Exclusive: Juno Films has acquired rights to the experimental drama The Same Storm, from writer-director Peter Hedges (Ben Is Back), for distribution in the U.S., Canada and the UK. The film will open at the Quad Cinema in NYC and the Laemmle Santa Monica on October 14.
Filmed during the Covid pandemic using cell phones and laptops, The Same Storm invites viewers into the lives of 24 characters as they navigate the spring and summer of 2020. With lockdowns, the Black Lives Matter movement and the looming 2020 election as key backdrops, the film explores the importance of human connection, family and love during a time when all of that seemed out of reach.
Two-time Golden Globe winner Sandra Oh (Killing Eve), Emmy and Golden Globe winner Mary-Louise Parker (Colin in Black & White), two-time Oscar nominee Elaine May (Crisis in Six Scenes), Emmy nominee Moses Ingram (Obi-Wan Kenobi), Independent Spirit Award nominee...
Filmed during the Covid pandemic using cell phones and laptops, The Same Storm invites viewers into the lives of 24 characters as they navigate the spring and summer of 2020. With lockdowns, the Black Lives Matter movement and the looming 2020 election as key backdrops, the film explores the importance of human connection, family and love during a time when all of that seemed out of reach.
Two-time Golden Globe winner Sandra Oh (Killing Eve), Emmy and Golden Globe winner Mary-Louise Parker (Colin in Black & White), two-time Oscar nominee Elaine May (Crisis in Six Scenes), Emmy nominee Moses Ingram (Obi-Wan Kenobi), Independent Spirit Award nominee...
- 8/24/2022
- by Matt Grobar
- Deadline Film + TV
"The Tree of Life" and "Beginners" emerged as the big winners for the 21st Gotham Independent Film Awards. "The Descendants" and "Martha Marcy May Marlene" led the pack with three nominations each but in the end, Terrence Malick's "The Tree of Life" and Mike Mills' "Beginners" ruled the night.
Related Posts:
Ewan McGregor interview for "Beginners" right here
Mike Mills interview for "Beginners right here
The Gotham Independent Film Awards officially kicks off the 2011-12 award season which of course, leads to the granddaddy of the awards season, the Academy Awards!
Hosted by Edie Falco and Oliver Platt, the Gotham Awards also gave career tributes to Charlize Theron, Gary Oldman, David Cronenberg and Tom Rothman.
"Beginners" also took home the Best Ensemble Performance Award, "Better This World" won Best Documentary, Dee Rees who gave us the wonderful "Pariah" won Breakthrough Director, Felicity Jones for "Like Crazy" won Breakthrough Actor,...
Related Posts:
Ewan McGregor interview for "Beginners" right here
Mike Mills interview for "Beginners right here
The Gotham Independent Film Awards officially kicks off the 2011-12 award season which of course, leads to the granddaddy of the awards season, the Academy Awards!
Hosted by Edie Falco and Oliver Platt, the Gotham Awards also gave career tributes to Charlize Theron, Gary Oldman, David Cronenberg and Tom Rothman.
"Beginners" also took home the Best Ensemble Performance Award, "Better This World" won Best Documentary, Dee Rees who gave us the wonderful "Pariah" won Breakthrough Director, Felicity Jones for "Like Crazy" won Breakthrough Actor,...
- 11/29/2011
- by Manny
- Manny the Movie Guy
Brad Pitt in Terrence Malick's The Tree of Life Alexander Payne, Terrence Malick In; Woody Allen Out: Gotham Awards 2011 Best Feature (tie) * Beginners Mike Mills, director; Leslie Urdang, Dean Vanech, Miranda de Pencier, Jay Van Hoy, Lars Knudsen, producers (Focus Features) The Descendants Alexander Payne, director; Jim Burke, Alexander Payne, Jim Taylor, producers (Fox Searchlight Pictures) Meek’s Cutoff Kelly Reichardt, director; Neil Kopp, Anish Savjani, Elizabeth Cuthrell, David Urrutia, producers (Oscilloscope Laboratories) Take Shelter Jeff Nichols, director; Tyler Davidson, Sophia Lin, producers (Sony Pictures Classics) * The Tree of Life Terrence Malick, director; Sarah Green, Bill Pohlad, Brad Pitt, Dede Gardner, Grant Hill, producers (Fox Searchlight Pictures) Best Documentary * Better This World Katie Galloway and Kelly Duane de la Vega, directors; Katie Galloway, Kelly Duane de la Vega, Mike Nicholson, producers (Loteria Films, Picturebox, Motto Pictures and Passion Pictures; Itvs in association with American Documentary | Pov) Bill Cunningham New York Richard Press,...
- 11/29/2011
- by Steve Montgomery
- Alt Film Guide
The 21st Annual Gotham Awards were handed out in New York City Monday night. The winners were as follows. Look for a complete on the scene report later tonight on HitFix. Best Feature "Beginners" Mike Mills, director; Leslie Urdang, Dean Vanech, Miranda de Pencier, Jay Van Hoy, Lars Knudsen, producers (Focus Features) "The Descendants" Alexander Payne, director; Jim Burke, Alexander Payne, Jim Taylor, producers (Fox Searchlight Pictures) "Meek’s Cutoff" Kelly Reichardt, director; Neil Kopp, Anish Savjani, Elizabeth Cuthrell, David Urrutia, producers (Oscilloscope Laboratories) "Take Shelter" Jeff Nichols, director; Tyler Davidson,...
- 11/29/2011
- Hitfix
Sure, The Oscars are what everyone pays attention to, but over the past few years, the awards known as The Gotham Awards have become more and more influential, and more and more intriguing.
With last year’s winner Winter’s Bone becoming the indie darling of last year’s awards season, it remains to be seen as to what this year’s award darling will be, but we know who it may very well end up being. The nominees for this year’s awards have been revealed, and they are not only interesting, but even have a big time Criterion connection amongst them.
Obviously the biggest winners here are the films The Descendants and Martha Marcy May Marlene, both of which walk away with the most nods respectively. Terrence Malick’s Tree Of Life is up for Best Feature, as is one of this writer’s other favorite 2011 releases, Steve James’ The Interrupters.
With last year’s winner Winter’s Bone becoming the indie darling of last year’s awards season, it remains to be seen as to what this year’s award darling will be, but we know who it may very well end up being. The nominees for this year’s awards have been revealed, and they are not only interesting, but even have a big time Criterion connection amongst them.
Obviously the biggest winners here are the films The Descendants and Martha Marcy May Marlene, both of which walk away with the most nods respectively. Terrence Malick’s Tree Of Life is up for Best Feature, as is one of this writer’s other favorite 2011 releases, Steve James’ The Interrupters.
- 10/21/2011
- by Joshua Brunsting
- CriterionCast
By Sean O’Connell
Hollywoodnews.com: Nominees for the 21st Gotham Independent Film Awards were revealed this morning, and Fox Searchlight’s bound to be pleased.
Two films the studio will be pushing through the awards season – Alexander Payne’s “The Descendants” and Sean Durkin’s “Martha March May Marlene” – lead the pack with three nominations apiece, including Best Feature (for “Descendants”) and Best Ensemble Performance (for both films).
The studio’s “The Tree of Life,” director Terrence Malick’s rumination on creation and destruction, also scored a Best Feature nomination. All told, Searchlight nabbed eight Gotham nominations. The closest competitor was Focus Features and Sony Pictures Classics, each with three nominations to their names.
The remaining Best Feature nominees were Mike Mills’ “Beginners,” Jeff Nichols’ “Take Shelter” and Kelly Reichardt’s “Meek’s Cutoff.”
The Gotham Awards’ ceremony will be held on Nov. 28 … the same day the New York...
Hollywoodnews.com: Nominees for the 21st Gotham Independent Film Awards were revealed this morning, and Fox Searchlight’s bound to be pleased.
Two films the studio will be pushing through the awards season – Alexander Payne’s “The Descendants” and Sean Durkin’s “Martha March May Marlene” – lead the pack with three nominations apiece, including Best Feature (for “Descendants”) and Best Ensemble Performance (for both films).
The studio’s “The Tree of Life,” director Terrence Malick’s rumination on creation and destruction, also scored a Best Feature nomination. All told, Searchlight nabbed eight Gotham nominations. The closest competitor was Focus Features and Sony Pictures Classics, each with three nominations to their names.
The remaining Best Feature nominees were Mike Mills’ “Beginners,” Jeff Nichols’ “Take Shelter” and Kelly Reichardt’s “Meek’s Cutoff.”
The Gotham Awards’ ceremony will be held on Nov. 28 … the same day the New York...
- 10/20/2011
- by Sean O'Connell
- Hollywoodnews.com
Continuing with their policy of spreading the joy in across all categories, the Gotham independent film award nominations has Sean Durkin’s Martha Marcy May Marlene and Alexander Payne’s The Descendantsleading the pack with three noms each, but mysteriously it is Durkin's gem that is pushed aside in a Best Feature category that includes Payne's film and Tree of Life, the other best indie film of the year in Jeff Nichols's Take Shelter, and a pair of films that many of us associate to 2010 in Meek's Cutoff and Beginners. The 21st gala will take place in late November. It would be a huge surprise if Martha Marcy May Marlene doesn't take home Breakthrough Actor (Elizabeth Olsen) and Breakthrough Director (the category see Durkin measure himself up against four other Sundance Film Festival newbies - he claimed the Best Directing prize at the festival), but in the Best Ensemble...
- 10/20/2011
- IONCINEMA.com
The Ifp have announced the nominees for their 21st Gotham Independent Film Awards.
Considered the kick off to awards season, this year’s leaders in nominations are Alexander Payne‘s The Descendants and Sean Durkin‘s Martha Marcy May Marlene with three nominations each.
Along with the competitive awards, Charlize Theron, Gary Oldman, David Cronenberg and Tom Rothman will each be presented with career tributes.
The full list of nominees are below. The awards will be handed out on Monday, November 28th at Cipriani Wall Street.
And from Nov. 18-21 be sure to check out the nominees of the Best Film Not Playing At A Theater Near You (selected by us at Filmmaker) when they screen at MoMA.
The nominees for the 21st Annual Gotham Independent Film Awards are:
Best Feature
Beginners
Mike Mills, director; Leslie Urdang, Dean Vanech, Miranda de Pencier, Jay Van Hoy, Lars Knudsen, producers (Focus Features)
The Descendants
Alexander Payne,...
Considered the kick off to awards season, this year’s leaders in nominations are Alexander Payne‘s The Descendants and Sean Durkin‘s Martha Marcy May Marlene with three nominations each.
Along with the competitive awards, Charlize Theron, Gary Oldman, David Cronenberg and Tom Rothman will each be presented with career tributes.
The full list of nominees are below. The awards will be handed out on Monday, November 28th at Cipriani Wall Street.
And from Nov. 18-21 be sure to check out the nominees of the Best Film Not Playing At A Theater Near You (selected by us at Filmmaker) when they screen at MoMA.
The nominees for the 21st Annual Gotham Independent Film Awards are:
Best Feature
Beginners
Mike Mills, director; Leslie Urdang, Dean Vanech, Miranda de Pencier, Jay Van Hoy, Lars Knudsen, producers (Focus Features)
The Descendants
Alexander Payne,...
- 10/20/2011
- by Jason Guerrasio
- Filmmaker Magazine - Blog
The heavy awards onslaught is gearing up and it is a good year to be Fox Searchlight. The 21st Gotham Independent Film Award Nominations have been announced and two of the studio’s films happen to lead the pack. Alexander Payne‘s The Descendants picked up nominations for Best Feature, Best Ensemble Performance and Best Breakthrough Actor. Their Sundance hit (and one of my personal favorites of the year) Martha Marcy May Marlene picked up Ensemble, Breakthrough Actor and Breakthrough Director for Sean Durkin.
That latter award is a great pack including Mike Cahill for Another Earth, Vera Farmiga for Higher Ground, Evan Glodell for Bellflower and Dee Rees for Pariah. It is also great to see my frontrunner for #1 film of 2011, Terrence Malick‘s The Tree of Life get a Best Feature nomination. Check out the noms below via indieWIRE.
New York, NY (October 20, 2011) – The Independent Filmmaker Project (Ifp...
That latter award is a great pack including Mike Cahill for Another Earth, Vera Farmiga for Higher Ground, Evan Glodell for Bellflower and Dee Rees for Pariah. It is also great to see my frontrunner for #1 film of 2011, Terrence Malick‘s The Tree of Life get a Best Feature nomination. Check out the noms below via indieWIRE.
New York, NY (October 20, 2011) – The Independent Filmmaker Project (Ifp...
- 10/20/2011
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
Thanks to Indiewire. Best Feature: Beginners Mike Mills, director; Leslie Urdang, Dean Vanech, Miranda de Pencier, Jay Van Hoy, Lars Knudsen, producers (Focus Features) The Descendants Alexander Payne, director; Jim Burke,...
- 10/20/2011
- by Sasha Stone
- AwardsDaily.com
Take a look at our hand-picked projects that were recently added to IMDbPro's growing database of development titles:
Satori – Leonardo DiCaprio stars and produces this CIA thriller for Warner Bros. based on Don Winslow's bestseller and adapted for the screen by Shane Salerno. DiCaprio plays an assassin who is released from three years in solitary confinement to undertake a dangerous covert mission.
Foxcatcher – Steve Carell's next post-Office gig isn't exactly a cubical of laughs. He's set to portray John du Pont, a millionaire who suffered from paranoid schizophrenia and died last year in prison, serving a 30-year sentence for killing an Olympic gold medalist at his Pennsylvania physical training center called Foxcatcher. Capote director Bennett Miller directs.
Untitled Steve Martin/Alec Baldwin Project – It's getting more Complicated for fellow funny guys Steve Martin and Alec Baldwin. The pair are looking to team up with Adam Shankman in this comedy that's described as a hybrid of Trading Places and Grumpy Old Men.
Stay All Night – Docu filmmaker Steven Lippman, whose previous work include the likes of David Bowie, Rosanne Cash and Bette Midler is setting his sights on Judy Garland's 1961 Carnagie Hall concert next. The film offers a kaleidoscopic look at the connection between Garland and her audience, the nature of memory and New York City.
Vara the Boon – Bhutanese director Khyentse Norbu (The Cup, Travelers and Magicians) has joined forces with up Meek's Cutoff producer, Elizabeth Cuthrell, at Evenstar Films for this Southeast Asian tale about a temple dancer struggling to overcome her country's caste system.
If you know of something in the works, you can submit it via our online submission form.
Satori – Leonardo DiCaprio stars and produces this CIA thriller for Warner Bros. based on Don Winslow's bestseller and adapted for the screen by Shane Salerno. DiCaprio plays an assassin who is released from three years in solitary confinement to undertake a dangerous covert mission.
Foxcatcher – Steve Carell's next post-Office gig isn't exactly a cubical of laughs. He's set to portray John du Pont, a millionaire who suffered from paranoid schizophrenia and died last year in prison, serving a 30-year sentence for killing an Olympic gold medalist at his Pennsylvania physical training center called Foxcatcher. Capote director Bennett Miller directs.
Untitled Steve Martin/Alec Baldwin Project – It's getting more Complicated for fellow funny guys Steve Martin and Alec Baldwin. The pair are looking to team up with Adam Shankman in this comedy that's described as a hybrid of Trading Places and Grumpy Old Men.
Stay All Night – Docu filmmaker Steven Lippman, whose previous work include the likes of David Bowie, Rosanne Cash and Bette Midler is setting his sights on Judy Garland's 1961 Carnagie Hall concert next. The film offers a kaleidoscopic look at the connection between Garland and her audience, the nature of memory and New York City.
Vara the Boon – Bhutanese director Khyentse Norbu (The Cup, Travelers and Magicians) has joined forces with up Meek's Cutoff producer, Elizabeth Cuthrell, at Evenstar Films for this Southeast Asian tale about a temple dancer struggling to overcome her country's caste system.
If you know of something in the works, you can submit it via our online submission form.
- 10/7/2011
- by Eric Greene
- IMDbPro News
In a last-minute burst of activity as the Toronto International Film Festival is winding to a close, Lionsgate and Roadside Attractions once again joined forced to pick up the Will Ferrell drama "Everything Must Go," written and directed by Dan Rush; IFC Films made its third buy of a festival film by scooping up "Peep World," Barry Blaustein's tale of a dysfunctional family gathering; and Oscilloscope Laboratories opted for Kelly Reichardt's Western drama "Meek's Cutoff," starring Michelle Williams and Bruce Greenwood.
Lionsgate and Roadside, which earlier in the week stepped up to buy Robert Redford’s "The Conspirator," paid more than $3 million for U.S. rights to "Everything," a change of pace for Farrell, who plays a man whose life is falling apart in an adaptation of the story "Why Don't You Dance?" by Raymond Carver. It was produced by Temple Hills' Marty Bowen and Wyck Godfrey.
Roadside...
Lionsgate and Roadside, which earlier in the week stepped up to buy Robert Redford’s "The Conspirator," paid more than $3 million for U.S. rights to "Everything," a change of pace for Farrell, who plays a man whose life is falling apart in an adaptation of the story "Why Don't You Dance?" by Raymond Carver. It was produced by Temple Hills' Marty Bowen and Wyck Godfrey.
Roadside...
- 9/18/2010
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
Film review: 'Jesus' Son' 'Jesus' Son' Marks Maclean's Rebirth / Director demonstrates graceful style in film about '70s counterculture
Billy Crudup gives a career performance as a young man who disdains convention in "Jesus' Son", the first feature in seven years by gifted young filmmaker Alison Maclean ("Crush").
Melancholy and serene, funny and heartbreaking, this is a tough, deadly accurate portrait of the hedonism and freedom experienced by a young kid avidly searching out his own thrills and excitement during the last burst of the counterculture in the early 1970s.
There isn't much of a story, but the New Zealand-born Maclean deftly captures a specific place and time. There is a clear passion and intelligence and a strong directing presence at work. This Lions Gate production, in collaboration with Alliance Atlantis, has sparked widespread critical support and strong word-of-mouth at the Venice and Telluride film festivals.
With its strong cast and favorable reviews, "Jesus' Son" should stand out among specialized works, even in the crowded late-fall release schedule. Though much of the film is downbeat, the feeling of optimism and renewal offered by its conclusion should resonate with its audience.
Adapted from the highly regarded short story collection of Denis Johnson, "Jesus' Son" draws on the same hip, off-color humor and powerful visual strategies of Gus Van Sant's 1989 "Drugstore Cowboy". It offers the same edgy allure of the excitement and depravity of the outsider drug culture to the alienated outsiders growing up between the disillusionment of Vietnam and Watergate. Crudup plays a quietly desperate loser known by his associates by a word that can't be printed here, though is shortened to FH.
Maclean plays around with the form, breaking the narrative, using intertitles to create an eerie sense of anticipation and tension. She skips around like a needle on a vinyl record, creating a mood and feeling of surprise throughout. The first half unfolds in the Iowa cornfields, most of the action set in a farmhouse where FH and his derelict friends get stoned and hang out.
But there is also the possibility of unexpected, random violence -- a gunshot, a appallingly funny knife wound to the eye -- that continually throws off expectations. FH captures the fancy of a beautiful, rebellious free spirit named Michelle (excellent young actress Samantha Morton). Their scenes have a poignancy and depth in the playful physical interaction and their growing dependency on each other. Their quest is an extended adventure -- living in hotels, getting hooked on heroin -- until tragedy ensues.
Morton, the best thing in Woody Allen's "Sweet and Lowdown", is going to be around for a long time. She has a face that registers a range of emotions. Her work is quiet though bold and daring without calling undue attention. Crudup also delivers on the promise and the high expectations that have surrounded him. His performance is concentrated and intense, with an alert, sharp feeling for FH's emotional conflict.
The last part takes place in Phoenix, where the brighter, sun-drenched atmosphere leads to FH's slow realization of responsibility and concern for others, which Maclean conveys through his growing obsession with a beautiful young Amish woman that has a stunning, poetic resolution.
"Jesus' Son" deals with serious themes: addiction, death, resurrection. Maclean demonstrates a fluid and graceful visual style, drawing on the brooding landscapes, that mirrors the interior lives of the primary characters. The film also boasts a wonderful secondary cast, headed by Holly Hunter as a hard-luck woman whose husbands and lovers have all met horrible fates and Denis Leary as a sad, desperate, easygoing criminal whose life of diminished expectations reaches an appropriately sad conclusion.
JESUS' SON
Lions Gate
Alliance Atlantis presents
an Alison Maclean film
Credits: Producer: Lydia Dean Pilcher; Producer-screenwriters: Elizabeth Cuthrell, David Urrutia; Director: Alison Maclean; Screenwriter: Oren Moverman; Director of photography: Adam Kimmel; Editor: Stuart Levy; Production designer: David Doernberg; Music: Randall Poster. Cast: FH: Billy Crudup; Michelle: Samantha Morton. With: Denis Leary, Dennis Hopper, Holly Hunter, Jack Black, Will Patton, Greg Germann. No MPAA rating. Color/stereo. Running time -- 111 minutes.
Melancholy and serene, funny and heartbreaking, this is a tough, deadly accurate portrait of the hedonism and freedom experienced by a young kid avidly searching out his own thrills and excitement during the last burst of the counterculture in the early 1970s.
There isn't much of a story, but the New Zealand-born Maclean deftly captures a specific place and time. There is a clear passion and intelligence and a strong directing presence at work. This Lions Gate production, in collaboration with Alliance Atlantis, has sparked widespread critical support and strong word-of-mouth at the Venice and Telluride film festivals.
With its strong cast and favorable reviews, "Jesus' Son" should stand out among specialized works, even in the crowded late-fall release schedule. Though much of the film is downbeat, the feeling of optimism and renewal offered by its conclusion should resonate with its audience.
Adapted from the highly regarded short story collection of Denis Johnson, "Jesus' Son" draws on the same hip, off-color humor and powerful visual strategies of Gus Van Sant's 1989 "Drugstore Cowboy". It offers the same edgy allure of the excitement and depravity of the outsider drug culture to the alienated outsiders growing up between the disillusionment of Vietnam and Watergate. Crudup plays a quietly desperate loser known by his associates by a word that can't be printed here, though is shortened to FH.
Maclean plays around with the form, breaking the narrative, using intertitles to create an eerie sense of anticipation and tension. She skips around like a needle on a vinyl record, creating a mood and feeling of surprise throughout. The first half unfolds in the Iowa cornfields, most of the action set in a farmhouse where FH and his derelict friends get stoned and hang out.
But there is also the possibility of unexpected, random violence -- a gunshot, a appallingly funny knife wound to the eye -- that continually throws off expectations. FH captures the fancy of a beautiful, rebellious free spirit named Michelle (excellent young actress Samantha Morton). Their scenes have a poignancy and depth in the playful physical interaction and their growing dependency on each other. Their quest is an extended adventure -- living in hotels, getting hooked on heroin -- until tragedy ensues.
Morton, the best thing in Woody Allen's "Sweet and Lowdown", is going to be around for a long time. She has a face that registers a range of emotions. Her work is quiet though bold and daring without calling undue attention. Crudup also delivers on the promise and the high expectations that have surrounded him. His performance is concentrated and intense, with an alert, sharp feeling for FH's emotional conflict.
The last part takes place in Phoenix, where the brighter, sun-drenched atmosphere leads to FH's slow realization of responsibility and concern for others, which Maclean conveys through his growing obsession with a beautiful young Amish woman that has a stunning, poetic resolution.
"Jesus' Son" deals with serious themes: addiction, death, resurrection. Maclean demonstrates a fluid and graceful visual style, drawing on the brooding landscapes, that mirrors the interior lives of the primary characters. The film also boasts a wonderful secondary cast, headed by Holly Hunter as a hard-luck woman whose husbands and lovers have all met horrible fates and Denis Leary as a sad, desperate, easygoing criminal whose life of diminished expectations reaches an appropriately sad conclusion.
JESUS' SON
Lions Gate
Alliance Atlantis presents
an Alison Maclean film
Credits: Producer: Lydia Dean Pilcher; Producer-screenwriters: Elizabeth Cuthrell, David Urrutia; Director: Alison Maclean; Screenwriter: Oren Moverman; Director of photography: Adam Kimmel; Editor: Stuart Levy; Production designer: David Doernberg; Music: Randall Poster. Cast: FH: Billy Crudup; Michelle: Samantha Morton. With: Denis Leary, Dennis Hopper, Holly Hunter, Jack Black, Will Patton, Greg Germann. No MPAA rating. Color/stereo. Running time -- 111 minutes.
- 9/14/1999
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.