În derivã (2010–2012)
Romania. and nothing more
20 May 2017
for me, it remains the precise portrait of Romanian society. and one of the most remarkable examples of the great art of Marcel Iureș. because it is a fresco of ordinaries doubts, fears, crisis, vulnerabilities in a grow up society. because it is more than meets between psychoanalyst and his patients but delicate sketch of looking for the sense . each character is a victim. with his nuances and reactions and truths. and Andrei Poenaru of Marcel Iureș is this guy who has not answers or solutions or the right attitude of the professional ice stereotypes. and this, for me, does this series impressive. or maybe special. because, more than a show, it is a mature picture, without idyllic/ironic/angry/vulgar/selfish/bizarre flavor about contemporary Romania. this is all.
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