By David Kozlowski | 4 August 2017
Welcome to Issue #7 of The Lrm Weekend, a weekly column offering strong opinions about film, TV, comics, Star Wars, Marvel, DC, animation, and anime. We also want to hear from you, our awesome Lrm community! Share your feedback or ideas for future columns: @LRM_Weekend and we'll post your Tweets below!
Previous Issues: 7.28.17 | 7.21.17 | 7.14.17 | 7.7.17 | 6.30.17 | 6.23.17
Hey Lrm Weekenders, you might notice a few changes to the column this week. As summer draws to a close we're moving some stuff around and tweaking our content to be a little more opinionated and provocative.
Each of our Lrm writers have super-strong opinions about film, TV, comics, and all of the big franchises and universes. So, going forward Lrm Weekend is going to amp-up our voices a bit more -- and we invite our readers to punch back whenever and wherever you disagree!
Audiences Are Tired Of Spectacle And Hollywood Doesn't Care.
Welcome to Issue #7 of The Lrm Weekend, a weekly column offering strong opinions about film, TV, comics, Star Wars, Marvel, DC, animation, and anime. We also want to hear from you, our awesome Lrm community! Share your feedback or ideas for future columns: @LRM_Weekend and we'll post your Tweets below!
Previous Issues: 7.28.17 | 7.21.17 | 7.14.17 | 7.7.17 | 6.30.17 | 6.23.17
Hey Lrm Weekenders, you might notice a few changes to the column this week. As summer draws to a close we're moving some stuff around and tweaking our content to be a little more opinionated and provocative.
Each of our Lrm writers have super-strong opinions about film, TV, comics, and all of the big franchises and universes. So, going forward Lrm Weekend is going to amp-up our voices a bit more -- and we invite our readers to punch back whenever and wherever you disagree!
Audiences Are Tired Of Spectacle And Hollywood Doesn't Care.
- 8/5/2017
- by David Kozlowski
- LRMonline.com
Late in the Oscar season, at the moment when voters actually fill in their ballots (the deadline is February 21 at 5 pm), it all comes down to what movies they have actually seen. What did they love the most, and is freshest in their minds? Which film aligns with the zeitgeist, delivering the message that 6,000 voters want to send?
The five directing nominations tend to line up with the strongest Best Picture contenders, although snubbed director nominee Ben Affleck did win Best Picture win for “Argo.” However, that underdog story became a narrative in itself that drove “Argo” to the win.
This year, the narratives include the aftermath of#OscarsSoWhite and the election of Donald J. Trump. Which will stick?
Here’s how the Best Director and Best Picture races are shaking out.
“La La Land” is the magical, romantic, modern-yet-retro musical about artistic passion created by wunderkind Damien Chazelle and his gifted collaborators,...
The five directing nominations tend to line up with the strongest Best Picture contenders, although snubbed director nominee Ben Affleck did win Best Picture win for “Argo.” However, that underdog story became a narrative in itself that drove “Argo” to the win.
This year, the narratives include the aftermath of#OscarsSoWhite and the election of Donald J. Trump. Which will stick?
Here’s how the Best Director and Best Picture races are shaking out.
“La La Land” is the magical, romantic, modern-yet-retro musical about artistic passion created by wunderkind Damien Chazelle and his gifted collaborators,...
- 2/17/2017
- by Anne Thompson
- Thompson on Hollywood
Late in the Oscar season, at the moment when voters actually fill in their ballots (the deadline is February 21 at 5 pm), it all comes down to what movies they have actually seen. What did they love the most, and is freshest in their minds? Which film aligns with the zeitgeist, delivering the message that 6,000 voters want to send?
The five directing nominations tend to line up with the strongest Best Picture contenders, although snubbed director nominee Ben Affleck did win Best Picture win for “Argo.” However, that underdog story became a narrative in itself that drove “Argo” to the win.
This year, the narratives include the aftermath of#OscarsSoWhite and the election of Donald J. Trump. Which will stick?
Here’s how the Best Director and Best Picture races are shaking out.
“La La Land” is the magical, romantic, modern-yet-retro musical about artistic passion created by wunderkind Damien Chazelle and his gifted collaborators,...
The five directing nominations tend to line up with the strongest Best Picture contenders, although snubbed director nominee Ben Affleck did win Best Picture win for “Argo.” However, that underdog story became a narrative in itself that drove “Argo” to the win.
This year, the narratives include the aftermath of#OscarsSoWhite and the election of Donald J. Trump. Which will stick?
Here’s how the Best Director and Best Picture races are shaking out.
“La La Land” is the magical, romantic, modern-yet-retro musical about artistic passion created by wunderkind Damien Chazelle and his gifted collaborators,...
- 2/17/2017
- by Anne Thompson
- Indiewire
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Dog Eat Dog (Paul Schrader)
Paul Schrader might want to consider expanding his thematic scope a little. Decade after decade, film after film, regardless of whether he’s been writing scripts for others (Martin Scorsese, first and foremost), or sitting in the director’s chair himself, the erstwhile Calvinist has come back to the theme of redemption with obstinate persistence. His protagonists are almost always men, they’re almost...
Dog Eat Dog (Paul Schrader)
Paul Schrader might want to consider expanding his thematic scope a little. Decade after decade, film after film, regardless of whether he’s been writing scripts for others (Martin Scorsese, first and foremost), or sitting in the director’s chair himself, the erstwhile Calvinist has come back to the theme of redemption with obstinate persistence. His protagonists are almost always men, they’re almost...
- 11/11/2016
- by The Film Stage
- The Film Stage
Chicago – He may share a name with a notable movie star, but director Steve McQueen has made his own mark in cinema in a very short time. After his debut with “Hunger” (2008), he followed with the shocking “Shame” (2011). As producer, he won the Academy Award for Best Picture for “12 Years a Slave” (2013), a film he also directed.
Steve McQueen on the Red Carpet at the 52nd Chicago International Film Festival
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com
McQueen was born in London, and later studied art at the Chelsea College of Arts and Goldsmith College, and briefly studied at the Tisch School of the Arts at New York University. His first major short film was “Bear” (1993), and followed up with several avant-garde shorts through 2009. His first feature, “Hunger” was released in 2008, and his Best Picture triumph came five years later with “12 Years a Slave.” McQueen was honored...
Steve McQueen on the Red Carpet at the 52nd Chicago International Film Festival
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com
McQueen was born in London, and later studied art at the Chelsea College of Arts and Goldsmith College, and briefly studied at the Tisch School of the Arts at New York University. His first major short film was “Bear” (1993), and followed up with several avant-garde shorts through 2009. His first feature, “Hunger” was released in 2008, and his Best Picture triumph came five years later with “12 Years a Slave.” McQueen was honored...
- 10/27/2016
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
The 59Th BFI London Film Festival Announces Full 2015 Programme
You can peruse the programme at your leisure here.
The programme for the 59th BFI London Film Festival in partnership launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. BFI London Film Festival is Britain’s leading film event and one of the world’s oldest film festivals. It introduces the finest new British and international films to an expanding London and UK-wide audience. The Festival provides an essential platform for films seeking global success; and promotes the careers of British and international filmmakers through its industry and awards programmes. With this year’s industry programme stronger than ever, offering international filmmakers and leaders a programme of insightful events covering every area of the film industry Lff positions London as the world’s leading creative city.
The Festival will screen a...
You can peruse the programme at your leisure here.
The programme for the 59th BFI London Film Festival in partnership launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. BFI London Film Festival is Britain’s leading film event and one of the world’s oldest film festivals. It introduces the finest new British and international films to an expanding London and UK-wide audience. The Festival provides an essential platform for films seeking global success; and promotes the careers of British and international filmmakers through its industry and awards programmes. With this year’s industry programme stronger than ever, offering international filmmakers and leaders a programme of insightful events covering every area of the film industry Lff positions London as the world’s leading creative city.
The Festival will screen a...
- 9/1/2015
- by John
- SoundOnSight
How many greats have found themselves on the short end of Oscar glory after being nominated for Best Director? Frankly, some of the greatest filmmakers of all-time: David Fincher, Gus Van Sant, Quentin Tarantino, Paul Thomas Anderson, Pedro Almodóvar, Ridley Scott, Michael Mann, Terrence Malick, Akira Kurosawa, Ingmar Bergman and Mike Leigh, among others. We're personally hoping that eventually "Birdman's" Alejandro G. Iñárritu, "Boyhood's" Richard Linklater and "The Grand Budapest Hotel's" Wes Anderson make it off that list, but only one will join the winner's club Sunday night. Last year the Academy faced a similar quandary between the incredible work of Alfonso Cuarón ("Gravity") and Steve McQueen ("12 Years A Slave"). Eventually, Cuarón distanced himself from his contemporary and his win was "expected." That's truly not the case this season. Linklater has earned raves for his 12-year journey making "Boyhood" since it debuted at the 2014 Sundance Film Festival over a year ago.
- 2/20/2015
- by Gregory Ellwood
- Hitfix
The Oscar-winning director of 12 Years a Slave has pushed back the boundaries of film because of the fearlessness that comes with a background in art
When the director Steve McQueen was an art student learning basic film-making skills at Goldsmiths College, London, he joked he was already aiming for the time when his name would eclipse that of his glamorous namesake, star of The Great Escape and Bullitt. "One day," he told his tutor, Professor Will Brooker, "when people talk about Steve McQueen, I am going to be the first person they think of."
Now, with an Oscar for his film 12 Years a Slave, the transition from Turner prizewinning artist to celebrated director has been made in style. It is a path to cinematography also taken by the British artist Sam Taylor-Wood, nominated for a Turner prize in 1998 and now editing her high-profile film of the erotic bestseller Fifty Shades of Grey.
When the director Steve McQueen was an art student learning basic film-making skills at Goldsmiths College, London, he joked he was already aiming for the time when his name would eclipse that of his glamorous namesake, star of The Great Escape and Bullitt. "One day," he told his tutor, Professor Will Brooker, "when people talk about Steve McQueen, I am going to be the first person they think of."
Now, with an Oscar for his film 12 Years a Slave, the transition from Turner prizewinning artist to celebrated director has been made in style. It is a path to cinematography also taken by the British artist Sam Taylor-Wood, nominated for a Turner prize in 1998 and now editing her high-profile film of the erotic bestseller Fifty Shades of Grey.
- 3/9/2014
- by Vanessa Thorpe
- The Guardian - Film News
These days especially, what matters in a three-and-a-half hour awards show like Sunday's 86th annual Academy Awards is not who won or lost -- though the victories for Steve McQueen's "12 Years a Slave" and Alfonso Cuaron's "Gravity" seemed to be part of history in the making -- but which moments were most likely to go viral.
In case you missed the Ellen DeGeneres-hosted extravaganza -- or nodded off at some point during its 212 minutes -- here are the best and worst of the evening's memorable moments.
Best DeGeneres Opening Monologue Joke
Poking fun at Hollywood vanities and neuroses, she said, "I'm not saying movies are the most important thing in the world, because we all know the most important thing in the world is youth. But really, we know that the most important thing in life is love and friendship and family. And if people don't have those things,...
In case you missed the Ellen DeGeneres-hosted extravaganza -- or nodded off at some point during its 212 minutes -- here are the best and worst of the evening's memorable moments.
Best DeGeneres Opening Monologue Joke
Poking fun at Hollywood vanities and neuroses, she said, "I'm not saying movies are the most important thing in the world, because we all know the most important thing in the world is youth. But really, we know that the most important thing in life is love and friendship and family. And if people don't have those things,...
- 3/3/2014
- by Gary Susman
- Moviefone
The veteran performer never considered another profession, yet remained a background fixture in films for years. Now, in her ninth decade, the Nebraska star is up for her first Oscar
"I've met Idris Elba," says June Squibb, an edge of giddiness in her voice. "I've met Lupita [Nyong'o] and now we're friends. She's so sweet, a darling girl. I went up to her at a party and said: 'I'm June Squibb and we're in this together so I thought I should introduce myself.' Julia Roberts came and introduced herself to me – she's up for supporting this time around for Osage County." The day before we meet, Squibb went to the nominees' lunch. "All 270 of us got our picture taken together. I was right by Steve McQueen!"
Squibb, 84, but feeling like a first-timer, is nominated for best supporting actress this year for her diamond-sharp role in Alexander Payne's melancholy road movie Nebraska.
"I've met Idris Elba," says June Squibb, an edge of giddiness in her voice. "I've met Lupita [Nyong'o] and now we're friends. She's so sweet, a darling girl. I went up to her at a party and said: 'I'm June Squibb and we're in this together so I thought I should introduce myself.' Julia Roberts came and introduced herself to me – she's up for supporting this time around for Osage County." The day before we meet, Squibb went to the nominees' lunch. "All 270 of us got our picture taken together. I was right by Steve McQueen!"
Squibb, 84, but feeling like a first-timer, is nominated for best supporting actress this year for her diamond-sharp role in Alexander Payne's melancholy road movie Nebraska.
- 2/28/2014
- by John Patterson
- The Guardian - Film News
We’re back! After a week off in Park City, What to Watch is back with 8 movies for you to check out at your local Blu-ray shop or download on your favorite streaming service. Some great variety this week, including a fantastic On Demand debut starring Elijah Wood & John Cusack, a few classics, and a couple of current Oscar nominees.
Grand Piano
Photo credit: Magnet
“Grand Piano”
We’re going to try and lead each What to Watch with the most interesting new film available exclusively On Demand and this week’s is a gem for all of you who wish Brian De Palma made more movies like he did in the ’70s and ’80s. Elijah Wood plays a famous pianist doing a tribute show to his deceased mentor. He sees a note on his sheet music that if he misses a key, he’ll be shot by a sniper...
Grand Piano
Photo credit: Magnet
“Grand Piano”
We’re going to try and lead each What to Watch with the most interesting new film available exclusively On Demand and this week’s is a gem for all of you who wish Brian De Palma made more movies like he did in the ’70s and ’80s. Elijah Wood plays a famous pianist doing a tribute show to his deceased mentor. He sees a note on his sheet music that if he misses a key, he’ll be shot by a sniper...
- 1/28/2014
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Steve McQueen deserves every gong going for his unflinching portrayal of slavery
While it is not the role of critics to tell people which films to see and which to avoid (audiences make those decisions for themselves), let me begin by saying that if you have any interest in cinema – or, for that matter, in art, economics, politics, drama, literature or history – then you need to watch 12 Years a Slave. If, as now seems possible, this very powerful film from British director Steve McQueen achieves a clean sweep in the forthcoming best picture categories, it will be a rare example of awards ceremonies getting it right.
That McQueen may be on the verge of becoming not only the first black film-maker to win an Oscar for best director, but the first to do so while in possession of a Turner prize, lends enough historical precedent to merit your attention. But...
While it is not the role of critics to tell people which films to see and which to avoid (audiences make those decisions for themselves), let me begin by saying that if you have any interest in cinema – or, for that matter, in art, economics, politics, drama, literature or history – then you need to watch 12 Years a Slave. If, as now seems possible, this very powerful film from British director Steve McQueen achieves a clean sweep in the forthcoming best picture categories, it will be a rare example of awards ceremonies getting it right.
That McQueen may be on the verge of becoming not only the first black film-maker to win an Oscar for best director, but the first to do so while in possession of a Turner prize, lends enough historical precedent to merit your attention. But...
- 1/12/2014
- by Mark Kermode
- The Guardian - Film News
This is another edition of Short Starts, where we present a weekly short film(s) from the start of a filmmaker or actor’s career. Before he started making features, like his new release 12 Years a Slave, Steve McQueen was a celebrated visual artist known primarily for film installations. His “short start” was 20 years ago with a 10-minute work called Bear, in which he and another black man wrestled in the nude. After that, he made the shorts Five Easy Pieces (1995), Just Above My Head (1996), Exodus (1997) and Deadpan (1997), the last of which involved a recreation of Buster Keaton’s famous falling house facade stunt from Steamboat Bill Jr. You can see an excerpt of that film, with McQueen pulling off the dangerous bit himself, here. While many of his shorts can be seen in the occasional museum exhibit, most are otherwise pretty rare. Meaning not available to be viewed online. There...
- 10/20/2013
- by Christopher Campbell
- FilmSchoolRejects.com
Browse all the sections of the 57th London Film Festival (Oct 9-20) including the galas, competition titles and individual sections.
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
- 9/4/2013
- ScreenDaily
The 57th BFI London Film Festival line-up has officially been revealed, and it is led by a slew of incredibly promising films, many of which have already been buzzing on the festival circuit, and a number of which will be making their debuts here in London.
As previously announced, Paul Greengrass’ Captain Phillips will open the festival next month, and John Lee Hancock’s Saving Mr. Banks will close it, book-ending the festival with Tom Hanks leading two highly prominent, Oscar-primed movies.
Stephen Frears’ Philomena was also previously announced as the Lff American Express Gala, with The Epic of Everest announced as the Lff Archive Gala.
And leading the line-up alongside them this year will be some of the most Oscar-buzzed movies of 2013, including Steve McQueen’s 12 Years a Slave, Jason Reitman’s Labor Day, Alfonso Cuarón’s Gravity (in 3D), Joel and Ethan Coen’s Inside Llewyn Davis, Terry Gilliam’s The Zero Theorem,...
As previously announced, Paul Greengrass’ Captain Phillips will open the festival next month, and John Lee Hancock’s Saving Mr. Banks will close it, book-ending the festival with Tom Hanks leading two highly prominent, Oscar-primed movies.
Stephen Frears’ Philomena was also previously announced as the Lff American Express Gala, with The Epic of Everest announced as the Lff Archive Gala.
And leading the line-up alongside them this year will be some of the most Oscar-buzzed movies of 2013, including Steve McQueen’s 12 Years a Slave, Jason Reitman’s Labor Day, Alfonso Cuarón’s Gravity (in 3D), Joel and Ethan Coen’s Inside Llewyn Davis, Terry Gilliam’s The Zero Theorem,...
- 9/4/2013
- by Kenji Lloyd
- HeyUGuys.co.uk
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