"The Sopranos" Bust-Out (TV Episode 2000) Poster

(TV Series)

(2000)

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8/10
Bust-Out (#2.10)
ComedyFan20109 March 2014
Warning: Spoilers
Somebody saw Tony and Pussy killing Matt and went to police with it. Tony is now concerned he may end up in prison because of it. But when the person finds out from the news who the killed guy was associated with, he takes back his statement. And Tony tries to spend more time with his son.

A more quiet episode compared to the few before. Although wondering if the main character will end up in jail doesn't seem to be a good definition for "quiet". Still, we all know that it will not happen.

Liked his interactions with AJ though. The kid is a good actor and I even like the character.
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8/10
The witness and his wife had some great dialogue, "you had to be the big man!!" "It's on the fridge the fridge!"
Neptune1659 July 2022
Warning: Spoilers
Even if Dave Scatino had a winning night at the executive game, he would have had the same fate at the end. They would have either kept playing with him until he started losing knowing that he couldn't resist or cheated him some other way. It just goes to show what a great actor Robert Patrick is, from a badass, ruthless killing machine to a wimpy degenerate gambler. On a side note tony an all his associates would definitely deserve a visit from the T-1000. On my first watched the Sopranos I felt sorry for Davey but then on my second watch through Davey is the most stupid character as he got into the game when Tony advised him against it then even after losing in there he stole an additional 40 grand, serves him right. The witness reading Nozick is perfect attention to detail.
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7/10
Money in money out
ctomvelu-111 August 2008
Someone saw Tony and Pussy kill Matt, which throws Tony into a mild panic. Tony and Richie keep the pressure on David Scatino, who still owes them thousands of dollars, and David's business soon goes Chapter 11. Tony spends a little more time with AJ after being dressed down by Carmela. Richie cozies up to Junior even more after Janice puts the arm on him during sex. Carmela is at her most annoying while dining out with one of the gals, revealing that she has been dreaming about the gal's brother, a handsome widower. It's funny to watch the interplay between Tony and AJ. Tony in his own way wants to be closer to his son, and AJ is OK with the idea but responds to his father in typically bland fashion. The final shot, with the two bonding while on board a large yacht, is a kick.
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10/10
The honest guys and the crooks
MaxBorg895 April 2008
From Where to Eternity was a wonderful story, filled with meaning and symbols that are usually banned from crime fiction. By comparison, the tenth episode of Season Two looks completely formulaic, though its conventional nature hides a deeper look at conflicting attitudes to life.

The predictable element of Bust-Out is introduced in the opening sequence: apparently, someone saw Tony kill Matt Bevilaqua, and since this guy doesn't know who he is framing, his patriotism demands that he inform the authorities. Upon learning the startling news, Tony makes all kinds of arrangements so that he can disappear as soon as possible, although he keeps pressuring his old friend David Scatino (Robert Patrick) while he still has time, even if that means leading Dave towards bankruptcy. In the meantime, Richie asks Uncle Junior for help, as he isn't satisfied with his current earnings, while Pussy is told by Agent Lipari that if he had anything to do with the Bevilaqua hit (the witness couldn't identify the second shooter with certainty) he will go to jail automatically.

This episode's main charm consists of its retrieval of the Scatino character from The Happy Wanderer: whereas the previous episode was a metaphysical study of life and death, Bust-Out has a more down-to-earth approach in its analysis of radically opposed lives - David, who has always been an honest guy, is so desperate to get out of debt he eventually blows his own son's college fund and contemplates suicide right after doing so, while Tony, thanks to his attitude with people like Dave, is able to take AJ out on a fishing trip and spend some quality time with the kid without really deserving it. The juxtaposition of the two situations makes for one of the show's more tragic moments, perfectly rendered by an almost unrecognizable Patrick: watch the episode back-to-back with either Terminator 2 or the Law & Order: SVU ep where he played a child molester, and you'll hardly know it's the same actor.
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10/10
The courage of their convictions
AlsExGal24 April 2022
Warning: Spoilers
This episode is about how people kid themselves about who they are.

Tony and Pussy were seen the night that they killed Matt Bevilaqua in a park for his attempted hit on Christopher. The witness IDs Tony but can't say who the other guy is, only that he was heavy set. This describes everybody in the mob, so Pussy is safe. The cops don't arrest Tony because he is so lawyered up. They want to wait until they have their ducks in a row. But Tony is sweating this one out. It's murder and he'd be going away for all time. The feds are involved so nobody is talking. Tony begins drinking heavily and his temper becomes even more volatile than usual.

Meanwhile, Carmela, knowing something is wrong with Tony but with him saying nothing becomes open to the flirtations of a widower working on her house. They share a passionate but short kiss, and he plans to eat lunch with her the next day. She looks forward to this.

But then something happens. Both the Junior G-Man who saw Tony in the park AND Carmela's contractor realize just who Tony Soprano is and both turn tail and run. I'm sure it is no surprise to Carmela or the cops as to why their fortunes have turned once again.

There is something less obvious going on. Pussy is known now to the audience to be working with the feds to be avoiding a long prison term for the heroin he was dealing. It is the only reason he is doing this. He feels that Tony is starting to suspect him again of being a rat and tells his fed contact. The fed contact tells him that to stop Tony's suspicions he needs to make Tony love him. This is why Pussy found out where the guy who shot Chris was hiding and went with Tony to do away with him. But AFTER it is done the contact is all about how Pussy cannot have anything to do with the murder or he will be doing fifty years. Pussy convincingly lies to him. Then the contact convincingly serves up a corresponding lie back to him - "You are with us now. You are different from them." No he isn't. He's trapped like a rat. If he had the freedom to go back to the old life , Pussy most certainly would do so. It's just this little dance the two of them do.

Nobody on this episode has the courage of their convictions. The price is too high.
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10/10
Bust-out is underrated
alotaibeabdulaziz22 June 2019
All I have to say is that episode is one of the best episodes in this show.
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9/10
So who's the witness?
snoozejonc13 March 2022
A witness emerges who connects Tony to Matt's shooting.

This is a strong episode with great character moments for Tony and Carmela.

A big Sword of Damocles hangs over Tony, driving the plot, whilst numerous scenes depict his selfish nature and it's impact on others. All Tony's scenes are very well written and James Gandolfini is on top form.

Carmela has a lot of focus, particularly in her exchanges with Tony and a guest character who embodies many of the qualities Tony does not have. This is also well written and Edie Falco gives another fantastically realistic performance.

Robert Patrick is brilliant yet again as Dave Scatino and this character shows how weakness is punished by the predatory instincts of people like Tony, plus the impact it has on innocent family members.

Other great scenes are scattered throughout the episode with characters like AJ, Janice, Richie, Big Puss, Dr Melfi, Uncle Junior, and Meadow all giving strong contributions. One line by Uncle Junior is a great foreshadowing to what comes later in the season.

For all it's dark cynicism, there is plenty of the usual dark humour and entertainment value with so many of the characters and dialogue. I think without this aspect the show would be a seriously depressing commentary on life.
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