It is the episode of two portraits. One, delicate - precise proposed by Maria Vera Ratti. Second - by Davide Iacopini. In same measure, you discover it as a soft version , very gentle version of the life of da Vinci. Expectations about dark revelations or about spiced scenes are dead. And that, in my case, is just a great thing. Because, after so many experiments of the last decade, it is happy to see a serie who has not the ambition to impress, change opinionce, be provocative or give lessons about political correctness. The only question - is Freddie Highmore , who I appreciate very much, the best option for the role of. Stefano Giraldi ? I have doubts.
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