Difficult to say why I appreciate this short film.
Indeed, for photography, acting, fair exploration of familiar themes, from oldness and attachment to clash between youth and fear about near end, from Hungarian immigrant , looking for help his family versus the venerable man , animated by nationalism and regrets, alone after the ill of his love of his life , in posture of a sort of Gustav von Auschenbach looking to a version, older, of Tadeusz.
I admired the beautiful work of .Gunter Tolar and the fair manner to craft his Fabiu of. Kristof Gellen, like the portrait of health system , familiar for a Romanian like me, in same measure.
The gentle- precise storytelling is another virtue , the seduction scene being one of remarkable ones .
In short, admirable.
Indeed, for photography, acting, fair exploration of familiar themes, from oldness and attachment to clash between youth and fear about near end, from Hungarian immigrant , looking for help his family versus the venerable man , animated by nationalism and regrets, alone after the ill of his love of his life , in posture of a sort of Gustav von Auschenbach looking to a version, older, of Tadeusz.
I admired the beautiful work of .Gunter Tolar and the fair manner to craft his Fabiu of. Kristof Gellen, like the portrait of health system , familiar for a Romanian like me, in same measure.
The gentle- precise storytelling is another virtue , the seduction scene being one of remarkable ones .
In short, admirable.
