Buenos Aires — Lucia and Julia Meik’s Buenos Aires boutique sales company Meikincine has acquired international sales rights to two of the more mainstream Argentine propositions at this year’s Ventana Sur: Andy Caballero and Diego Corsini’s “Just Love,” and “Re Loca,” the Argentine remake of Chile’s “Sin Filtro.”
The “Re Loca” deal is for world rights outside Latin America, where Paramount will handle distribution, as previously announced.
Teen comedy-musical “Solo el Amor” (“Just Love”) turns on the across-the-tracks romance between a pop band lead singer-writer Noah and Emma, a young over-achiever female lawyer, who literally bump into each other. Their love gives Noah’s songs an authentic edge they previously lacked. But Noah’s fame, millions of online followers and manipulating manager threaten to wreck their passionate affair. Can “just love” pull them through?
Making its market debut at Ventana Sur on Dec. 12, “Just Love” stars 24-year-old Franco Masini,...
The “Re Loca” deal is for world rights outside Latin America, where Paramount will handle distribution, as previously announced.
Teen comedy-musical “Solo el Amor” (“Just Love”) turns on the across-the-tracks romance between a pop band lead singer-writer Noah and Emma, a young over-achiever female lawyer, who literally bump into each other. Their love gives Noah’s songs an authentic edge they previously lacked. But Noah’s fame, millions of online followers and manipulating manager threaten to wreck their passionate affair. Can “just love” pull them through?
Making its market debut at Ventana Sur on Dec. 12, “Just Love” stars 24-year-old Franco Masini,...
- 12/10/2018
- by John Hopewell
- Variety Film + TV
It's a well-known fact that Iberoamerican cinema, which includes Latin American, Spanish, and Portuguese productions, has had a prominent presence at the most important international film festivals for several years now and several films have been recognized at some of the most important film awards around the world. Colombia's "Embrace of the Serpent" earning the country's first-ever Oscar nomination in the Best Foreign Language Film category and Argentina's "Wild Tales" taking home the 2016 BAFTA Award for Best Film Not in English Language are juts two examples of recent victories.
Acknowledging the need for a unified industry in the region and a platform for the Iberoamerican industry to honor and support its own productions, the Premios Platino of Iberoamerican Cinema were born three years ago. Each year the organizing committee selects a diverse group of nominees and invites members of the industry across the American continent and the Iberian peninsula to vote in order to select the winners. The ceremony takes place in a different country every year as a way to include all of the varied industries in the process and execution of the event.
This morning, after considering more than 150 films from a pool of over 800 theatrically releases productions, the final nominees were announced by a group of talented actors, including legendary Mexican-American thespian Edward James Olmos, and filmmakers led by CNN en Español's journalist Juan Carlos Arciniegas. Guatemala's Berlin-winning gem "Ixcanul" received 8 nominations, just as Colombia's Oscar-nominated "Embrace of the Serpent" did. These two gorgeously executed works center on indigenous stories and highlight the rich cultural heritage of Latin America. It's a pleasant surprise to see these two fantastic films get the most love.
Chile's "The Club" and Argentina's "The Clan," films by the two most prolific Pablos working in South America, Pablo Larrain and Pablo Trapero, received 6 nominations each. Larrain's dark tale about Catholic priests with questionable pasts was also nominated this year for a Golden Globe in the Best Foreign Language Film category. Perhaps one of the most surprising, yet well-deserved nominations, was the inclusion of Alonso Ruizpalacios among the Best Director nominees for his brilliant debut "Güeros."
Two films distributed by Pantelion received nomations: "600 Miles" and "Un Gallo con Muchos Huevos." Oscilloscope earned 10 mentions with properties "Ma Ma" and "Embrace of the Serpent." Kino Lorber's "Ixcanul, ""Güeros," and "The Pearl Button" also earned the art house distributor 10 nominations.
Regarding the quality of the films being produced in Iberoamerica Egeda's Elvi Cano said, “This has been an exceptional year for Iberoamerican Cinema, with 826 qualifying releases. Iberoamerican Cinema is alive, growing and stronger then ever.” Renowned journalist and host Juan Carlos Arciniegas added," These awards are starting a revolution and it's my dream, as an ambassador for Premios Platino, that these magnificent films that got nominated today to be seen by all our Iberoamerican audiences. I can't be more proud of what our filmmakers are doing today and if the public don't get to enjoy them, we won't be doing our job"
The 3rd Annual Premios Platino of Iberoamerican Cinema will take place on July 24th in Punta del Este, Uruguay
Here is the full list of nominees:
Premio Platino for Best Iberoamerican Picture
-"Embrace of the Serpent" (El abrazo de la serpiente), by Ciro Guerra (Ciudad Lunar Producciones, Caracol Cine, Dago García Producciones, Nortesur Producciones S.A., Mc Producciones, Buffalo Films) (Colombia, Venezuela, Argentina).
-"The Clan" (El clan), by Pablo Trapero (Kramer & Sigman Films, Matanza Cine S.R.L., El Deseo, P.C., S.A.) (Argentina, Spain).
-"The Club" (El club), by Pablo Larraín (Fabula Producciones) (Chile).
-"Ixcanul," by Jayro Bustamante (La Casa de Producción, Tu vas voir Productions) (Guatemala).
-"Truman," by Cesc Gay (Imposible Films S.L., Truman Film A.I.E., Bd Cine S.R.L) (Spain, Argentina).
Premio Platino for Best Director
-Alonso Ruizpalacios, for "Güeros."
-Cesc Gay, for "Truman."
-Ciro Guerra, for "Embrace of the Serpent" (El abrazo de la serpiente).
Pablo Larraín, for "The Club" (El club).
Pablo Trapero, for "The Clan" (El clan).
Premio Platino for Best Actor
-Alfredo Castro, for "The Club" (El club).
-Damián Alcázar, for "Magallanes."
-Guillermo Francella, for "The Clan" (El clan).
-Javier Cámara, for "Truman."
-Ricardo Darín, for "Truman."
Premio Platino for Best Actress
-Antonia Zegers, for "The Club" (El club).
-Dolores Fonzi, for "Paulina."
-Elena Anaya, for "The Memory of Water" (La memoria del agua).
-Inma Cuesta, for "The Bride" (La novia).
-Penélope Cruz, for "Ma Ma."
Premio Platino for Best Original Score
-Alberto Iglesias, for "Ma Ma."
-Federico Jusid, for "Magallanes."
-Lucas Vidal, for "Nobody Wants the Night" (Nadie quiere la noche).
-Nascuy Linares, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Pascual Reyes, for "Ixcanul."
Premio Platino for Best Animated Feature Film
-"Capture the Flag" (Atrapa la bandera), by Enrique Gato (Telecinco Cinema S.A., Los Rockets La Película A.I.E., Telefónica Studios S.L.U., 4 Cats Pictures S.L., Ikiru Films S.L., Lightbox Animation Studios S.L.) (Spain).
-"Top Cat Begins" (Don Gato 2: El inicio de la pandilla), by Andrés Couturier (Anima Estudios) (Mexico).
-"El Americano", by Ricardo Arnaiz, Mike Kunkel (Olmos Productions, Phil Roman Entertainment, Animex) (Mexico).
-"Amila's Secret" (El secreto de Amila), by Gorka Vázquez (Baleuko, S.L., Talape Animazioa, Draftoon Animation) (Spain, Argentina).
-"Huevos: Little Rooster's Egg-Cellent Adventure" (Un gallo con muchos huevos), by Gabriel Riva Palacio Alatriste, Rodolfo Riva Palacio Alatriste (Huevocartoon Producciones) (Mexico).
Premio Platino for Best Documentary Feature Film
-"Beyond My Grandfather Allende" (Allende mi abuelo Allende), by Marcia Tambutti Allende (Errante Producciones Ltda, Martfilms) (Chile, Mexico).
-"New Girls 24 Hours" (Chicas nuevas 24 horas), by Mabel Lozano (Mafalda Entertainment, S.L., Aleph Media S.A., Puatarará Films, Hangar Films, Arte Vital) (Spain, Argentina, Paraguay, Colombia, Peru).
-"The Pearl Button" (El botón de nácar), by Patricio Guzmán (Atacama Productions, Valdivia Film, France 3 Cinema, Mediaproduccion, S.L.) (Chile, Spain).
-"Tea Time" (La once), by Maite Alberdi (Micromundo Producciones) (Chile).
-"The Propaganda Game," by Álvaro Longoria (Morena Films S. L.) (Spain).
Premio Platino for Best Screenplay
-Cesc Gay, Tomás Aragay, for "Truman."
-Ciro Guerra, Jacques Toulemonde, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Jayro Bustamante, for "Ixcanul."
-Pablo Larraín, Guillermo Calderón, Daniel Villalobos; for "The Club" (El club).
-Salvador del Solar, for "Magallanes."
Premio Platino for Best Iberoamerican Debut Feature Film
-"600 Miles" (600 Millas), by Gabriel Ripstein (Lucia Films) (Mexico).
- "Retribution" (El desconocido), by Dani de la Torre (Atresmedia Cine S. L., Vaca Films Studio, S.L.) (Spain).
-"The Boss, Anatomy of a Crime" (El patrón: radiografía de un crimen), by Sebastián Schindel (Magoya Films S.A., Estrella Films) (Argentina, Venezuela).
-"Ixcanul," by Jayro Bustamante (La Casa de Producción, Tu vas voir Productions) (Guatemala).
-"Magallanes," by Salvador del Solar (Péndulo Films, Tondero Producciones, Cepa Audiovisual S.R.L., Proyectil, Cinemara, Nephilim Producciones, S.L.) (Peru, Colombia, Argentina, Spain).
Premio Platino for Best Film Editing
-César Díaz, for "Ixcanul."
-Eric Williams, for "Magallanes."
-Etienne Boussac, Cristina Gallego, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Jorge Coira, for "Retribution" (El desconocido).
-Pablo Trapero, Alejandro Carrillo Penovi, for "The Clan" (El clan).
Premio Platino for Best Art Direction
-Angélica Perea, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Bruno Duarte, Artur Pinheiro, for "Arabian Nights: Vol.2 - The Desolate One" (As mil e uma noites: Volume 2, O desolado).
-Jesús Bosqued Maté, Pilar Quintana, for "The Bride" (La novia).
-Pilar Peredo, for "Ixcanul."
-Sebastián Orgambide, for "The Clan" (El clan).
Premio Platino for Best Cinematography
-Arnaldo Rodríguez, for "The Memory of Water" (La memoria del agua).
-David Gallego, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Luis Armando Arteaga, for "Ixcanul."
-Miguel Ángel Amoedo, for "The Bride" (La novia).
-Sergio Armstrong, for "The Club" (El club).
Premio Platino for Best Sound Direction
-Carlos García, Marco Salavarría, for "Embrace of the Serpent" (El abrazo de la serpiente).
-David Machado, Jaime Fernández, Nacho Arenas, for "Retribution" (El desconocido).
-Eduardo Cáceres, Julien Cloquet, for "Ixcanul."
-Federico Esquerro, Santiago Fumagalli, Edson Secco, for "Paulina."
-Vicente D’Elía, Leandro de Loredo, for "The Clan" (El clan).
Acknowledging the need for a unified industry in the region and a platform for the Iberoamerican industry to honor and support its own productions, the Premios Platino of Iberoamerican Cinema were born three years ago. Each year the organizing committee selects a diverse group of nominees and invites members of the industry across the American continent and the Iberian peninsula to vote in order to select the winners. The ceremony takes place in a different country every year as a way to include all of the varied industries in the process and execution of the event.
This morning, after considering more than 150 films from a pool of over 800 theatrically releases productions, the final nominees were announced by a group of talented actors, including legendary Mexican-American thespian Edward James Olmos, and filmmakers led by CNN en Español's journalist Juan Carlos Arciniegas. Guatemala's Berlin-winning gem "Ixcanul" received 8 nominations, just as Colombia's Oscar-nominated "Embrace of the Serpent" did. These two gorgeously executed works center on indigenous stories and highlight the rich cultural heritage of Latin America. It's a pleasant surprise to see these two fantastic films get the most love.
Chile's "The Club" and Argentina's "The Clan," films by the two most prolific Pablos working in South America, Pablo Larrain and Pablo Trapero, received 6 nominations each. Larrain's dark tale about Catholic priests with questionable pasts was also nominated this year for a Golden Globe in the Best Foreign Language Film category. Perhaps one of the most surprising, yet well-deserved nominations, was the inclusion of Alonso Ruizpalacios among the Best Director nominees for his brilliant debut "Güeros."
Two films distributed by Pantelion received nomations: "600 Miles" and "Un Gallo con Muchos Huevos." Oscilloscope earned 10 mentions with properties "Ma Ma" and "Embrace of the Serpent." Kino Lorber's "Ixcanul, ""Güeros," and "The Pearl Button" also earned the art house distributor 10 nominations.
Regarding the quality of the films being produced in Iberoamerica Egeda's Elvi Cano said, “This has been an exceptional year for Iberoamerican Cinema, with 826 qualifying releases. Iberoamerican Cinema is alive, growing and stronger then ever.” Renowned journalist and host Juan Carlos Arciniegas added," These awards are starting a revolution and it's my dream, as an ambassador for Premios Platino, that these magnificent films that got nominated today to be seen by all our Iberoamerican audiences. I can't be more proud of what our filmmakers are doing today and if the public don't get to enjoy them, we won't be doing our job"
The 3rd Annual Premios Platino of Iberoamerican Cinema will take place on July 24th in Punta del Este, Uruguay
Here is the full list of nominees:
Premio Platino for Best Iberoamerican Picture
-"Embrace of the Serpent" (El abrazo de la serpiente), by Ciro Guerra (Ciudad Lunar Producciones, Caracol Cine, Dago García Producciones, Nortesur Producciones S.A., Mc Producciones, Buffalo Films) (Colombia, Venezuela, Argentina).
-"The Clan" (El clan), by Pablo Trapero (Kramer & Sigman Films, Matanza Cine S.R.L., El Deseo, P.C., S.A.) (Argentina, Spain).
-"The Club" (El club), by Pablo Larraín (Fabula Producciones) (Chile).
-"Ixcanul," by Jayro Bustamante (La Casa de Producción, Tu vas voir Productions) (Guatemala).
-"Truman," by Cesc Gay (Imposible Films S.L., Truman Film A.I.E., Bd Cine S.R.L) (Spain, Argentina).
Premio Platino for Best Director
-Alonso Ruizpalacios, for "Güeros."
-Cesc Gay, for "Truman."
-Ciro Guerra, for "Embrace of the Serpent" (El abrazo de la serpiente).
Pablo Larraín, for "The Club" (El club).
Pablo Trapero, for "The Clan" (El clan).
Premio Platino for Best Actor
-Alfredo Castro, for "The Club" (El club).
-Damián Alcázar, for "Magallanes."
-Guillermo Francella, for "The Clan" (El clan).
-Javier Cámara, for "Truman."
-Ricardo Darín, for "Truman."
Premio Platino for Best Actress
-Antonia Zegers, for "The Club" (El club).
-Dolores Fonzi, for "Paulina."
-Elena Anaya, for "The Memory of Water" (La memoria del agua).
-Inma Cuesta, for "The Bride" (La novia).
-Penélope Cruz, for "Ma Ma."
Premio Platino for Best Original Score
-Alberto Iglesias, for "Ma Ma."
-Federico Jusid, for "Magallanes."
-Lucas Vidal, for "Nobody Wants the Night" (Nadie quiere la noche).
-Nascuy Linares, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Pascual Reyes, for "Ixcanul."
Premio Platino for Best Animated Feature Film
-"Capture the Flag" (Atrapa la bandera), by Enrique Gato (Telecinco Cinema S.A., Los Rockets La Película A.I.E., Telefónica Studios S.L.U., 4 Cats Pictures S.L., Ikiru Films S.L., Lightbox Animation Studios S.L.) (Spain).
-"Top Cat Begins" (Don Gato 2: El inicio de la pandilla), by Andrés Couturier (Anima Estudios) (Mexico).
-"El Americano", by Ricardo Arnaiz, Mike Kunkel (Olmos Productions, Phil Roman Entertainment, Animex) (Mexico).
-"Amila's Secret" (El secreto de Amila), by Gorka Vázquez (Baleuko, S.L., Talape Animazioa, Draftoon Animation) (Spain, Argentina).
-"Huevos: Little Rooster's Egg-Cellent Adventure" (Un gallo con muchos huevos), by Gabriel Riva Palacio Alatriste, Rodolfo Riva Palacio Alatriste (Huevocartoon Producciones) (Mexico).
Premio Platino for Best Documentary Feature Film
-"Beyond My Grandfather Allende" (Allende mi abuelo Allende), by Marcia Tambutti Allende (Errante Producciones Ltda, Martfilms) (Chile, Mexico).
-"New Girls 24 Hours" (Chicas nuevas 24 horas), by Mabel Lozano (Mafalda Entertainment, S.L., Aleph Media S.A., Puatarará Films, Hangar Films, Arte Vital) (Spain, Argentina, Paraguay, Colombia, Peru).
-"The Pearl Button" (El botón de nácar), by Patricio Guzmán (Atacama Productions, Valdivia Film, France 3 Cinema, Mediaproduccion, S.L.) (Chile, Spain).
-"Tea Time" (La once), by Maite Alberdi (Micromundo Producciones) (Chile).
-"The Propaganda Game," by Álvaro Longoria (Morena Films S. L.) (Spain).
Premio Platino for Best Screenplay
-Cesc Gay, Tomás Aragay, for "Truman."
-Ciro Guerra, Jacques Toulemonde, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Jayro Bustamante, for "Ixcanul."
-Pablo Larraín, Guillermo Calderón, Daniel Villalobos; for "The Club" (El club).
-Salvador del Solar, for "Magallanes."
Premio Platino for Best Iberoamerican Debut Feature Film
-"600 Miles" (600 Millas), by Gabriel Ripstein (Lucia Films) (Mexico).
- "Retribution" (El desconocido), by Dani de la Torre (Atresmedia Cine S. L., Vaca Films Studio, S.L.) (Spain).
-"The Boss, Anatomy of a Crime" (El patrón: radiografía de un crimen), by Sebastián Schindel (Magoya Films S.A., Estrella Films) (Argentina, Venezuela).
-"Ixcanul," by Jayro Bustamante (La Casa de Producción, Tu vas voir Productions) (Guatemala).
-"Magallanes," by Salvador del Solar (Péndulo Films, Tondero Producciones, Cepa Audiovisual S.R.L., Proyectil, Cinemara, Nephilim Producciones, S.L.) (Peru, Colombia, Argentina, Spain).
Premio Platino for Best Film Editing
-César Díaz, for "Ixcanul."
-Eric Williams, for "Magallanes."
-Etienne Boussac, Cristina Gallego, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Jorge Coira, for "Retribution" (El desconocido).
-Pablo Trapero, Alejandro Carrillo Penovi, for "The Clan" (El clan).
Premio Platino for Best Art Direction
-Angélica Perea, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Bruno Duarte, Artur Pinheiro, for "Arabian Nights: Vol.2 - The Desolate One" (As mil e uma noites: Volume 2, O desolado).
-Jesús Bosqued Maté, Pilar Quintana, for "The Bride" (La novia).
-Pilar Peredo, for "Ixcanul."
-Sebastián Orgambide, for "The Clan" (El clan).
Premio Platino for Best Cinematography
-Arnaldo Rodríguez, for "The Memory of Water" (La memoria del agua).
-David Gallego, for "Embrace of the Serpent" (El abrazo de la serpiente).
-Luis Armando Arteaga, for "Ixcanul."
-Miguel Ángel Amoedo, for "The Bride" (La novia).
-Sergio Armstrong, for "The Club" (El club).
Premio Platino for Best Sound Direction
-Carlos García, Marco Salavarría, for "Embrace of the Serpent" (El abrazo de la serpiente).
-David Machado, Jaime Fernández, Nacho Arenas, for "Retribution" (El desconocido).
-Eduardo Cáceres, Julien Cloquet, for "Ixcanul."
-Federico Esquerro, Santiago Fumagalli, Edson Secco, for "Paulina."
-Vicente D’Elía, Leandro de Loredo, for "The Clan" (El clan).
- 5/27/2016
- by Carlos Aguilar
- Sydney's Buzz
The Academia de las Artes y Ciencias Cinematográficas de España has announced the nominees for the 30th edition of the Goya Awards, to be presented on February 6.
The finalist with most nominations is "La Novia" (The Bride) , which had its world premiere in the Zabaltegi section at the last edition of the San Sebastian Festival. The film by Paula Ortiz is nominated in twelve categories: Best Film, Best Director, Best Actress (Inma Cuesta), Best Actor (Asier Etxeandia), Best Supporting Actress (Luisa Gavasa), Best New Actor (Álex García), Best Adapted Screenplay, Best Original Music, Best Sound, Best Cinematography, Best Art Direction and Best Makeup and/or Hairstyles.
"Truman," the film by Cesc Gay which competed in the Official Selection and won the best actor award for Ricardo Darin and Javier Cámara at the last edition, earned six nominations: Best film, Best Director, Best Actor (Ricardo Darin), Best Supporting Actor (Javier Cámara), Best Original Screenplay and Best Editing.
The winner of the best actress award at the last Festival, Yordanka Ariosa for Agustí Villaronga’s "El Rey de La Habana" (The King of Havana), received a Best New Actress nomination alongside another two in the Best Cinematography and Best Adapted Screenplay categories.
Another two titles screened in the Official Selection have landed nominations: "Amama" (When a Tree Falls) for Best New Actress (Iraia Elias), and the film by Álex de la Iglesia, "Mi Gran Noche" (My Big Night) , premiered out of competition, which competes for the Best Art Director, Best Costume Design, Best Sound and Best Special Effects Goya Awards.
Another two titles that premiered in this year’s Zabaltegi section are also among the finalists. Álvaro Longoria’s "The Propaganda Game" is nominated for best documentary, while Fernando Colomo competes for the best new actor award with his movie "Isla Bonita."
Dani de la Torre’s "El Desconocido" (Retribution) , screened in the Velodrome section, garnered eight candidacies: Best New Director, Best Actor (Luis Tosar), Best Supporting Actress (Elvira Mínguez), Best Original Screenplay, Best Production Supervision, Best Editing, Best Sound and Best Special Effects.
Furthermore, Borja Cobeaga's "Negociador" (Negociator), which premiered in the Zabaltegi section at the 62nd edition of the Festival, landed a nomination for Best Original Screenplay.
"Un Otoño Sin Berlin" (An Autumn without Berlin) by Lara Izagirre, opening film of the Zinemira section, also got a nomination for Best new Actress for Irene Escolar.
Two films that also screened at the San Sebastian Festival compete for the Best Foreign Film in the Spanish Language Award: Pablo Trapero’s "El Clan" (The Clan) screened in the Pearls section following its premiere at the Venice Festival; and Salvador del Solar’s "Magallanes" winner of the Films in Progress Award at the 62nd edition of the Festival, before going on to form part of this year’s Horizontes Latinos selection.
Another three nominated were programmed as part of the Made in Spain section, following their premiere at the Malaga Festival: Daniel Guzmán’s "A Cambio de Nada" (Nothing in Return) , with six nominations, Leticia Dolera’s "Requisitos Para Ser Una Persona Normal," with three candidacies and Gracia Querejeta’s "Felices 140" (Happy 140) , which competes for two awards.
The finalist with most nominations is "La Novia" (The Bride) , which had its world premiere in the Zabaltegi section at the last edition of the San Sebastian Festival. The film by Paula Ortiz is nominated in twelve categories: Best Film, Best Director, Best Actress (Inma Cuesta), Best Actor (Asier Etxeandia), Best Supporting Actress (Luisa Gavasa), Best New Actor (Álex García), Best Adapted Screenplay, Best Original Music, Best Sound, Best Cinematography, Best Art Direction and Best Makeup and/or Hairstyles.
"Truman," the film by Cesc Gay which competed in the Official Selection and won the best actor award for Ricardo Darin and Javier Cámara at the last edition, earned six nominations: Best film, Best Director, Best Actor (Ricardo Darin), Best Supporting Actor (Javier Cámara), Best Original Screenplay and Best Editing.
The winner of the best actress award at the last Festival, Yordanka Ariosa for Agustí Villaronga’s "El Rey de La Habana" (The King of Havana), received a Best New Actress nomination alongside another two in the Best Cinematography and Best Adapted Screenplay categories.
Another two titles screened in the Official Selection have landed nominations: "Amama" (When a Tree Falls) for Best New Actress (Iraia Elias), and the film by Álex de la Iglesia, "Mi Gran Noche" (My Big Night) , premiered out of competition, which competes for the Best Art Director, Best Costume Design, Best Sound and Best Special Effects Goya Awards.
Another two titles that premiered in this year’s Zabaltegi section are also among the finalists. Álvaro Longoria’s "The Propaganda Game" is nominated for best documentary, while Fernando Colomo competes for the best new actor award with his movie "Isla Bonita."
Dani de la Torre’s "El Desconocido" (Retribution) , screened in the Velodrome section, garnered eight candidacies: Best New Director, Best Actor (Luis Tosar), Best Supporting Actress (Elvira Mínguez), Best Original Screenplay, Best Production Supervision, Best Editing, Best Sound and Best Special Effects.
Furthermore, Borja Cobeaga's "Negociador" (Negociator), which premiered in the Zabaltegi section at the 62nd edition of the Festival, landed a nomination for Best Original Screenplay.
"Un Otoño Sin Berlin" (An Autumn without Berlin) by Lara Izagirre, opening film of the Zinemira section, also got a nomination for Best new Actress for Irene Escolar.
Two films that also screened at the San Sebastian Festival compete for the Best Foreign Film in the Spanish Language Award: Pablo Trapero’s "El Clan" (The Clan) screened in the Pearls section following its premiere at the Venice Festival; and Salvador del Solar’s "Magallanes" winner of the Films in Progress Award at the 62nd edition of the Festival, before going on to form part of this year’s Horizontes Latinos selection.
Another three nominated were programmed as part of the Made in Spain section, following their premiere at the Malaga Festival: Daniel Guzmán’s "A Cambio de Nada" (Nothing in Return) , with six nominations, Leticia Dolera’s "Requisitos Para Ser Una Persona Normal," with three candidacies and Gracia Querejeta’s "Felices 140" (Happy 140) , which competes for two awards.
- 12/15/2015
- by Sydney Levine
- Sydney's Buzz
Magallanes
Directed by Salvador del Solar
Peru, 2015
Philadelphia Film Festival
Magallanes (Damián Alcázar), a struggling cab driver, also doubles as the caretaker of his former colonel from the troubled Shining Path period in Peru. When a woman from his past gets into his taxi he concocts an elaborate blackmail scheme.
There’s some complex plotting in Magallanes, and some of the more intricate ironies, which come to the fore towards the end of the second act, are deeply satisfying. Ostensibly a film about denial, Magallanes’ truest motivations are kept expertly hidden, and his ultimate payoff – a reminder of a horrific event – is no exception.
Del Solar includes plot points that, depending on how tightly woven the film should be, are either missed opportunities or nice red herrings: a couple of disgruntled, underpaid thieves who seem certain to come back violently; secret smiles from cops who always seem to know more than they do.
Directed by Salvador del Solar
Peru, 2015
Philadelphia Film Festival
Magallanes (Damián Alcázar), a struggling cab driver, also doubles as the caretaker of his former colonel from the troubled Shining Path period in Peru. When a woman from his past gets into his taxi he concocts an elaborate blackmail scheme.
There’s some complex plotting in Magallanes, and some of the more intricate ironies, which come to the fore towards the end of the second act, are deeply satisfying. Ostensibly a film about denial, Magallanes’ truest motivations are kept expertly hidden, and his ultimate payoff – a reminder of a horrific event – is no exception.
Del Solar includes plot points that, depending on how tightly woven the film should be, are either missed opportunities or nice red herrings: a couple of disgruntled, underpaid thieves who seem certain to come back violently; secret smiles from cops who always seem to know more than they do.
- 11/3/2015
- by Neal Dhand
- SoundOnSight
2015 has been a busy year for Peruvian cinema. A record-breaking 30 films will have opened in theaters by the time December rolls around; some have been better received than others. There's the box office smash of Asu Mare 2, starring Carlos Alcántara, who later got lost in the jungle in Lusers, also starring Chile's Felipe Izquierdo and Argentina's Pablo Granados. We've also had the likes of horror sequel Cementerio General 2 from director Dorian Fernandez-Moris, his fourth film in two years; and there's also been some low-key, more personal films such as Enrica Pérez's Climas, Héctor Gálvez's forensic drama Nn -- our representative in the Best Foreign Film race at next year's Oscars -- and actor Salvador del Solar's directing debut, Magallanes. While not...
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- 10/20/2015
- Screen Anarchy
Though it’s a harder film festival to regulate and therefore tabulate a comprehensively genuine list reflecting the totality of the fest’s offering per any individual’s perspective, the Toronto Film Festival manages to be a healthy platform for new and developing voices for those willing to sift through the multitude of titles. Of course, many new exciting voices were present that debuted at earlier film festivals, like Berlin, Sundance, and Cannes. From Guy Maddin’s co-director Evan Johnson on The Forbidden Room and Josh Mond’s stunning debut James White out of Sundance, to notable Cannes berths like Laszlo Nemes of Son of Saul, Deniz Gamz Erguven of Mustang, and Thomas Bidegain’s Les Cowboys, 2015 brought a wide variety of new filmmakers to light. In deliberating the Top Ten New Voices out of Tiff, we focused on offerings either unique to the festival or near concurrent premieres with Locarno and Venice.
- 10/12/2015
- by Nicholas Bell
- IONCINEMA.com
On the Horizon of Redemption: Del Solar’s Impressive Debut a Historically Relevant Neo-Noir
The sins of the recent past infect Peruvian actor Salvador del Solar’s stellar directorial debut, Magallanes, based on the novel La Pasajera by Alonso Cueto (Black Butterfly, 2006). A rich tapestry of characters involved in a compelling and nasty case of blackmail enhances the pulse of this compelling neo-noir, whose present is informed by the violent social revolution of the Shining Path insurgency, Peru’s communist party faction. The infamous organization, deemed terrorist by the government, waged a decade long conflict that worsened significantly when the military declared a state of emergency in outlying regions of the country, resulting in further abuse and corruption of power. With countless vicious cruelties that went unpunished, del Solar recounts a tortured redemption of sorts for one of them in this well-performed, intriguing drama.
Harvey Magallanes (Damian Alcazar) is a taxi driver in Peru,...
The sins of the recent past infect Peruvian actor Salvador del Solar’s stellar directorial debut, Magallanes, based on the novel La Pasajera by Alonso Cueto (Black Butterfly, 2006). A rich tapestry of characters involved in a compelling and nasty case of blackmail enhances the pulse of this compelling neo-noir, whose present is informed by the violent social revolution of the Shining Path insurgency, Peru’s communist party faction. The infamous organization, deemed terrorist by the government, waged a decade long conflict that worsened significantly when the military declared a state of emergency in outlying regions of the country, resulting in further abuse and corruption of power. With countless vicious cruelties that went unpunished, del Solar recounts a tortured redemption of sorts for one of them in this well-performed, intriguing drama.
Harvey Magallanes (Damian Alcazar) is a taxi driver in Peru,...
- 9/16/2015
- by Nicholas Bell
- IONCINEMA.com
In surprising move the Peruvian Ministry of Culture has selected Héctor Gálvez' "Nn" as the country's Oscar submission to compete for a nomination in the Best Foreign Language Film category.
Read More: Taiwan Selects Hou Hsiao-Hsien's 'The Assassin' as Oscar Submission
Rather than selecting one of the two larger local productions released within AMPAS time frame, Javier Fuentes-León's "The Vanished Elephant" and Salvador del Solar's "Magallanes," the country's selection committee decided to go with a more cerebral art house title. Del Solar's film will instead represent the country at the Spanish Goya Awards
Gálvez'"Nn," which stands for "No Nombre" or "No Name," follows, Fidel (Paul Vega), a forensic specialists who leads a team in charge of recovering and identifying bodies found in mass graves. When a particular male body arrives with nothing but the clothes it had on and a photo of a woman, Fidel embarks on a mission to help a grieving widow who's been searching for her husband for several years. Although for the bureaucracy that controls Fidel's department a dead body is just that, for him those remains carry much more emotional weight.
Read More: Spain Shortlists Three Films as Potential Oscar Submissions
Th film has played a handful of international festival including the Rome Film Festival, Palm Springs, Cartagena, and Miami. "Nn" will also screen as part of AFI's Latin American Film Festival later this month.
In 2009 "The Milk of Sorrow" (La Teta Asustada) by Claudia Llosa became the first Peruvian film to be nominated for an Academy Award.
"Nn" will open in Peru on September 17. International rights are being handled by Habanero. U.S. Rights are still available.
Read More: Taiwan Selects Hou Hsiao-Hsien's 'The Assassin' as Oscar Submission
Rather than selecting one of the two larger local productions released within AMPAS time frame, Javier Fuentes-León's "The Vanished Elephant" and Salvador del Solar's "Magallanes," the country's selection committee decided to go with a more cerebral art house title. Del Solar's film will instead represent the country at the Spanish Goya Awards
Gálvez'"Nn," which stands for "No Nombre" or "No Name," follows, Fidel (Paul Vega), a forensic specialists who leads a team in charge of recovering and identifying bodies found in mass graves. When a particular male body arrives with nothing but the clothes it had on and a photo of a woman, Fidel embarks on a mission to help a grieving widow who's been searching for her husband for several years. Although for the bureaucracy that controls Fidel's department a dead body is just that, for him those remains carry much more emotional weight.
Read More: Spain Shortlists Three Films as Potential Oscar Submissions
Th film has played a handful of international festival including the Rome Film Festival, Palm Springs, Cartagena, and Miami. "Nn" will also screen as part of AFI's Latin American Film Festival later this month.
In 2009 "The Milk of Sorrow" (La Teta Asustada) by Claudia Llosa became the first Peruvian film to be nominated for an Academy Award.
"Nn" will open in Peru on September 17. International rights are being handled by Habanero. U.S. Rights are still available.
- 9/10/2015
- by Carlos Aguilar
- Sydney's Buzz
The San Sebastian Film Festival will once again present, in its 63rd edition, some of the most outstanding Latin American films of the year. The Horizontes Latinos program will include 14 productions from Argentina, Brazil, Columbia, Cuba, Chile, Guatemala, Mexico, Peru and Venezuela. Films that have competed or premiered at important international festivals, but which have not yet been screened at a Spanish festival or had their commercial release in the country.
The selected films compete for the Horizontes Award, decided by a specific jury and coming with €35,000, of which €10,000 will go to the director of the winning film, and the remaining €25,000 to its distributor in Spain.
The section will open with Pablo Larraín’s "El Club," Silver Bear Grand Jury Prize at the last Berlin Festival. The film tells the tale of four men who share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
Here is the full list of titles screening in this important section:
"El Club" (The Club) Pablo Larraín (Chile) Opening Night Film
Pablo Larraín won the Silver Bear Grand Jury Prize at the last Berlin Festival with this film. Four men share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
"600 Millas" (600 Miles) Gabriel Ripstein (Mexico) Arnulfo Rubio, a young gun trafficker between the United States and Mexico, is being followed by Atf agent Hank Harris. After a risky mistake by Harris, Rubio makes a desperate decision: he smuggles the agent to Mexico. Best First Feature Award in the Panorama section of the Berlin Festival.
"El Abrazo de la Serpiente" (Embrace of the Serpent ) Ciro Guerra (Colombia - Argentina - Venezuela) Premiered at the Cannes Festival Directors’ Fortnight, the latest film from Ciro Guerra tells the epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between an Amazonian shaman and two Western explorers.
"El Botón de Nácar (The Pearl Button) Patricio Guzmán (France - Chile - Spain ) Chilean filmmaker Patricio Guzmán talks to us in his latest documentary about water, the cosmos and ourselves, human beings. It all begins with the discovery of two mysterious buttons in the depths of the Pacific Ocean, off the coast of Chile.
"Chronic" Michel Franco (Mexico - France) David is a nurse who works with terminally ill patients. Efficient and dedicated to his profession, he develops strong and even intimate relationships with each person he cares for. But outside of his work David is ineffectual, awkward, and reserved. Best Screenplay Award-winner at the Cannes Festival.
"Desde Allá" (From Afar) Lorenzo Vigas (Venezuela) Armando, aged 50, looks for young men in the streets of Caracas and pays them to come back to his house with him. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets Elder, aged 17, leader of a small band of thugs. Competitor in the Official Selection of the Venice Festival.
"Las Elegidas" (The Chosen Ones) David Pablos (Mexico - France) David Pablos’s second film took part at the San Sebastian Co-production Forum in 2014 and premiered in the Un Certain Regard section of Cannes Festival. Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution ring in Mexico. To set her free, Ulises will have to find another girl to replace her.
"Ixcanul" Jayro Bustamante (Guatemala - France) María, a 17 year-old Mayan girl, lives and works with her family in a plantation on the Guatemalan plateau. Her days go by uneventfully until her parents arrange her marriage to the estate foreman, Ignacio. A film that landed a special mention at the last edition of Films in Progress and competed at the Berlin Festival, where it won the Alfred Bauer Award.
"Magallanes"
Salvador Del Solar (Peru Argentina- Colombia - Spain) Winner of Films in Progress at last year's Festival. Magallanes recognises a woman getting into a taxi. It's Celina, the young peasant girl he randomly arrested more than twenty years ago, when he was a soldier. They both have unfinished business. And for Magallanes, this is an opportunity to redeem himself. Damián Alcázar, Magaly Solier and Federico Luppi play the leading parts.
"La Obra del Siglo" (The Projcxt of Century) Carlos M. Quintela (Cuba -Argentina- Germany -Switzerland) Amidst a mosquito plague, Leonardo, struggling with the breakdown of his relationship, moves back to live with a grandfather who fights with everyone and everything, and a father living with the melancholy of the unfinished. Tiger Award-winner at the last Rotterdam Festival.
"Pulina" Santiago Mitre (Argentina- Brazil- France) Paulina decides to leave her brilliant law career to teach in a downtrodden Argentinian region. In a hostile atmosphere, she will set about her pedagogical mission, even if it means losing her boyfriend and confrontation with her father. Fipresci Prize-winner at the last Cannes Festival Critics’ Week.
"Para Minha Amada Morta" (To My Beloved) Aly Muritiba (Brazil) Fernando is a good man who takes care of his only child, Daniel, a shy and sensitive boy. Following the death of his wife Ana, every night Fernando recalls their love as he sorts out his beloved dead spouse’s belongings. One day he finds a VHS tape that will change everything. This movie participated in the Films in Progress section at the last Festival. The film took part at the Co-Production Forum in 2014.
"Te Prometo Anarquía" (I Promise You Anarchy) Julio Hernández Cordón (Mexico - Germany) Julio Hernández Cordón’s new film was selected for the Locarno Festival Competition. Miguel and Johnny have known each other since childhood. They spend their time skateboarding and having fun. To make easy money and continue skateboarding, they sell their own blood clandestinely. They turn the ploy into a business, until a major transaction doesn't turn out as they'd expected.
"La Tierra y la Sombra" (Land and Shade) César Augusto Acevedo (Colombia- Chiles - Brazil - Netherlands - France) Winner of the Caméra d’Or at the Cannes Festival, after having participated at the San Sebastian Co-Production Forum in 2013, this film portrays a family as they try to repair the fragile ties that bind them in the face of their imminent disappearance, brought about by the overwhelming power of progress.
The selected films compete for the Horizontes Award, decided by a specific jury and coming with €35,000, of which €10,000 will go to the director of the winning film, and the remaining €25,000 to its distributor in Spain.
The section will open with Pablo Larraín’s "El Club," Silver Bear Grand Jury Prize at the last Berlin Festival. The film tells the tale of four men who share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
Here is the full list of titles screening in this important section:
"El Club" (The Club) Pablo Larraín (Chile) Opening Night Film
Pablo Larraín won the Silver Bear Grand Jury Prize at the last Berlin Festival with this film. Four men share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.
"600 Millas" (600 Miles) Gabriel Ripstein (Mexico) Arnulfo Rubio, a young gun trafficker between the United States and Mexico, is being followed by Atf agent Hank Harris. After a risky mistake by Harris, Rubio makes a desperate decision: he smuggles the agent to Mexico. Best First Feature Award in the Panorama section of the Berlin Festival.
"El Abrazo de la Serpiente" (Embrace of the Serpent ) Ciro Guerra (Colombia - Argentina - Venezuela) Premiered at the Cannes Festival Directors’ Fortnight, the latest film from Ciro Guerra tells the epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between an Amazonian shaman and two Western explorers.
"El Botón de Nácar (The Pearl Button) Patricio Guzmán (France - Chile - Spain ) Chilean filmmaker Patricio Guzmán talks to us in his latest documentary about water, the cosmos and ourselves, human beings. It all begins with the discovery of two mysterious buttons in the depths of the Pacific Ocean, off the coast of Chile.
"Chronic" Michel Franco (Mexico - France) David is a nurse who works with terminally ill patients. Efficient and dedicated to his profession, he develops strong and even intimate relationships with each person he cares for. But outside of his work David is ineffectual, awkward, and reserved. Best Screenplay Award-winner at the Cannes Festival.
"Desde Allá" (From Afar) Lorenzo Vigas (Venezuela) Armando, aged 50, looks for young men in the streets of Caracas and pays them to come back to his house with him. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets Elder, aged 17, leader of a small band of thugs. Competitor in the Official Selection of the Venice Festival.
"Las Elegidas" (The Chosen Ones) David Pablos (Mexico - France) David Pablos’s second film took part at the San Sebastian Co-production Forum in 2014 and premiered in the Un Certain Regard section of Cannes Festival. Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution ring in Mexico. To set her free, Ulises will have to find another girl to replace her.
"Ixcanul" Jayro Bustamante (Guatemala - France) María, a 17 year-old Mayan girl, lives and works with her family in a plantation on the Guatemalan plateau. Her days go by uneventfully until her parents arrange her marriage to the estate foreman, Ignacio. A film that landed a special mention at the last edition of Films in Progress and competed at the Berlin Festival, where it won the Alfred Bauer Award.
"Magallanes"
Salvador Del Solar (Peru Argentina- Colombia - Spain) Winner of Films in Progress at last year's Festival. Magallanes recognises a woman getting into a taxi. It's Celina, the young peasant girl he randomly arrested more than twenty years ago, when he was a soldier. They both have unfinished business. And for Magallanes, this is an opportunity to redeem himself. Damián Alcázar, Magaly Solier and Federico Luppi play the leading parts.
"La Obra del Siglo" (The Projcxt of Century) Carlos M. Quintela (Cuba -Argentina- Germany -Switzerland) Amidst a mosquito plague, Leonardo, struggling with the breakdown of his relationship, moves back to live with a grandfather who fights with everyone and everything, and a father living with the melancholy of the unfinished. Tiger Award-winner at the last Rotterdam Festival.
"Pulina" Santiago Mitre (Argentina- Brazil- France) Paulina decides to leave her brilliant law career to teach in a downtrodden Argentinian region. In a hostile atmosphere, she will set about her pedagogical mission, even if it means losing her boyfriend and confrontation with her father. Fipresci Prize-winner at the last Cannes Festival Critics’ Week.
"Para Minha Amada Morta" (To My Beloved) Aly Muritiba (Brazil) Fernando is a good man who takes care of his only child, Daniel, a shy and sensitive boy. Following the death of his wife Ana, every night Fernando recalls their love as he sorts out his beloved dead spouse’s belongings. One day he finds a VHS tape that will change everything. This movie participated in the Films in Progress section at the last Festival. The film took part at the Co-Production Forum in 2014.
"Te Prometo Anarquía" (I Promise You Anarchy) Julio Hernández Cordón (Mexico - Germany) Julio Hernández Cordón’s new film was selected for the Locarno Festival Competition. Miguel and Johnny have known each other since childhood. They spend their time skateboarding and having fun. To make easy money and continue skateboarding, they sell their own blood clandestinely. They turn the ploy into a business, until a major transaction doesn't turn out as they'd expected.
"La Tierra y la Sombra" (Land and Shade) César Augusto Acevedo (Colombia- Chiles - Brazil - Netherlands - France) Winner of the Caméra d’Or at the Cannes Festival, after having participated at the San Sebastian Co-Production Forum in 2013, this film portrays a family as they try to repair the fragile ties that bind them in the face of their imminent disappearance, brought about by the overwhelming power of progress.
- 8/19/2015
- by Sydney Levine
- Sydney's Buzz
Anne Sewitsky‘s Sundance preemed Homesick, Cannes preemed Romanian imports from Radu Muntean‘s One Floor Below and Corneliu Porumboiu‘s The Treasure along with Athina Rachel Tsangari‘s Locarno shown Chevalier are just four of the film titles in the just announced Contemporary World Cinema programme for Tiff. Among the other noteworthy titles in what is mostly a mix of world preems and North American premieres we find Grímur Hákonarson‘s Rams (just picked up by Cohen Media), Alex van Warmerdam well-received Locarno comedy Schneider vs. Bax , the world preem for Sion Sono’s The Whispering Star, and the Oscilloscope Laboratories picked up Ciro Guerra‘s Embrace Of The Serpent. Here are today’s selections that were added to the already announced Canadian items.
25 April (New Zealand), Leanne Pooley Wp
3000 Nights (Palestine-France-Jordan-Lebanon-uae-Qatar), Mai Masri Wp
An (Japan-France-Germany), Naomi Kawase Nap
The Apostate (Spain-France-Uruguay), Federico Veiroj Wp
As I Open...
25 April (New Zealand), Leanne Pooley Wp
3000 Nights (Palestine-France-Jordan-Lebanon-uae-Qatar), Mai Masri Wp
An (Japan-France-Germany), Naomi Kawase Nap
The Apostate (Spain-France-Uruguay), Federico Veiroj Wp
As I Open...
- 8/18/2015
- by Eric Lavallee
- IONCINEMA.com
Due to the large volume of films that the Toronto International Film Festival screens every year, participants often find themselves unsure of how to decide what to see. To that end, festival organisers often distribute the films into numerous programmes to reflect commonalities among them. The Contemporary World Cinema Programme, to that end, looks at the features from filmmakers from around the world, showcasing the talents being displayed from numerous countries.
The full lineup for the 2015 Tiff Contemporary World Cinema Programme has now been announced, adding to the previously announced slate of Canadian Films in the Programme. The films, as well as their official synopses, can be seen below.
25 April, directed by Leanne Pooley, making its World Premiere
Award-winning filmmaker Leanne Pooley utilizes the letters and memoirs of New Zealand soldiers and nurses along with state of the art animation to tell the true story of the 1915 battle of Gallipoli.
The full lineup for the 2015 Tiff Contemporary World Cinema Programme has now been announced, adding to the previously announced slate of Canadian Films in the Programme. The films, as well as their official synopses, can be seen below.
25 April, directed by Leanne Pooley, making its World Premiere
Award-winning filmmaker Leanne Pooley utilizes the letters and memoirs of New Zealand soldiers and nurses along with state of the art animation to tell the true story of the 1915 battle of Gallipoli.
- 8/18/2015
- by Deepayan Sengupta
- SoundOnSight
Potential awards season contenders Truth from James Vanderbilt and Marc Abraham’s I Saw The Light starring Tom Hiddleston as Hank Williams land world premiere slots, while Paco Cabezas’s Mr. Right will close the festival.
London is the subject of the seventh annual City To City programme that features world premieres of Tom Geens’ Couple In A Hole starring Paul Higgins and Kate Dickie and Michael Caton-Jones’ Urban Hymn with Letitia Wright and Shirley Henderson. Elaine Constantine’s Northern Soul gets a North American premiere.
The world premiere of Catherine Hardwicke’s Miss You Already is among five additions to the galas alongside Mr. Right, an action comedy starring Sam Rockwell and Anna Kendrick.
Matthew Cullen’s Martin Amis adaptation London Fields and David Gordon Green’s Our Brand Is Crisis get first public screenings in the Special Presentations roster with I Saw The Light.
Tiff top brass also unveiled the Contemporary World Cinema section, featuring...
London is the subject of the seventh annual City To City programme that features world premieres of Tom Geens’ Couple In A Hole starring Paul Higgins and Kate Dickie and Michael Caton-Jones’ Urban Hymn with Letitia Wright and Shirley Henderson. Elaine Constantine’s Northern Soul gets a North American premiere.
The world premiere of Catherine Hardwicke’s Miss You Already is among five additions to the galas alongside Mr. Right, an action comedy starring Sam Rockwell and Anna Kendrick.
Matthew Cullen’s Martin Amis adaptation London Fields and David Gordon Green’s Our Brand Is Crisis get first public screenings in the Special Presentations roster with I Saw The Light.
Tiff top brass also unveiled the Contemporary World Cinema section, featuring...
- 8/18/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Spanish-language titles from Pablo Agüero, Asier Altuna, Cesc Gay among line-up.Scroll down for line-up
The San Sebastian Film Festival (Sept 18 – 26) this morning announced an array of Spanish-language titles set to compete at the festival, including new films from Pablo Agüero, Asier Altuna, Cesc Gay, Marc Recha, Federico Veiroj and Agustí Villaronga, all of which will play in Official Competition.
Gay’s Truman, starring Ricardo Darin and Javier Cámara, revolves around the relationship between two friends - accompanied by a faithful dog - who share an intense few days, while Marc Recha’s latest Un Dia Perfecte Per Volar, starring his son Roc and Sergi López, charts the story of a boy trying to fly a kite made by his father.
Aguero’s drama Eva No Duerme explores political turmoil in Argentina through the life of an expert in charge of embalming iconic politician Evita Peron.
As anonunced this morning in Madrid, Imanol Uribe’s [link...
The San Sebastian Film Festival (Sept 18 – 26) this morning announced an array of Spanish-language titles set to compete at the festival, including new films from Pablo Agüero, Asier Altuna, Cesc Gay, Marc Recha, Federico Veiroj and Agustí Villaronga, all of which will play in Official Competition.
Gay’s Truman, starring Ricardo Darin and Javier Cámara, revolves around the relationship between two friends - accompanied by a faithful dog - who share an intense few days, while Marc Recha’s latest Un Dia Perfecte Per Volar, starring his son Roc and Sergi López, charts the story of a boy trying to fly a kite made by his father.
Aguero’s drama Eva No Duerme explores political turmoil in Argentina through the life of an expert in charge of embalming iconic politician Evita Peron.
As anonunced this morning in Madrid, Imanol Uribe’s [link...
- 7/23/2015
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
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