"The Sopranos" Full Leather Jacket (TV Episode 2000) Poster

(TV Series)

(2000)

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10/10
Carmela's darker side is revealed
MaxBorg891 April 2008
Warning: Spoilers
What a cliché, the gangster's wife: either she doesn't know what her husband does for a living, or she does but has no real relevance in his life other than when it comes to getting rid of compromising evidence. Not Carmela Soprano, though: she may seem to disapprove of several of Tony's activities, but in the end she enjoys her status, as this episode shows.

But why would Carm, a regular housewife, take advantage of her hubby's reputation for her own sake? Simple: Meadow is applying for various colleges, and since neighbor Jeannie Cusamano has a sister who went to Georgetown, Mrs. Soprano thinks a nice little letter of recommendation wouldn't be a problem. Too bad the Cusamanos aren't that enthusiastic about the idea. On the work front, meanwhile, violence is about to make his way as Matt Bevilaqua (Lillo Brancato) and Sean Gismonte (Chris Tardio), two up-and-comers working for Christopher, get tired of being treated like crap by the Soprano family and decide to pledge their services to Richie Aprile, a choice that is sealed with an act of unexpected brutality.

In the previous twenty episodes, it was clear Carmela was the more rational half of the couple, except for the few times she yelled at Tony or AJ, but this is the first time she gets to use all her abilities to subtly achieve her goals, and Edie Falco, rightfully nominated for an Emmy, does her best with a new side of her role that doesn't, for once, require any instinct-driven swearing. She is so riveting to watch she almost distracts from the bleaker side of the episode - until the blood-splattered climax, that is.
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9/10
You're gonna build Beansie a ramp
snoozejonc9 March 2022
Matt and Sean grow frustrated with life as mob errand boys and Carmela intervenes in Meadow's college application process.

This is an eventful, intriguing episode that focuses on characters with actions that have a big impact on the overarching narrative of the season and arcs of other characters.

Several characters are trying hard to achieve certain objectives and it leads to scenes that are funny, dramatic and (intentionally) cringeworthy.

Matt and Sean have been trying and failing to be recognised since the season began. You almost feel sorry for them when portrayed as the lowest of the low in the Soprano crew's food chain. However, as their characters are written as lacking basic common sense, what happens in this episode is an extreme but plausible depiction of how the 'regularness of life' drives certain people down certain paths. Lillio Brancato Jr and Chris Tardio play these parts convincingly, particularly Brancato.

Carmela has a very impactful and entertaining episode. Her scenes interacting with the Soprano household are as great as ever, but it's her exchanges with Jean and Joan that for me are the highlight. The dialogue is exceptionally good and Edie Falco makes her character feel real as always. Saundra Santiago is also great in a duel role as twin sisters.

The character of Richie Aprile is used brilliantly in more excruciating scenes. When being depicted showing his nasty side, it is as vile and bullying as ever. Even when trying to be nice and ingratiate himself he has you on edge. Some of the writing that relates to his character is darkly funny, particularly the ramp and the jacket. David Proval does not even have to say anything to convey what's on Richie's mind, his physical performance is so good.

As ever the production is top drawer with strong cinematography and editing. Some of the scene transitions are so subtle in how they link to each other via dialogue they are hard to spot.
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10/10
Full Leather Jacket (#2.8)
ComedyFan20108 March 2014
Warning: Spoilers
Chris wants to get back with Adriana. He even proposes to her and she accepts it. Unfortunately their happiness is interrupted by the two "homies" of his who want to get ahead in the mafia business and attempt to kill him as they heard that Richie doesn't like him. And Carmela tries to get Meadow into Georgetown college.

A great episode. The ending was absolutely not expected by me and I can just imagine the amount of crazy events that may happen now in the second half of the 2nd season. It is unbelievable the two made such a mistake. Sure they were new but they should have known something about hierarchy.

Carmela's story was pretty good to. Showing her as a mafia housewife using her husband's status to scare the neighbors into doing her favors.

And it was also good to see Tony and Dr Melfi analyze him giving Meadow her friend's car, because it indeed didn't seem very reasonable. So great to add some psychology to this!
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9/10
Chris was THE marksman of the show
Neptune1658 July 2022
Warning: Spoilers
Can we talk about how badass Christopher was in this episode? I mean he gets shot in the right shoulder, draws his Walther ppk from his ankle holster, transfers it to his nondominated hand & still manages a headshot from the ground while crawling away for cover. I always took THE JACKET as a peace offering. Richie was actually trying, and it hurt him that Tony would give it away. Hurt feelings leads to death, remember the Ginny Sac joke. The jacket was an awkward gift. It harkened back to a time when Tony was not boss and when Richie was someone important. Phil Leotardo, Richie, Tony Uncle Al, Feech, and even Paulie -- the guys out of prison always caused problems. This episode is the start of the excellent final arc of season 2, and has an excellent reference to the previous episode. When AJ sees Livia at the hospital, she's reading an article in the paper about how someone recently died in a car accident because their seatbelt got stuck. Then of course, in this episode, after Sean shoots Christopher, he tries to get out but his seatbelt is stuck, leading to his death. Only a show like The Sopranos would put such a specific mention of seatbelts in one episode, and then the next episode pay it off.
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10/10
Daaaaaaamn
obdyahia17 May 2019
This season is awesome, I really had fun in this episode, don't trust nobody in the mafia
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7/10
Carmela
ctomvelu-128 July 2008
Read the summary for the full plot. What I want to talk about is Carmela, who really comes into her own here. Meadow is applying to colleges. Jeannie Cusamano has some connection to an Ivy league school. Carmela decides a little help from Jeannie couldn't hurt. She asks Jeannie nicely enough at first to help her out regarding Meadow. Jeannie ain't all that excited about the idea. Carmela then becomes distinctly menacing, enough to shake Jeannie to her roots and to rush to do what Carmela demands of her. This is an interesting turn of events, coming from a woman who deplores what her husband does for a living. It shows her to be as cunning and merciless as he, at least when she wants something. This little scenario will all come to a head in another episode or two, but here is the first episode where we see the hypocrisy and downright evil of Carmela, using her husband's fearsome reputation to shake down her neighbor. A tour de force performance by Edie Falco.
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