Sometimes on “Top Chef,” the difference between a winning dish and a losing dish is just a matter of proper execution. That was the case in “Hands Off,” in which Tom Goetter made a mousse with all the right flavors but all the wrong consistency. But luckily for Goetter, it was Dale MacKay‘s flabby, flavorless chicken whose execution left the most to be desired. So Tom Colicchio welcomed MacKay back to “Last Chance Kitchen” to prove his technical ability with one of the most basic dishes in a chef’s arsenal: an omelet.
“It doesn’t feel good to be sent home twice in one season,” admits MacKay, who just fought his way back into the competition in “Top Chef is No Picnic” only to be eliminated again just a week later. “I’ve never been sent home before, so the first time was a new feeling. Second time doesn’t feel any better.
“It doesn’t feel good to be sent home twice in one season,” admits MacKay, who just fought his way back into the competition in “Top Chef is No Picnic” only to be eliminated again just a week later. “I’ve never been sent home before, so the first time was a new feeling. Second time doesn’t feel any better.
- 4/21/2023
- by Daniel Montgomery
- Gold Derby
Now defunct Houston theatre alleged exhibition giant had clearance pacts with studios.
Exhibition giant AMC is on course for a potential antitrust trial after a Texas judge rejected its arguments to throw out a case by a now defunct Houston theatre.
Federal judge Arnold Bennett dismissed AMC’s motion for summary judgment in light of a 2015 case brought by Viva Cinemas Theaters that the major exhibitor has so-called clearance pacts with studios to ensure exclusive first-run screenings in a geographical region.
While AMC’s lawyers had claimed that ‘horizontal agreements’ between suppliers (film producers/studios) would be illegal, it argued...
Exhibition giant AMC is on course for a potential antitrust trial after a Texas judge rejected its arguments to throw out a case by a now defunct Houston theatre.
Federal judge Arnold Bennett dismissed AMC’s motion for summary judgment in light of a 2015 case brought by Viva Cinemas Theaters that the major exhibitor has so-called clearance pacts with studios to ensure exclusive first-run screenings in a geographical region.
While AMC’s lawyers had claimed that ‘horizontal agreements’ between suppliers (film producers/studios) would be illegal, it argued...
- 8/21/2018
- by Jeremy Kay
- ScreenDaily
"The enjoyment of a work of art, the acceptance of an irresistible illusion, constituting, to my sense, our highest experience of "luxury," the luxury is not greatest, by my consequent measure, when the work asks for as little attention as possible. It is greatest, it is delightfully, divinely great, when we feel the surface, like the thick ice of the skater's pond, bear without cracking the strongest pressure we throw on it. The sound of the crack one may recognise, but never surely to call it a luxury." —Henry James, from The Preface to The Wings of the Dove (1909) "[The critic’s] choice of best salami is a picture backed by studio build-up, agreement amongst his colleagues, a layout in Life mag (which makes it officially reasonable for an American award), and a list of ingredients that anyone’s unsophisticated aunt in Oakland can spot as comprising a distinguished film. This prize picture,...
- 7/27/2015
- by Greg Gerke
- MUBI
Martha Stewart: Actress / Singer in Fox movies apparently not dead despite two-year-old reports to the contrary (Photo: Martha Stewart and Perry Como in 'Doll Face') According to various online reports, including Variety's, actress and singer Martha Stewart, a pretty blonde featured in supporting roles in a handful of 20th Century Fox movies of the '40s, died at age 89 of "natural causes" in Northeast Harbor, Maine, on February 25, 2012. Needless to say, that was not the same Martha Stewart hawking "delicious foods" and whatever else on American television. But quite possibly, the Martha Stewart who died in February 2012 -- if any -- was not the Martha Stewart of old Fox movies either. And that's why I'm republishing this (former) obit, originally posted more than two and a half years ago: March 11, 2012. Earlier today, a commenter wrote to Alt Film Guide, claiming that the Martha Stewart featured in Doll Face, I Wonder Who's Kissing Her Now,...
- 11/11/2014
- by Andre Soares
- Alt Film Guide
Creative force in the British film industry whose work included The Stepford Wives and Whistle Down the Wind
The director, actor and writer Bryan Forbes, who has died aged 86, was one of the most creative forces in the British film industry of the 1960s, and the Hollywood films he directed included the original version of The Stepford Wives (1974). In later life he turned to the writing of books, both fiction and memoirs.
The turning point for him in cinema was the formation of the independent company Beaver Films with his friend Richard Attenborough in 1958. For the screenplay of their first production, The Angry Silence (1960), Forbes received an Oscar nomination and a Bafta award. Attenborough played a factory worker shunned and persecuted for not joining a strike. His colleagues are shown as being manipulated by skulking professional agitators and to some it seemed more like a political statement than a human...
The director, actor and writer Bryan Forbes, who has died aged 86, was one of the most creative forces in the British film industry of the 1960s, and the Hollywood films he directed included the original version of The Stepford Wives (1974). In later life he turned to the writing of books, both fiction and memoirs.
The turning point for him in cinema was the formation of the independent company Beaver Films with his friend Richard Attenborough in 1958. For the screenplay of their first production, The Angry Silence (1960), Forbes received an Oscar nomination and a Bafta award. Attenborough played a factory worker shunned and persecuted for not joining a strike. His colleagues are shown as being manipulated by skulking professional agitators and to some it seemed more like a political statement than a human...
- 5/9/2013
- by Dennis Barker
- The Guardian - Film News
Janet Suzman was one of the giants of the British stage in the 60s and 70s. She might have made it in Hollywood too – if she hadn't looked so good in a tiara
'See Pooh bear up there?" says Janet Suzman, pointing to a little doll on the bookshelf. "That was a present from Judi Dench when Josh was born. Isn't it sweet?" We're sitting in what was once her son's nursery at Suzman's Hampstead home. Now little Josh is Dr Joshua Nunn, 30-year-old father to a seven-month-old daughter. He's a postdoctoral research associate at the cool-sounding Ultrafast Group at Oxford's physics department and is currently researching the field of quantum memories. Perhaps Dr Nunn will tell us some day if quantum memories are like the human ones that suffuse this room – memories of 30-year-old kisses and of bedtime stories read by one of the RSC's most seductive voices, all locked,...
'See Pooh bear up there?" says Janet Suzman, pointing to a little doll on the bookshelf. "That was a present from Judi Dench when Josh was born. Isn't it sweet?" We're sitting in what was once her son's nursery at Suzman's Hampstead home. Now little Josh is Dr Joshua Nunn, 30-year-old father to a seven-month-old daughter. He's a postdoctoral research associate at the cool-sounding Ultrafast Group at Oxford's physics department and is currently researching the field of quantum memories. Perhaps Dr Nunn will tell us some day if quantum memories are like the human ones that suffuse this room – memories of 30-year-old kisses and of bedtime stories read by one of the RSC's most seductive voices, all locked,...
- 8/20/2011
- by Stuart Jeffries
- The Guardian - Film News
Actor best known as the private detective Frank Marker in the television series Public Eye
For 10 years, the actor Alfred Burke, who has died aged 92, starred as the downbeat private detective Frank Marker in the popular television series Public Eye (1965-75). The character was intended as a British rival to Raymond Chandler's American gumshoe Philip Marlowe. Tough, unattached and self-sufficient, Marker could take a beating in the service of his often wealthy clients without quitting. "Marker wasn't exciting, he wasn't rich," Burke said. "He could be defined in negatives."
An ABC TV press release introduced the character as a "thin, shabby, middle-aged man with a slightly grim sense of humour and an aura of cynical incorruptibility. His office is a dingy south London attic within sound of Clapham Junction. He can't afford a secretary, much less an assistant, and when he needs a car, he hires a runabout from the local garage.
For 10 years, the actor Alfred Burke, who has died aged 92, starred as the downbeat private detective Frank Marker in the popular television series Public Eye (1965-75). The character was intended as a British rival to Raymond Chandler's American gumshoe Philip Marlowe. Tough, unattached and self-sufficient, Marker could take a beating in the service of his often wealthy clients without quitting. "Marker wasn't exciting, he wasn't rich," Burke said. "He could be defined in negatives."
An ABC TV press release introduced the character as a "thin, shabby, middle-aged man with a slightly grim sense of humour and an aura of cynical incorruptibility. His office is a dingy south London attic within sound of Clapham Junction. He can't afford a secretary, much less an assistant, and when he needs a car, he hires a runabout from the local garage.
- 2/19/2011
- by Dennis Barker, Michael Coveney
- The Guardian - Film News
The Observer's film critic reflects on The King's Speech – and how his own speech impediment has contributed to his life and character
From as early as I can remember until 1952, when I left home at the age of 18 to go into the army, there was an annual ritual on the afternoon of Christmas Day. Dinner, which meant turkey and all the trimmings followed by plum pudding, began around two o'clock and was carefully timed to end so that everyone could sit there beneath the paper decorations, wearing the hats that came out of the crackers, and earnestly, reverently listen to the king's Christmas message on the radio.
This hallowed national tradition, initiated by Sir John Reith in 1932, was not five years old when George V, who'd given four of them, died. His successor Edward VIII's landmark contribution to broadcasting was his 1936 abdication speech: there was no Christmas message that year.
From as early as I can remember until 1952, when I left home at the age of 18 to go into the army, there was an annual ritual on the afternoon of Christmas Day. Dinner, which meant turkey and all the trimmings followed by plum pudding, began around two o'clock and was carefully timed to end so that everyone could sit there beneath the paper decorations, wearing the hats that came out of the crackers, and earnestly, reverently listen to the king's Christmas message on the radio.
This hallowed national tradition, initiated by Sir John Reith in 1932, was not five years old when George V, who'd given four of them, died. His successor Edward VIII's landmark contribution to broadcasting was his 1936 abdication speech: there was no Christmas message that year.
- 12/26/2010
- by Philip French
- The Guardian - Film News
Deborah Lipstadt (Another rule for Germany, 5 October) might have mentioned that the novels by Lion Feuchtwanger and Wilhelm Hauff on which the film Jud Süss is based are not antisemitic. In the film, the main character, Süss, a Jew, rapes a non-Jewish woman, who then commits suicide. In Feuchtwanger's book, the Duke of Württemberg, Süss's employer, attempts to rape Süss's daughter and accidentally kills her. Süss attempts to gain revenge, but is condemned to death, having refused to convert to Christianity. He dies with a Jewish prayer on his lips. In the 1827 novel by Hauff, Süss discovers that he is not Jewish, but nevertheless endures his punishment rather than betray the community to which he has always belonged. The film is the grossest distortion, both of the fictional accounts and of historical fact.
Peter Bendall
Cambridge
• In contamplating the film of Jud Süss and the new film about the making...
Peter Bendall
Cambridge
• In contamplating the film of Jud Süss and the new film about the making...
- 10/8/2010
- The Guardian - Film News
Producer, director and cinematographer of many well-loved British film classics, including Oliver Twist, Tunes of Glory and The Prime of Miss Jean Brodie
The producer, director, writer and cinematographer Ronald Neame, who has died aged 99, played an important role in British cinema for more than half a century. The critic Matthew Sweet once called him "a living embodiment of cinema, a sort of one-man world heritage site". Neame was assistant director to Alfred Hitchcock on Blackmail (1929), the first British talkie; he was the cinematographer on In Which We Serve (1942), Noël Coward's moving tribute to the Royal Navy during the second world war; he co-produced and co-wrote David Lean's Brief Encounter (1945) and Great Expectations (1946); and he directed Alec Guinness in two of his best roles, in The Horse's Mouth (1958) and Tunes of Glory (1960). As if this wasn't enough, Neame also conquered Hollywoo d with one of the first and most successful disaster movies,...
The producer, director, writer and cinematographer Ronald Neame, who has died aged 99, played an important role in British cinema for more than half a century. The critic Matthew Sweet once called him "a living embodiment of cinema, a sort of one-man world heritage site". Neame was assistant director to Alfred Hitchcock on Blackmail (1929), the first British talkie; he was the cinematographer on In Which We Serve (1942), Noël Coward's moving tribute to the Royal Navy during the second world war; he co-produced and co-wrote David Lean's Brief Encounter (1945) and Great Expectations (1946); and he directed Alec Guinness in two of his best roles, in The Horse's Mouth (1958) and Tunes of Glory (1960). As if this wasn't enough, Neame also conquered Hollywoo d with one of the first and most successful disaster movies,...
- 6/20/2010
- by Ronald Bergan
- The Guardian - Film News
Pioneering director of theatre-in-the-round and musical shows in the Potteries
Once described by Simon Hoggart as the "furry caterpillar" because of his habitual woolly sweaters, Peter Cheeseman, who has died aged 78, offered a unique vision of the role of theatre in the community. He pioneered theatre-in-the-round and, as the artistic director of the Victoria theatre in Stoke-on-Trent and then the New Vic in Newcastle-under-Lyme, installed a vibrant, creative hothouse in the industrial sprawl of the Potteries.
English regional theatre in the late 1950s was still dominated by the Edwardian values of the West End, the star system and the cosy conventions of the French-windows farce. Peter's passionate commitment to breaking the fourth wall of the proscenium arch stage, and rooting a resident company of actors, writers, musicians and designers in the local community, was revolutionary. He became involved in 1961 with the Studio Theatre Company, founded by Stephen Joseph. Peter put...
Once described by Simon Hoggart as the "furry caterpillar" because of his habitual woolly sweaters, Peter Cheeseman, who has died aged 78, offered a unique vision of the role of theatre in the community. He pioneered theatre-in-the-round and, as the artistic director of the Victoria theatre in Stoke-on-Trent and then the New Vic in Newcastle-under-Lyme, installed a vibrant, creative hothouse in the industrial sprawl of the Potteries.
English regional theatre in the late 1950s was still dominated by the Edwardian values of the West End, the star system and the cosy conventions of the French-windows farce. Peter's passionate commitment to breaking the fourth wall of the proscenium arch stage, and rooting a resident company of actors, writers, musicians and designers in the local community, was revolutionary. He became involved in 1961 with the Studio Theatre Company, founded by Stephen Joseph. Peter put...
- 4/29/2010
- by Robin Thornber
- The Guardian - Film News
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