Yidff 2023 presented a total of 130 films across 11 categories. In the two competition sections, International Competition and New Asian Currents, there were 2,134 entries from 120 countries and regions, out of which 15 films were selected for the International Competition and 19 films for New Asian Currents, in a total of 34 films.
The opening film following the opening ceremony was the Asian premiere of Ryuichi Sakamoto | Opus, directed by Sora Neo, which captured the last solo concert of the musician who passed away in March 2023. Screenings were packed, with many sold out not only for the popular competition films, but also for screenings of the Special Programs, a particularly renowned feature of Yidff. The first large-scale retrospective of Noda Shinkichi in Japan was a great success, with full house every day, attracting many film fans. As Yamagata is the first Japanese city to join the Unesco Creative Cities Network in the field of film,...
The opening film following the opening ceremony was the Asian premiere of Ryuichi Sakamoto | Opus, directed by Sora Neo, which captured the last solo concert of the musician who passed away in March 2023. Screenings were packed, with many sold out not only for the popular competition films, but also for screenings of the Special Programs, a particularly renowned feature of Yidff. The first large-scale retrospective of Noda Shinkichi in Japan was a great success, with full house every day, attracting many film fans. As Yamagata is the first Japanese city to join the Unesco Creative Cities Network in the field of film,...
- 10/17/2023
- by Panos Kotzathanasis
- AsianMoviePulse
Click here to read the full article.
Lea Glob’s documentary Apolonia, Apolonia, a 13-year portrait of Paris-born painter Apolonia Sokol, has won best film at the 2022 International Documentary Film Festival Amsterdam (IDFA), the world’s largest documentary film fest.
The honor, announced at an awards ceremony in Amsterdam on Thursday night, comes with a €15,000 (15,000) cash prize.
The Danish director stitched her doc together from multiple meetings over the years with Sokol, as she traced the artist’s development and reflects on her personal and professional obsessions, including art, love, motherhood, sexuality, queerness, capitalism and the patriarchy.
The best film prize in the IDFA’s Envision Competition section, and its 15,000 cash prize, went to Angie Vinchito’s Manifesto, a found-footage doc compiled from videos Russian teenagers posted on social media.
IDFA’s best director honor in the international category, and a €5,000 (5,200) cash prize, went to Simon Chambers for Much Ado About Dying,...
Lea Glob’s documentary Apolonia, Apolonia, a 13-year portrait of Paris-born painter Apolonia Sokol, has won best film at the 2022 International Documentary Film Festival Amsterdam (IDFA), the world’s largest documentary film fest.
The honor, announced at an awards ceremony in Amsterdam on Thursday night, comes with a €15,000 (15,000) cash prize.
The Danish director stitched her doc together from multiple meetings over the years with Sokol, as she traced the artist’s development and reflects on her personal and professional obsessions, including art, love, motherhood, sexuality, queerness, capitalism and the patriarchy.
The best film prize in the IDFA’s Envision Competition section, and its 15,000 cash prize, went to Angie Vinchito’s Manifesto, a found-footage doc compiled from videos Russian teenagers posted on social media.
IDFA’s best director honor in the international category, and a €5,000 (5,200) cash prize, went to Simon Chambers for Much Ado About Dying,...
- 11/17/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Festival continues through Sunday.
Danish director Lea Glob’s Apolonia, Apolonia has won best film in the international competition at the 35th edition of International Documentary Festival Amsterdam (IDFA), running 9-20 November.
The award,which comes with a €15,000 euro cash prize, was confirmed on Thursday evening in a ceremony at Ita (International Theatre Amsterdam) that was streamed live.
Apolonia, Apolonia, backed by HBO Max and Arte and sold by Cat&Docs, follows brilliant young artist Apolonia Sokol over a period of 13 years. It was produced by Sidsel Siersted for Danish Documentary Production.
“This film has characters who breathe life and take us on a journey,...
Danish director Lea Glob’s Apolonia, Apolonia has won best film in the international competition at the 35th edition of International Documentary Festival Amsterdam (IDFA), running 9-20 November.
The award,which comes with a €15,000 euro cash prize, was confirmed on Thursday evening in a ceremony at Ita (International Theatre Amsterdam) that was streamed live.
Apolonia, Apolonia, backed by HBO Max and Arte and sold by Cat&Docs, follows brilliant young artist Apolonia Sokol over a period of 13 years. It was produced by Sidsel Siersted for Danish Documentary Production.
“This film has characters who breathe life and take us on a journey,...
- 11/17/2022
- by Geoffrey Macnab
- ScreenDaily
Lea Glob’s documentary Apolonia, Apolonia, about the Paris-born painter Apolonia Sokol, earned Best Film in international competition as the IDFA awards ceremony unfolded in Amsterdam tonight.
The prestigious honor comes with a €15,000 cash prize. Announcing the award, the five-member jury noted, “This film has characters who breathe life and take us on a journey, opening us up to the worlds of culture and art, of business and politics, of the mechanics of a success story. It is infused with love.”
Glob has been following Soko’s career for well over a decade. According to the Villa Medici website, the figurative painter is “known for her political stance on the art of portraiture, claiming the need to use it as a tool of empowerment and deconstruction of marginalization or domination. That is why she addresses multiple issues such as feminisms, queerness, women’s representation throughout art history and body politics in general.
The prestigious honor comes with a €15,000 cash prize. Announcing the award, the five-member jury noted, “This film has characters who breathe life and take us on a journey, opening us up to the worlds of culture and art, of business and politics, of the mechanics of a success story. It is infused with love.”
Glob has been following Soko’s career for well over a decade. According to the Villa Medici website, the figurative painter is “known for her political stance on the art of portraiture, claiming the need to use it as a tool of empowerment and deconstruction of marginalization or domination. That is why she addresses multiple issues such as feminisms, queerness, women’s representation throughout art history and body politics in general.
- 11/17/2022
- by Matthew Carey
- Deadline Film + TV
The 35th edition of the International Documentary Film Festival Amsterdam, will open with the world premiere of Iranian-Dutch filmmaker Niki Padidar’s “All You See.”
The festival has also revealed the titles in its competition lineups. In all, 277 titles will be screened at the in-person festival.
Artistic director Orwa Nyrabia said: “Here’s an eclectic lineup that is united only by originality. Through the subjectivities of these filmmakers, an image of a world in pain emerges – a humanity that is trying hard, that is vulnerable and sincere, that is complex and persistent. The diversity of artistic forms is astonishing, and there are no boundaries when it comes to tackling the biggest powers or inventing new grammar.”
“The Envision Competition introduces artistically and politically courageous films, memorable journeys, and new questions. The International Competition brings together profound films that will tour the world and inspire audiences for years to come. IDFA...
The festival has also revealed the titles in its competition lineups. In all, 277 titles will be screened at the in-person festival.
Artistic director Orwa Nyrabia said: “Here’s an eclectic lineup that is united only by originality. Through the subjectivities of these filmmakers, an image of a world in pain emerges – a humanity that is trying hard, that is vulnerable and sincere, that is complex and persistent. The diversity of artistic forms is astonishing, and there are no boundaries when it comes to tackling the biggest powers or inventing new grammar.”
“The Envision Competition introduces artistically and politically courageous films, memorable journeys, and new questions. The International Competition brings together profound films that will tour the world and inspire audiences for years to come. IDFA...
- 10/20/2022
- by Naman Ramachandran
- Variety Film + TV
The 35th edition of the International Documentary Film Festival Amsterdam (IDFA) will open with Iranian-Dutch filmmaker Niki Padidar’s All You See.
The feature explores themes of exclusion and being an outsider through Padidar’s own experiences in the Netherlands, which are interwoven with the stories of three other immigrants who have made a life in the country.
The festival, which will showcase 277 titles this year, has also unveiled the selections for its main Envision and International Competitions.
A total of 13 titles will play in the International Competition line-up.
Highlights include Mila Turajlić’s Non-Aligned: Scenes from the Labudović Reels, which will be presented as a diptych and performance and explores the never-before-seen footage of Tito’s cameraman documenting his trips to Africa and Asia to promote a third way amidst the Cold War.
Further competition titles include Paradise by Alexander Abaturov, which enters the heart of a raging forest fire in northeastern Siberia,...
The feature explores themes of exclusion and being an outsider through Padidar’s own experiences in the Netherlands, which are interwoven with the stories of three other immigrants who have made a life in the country.
The festival, which will showcase 277 titles this year, has also unveiled the selections for its main Envision and International Competitions.
A total of 13 titles will play in the International Competition line-up.
Highlights include Mila Turajlić’s Non-Aligned: Scenes from the Labudović Reels, which will be presented as a diptych and performance and explores the never-before-seen footage of Tito’s cameraman documenting his trips to Africa and Asia to promote a third way amidst the Cold War.
Further competition titles include Paradise by Alexander Abaturov, which enters the heart of a raging forest fire in northeastern Siberia,...
- 10/20/2022
- by Melanie Goodfellow
- Deadline Film + TV
Thrown into the limelight by the Oscar nomination for Maite Alberdi’s “The Mole Agent” in 2021, Chilean documentaries been growing in stature worldwide for years.
At Cannes, venerable Patricio Guzman world premieres his latest doc, “My Imaginary Country” (“Mi País Imaginario”) as a special screening, following on his lauded “The Cordillera of Dreams” which was awarded the 2019 L’œil d’Or award for Cannes’ best documentary. Matias Rojas’ “Our Memory” will be among the spotlighted projects at Cannes Docs. A Chilean Docs in Progress showcase, slated for May 23 at Cannes Doc Day, is creating considerable expectation.
“Chilean documentaries often reflect the major social problems the country is undergoing,” says Chiledoc director Paula Ossandon.
One instance, she notes, is a number of films dealing with the great social upheaval that took place in Chile from October 2019 that are beginning to surface, led by “My Imaginary Country.”
“There are also upcoming projects about our president-elect Gabriel Boric,...
At Cannes, venerable Patricio Guzman world premieres his latest doc, “My Imaginary Country” (“Mi País Imaginario”) as a special screening, following on his lauded “The Cordillera of Dreams” which was awarded the 2019 L’œil d’Or award for Cannes’ best documentary. Matias Rojas’ “Our Memory” will be among the spotlighted projects at Cannes Docs. A Chilean Docs in Progress showcase, slated for May 23 at Cannes Doc Day, is creating considerable expectation.
“Chilean documentaries often reflect the major social problems the country is undergoing,” says Chiledoc director Paula Ossandon.
One instance, she notes, is a number of films dealing with the great social upheaval that took place in Chile from October 2019 that are beginning to surface, led by “My Imaginary Country.”
“There are also upcoming projects about our president-elect Gabriel Boric,...
- 5/17/2022
- by Anna Marie de la Fuente
- Variety Film + TV
The Chilean documentary continues to captivate. Four projects have been selected to participate in the Docs-In-Progress Showcase Chile at Cannes Docs 2022, the documentary section of the Marché du Film at the Cannes Festival: ‘Notes for a Film’, ‘The Fabulous Gold Harvesting Machine’, ‘Malqueridas’ and ‘Asteroid 2518’.
This is the third time Chiledoc is showcasing films. It is scheduled for May 23 within the framework of Cannes Docs, which takes place from May 17 to 25.
The return of Patricio Guzmán to the Cannes Film Festival
In addition, one of the most important Chilean documentarians, Patricio Guzmán, will have the world premiere of his latest film a French-Chilean coproduction, My Imaginary Country/ Mi país imaginario, in the Special Screenings section of the Cannes Festival. (Isa is Pyramide).
Produced by Alexandra Galvis, My Imaginary Country. Protests exploded onto the streets of Chile’s capital of Santiago in 2019 as the population demanded more democracy and social equality around education, healthcare and job opportunities. The doc goes from the social explosion to the formation of the constituent assembly and exclusively includes testimonies from female voices such as the journalist Mónica González, the feminist collective Las Tesis, the Mapuche constituent Elisa Loncón, the writer and actress Nona Fernández, the photographer Nicole Kramm and the political scientist Claudia Heiss, among many others.
My Imaginary Country will premiere in Special Screenings, a section that is part of the Official Selection of the Cannes Film Festival, in which The Mountain Range of Dreams screened in 2019 and which won the Golden Eye Award for Best Documentary.
My Imaginary Country/ Mi país imaginario by Patricio Guzmán
“October 2019, an unexpected revolution, a social explosion. One and a half million people demonstrated in the streets of Santiago for more democracy, a more dignified life, a better education, a better health system and a new Constitution. Chile had recovered its memory. The event I had been waiting for since my student struggles in 1973 finally materialized.”
Docs-In-Progress Showcase Chile:
Notes for a Film, directed by Ignacio Agüero is a Chilean-French co-production, and is produced by Tehani Staiger, Viviana Erpel, Amalric de Pontcharra and Elisa Sepúlveda.
This feature film, based on 10 years in the Araucanía 1889–1899, a book with the memoirs of the young Belgian engineer Gustave Verniory, draws a parallel between the present and the past, slipping between the human landscape and the geographical landscape, to reveal the deep essence of the Araucanian territory.
The Fabulous Gold Harvesting Machine, directed by Alfredo Pourailly and produced alongside Francisco Hervé portrays Toto, the last gold miner of his kind in remote Tierra del Fuego, who is 62 years old and whose body is sick. His son Jorge designs a machine that should relieve the exhausting work.
Malqueridas, directed by Tana Gilbert and produced by Paola Castillo, narrates the experiences of motherhood lived by women in prison, filmed clandestinely with prohibited cell phones. The project participated in the Visions du Réel Pitch in 2021, earning the opportunity to participate in the German festival Dok Leipzig and its market, Dok Co-Pro Market 2021.
In Asteriode 2518, directed by Amanda Rutllant, who produced it with Constanza Luzoro, a filmmaker becomes obsessed with an asteroid that bears her last name and with the lost story of her great-grandfather, a Chilean scientist who pioneered world astronomy in the 1950s and dreamed of building the largest observatory in the Southern Hemisphere as his legacy in the Atacama desert. As she discovers the darker sides of herself, Amanda defies her family’s legacy, as she confronts an autoimmune disease that begins to attack her body.
The prestigious North American weekly Variety, dedicated to cinema and culture, spoke with Paula Ossandón, director of Chiledoc, about the sample of selected projects at Cannes Docs:
“They stand out for their surprising characters, sensitive and imaginative stories, some very loaded with a good dose of humor”, and she revealed the growing attention to Chilean documentaries in the world.
In addition Directors’ Fortnight is screening 1976, directed by Manuela Martelli and Alejandra Moffat, a coproduction of Chile, Argentina and Qatar, being sold internationally by Luxbox. Chile, 1976. Carmen heads off to her beach house to supervise its renovation. Her husband, children and grandchildren come back and forth during the winter vacation. When the family priest asks her to take care of a young man he is sheltering in secret, Carmen steps onto unexplored territories, away from the quiet life she is used to.
This is the third time Chiledoc is showcasing films. It is scheduled for May 23 within the framework of Cannes Docs, which takes place from May 17 to 25.
The return of Patricio Guzmán to the Cannes Film Festival
In addition, one of the most important Chilean documentarians, Patricio Guzmán, will have the world premiere of his latest film a French-Chilean coproduction, My Imaginary Country/ Mi país imaginario, in the Special Screenings section of the Cannes Festival. (Isa is Pyramide).
Produced by Alexandra Galvis, My Imaginary Country. Protests exploded onto the streets of Chile’s capital of Santiago in 2019 as the population demanded more democracy and social equality around education, healthcare and job opportunities. The doc goes from the social explosion to the formation of the constituent assembly and exclusively includes testimonies from female voices such as the journalist Mónica González, the feminist collective Las Tesis, the Mapuche constituent Elisa Loncón, the writer and actress Nona Fernández, the photographer Nicole Kramm and the political scientist Claudia Heiss, among many others.
My Imaginary Country will premiere in Special Screenings, a section that is part of the Official Selection of the Cannes Film Festival, in which The Mountain Range of Dreams screened in 2019 and which won the Golden Eye Award for Best Documentary.
My Imaginary Country/ Mi país imaginario by Patricio Guzmán
“October 2019, an unexpected revolution, a social explosion. One and a half million people demonstrated in the streets of Santiago for more democracy, a more dignified life, a better education, a better health system and a new Constitution. Chile had recovered its memory. The event I had been waiting for since my student struggles in 1973 finally materialized.”
Docs-In-Progress Showcase Chile:
Notes for a Film, directed by Ignacio Agüero is a Chilean-French co-production, and is produced by Tehani Staiger, Viviana Erpel, Amalric de Pontcharra and Elisa Sepúlveda.
This feature film, based on 10 years in the Araucanía 1889–1899, a book with the memoirs of the young Belgian engineer Gustave Verniory, draws a parallel between the present and the past, slipping between the human landscape and the geographical landscape, to reveal the deep essence of the Araucanian territory.
The Fabulous Gold Harvesting Machine, directed by Alfredo Pourailly and produced alongside Francisco Hervé portrays Toto, the last gold miner of his kind in remote Tierra del Fuego, who is 62 years old and whose body is sick. His son Jorge designs a machine that should relieve the exhausting work.
Malqueridas, directed by Tana Gilbert and produced by Paola Castillo, narrates the experiences of motherhood lived by women in prison, filmed clandestinely with prohibited cell phones. The project participated in the Visions du Réel Pitch in 2021, earning the opportunity to participate in the German festival Dok Leipzig and its market, Dok Co-Pro Market 2021.
In Asteriode 2518, directed by Amanda Rutllant, who produced it with Constanza Luzoro, a filmmaker becomes obsessed with an asteroid that bears her last name and with the lost story of her great-grandfather, a Chilean scientist who pioneered world astronomy in the 1950s and dreamed of building the largest observatory in the Southern Hemisphere as his legacy in the Atacama desert. As she discovers the darker sides of herself, Amanda defies her family’s legacy, as she confronts an autoimmune disease that begins to attack her body.
The prestigious North American weekly Variety, dedicated to cinema and culture, spoke with Paula Ossandón, director of Chiledoc, about the sample of selected projects at Cannes Docs:
“They stand out for their surprising characters, sensitive and imaginative stories, some very loaded with a good dose of humor”, and she revealed the growing attention to Chilean documentaries in the world.
In addition Directors’ Fortnight is screening 1976, directed by Manuela Martelli and Alejandra Moffat, a coproduction of Chile, Argentina and Qatar, being sold internationally by Luxbox. Chile, 1976. Carmen heads off to her beach house to supervise its renovation. Her husband, children and grandchildren come back and forth during the winter vacation. When the family priest asks her to take care of a young man he is sheltering in secret, Carmen steps onto unexplored territories, away from the quiet life she is used to.
- 5/8/2022
- by Sydney
- Sydney's Buzz
Buoyed by the Oscar nomination for Maite Alberdi’s “The Mole Agent” last year, which was also shortlisted in the International Feature category, Chilean documentaries are attracting ever more attention worldwide. One of its leading lights, Patricio Guzman, will have the world premiere of his latest opus, “Mi País Imaginario” as a Cannes Festival special screening.
For the third time in a row, Chiledoc will be presenting a Chilean Docs in Progress showcase, scheduled for May 23 within the framework of Cannes Doc, which runs May 17 to 25.
Spearheaded by Chiledoc director Paula Ossandón, the showcase comprises four films at editing stage. “They stand out for their surprising characters as well as sensitive and imaginative stories, some greatly infused with a good dose of humor,” she says.
Leading the pack is “Notes for a Film,” a Chilean-French co-production directed by Ignacio Agüero and produced by Tehani Staiger, Viviana Erpel, Amalric de Pontcharra and Elisa Sepúlveda.
For the third time in a row, Chiledoc will be presenting a Chilean Docs in Progress showcase, scheduled for May 23 within the framework of Cannes Doc, which runs May 17 to 25.
Spearheaded by Chiledoc director Paula Ossandón, the showcase comprises four films at editing stage. “They stand out for their surprising characters as well as sensitive and imaginative stories, some greatly infused with a good dose of humor,” she says.
Leading the pack is “Notes for a Film,” a Chilean-French co-production directed by Ignacio Agüero and produced by Tehani Staiger, Viviana Erpel, Amalric de Pontcharra and Elisa Sepúlveda.
- 4/25/2022
- by Anna Marie de la Fuente
- Variety Film + TV
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
Art of the Real 2020
Art of the Real, Film at Lincoln Center’s annual showcase of boundary-pushing non-fiction work, is now underway virtually nationwide. Featuring work by Joshua Bonnetta, Sky Hopinka, Hassen Ferhani, Ignacio Agüero, Lisa Marie Malloy and J.P. Sniadecki, Sérgio da Costa and Maya Kosa, Jonathan Perel, Jessica Sarah Rinland, Pacho Velez and Courtney Stephens, and more, the slate provides a comprehensive survey for finding new cinematic ways to look at the world.
Where to Stream: Film at Lincoln Center’s Virtual Cinema
Coded Bias (Shalini Kantayya)
Starting with the work of Joy Buolamwini of the MIT Media Lab, Shalini Kantayya’s Coded Bias is an alarming...
Art of the Real 2020
Art of the Real, Film at Lincoln Center’s annual showcase of boundary-pushing non-fiction work, is now underway virtually nationwide. Featuring work by Joshua Bonnetta, Sky Hopinka, Hassen Ferhani, Ignacio Agüero, Lisa Marie Malloy and J.P. Sniadecki, Sérgio da Costa and Maya Kosa, Jonathan Perel, Jessica Sarah Rinland, Pacho Velez and Courtney Stephens, and more, the slate provides a comprehensive survey for finding new cinematic ways to look at the world.
Where to Stream: Film at Lincoln Center’s Virtual Cinema
Coded Bias (Shalini Kantayya)
Starting with the work of Joy Buolamwini of the MIT Media Lab, Shalini Kantayya’s Coded Bias is an alarming...
- 11/13/2020
- by Jordan Raup
- The Film Stage
Following its premiere at the Berlin International Film Festival earlier this year, Cinema Guild has acquired all North American distribution rights to Joshua Bonnetta’s The Two Sights. Set to make its U.S. premiere next month as part of Film at Lincoln Center’s Art of the Real, the film will then open in theaters in 2021.
The first solo feature from Bonnetta, The Two Sights (An Dà Shealladh) explores the disappearing tradition of second sight in the Outer Hebrides of Scotland. As we listen to locals’ accounts of haunting experiences—phantom horses, ghost voices and other supernatural phenomena—Bonnetta connects their testimonies with striking 16mm images and a carefully-curated sonic montage of the physical and aural environment of these enchanted islands. The Two Sights is an ethnographic marvel of non-fiction filmmaking that thrills the eyes and ears and invites us into the extra-sensory beyond.
“We’re so excited to...
The first solo feature from Bonnetta, The Two Sights (An Dà Shealladh) explores the disappearing tradition of second sight in the Outer Hebrides of Scotland. As we listen to locals’ accounts of haunting experiences—phantom horses, ghost voices and other supernatural phenomena—Bonnetta connects their testimonies with striking 16mm images and a carefully-curated sonic montage of the physical and aural environment of these enchanted islands. The Two Sights is an ethnographic marvel of non-fiction filmmaking that thrills the eyes and ears and invites us into the extra-sensory beyond.
“We’re so excited to...
- 10/28/2020
- by Leonard Pearce
- The Film Stage
Alexander Abaturov’s “Paradise,” Eugenio and Mara Polgovsky’s “Malintzin 17” and Lola Arias’ “Reas” triumphed at the 2020 Visions du Réel Industry Awards, taking three of its weightiest prizes.
Also winning big at project forum Pitching du Réel was Petter Aaberg and Sverre Kvamme’s “Nightcrawlers,” “Mashtat” and “In the Name of Roses.”
“The Mission,” “Voice of Baceprot” and “A Little Love Package” will segue from Visions du Réel to three of the next major gatherings on Europe’s doc fest circuit: May’s Thessaloniki Documentary Festival, June’s Cannes Docs Award, both now online, and late October’s Dok Leipzig.
Most of the 13 prizes comprise services or further festival invites. As smaller art-house companies face cashflow problems in much of the world, and need to look towards countries which look set to ride the Covid-19 crisis best – France, Germany and Switzerland, for example – any prize is currently mannah from heaven.
Also winning big at project forum Pitching du Réel was Petter Aaberg and Sverre Kvamme’s “Nightcrawlers,” “Mashtat” and “In the Name of Roses.”
“The Mission,” “Voice of Baceprot” and “A Little Love Package” will segue from Visions du Réel to three of the next major gatherings on Europe’s doc fest circuit: May’s Thessaloniki Documentary Festival, June’s Cannes Docs Award, both now online, and late October’s Dok Leipzig.
Most of the 13 prizes comprise services or further festival invites. As smaller art-house companies face cashflow problems in much of the world, and need to look towards countries which look set to ride the Covid-19 crisis best – France, Germany and Switzerland, for example – any prize is currently mannah from heaven.
- 5/2/2020
- by John Hopewell
- Variety Film + TV
Chilean producers to track, who will be forming part of the Berlinale’s 2020 Country in Focus dedicated to Chile. Five are well-known, another five on the rise :
Up-and-coming
María José Díaz
Dos Be Producciones
An executive producer and investigative journalist for TV series and doc-features, Diaz is an executive producer at Dos Be Prods. and founder of Galgo Storytelling, a transmedia content producer. Projects in development: Doc “Haganse la Luz,” Ignacia Merino and Isabel Reyes’ debuts, and docu series “Nepen” about Chile’s indigenous Mapuches.
Yeniffer Fasciani
Niebla Producciones
A 2015 Berlinale Talents participant, Fasciani is a partner/co-founder of Niebla Prods. In 2016 she produced TV series “Martin, Man and Legend” for La Santé Films and was executive director of Dci, a Chilean film distributor. Upcoming projects: Carola Quezada’s “Perros sin Cola,” Chilean-Japanese co-production “Green Grass” by Ignacio Ruiz, and pregnant boxer drama “A La Deriva.”
Cynthia García
Cyan Prods
Founder of Cyan Prods.
Up-and-coming
María José Díaz
Dos Be Producciones
An executive producer and investigative journalist for TV series and doc-features, Diaz is an executive producer at Dos Be Prods. and founder of Galgo Storytelling, a transmedia content producer. Projects in development: Doc “Haganse la Luz,” Ignacia Merino and Isabel Reyes’ debuts, and docu series “Nepen” about Chile’s indigenous Mapuches.
Yeniffer Fasciani
Niebla Producciones
A 2015 Berlinale Talents participant, Fasciani is a partner/co-founder of Niebla Prods. In 2016 she produced TV series “Martin, Man and Legend” for La Santé Films and was executive director of Dci, a Chilean film distributor. Upcoming projects: Carola Quezada’s “Perros sin Cola,” Chilean-Japanese co-production “Green Grass” by Ignacio Ruiz, and pregnant boxer drama “A La Deriva.”
Cynthia García
Cyan Prods
Founder of Cyan Prods.
- 2/20/2020
- by Anna Marie de la Fuente
- Variety Film + TV
Chile’s Ignacio Agüero has triumphed in the international competition, Jean-Marc Chapoulie dominated the French competition and Germany’s Ute Adamczewski also scooped a prize. Chaired by Us photographer-director Sharon Lockhart, who was aided by Cecilia Barrinuevo, Richard Billingham, Delphine Chuillot and Katsuya Tomita, the international competition jury at the 30th FIDMarseille handed the 2019 Grand Prix to I Never Climbed the Provincia by Chile’s Ignacio Agüero, who previously won the 2016 edition of the gathering with This Is the Way I Like It 2.As for the French competition (the jury for which was presided over by actress Agathe Bonitzer), victory was claimed by Jean-Marc Chapoulie’s Mittelmeer. The film gathers views found on the internet, provided by strategically placed surveillance cameras facing the Mediterranean sea, all along its north and south shores: on hotel roofs, beaches, along the coasts, in harbours and so on. Chapoulie decides to alter these shots: he changes.
UntitledIt’s not common that you find yourself having a moment of sudden comprehension and even illumination, almost like finding an inner peace: a sense of quiet and tranquil meditation that allows you to qualm your more restless moments regarding the value and importance of the things that you hold dear. In this case, I’m talking about cinema, and in particular, documentary cinema, the kind of which has always been the sole focus of the Art of the Real festival since 2014, and this year’s edition (April 20th - May 2nd) with over 25 screenings that combine short and feature length non-fiction films at New York’s Film Society of Lincoln Center.Along with new films from established directors like Jem Cohen and Michael Glawogger, this year features spotlights on Chinese documentary cinema, Latin American documentary hybrids (with a particular spot for Chilean cinema), the late Brazilian master director Andrea Tonacci...
- 4/20/2017
- MUBI
Art of the Real, a nonfiction filmmaking showcase at Film Society of Lincoln Center in New York, celebrates its fourth year with 27 films in the lineup, continuing the exploration of cinematic possibilities of the film/digital medium. This year, the series highlights established figures such as Heinz Emigholz, Robinson Devor, Jem Cohen as well as newcomers Theo Anthony (Rat Film), Salomé Jashi (Dazzling Light of Sunset) and Shengze Zhu (Another Year). It also gives well deserved recognition to the Chilean cinema with two from documentary veteran Ignacio Agüero and two from José Luis Torres Leiva whose film The Sky, the Earth and the Rain made an international splash in 2008. His new film The Wind Knows I'm Coming Back Home, starring Agüero will be shown...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 4/19/2017
- Screen Anarchy
The Film Society of Lincoln Center has today announced the fourth edition of Art of the Real, their essential showcase for boundary-pushing nonfiction film, scheduled to take place April 20 – May 2. Billed as “a survey of the most vital and innovative voices in nonfiction and hybrid filmmaking,” this year’s showcase features an eclectic, globe-spanning host of discoveries, including seven North American premieres and eight U.S. premieres.
“In our fourth year we’ve put an emphasis on placing works by first-time and emerging filmmakers alongside established names, with the aim to highlight the experimentation happening across generations, and to trace a new trajectory of documentary art that points to its promising future,” said Film Society of Lincoln Center Programmer at Large Rachael Rakes, who organized the festival with Director of Programming Dennis Lim.
The Opening Night selection is the New York premiere of Theo Anthony’s “Rat Film,” which has...
“In our fourth year we’ve put an emphasis on placing works by first-time and emerging filmmakers alongside established names, with the aim to highlight the experimentation happening across generations, and to trace a new trajectory of documentary art that points to its promising future,” said Film Society of Lincoln Center Programmer at Large Rachael Rakes, who organized the festival with Director of Programming Dennis Lim.
The Opening Night selection is the New York premiere of Theo Anthony’s “Rat Film,” which has...
- 3/20/2017
- by Kate Erbland
- Indiewire
The making of most documentaries pivots on one central question, a question that ultimately determines the nature of the film: do you hit upon a story and set out in search of it or do you let the story find you? It’s easy to see why the former approach enjoys such currency, as the biggest unknown is already clear from the outset. With a pre-determined story already in place, it’s now about working out the best way to tell it: locating the right people and making sure they say the right things on camera, scouring archives to find the footage that will lend credence to your argument, pinpointing the locations and landmarks with the greatest illustrative appeal. It’s an approach that’s been applied to countless subjects, people, and places and even brought forth some great films, although it still throws up some inconvenient questions along the way.
- 8/23/2016
- MUBI
As the leading presenter of Latin American Cinema in the U.S. Cinema Tropical advocates for the Latino filmmaking community and honors their achievements. Cinema Tropical Awards now in its fourth edition have announced this year's nominees
The winners of the 4th Annual Cinema Tropical Awards will be announced at a special event at The New York Times Company headquarters in New York City in late January, 2014.
The nominees for this year’s Cinema Tropical Awards were selected by a nine-member jury panel from a list of Latin American and U.S. Latino feature films of a minimum of 60 minutes in length that were premiered between April 1, 2012 and March 31, 2013 (January 1, 2012 and March 31, 2013, for U.S. Latino productions). The list was culled by a nominating committee composed of 17 film professionals from Latin America, the U.S., Canada, and Europe.
The Cinema Tropical Awards are presented in partnership with Voces, Latino Heritage Network of The New York Times Company. Media Sponsors: LatAm Cinema and Remezcla. Special thanks to Mario Díaz, Andrea Betanzos, and Tatiana García.
Best Feature Film
- Gloria (Sebastián Lelio, Chile/Spain, 2013)
- No (Pablo Larraín, Chile/USA/France/Mexico, 2012)
- Post Tenebras Lux (Carlos Reygadas, Mexico/France/Germany/Netherlands, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- VIolA (Matías Piñeiro, Argentina, 2012)
Best Director, Feature Film
- Sebastián Silva, Crystal Fairy (Chile, 2013)
- Pablo Larraín, No (Chile/USA/France/Mexico, 2012)
- Carlos Reygadas, Post Tenebras Lux (Mexico/ France/ Germany/ Netherlands, 2012)
-Ana Guevara and Leticia Jorge, Tanta Agua | So Much Water
(Uruguay/ Germany/ Mexico, 2013)
- Matías Piñeiro, Viola (Argentina, 2012)
Best Documentary Film
- El Alcalde | The Mayor (Emiliano Altuna, Carlos F. Rossini, Diego Osorno, Mexico, 2012)
- La Chica Del Sur | The Girl from the South (José Luis García, Argentina, 2012)
- La Gente Del RÍO | The River People (Martín Benchimol and Pablo Aparo, Argentina, 2012)
- El Huaso (Carlo Guillermo Proto, Chile/Canada, 2012)
- El Otro DÍA | The Other Day (Ignacio Agüero, Chile, 2012)
Best Director, Documentary Film
- José Luis García, La Chica Del Sur | The Girl from the South (Argentina, 2012)
- Priscilla Padilla, La Eterna Noche De Las Doce Lunas | The Eternal Night of the Twelve Moons (Colombia, 2013)
- Martín Benchimol, Pablo Aparo, La Gente Del RÍO | The River People (Argentina, 2012)
- Mercedes Moncada, Palabras MÁGICAS (Para Romper Un Encantamiento) | Magic Words (Breaking a Spell) (Mexico/Guatemala, 2012)
- Ignacio Agüero, El Otro DÍA | The Other Day (Chile, 2012)
Best First Film
- Carne De Perro | Dog Flesh (Fernando Guzzoni, Chile/France/Germany, 2012)
- El Limpiador | The Cleaner (Adrián Saba, Peru, 2012)
- Melaza | Molasses (Carlos Díaz Lechuga, Cuba/France/Panama, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- Los Salvajes | The Wild Ones (Alejandro Fadel, Argentina, 2012)
Best U.S. Latino Film
- American Promise (Joe Brewster and Michèle Stephenson, USA, 2013)
- Filly Brown (Youssef Delara and Michael D. Olmos, USA, 2012)
- Mosquita Y Mari (Aurora Guerrero, USA, 2012)
- Reportero (Bernardo Ruiz, USA, 2012)
- Wonder Women! The Untold Story Of American Superheroines (Kristy Guevara-Flanagan, USA, 2012)
2013 Jury:
Chris Allen, founder and director, UnionDocs; Melissa Anderson, film critic, Artforum; Beth Janson, executive director, Tribeca Film Institute; Daniel Loría, overseas editor, BoxOffice; Mike Maggiore, programmer, Film Forum; Paco de Onís, filmmaker; Anita Reher, executive director, Robert Flaherty Film Seminar; Julia Solomonoff, filmmaker; Maria-Christina Villaseñor, film curator and writer.
2013 Nominating Committee:
Cecilia Barrionuevo, programmer, Mar del Plata Film Festival, Argentina; Raúl Camargo, programmer, Valdivia Film Festival, Chile; John Campos Gómez, director, Transcinema Film Festival, Peru; Inti Cordera, director, DocsDF Film Festival, Mexico; Christine Davila, programmer, Sundance, Los Angeles Film Festival, Ambulante USA; Eugenio del Bosque, director, Cine Las Américas, USA; Raciel del Toro, Cinergia, Costa Rica; Vanessa Erazo, film programmer and journalist, indieWIRE/LatinoBuzz, Remezcla, USA; Lisa Franek, programmer, San Diego Latino Film Festival, USA; Robert A. Gomez, film journalist, Cinemathon, Venezuela; Jaie Laplante, director, Miami Film Festival, USA; Agustín Mango, film journalist, Hollywood Reporter, Argentina; Jim Mendiola, programmer, CineFestival, San Antonio, USA; Luis Ortiz, director, Latino Public Broadcasting, USA; Rafael Sampaio, programmer, Sao Paulo Latin American Film Festival, Brazil; Eva Sangiorgi, programmer, Ficunam, Mexico; Gerwin Tamsma, programmer, Rotterdam Film Festival, Netherlands.
The winners of the 4th Annual Cinema Tropical Awards will be announced at a special event at The New York Times Company headquarters in New York City in late January, 2014.
The nominees for this year’s Cinema Tropical Awards were selected by a nine-member jury panel from a list of Latin American and U.S. Latino feature films of a minimum of 60 minutes in length that were premiered between April 1, 2012 and March 31, 2013 (January 1, 2012 and March 31, 2013, for U.S. Latino productions). The list was culled by a nominating committee composed of 17 film professionals from Latin America, the U.S., Canada, and Europe.
The Cinema Tropical Awards are presented in partnership with Voces, Latino Heritage Network of The New York Times Company. Media Sponsors: LatAm Cinema and Remezcla. Special thanks to Mario Díaz, Andrea Betanzos, and Tatiana García.
Best Feature Film
- Gloria (Sebastián Lelio, Chile/Spain, 2013)
- No (Pablo Larraín, Chile/USA/France/Mexico, 2012)
- Post Tenebras Lux (Carlos Reygadas, Mexico/France/Germany/Netherlands, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- VIolA (Matías Piñeiro, Argentina, 2012)
Best Director, Feature Film
- Sebastián Silva, Crystal Fairy (Chile, 2013)
- Pablo Larraín, No (Chile/USA/France/Mexico, 2012)
- Carlos Reygadas, Post Tenebras Lux (Mexico/ France/ Germany/ Netherlands, 2012)
-Ana Guevara and Leticia Jorge, Tanta Agua | So Much Water
(Uruguay/ Germany/ Mexico, 2013)
- Matías Piñeiro, Viola (Argentina, 2012)
Best Documentary Film
- El Alcalde | The Mayor (Emiliano Altuna, Carlos F. Rossini, Diego Osorno, Mexico, 2012)
- La Chica Del Sur | The Girl from the South (José Luis García, Argentina, 2012)
- La Gente Del RÍO | The River People (Martín Benchimol and Pablo Aparo, Argentina, 2012)
- El Huaso (Carlo Guillermo Proto, Chile/Canada, 2012)
- El Otro DÍA | The Other Day (Ignacio Agüero, Chile, 2012)
Best Director, Documentary Film
- José Luis García, La Chica Del Sur | The Girl from the South (Argentina, 2012)
- Priscilla Padilla, La Eterna Noche De Las Doce Lunas | The Eternal Night of the Twelve Moons (Colombia, 2013)
- Martín Benchimol, Pablo Aparo, La Gente Del RÍO | The River People (Argentina, 2012)
- Mercedes Moncada, Palabras MÁGICAS (Para Romper Un Encantamiento) | Magic Words (Breaking a Spell) (Mexico/Guatemala, 2012)
- Ignacio Agüero, El Otro DÍA | The Other Day (Chile, 2012)
Best First Film
- Carne De Perro | Dog Flesh (Fernando Guzzoni, Chile/France/Germany, 2012)
- El Limpiador | The Cleaner (Adrián Saba, Peru, 2012)
- Melaza | Molasses (Carlos Díaz Lechuga, Cuba/France/Panama, 2012)
- Tanta Agua | So Much Water (Ana Guevara and Leticia Jorge, Uruguay/Germany/Mexico, 2013)
- Los Salvajes | The Wild Ones (Alejandro Fadel, Argentina, 2012)
Best U.S. Latino Film
- American Promise (Joe Brewster and Michèle Stephenson, USA, 2013)
- Filly Brown (Youssef Delara and Michael D. Olmos, USA, 2012)
- Mosquita Y Mari (Aurora Guerrero, USA, 2012)
- Reportero (Bernardo Ruiz, USA, 2012)
- Wonder Women! The Untold Story Of American Superheroines (Kristy Guevara-Flanagan, USA, 2012)
2013 Jury:
Chris Allen, founder and director, UnionDocs; Melissa Anderson, film critic, Artforum; Beth Janson, executive director, Tribeca Film Institute; Daniel Loría, overseas editor, BoxOffice; Mike Maggiore, programmer, Film Forum; Paco de Onís, filmmaker; Anita Reher, executive director, Robert Flaherty Film Seminar; Julia Solomonoff, filmmaker; Maria-Christina Villaseñor, film curator and writer.
2013 Nominating Committee:
Cecilia Barrionuevo, programmer, Mar del Plata Film Festival, Argentina; Raúl Camargo, programmer, Valdivia Film Festival, Chile; John Campos Gómez, director, Transcinema Film Festival, Peru; Inti Cordera, director, DocsDF Film Festival, Mexico; Christine Davila, programmer, Sundance, Los Angeles Film Festival, Ambulante USA; Eugenio del Bosque, director, Cine Las Américas, USA; Raciel del Toro, Cinergia, Costa Rica; Vanessa Erazo, film programmer and journalist, indieWIRE/LatinoBuzz, Remezcla, USA; Lisa Franek, programmer, San Diego Latino Film Festival, USA; Robert A. Gomez, film journalist, Cinemathon, Venezuela; Jaie Laplante, director, Miami Film Festival, USA; Agustín Mango, film journalist, Hollywood Reporter, Argentina; Jim Mendiola, programmer, CineFestival, San Antonio, USA; Luis Ortiz, director, Latino Public Broadcasting, USA; Rafael Sampaio, programmer, Sao Paulo Latin American Film Festival, Brazil; Eva Sangiorgi, programmer, Ficunam, Mexico; Gerwin Tamsma, programmer, Rotterdam Film Festival, Netherlands.
- 1/8/2014
- by Sydney Levine
- Sydney's Buzz
September 11 marked a very different occasion in Chile. It was 40 years ago that a CIA backed military operation ousted a democratically elected president and launched 17 years of fear and violence on the nation. Chilean artists only survived if they went in to exile and film schools were closed. Expression wasn't encouraged so it's incredible that today these Chilenos and Chilenas have a voice and have made such an impact on the international film landscape.
They came through the dictatorship and have an admiration and camaraderie with one another that inspires each other with an unbreakable bond. Today is Chilean Independence day and we wanted to ask these filmmakers who has inspired them. As a Chileno, I dedicate this to my mother.
Nicolas Lopez - Aftershock
Inspiration: Woody Allen, Alex de la Iglesia, Santiago Segura, Quentin Tarantino, Todd Solondz.
Sebastián Lelio - Gloria
Inspiration: John Cassavetes, Francois Truffaut, Raoul Ruiz, Pier Palo Pasolini, Roberto Rossellini.
Read SydneysBuzz interview with Sebastián Leilo Here
Alice Scherson - Il Futuro
Inspiration: Michelangelo Antonioni, Agnes Varda, Hal Hartley, Alfred Hitchcock, Raul Ruiz.
Marialy Rivas - Joven Y Alocada
Inspiration: Jean Luc Godard, Wim Wenders, Lars Von Trier, Alfred Hitchcock, Antonioni
“I'm going with the classics being cinema such a young art, no?”
Cristian Jimenez - Bonsai
Inspiration: Aki Kaurismaki, Nicholas Ray, Raúl Ruiz, Yasujiro Ozu, Jan Svankmajer
Che Sandoval - Te creís la más linda... (Pero erís la más puta)
Inspiration: Jim Jarmush, John Casavettes, Andrew Bujalsky, John Houston, Jean Luc Godard
Matias Lira - Drama
Inspiration: Werner Herzog, Luchino Visconti, John Cassavetes, David Lynch, Lars Von Trier (From Chile: Raul Ruiz, Andres Wood, Pablo Larrain, Ignacio Agüero, Patricio Guzman)
Rodrigo Marin - Zoologico
Inspiration: Ruben Ostlund, Ulrich Seidl, Yorghos Lanthimos, Cristian Jimenez, James Grey
Ernesto Diaz Espinoza – Santiago Violenta
Inspiration: Quentin Tarantino, Martin Scorsese, David Lynch, Takeshi Kitano, Alfred Hitchcock
Maria Jose San Martin – La Ducha
Inspiration: Woody Allen, Michael Haneke, Martin Rejim, Rodrigo Garcia, John Cassavetes
Another recent notable Chilean film is The Summer of Flying Fish by Marcela Said
Read Sydney's interview with Marcela Said during Tiff Here
Read our review for the film Here...
They came through the dictatorship and have an admiration and camaraderie with one another that inspires each other with an unbreakable bond. Today is Chilean Independence day and we wanted to ask these filmmakers who has inspired them. As a Chileno, I dedicate this to my mother.
Nicolas Lopez - Aftershock
Inspiration: Woody Allen, Alex de la Iglesia, Santiago Segura, Quentin Tarantino, Todd Solondz.
Sebastián Lelio - Gloria
Inspiration: John Cassavetes, Francois Truffaut, Raoul Ruiz, Pier Palo Pasolini, Roberto Rossellini.
Read SydneysBuzz interview with Sebastián Leilo Here
Alice Scherson - Il Futuro
Inspiration: Michelangelo Antonioni, Agnes Varda, Hal Hartley, Alfred Hitchcock, Raul Ruiz.
Marialy Rivas - Joven Y Alocada
Inspiration: Jean Luc Godard, Wim Wenders, Lars Von Trier, Alfred Hitchcock, Antonioni
“I'm going with the classics being cinema such a young art, no?”
Cristian Jimenez - Bonsai
Inspiration: Aki Kaurismaki, Nicholas Ray, Raúl Ruiz, Yasujiro Ozu, Jan Svankmajer
Che Sandoval - Te creís la más linda... (Pero erís la más puta)
Inspiration: Jim Jarmush, John Casavettes, Andrew Bujalsky, John Houston, Jean Luc Godard
Matias Lira - Drama
Inspiration: Werner Herzog, Luchino Visconti, John Cassavetes, David Lynch, Lars Von Trier (From Chile: Raul Ruiz, Andres Wood, Pablo Larrain, Ignacio Agüero, Patricio Guzman)
Rodrigo Marin - Zoologico
Inspiration: Ruben Ostlund, Ulrich Seidl, Yorghos Lanthimos, Cristian Jimenez, James Grey
Ernesto Diaz Espinoza – Santiago Violenta
Inspiration: Quentin Tarantino, Martin Scorsese, David Lynch, Takeshi Kitano, Alfred Hitchcock
Maria Jose San Martin – La Ducha
Inspiration: Woody Allen, Michael Haneke, Martin Rejim, Rodrigo Garcia, John Cassavetes
Another recent notable Chilean film is The Summer of Flying Fish by Marcela Said
Read Sydney's interview with Marcela Said during Tiff Here
Read our review for the film Here...
- 9/18/2013
- by Juan Caceres
- Sydney's Buzz
The week went by and Fidocs happened, and while there's still some movies that I plan to review, the festival is over and it was a cinema party, as always. With more than 90 films playing for six days, the organizers always had in mind that people should have the opportunity to see every movie they wanted to see. And so, this past Saturday evening, the winners of all the competitions were awarded. The most important winner is the one of the Chilean Competition; the prize was given to El otro día (The Other Day), directed by famed Chilean documentary director Ignacio Agüero (El diario de Agustín, Cien niños esperando un tren).Last year I had the chance to see the winning film, thanks to a friend,...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 7/1/2013
- Screen Anarchy
Press Release 108 films from 40 countries will compete in Documenta Madrid 09 • 108 documentaries selected from among the 1000 films presented to the competition will participate in the Competitive Sections, which have a strong Spanish representation. • Chema Rodríguez has two films in the Official Section, with his full-length Coyote and his short film Triste Borracha. • The Spanish-Dutch director Sonia Herman Dolz, the Mexican Juan Carlos Rulfo, the Chilean Ignacio Agüero Piwonka return to the festival to compete for the Award for Best Full-length Film. Madrid, 14 abril -’09 In its 6th year, Documenta Madrid furthers its commitment to the Competitive Sections, which are made up entirely of films previously unreleased in Spain for the first time in its history. Of the 1078 documentaries received to participate in the competition, 108 have been selected. By category, they will compete in: 54 films in the Original Documentary Section (22 full-length films and [...]...
- 4/14/2009
- by Andre Soares
- Alt Film Guide
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