User Reviews

"Undersea Kingdom" could be compared to Universal's popular "Flash Gordon" serial released the same year. Instead of having the story take place in outer space, Republic stages this one at the bottom of the sea in the lost continent of Atlantis complete with a mad man trying to take over the world and a similarly named hero.

Unga Khan (Monte Blue) has harnessed the atom and is causing earthquakes across North America. Scientist Professor Norton (C. Montague Shaw) has invented a ray that will counteract the earthquakes which he believes are coming from the ocean floor,

As luck would have it the ever resourceful Norton has also invented an atomic powered submarine with which he plans to descend to the ocean floor and discover the source of the carnage. He forms a team which includes "Crash" Corrigan (Ray Corrigan) a naval lieutenant and a muscular athlete (who gets to run around without his shirt for most of the story), Diana Compton (Lois Wilde) the ever present newspaper reporter, young Billy (Lee Van Atta) Norton's son, Norton's assistant Joe (John Bradford) and for comic relief Briny (Smiley Burnette) and Salty (Frankie Marvin).

When the sub descends into the ocean it is discovered by Unga Khan who using a tractor beam pulls the crew into the undersea world of Atlantis. There, Crash and the gang discover that there are two warring factions..Khan's Black Robe Guards and the White Robed followers of Sharad (William Farnum). The Black Robes posses a tank-like machine called the Juggernaut and an army of walking garbage can robots called Volkites.

Anyway, to make a long story short, Crash becomes leader of the White Robes' army and Unga Khan captures Professor Norton and alters his mind so that he obeys without question. Khan plans to have Norton produce the priming powder that will ignite the rockets that will propel his tower to the surface and thereby enable him to take control of the world. Well, over the course of the 12 chapters, Crash and the gang escape numerous life threatening situations and ultimately save the world.

This serial is full of contradictions. Firstly, the Black Robes have harnessed the atom, the Volkites and the Juggernaut each possess deadly ray guns yet the soldiers ride in horse drawn chariots or ride horses and fight with swords, and they even have guided missiles. Secondly, Norton's atomic powered submarine is left in the hands of two bumbling assistants? Credibility gap here?

There are some good (and some cheesy) special effects. The two sieges on the White Robe city are well done, although I don't know what good that so-called flame thrower is. The flying craft seems to be going in circles and the "Tower" looks really cheap when it appears on the surface.

A word about the rest of the cast. Boothe Howard and Lon Chaney Jr. (wasted again) play Unga Khan's chief henchmen and Lane Chandler plays Sharad's assistant. In an offbeat bit of casting, Raymond Hatton plays a bad guy and John Merton a good guy. Hatton of course is best remembered as the crusty old sidekick in dozens of "B" westerns. The muscular Merton (sans moustache) was usually cast as a villain. Burnette and Marvin are given little to do and disappear for several chapters at a time.

For Corrigan, this was his first starring role. He would play the lead in Republic's "The Painted Stallion" serial in 1937 as well as, beginning a long run as Tuscon Smith in the long running "Three Mesquiteers" series.

This serial was cranked out even quicker than usual for Republic, in direct response to Universal's instant classic, Flash Gordon, and is, overall, rather sub-par for a Republic production.

Our hero, Crash Corrigan, is an attempt at creating a poor man's Buster Crabbe, and while he is likable, adequate and has the right build and physical abilities to be a serial hero, he does not exude sufficient charisma, charm, virtue or cleverness so as to have us in our seats cheering him on.

The main villain, Unga Khan, is an unsuccessful attempt to create an ersatz Ming the Merciless, looking more brain-damaged than sinister.

And while Crash is adequate, most of the rest of the cast are either bland or sub-par, the exception being guy who played Unga Khan's main henchmen, who was pretty good. There is a just awful kid, Billy, the son of a geriatric scientist, who you keep hoping will get killed off, but no, he survives.

And there is a nice-looking female lead who gets almost nothing to do the entire serial, and there are no romantic sparks between her and our hero, until the final chapter.

Speaking of romantic sparks or the lack thereof, it is interesting to note that in the Kingdom of Atlantis, wherein our adventure occurs, there appear to be exactly zero women, until our aforementioned heroine arrives. I mean, in a literal sense, that although this serial has many male actors and extras, there is only 1 female throughout the whole 12 chapters. How this city's population has perpetuated itself these many thousands of years is a mystery not discussed, nor is the means by which the many, many male inhabitants of Atlantis relieved their sexual urges.

This aspect of Atlantean life, plus the many scenes of our hero stripped down to his trunks wrestling other men stripped down to their trunks, not to mention the fact that Corrigan's Atlantean costume greatly resembles that of a Las Vegas showgirl, gives rise to much speculation.

This serial has neither the verisimilitude of the classic Republic serials, nor the delirious phantasmagoria of Flash Gordon. Thus, it is amusing to see a couple chapters, but, and I say this as a fan of the classic serials, I found it tiresome to watch in its entirety.

I should, however, give due praise to the fine miniature work by the Lydecker Brothers, and note that this serial marks the premier of the great Republic "water heater" robots, who would continue to appear in serials for the next 20 years. Thus, fans of Republic should see at least a chapter or two, and fans of serials, B-films, and kitch can also enjoy a couple chapters. But the whole things will probably be more than you need.

I found the entire serial on two DVDs for the bargain-price of $5 a piece. I honestly only got the first six because the guy was, well, undressed except for a cape and a helmet and these really cool boots. Otherwise he looked like he was in his underwear.

I really loved the over the top acting and the, for then, cool special effects. That the producers seemed to enjoy finding the slimmest excuse to put Our Hero into cheek revealing outfits and at one point literally strapping him spread-eagle to a moving "car" smacks of almost unbelievable camp. That this stuff passed muster during The Code is even more amazing.

As to weather the cliffhangers cheat; OK they cheat. But in a way I sort of enjoy the original cliffhanger version. Crash gets blown up, dropped down an elevator shaft, smashed into a wooden door (with the aforementioned "car"), dropped from great heights and others too numerous to mention.

I don't love that his "sidekick" is either a young boy who worships him and that he seems a bit too attached to (witness his reaction when Billy falls down a facing). His other "sidekick" is an enemy he saves, only to have the poor sap pine for Our Hero until he is killed, just to assure Crash's engagement to The Girl.

This movie is definitely a repeat offender. But it is fun nonetheless. Invite your friends over and have a drinking party where everyone takes a belt whenever Crash shows his ass. You'll be plowed before the night is out.

Bad, silly, obvious. But not nearly as crappy as Bad Boys 2.

I give this one a Thumbs Up!

I have only seen episode two which was included as the short on the MST3000 episode where they watched the Indestructible Man. The likely reason it was included was the presence of Lon Chaney Jr in both. Lon's the key. Anyway.

I think that is the most memorable aspect of this episodic serial from the 1930's, as the rest appears to be rather common and what one would expect out of a serial of the period (cheap sets, cheap costumes and props, atrocious acting and simple plot lines). If you have seen the Flash Gordon or Batman serials of the same period, then you know what to expect. These serials have not aged well and can be especially (and usually unintentionally) comedic.

Atlantis. Unga Khan (think Ming). Ray Corrigan as Crash Corrigan. Thats an easy one to remember. You're playing yourself, dummy. Horses. Fighting. Robots. "Lasers". What's more to tell? It's not as exciting as it sounds. Outside of a 5 year old, the only entertainment value that can be derived from this as an adult is as some sort of stress relief comedy. Accompany the viewing with others and include at least 3 shots of Gentleman Jack.

Republic Pictures 12-chapter serial, Undersea Kingdom, borrows many elements from the Flash Gordon story: a "yellow menace"-type villain, a scientist and his futuristic craft (this time a rocket submarine rather than a rocketship), a vanquished foe spared in combat becoming a staunch ally, and finally the heroes name Crash (rhymes with...). You can see the beginnings of the great serial factory Republic was to become, with decent fights and excellent special effects for 1936. Pacing is sluggish and it contains some horrendous cliffhanger cheats. For example, when Crash is SEEN plummeting down an elevator shaft and the next episode begins with his falling through the open elevator doors, reaching out and clutching the edge of the doorway preventing his fall. I would not recommend seeing this serial in one go because the cheats would be less abrasive if the chapters were viewed with some time in between. I rate this serial a 7.0 (Review: 1; 11/2002)

"Undersea Kingdom" is fast-moving and exciting, better than most serials...with the added fun of seeing how the cliffhangers are impossibly resolved. One of my favorite superheroes who's never been filmed is Namor, the Submariner and this serial comes closest to rendering him on film. It's amazing how a very ordinary looking guy (Ray Corrigan) with an admittedly great physique can be transformed into a thrilling superhero just by donning a costume. This is the best example of the transformation by costume...Corrigan doesn't look anywhere near as imposing without that great sort of Aztec-looking helmet, the best flowing cape (far better than Superman's) and those nifty fish-scale briefs that turn transparent when the lighting hits them just right. Fortunately, our hero wears this impressive outfit throughout most of the series, and you will notice how much his presence is diminished just by removing the helmet from time to time. Despite the robots that look like lumbering water heaters and a sardine-can tank that announces its presence with an ambulance siren, this is a classic serial adventure that should surely please most action-hero and serial fans. It's a very ambitious and largely successful product for its times, with the added bonus of little of the tediously long previous chapter replays of later efforts in the genre. Highly recommended!

Granted it is not like our cliff hangers today but enjoyed watching it. It had no foul language or off color jokes. It is a good family friendly series. It keeps the attention of the viewer. I like older movies anyway(there cleaner than the filth that HELLYWOODS putting out today).

UNDERSEA KINGDOM (1936 Republic) starring Ray "Crash" Corrigan and produced by the immortal Nat Levine (truly the "King Of The Cliffhanger Poverty Row Black And White Serial Producers) is without a doubt the very best science fiction/ action movie serial ever made, and other serials of fame (Flash Gordon, Mysterious Dr. Satan, King Of The Rocketmen) don't even come close.

Part of the reason is simply money. Republic Pictures was newly organized and expanded in 1936, and the production of UNDERSEA KINGDOM (1936 Republic) starring Ray "Crash" Corrigan" and produced by Nat Levine was a beginning effort to position Republic Pictures at the top of the independent movie production operations in Hollywood serving independent theaters and theater chains worldwide with "product" not tied to the "major" movie studios such as MGM and Paramount which owned large chains of captive movie houses bound to show movies made by parent movie studios (it is stated in movie histories that as much as 94% of movie box office receipt income during the "Golden Age" of big Hollywood chain movie house connected studios were invested in the huge movie house real estate holdings of chains owned by Loews, Paramount, Warner Brothers, RKO, etc.).

Republic Pictures bought up Mascot Studios and other "low end" "poverty row" movie studios which produced cheap cowboy and other potboiler movies (also serials, some very good), and created sort of a "twilight zone" movie studio operation in which "product" was not quite as expensive and glossy as the "big studio" movies (MGM, Paramount, etc.), but which was better than the old "poverty row" movie potboiler products had been in the early 1930's (when John Wayne and others of cowboy fame got their start).

Republic's UNDERSEA KINGDOM (1936 Republic) serial starring Ray "Crash" Corrigan was a very successful effort to create a classy, expensively made, tasteful serial with high standards of casting and script creation, and wonderful attention paid to special effects, science fiction innovations (television, submarine travel, "ray guns," and robots, etc. etc.

Unlike other serials of fame, large numbers of background actors of great skill were used. Charriots probably from the BEN HUR extravaganza of 1925 (only 10 years before) were used, and high speed chariot racing is seen in the serial, and is breathtaking.

The attention to innovation in the script, and the fact that traditional, old time, sappy "love interest" is avoided almost completely are all to the credit of the creators of this great example of science fiction/ action cinema. There is no effort in UNDERSEA KINGDOM (1936 Republic) to include major female character or "love interest," or jealous daughters of evil emperors, or a girlfriend for the hero who tails along after "her man" with no role other than that of sex object for both her boyfriend and his major male enemies (the worst part of the famous FLASH GORDON [1935] serial is the "Dale Arden" character played by pretty but bass voiced Jean Rogers who is far less curvy than her major female competitor for Flash Gordon....played by wonderfully curvy Pricilla Lawson, who was also a much better actress in the 1935 serial of fame.....a serial far less expensively and well made, and far less well acted and written than UNDERSEA KINGDOM [1936]).

UNDERSEA KINGDOM (1936 Republic) starring Ray "Crash" Corrigan and produced by Nat Levine (see Levine's many other serials of fame, including my favorite, THE WHISPERING SHADOW [1934 Mascot] starring Bela Lugosi) is the best and most expensively made movie science fiction/ action serial ever made, and should be in every movie enthusiast's personal collection (cheap VHS cassette versions are presently...2011...available from Amazon.Com for truly tiny money...buy one!).

Much more can and should be said about UNDERSEA KINGDOM (1936 Republic) including details best of all water heater robots who were mobile thanks to their flexible accordion style legs, much better than the inferior stiff pole metal legs of the water heater robot (only one) in THE MYSTERIOUS DR. Satan (1942 Republic). An entire book can and should be written about robots depicted in 1930's and 1940's movie serials.

I plan to write a book soon titled VALLEY OF THE CLIFFHANGERS about the history and best examples of high quality movie serials, a cinema art form which extended way back in time during silent movie days before the World War I era, and continued into the early 1950's.

I was a little boy in Baltimore, Maryland USA and attended the weekly Saturday morning children's movie show programs at Baltimore, Maryland USA's now closed WAVERLY THEATRE located on Greenmount Avenue near the corner of 33rd St. (now a retail shoe store). I first saw UNDERSEA KINGDOM (1936 Republic) in the early 1950's along with KING OF THE ROCKETMAN, and DON WINSLOW OF THE COAST GUARD and many other re-cycled serials shown at the Waverly along with "B" westerns of fame, mostly from Republic Pictures which provided movie programming to independent movie houses like the WAVERLY THEATRE and specialized in Saturday morning and afternoon children's cowboy movies, serials, and short subjects.

I've been interested in USA action cinema all my life, but the very best action movies I ever saw were the ones shown in the early 1950's at Baltimore, Maryland USA's WAVERLY THREATRE. And the very best movie serial I ever saw at the WAVERY THEATRE was UNDERSEA KINGDOM (1936 Republic) starring Ray "Crash" Corrigan and produced by the wonderful Nat Levine, "King Of The Movie Serial Producers."

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Written Sept. 10, 2011 by David Roger "Tex" Allen, SAG Actor, Columbia PA USA.

Written by Tex Allen, SAG-AFTRA movie actor. Visit WWW.IMDb.Me/TexAllen for more information about Tex Allen.

Tex Allen's email address is TexAllen@Rocketmail.Com.

See Tex Allen Movie Credits, Biography, and 2012 photos at WWW.IMDb.Me/TexAllen. See other Tex Allen written movie reviews....almost 100 titles.... at: "http://imdb.com/user/ur15279309/comments" (paste this address into your URL Browser)

Without a doubt, a big part of the reason why I gave "Undersea Kingdom" (from 1936) its 6-star rating has to do with the absolutely hilarious-looking robots who made regular appearances throughout this cheesy, vintage production.

Yeah. These robots (IMO) were an absolute riot. And without their unintentionally comical presence, I probably wouldn't have given this decidedly silly production more than just 4 stars, at best, as its rating.

Anyway - I'd say that (for the most part) "Undersea Kingdom" was (generally speaking) OK as far as low-budget entertainment goes. I found that it had both its fair share of good moments, as well as its not-so-good moments, too.

But, with that all said - Yes. It was a pretty goofy production (in the long run).

This serial is just howlingly fantastic. Bonkers and almost pornographic in its butch antics. I used to show this in a cinema in the 1970s and the audience would just go berserk. As the credits started they would almost scream the roof off...the title comes on over a shot of a phallic submarine entering a seaweed encrusted cave. Our hero, "Crash" DOES only wear his fish-scale pattern underpants with a cape and big silver boots....and a very groovy helmet with a big fin. There is a lot of leftover BEN HUR and NOAHS ARK props to be seen from silent epics pressed into squeaky service at Republic for their first sci fi serial spectacular and I am sure this was a big fat hit with the kids in its day as it was 50 years later. A exact remake of the 1935 Mascot Pictures serial PHANTOM EMPIRE inherited when Republic absorbed Mascot, This one even has the tin can robots and a big metal Volkswagen they hoon around in. Wait until you see the part when Crash is tied spread eagle on the bonnet and his pubic hair is showing..A real crown pleaser if ever there was!. A must for every collection.

This one has some laugh out loud moments - some intentionally funny and other times non-intentional. It's a riot - really fun to watch. I have a feeling the kids back then really enjoyed this one. It's kinda feels like you are watching the original Flash Gordon series in a way.

What's really fun - watching these guys in their costuming... very much a comic book brought to life on screen - in particular "Wolf Man" Lon Chaney Jr. - just a treat to see this serial.

If you are into the sci-fi superhero B-films/serials then you should like Undersea Kingdom (1936) - this one is really crazy fun.

8/10

I love this Serial , it is original Idea and the adventure is exciting.In Brazil we have many difficulties to find this type of film and expensive the $. I have interest in write with other Partners these kinds films in Brazil. I am collector of Serials Films and Film Music I am Librarian in Universidade Federal Paraiba at Biblioteca Central João Pessoa City I have interest in change informations about Serial Films and Film Music Soundtracks. My Favorite Kinds Genre Films:MUSICAL;SCIENCEFICTION;THRILLER;ADVENTURE;CLASSICAL;DOCUMENTARY and HISTORICAL . Music Composers : JOHN WILLIAMS , JAMES HONER , JERRY GOLDSMITH ,JAMES NEWTON HOWARD and HANS ZIMMER

Despite being born in 1966, I have actually seen about 20 old time movie serials in my time, the ones made in the 1940s and 1950s actually stand the test of time rather well, but this one, dating back to 1936, is just a bit too old for me.

From the first frames, it has 1930s written all over it, from the clothing to the acting to general look of the production.

Being a Voyage to the Bottom of the Sea nutcase, I was actually looking forward to seeing some Voyage/Sea-ish submarine miniature effects from the Lydeckers (Howard Lydecker created effects for Voyage/Sea) but The Undersea Kingdom submarine looks ugly.

Then again, one later chapter features a fancy aircraft, flying in daylight, that resembles much later effects that Howard would do for Irwin Allen TV.

Sorry folks, this serial just does not cut it for me, in fact, I destroyed the video tape. Maybe I am just too young for it?

I will refrain from scoring this one as I only viewed the first two episodes of this serial, however, just the little bit I did see reminded me of Flash Gordon. Atlantis is at war, a warlord of types is causing the land to be in chaos, and he wants to bring us into the fray by causing earthquakes. So a scientist in his rocket submarine along with Crash go to see if they can stop this quakes. Also along is a reporter and an annoying kid, because you can not do anything in these serials without a plucky reporter, kids are optional. This serial looks like a lot of effort was put into making it, to bad the end result appears to be a simple ripoff of an already established franchise. I encountered this serial on MST3K where they did the first two parts of the series before stopping. I wish they had continued as this made for more entertaining riffing than did the movies. I would of also liked to have seen how this series played out. At least they did not leave us hanging as much when they simply stopped showing radar men when it had to be very close to concluding.