"It's so metaphorical" is what Kevin says when they show him Da-Song's paint, he makes a statement without knowing absolutely nothing about what he is talking about, most critics of this movie say exactly that "It's so metaphorical" obviously Most know what you are talking about, when writing something about a movie I have to be 100% sure that I have understood.
"It's so metaphorical" This comment on this movie is quite fair and precise; Parasite is built on the basis of visual symbolism that for some it will be an easy task to find them and for others a little more difficult because it also does not put this type of visual metaphors in the foreground, sometimes leaves it to the public's interpretation and in others simply play with the camera and film techniques to tell us the story, a clear example is the first time Kevin visits the Park house, the house is shown in a low-angle shot from the ground showing the superiority of the house and the environment over the character, the rain scene in the middle of the movie is simply wonderful: the family plummets to its miserable reality and the camera descends in a peculiar way, as there are many examples throughout the film; the fight over the cell phone in the Park house looks like an animal fight, the shots in the Kim's house are closed and in the immense Park house they are open and wide, a lot of voyeuristic Hitchcokian shots and provocateurs of vertigo, the symbolic use of the stairs throughout the film, something quite coherent since the film speaks especially about the socioeconomic classes and the social and race stairs, are some simply steps over others. Who are the real Parasites? the Kims or the Parks? the film plays with this question and leaves the answer to the interpretation, the Kim who represent the great majority of the poor class in Korea and in the world act as parasites that will gradually owe the class that is above them, taking advantage of the comforts that it offers them without any difficulty, living under the ground and in precarious conditions, but on the other hand the Park are practically useless beings, there is nothing they can do: their children are educated by others, their clothes are ironed and washed by others and their food is made by others.
Kim's family at least shows that Kevin is good at Languages, even better than many college students, his sister has great skills that lead her to create the perfect plan, even she manages to do what no sophisticated teacher did; control and support Da-Song, but due to their poverty their hopes that they can take advantage of this kind of talent are minimal. The final shot of the movie plays with us and gives the perfect blow to culminate this story: Kevin writes a letter to his dad that he probably won't be able to read, while he has a dream, after the dream the shot is the same that of the beginning, he It shows the exterior of the house from the basement this time without sun, showing that he it is where it began and that now its life is dark and empty of hopes.
"It's so metaphorical" This comment on this movie is quite fair and precise; Parasite is built on the basis of visual symbolism that for some it will be an easy task to find them and for others a little more difficult because it also does not put this type of visual metaphors in the foreground, sometimes leaves it to the public's interpretation and in others simply play with the camera and film techniques to tell us the story, a clear example is the first time Kevin visits the Park house, the house is shown in a low-angle shot from the ground showing the superiority of the house and the environment over the character, the rain scene in the middle of the movie is simply wonderful: the family plummets to its miserable reality and the camera descends in a peculiar way, as there are many examples throughout the film; the fight over the cell phone in the Park house looks like an animal fight, the shots in the Kim's house are closed and in the immense Park house they are open and wide, a lot of voyeuristic Hitchcokian shots and provocateurs of vertigo, the symbolic use of the stairs throughout the film, something quite coherent since the film speaks especially about the socioeconomic classes and the social and race stairs, are some simply steps over others. Who are the real Parasites? the Kims or the Parks? the film plays with this question and leaves the answer to the interpretation, the Kim who represent the great majority of the poor class in Korea and in the world act as parasites that will gradually owe the class that is above them, taking advantage of the comforts that it offers them without any difficulty, living under the ground and in precarious conditions, but on the other hand the Park are practically useless beings, there is nothing they can do: their children are educated by others, their clothes are ironed and washed by others and their food is made by others.
Kim's family at least shows that Kevin is good at Languages, even better than many college students, his sister has great skills that lead her to create the perfect plan, even she manages to do what no sophisticated teacher did; control and support Da-Song, but due to their poverty their hopes that they can take advantage of this kind of talent are minimal. The final shot of the movie plays with us and gives the perfect blow to culminate this story: Kevin writes a letter to his dad that he probably won't be able to read, while he has a dream, after the dream the shot is the same that of the beginning, he It shows the exterior of the house from the basement this time without sun, showing that he it is where it began and that now its life is dark and empty of hopes.