A few seconds before the world premiere of Sean Price Williams’ directorial debut “The Sweet East,” the names of Josh and Benny Safdie rolled on the screen as part of the Directors’ Fortnight vignette. It feels only prescient, as the Cannes sidebar is destined to do for Williams what it did for the brothers, having launched the Safdies’ career by playing their first two features, “The Pleasure of Being Robbed” and “Daddy Longlegs,” in 2007 and 2009, respectively.
Continue reading ‘The Sweet East’ Review: Sean Price Williams’ Incisive Directorial Debut Is A Caustic Portrayal of Americana at The Playlist.
Continue reading ‘The Sweet East’ Review: Sean Price Williams’ Incisive Directorial Debut Is A Caustic Portrayal of Americana at The Playlist.
- 5/18/2023
- by Rafaela Sales Ross
- The Playlist
Video Version of this Article Photo/Video: Safdie Brothers/Shutterstock/Hollywood Insider YouTube Channel The Safdie Brothers, Josh and Benny, are New York natives, and from watching their films, you’d probably be able to guess that. Every single one of the Safdie Brothers’ six feature films takes place in New York City, and that’s only the start of the similarities between them. Though unassuming at first, the Safdie Brothers have organized one of the most successful underground filmmakers come-ups of the 2010s. First appearing on the scene with ‘The Pleasure of Being Robbed’, the Safdies have and continue to use film festivals as their main way of gaining notoriety. Let’s take a look at their filmography to see the rise of the Safdie Brothers and find out what they’re planning next. Related article: The Complete List of 2021 Oscar Nominations – Celebrations, Surprises & Snubs | The Show Must Go...
- 4/9/2021
- by Caroline Adamec
- Hollywood Insider - Substance & Meaningful Entertainment
With readers turning to their home viewing options more than ever, this daily feature provides one new movie each day worth checking out on a major streaming platform. Parts of this article were published when “Good Time” premiered at Cannes.
Filmmaking duo Josh and Benny Safdie are quickly becoming some of the most celebrated American directors out there: “Uncut Gems” was the surprise hit of 2019, a dark and gritty Adam Sandler vehicle that transformed his oddball humor into a cinematic odyssey through the streets of New York’s diamond district. Now, with the movie continuing to raise its profile as one of Netflix’s most popular new releases, the Safdie brand has never been stronger: As with Robert Pattinson in “Good Time,” the Safdies have once again proven they can transform stars into naturalistic puddles of exasperation, real human faces for these anxiety-riddled times.
However, Safdie completists know that the...
Filmmaking duo Josh and Benny Safdie are quickly becoming some of the most celebrated American directors out there: “Uncut Gems” was the surprise hit of 2019, a dark and gritty Adam Sandler vehicle that transformed his oddball humor into a cinematic odyssey through the streets of New York’s diamond district. Now, with the movie continuing to raise its profile as one of Netflix’s most popular new releases, the Safdie brand has never been stronger: As with Robert Pattinson in “Good Time,” the Safdies have once again proven they can transform stars into naturalistic puddles of exasperation, real human faces for these anxiety-riddled times.
However, Safdie completists know that the...
- 5/29/2020
- by Eric Kohn
- Indiewire
This is how HBO wins: The network has signed a two-year first look deal with “Uncut Gems” writer-directors Josh and Benny Safdie.
Variety reported that duo and Elara Pictures, which the brothers co-founded with Sebastian Bear-McClard and Ronald Bronstein in 2014, will produce film and television projects for the platform. A24, which produced the Safdie brothers’ “Uncut Gems” and “Good Time,” as well as acclaimed films such as “Midsommar,” will executive produce all projects under the deal and will partner with Elara on certain projects outside the deal. A24 has partnered with HBO on several past television projects, most recently drama series “Euphoria” starring Zendaya, which has been renewed for a second season.
Terms of the Safdie brothers’ HBO deal were not disclosed.
The deal could result in the Safdie brothers’ first television project. The duo’s filmography has been widely praised and last year’s Adam Sandler-led “Uncut Gems...
Variety reported that duo and Elara Pictures, which the brothers co-founded with Sebastian Bear-McClard and Ronald Bronstein in 2014, will produce film and television projects for the platform. A24, which produced the Safdie brothers’ “Uncut Gems” and “Good Time,” as well as acclaimed films such as “Midsommar,” will executive produce all projects under the deal and will partner with Elara on certain projects outside the deal. A24 has partnered with HBO on several past television projects, most recently drama series “Euphoria” starring Zendaya, which has been renewed for a second season.
Terms of the Safdie brothers’ HBO deal were not disclosed.
The deal could result in the Safdie brothers’ first television project. The duo’s filmography has been widely praised and last year’s Adam Sandler-led “Uncut Gems...
- 5/27/2020
- by Tyler Hersko
- Indiewire
Following our top 50 films of 2019, we’re sharing personal top 10 lists from our contributors. Check out the latest below and see our complete year-end coverage here.
To paraphrase Drake, “Where should I even really start?” 2019 was a year full of cinematic riches informed by dominant forces of the day: global politics, streaming (with an endless river of tech money), and an increased push across the board to include diverse voices at both festivals and in studios, which has led to more innovative storytelling across the board. Certainly, there is more work to be done but 2019’s global filmmakers went to work reflecting our collective dreams, fears, and anxieties. Streaming services like Netflix, Amazon, and Apple TV+ created and distributed content in a kind of arms race that truly benefits consumers.
Streaming and the need for prestige content like The Irishman and Marriage Story (typically the domain of studios or their...
To paraphrase Drake, “Where should I even really start?” 2019 was a year full of cinematic riches informed by dominant forces of the day: global politics, streaming (with an endless river of tech money), and an increased push across the board to include diverse voices at both festivals and in studios, which has led to more innovative storytelling across the board. Certainly, there is more work to be done but 2019’s global filmmakers went to work reflecting our collective dreams, fears, and anxieties. Streaming services like Netflix, Amazon, and Apple TV+ created and distributed content in a kind of arms race that truly benefits consumers.
Streaming and the need for prestige content like The Irishman and Marriage Story (typically the domain of studios or their...
- 1/4/2020
- by John Fink
- The Film Stage
Adam Sandler has embodied many obnoxious, self-absorbed figures over the years, but with “Uncut Gems,” he plays the most contemptible character in a 30-year career. Directors Joshua and Benny Safdie’s followup to “Good Time” is on that same wavelength — abrasive, deranged, driven by an insuppressible blur of movement and noise. It’s also a riveting high-wire act, pairing cosmic visuals with the gritty energy of a dark psychological thriller and sudden bursts of frantic comedy, and it’s the first movie to truly commune with Sandler’s performative strengths since “Punch-Drunk Love.”
After all, it’s a Safdie brothers movie. Ever since 2008’s “The Pleasure of Being Robbed,” these sibling filmmakers have excelled at burrowing inside the mindset of combustible characters driven to destructive tendencies just to survive another day. The dysfunctional father of “Daddy Longlegs” may as well exist in the same restless universe as the furious junkies...
After all, it’s a Safdie brothers movie. Ever since 2008’s “The Pleasure of Being Robbed,” these sibling filmmakers have excelled at burrowing inside the mindset of combustible characters driven to destructive tendencies just to survive another day. The dysfunctional father of “Daddy Longlegs” may as well exist in the same restless universe as the furious junkies...
- 8/31/2019
- by Eric Kohn
- Indiewire
Telluride Audiences Rattled by ‘Uncut Gems,’ an Endurance Test With a Great Adam Sandler Performance
First reactions from Benny and Josh Safdie’s “Uncut Gems,” starring Adam Sandler as a New York jewelry merchant caught up in a hot jam, are flying out of Telluride. Anticipation was high on the heels of the Safdies’ 2017 heist-thriller-from-hell “Good Time.”
With Telluride audiences’ ears literally still ringing, per the reactions rounded up below, it seems “Uncut Gems” is yet another merciless assault on the senses from the auteur brothers, who previously plunged viewers headfirst into heroin addiction with “Heaven Knows What” and casual kleptomania with “The Pleasure of Being Robbed.” Comparisons to cocaine and pleas for post-screening benzos abound.
Yes, yes, Adam Sandler rules. But the nerve-rattling fun of Uncut Gems is how it synthesizes every Safdie bros movie before it, from Good Time to Daddy Longlegs to Lenny Cooke in a mesmerizing chronicle of desperate schemes…think Mean Streets meets Preston Sturges. #Telluride
— erickohn (@erickohn) August 31, 2019
Uncut...
With Telluride audiences’ ears literally still ringing, per the reactions rounded up below, it seems “Uncut Gems” is yet another merciless assault on the senses from the auteur brothers, who previously plunged viewers headfirst into heroin addiction with “Heaven Knows What” and casual kleptomania with “The Pleasure of Being Robbed.” Comparisons to cocaine and pleas for post-screening benzos abound.
Yes, yes, Adam Sandler rules. But the nerve-rattling fun of Uncut Gems is how it synthesizes every Safdie bros movie before it, from Good Time to Daddy Longlegs to Lenny Cooke in a mesmerizing chronicle of desperate schemes…think Mean Streets meets Preston Sturges. #Telluride
— erickohn (@erickohn) August 31, 2019
Uncut...
- 8/31/2019
- by Ryan Lattanzio
- Indiewire
Shot on a $1.5 million budget and ranking as the lowest-budgeted film in Academy Awards’ history, 2017 best picture winner “Moonlight”, highlighted the talent associated to Miami’s burgeoning film community.
To capitalize on the surge in local filmmaking talent, ArtCenter/South Florida has launched a micro-budget Cinematic Arts residency, accepting entries until Sept. 18, that will provide up to $50,000 funding per project for two feature films by Miami-based filmmakers.
The residency will roll-off on Miami’s unique mix of talent and ethnic communities, including a large number of filmmakers with Latin American roots. It will be run by local helmer Jason Fitzroy Jeffers, co-founder of the Third Horizon Film Festival, whose Haiti-set documentary “Papa Machete,” premiered at the 2015 Sundance Film Festival and has generated over one million views on NationalGeographic.com.
Projects will be selected by a jury headed by Andrew Hevia, “Moonlight” co-producer and co-founder of the Borscht Film Festival.
Jeffers...
To capitalize on the surge in local filmmaking talent, ArtCenter/South Florida has launched a micro-budget Cinematic Arts residency, accepting entries until Sept. 18, that will provide up to $50,000 funding per project for two feature films by Miami-based filmmakers.
The residency will roll-off on Miami’s unique mix of talent and ethnic communities, including a large number of filmmakers with Latin American roots. It will be run by local helmer Jason Fitzroy Jeffers, co-founder of the Third Horizon Film Festival, whose Haiti-set documentary “Papa Machete,” premiered at the 2015 Sundance Film Festival and has generated over one million views on NationalGeographic.com.
Projects will be selected by a jury headed by Andrew Hevia, “Moonlight” co-producer and co-founder of the Borscht Film Festival.
Jeffers...
- 8/13/2018
- by Martin Dale
- Variety Film + TV
Film is certainly not dead! The box office may be down due to a steady diet of crap fed by the studio system, but even if Baywatch (the whipping boy for this year’s domestic box office) had been decent, would we have remembered it months later? Hollywood did churn out some good films–the best of which were considered crowd pleasers with a charm all their own; films like Coco and Girls Trip offered big laughs with a lot of heart. Those that took risks, notably Get Out, also found themselves rewarded while too much risk (mother!) proved to turn off casual moviegoers, even if they offered pleasure for those resisting a literal reading of what was on screen.
At the art house (and those multiplexes that offer a screen or two to quality films), it was a virtual embarrassment of cinematic riches, with no shortage of stimulating conversation...
At the art house (and those multiplexes that offer a screen or two to quality films), it was a virtual embarrassment of cinematic riches, with no shortage of stimulating conversation...
- 1/6/2018
- by John Fink
- The Film Stage
Josh and Benny Safdie have been making critically acclaimed and award-winning features for about a decade, starting with The Pleasure of Being Robbed, but they're only now getting mainstream attention with Good Time, their incredible new thriller starring Robert Pattinson and Jennifer Jason Leigh. The former has been receiving awards buzz all season and even though he's missing out on major kudos like the Golden Globes, he and the movie are basking in the consideration. Now the Safdie brothers are probably basking in greater Hollywood favor. Good Time is an indie but one that proves the duo can deliver on intense, entertaining action that's driven by compelling characters and strong storytelling. It's no wonder that they've been tapped to remake...
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- 12/15/2017
- by Christopher Campbell
- Movies.com
Josh and Benny Safdie have been making critically acclaimed and award-winning features for about a decade, starting with The Pleasure of Being Robbed, but they're only now getting mainstream attention with Good Time, their incredible new thriller starring Robert Pattinson and Jennifer Jason Leigh. The former has been receiving awards buzz all season and even though he's missing out on major kudos like the Golden Globes, he and the movie are basking in the consideration. Now the...
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- 12/14/2017
- by affiliates@fandango.com
- Fandango
New to Streaming: ‘Dawson City: Frozen Time,’ ‘Marjorie Prime,’ ‘Lady Macbeth,’ ‘Landline,’ and More
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Abundant Acreage Available (Angus MacLachlan)
Faith-based cinema is as diverse a genre as there is, from the extreme, often violent portraits of devotion from established directors like Martin Scorsese and Mel Gibson, to the attacks on logic in the God’s Not Dead and Left Behind pictures. Angus MacLachlan, a great storyteller of the not-too-deep south, offers a nuanced example of what this genre can bring, returning with the moving Abundant Acreage Available.
Abundant Acreage Available (Angus MacLachlan)
Faith-based cinema is as diverse a genre as there is, from the extreme, often violent portraits of devotion from established directors like Martin Scorsese and Mel Gibson, to the attacks on logic in the God’s Not Dead and Left Behind pictures. Angus MacLachlan, a great storyteller of the not-too-deep south, offers a nuanced example of what this genre can bring, returning with the moving Abundant Acreage Available.
- 10/6/2017
- by Jordan Raup
- The Film Stage
Long before Robert Pattinson took a risk on them by starring in the gritty heist movie “Good Time,” sibling directors Josh and Benny Safdie spent a decade making scrappy, low-budget movies on the streets of New York. Now, they’ve been to Cannes three times, won fans from Hollywood executives and Martin Scorsese alike, and set up their own production company.
Just a few weeks after “Good Time” landed acclaim in competition at Cannes, a big studio project offered them a project. And they said no.
“It’s been a strange confluence of events,” said Benny in an interview a few days before the movie’s release in New York. “It’s just weird, because now there are a lot more people asking us questions—“
Josh, who’s a year and half older at 33, cut in. He does that a lot. “All of a sudden, everyone’s like, ‘Oh, you speak our language.
Just a few weeks after “Good Time” landed acclaim in competition at Cannes, a big studio project offered them a project. And they said no.
“It’s been a strange confluence of events,” said Benny in an interview a few days before the movie’s release in New York. “It’s just weird, because now there are a lot more people asking us questions—“
Josh, who’s a year and half older at 33, cut in. He does that a lot. “All of a sudden, everyone’s like, ‘Oh, you speak our language.
- 8/19/2017
- by Eric Kohn
- Indiewire
Robert Pattinson can't explain it – he just knew.
It was early 2015, and the Twilight star was now three years removed from Edward Cullen, the iconic vampire heartthrob who made the British actor's name but had also painted him into a corner. Looking to break free, the then-29-year-old star began seeking out daring dramas and working with filmmakers like David Cronenberg, David Michôd, Werner Herzog and James Gray. He was determined to prove that he wasn't just a Ya pinup. And in the midst of that reinvention, Pattinson stumbled upon...
It was early 2015, and the Twilight star was now three years removed from Edward Cullen, the iconic vampire heartthrob who made the British actor's name but had also painted him into a corner. Looking to break free, the then-29-year-old star began seeking out daring dramas and working with filmmakers like David Cronenberg, David Michôd, Werner Herzog and James Gray. He was determined to prove that he wasn't just a Ya pinup. And in the midst of that reinvention, Pattinson stumbled upon...
- 8/9/2017
- Rollingstone.com
Josh and Ben Safdie’s Cannes entry “Good Time” doesn’t hit theaters until August 11, but Robert Pattinson fans can get a taste of the crime-drama by listening to a song on the film’s soundtrack from Daniel Lopatin, aka Oneohtrix Point Never. “The Pure and the Damned” is a collaboration with Iggy Pop and closes out the 13-song soundtrack, also out August 11.
Read More: Cannes 2017: The 10 Best Movies of This Year’s Festival
“Good Time,” which won the Soundtrack Award at Cannes last month, follows a bank robber (Pattinson) who finds himself unable to evade those who are looking for him.
“About 8 years ago, we were turned onto the music of Oneohtrix Point Never,” Josh Safdie wrote on the YouTube page for the song. “I had always imagined Dan’s work, especially his earlier work, as soundtracks to movies that never existed.”
Lopatin added, “To me the Safdies...
Read More: Cannes 2017: The 10 Best Movies of This Year’s Festival
“Good Time,” which won the Soundtrack Award at Cannes last month, follows a bank robber (Pattinson) who finds himself unable to evade those who are looking for him.
“About 8 years ago, we were turned onto the music of Oneohtrix Point Never,” Josh Safdie wrote on the YouTube page for the song. “I had always imagined Dan’s work, especially his earlier work, as soundtracks to movies that never existed.”
Lopatin added, “To me the Safdies...
- 6/13/2017
- by Graham Winfrey
- Indiewire
Exclusive: Cannes title secures mix of traditional distributors and Netflix on a number of key territories.
Memento Films International (Mfi) is reporting “sell-out sales” on Josh and Benny Safdie’s Cannes Palme d’Or contender Good Time, in a mix of deals combining a multi-territory Netflix Svod accord with a slew of theatrical pick-ups.
The heist thriller, starring Robert Pattinson, marked the brothers’ Cannes Competition debut after previously playing in Directors’ Fortnight with The Pleasure Of Being Robbed and Daddy Longlegs.
Paris-based Mfi said Netflix has picked up the film for a Svod window in Spain, Italy, UK and Ireland, Scandinavia, Israel, Portugal, Bulgaria, Russia, Cis, the Baltics, ex-Yugoslavia, Hungary, Poland, Czech Republic, Romania, South Korea, Singapore, Malaysia, Thailand, Japan, Australia and New Zealand.
Netflix acquired the film after the initial sales launch at the Afm last November in a deal stipulating that the streaming giant allow a theatrical release in territories where distributors wanted to take...
Memento Films International (Mfi) is reporting “sell-out sales” on Josh and Benny Safdie’s Cannes Palme d’Or contender Good Time, in a mix of deals combining a multi-territory Netflix Svod accord with a slew of theatrical pick-ups.
The heist thriller, starring Robert Pattinson, marked the brothers’ Cannes Competition debut after previously playing in Directors’ Fortnight with The Pleasure Of Being Robbed and Daddy Longlegs.
Paris-based Mfi said Netflix has picked up the film for a Svod window in Spain, Italy, UK and Ireland, Scandinavia, Israel, Portugal, Bulgaria, Russia, Cis, the Baltics, ex-Yugoslavia, Hungary, Poland, Czech Republic, Romania, South Korea, Singapore, Malaysia, Thailand, Japan, Australia and New Zealand.
Netflix acquired the film after the initial sales launch at the Afm last November in a deal stipulating that the streaming giant allow a theatrical release in territories where distributors wanted to take...
- 6/9/2017
- ScreenDaily
Exclusive: Cannes title also scores cinema deals, reflecting a shift in global distribution landscape.
Memento Films International (Mfi) is reporting “sell-out sales” on Josh and Benny Safdie’s Cannes Palme d’Or contender Good Time, in a mix of deals combining a multi-territory Netflix Svod accord with a slew of theatrical pick-ups.
The heist thriller, starring Robert Pattinson, marked the brothers’ Cannes Competition debut after previously playing in Directors’ Fortnight with The Pleasure Of Being Robbed and Daddy Longlegs.
Paris-based Mfi said Netflix has picked up the film for a Svod window in Spain, Italy, UK and Ireland, Scandinavia, Israel, Portugal, Bulgaria, Russia, Cis, the Baltics, ex-Yugoslavia, Hungary, Poland, Czech Republic, Romania, South Korea, Singapore, Malaysia, Thailand, Japan, Australia and New Zealand.
Netflix acquired the film after the initial sales launch at the Afm last November in a deal stipulating that the streaming giant allow a theatrical release in territories where distributors wanted to take on the...
Memento Films International (Mfi) is reporting “sell-out sales” on Josh and Benny Safdie’s Cannes Palme d’Or contender Good Time, in a mix of deals combining a multi-territory Netflix Svod accord with a slew of theatrical pick-ups.
The heist thriller, starring Robert Pattinson, marked the brothers’ Cannes Competition debut after previously playing in Directors’ Fortnight with The Pleasure Of Being Robbed and Daddy Longlegs.
Paris-based Mfi said Netflix has picked up the film for a Svod window in Spain, Italy, UK and Ireland, Scandinavia, Israel, Portugal, Bulgaria, Russia, Cis, the Baltics, ex-Yugoslavia, Hungary, Poland, Czech Republic, Romania, South Korea, Singapore, Malaysia, Thailand, Japan, Australia and New Zealand.
Netflix acquired the film after the initial sales launch at the Afm last November in a deal stipulating that the streaming giant allow a theatrical release in territories where distributors wanted to take on the...
- 6/9/2017
- ScreenDaily
Robert Pattinson made his name in “Twilight” and now capitalizes on his global bankability by chasing distinctive character roles and indie auteurs. This time it’s Josh and Benny Safdie’s Cannes Competition entry “Good Time” (A24, August 11) as he takes on the canny older brother who looks out for his impulsive, hulking sibling (Benny Safdie).
At the official Cannes press conference following the screening, he announced that he’ll star in “Parrots of Summer,” the upcoming film from Oscar-nominated filmmaker Ciro Guerra (“Embrace of the Serpent”) as well as another film with David Michôd, with whom he worked on “The Rover.”
In the can is “Damsel,” a Zellner brothers western with Mia Wasikowska, which is seeking distribution; coming up are movies with French filmmaker Claire Denis (father-daughter space drama “High Life”) and “Christine” director Antonio Campos.
Read More: The 2017 IndieWire Cannes Bible: Every Review, Interview and News Item Posted...
At the official Cannes press conference following the screening, he announced that he’ll star in “Parrots of Summer,” the upcoming film from Oscar-nominated filmmaker Ciro Guerra (“Embrace of the Serpent”) as well as another film with David Michôd, with whom he worked on “The Rover.”
In the can is “Damsel,” a Zellner brothers western with Mia Wasikowska, which is seeking distribution; coming up are movies with French filmmaker Claire Denis (father-daughter space drama “High Life”) and “Christine” director Antonio Campos.
Read More: The 2017 IndieWire Cannes Bible: Every Review, Interview and News Item Posted...
- 5/25/2017
- by Anne Thompson
- Thompson on Hollywood
Robert Pattinson made his name in “Twilight” and now capitalizes on his global bankability by chasing distinctive character roles and indie auteurs. This time it’s Josh and Benny Safdie’s Cannes Competition entry “Good Time” (A24, August 11) as he takes on the canny older brother who looks out for his impulsive, hulking sibling (Benny Safdie).
At the official Cannes press conference following the screening, he announced that he’ll star in “Parrots of Summer,” the upcoming film from Oscar-nominated filmmaker Ciro Guerra (“Embrace of the Serpent”) as well as another film with David Michôd, with whom he worked on “The Rover.”
In the can is “Damsel,” a Zellner brothers western with Mia Wasikowska, which is seeking distribution; coming up are movies with French filmmaker Claire Denis (father-daughter space drama “High Life”) and “Christine” director Antonio Campos.
Read More: The 2017 IndieWire Cannes Bible: Every Review, Interview and News Item Posted...
At the official Cannes press conference following the screening, he announced that he’ll star in “Parrots of Summer,” the upcoming film from Oscar-nominated filmmaker Ciro Guerra (“Embrace of the Serpent”) as well as another film with David Michôd, with whom he worked on “The Rover.”
In the can is “Damsel,” a Zellner brothers western with Mia Wasikowska, which is seeking distribution; coming up are movies with French filmmaker Claire Denis (father-daughter space drama “High Life”) and “Christine” director Antonio Campos.
Read More: The 2017 IndieWire Cannes Bible: Every Review, Interview and News Item Posted...
- 5/25/2017
- by Anne Thompson
- Indiewire
A24, the New York-based independent entertainment company founded by Daniel Katz, David Fenkel, and John Hodges has just scooped up the worldwide rights to Uncut Gems, a thriller set to be directed by both Josh and Benny Safdie (The Pleasure Of Being Robbed, Daddy Longlegs). Alongside the announcement of the film, it's also been revealed that Jonah Hill (War Dogs, Moneyball) is set to star in the project... Read More...
- 5/16/2017
- by Steve Seigh
- JoBlo.com
A24 has purchased the worldwide rights to the Safdie brothers’ next film, the thriller “Uncut Gems,” Deadline reports. Scott Rudin and Eli Bush of Scott Rudin Productions are producing, with Martin Scorsese executive producing. Benny and Josh Safdie co-wrote the script with Ronald Bronstein.
Read More: Cannes: Before ‘Good Time,’ the Safdie Brothers’ ‘Daddy Longlegs’ Reinvented the New York Movie
“Uncut Gems” will star Jonah Hill as Howard Ratner, the central character in a story set in New York City’s Diamond District. Emma Tillinger Koskoff, producer of Scorsese’s “Silence,” “The Wolf of Wall Street” and the upcoming “The Irishman,” will also executive produce.
The Safdie brothers’ new film, “Good Time,” is having its world premiere in competition at the Cannes Film Festival. The movie follows a bank robber, played by Robert Pattinson, who finds himself unable to evade those who are looking for him. “Good Time, the film...
Read More: Cannes: Before ‘Good Time,’ the Safdie Brothers’ ‘Daddy Longlegs’ Reinvented the New York Movie
“Uncut Gems” will star Jonah Hill as Howard Ratner, the central character in a story set in New York City’s Diamond District. Emma Tillinger Koskoff, producer of Scorsese’s “Silence,” “The Wolf of Wall Street” and the upcoming “The Irishman,” will also executive produce.
The Safdie brothers’ new film, “Good Time,” is having its world premiere in competition at the Cannes Film Festival. The movie follows a bank robber, played by Robert Pattinson, who finds himself unable to evade those who are looking for him. “Good Time, the film...
- 5/16/2017
- by Graham Winfrey
- Indiewire
Robert Pattinson is extending his list of films that will have their world premiere at the Cannes Film Festival with “Good Time,” which follows a bank robber who finds himself unable to evade those who are looking for him. The film will play in Competition at Cannes. Pattinson’s previous Cannes movies include David Cronenberg’s “Cosmopolis” and “Maps To The Stars” and David Michod’s “The Rover.”
Watch First Short By ‘Heaven Knows What’ Director Benny Safdie Online For Free
Directed by brothers Ben Safdie and Joshua Safdie, “Good Time” also stars Jennifer Jason Leigh and Barkhad Abdi. Josh Safdie recently commented on the film in an Instagram post, saying:
Good Time, the film we’ve been slaving over for the past 19 months, will world premiere at the Cannes Film Festival in the main competition! Here’s a still of #RobertPattinson as Connie. He and everyone else in the film are incredible.
Watch First Short By ‘Heaven Knows What’ Director Benny Safdie Online For Free
Directed by brothers Ben Safdie and Joshua Safdie, “Good Time” also stars Jennifer Jason Leigh and Barkhad Abdi. Josh Safdie recently commented on the film in an Instagram post, saying:
Good Time, the film we’ve been slaving over for the past 19 months, will world premiere at the Cannes Film Festival in the main competition! Here’s a still of #RobertPattinson as Connie. He and everyone else in the film are incredible.
- 4/14/2017
- by Graham Winfrey
- Indiewire
For such a highly anticipated event, the Cannes Film Festival tends to contain a fairly predictable lineup: The Official Selection focuses on established auteurs whose work lands a coveted slot at the flashy gathering on autopilot. That was certainly the case last year, when the 2016 edition opened with a Woody Allen movie and featured new work from the likes of Pedro Almodovar, Nicolas Winding Refn, the Dardennes brothers and Olivier Assayas.
But we live in unpredictable times, and judging by today’s announcement of the Official Selection for Cannes 2017, even the world’s most powerful festival isn’t impervious to change. This year’s Cannes is filled with surprises: television and virtual reality, some intriguing non-fiction selections, and a whole lot of unknown quantities that push the festival in fresh directions.
That’s not to say that there aren’t a few familiar names that stand out. Todd Haynes is...
But we live in unpredictable times, and judging by today’s announcement of the Official Selection for Cannes 2017, even the world’s most powerful festival isn’t impervious to change. This year’s Cannes is filled with surprises: television and virtual reality, some intriguing non-fiction selections, and a whole lot of unknown quantities that push the festival in fresh directions.
That’s not to say that there aren’t a few familiar names that stand out. Todd Haynes is...
- 4/13/2017
- by Eric Kohn
- Indiewire
In order to make accurate predictions about the potential Cannes Film Festival lineup, it’s first important to explore which films definitely won’t make the cut. The glamorous French gathering is notorious for waiting until the last minute before locking in every slot for its Official Selection. That includes competition titles, out of competition titles, a small midnight section and the Un Certain Regard sidebar. Cannes announces the bulk of its selections in Paris on April 13, but until then, there are plenty of ways to make educated guesses. Much of the reporting surrounding the upcoming festival selection is simply lists of films expected to come out this year. However, certain movies are definitely not going to the festival for various reasons.
That’s why our own list of potentials doesn’t include “Image Et Parole,” Jean-Luc Godard’s followup to “Goodbye to Language,” which sales agent Wild Bunch now anticipates as a 2018 title.
That’s why our own list of potentials doesn’t include “Image Et Parole,” Jean-Luc Godard’s followup to “Goodbye to Language,” which sales agent Wild Bunch now anticipates as a 2018 title.
- 3/31/2017
- by Chris O'Falt, Eric Kohn, Jude Dry, Kate Erbland, Steve Greene and Zack Sharf
- Indiewire
Is Casey Neistat “the innovator of vlogging”? That was the gushing description heaped on the filmmaker in an introduction to his appearance at Vidcon last week. He was all for the hyperbole. “Say it louder,” he said as he sat down for a discussion about his career. As a professional vlogger, part of Neistat’s product (and his charm) is his persona: A blend of daredevil machismo and heartfelt humility. In person and online, he emanates a playful warmth and a deep love for his fans.
In addition to sharing daily videos on his YouTube channel, Neistat is a filmmaker, producer, and director. He has roots in the indie film world, with a producer credit on John and Benny Safdie’s “Daddy Longlegs,” which won an Independent Spirit Award in 2011, and executive producing “The Pleasure of Being Robbed,” which played Cannes in 2008.
But the Internet has welcomed Neistat more warmly than any film festival.
In addition to sharing daily videos on his YouTube channel, Neistat is a filmmaker, producer, and director. He has roots in the indie film world, with a producer credit on John and Benny Safdie’s “Daddy Longlegs,” which won an Independent Spirit Award in 2011, and executive producing “The Pleasure of Being Robbed,” which played Cannes in 2008.
But the Internet has welcomed Neistat more warmly than any film festival.
- 6/27/2016
- by Judith Dry
- Indiewire
“Heaven Knows What” is the latest film from Josh and Ben Safdie. The brothers' first two features, "The Pleasure Of Being Robbed" and "Daddy Longlegs" put them on the radar and appeared at top-tier festivals around the world. Meanwhile, their first feature documentary “Lenny Cooke” hit both the Tribeca Film Festival and Venice Film Festival. And now, you can watch the new trailer for their latest which is also earning them a fair share of attention. The story takes place in New York City’s Upper West Side, telling the tale of two heroin-addicted lovers played by Arielle Holmes and Caleb Landry Jones. The film is based on the true stories told in the book "Mad Love In New York City" written by Holmes, and our review called the movie "a strident, difficult watch" but one that is "nonetheless a truthful, specific film." The film premiered at the Venice Film Festival and won the C.
- 5/11/2015
- by Abdulrahman Khawj
- The Playlist
Winner of the top prize at the Tokyo International Film Festival in 2014, Josh and Benny Safdie's latest film, Heaven Knows What, is based on Arielle Holmes' unpublished memoirs about her days as a heroin addict on the streets of New York City. Holmes stars alongside Caleb Landry Jones (Antiviral). RADiUS TWC will be releasing the film stateside later this spring, while Paste Magazine premiered the trailer today. It's a feverish cut, knocking us straight into the tumult of an addict's desperation. The Safdie Brothers have been steadily building up an interesting body of work on the American Independent scene, starting years ago with The Pleasure Of Being Robbed, which I still hold charming memories of. This promises to be their most assured film yet,...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 3/14/2015
- Screen Anarchy
After landing more audience “friendly” items in Ross Katz’ Adult Beginners and Richard Lagravenese’s The Last 5 Years, RADiUS’ Tom Quinn and Jason Janego have made their third pick-up of the Toronto Int. Film Festival (technically their first post-fest item) with a boundary-pushing/raw street film that blurs the lines between docu and fiction. After world preeming in Venice, and Tiff, the Safdie Bros.’ Heaven Knows What lands at Nyff tomorrow and will be pegged with a second quarter 2015 release.
Gist: Written by Ronald Bronstein and Josh Safdie, this is based on Arielle Holmes’ soon-to-be-published memoir Mad Love in New York City and tells the story of a vagabond couple in NYC battling addiction amidst a manic love affair.
Worth Noting: Creative members of the Safdies collaborative include Ronald Brownstein, mutli-tasking actress Eleonore Hendricks and for a second outing, Sean Price Williams (Dp on Alex Ross Perry’s films).
Do We Care?...
Gist: Written by Ronald Bronstein and Josh Safdie, this is based on Arielle Holmes’ soon-to-be-published memoir Mad Love in New York City and tells the story of a vagabond couple in NYC battling addiction amidst a manic love affair.
Worth Noting: Creative members of the Safdies collaborative include Ronald Brownstein, mutli-tasking actress Eleonore Hendricks and for a second outing, Sean Price Williams (Dp on Alex Ross Perry’s films).
Do We Care?...
- 10/1/2014
- by Eric Lavallee
- IONCINEMA.com
Heaven Knows What
Written by Ronald Bronstein and Joshua Safdie
Directed by Ben Safdie and Joshua Safdie
USA, 2014
While some spectators may roll their eyes at the thought of another indie film about drug addiction, Josh and Benny Safdie’s Heaven Knows What is a horrifying and remarkable piece of cinema that feels both alarmingly alive and alien given its subject matter. Bold, raw, and severely emotive, the Safdie’s latest is another one of their standard New York tales. Far more emotionally affecting and aesthetically brazen than their first two feature length films, The Pleasure of Being Robbed (2008) and Daddy Longlegs (2009), Heaven Knows What is one of the few films of its kind that thrives on a new kind of detail and specificity regarding its characters and their milieu.
We’re immediately dropped into the world of junkies and users just barely scraping by and living the daily grind...
Written by Ronald Bronstein and Joshua Safdie
Directed by Ben Safdie and Joshua Safdie
USA, 2014
While some spectators may roll their eyes at the thought of another indie film about drug addiction, Josh and Benny Safdie’s Heaven Knows What is a horrifying and remarkable piece of cinema that feels both alarmingly alive and alien given its subject matter. Bold, raw, and severely emotive, the Safdie’s latest is another one of their standard New York tales. Far more emotionally affecting and aesthetically brazen than their first two feature length films, The Pleasure of Being Robbed (2008) and Daddy Longlegs (2009), Heaven Knows What is one of the few films of its kind that thrives on a new kind of detail and specificity regarding its characters and their milieu.
We’re immediately dropped into the world of junkies and users just barely scraping by and living the daily grind...
- 9/8/2014
- by Ty Landis
- SoundOnSight
Sibling directors have been a thing ever since the Coen brothers rose to prominence, but the Safdie Brothers have been carving out their own niche. Their debut feature "The Pleasure of Being Robbed" was the only American premiere at the 2008 Directors Fortnight sidebar at Cannes, where they returned a year later with "Daddy Longlegs," which went on to receive acclaim at Sundance and elsewhere. Their basketball documentary "Lenny Cooke" hit theaters last year to strong acclaim. Now, Indiewire has learned that the duo is planning another feature, titled "Heaven Knows What," and launching a new production company. Read More: Why the Poignant, Fascinating 'Lenny Cooke' Is Not Your Typical Sports Doc Based on the experiences faced by Arielle Holmes, a street kid the brothers met on a subway, the film is said to be a tumultuous drama (starring Holmes) about a couple who face addiction. "Heaven Knows What" was co-written by Ronald Bronstein,...
- 4/23/2014
- by Eric Eidelstein
- Indiewire
Josh and Benny Safdie, the New York filmmakers behind 2010's “Daddy Longlegs” and 2008's “The Pleasure of Being Robbed,” have wrapped production on their latest film, “Heaven Knows What.” A hybrid picture that blends documentary and narrative, “Heaven” features Arielle Holmes, a kid the filmmaker brothers met on the subway, playing a fictionalized version of herself. She'll star alongside Caleb Landry Jones (“X-Men: First Class”) in a story about “a young vagabond couple in New York City battling addiction amidst a manic love affair.” Also read: James Franco Wins One for ‘Spring Breakers’ – Just Like That, A24's Awards Campaign ‘Feels More Real’ The film.
- 4/23/2014
- by Jordan Zakarin
- The Wrap
An intimate portrait of a near-forgotten high school basketball phenom turned undrafted afterthought, Lenny Cooke is the first documentary from the young New York wunderkinds Benny and Josh Safdie. Given that their previous films, The Pleasure of Being Robbed and Daddy Longlegs (I miss its original title, Go Get Some Rosemary), were intimate, 16 millimeter throwbacks to another era of rough and tumble New York independent filmmaking, this film comes as a surprise in a way. Made by self-professed basketball fanatics in the midst of a season of discontent (poor Knicks), Lenny Cooke is a project that predates any of the Safdies narrative efforts. An emotionally […]...
- 12/6/2013
- by Brandon Harris
- Filmmaker Magazine-Director Interviews
An intimate portrait of a near-forgotten high school basketball phenom turned undrafted afterthought, Lenny Cooke is the first documentary from the young New York wunderkinds Benny and Josh Safdie. Given that their previous films, The Pleasure of Being Robbed and Daddy Longlegs (I miss its original title, Go Get Some Rosemary), were intimate, 16 millimeter throwbacks to another era of rough and tumble New York independent filmmaking, this film comes as a surprise in a way. Made by self-professed basketball fanatics in the midst of a season of discontent (poor Knicks), Lenny Cooke is a project that predates any of the Safdies narrative efforts. An emotionally […]...
- 12/6/2013
- by Brandon Harris
- Filmmaker Magazine - Blog
New York filmmakers Josh and Benny Safdie are known for their irreverent urban narratives "The Pleasure of Being Robbed" and "Daddy Longlegs," both of which contain a naturalistic quality that suggests they could work wonders with non-fiction. With "Lenny Cooke," they've done just that: Partly a found footage documentary about former high school basketball star Lenny Cooke, who in 2001 ranked highest in the country, the movie follows Cooke from his promising teen years through the series of disappointments that follow, constructing a beguiling American tragedy that defies genre categorization and eventually veers into magic realism even as it remains tethered to a true story. The Safdies have stood out over the last few years for continually challenging audience expectations even while seeming to adhere to conventional storytelling traditions, and that's certainly true here: You've never seen a sports movie like this before. Early on, it's clear that the Safdies find their subject.
- 12/6/2013
- by Eric Kohn
- Indiewire
New York filmmakers Josh and Benny Safdie are known for their irreverent urban narratives "The Pleasure of Being Robbed" and "Daddy Longlegs," both of which contain a naturalistic quality that suggests they could work wonders with non-fiction. With "Lenny Cooke," they've done just that: Partly a found footage documentary about former high school basketball star Lenny Cooke, who in 2001 ranked highest in the country, the movie follows Cooke from his promising teen years through the series of disappointments that follow, constructing a beguiling American tragedy that defies genre categorization and eventually veers into magic realism even as it remains tethered to a true story. The Safdies have stood out over the last few years for continually challenging audience expectations even while seeming to adhere to conventional storytelling traditions, and that's certainly true here: You've never seen a sports movie like this before. Early on, it's clear that the Safdies find their subject.
- 4/18/2013
- by Eric Kohn
- Indiewire
We've got your exclusive first look at the poster one sheet for Gregory Kohn's Northeast, the shot on 16mm pic which stars David Call, ("Two Gates of Sleep") and Eleonore Hendricks (from the Safdie Bros.' The Pleasure of Being Robbed and Go Get Some Rosemary). Tribeca Film is releasing the indie pic nationwide on December 26th via cable VOD, iTunes, Amazon, and Vudu. Tomorrow we'll be bringing you the trailer. David Call plays Will, an unemployed and aimless playboy in Brooklyn, New York, has spent his 20’s skating on easy charm from one casual, distant affair to the next. Noticing his friends’ happiness as they gradually settle into steady jobs and committed relationships, Will decides to trade apathy for effort in order to find someone with whom he can start the next chapter of his life.
- 12/7/2011
- IONCINEMA.com
When we watch movies, it's always filtered through our own experiences. I never had pets growing up, so violence against animals never bothers me. But for some folks, it's a deal breaker. I like depressing relationship "comedies" like Eternal Sunshine of the Spotless Mind and Lars and the Real Girl and Blue Valentine, but for folks who like sunshine and rainbows, it's a dreary experience. We all watch movies differently, based on how we've lived our lives, and so our reactions are different. But even more so than that, it's how we watch the movies. A comedy watched in a theater full of an appreciative audience might be funnier than when we watch it alone at home during the week. The first film you see with your father or mother in a theater is going to resonate much differently than if you are watching it with a group of friends,...
- 2/25/2011
- by Brian Prisco
Disclaimer: If you want to see Catfish, go see it, or ask that it be screened in your town. Telling you anything about this film is in reality a spoiler. If this were Rotten Tomatoes, and godwilling, as new members of the Ofcs Daniel Carlson and I will soon be counted on the Tomatometer, I'd give it a Fresh rating, but probably tell you that it's a little moldy.
I'm hesitant to write anything about Catfish, other than you should give it a gander. Addressing even the smallest part of the film seems like cheating the potential viewer. It was obviously designed to be a small secret documentary that snuck in through the back door of your mind and played all manner of games with your head. The entire project is meant as not the bottom-feeding titular fish, but rather a giant red herring to force you to ponder on...
I'm hesitant to write anything about Catfish, other than you should give it a gander. Addressing even the smallest part of the film seems like cheating the potential viewer. It was obviously designed to be a small secret documentary that snuck in through the back door of your mind and played all manner of games with your head. The entire project is meant as not the bottom-feeding titular fish, but rather a giant red herring to force you to ponder on...
- 9/23/2010
- by Dustin Rowles
I landed at the quaint Lugano airport in Switzerland yesterday, completing a seven hour journey from New York to cover the Locarno Film Festival, which I'll attend until August 13. Surrounded by the natural tranquility of the Swiss alps, I nearly forgot I was there to watch movies. But then I spotted Locarno juror Josh Safdie, accompanied by his brother Benny, and the context came rushing back. The Safdies are fresh from working on their new 35mm short and gearing up for a nifty series they curated at Bam. Josh, whose "The Pleasure of Being Robbed" was programmed at Director's…...
- 8/5/2010
- Screen Rush
Indie Movies Online is a brand new UK based movie-on-demand website that offers hundreds of great films to watch at high quality online, legally and for free. There is literally something for everyone, and many gems to be found.
All types of movie are represented including thrillers, sci-fi, comedies and slick Us horrors and more. New and classic films are added all the time. Expect to find titles like: Allegro, Baise Moi, The Boss of it All, Brothers, Chopper, Choking Man, Dark Star, Evil Aliens, Funny Ha Ha, George Washington, HurlyBurly, King of New York, Kontakt, Love is the Devil, Millennium, Mirror Maze, Mutual Appreciation, My Left Foot, Old Joy, The Pleasure of Being Robbed and Reprise.
There are also stacks of quality documentaries including: A Personal Journey with Martin Scorsese, Crass: there’s no Authority but Yourself, Sympathy for the Devil, Word Wars, The Cutting Edge, Room 2017 and many more.
All types of movie are represented including thrillers, sci-fi, comedies and slick Us horrors and more. New and classic films are added all the time. Expect to find titles like: Allegro, Baise Moi, The Boss of it All, Brothers, Chopper, Choking Man, Dark Star, Evil Aliens, Funny Ha Ha, George Washington, HurlyBurly, King of New York, Kontakt, Love is the Devil, Millennium, Mirror Maze, Mutual Appreciation, My Left Foot, Old Joy, The Pleasure of Being Robbed and Reprise.
There are also stacks of quality documentaries including: A Personal Journey with Martin Scorsese, Crass: there’s no Authority but Yourself, Sympathy for the Devil, Word Wars, The Cutting Edge, Room 2017 and many more.
- 6/23/2010
- by Kat
- Nerdly
Directors: Ben Safdie, Joshua Safdie Starring: Ron Bronstein, Frey and Sage Ranaldo Cinematographers: Brett Jutkiewicz, Joshua Safdie Studio/Run Time: Tk, 100 mins. Unconventional parenting Is Lenny Sokol the coolest dad ever? Or is he a walking hazard who exposes his often unruly twin boys to risks most parents would consider unthinkable, if not prosecutable? Both, actually. This autobiographical film by brothers Ben and Joshua Safdie (The Pleasure of Being Robbed) is a freewheeling, totally bugged-out portrait of a father whose love is inseparable from chaos....
- 4/30/2010
- Pastemagazine.com
I'm still middle of the road on the mumblecore kids. I dig the Duplass Brothers for the most part, and Josh and Benny Safdie have been deservedly making a name for themselves with The Pleasure of Being Robbed and their latest Daddy Longlegs. I'm extremely curious to see how Cyrus turns out, because that's gonna make a statement to a lot of people -- both in how the Brothers Duplass handle a mainstreamish flick and if Jonah Hill can carry a film.
Regardless, one of the heroines of the mumblecore movement, Lynn Shelton -- who's Humpday I adored -- has announced her next project. Get ready to rejoice, kiddies, because she's bringing Joshua Ferris's Then We Came To The End to the big screen. It's a marriage of two forces I enjoy -- like chocolate and peanut butter coming together in a Reesian joygasm in my mouth. This ain't gonna be mumblecore,...
Regardless, one of the heroines of the mumblecore movement, Lynn Shelton -- who's Humpday I adored -- has announced her next project. Get ready to rejoice, kiddies, because she's bringing Joshua Ferris's Then We Came To The End to the big screen. It's a marriage of two forces I enjoy -- like chocolate and peanut butter coming together in a Reesian joygasm in my mouth. This ain't gonna be mumblecore,...
- 3/5/2010
- by Brian Prisco
"Too often there's nothing but ego at the center of today's micro-indies," writes Michael Atkinson at IFC, "but Joshua Safdie's The Pleasure of Being Robbed isn't merely slacker realism or geysering quirk. It's a character portrait, and I haven't seen the likes of Eléonore (Eléonore Hendricks) since the 70s, when Cassavetes movies bristled with compulsive nowhere figures living out their no-future lives by trying to seize the elusive present, and trying to do so with a fire in their bellies."...
- 3/2/2010
- MUBI
These days, movies can be made out of virtually nothing at all, like a poem -- only a sense of drive and subject are required. Too often there's nothing but ego at the center of today's micro-indies, but Joshua Safdie's "The Pleasure of Being Robbed" isn't merely slacker realism or geysering quirk. It's a character portrait, and I haven't seen the likes of Eléonore (Eléonore Hendricks) since the '70s, when Cassavetes movies bristled with compulsive nowhere figures living out their no-future lives by trying to seize the elusive present, and trying to do so with a fire in their bellies.
Eléonore isn't a yuppie mumble-bum making small talk, but a low-rent, fringe-lost waif who supports herself through guileless kleptomania, and who never seems to contemplate consequences, only actions. At the outset, we see her scam a woman on the street by shouting out random names to her until she gets a reaction,...
Eléonore isn't a yuppie mumble-bum making small talk, but a low-rent, fringe-lost waif who supports herself through guileless kleptomania, and who never seems to contemplate consequences, only actions. At the outset, we see her scam a woman on the street by shouting out random names to her until she gets a reaction,...
- 3/2/2010
- by Michael Atkinson
- ifc.com
There’s just enough detail in The Pleasure of Being Robbed to push its meandering protagonist from point A to B while keeping the audience interested and not openly criticizing the chain of events. Eleonore wanders from one experience to the next, like you’re wont to do in so many independent films, taking the possessions of others and reveling in what she learns by perusing their belongings afterward. Despite living moment by moment, her life seems a monotonous shamble of the same daily occurrences with the only unique factor being the things she finds at the bottom of other people’s bags. But things change, eventually.
Even she seems painfully aware of this irregular rut. The narrative makes it very clear early on that Eleonore isn’t homeless, nor that she’s stealing out of necessity. She takes not in order to live but to feel alive; not like...
Even she seems painfully aware of this irregular rut. The narrative makes it very clear early on that Eleonore isn’t homeless, nor that she’s stealing out of necessity. She takes not in order to live but to feel alive; not like...
- 2/18/2010
- by Lex Walker
- JustPressPlay.net
This past decade has seen a decline in most facets of American independent cinema. Arguably the one real growth, change or movement would be that of the so called "mumblecore" crowd; an inter connected slew of young filmmakers that share the burden of making no to low budget features, primarily shot on video, usually about the trials and tribulations of twentysomthing relationships. Hipster junk some might say.
I'm by no means an expert on "mumblecore" but I can say with some confidence that Josh Safdie's 16mm feature The Pleasure Of Being Robbed is not mumblecore, re-modernist cinema or "New Sincerity" as some might dub it. Safdie and his filmmaking collective "Red Bucket" are having way too much fun making their own little world to probably even remotely care about movements, or categorization... thank god.
The only American film to play the 2008 director's fortnight at Cannes, The Pleasure Of Being Robbed...
I'm by no means an expert on "mumblecore" but I can say with some confidence that Josh Safdie's 16mm feature The Pleasure Of Being Robbed is not mumblecore, re-modernist cinema or "New Sincerity" as some might dub it. Safdie and his filmmaking collective "Red Bucket" are having way too much fun making their own little world to probably even remotely care about movements, or categorization... thank god.
The only American film to play the 2008 director's fortnight at Cannes, The Pleasure Of Being Robbed...
- 2/16/2010
- Screen Anarchy
DVD Playhouse—February 2010
By
Allen Gardner
Hunger (Criterion) Harrowing true story of imprisoned Ira member Bobby Sands (Michael Fassbender) and his 1981 hunger strike protesting the British government’s refusal to recognize him, and other Ira members as political prisoners. Director Steve McQueen delivers the story with true filmmaking panache, mixing startling imagery that blends both stunning beauty and stomach-churning horror. Fassbender is absolutely brilliant in the lead. Not for the faint-of-heart, but not to be missed or, particularly, ignored. Also available on Blu-ray disc. Bonuses: Interviews with McQueen and Fassbender; Short documentary; 1981 episode of BBC series “Panorama” that covers the Ira hunger strike; Trailer. Widescreen. DTS-hd audio on Blu-ray.
Adam (20th Century Fox) Quirky romantic comedy about an eccentric, borderline Asperger’s Syndrome, astronomy buff (Hugh Dancy) who is drawn out of his self-imposed shell by a beautiful and sympathetic neighbor (Rose Byrne). Charming film with engaging performances by the two leads,...
By
Allen Gardner
Hunger (Criterion) Harrowing true story of imprisoned Ira member Bobby Sands (Michael Fassbender) and his 1981 hunger strike protesting the British government’s refusal to recognize him, and other Ira members as political prisoners. Director Steve McQueen delivers the story with true filmmaking panache, mixing startling imagery that blends both stunning beauty and stomach-churning horror. Fassbender is absolutely brilliant in the lead. Not for the faint-of-heart, but not to be missed or, particularly, ignored. Also available on Blu-ray disc. Bonuses: Interviews with McQueen and Fassbender; Short documentary; 1981 episode of BBC series “Panorama” that covers the Ira hunger strike; Trailer. Widescreen. DTS-hd audio on Blu-ray.
Adam (20th Century Fox) Quirky romantic comedy about an eccentric, borderline Asperger’s Syndrome, astronomy buff (Hugh Dancy) who is drawn out of his self-imposed shell by a beautiful and sympathetic neighbor (Rose Byrne). Charming film with engaging performances by the two leads,...
- 2/15/2010
- by The Hollywood Interview.com
- The Hollywood Interview
Welcome to Cinematical's On Demand, where we review the latest in home entertainment -- on demand, on disc, on the web -- and detail the must-sees, maybe-sees, and never-sees available from the comfort of your own home.
It's a title and plot with promise -- a thief who touches the lives of the people she steals from ... a philanthropic kleptomaniac. From the plot summaries and positive buzz to the name itself -- The Pleasure of Being Robbed -- Joshua Safdie's debut feature suggests a delightful departure from cliches, a venture that's particularly desirable this week as the overwhelmingly cliched Valentine's Day hits theaters. This indie hints at happiness in thievery, how the act of taking someone's possessions can give them something back, and fulfill them in a way their things could not.
From a whimsical look into robbery to a comedic take on consumerism, there's a lot of could-be's for Robbed,...
It's a title and plot with promise -- a thief who touches the lives of the people she steals from ... a philanthropic kleptomaniac. From the plot summaries and positive buzz to the name itself -- The Pleasure of Being Robbed -- Joshua Safdie's debut feature suggests a delightful departure from cliches, a venture that's particularly desirable this week as the overwhelmingly cliched Valentine's Day hits theaters. This indie hints at happiness in thievery, how the act of taking someone's possessions can give them something back, and fulfill them in a way their things could not.
From a whimsical look into robbery to a comedic take on consumerism, there's a lot of could-be's for Robbed,...
- 2/13/2010
- by Monika Bartyzel
- Cinematical
This week you're probably not interested in what's opening in theaters, because like me you're too preoccupied with what's going on at Sundance. That's where the real action is for independent cinema right now.
So I'm doing something a little different this week, spotlighting three special films playing at the 2010 Sundance Film Festival. As a special treat to non-festival goers, you have the opportunity to watch each film in your own home. It doesn't matter how far you are from the goings-on in Park City, Utah, just so long as your cable provider carries the VOD channel Sundance Selects.
Although I'm concentrating on this one specific service, let me remind you that other 2010 Sundance films are available to rent and stream on YouTube as well.
"Daddy Longlegs"
What it is: "Daddy Longlegs" is a drama starring Ronnie Bronstein as a divorced dad in NYC who gets his two young sons (real-life brothers,...
So I'm doing something a little different this week, spotlighting three special films playing at the 2010 Sundance Film Festival. As a special treat to non-festival goers, you have the opportunity to watch each film in your own home. It doesn't matter how far you are from the goings-on in Park City, Utah, just so long as your cable provider carries the VOD channel Sundance Selects.
Although I'm concentrating on this one specific service, let me remind you that other 2010 Sundance films are available to rent and stream on YouTube as well.
"Daddy Longlegs"
What it is: "Daddy Longlegs" is a drama starring Ronnie Bronstein as a divorced dad in NYC who gets his two young sons (real-life brothers,...
- 1/26/2010
- by Christopher Campbell
- MTV Movies Blog
- This year's Cannes sidebar section Director's Fortnight will be home to a pair of mumblecore offerings: one which we are already familiar with in Lynn Shelton's Humpday who was highly praised at Sundance – the crowd with which I caught the comedy with were rolling all over themselves (the film's first 30-40 minutes is extremely well written) and the other, is the world premiere from the Safdie brothers' Josh and Benny who closed the same section last year (with The Pleasure Of Being Robbed) and who quickly whipped up a new project with financing from France and the States. Mumblecore is far from losing its freshness - I have a feeling that it is here to stay especially when fests like Berlin and Cannes include them within their line-ups. Berlin-based Films Boutique has just picked up the sales right to Go Get Some Rosemary which features Frownland director Ronnie Bronstein in the lead role,
- 5/7/2009
- IONCINEMA.com
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