"Inside No. 9" La Couchette (TV Episode 2015) Poster

(TV Series)

(2015)

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7/10
La Couchette
Prismark1017 March 2018
What Pemberton and Shearsmith capture so well is the characterisation even before a word is uttered.

Shearsmith's, Maxwell is fussy, tidy wanting to go to sleep as he has an important interview the next morning. Pemberton's Jorg is a slob. Drunk, uncouth, loud.

They are just two of the passengers on a sleeper train travelling through Europe. A married middle aged English couple are on their way to their daughter's wedding in France. An australian backpacker is hoping to have a frisky time with a guy she has just picked up. All of them making noise, upsetting Maxwell who just wants a good night sleep.

Suddenly one of the passenger already in bed is dead as he drops out and lands on one of the passengers. We have not seen him before and the passengers are reluctant to stop the train as some of them know they will face delays.

What starts off as a humorous episode of a man being constantly disturbed in a sleeping compartment takes a disturbing twist with then another layer added on. Wonderful.
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7/10
It's not Murder on the Orient express.....
Sleepin_Dragon15 October 2017
Maxwell is on a night train travelling through France, his journey becomes unbearable as passengers start joining the carriage making incredible amounts of noise. The journey is worsened when one of the sleepers falls out of the bed, dead.

A wealth of talent, Mark Benton, Julie Hesmondhalgh and the wonderfully talented Jessica Gunning. Shearsmith and Pemberton show their German capabilities.

Having travelled on a sleeper I can appreciate the realism, literally any noise someone makes is amplified. I'm reminded by the wardrobe episode from that first series and this is similar in format, a confined space, a set of irritating characters, but this goes one better and has a murder.

Cleverly written. It's a mix of frustrating and funny, it's a solid opener. 7/10
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8/10
Top form for a variable show.
GiraffeDoor27 March 2020
In a show that can be very hit and miss, this is one of the better episodes.

This partly lies in the simplicity. Sort of like the previous season's opener we have characters arriving in staggered fashion to an enclosed location where can enjoy their vivid characterisation and conflict with many rich details that hide the important details.

This one does not disappoint in its conclusion and it's only the flatulence that didn't please me. I'm sensitive to that kind of thing. Decapitations I can handle but not that.
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What a Cast!
eppingdrwho29 January 2020
The interplay between the great cast line-up in this opening episode of season two are fantastic. Jack Whitehall is fun as are Hesmondhalgh and Benson :) The enclosed setting really helps with character interaction.
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9/10
Fantastic
bangel332217 August 2020
One of my favourite episodes. Absolutely hilarious from start to finish and what an ending. Just brilliant.
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8/10
We're gonna need a bigger box!
safenoe30 November 2020
Warning: Spoilers
Jessica Gunning, an English actress, is impressive as an Australian backpacker making her way through Europe. Jessica's Australian accent is quite authentic. I loved the nod to Jaws at the end "We're gonna need a bigger box!!!" Gross but funny all at once.

The twist ending was very sinister, even by Inside No. 10 standards, and highlights the lengths WHO grant applicants can go to in order to succeed.
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9/10
Why can't you eat frogs legs? You eat crab dicks.
karris-294635 September 2022
Warning: Spoilers
That line was genius. This has to best episode I've seen, the quality of actors is a joy to watch. Julie and Mark work brilliantly together, their undressing for bed scene on the top bunk was hilarious. Jessica's Australian backpacker was spot on (and she managed the accent unlike the mish-mash of Aussie/Kiwi of Julia Davis in 'The Understudy.') Jack Whitehall was at his awkwardly posh best.

The setting of the cramped carriage is perfect, you could feel the intensity (and smell the farts!) Another great twist at the end which I didn't see coming. Fantastic all round. I would've loved to have seen the aftermath, imagining who ended up with the big job, did Julie and Mark get to the wedding on time and of course, who really was the dead man?
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9/10
May ze best man win
norxilla7 March 2024
Warning: Spoilers
Absolutely amazing start to the new season. I love the challenge they gave themselves by setting the entire story in a very tight, limiting space. As well as this, there is constant movement, sound and lack of privacy. What is first introduced as a series of clown couplets, the characters each have a good amount of depth to them. Their relationships offer moments of tenderness and softness to, for the most part, a ridiculous, slap-stick comedy.

They do an excellent job with Jorg and Maxwell's characters. Jorg is portrayed as a disgusting, inconsiderate, rude, lecherous and unintelligent man. This is made even more evident by the other character's view of him and the fact he cannot speak English; elements of xenophobia and lost in translation. We (the British) are automatically suspicious of people we don't understand. Maxwell on the other hand is well-spoken, well-educated, neat and tidy. He is uptight but we don't immediately see him as a threat. These pre-judgements are ultimately proven completely wrong. Jorg is a jolly intelligent man that happens to be suffering from an illness and Maxwell is a ruthless, ambition-obsessed murderer.

What I find satisfying is that this was all caused by someone not in their allocated bunk. Feels like a very British problem. It is comical for the most part, some moments of tenderness, a few of Whitehall's jokes felt a bit cliché and fell flat for me. Didn't really mind too much though.
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7/10
French Fancy
southdavid6 July 2021
The second season begins as the first did, with an amusing farce of strangers forced into close proximity and with a grim double twist near the completion.

On a sleep train crossing France, all Maxwell (Reece Shearsmith) wants to do is get some sleep ahead of his important job interview. Though one of his bunkmates is already asleep, the restful slumber is repeatedly interrupted, first by flatulent German Jorg (Steve Pemberton), then by English couple Kate (Julie Hesmondhalgh) and her husband Les (Mark Benton) and finally by Australian Backpacker Shona (Jessica Gunning) and her potential paramour Hugo (Jack Whitehall). As things eventually settle down, peace is finally broken by a shocking reveal.

This episode is more of a straight comedy that some of the ones that have gone before it, broader than generally the show usually chooses to be. There is a lot of bodily function humour, and some sex gags between Shona and Hugo. The performances are good across the board, as you would expect from such a fine collection of reliable television talent.

The resolutions first twist is perhaps a touch predictable, given the nature of the show, and as if anticipating that response, the second twist, which builds level of futility into what has occurred is all the better. There are better written episodes in the series, but very few as reliably funny.
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