Maybe , two virtues : the cast and the realism about American presence in Italy after war. Shocking, a mix of Fellini and Catch 22, seductive for beautiful work of Marcello Mastrianni and for captivity of Burt Lancaster in a cage of cliches, it is adaptation of the novel of Curzio Malaparte, offering, in same measure, more than the word of book.
Maybe, today, more convincing about reactions, cliches and ways of survive in crisis time.
Exactly this cruel exploration of truth is its real virtue.
In short, a honest perspective about prejudices and tough lessons, about people behavior and their gestures.
Not story, only a chain of episotes. At final- a spoon of bitterness.
Maybe, today, more convincing about reactions, cliches and ways of survive in crisis time.
Exactly this cruel exploration of truth is its real virtue.
In short, a honest perspective about prejudices and tough lessons, about people behavior and their gestures.
Not story, only a chain of episotes. At final- a spoon of bitterness.