Cinema is a kind of uber-art form that’s made up of a multitude of other forms of art including writing, directing, acting, drawing, design, photography and fashion. As such, film is, as all cinema aficionados know, a highly collaborative venture.
One of the most consistently fascinating collaborations in cinema is that of the director and actor.
This article will examine some of the great director & actor teams. It’s important to note that this piece is not intended as a film history survey detailing all the generally revered collaborations.
There is a wealth of information and study available on such duos as John Ford & John Wayne, Howard Hawks & John Wayne, Elia Kazan & Marlon Brando, Akira Kurosawa & Toshiro Mifune, Alfred Hitchcock & James Stewart, Ingmar Bergman & Max Von Sydow, Federico Fellini & Giulietta Masina/Marcello Mastroianni, Billy Wilder & Jack Lemmon, Francis Ford Coppola & Al Pacino, Woody Allen & Diane Keaton, Martin Scorsese & Robert DeNiro...
One of the most consistently fascinating collaborations in cinema is that of the director and actor.
This article will examine some of the great director & actor teams. It’s important to note that this piece is not intended as a film history survey detailing all the generally revered collaborations.
There is a wealth of information and study available on such duos as John Ford & John Wayne, Howard Hawks & John Wayne, Elia Kazan & Marlon Brando, Akira Kurosawa & Toshiro Mifune, Alfred Hitchcock & James Stewart, Ingmar Bergman & Max Von Sydow, Federico Fellini & Giulietta Masina/Marcello Mastroianni, Billy Wilder & Jack Lemmon, Francis Ford Coppola & Al Pacino, Woody Allen & Diane Keaton, Martin Scorsese & Robert DeNiro...
- 7/11/2013
- by Terek Puckett
- SoundOnSight
The Japanese director explains why he has returned to the chanbara samurai films of his youth for his new film 13 Assassins
It was two years ago, when I was watching the classic 1963 samurai film 13 Assassins, that I was struck by the sheer power and energy the Japanese film industry possessed in its heyday. But I also immediately felt sad, because we have lost the ability to make films like that. I wanted to resurrect this creative spirit. That's why I decided to do a remake.
I was only three years old when the original came out. It's popular among samurai movie fans – a legendary film for my father's generation, among the many fine chanbara (samurai films) made at the time. Most of all, I love the Zatoichi series about the blind swordsman, especially the first one, from 1962. It's a masterpiece. Then there are the films of Hideo Gosha: Kumokiri Nizaemon (Bandits vs Samurai Squad,...
It was two years ago, when I was watching the classic 1963 samurai film 13 Assassins, that I was struck by the sheer power and energy the Japanese film industry possessed in its heyday. But I also immediately felt sad, because we have lost the ability to make films like that. I wanted to resurrect this creative spirit. That's why I decided to do a remake.
I was only three years old when the original came out. It's popular among samurai movie fans – a legendary film for my father's generation, among the many fine chanbara (samurai films) made at the time. Most of all, I love the Zatoichi series about the blind swordsman, especially the first one, from 1962. It's a masterpiece. Then there are the films of Hideo Gosha: Kumokiri Nizaemon (Bandits vs Samurai Squad,...
- 5/5/2011
- by Phil Hoad
- The Guardian - Film News
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