that takes a great actor, Jeffrey Wright, and gives him a spectacular showcase.”
While the film did not come into the festival as one of its highest profile selections, it was an immediate sensation after its Friday night premiere at the Princess of Wales Theatre, drawing some of TIFF’s most positive reviews. It currently stands at 86% positive on Rotten Tomatoes...
The Orion/MGM film by first-time director Cord Jefferson is a barbed satire that stars Jeffrey Wright as a writer who, to his dismay, achieves enormous success after as a joke writing a book filled with what he feels are the worst and most pandering cliches of Black representation. In its review, TheWrap called the film “an outlandishly assured directorial debut, a beautifully modulated film that takes a great actor, Jeffrey Wright, and gives him a spectacular showcase.”
While the film did not come into the festival as one of its highest profile selections, it was an immediate sensation after its Friday night premiere at the Princess of Wales Theatre, drawing some of TIFF’s most positive reviews. It currently stands at 86% positive on Rotten Tomatoes...
- 9/17/2023
- by Steve Pond
- The Wrap
The People’s Choice Award from the just-wrapped 2023 Toronto Film Festival has gone to Cord Jefferson’s American Fiction. First Runner-Up is Alexander Payne’s The Holdovers. Second Runner-Up is Hayao Miyazaki’s The Boy and the Heron. The Documentary Award goes to Mr. Dressup: The Magic of Make-Believe, and the Midnight Madness winner is Dicks: The Musical.
Orion and MRC’s American Fiction stars Jeffrey Wright and comes from writer-director Jefferson. It is a scathing satire on the publishing industry and its treatment of serious works by Black writers, one whose name is Thelonious “Monk” Ellison. He travels back to his hometown of Boston to attend a book festival, but the turnout is low in favor of another book seminar with author Sintara Golden’s (Issa Rae) bestseller We Lives in Da Ghetto. It is scheduled to be released in theaters in November.
Voted by audience members since 1978 and...
Orion and MRC’s American Fiction stars Jeffrey Wright and comes from writer-director Jefferson. It is a scathing satire on the publishing industry and its treatment of serious works by Black writers, one whose name is Thelonious “Monk” Ellison. He travels back to his hometown of Boston to attend a book festival, but the turnout is low in favor of another book seminar with author Sintara Golden’s (Issa Rae) bestseller We Lives in Da Ghetto. It is scheduled to be released in theaters in November.
Voted by audience members since 1978 and...
- 9/17/2023
- by Pete Hammond
- Deadline Film + TV
After a two week run that included a slew of buzzy world premieres and screenings of previous favorites from the international festival circuit, the 2023 Toronto International Film Festival has come to a close. Toronto is often considered the unofficial kickoff to Oscar season (along with the Venice and Telluride film festivals), so the films that take home the coveted People’s Choice Awards often get an early boost for their award campaigns.
The top prize went to “American Fiction,” Cord Jefferson’s publishing industry satire that stars Jeffrey Wright as a novelist who finds massive success after writing a deliberately stupid novel about Black life. Alexander Payne’s “The Holdovers” and Hayao Miyazaki’s “The Boy and the Heron” were honored as the first and second runners up, respectively.
The MRC title could have a bright future at the Academy Awards, as 11 of the last 14 People’s Choice Award winners...
The top prize went to “American Fiction,” Cord Jefferson’s publishing industry satire that stars Jeffrey Wright as a novelist who finds massive success after writing a deliberately stupid novel about Black life. Alexander Payne’s “The Holdovers” and Hayao Miyazaki’s “The Boy and the Heron” were honored as the first and second runners up, respectively.
The MRC title could have a bright future at the Academy Awards, as 11 of the last 14 People’s Choice Award winners...
- 9/17/2023
- by Christian Zilko
- Indiewire
Toronto, Sep 12 (Ians) Probably the best Indian movie to premiere at the on-going Toronto International Film Festival (TIFF), young Marathi director Jayant Digambar Somalkar’s debut feature film ‘A Match’ — Sthal in Marathi — is literally a slap in the face of Indian patriarchy.
In fact, this strongly feminist film ends with a real slap in the face of one of the potential grooms by the protagonist after her repeated rejections on the pretext of being too dark-skinned, not too tall, and not too rich to meet dowry demands.
It is also a rare film with a cast of no actors. All its actors are real-life characters facing the camera for the first time in their life.
And it was shot in the director’s own village Dongargaon in Maharashtra and in his family home on a shoe-string budget.
The film is the powerful story of young girl Savita (played by...
In fact, this strongly feminist film ends with a real slap in the face of one of the potential grooms by the protagonist after her repeated rejections on the pretext of being too dark-skinned, not too tall, and not too rich to meet dowry demands.
It is also a rare film with a cast of no actors. All its actors are real-life characters facing the camera for the first time in their life.
And it was shot in the director’s own village Dongargaon in Maharashtra and in his family home on a shoe-string budget.
The film is the powerful story of young girl Savita (played by...
- 9/12/2023
- by Agency News Desk
- GlamSham
Next Goal Wins (Taika Waititi, 2023).The lineup is being unveiled for the 2023 edition of the Toronto International Film Festival, starting with 60 selections from the Gala and Special Presentations programs. The festival takes place from September 7–17, 2023.Gala PRESENTATIONSConcrete Utopia (Um Tae-Hwa)Dumb Money (Craig Gillespie)Fair Play (Chloe Domont)Flora and Son (John Carney)Hate to Love: Nickelback (Leigh Brooks)Lee (Ellen Kuras)Next Goal Wins (Taika Waititi)Nyad (Elizabeth Chai Vasarhelyi, Jimmy Chin)Punjab ’95 (Honey Trehan)Solo (Sophie Dupuis)The End We Start From (Mahalia Belo)The Movie Emperor (Ning Hao)The New Boy (Warwick Thornton) The Royal Hotel (Kitty Green)The Holdovers.Special Presentationsa Difficult Year (Éric Toledano, Olivier Nakache)A Normal Family (Hur Jin-ho)American Fiction (Cord Jefferson)Anatomy of a Fall (Justine Triet)Close to You (Dominic Savage)Days of Happiness (Chloé Robichaud)The Rescue (Daniela Goggi)Ezra (Tony Goldwyn)Fingernails (Christos Nikou)Four Daughters (Kaouther Ben Hania...
- 8/14/2023
- MUBI
Toronto — The Toronto International Film Festival® is thrilled to announce the 2023 selections for the Discovery and Midnight Madness programmes. The infamous Midnight Madness lineup features 10 titles, 7 of which are World Premieres. The Discovery lineup, which primarily boasts World and International Premieres, includes 26 titles. Notably, 13 female filmmakers representing 50% of the total programme are featured in this year’s Discovery programme.
Midnight Madness and Discovery provide a cornucopia of original and unexpected work. Midnight Madness is a fan favourite, iconoclastic programme highlighting the weird and the wicked, while the Discovery programme offers a window to contemporary international cinema and introduces the public to first and second feature films from gifted new filmmakers.
“We’re excited to be showcasing new voices, audacious vision, and genre-bending cinema,” said Anita Lee, TIFF Chief Programming Officer. “TIFF’s Discovery and Midnight Madness programmes for 2023 will once again prove to be the ultimate destination for tastemakers and experience seekers.
Midnight Madness and Discovery provide a cornucopia of original and unexpected work. Midnight Madness is a fan favourite, iconoclastic programme highlighting the weird and the wicked, while the Discovery programme offers a window to contemporary international cinema and introduces the public to first and second feature films from gifted new filmmakers.
“We’re excited to be showcasing new voices, audacious vision, and genre-bending cinema,” said Anita Lee, TIFF Chief Programming Officer. “TIFF’s Discovery and Midnight Madness programmes for 2023 will once again prove to be the ultimate destination for tastemakers and experience seekers.
- 8/3/2023
- by Movies Martin Cid Magazine
- Martin Cid Magazine - Movies
This year’s edition of the Toronto International Film Festival is set to take place from September 7th through the 17th, and yesterday they invited film fans to guess which ten movies they’ll be screening in their Midnight Madness lineup this year. The hints were the titles of ten movies that could be compared to the films in the lineup in some way. They were Trey Parker’s Orgazmo, Geoff Murphy’s Under Siege 2: Dark Territory, Jimmy Wang Yu’s Fantasy Mission Force, Charles Martin Smith’s Trick or Treat, Stan Brakhage’s Dog Star Man, Martin Scorsese’s After Hours, Lucio Fulci’s City of the Living Dead, Paul Schrader’s Blue Collar, Ingmar Bergman’s Hour of the Wolf, and Theodore J. Flicker’s Jacob Two-Two Meets the Hooded Fang. Now TIFF has announced the full lineup for both their Midnight Madness and Discovery programmes, and...
- 8/3/2023
- by Cody Hamman
- JoBlo.com
The Toronto International Film Festival lineup keeps rolling in, with Midnight Madness, Discovery, and Platform programs being unveiled this week. Leading the pack is the North American premiere of Harmony Korine’s infrared action feature Aggro DR1FT, while new films from Tarsem, Larry Charles, Patricia Arquette, Molly Manning Walker, and more were also added.
“Sides will be split — both figuratively and literally (on screen) — as Midnight Madness returns to the Royal Alexandra Theatre with another stimulating concoction of unpredictable shock and ‘y’arr!’ cinema,” said Peter Kuplowsky, TIFF International Programmer, Midnight Madness. “Featuring two timely satiric provocations from Saudi Arabia (Naga) and Serbia (Working Class Goes to Hell) — nations that are making their section debut — this year’s madness infectiously ignites with 11 o’clock numbers that go all the way to midnight courtesy of Larry Charles’ bonkers and bawdy Dicks: The Musical. A menagerie of tastes will be sated, so bottoms up!
“Sides will be split — both figuratively and literally (on screen) — as Midnight Madness returns to the Royal Alexandra Theatre with another stimulating concoction of unpredictable shock and ‘y’arr!’ cinema,” said Peter Kuplowsky, TIFF International Programmer, Midnight Madness. “Featuring two timely satiric provocations from Saudi Arabia (Naga) and Serbia (Working Class Goes to Hell) — nations that are making their section debut — this year’s madness infectiously ignites with 11 o’clock numbers that go all the way to midnight courtesy of Larry Charles’ bonkers and bawdy Dicks: The Musical. A menagerie of tastes will be sated, so bottoms up!
- 8/3/2023
- by Leonard Pearce
- The Film Stage
The Toronto Film Festival pulled the curtain off its lineup for this year’s Discovery and Midnight Madness sections with notable titles respectively teeing off both programs’ opening nights: Patricia Arquette’s Gonzo Girl and Borat director Larry Charles’ Dicks: The Musical from A24.
The Midnight Madness section counts 10 features, seven of which are world premieres. The Discovery lineup, which primarily boasts world and international premieres, includes 26 titles. Notably, 13 female filmmakers representing 50% of the total program are featured in this year’s Discovery; that lineup is known for being a window to contemporary world cinema with first and second movies from frosh filmmakers. With Midnight Madness films, it’s anything goes.
“We’re excited to be showcasing new voices, audacious vision, and genre-bending cinema,” said Anita Lee, TIFF Chief Programming Officer. “TIFF’s Discovery and Midnight Madness programs for 2023 will once again prove to be the ultimate destination for tastemakers and experience seekers.
The Midnight Madness section counts 10 features, seven of which are world premieres. The Discovery lineup, which primarily boasts world and international premieres, includes 26 titles. Notably, 13 female filmmakers representing 50% of the total program are featured in this year’s Discovery; that lineup is known for being a window to contemporary world cinema with first and second movies from frosh filmmakers. With Midnight Madness films, it’s anything goes.
“We’re excited to be showcasing new voices, audacious vision, and genre-bending cinema,” said Anita Lee, TIFF Chief Programming Officer. “TIFF’s Discovery and Midnight Madness programs for 2023 will once again prove to be the ultimate destination for tastemakers and experience seekers.
- 8/3/2023
- by Anthony D'Alessandro and Valerie Complex
- Deadline Film + TV
Patricia Arquette’s Gonzo Girl and Larry Charles’ Dicks: The Musical open the sections.
The Toronto International Film Festival (TIFF) has unveiled the titles in its Discovery and Midnight Madness programmes, with the line-ups including Harmony Korine’s Aggro Dr1ft, Patricia Arquette’s Gonzo Girl and Molly Manning Walker’s How To Have Sex.
The Discovery line-up, designed to open a window on contemporary international cinema with first and second features from new filmmakers, comprises 26 titles from 25 countries, most of them world or international premieres.
As well as Arquette’s directing debut Gonzo Girl, with the actor also starring alongside Willem Dafoe,...
The Toronto International Film Festival (TIFF) has unveiled the titles in its Discovery and Midnight Madness programmes, with the line-ups including Harmony Korine’s Aggro Dr1ft, Patricia Arquette’s Gonzo Girl and Molly Manning Walker’s How To Have Sex.
The Discovery line-up, designed to open a window on contemporary international cinema with first and second features from new filmmakers, comprises 26 titles from 25 countries, most of them world or international premieres.
As well as Arquette’s directing debut Gonzo Girl, with the actor also starring alongside Willem Dafoe,...
- 8/3/2023
- by John Hazelton
- ScreenDaily
The Toronto International Film Festival announced the 2023 selections for the Discovery and Midnight Madness program this morning. The Midnight Madness lineup features 10 titles, seven of which are World Premieres. The Discovery lineup, which primarily boasts World and International Premieres, includes 26 titles. Notably, 13 female filmmakers representing 50% of the total are featured in this year’s Discovery program.
Midnight Madness and Discovery provide a cornucopia of original and unexpected work. Midnight Madness is a fan favorite, iconoclastic program highlighting the weird and the wicked, while the Discovery program offers a window to contemporary international cinema and introduces the public to first and second feature films from gifted new filmmakers.
“We’re excited to be showcasing new voices, audacious vision, and genre-bending cinema,” said Anita Lee, TIFF Chief Programming Officer. “TIFF’s Discovery and Midnight Madness program for 2023 will once again prove to be the ultimate destination for tastemakers and experience seekers.”
Midnight...
Midnight Madness and Discovery provide a cornucopia of original and unexpected work. Midnight Madness is a fan favorite, iconoclastic program highlighting the weird and the wicked, while the Discovery program offers a window to contemporary international cinema and introduces the public to first and second feature films from gifted new filmmakers.
“We’re excited to be showcasing new voices, audacious vision, and genre-bending cinema,” said Anita Lee, TIFF Chief Programming Officer. “TIFF’s Discovery and Midnight Madness program for 2023 will once again prove to be the ultimate destination for tastemakers and experience seekers.”
Midnight...
- 8/3/2023
- by Valerie Complex
- Deadline Film + TV
New films from Patricia Arquette, Larry Charles, Harmony Korine and Finn Wolfhard will screen in the Midnight Madness and Discovery sections of the 2023 Toronto International Film Festival, TIFF organizers announced on Thursday.
Korine’s “Aggro DR1FT” and Charles’ “Dicks: The Musical” will screen in the Midnight Madness section, along with eight other films that also include Jason Yu’s “Sleep” and Wolfhard and Billy Bryk’s “Hell of a Summer.”
“Dicks: The Musical,” which TIFF Midnight Madness programmer Peter Kuplowsky called “bonkers and bawdy” in the press release announcing the lineups, will open the Midnight Madness section, while Weston Razooli’s “Riddle of Fire” will be the closing-night attraction.
The Discovery section will showcase 26 films from up-and-coming directors around the world. It will open with Arquette’s “Gonzo Girl,” which stars Willem Dafoe and Camilla Morrone (“Daisy Jones & the Six”) and is one of many TIFF titles from actors who have turned to directing.
Korine’s “Aggro DR1FT” and Charles’ “Dicks: The Musical” will screen in the Midnight Madness section, along with eight other films that also include Jason Yu’s “Sleep” and Wolfhard and Billy Bryk’s “Hell of a Summer.”
“Dicks: The Musical,” which TIFF Midnight Madness programmer Peter Kuplowsky called “bonkers and bawdy” in the press release announcing the lineups, will open the Midnight Madness section, while Weston Razooli’s “Riddle of Fire” will be the closing-night attraction.
The Discovery section will showcase 26 films from up-and-coming directors around the world. It will open with Arquette’s “Gonzo Girl,” which stars Willem Dafoe and Camilla Morrone (“Daisy Jones & the Six”) and is one of many TIFF titles from actors who have turned to directing.
- 8/3/2023
- by Steve Pond
- The Wrap
The Toronto International Film Festival has today announced the lineup for two of its more unpredictable and interesting sections: Discovery and Midnight Madness. Billed as “the infamous,” this year’s Midnight Madness lineup features 10 titles, seven of which are world premieres. The Discovery lineup, which primarily includes world and international premieres, includes 26 titles.
Per TIFF, both “Midnight Madness and Discovery provide a cornucopia of original and unexpected work. Midnight Madness is a fan favorite, iconoclastic program highlighting the weird and the wicked, while the Discovery program offers a window to contemporary international cinema and introduces the public to first and second feature films from gifted new filmmakers.” The festival’s announcement also notes that 13 female filmmakers, representing 50 percent of the total program, are featured in this year’s Discovery lineup.
Those films include new offerings from Harmony Korine and Larry Charles, plus — as Peter Kuplowsky, TIFF International Programmer, Midnight Madness,...
Per TIFF, both “Midnight Madness and Discovery provide a cornucopia of original and unexpected work. Midnight Madness is a fan favorite, iconoclastic program highlighting the weird and the wicked, while the Discovery program offers a window to contemporary international cinema and introduces the public to first and second feature films from gifted new filmmakers.” The festival’s announcement also notes that 13 female filmmakers, representing 50 percent of the total program, are featured in this year’s Discovery lineup.
Those films include new offerings from Harmony Korine and Larry Charles, plus — as Peter Kuplowsky, TIFF International Programmer, Midnight Madness,...
- 8/3/2023
- by Kate Erbland
- Indiewire
Finn Wolfhard, Larry Charles, Harmony Korine Films Set for Midnight Madness at Toronto Film Festival
The Toronto Film Festival’s Midnight Madness sidebar will open with Borat director Larry Charles’ latest movie Dicks: The Musical getting a world premiere.
Charles’ latest film, from A24 and in theaters from Sept. 29, stars Megan Mullally, Megan Thee Stallion, Bowen Yang as God and Nathan Lane, as the comedy duo of Aaron Jackson and Josh Sharp (who also wrote the film’s script) play self-obsessed businessmen who discover they’re long-lost identical twins and come together to plot the reunion of their eccentric and divorced parents.
“This year’s madness infectiously ignites with 11 o’clock numbers that go all the way to midnight courtesy of Larry Charles’ bonkers and bawdy Dicks: The Musical. A menagerie of tastes will be sated, so bottoms up!” Peter Kuplowsky, TIFF International programmer of Midnight Madness, said in a statement on Thursday.
The latest additions to the Toronto Film Festival also include the lineup...
Charles’ latest film, from A24 and in theaters from Sept. 29, stars Megan Mullally, Megan Thee Stallion, Bowen Yang as God and Nathan Lane, as the comedy duo of Aaron Jackson and Josh Sharp (who also wrote the film’s script) play self-obsessed businessmen who discover they’re long-lost identical twins and come together to plot the reunion of their eccentric and divorced parents.
“This year’s madness infectiously ignites with 11 o’clock numbers that go all the way to midnight courtesy of Larry Charles’ bonkers and bawdy Dicks: The Musical. A menagerie of tastes will be sated, so bottoms up!” Peter Kuplowsky, TIFF International programmer of Midnight Madness, said in a statement on Thursday.
The latest additions to the Toronto Film Festival also include the lineup...
- 8/3/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
EntertainmentDirector Shefali Bhushan, and lead actors Shriya Pilgaonkar and Varun Mitra discuss the making of the legal drama, casting, conceptualisation, and more in a chat with Tnm.Saradha UAmazon Prime VideoDevoid of melodramatic monologues from rival lawyers, loud gavels, dramatised clinching testimonies on the witness stand, and judges who are either morally corrupt, or have a holier-than-thou attitude, Amazon Prime Video’s recently released legal drama Guilty Minds has opened to critical acclaim for its nuanced portrayal of Indian legal circles and criminal justice system. Helmed by Shefali Bhushan, who grew up in a family of lawyers, and co-directed by Jayant Digambar Somalkar, the series offers a refreshing and realistic take in a cliche-ridden genre. Speaking to Tnm about the conceptualisation of the series and its writing process, director Shefali Bhushan says, “It started with Manav Bhushan (a biomedical engineer with a law degree) and me in the writers’ room.
- 5/10/2022
- by SaradhaU
- The News Minute
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.