Splinters (1929) Poster

(1929)

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4/10
historic record of World war 1 concert party
malcolmgsw24 October 2012
This film charts the formation of the World War 1 concert party called splinters in 1915.It features 2 of the original performers,Sydney Howard and Nelson Keys.the first 20 minutes shows officers coming up with the idea then interviewing the potential organisers.next we see the auditions and then the concert party.It really is a mixed bag.There is a very attractive chorus line,who,at the end of their turn,take off their wigs which is extremely funny.There is a female impersonator who sings off key.There is a very nifty pair of tap artists.There are some attempts at comedy by Howard and Nelson,which now fall rather like lead balloons.Towards the end there is an enemy attack and everyone has to go to the front.So we see the rather incongruous sight of the chorus line putting on their battledress tunics over their dresses!In the battle scenes the lack of modulation of sound is quite apparent as dialogue cannot be heard above the gunfire.Audiences who saw it on its release will have enjoyed it bearing in mind that this film was made only 11 years after the end of the war.Today it is more of a historic record.
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3/10
Comedy inspired by the World War I concert party is ruined by a leaden wrap-around story
davidvmcgillivray-24-90581112 September 2016
In 1915 General Sir Henry Horne ordered the formation of a concert party to raise the spirits of British troops fighting in France. It was such a success that later a theatre was built to house the show (called "Splinters"). At the end of the War some of the men who'd appeared in the shows (including Eliot Makeham, who went on to have a successful film career) staged a version of the show in London and on tour. It consisted largely of female impersonation. According to the book "British Theatre Between the Wars" the tours continued until the late 1930s. This film version, shot at the new Elstree Studios, is a valuable record of some of the songs and two sketches from the stage show. It sounds as though they were performed to a live audience, which is very receptive to the Army jokes and risqué humour. Unfortunately a wrap- around story has been added showing the concert party being established and then performing in the heat of battle. The delivery of the dialogue in these sequences is so slow that at times it seems in danger of grinding to a halt. The show extracts, however, are fascinating. To correct the earlier review, the performers re-creating their stage roles are not Sydney Howard and Nelson Keys but Hal Jones and Reg Stone. Stone was called "the most amusing female impersonator in England." His style, possibly modelled on Julian Eltinge, is elegant and very convincing. He and Jones (and Sydney Howard) returned in a sequel "Splinters in the Navy".
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