Liang was previously sales and acquisitions manager.
Danish sales agency LevelK has promoted Debra Liang to head of sales, with immediate effect.
Liang joined the company three years ago as part of the Screen Australia: Gender Matters – Brilliant Careers initiative.
She moves up from sales and acquisitions manager to her new role.
Prior to working at LevelK, she worked as a freelancer in production across live-action, animation, shorts and music videos.
Liang’s focus will be on acquiring English-language titles; she will cover all key territories.
LevelK’s upcoming slate includes Tove, Zaida Bergroth’s biopic of Moomins creator Tove Jansson...
Danish sales agency LevelK has promoted Debra Liang to head of sales, with immediate effect.
Liang joined the company three years ago as part of the Screen Australia: Gender Matters – Brilliant Careers initiative.
She moves up from sales and acquisitions manager to her new role.
Prior to working at LevelK, she worked as a freelancer in production across live-action, animation, shorts and music videos.
Liang’s focus will be on acquiring English-language titles; she will cover all key territories.
LevelK’s upcoming slate includes Tove, Zaida Bergroth’s biopic of Moomins creator Tove Jansson...
- 4/27/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
Tove Jansson’s beloved Moomin stories were a celebration of tolerance, curiosity and the power of imagination. This Easter weekend a new animated Moomin series premieres on Sky One and Sky Kids. The opening episodes begin a series of 13 22-minute episodes.
HeyUGuys attended a preview screening of episodes 1 and 10 and a Q&A with co-creator/director Steve Box, actress Akiya Henry (who voices Snorkmaiden) and Tove Jansson’s niece Sophia Jansson, the creative director of Moomin Characters Ltd.
Many of our readers will have fond memories of Moomintroll, Little My and Snufkin. After a successful crowdfunding campaign helped support its return, Sky and Gutsy Animations are hoping Moominvalley will find a place in your hearts again and enchant a new generation of viewers.
The 2019 incarnation is a weird and wonderful mix of old and new as the “I’m whacky, me!” gabble of It Crowd stars mingles with the subtler,...
HeyUGuys attended a preview screening of episodes 1 and 10 and a Q&A with co-creator/director Steve Box, actress Akiya Henry (who voices Snorkmaiden) and Tove Jansson’s niece Sophia Jansson, the creative director of Moomin Characters Ltd.
Many of our readers will have fond memories of Moomintroll, Little My and Snufkin. After a successful crowdfunding campaign helped support its return, Sky and Gutsy Animations are hoping Moominvalley will find a place in your hearts again and enchant a new generation of viewers.
The 2019 incarnation is a weird and wonderful mix of old and new as the “I’m whacky, me!” gabble of It Crowd stars mingles with the subtler,...
- 4/21/2019
- by Emily Breen
- HeyUGuys.co.uk
An all-star cast has been assembled for the upcoming animated TV series centered on the Moomins, the central characters in a series of hugely popular Scandinavian children’s books,
Rosamund Pike, Taron Egerton, Kate Winslet, Warwick Davis, Matt Berry, Richard Ayoade, Will Self and Akiya Henry will lend their voices to Moominvalley, which is being produced by Finnish studio Gutsy Animations. Steve Box, formerly of Aardman and an Oscar winner for co-directing Wallace & Gromit: The Curse of the Were-Rabbit with Nick Park, will helm.
The Moomins, created by Finnish illustrator Tove Jansson and first published in 1945 and now one...
Rosamund Pike, Taron Egerton, Kate Winslet, Warwick Davis, Matt Berry, Richard Ayoade, Will Self and Akiya Henry will lend their voices to Moominvalley, which is being produced by Finnish studio Gutsy Animations. Steve Box, formerly of Aardman and an Oscar winner for co-directing Wallace & Gromit: The Curse of the Were-Rabbit with Nick Park, will helm.
The Moomins, created by Finnish illustrator Tove Jansson and first published in 1945 and now one...
- 9/11/2017
- by Alex Ritman
- The Hollywood Reporter - Movie News
Bill Skarsgard is swapping Pennywise for a role that's definitely more child-friendly after signing up for Moomins and the Winter Wonderland.
The Swedish actor, who has a starring role as the killer clown in Warner Bros.' upcoming film It, will voice the protagonist Moomintroll in the animated movie. Skarsgard is the latest in what is becoming an all-star Swedish voice cast that includes Oscar-winner Alicia Vikander and his father Stellan.
“So excited to be a part of this lovely project and bringing Tove Jansson's fantastical world to the big screen. I grew up with my mom and dad reading Moomin and their adventures...
The Swedish actor, who has a starring role as the killer clown in Warner Bros.' upcoming film It, will voice the protagonist Moomintroll in the animated movie. Skarsgard is the latest in what is becoming an all-star Swedish voice cast that includes Oscar-winner Alicia Vikander and his father Stellan.
“So excited to be a part of this lovely project and bringing Tove Jansson's fantastical world to the big screen. I grew up with my mom and dad reading Moomin and their adventures...
- 8/4/2017
- by Abid Rahman
- The Hollywood Reporter - Movie News
Are The Moomins coming back to the small screen? NME reports a crowdfunding campaign has been started to fund a new season of the Scandinavian series.Based on the children's book series by Tove Jansson, the animated program followed a family of hippopotamus-like creatures. The Japanese-Finnish show ran from 1991 to 1992. An earlier stop-motion series ran on the UK network ITV from 1977 to 1982.Read More…...
- 3/10/2017
- by TVSeriesFinale.com
- TVSeriesFinale.com
Euro-produced family movie lined up for December 2017 release.
Poland’s Animoon and Finland’s Filmkompaniet have confirmed plans for a new holiday themed feature, Moomins at Christmas, set for release in December 2017.
The company previously worked on 2010 feature Moomins and the Comet Chase, which was released in 3D and distributed in more than 80 countries.
The new film, which also counts Animoon as a partner, is based on Moomin creator Tove Jansson’s classic books, with a screenplay from Małgorzata Więckowicz-Żyła, Piotr Szczepanowicz and Ira Carpelan.
Producers are Grzegorz Waclawek and Piotr Szczepanowicz for Animoon, with executive producers Ira Carpelan and Tom Carpelan for Filmkompaniet.
The film will be created from existing, vintage footage from the stop-motion productions originally coproduced by Jupiter Film and Film Polski in the 1980s.
The footage will be edited and restored to 4K quality alongside newly created opening titles and credits.
The story follows Moomintroll as he decides to stay awake and explore...
Poland’s Animoon and Finland’s Filmkompaniet have confirmed plans for a new holiday themed feature, Moomins at Christmas, set for release in December 2017.
The company previously worked on 2010 feature Moomins and the Comet Chase, which was released in 3D and distributed in more than 80 countries.
The new film, which also counts Animoon as a partner, is based on Moomin creator Tove Jansson’s classic books, with a screenplay from Małgorzata Więckowicz-Żyła, Piotr Szczepanowicz and Ira Carpelan.
Producers are Grzegorz Waclawek and Piotr Szczepanowicz for Animoon, with executive producers Ira Carpelan and Tom Carpelan for Filmkompaniet.
The film will be created from existing, vintage footage from the stop-motion productions originally coproduced by Jupiter Film and Film Polski in the 1980s.
The footage will be edited and restored to 4K quality alongside newly created opening titles and credits.
The story follows Moomintroll as he decides to stay awake and explore...
- 12/2/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
This five-inch Chucky figure from Mezco Toyz doesn’t ship until this fall, but he can be pre-ordered right now. Also in this round-up: an update on Shudder Labs’ 2016 filmmaking programs, gaming details and a trailer for HoloGrid: Monster Battle, Volumes of Blood Blu-ray / DVD info, and Haunting at Foster Cabin‘s VOD debut details.
Chucky Action Figure: Press Release: “Chucky, the homicidal doll who contains the spirit of Charles Lee Ray, a serial killer better known as “The Lakeshore Strangler,” is now a 5-inch action figure, Mezco’s latest edition to its ever-expanding line of Chucky merchandise.
Mezco’s designers have created an all-new sculpt in an all new scale that not only captures the look of Chucky but the very essence of his red-haired menace. Every detail has been captured; from his classic coveralls to his striped shirt. His glistening, insane eyes, his sneering lips, and his shocking...
Chucky Action Figure: Press Release: “Chucky, the homicidal doll who contains the spirit of Charles Lee Ray, a serial killer better known as “The Lakeshore Strangler,” is now a 5-inch action figure, Mezco’s latest edition to its ever-expanding line of Chucky merchandise.
Mezco’s designers have created an all-new sculpt in an all new scale that not only captures the look of Chucky but the very essence of his red-haired menace. Every detail has been captured; from his classic coveralls to his striped shirt. His glistening, insane eyes, his sneering lips, and his shocking...
- 3/31/2016
- by Tamika Jones
- DailyDead
Box, who won an Oscar for The Curse of the Were-Rabbit, will direct a new series based on the classic childrens’ animation.
Oscar-winning director Steve Box, whose credits including Wallace And Gromit: The Curse Of The Were-Rabbit, will direct a new Moomins animation series.
Box will also head the writing team which includes Mark Huckerby and Nick Ostler, with Laurie Hutzler attached as story consultant.
The team behind the series includes those who worked on the recent Moomins On The Riviera feature film.
Filmlance Managing Director Lars Blomgren will executive produce and work closely with Sophia Jansson, the niece of the late Moomins creator Tove Jansson. Marika Makaroff will serve as creative director.
Filmlance International has struck a licensing deal for the series with Moomin Characters and Bulls Licensing.
Cate Elliott (Charlie and Lola, Me & My Monsters) and John Woolley (Shaun the Sheep) will produce. Endemol Shine International will handle distribution.
Sophia Jansson...
Oscar-winning director Steve Box, whose credits including Wallace And Gromit: The Curse Of The Were-Rabbit, will direct a new Moomins animation series.
Box will also head the writing team which includes Mark Huckerby and Nick Ostler, with Laurie Hutzler attached as story consultant.
The team behind the series includes those who worked on the recent Moomins On The Riviera feature film.
Filmlance Managing Director Lars Blomgren will executive produce and work closely with Sophia Jansson, the niece of the late Moomins creator Tove Jansson. Marika Makaroff will serve as creative director.
Filmlance International has struck a licensing deal for the series with Moomin Characters and Bulls Licensing.
Cate Elliott (Charlie and Lola, Me & My Monsters) and John Woolley (Shaun the Sheep) will produce. Endemol Shine International will handle distribution.
Sophia Jansson...
- 2/15/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
A total of 16 films were submitted for consideration in the Best Animated Feature category at the 88th Oscars. After being absent from the race last year, powerhouse Pixar returns with two films, “Inside Out” and "The Good Dinosaur," of which the former is the clear front-runner. Stop-motion animation is represented by two contenders, Charlie Kaufman and Duke Johnson’s critical hit “Anomalisa” and the equally celebrated, though less contemplative, “Shaun the Sheep Movie” from Oscar-winning Aardman. Of the other major studios the only serious film in competition is Blue Sky’s “The Peanuts Movie.” CG animated films such as “Minions,” “Home,” “Hotel Transylvania 2,” "The SpongeBob Movie: Sponge Out of Water," performed well at the box-office but will likely fail to break in.
Thankfully the Academy has been very good at noticing, while not yet awarding, the work of independent artists working in the animation medium. Since 2010, when Gkids garnered its first nomination for Tomm Moore’s gorgeous “The Secret of Kells,” the New York-based distributor‘s films have been present among the five nominees every year. Last year two masterworks from their impeccable repertoire were included, Moore’s “Song of the Sea” and Isao Takahata’s “The Tale of the Princess Kaguya,” leaving out Warner’s “The Lego Movie,” which was considered a lock for most of the season. This year Gkids has three films vying for recognition, all of which received Annie nominations in the Best Independent Animated Feature category, but there also a few other internationally produced, independently made, traditionally animated works on the list that deserve the attention.
There is no doubt that some of the most unconventional and stunning animated films come from outside the mechanized mainstream, and we hope this year, once again, some of them make it to the Dolby Theater so that such exposure helps them reach a larger global audience.
Note: The only 2D-animated feature not included here is “Regular Show: The Movie,” which, despite having a limited release as most independent films, is an American production by a major studio
"The Boy and the Beast"
Dir.Mamoru Hosoda
Having worked in some of the most beloved anime series of all time before transitioning into greater artistic heights with singular animated features such as “The Girl Who Leapt Through Time,” “Summer Wars,” and “Wolf Children,” Mamoru Hosoda is one of the most important figures in Japanese animation today and his work has a loyal following around the world. “The Boy and the Beast,” his most recent film, is a martial arts saga ruled by its very own mythology, yet grounded on universal thematic elements. Following his mother’s death, Ren runs away from home and accidentally finds his way into Jutengai, an alternate reality inhabited by beasts. Reluctantly, young Ren is taken in by Kumatetsu, a bear-like brute desperate to train a disciple in order to be selected as the realm’s new leader. Despite countless arguments and numerous rough patches, a profound bond that transcends the divide between their worlds forms between the two lonely fighters. Fantastical creatures, epic battles, and amusing banter, spice up an endearing story that analyzes parent-children relationship from a highly inventive vantage point.
"Boy and the World"
Dir. Alê Abreu
Read More:Review: Why Alê Abreu's Sublime 'Boy and the World' is the Best Animated Film of the Year
The most awarded animated feature to open in U.S. theaters this year is a Brazilian wonder that ditches dialogue entirely for a storytelling approach that’s purely visual, whimsical, and even heartbreaking. Through the eyes of a playful young boy searching for his father, Alê Abreu’s musical odyssey conveys sophisticated notions about social justice, the voracious appetite of capitalism, and the yoke of oppression. Color pencils, pastels, watercolors, cut outs, and multiple other techniques are blended with an eclectic soundtrack molding a fascinating and gorgeous cinematic experience. Abreu’s animated masterpiece should certainly become the first Latin American animated feature to be nominated in the category (while “Chico and Rita” is set in Cuba, it's actually a European production helmed by Spanish filmmakers), as it would be an unforgivable mistake if the Academy fails to acknowledge dazzlingly craftsmanship on display.
Read More: How "Boy and the World" Director Alê Abreu Handcrafted His Heartfelt & Dazzling Animated Masterpiece
"Kahlil Gibran's The Prophet"
Dir. Roger Allers
Read More: Why 'Kahlil Gibran's The Prophet' is a Cinematic Out-Of-Body Experience Brimming with Animated Wisdom
Realizing her long-awaited passion project, Mexican-born star Salma Hayek produced this mesmerizing reimagining of Lebanese poet Kahil Gibran’s timeless classic with the help of some of the most important names currently working in the medium. Hayek, who also voices one of the lead characters, recruited Roger Allers, the man behind Disney’s “The Lion King,” to craft a linear canvas upon which eight artists could weave in their visual interpretations of Gibran’s poems on specific subjects. Acclaimed animators such as Tomm Moore, Bill Plympton, Nina Paley, and Joan C. Gratz , had complete freedom, both regarding technique and storytelling, to create these breathtaking and distinct segments. Aller’s frame narrative follows Mustafa (voiced by Liam Neeson ), a wise poet, as he is being escorted out of town by the repressive Ottoman authorities that consider his writings and paintings as subversive materials that threaten their tyrannical grip. While each individual vignette offers a lyrical rendition of Gibran’s universal lessons, Moore’s “On Love” is an awe-inspiring standout. “Hypnosis,” the tune written and performed by Damien Rice, is also in contention for the Best Original Song Academy Award.
Read More: Salma Hayek on 'Kahlil Gibran's The Prophet': 'His Poetry Talks About the Simple Things in Life That Unite Us All'
"The Laws of the Universe - Part 0"
Dir. Isamu Imakake
Eleven Arts, a small distributor dedicated to bringing Asian cinema stateside, has entered the Best Animated Feature race with an action-packed contender that will appeal to anime fans fond of intricate plots. Directed by Isamu Imakake, this Japanese sci-fi film centers on five high school friends who are forced to become heroes when they discover an alien conspiracy that endangers the Earth and life as we know it. Teen drama collides with intergalactic standoffs in an exciting and large-scale adventure. It’s luminously stylized character design and the epically orchestrated action sequences elevate the film beyond the conventions and aesthetics associated with anime series produced for TV. Imakake’s previous efforts, "The Mystical Laws” and “The Laws of Eternity," also dealt with adult-oriented and otherworldly duels between powerful evildoers and courageous youths.
"Moomins on the Riviera"
Dir. Xavier Picard
Read More: Review: In 'Moomins on the Riviera' the Beloved Finnish Icons Remain Timeless and Wise
Created in the 1940s by author and illustrator Tove Jansson, these Finnish superstars have an incredibly devout following across Europe and Asia, and though they are still not household names this side of the Atlantic, their humble wisdom cuts across geographical boundaries with ease once one gives in to their charm. In their first big screen appearance in over a decade, the Moomins decide to leave the comfort of rural life in the valley for the extravagant pleasure of the Côte d'Azur. Soon after their arrival, the roundish and unpretentious family realizes that opulence and material wealth are far from what they consider happiness. Elegantly drawn to resemble a nostalgic storybook and drenched in pastel hues, Xavier Picards take on the beloved characters is sure to add new fans to the Moomin legion and to satisfy those that throughout the decades have been enchanted by their innocent humor and surprisingly philosophical observations on the things that really matters.
"When Marnie Was There"
Dir. Hiromasa Yonebayashi
Read More: Review: Wondrous 'When Marnie Was There' is One of Ghibli's Most Profoundly Moving Works
Following Miyazaki’s “The Wind Rises” and Takahata’s “The Tale of the Princess Kaguya,” another Ghibli gem (and as of now their final one) of much more intimate qualities was released to eager U.S. audiences this spring. Hiromasa Yonebayashi's adaption of Joan G. Robinson’s 1967 switches England for a Hokkaido but preserves the moving bond between the protagonist and what seems to be a vision from another time intact. Introvert Anna (voiced by Hailee Steinfeld in the English-language dub) is a young girl that struggles to connect with her foster mother, thus feels alienated. When Anna meets Marnie, a gracious blond girl, while exploring the marshes that surround the town, a secret friendship quickly develops. As their individual histories are slowly revealed through expertly paced twists, it becomes apparent that their initial encounter was not merely serendipitous. Magical realism, instead of more fantastic elements as in most of Ghibli’s films, dictates the narrative, while the artistry that is expected from the legendary studio is as captivating as usual and never disappoints. The way Yonebayashi channels the original material to create a delicate coming-of-age story that accepts its characters flaws and troubling emotional journeys without simplifying them is truly remarkable. Priscilla Ahn’s heartbreaking ballad “Fine on the Outside” is also in the running for the Best Original Song Oscar.
Thankfully the Academy has been very good at noticing, while not yet awarding, the work of independent artists working in the animation medium. Since 2010, when Gkids garnered its first nomination for Tomm Moore’s gorgeous “The Secret of Kells,” the New York-based distributor‘s films have been present among the five nominees every year. Last year two masterworks from their impeccable repertoire were included, Moore’s “Song of the Sea” and Isao Takahata’s “The Tale of the Princess Kaguya,” leaving out Warner’s “The Lego Movie,” which was considered a lock for most of the season. This year Gkids has three films vying for recognition, all of which received Annie nominations in the Best Independent Animated Feature category, but there also a few other internationally produced, independently made, traditionally animated works on the list that deserve the attention.
There is no doubt that some of the most unconventional and stunning animated films come from outside the mechanized mainstream, and we hope this year, once again, some of them make it to the Dolby Theater so that such exposure helps them reach a larger global audience.
Note: The only 2D-animated feature not included here is “Regular Show: The Movie,” which, despite having a limited release as most independent films, is an American production by a major studio
"The Boy and the Beast"
Dir.Mamoru Hosoda
Having worked in some of the most beloved anime series of all time before transitioning into greater artistic heights with singular animated features such as “The Girl Who Leapt Through Time,” “Summer Wars,” and “Wolf Children,” Mamoru Hosoda is one of the most important figures in Japanese animation today and his work has a loyal following around the world. “The Boy and the Beast,” his most recent film, is a martial arts saga ruled by its very own mythology, yet grounded on universal thematic elements. Following his mother’s death, Ren runs away from home and accidentally finds his way into Jutengai, an alternate reality inhabited by beasts. Reluctantly, young Ren is taken in by Kumatetsu, a bear-like brute desperate to train a disciple in order to be selected as the realm’s new leader. Despite countless arguments and numerous rough patches, a profound bond that transcends the divide between their worlds forms between the two lonely fighters. Fantastical creatures, epic battles, and amusing banter, spice up an endearing story that analyzes parent-children relationship from a highly inventive vantage point.
"Boy and the World"
Dir. Alê Abreu
Read More:Review: Why Alê Abreu's Sublime 'Boy and the World' is the Best Animated Film of the Year
The most awarded animated feature to open in U.S. theaters this year is a Brazilian wonder that ditches dialogue entirely for a storytelling approach that’s purely visual, whimsical, and even heartbreaking. Through the eyes of a playful young boy searching for his father, Alê Abreu’s musical odyssey conveys sophisticated notions about social justice, the voracious appetite of capitalism, and the yoke of oppression. Color pencils, pastels, watercolors, cut outs, and multiple other techniques are blended with an eclectic soundtrack molding a fascinating and gorgeous cinematic experience. Abreu’s animated masterpiece should certainly become the first Latin American animated feature to be nominated in the category (while “Chico and Rita” is set in Cuba, it's actually a European production helmed by Spanish filmmakers), as it would be an unforgivable mistake if the Academy fails to acknowledge dazzlingly craftsmanship on display.
Read More: How "Boy and the World" Director Alê Abreu Handcrafted His Heartfelt & Dazzling Animated Masterpiece
"Kahlil Gibran's The Prophet"
Dir. Roger Allers
Read More: Why 'Kahlil Gibran's The Prophet' is a Cinematic Out-Of-Body Experience Brimming with Animated Wisdom
Realizing her long-awaited passion project, Mexican-born star Salma Hayek produced this mesmerizing reimagining of Lebanese poet Kahil Gibran’s timeless classic with the help of some of the most important names currently working in the medium. Hayek, who also voices one of the lead characters, recruited Roger Allers, the man behind Disney’s “The Lion King,” to craft a linear canvas upon which eight artists could weave in their visual interpretations of Gibran’s poems on specific subjects. Acclaimed animators such as Tomm Moore, Bill Plympton, Nina Paley, and Joan C. Gratz , had complete freedom, both regarding technique and storytelling, to create these breathtaking and distinct segments. Aller’s frame narrative follows Mustafa (voiced by Liam Neeson ), a wise poet, as he is being escorted out of town by the repressive Ottoman authorities that consider his writings and paintings as subversive materials that threaten their tyrannical grip. While each individual vignette offers a lyrical rendition of Gibran’s universal lessons, Moore’s “On Love” is an awe-inspiring standout. “Hypnosis,” the tune written and performed by Damien Rice, is also in contention for the Best Original Song Academy Award.
Read More: Salma Hayek on 'Kahlil Gibran's The Prophet': 'His Poetry Talks About the Simple Things in Life That Unite Us All'
"The Laws of the Universe - Part 0"
Dir. Isamu Imakake
Eleven Arts, a small distributor dedicated to bringing Asian cinema stateside, has entered the Best Animated Feature race with an action-packed contender that will appeal to anime fans fond of intricate plots. Directed by Isamu Imakake, this Japanese sci-fi film centers on five high school friends who are forced to become heroes when they discover an alien conspiracy that endangers the Earth and life as we know it. Teen drama collides with intergalactic standoffs in an exciting and large-scale adventure. It’s luminously stylized character design and the epically orchestrated action sequences elevate the film beyond the conventions and aesthetics associated with anime series produced for TV. Imakake’s previous efforts, "The Mystical Laws” and “The Laws of Eternity," also dealt with adult-oriented and otherworldly duels between powerful evildoers and courageous youths.
"Moomins on the Riviera"
Dir. Xavier Picard
Read More: Review: In 'Moomins on the Riviera' the Beloved Finnish Icons Remain Timeless and Wise
Created in the 1940s by author and illustrator Tove Jansson, these Finnish superstars have an incredibly devout following across Europe and Asia, and though they are still not household names this side of the Atlantic, their humble wisdom cuts across geographical boundaries with ease once one gives in to their charm. In their first big screen appearance in over a decade, the Moomins decide to leave the comfort of rural life in the valley for the extravagant pleasure of the Côte d'Azur. Soon after their arrival, the roundish and unpretentious family realizes that opulence and material wealth are far from what they consider happiness. Elegantly drawn to resemble a nostalgic storybook and drenched in pastel hues, Xavier Picards take on the beloved characters is sure to add new fans to the Moomin legion and to satisfy those that throughout the decades have been enchanted by their innocent humor and surprisingly philosophical observations on the things that really matters.
"When Marnie Was There"
Dir. Hiromasa Yonebayashi
Read More: Review: Wondrous 'When Marnie Was There' is One of Ghibli's Most Profoundly Moving Works
Following Miyazaki’s “The Wind Rises” and Takahata’s “The Tale of the Princess Kaguya,” another Ghibli gem (and as of now their final one) of much more intimate qualities was released to eager U.S. audiences this spring. Hiromasa Yonebayashi's adaption of Joan G. Robinson’s 1967 switches England for a Hokkaido but preserves the moving bond between the protagonist and what seems to be a vision from another time intact. Introvert Anna (voiced by Hailee Steinfeld in the English-language dub) is a young girl that struggles to connect with her foster mother, thus feels alienated. When Anna meets Marnie, a gracious blond girl, while exploring the marshes that surround the town, a secret friendship quickly develops. As their individual histories are slowly revealed through expertly paced twists, it becomes apparent that their initial encounter was not merely serendipitous. Magical realism, instead of more fantastic elements as in most of Ghibli’s films, dictates the narrative, while the artistry that is expected from the legendary studio is as captivating as usual and never disappoints. The way Yonebayashi channels the original material to create a delicate coming-of-age story that accepts its characters flaws and troubling emotional journeys without simplifying them is truly remarkable. Priscilla Ahn’s heartbreaking ballad “Fine on the Outside” is also in the running for the Best Original Song Oscar.
- 12/17/2015
- by Carlos Aguilar
- Sydney's Buzz
Tim here. Every December, Tim's Toons preps for the upcoming Oscar nominations in January by looking at some of the smaller and more easily overlooked films that have thrown their hat in the ring for the Best Animated Feature Oscar. It's a slim list of 16 titles this year, which means that if even one of them fails to meet the eligibility requirements (they don't all appear to have had their qualifying theatrical run yet), we wouldn’t have a year with five nominees. Something to think about as you all work on your nomination predictions.
Let’s turn now to one of those films that almost certainly won't make the cut no matter how many nominees end up happening, through absolutely no fault of its own. Moomins on the Riviera is a slight, charming, and deeply silly comedy adapting an iconic Finnish comic strip and children’s book series, quite obscure in America,...
Let’s turn now to one of those films that almost certainly won't make the cut no matter how many nominees end up happening, through absolutely no fault of its own. Moomins on the Riviera is a slight, charming, and deeply silly comedy adapting an iconic Finnish comic strip and children’s book series, quite obscure in America,...
- 12/5/2015
- by Tim Brayton
- FilmExperience
Fervently adored in their homeland, most of Europe, and, Japan, the Moomins might be less of a household name for American audiences, but the lack of familiarity should in no way hinder their enjoyment. The characters created by Finnish author and illustrator Tove Jansson originally appeared in 1945 when the first book on their adventures was published. Since then, the Moomins have endured over 60 years of a fast-changing world and countless iterations including a long-running comic strip, stage productions, animated series in various technique from traditional to stop-motion and 3D/CGI, and even a live-action broadcast with suit actors.
The love for these endearing charmers is such that entire shops a la Disney Store dedicated to all things Moomins exist across Europe and a themed park, appropriately named Moomin World, is one of the main attractions in the town of Naantali, Finland. Not surprisingly when Xavier Picard and Hanna Hemilä’s "Moomins on the Riviera" opened across the pond late last year fans of all ages were delighted. Since the hand-drawn animated film is the Moomins first appearance on any audiovisual medium in over a decade,is evident that the need for some Moomin warmth had to be quenched.
Those unacquainted with the plump, huggable, and hippopotamus-like characters (although Moominpappa assures us scientists have proven there is no relationship between Moomins and hippopotami), are sure to be enchanted by their kindness and disarmingly positive attitude. But regardless of how savvy or not one is about them, “Moomins on the Riviera” can either be a terrific introduction to their unpretentiously magical world or a heartwarming reminder of why we’ve fallen heads over heels for their picturesque exploits.
Picard’s tight 78-minute film encounters the protagonists in a colorful natural environment avidly baptized Moomin Valley, a place where they peacefully coexist with other fairytale and forest creatures. Tender and lovable as can be, the family includes the nonchalant top hat-wearing patriarch Moominpappa (Nathaniel Parker), the caring Moominmamma (Tracy-Ann Oberman) who is a gardener at heart, their brave but apprehensive son Moomin (Russell Tovey), and his romance-obsessed girlfriend Snorkmaiden (Stephanie Winiecki). Their existence is humble as they find pleasure in the simple things their fertile land provides and each other’s company.
If one thing is true about the Moomins is that they are joyful folks without a hint of malice in their heart, so when a pirate ship crashes near the shore they only way they know how to deal with is by welcoming them with open arms. This is when we meets one of the property’s most memorable characters, Little My (Ruth Gibson), an energetic little human girl with an acid sense of humor. She steals every scene with humorous comments that often veer into the darkest shades of comedy, which swiftly contrast with the Moomins ever-present friendliness.
As a result of their meeting with the group of clumsy pirates and persuasive magazine article, the Moomins embark on a trip to the sun-drenched Côte d'Azur. Dangerous storms and a barren island aren’t enough to defeat the tight-knit clan’s resolve. Once on the lavish Riviera the Moomins check into a fabulous hotel as the “De Moomins,” which prompts the staff to believe they are royals from a far away land. They cater to their every need under the assumption that money is not a problem, unaware that the concept of currency is foreign to the eccentric new arrivals. Inspired by a famous socialite named Audrey Glamour (Shelley Blond), Snorkmaiden rapidly becomes accustomed to the wealthy lifestyle and fits right in with the other glamorous guests. For the rest of the family the transition is not as smooth and tensions rise as a sophisticated fellow tries to steal Snorkmaiden’s heart and Moominpappa’s new friend, an aristocrat who wishes to be an artist, get them in more than a little trouble with the authorities.
Elegantly executed like a delicate storybook, the hand-drawn frames employ pastel hues, peculiar backgrounds, and seemingly modest character design that maintain the timeless quality of the Moomin universe. There are no frantic displays of high-stakes action or an epic journey to save the world from its destruction, yet the Moomins might have better lessons teach us in order to save humanity from its destruction than a score of rugged superheroes. While everyone around them treats them differently based on their presumed status, the Moomins remain easygoing and uniquely themselves. In fact, is such the divide between the pastoral fellows and the outlandish patrons, that their innate compassion becomes alluring to those who treasure financial wealth above all.
The Moomins every action reflects Jansson ‘s thoughtful intention, channeled now by Picard, to create characters that embody the best in mankind and who aim to preserve the shared beauty of the world. When everything in the Riviera bears a sign that reads “Private,” Moominmamma builds an open garden free for everyone to enjoy. Indeed sharing is caring. When the shipwreck happens, what the Moomins save is not the gold and jewels but the tropical seeds, the books, and the fireworks. These are things with more value than shiny coins. And then the pirates ask why they keep their dirty dishes under a couch; their immediate response is to explain they must wait for the rain to wash them. “Moomins on the Riviera” is not the blockbuster animated film of the year, but one with some of the wisest characters with lots of down-to-earth philosophy to share. It’s a tiny marvel. If more of us would follow the Moomins’ teachings, who knows what our own valley could be.
"Moomins on the Riviera" opens today in Los Angeles at the Laemmle Royal...
The love for these endearing charmers is such that entire shops a la Disney Store dedicated to all things Moomins exist across Europe and a themed park, appropriately named Moomin World, is one of the main attractions in the town of Naantali, Finland. Not surprisingly when Xavier Picard and Hanna Hemilä’s "Moomins on the Riviera" opened across the pond late last year fans of all ages were delighted. Since the hand-drawn animated film is the Moomins first appearance on any audiovisual medium in over a decade,is evident that the need for some Moomin warmth had to be quenched.
Those unacquainted with the plump, huggable, and hippopotamus-like characters (although Moominpappa assures us scientists have proven there is no relationship between Moomins and hippopotami), are sure to be enchanted by their kindness and disarmingly positive attitude. But regardless of how savvy or not one is about them, “Moomins on the Riviera” can either be a terrific introduction to their unpretentiously magical world or a heartwarming reminder of why we’ve fallen heads over heels for their picturesque exploits.
Picard’s tight 78-minute film encounters the protagonists in a colorful natural environment avidly baptized Moomin Valley, a place where they peacefully coexist with other fairytale and forest creatures. Tender and lovable as can be, the family includes the nonchalant top hat-wearing patriarch Moominpappa (Nathaniel Parker), the caring Moominmamma (Tracy-Ann Oberman) who is a gardener at heart, their brave but apprehensive son Moomin (Russell Tovey), and his romance-obsessed girlfriend Snorkmaiden (Stephanie Winiecki). Their existence is humble as they find pleasure in the simple things their fertile land provides and each other’s company.
If one thing is true about the Moomins is that they are joyful folks without a hint of malice in their heart, so when a pirate ship crashes near the shore they only way they know how to deal with is by welcoming them with open arms. This is when we meets one of the property’s most memorable characters, Little My (Ruth Gibson), an energetic little human girl with an acid sense of humor. She steals every scene with humorous comments that often veer into the darkest shades of comedy, which swiftly contrast with the Moomins ever-present friendliness.
As a result of their meeting with the group of clumsy pirates and persuasive magazine article, the Moomins embark on a trip to the sun-drenched Côte d'Azur. Dangerous storms and a barren island aren’t enough to defeat the tight-knit clan’s resolve. Once on the lavish Riviera the Moomins check into a fabulous hotel as the “De Moomins,” which prompts the staff to believe they are royals from a far away land. They cater to their every need under the assumption that money is not a problem, unaware that the concept of currency is foreign to the eccentric new arrivals. Inspired by a famous socialite named Audrey Glamour (Shelley Blond), Snorkmaiden rapidly becomes accustomed to the wealthy lifestyle and fits right in with the other glamorous guests. For the rest of the family the transition is not as smooth and tensions rise as a sophisticated fellow tries to steal Snorkmaiden’s heart and Moominpappa’s new friend, an aristocrat who wishes to be an artist, get them in more than a little trouble with the authorities.
Elegantly executed like a delicate storybook, the hand-drawn frames employ pastel hues, peculiar backgrounds, and seemingly modest character design that maintain the timeless quality of the Moomin universe. There are no frantic displays of high-stakes action or an epic journey to save the world from its destruction, yet the Moomins might have better lessons teach us in order to save humanity from its destruction than a score of rugged superheroes. While everyone around them treats them differently based on their presumed status, the Moomins remain easygoing and uniquely themselves. In fact, is such the divide between the pastoral fellows and the outlandish patrons, that their innate compassion becomes alluring to those who treasure financial wealth above all.
The Moomins every action reflects Jansson ‘s thoughtful intention, channeled now by Picard, to create characters that embody the best in mankind and who aim to preserve the shared beauty of the world. When everything in the Riviera bears a sign that reads “Private,” Moominmamma builds an open garden free for everyone to enjoy. Indeed sharing is caring. When the shipwreck happens, what the Moomins save is not the gold and jewels but the tropical seeds, the books, and the fireworks. These are things with more value than shiny coins. And then the pirates ask why they keep their dirty dishes under a couch; their immediate response is to explain they must wait for the rain to wash them. “Moomins on the Riviera” is not the blockbuster animated film of the year, but one with some of the wisest characters with lots of down-to-earth philosophy to share. It’s a tiny marvel. If more of us would follow the Moomins’ teachings, who knows what our own valley could be.
"Moomins on the Riviera" opens today in Los Angeles at the Laemmle Royal...
- 12/4/2015
- by Carlos Aguilar
- Sydney's Buzz
The hand-drawn animation is serene and charming, but the story and characters are so unpleasantly retrograde that I found little enjoyment here. I’m “biast” (pro): nothing
I’m “biast” (con): nothing
I have not read the source material
(what is this about? see my critic’s minifesto)
Maybe it’s because I was not introduced to the beloved Moomins when I was a child. But I don’t see the attraction. Sure, Finnish cartoonist Tove Jansson’s family of hippo-like creatures are odd but gentle bohemians, which should theoretically appeal to me. Yes, the hand-drawn animation is more serene than the CGI onslaught that modern animation tends to be; it’s simple yet charming and reflects the colors and esthetics of the time when this story first appeared in British newspaper comic strips in 1955 (even though the original strips where in black-and-white, of course). But the story and characters are unpleasantly retrograde,...
I’m “biast” (con): nothing
I have not read the source material
(what is this about? see my critic’s minifesto)
Maybe it’s because I was not introduced to the beloved Moomins when I was a child. But I don’t see the attraction. Sure, Finnish cartoonist Tove Jansson’s family of hippo-like creatures are odd but gentle bohemians, which should theoretically appeal to me. Yes, the hand-drawn animation is more serene than the CGI onslaught that modern animation tends to be; it’s simple yet charming and reflects the colors and esthetics of the time when this story first appeared in British newspaper comic strips in 1955 (even though the original strips where in black-and-white, of course). But the story and characters are unpleasantly retrograde,...
- 5/23/2015
- by MaryAnn Johanson
- www.flickfilosopher.com
★★★☆☆ Nicely timed to coincide with the currently under way Cannes Film Festival, Moomins on the Riviera (2014) - based on Tove Jansson's beloved books and comic strip - takes the eccentric hippo-like creatures outside of their comfort zone for a softly sweet fantasy adventure. In need of a change of pace and scenery from their idyllic valley home, Moomin (Russell Tovey), Moominpappa (Nathaniel Parker), Moominmamma (Tracy Ann Oberman) and Snorkmaiden (Stephanie Winiecki) head to the South of France. The sun-kissed, celebrity-packed beaches quickly catch the attention of Moominpappa and Snorkmaiden, who both lavish in the surroundings and attentions of others.
- 5/20/2015
- by CineVue UK
- CineVue
Xavier Picard on Moomins’ universal appeal: “Jansson has created complete eccentrics who have a lot of humour yet live a simple life in harmony with Nature and with respect for others." Based on the hand-drawn work of Finnish comic strip guru Tove Jansson The Moomins have become a global phenomenon. They head for the Riviera for assorted holiday misadventures in a new extravaganza directed by Xavier Picard, a French filmmaker who had been fan for many years. I met him in Paris at the Unifrance Rendez-vous with French Cinema ahead of the film’s Scottish premiere at the Glasgow Film Festival and before its UK release later in the year.
Ricahrd Mowe: Were the Finns slightly suspicion about a Frenchman hijacking one of their national treasures?
Xavier Picard: I was a bit wary about it but now I can give you an answer with a bit more confidence than...
Ricahrd Mowe: Were the Finns slightly suspicion about a Frenchman hijacking one of their national treasures?
Xavier Picard: I was a bit wary about it but now I can give you an answer with a bit more confidence than...
- 2/20/2015
- by Richard Mowe
- eyeforfilm.co.uk
We've watched the animation, read the book, and sipped tea from the mugs...
And now we can announce that the beautiful yet bizarre world of the Moomins will be adapted by the Finnish National Ballet into a stage production.
We're suddenly having fond flashbacks of watching the stage adaptation of Button Moon...
The Finnish National Opera brings #Moomins to the world of #ballet! https://t.co/oowH7jYZv3 pic.twitter.com/lHQQo7LaCr
— Moomin (@MoominOfficial) February 18, 2015
This will be the first time that Finnish illustrator Tove Jansson's characters have stepped foot into the world of dance.
And the plot?
"All is not well in Moomin Valley, and Moomintroll and his friends decide to find out what is wrong. On a perilous journey, he meets new acquaintances, and at the observatory he learns that a comet threatens Moomin Valley. How will they survive?"
You'll have to travel to Finland to find out,...
And now we can announce that the beautiful yet bizarre world of the Moomins will be adapted by the Finnish National Ballet into a stage production.
We're suddenly having fond flashbacks of watching the stage adaptation of Button Moon...
The Finnish National Opera brings #Moomins to the world of #ballet! https://t.co/oowH7jYZv3 pic.twitter.com/lHQQo7LaCr
— Moomin (@MoominOfficial) February 18, 2015
This will be the first time that Finnish illustrator Tove Jansson's characters have stepped foot into the world of dance.
And the plot?
"All is not well in Moomin Valley, and Moomintroll and his friends decide to find out what is wrong. On a perilous journey, he meets new acquaintances, and at the observatory he learns that a comet threatens Moomin Valley. How will they survive?"
You'll have to travel to Finland to find out,...
- 2/18/2015
- Digital Spy
Youngsters and oldsters alike…here is the reel deal: The New York International Children’s Film Festival (Nyicff) will be making its presence known in the upcoming days. On tap for the 18th annual event will be a noted variety of creative animated films and shorts for all ages to enjoy and relish. The New York International Children’s Film Festival promises to serve up an array of animated showcases that boasts all styles and formats that should prove imaginative and appealing to our past and present childhood memories.
Please note that the Nyicff will run its operation from February 27, 2015 to March 22, 2015. Additionally, the majority of these impressive feature-length and short films have experienced critical acclaim overseas. Therefore, the impact of the Nyicff’s cinematic selections should be rewarding for ardent fans of animated film fodder designed to capture the spirit of its enthusiastic viewers.
Among the films being displayed...
Please note that the Nyicff will run its operation from February 27, 2015 to March 22, 2015. Additionally, the majority of these impressive feature-length and short films have experienced critical acclaim overseas. Therefore, the impact of the Nyicff’s cinematic selections should be rewarding for ardent fans of animated film fodder designed to capture the spirit of its enthusiastic viewers.
Among the films being displayed...
- 2/11/2015
- by Frank Ochieng
- SoundOnSight
Exclusive: Madman Entertainment has acquired Australia/New Zealand rights to Moomins on the Riviera from Indie Sales.
Madman plans a September 2015 release. “I’m more than happy to be part of the extended Moomin family,” said Paul Wiegard, the managing director of Madman Entertainment.
The hand-drawn animated feature has now been sold to almost 40 territories, including Vertigo in the UK, Gebeka Films in France, Phantom in Japan, Praesens in Switzerland and Victory in Benelux.
The Finnish-French co-production, which is a huge hit in Finland already, is directed by Xavier Picard and produced by Hanna Hemila.
The story, based on the original comic strips by Tove Jansson, takes the Moomin family from their comfortable Moominvalley to the glamorous Riviera, where they meet a host of interesting characters.
Madman plans a September 2015 release. “I’m more than happy to be part of the extended Moomin family,” said Paul Wiegard, the managing director of Madman Entertainment.
The hand-drawn animated feature has now been sold to almost 40 territories, including Vertigo in the UK, Gebeka Films in France, Phantom in Japan, Praesens in Switzerland and Victory in Benelux.
The Finnish-French co-production, which is a huge hit in Finland already, is directed by Xavier Picard and produced by Hanna Hemila.
The story, based on the original comic strips by Tove Jansson, takes the Moomin family from their comfortable Moominvalley to the glamorous Riviera, where they meet a host of interesting characters.
- 11/20/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Exclusive: Indie Sales handles rights to Moomins On The Riviera; UK release planned for May 2015.
Vertigo has acquired UK rights to Moomins On The Riviera from Paris-based sales company Indie Sales.
The hand-drawn 2D animation feature, directed by Xavier Picard, recently played at the BFI London Film Festival and is already a huge box-office hit in its local Finland.
The film is adapted from Tove Jansson’s original comic strips, and tells the story of the Moomin clan on a journey to the glamorous Riviera where they meet a world of new people including would-be artists, film stars and playboys.
The creative team behind the movie includes Sophia Jansson, Tove’s niece, along with Finnish producer Hanna Hemila (Le Havre).
The voice cast for the English-language version of the film includes Russell Tovey as Moomin and Nathaniel Parker as Moominpappa.
Vertigo’s Rupert Preston and Nicolas Eschbach of Indie Sales negotiated the deal.
Eschbach said, “Moomins...
Vertigo has acquired UK rights to Moomins On The Riviera from Paris-based sales company Indie Sales.
The hand-drawn 2D animation feature, directed by Xavier Picard, recently played at the BFI London Film Festival and is already a huge box-office hit in its local Finland.
The film is adapted from Tove Jansson’s original comic strips, and tells the story of the Moomin clan on a journey to the glamorous Riviera where they meet a world of new people including would-be artists, film stars and playboys.
The creative team behind the movie includes Sophia Jansson, Tove’s niece, along with Finnish producer Hanna Hemila (Le Havre).
The voice cast for the English-language version of the film includes Russell Tovey as Moomin and Nathaniel Parker as Moominpappa.
Vertigo’s Rupert Preston and Nicolas Eschbach of Indie Sales negotiated the deal.
Eschbach said, “Moomins...
- 10/31/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Fury (David Ayer)
[via the BFI]
The programme for the 58th BFI London Film Festival launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. The lineup includes highly anticipated fall titles including David Ayer’s Fury, Bennett Miller’s Foxcatcher, the Sundance smash Whiplash, Jean-Luc Godard’s Goodbye to Language 3D, The Imitation Game starring Benedict Cumberbatch, Mike Leigh’s Mr. Turner, Jason Reitman’s Men, Women and Children and Jean-Marc Vallee’s Wild.
As Britain’s leading film event and one of the world’s oldest film festivals, it introduces the finest new British and international films to an expanding London and UK-wide audience, offering a compelling combination of red carpet glamour, engaged audiences and vibrant exchange. The Festival provides an essential profiling opportunity for films seeking global success at the start of the Awards season, promotes the careers of British and...
[via the BFI]
The programme for the 58th BFI London Film Festival launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. The lineup includes highly anticipated fall titles including David Ayer’s Fury, Bennett Miller’s Foxcatcher, the Sundance smash Whiplash, Jean-Luc Godard’s Goodbye to Language 3D, The Imitation Game starring Benedict Cumberbatch, Mike Leigh’s Mr. Turner, Jason Reitman’s Men, Women and Children and Jean-Marc Vallee’s Wild.
As Britain’s leading film event and one of the world’s oldest film festivals, it introduces the finest new British and international films to an expanding London and UK-wide audience, offering a compelling combination of red carpet glamour, engaged audiences and vibrant exchange. The Festival provides an essential profiling opportunity for films seeking global success at the start of the Awards season, promotes the careers of British and...
- 9/3/2014
- by John
- SoundOnSight
Decades after their creation, beloved book and comic strip characters The Moomins are getting their first feature film.
Swedish-Finn illustrator and writer Tove Jansson created the family of white hippopotamus-esque fairy tale characters who live a carefree and adventurous life.
Nine books and five picture books were created for the series between 1945 and 1993. They were also turned into a Polish animated series in the 1980s, and a Japanese anime series in the 1990s.
Now, the film "Moomins" is being shopped around in Toronto which will draw inspiration from one of the lighter and more fun early comic strips rather than the darker and often strange later stories.
In the original story, the Moomins are holidaying in the French Riviera where they meet an Audrey Hepburn-style character. Meanwhile, the staff at the hotel mistake them for eccentric millionaires.
Hanna Hemulen Hemila and Xavier Picard will direct the project which is aiming for a mid-2014 release.
Swedish-Finn illustrator and writer Tove Jansson created the family of white hippopotamus-esque fairy tale characters who live a carefree and adventurous life.
Nine books and five picture books were created for the series between 1945 and 1993. They were also turned into a Polish animated series in the 1980s, and a Japanese anime series in the 1990s.
Now, the film "Moomins" is being shopped around in Toronto which will draw inspiration from one of the lighter and more fun early comic strips rather than the darker and often strange later stories.
In the original story, the Moomins are holidaying in the French Riviera where they meet an Audrey Hepburn-style character. Meanwhile, the staff at the hotel mistake them for eccentric millionaires.
Hanna Hemulen Hemila and Xavier Picard will direct the project which is aiming for a mid-2014 release.
- 9/6/2013
- by Garth Franklin
- Dark Horizons
Given how perennially beloved they are, it's amazing that The Moomins have never starred in an original feature film before. There have been TV series - most notably the '80s Polish cut-out animation version and the '90s Japanese anime - theme parks and merchandise, but apart from films compiled from TV versions (like 2010's 3-D Moomins And The Comet Chase), the big screen has so far eluded Tove Jansson's famous Finn family. That's about to change, however, with the news that pre-sales are happening right now at Toronto on the Finnish/French co-production Moomins.Jansson first created the Moomins in 1945. Moomintroll, Moominmama, Moominpappa, The Snork Maiden, hobo Snufkin, the bossy Hemulens, the tomboyish Little My and various hangers-on and antagonists had adventures across nine novels between their inception and 1970. There were also newspaper comic strips and picture books. The stories got increasingly dark and strange - Moominpappa...
- 9/6/2013
- EmpireOnline
Sam Jackson Not in Thor: This is only a bit of clearing up as I thought Samuel L. Jackson was reprising his role as Nick Fury in all of the Marvel based films surrounding the anticipated The Avengers film to be directed by Joss Whedon, but apparently that's not the case. Jackson was quoted in an interview saying, "I'm not in Thor. Supposed to do Captain America this summer in London." As far as why he's not in Thor, he adds, "I thought I was, they said I was in the trades and I was like, 'Ooh! I got a job!' I called my agent he said, 'Naw, you're not in it.' I was like, 'Well sh*t, they need to pay me if they're gonna put my name in it. Somethin'.'" Jackson will next be seen as Nick Fury in Iron Man 2 on May 7. [Latino Review]
Russell,...
Russell,...
- 4/20/2010
- by Brad Brevet
- Rope of Silicon
Cologne, Germany -- Mads Mikkelsen, Max von Sydow and Helena Mattsson have joined the voice cast of Scandinavian 3D animation feature "Moomins and the Comet Chase."
Mikkelsen, fresh from his role as Draco in Warner Bros.' 3D tentpole "Clash of the Titans," will voice the character Sniff in the English and Danish versions of the "Moomins." Mattsson ("Iron Man 2") will be the voice of the Snorkmaiden. Max von Sydow, last seen in Martin Scorsese's "Shutter Island" and who has a supporting role in Cannes Festival opener "Robin Hood," will narrate the film.
The trio round out a "Moomins" cast that includes father and son team Stellan Skarsgard and Alexander Skarsgard and Swedish actor Peter Stormare ("Prison Break"). Icelandic pop star Bjork composed the title song for the film.
The feature is based on the best-selling children's books by Tove Jansson, which follow the adventures of a family...
Mikkelsen, fresh from his role as Draco in Warner Bros.' 3D tentpole "Clash of the Titans," will voice the character Sniff in the English and Danish versions of the "Moomins." Mattsson ("Iron Man 2") will be the voice of the Snorkmaiden. Max von Sydow, last seen in Martin Scorsese's "Shutter Island" and who has a supporting role in Cannes Festival opener "Robin Hood," will narrate the film.
The trio round out a "Moomins" cast that includes father and son team Stellan Skarsgard and Alexander Skarsgard and Swedish actor Peter Stormare ("Prison Break"). Icelandic pop star Bjork composed the title song for the film.
The feature is based on the best-selling children's books by Tove Jansson, which follow the adventures of a family...
- 4/19/2010
- by By Scott Roxborough
- The Hollywood Reporter - Movie News
This takes us back… Do you remember the 80s? If so you’re in for a real treat as joining the likes of Transformers, G.I. Joe and The A-Team as movie mementoes from the decade that taste forgot comes a big screen version of The Moomins. For those of you too young or sensible to be familiar with Moominpappa and Moominmamma, the Moomins were cuddly hippo-like creatures invented by Finnish author/ illustrator Tove Jansson which first came to prominence in books and a comic strip in Sweden but gained mass popularity in the UK thanks to a stop-motion 80s animation. And now they’re back, coming soon to a cinema near you and backed by a soundtrack song penned by fellow Nordic export, Björk.
- 11/23/2009
- Boxwish.com
This is one for fans of Calvin and Hobbes or Studio Ghibli, and if you found Where the Wild Things Are's sweet melancholy too much to resist, then there's a good sprinkling of that feeling to be found here too. The Moomins were the creation of Finnish novelist and comic strip author Tove Jansson and, according to legend, she drew the first one to scare her brother. That cute thing? Scary? Maybe it was one of the Moominland monsters she drew, such as The Groke, the Antlion or the Hattifatteners? As a child I devoured the Moomin books and sat rapt, five days a week, watching the Moomin stop-motion TV series. A more recent series produced by hand-drawn animation was less successful artistically, but perhaps better known internationally. This year the Finnish animation studio Filmkmompaniet completed their first Moomin feature film, Moomin and Midsummer Madness. It was made by...
- 11/18/2009
- by Brendon Connelly
- Slash Film
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