Take another look @ Italian actress Monica Bellucci ("Brotherhood of the Wolf") in a recent issue of "Harper's Bazaar" magazine (Ukraine).
Bellucci wears dresses from a past spring/summer collection from Dolce & Gabbana.
Bellucci's film career began in the early 1990's, playing roles in "La Riffa" (1991) and "Bram Stoker's Dracula" (1992).
In 1996 she was nominated for a 'César Award' for best supporting actress for her portrayal of 'Lisa' in "L'Appartement".
This was followed by roles in "Malèna" (2000), "Brotherhood of the Wolf" and "Irréversible" (2002).
She has since played in numerous films including "Tears of the Sun" (2003), "The Matrix Reloaded" (2003), "The Brothers Grimm" (2005), "Le Deuxième souffle" (2007), "Don't Look Back" (2009), and "The Sorcerer's Apprentice" (2010).
Bellucci dubbed her own voice for the French and Italian releases of the film "Shoot 'Em Up" (2007), also voicing 'Kaileena' in the video game "Prince of Persia: Warrior Within" and the French voice of 'Cappy' for the French version of...
Bellucci wears dresses from a past spring/summer collection from Dolce & Gabbana.
Bellucci's film career began in the early 1990's, playing roles in "La Riffa" (1991) and "Bram Stoker's Dracula" (1992).
In 1996 she was nominated for a 'César Award' for best supporting actress for her portrayal of 'Lisa' in "L'Appartement".
This was followed by roles in "Malèna" (2000), "Brotherhood of the Wolf" and "Irréversible" (2002).
She has since played in numerous films including "Tears of the Sun" (2003), "The Matrix Reloaded" (2003), "The Brothers Grimm" (2005), "Le Deuxième souffle" (2007), "Don't Look Back" (2009), and "The Sorcerer's Apprentice" (2010).
Bellucci dubbed her own voice for the French and Italian releases of the film "Shoot 'Em Up" (2007), also voicing 'Kaileena' in the video game "Prince of Persia: Warrior Within" and the French voice of 'Cappy' for the French version of...
- 7/15/2014
- by Michael Stevens
- SneakPeek
Sneak Peek Italian actress Monica Bellucci in the March 2013 issue of fashion magazine, "Harper's Bazaar Ukraine".
Bellucci wears dresses from the 2013 spring/summer collection from Dolce & Gabbana.
Bellucci's film career began in the early 1990's, playing roles in "La Riffa" (1991) and "Bram Stoker's Dracula" (1992).
In 1996 she was nominated for a 'César Award' for best supporting actress for her portrayal of 'Lisa' in "L'Appartement".
This was followed by roles in "Malèna" (2000), "Brotherhood of the Wolf" and "Irréversible" (2002).
She has since played in numerous films including "Tears of the Sun" (2003), "The Matrix Reloaded" (2003), "The Brothers Grimm" (2005), "Le Deuxième souffle" (2007), "Don't Look Back" (2009), and "The Sorcerer's Apprentice" (2010).
Bellucci dubbed her own voice for the French and Italian releases of the film "Shoot 'Em Up" (2007), also voicing 'Kaileena' in the video game "Prince of Persia: Warrior Within" and the French voice of 'Cappy' for the French version of the 2005 animated feature "Robots".
Click...
Bellucci wears dresses from the 2013 spring/summer collection from Dolce & Gabbana.
Bellucci's film career began in the early 1990's, playing roles in "La Riffa" (1991) and "Bram Stoker's Dracula" (1992).
In 1996 she was nominated for a 'César Award' for best supporting actress for her portrayal of 'Lisa' in "L'Appartement".
This was followed by roles in "Malèna" (2000), "Brotherhood of the Wolf" and "Irréversible" (2002).
She has since played in numerous films including "Tears of the Sun" (2003), "The Matrix Reloaded" (2003), "The Brothers Grimm" (2005), "Le Deuxième souffle" (2007), "Don't Look Back" (2009), and "The Sorcerer's Apprentice" (2010).
Bellucci dubbed her own voice for the French and Italian releases of the film "Shoot 'Em Up" (2007), also voicing 'Kaileena' in the video game "Prince of Persia: Warrior Within" and the French voice of 'Cappy' for the French version of the 2005 animated feature "Robots".
Click...
- 4/6/2013
- by Michael Stevens
- SneakPeek
Exclusive: The wild success of the French film Intouchables and the specter of an English-language remake by The Weinstein Company has sparked Atria Books to secure English-language rights to publish the memoir on which the film is based. Atria will publish Philippe Pozzo di Borgo’s Le Second Souffle (The Second Wind) next year after acquiring world English-language rights. The book was first published in France 10 years ago, and a revised edition has become the top-selling nonfiction book in France. The film has sold 14 million tickets in France and is on track to become one of the country’s biggest hits. Philippe was left a quadriplegic after a paragliding accident, which transformed him from an aristocratic business and social leader into a helpless, tragic figure. With the help of an unlikely caregiver — an unemployed, hot-headed and uninhibited Algerian immigrant who turned out to be as lonely and lost as his...
- 12/20/2011
- by MIKE FLEMING
- Deadline
Award-wining French film director best known for Tous les Matins du Monde
It is fair to say that the majority of audiences who saw the film Tous les Matins du Monde (All the Mornings of the World, 1991) – directed by Alain Corneau, who has died of lung cancer aged 67 – had previously never heard of (or heard) the music of the baroque composer and viola da gamba virtuoso Marin Marais. However, the lacuna was soon filled after this sensitive, painterly and vivid recreation of 17th-century French musical life had won seven Césars (France's Oscars), become an international success and resulted in a bestselling CD of the soundtrack by Le Concert des Nations ensemble.
Starring Gérard Depardieu as the older Marais, looking back on his reckless younger self (played by Depardieu's son, Guillaume), it remains Corneau's biggest success outside France. In fact, Tous les Matins du Monde, one of the few films...
It is fair to say that the majority of audiences who saw the film Tous les Matins du Monde (All the Mornings of the World, 1991) – directed by Alain Corneau, who has died of lung cancer aged 67 – had previously never heard of (or heard) the music of the baroque composer and viola da gamba virtuoso Marin Marais. However, the lacuna was soon filled after this sensitive, painterly and vivid recreation of 17th-century French musical life had won seven Césars (France's Oscars), become an international success and resulted in a bestselling CD of the soundtrack by Le Concert des Nations ensemble.
Starring Gérard Depardieu as the older Marais, looking back on his reckless younger self (played by Depardieu's son, Guillaume), it remains Corneau's biggest success outside France. In fact, Tous les Matins du Monde, one of the few films...
- 9/2/2010
- by Ronald Bergan
- The Guardian - Film News
French filmmaker Alain Corneau (Le Deuxième souffle) will peer into the nastier aspects of being a career woman. Corneau began filming Une Femme Parfaite (eng. translation: A Perfect Woman) this week with Kristin Scott Thomas and Ludivine Sagnier trading blows in the offices of a powerful multinational co. Humiliation and revenge unfold. - French filmmaker Alain Corneau (Le Deuxième souffle) will peer into the nastier aspects of being a career woman. Corneau began filming Une Femme Parfaite (eng. translation: A Perfect Woman) this week with Kristin Scott Thomas and Ludivine Sagnier trading blows in the offices of a powerful multinational co. Humiliation and revenge unfold. Co-written by Corneau and Natalie Carter (wrote Jean-Paul Salomé's The Chameleon), the film centres on two women who work for the French subsidiary of a large Us multinational. Isabelle (Sagnier) works under Christine (Scott Thomas) and while they appear similar and compatible,...
- 12/13/2009
- by Ioncinema.com Staff
- IONCINEMA.com
ROME -- Last-minute cancellations left the European premiere of Sidney Lumet's Before the Devil Knows You're Dead minus most of its star power Monday, even as the festival geared up for the arrival of Robert Redford and Tom Cruise.
The festival had previously announced the participation of Lumet but on Monday said he would be unable to attend because of illness. None of the film's stars -- Philip Seymour Hoffman, Ethan Hawke and Marisa Tomei -- made the trip, leaving producer Brian Linse to represent the film alone.
There has been a smattering of other no-shows over the festival's first days: Art house star Daniel Auteuil left the job of promoting Le Deuxieme Souffle (The Second Wind) to Monica Bellucci on the festival's opening night, and Meryl Streep stayed home, leaving Jake Gyllenhaal and Reese Witherspoon to walk down the red carpet ahead of the Sunday premiere of Rendition.
But there have been plenty of big names over the festival's first four days -- Sophia Loren, Francis Ford Coppola and Cate Blanchett attracted plenty of attention -- and the festival's star power should return to its normal wattage Tuesday, with the arrival of Redford and Cruise for the highly anticipated world premiere of Lions for Lambs.
The Redford-helmed film, which features Cruise as a power-hungry senator, will be the most visible feature Tuesday, though it was already creating a buzz Monday before the limited press screening that took place late in the evening.
The festival had previously announced the participation of Lumet but on Monday said he would be unable to attend because of illness. None of the film's stars -- Philip Seymour Hoffman, Ethan Hawke and Marisa Tomei -- made the trip, leaving producer Brian Linse to represent the film alone.
There has been a smattering of other no-shows over the festival's first days: Art house star Daniel Auteuil left the job of promoting Le Deuxieme Souffle (The Second Wind) to Monica Bellucci on the festival's opening night, and Meryl Streep stayed home, leaving Jake Gyllenhaal and Reese Witherspoon to walk down the red carpet ahead of the Sunday premiere of Rendition.
But there have been plenty of big names over the festival's first four days -- Sophia Loren, Francis Ford Coppola and Cate Blanchett attracted plenty of attention -- and the festival's star power should return to its normal wattage Tuesday, with the arrival of Redford and Cruise for the highly anticipated world premiere of Lions for Lambs.
The Redford-helmed film, which features Cruise as a power-hungry senator, will be the most visible feature Tuesday, though it was already creating a buzz Monday before the limited press screening that took place late in the evening.
- 10/23/2007
- The Hollywood Reporter - Movie News
- Now in only its 2nd edition, Rome has whipped up quite the festival. A mention-worthy selection of titles, some U.S pics for glam and a jury process that I especially like not 5 or 6 but a group of 50 - this year No Man's Land director Danis Tanovic serves as the jury head for 50 international cinema-goers. Notables are Francis Ford Coppola's Youth Without Youth.Below you'll find the complete stats on the fest that begins in less than 3 weeks from now. When: October 18th to 28th, 2007 Counting Down: updateCountdownClock('October 18, 2007'); Where: Rome, Italy Official Website: www.romacinemafest.orgNot just a great city, but the city of cinema par excellence, will host the Fest which will transform its centre - the Auditorium Parco della Musica - in the Parco del Cinema for nine days. The second edition of Cinema. Festa Internazionale di Roma - RomeFilmFest will be held from
- 9/28/2007
- IONCINEMA.com
Related story: Three at fest headed to IFC
Related story: Christie's digital gets screen billing
TORONTO -- The Toronto International Film Festival on Wednesday unveiled its most American-friendly lineup in years, capped off with new titles from Renny Harlin, Paul Schrader and Robin Swicord.
Toronto boasts no official competition. But the Hollywood contingent booked for the twice-nightly gala screenings at Roy Thomson Hall looks set to turn the high-profile venue into an industry shindig.
Among the six new gala titles are Harlin's "Cleaner", a Sony Pictures Entertainment thriller starring Samuel L. Jackson as a cop-turned-crime scene cleaner; the Richard Attenborough-directed love story "Closing the Ring", starring Shirley MacLaine, Mischa Barton and Neve Campbell; and Schrader's "The Walker", a ThinkFilm release starring Woody Harrelson and Lauren Bacall that comes to Toronto by way of Berlin, Cannes and Sydney.
Also joining the Roy Thomson Hall party are two Sony Pictures Classics releases: Kenneth Branagh's Michael Caine-Jude Law starrer "Sleuth", which first bowed in Venice, and Swicord's "The Jane Austen Book Club", starring Jimmy Smits, Amy Brenneman and Maria Bello. Also booked for a gala is French director Alain Corneau's "Le Deuxieme Souffle", starring Daniel Auteuil and Monica Bellucci.
Those titles join such earlier Roy Thomson Hall entries as Julie Taymor's "Across the Universe", Woody Allen's "Cassandra's Dream", Tony Gilroy's "Michael Clayton", Gavin Hood's "Rendition", Terry George's "Reservation Road" and Aristomenis Tsirbas' "Terra".
Toronto, which in recent years has stepped up efforts to make its festival more Hollywood friendly, also has included 28 U.S.-produced films in its 50-strong Special Presentations sidebar.
The latest Special Presentations titles include the Michael Moore documentary "Captain Mike Across America", Sidney Lumet's "Before the Devil Knows You're Dead," Melisa Wallack and Bernie Goldmann's "Bill", Gillian Armstrong's "Death Defying Acts" and Jason Reitman's "Juno", the follow-up to "Thank You for Smoking", which was a Toronto festival breakout hit two years ago.
Also joining today are the latest works from Jonathan Demme, Alison Eastwood, Brian De Palma, Thomas McCarthy and Anand Tucker.
Toronto will unspool 352 films between Sept. 6 and 15 -- 261 features and 91 shorts. The lineup includes 101 world premieres and 108 North American premieres, many of which will bow in Venice before jumping the pond to Toronto. In addition, 71 of the films are directorial debuts.
The festival lineup promises a strong French contingent, including a dozen titles arriving in Toronto with U.S. distribution deals in hand.
High-profile French titles looking for U.S. distribution include Amos Gitai's "Disengagement", Claude Chabrol's "La Fille Coupee En Deux", which will bow in Venice, and Eric Rohmer's "Les Amours D'Astreet et De Celadon," another North American premiere by way of Venice.
John Kochman, executive director of Unifrance USA, said the strong French presence in Toronto is due primarily to festival co-directors Piers Handling and Noah Cowan remaining "unreconstructed Francophiles" eager to program French titles in their event.
Other new titles announced Wednesday include Wayne Wang's "The Princess of Nebraska" and "A Thousand Years of Good Prayers," both portraits of Chinese immigrants in the U.S. Wang will bring the two indie titles films to the festival's Masters program.
Toronto added eight more documentaries to its Real to Reel section, including films by Paul Crowder and Murray Lerner, Olga Konskaya and Andrea Nekrasov, Julian Schnabel, Ran Tal, Philippe Kholy and Grant Gee.
In addition, the previously announced "Body of War", co-directed by Ellen Spiro and talk show legend Phil Donahue, will see its premiere accompanied by a live performance by Pearl Jam's Eddie Vedder, who wrote original songs for the Iraq documentary.
The festival has its usual complement of films about war and political protest that, according to festival co-director Noah Cowan, reflect a "seriousness of purpose and a real sense of drive to tell political stories."
"In many ways, the body of films recalls the American independent movie of the 1970s," he added.
American auteur films including Alan Ball's "Nothing Is Private", a drama about sexual politics and bigotry set against the backdrop of the 1991 Gulf War, De Palma's war drama "Redacted" and Sean Penn's "Into the Wild" reflect anti-war "provocation," Cowan said.
Toronto's lineup also includes a surprising number of crime-themed dramas, including Alexi Tan's "Blood Brothers", a drama about three friends taking on a life of big-city crime; Comeau's fugitive drama "Le Deuxieme Souffle"; Lumet's "Before the Devil Knows You're Dead," a thriller about a botched robbery; Brad Furman's "The Take", about the aftermath of an armored car heist; and Ira Sachs' "Married Life", a drama about a husband who kills his wife to spare her the shame of divorce.
Cowan said that the crime-themed movies this year recall the '70s-era vigilante movies that coincided with Vietnam.
"When the U.S. is faced with wars that are frustrating in their inability to be totally understood, that comes out in their films," Toronto's top programr said.
"Just as the 1970s, there's films that reflect paranoia about government and police corruption and which come from a frustration and rage about what's happening in the world," he added.
Other Toronto highlights announced Wednesday include talks by President Carter and his wife, Rosalynn Carter, an update on Bill Maher and Larry Charles' anti-religion documentary and a briefing on the ongoing crisis in Darfur courtesy of International Criminal Court prosecutor Luis Moreno-Ocampo and Don Cheadle.
Toronto is set to open Sept. 6 with Jeremy Podeswa's "Fugitive Pieces" and close 10 days later with another Canadian film, Paolo Barzman's "Emotional Arithmetic".
A complete list of titles screening at Toronto follows:
Galas:
"Across the Universe", Julie Taymor, U.S.
"L'Age Des Tenebres", Denys Arcand, Canada
"Blood Brothers", Alexi Tan, Taiwan/China/Hong Kong
"Caramel", Nadine Labaki, Lebanon/France
"Cassandra's Dream", Woody Allen, Britain
"Cleaner", Renny Harlin, U.S.
Related story: Christie's digital gets screen billing
TORONTO -- The Toronto International Film Festival on Wednesday unveiled its most American-friendly lineup in years, capped off with new titles from Renny Harlin, Paul Schrader and Robin Swicord.
Toronto boasts no official competition. But the Hollywood contingent booked for the twice-nightly gala screenings at Roy Thomson Hall looks set to turn the high-profile venue into an industry shindig.
Among the six new gala titles are Harlin's "Cleaner", a Sony Pictures Entertainment thriller starring Samuel L. Jackson as a cop-turned-crime scene cleaner; the Richard Attenborough-directed love story "Closing the Ring", starring Shirley MacLaine, Mischa Barton and Neve Campbell; and Schrader's "The Walker", a ThinkFilm release starring Woody Harrelson and Lauren Bacall that comes to Toronto by way of Berlin, Cannes and Sydney.
Also joining the Roy Thomson Hall party are two Sony Pictures Classics releases: Kenneth Branagh's Michael Caine-Jude Law starrer "Sleuth", which first bowed in Venice, and Swicord's "The Jane Austen Book Club", starring Jimmy Smits, Amy Brenneman and Maria Bello. Also booked for a gala is French director Alain Corneau's "Le Deuxieme Souffle", starring Daniel Auteuil and Monica Bellucci.
Those titles join such earlier Roy Thomson Hall entries as Julie Taymor's "Across the Universe", Woody Allen's "Cassandra's Dream", Tony Gilroy's "Michael Clayton", Gavin Hood's "Rendition", Terry George's "Reservation Road" and Aristomenis Tsirbas' "Terra".
Toronto, which in recent years has stepped up efforts to make its festival more Hollywood friendly, also has included 28 U.S.-produced films in its 50-strong Special Presentations sidebar.
The latest Special Presentations titles include the Michael Moore documentary "Captain Mike Across America", Sidney Lumet's "Before the Devil Knows You're Dead," Melisa Wallack and Bernie Goldmann's "Bill", Gillian Armstrong's "Death Defying Acts" and Jason Reitman's "Juno", the follow-up to "Thank You for Smoking", which was a Toronto festival breakout hit two years ago.
Also joining today are the latest works from Jonathan Demme, Alison Eastwood, Brian De Palma, Thomas McCarthy and Anand Tucker.
Toronto will unspool 352 films between Sept. 6 and 15 -- 261 features and 91 shorts. The lineup includes 101 world premieres and 108 North American premieres, many of which will bow in Venice before jumping the pond to Toronto. In addition, 71 of the films are directorial debuts.
The festival lineup promises a strong French contingent, including a dozen titles arriving in Toronto with U.S. distribution deals in hand.
High-profile French titles looking for U.S. distribution include Amos Gitai's "Disengagement", Claude Chabrol's "La Fille Coupee En Deux", which will bow in Venice, and Eric Rohmer's "Les Amours D'Astreet et De Celadon," another North American premiere by way of Venice.
John Kochman, executive director of Unifrance USA, said the strong French presence in Toronto is due primarily to festival co-directors Piers Handling and Noah Cowan remaining "unreconstructed Francophiles" eager to program French titles in their event.
Other new titles announced Wednesday include Wayne Wang's "The Princess of Nebraska" and "A Thousand Years of Good Prayers," both portraits of Chinese immigrants in the U.S. Wang will bring the two indie titles films to the festival's Masters program.
Toronto added eight more documentaries to its Real to Reel section, including films by Paul Crowder and Murray Lerner, Olga Konskaya and Andrea Nekrasov, Julian Schnabel, Ran Tal, Philippe Kholy and Grant Gee.
In addition, the previously announced "Body of War", co-directed by Ellen Spiro and talk show legend Phil Donahue, will see its premiere accompanied by a live performance by Pearl Jam's Eddie Vedder, who wrote original songs for the Iraq documentary.
The festival has its usual complement of films about war and political protest that, according to festival co-director Noah Cowan, reflect a "seriousness of purpose and a real sense of drive to tell political stories."
"In many ways, the body of films recalls the American independent movie of the 1970s," he added.
American auteur films including Alan Ball's "Nothing Is Private", a drama about sexual politics and bigotry set against the backdrop of the 1991 Gulf War, De Palma's war drama "Redacted" and Sean Penn's "Into the Wild" reflect anti-war "provocation," Cowan said.
Toronto's lineup also includes a surprising number of crime-themed dramas, including Alexi Tan's "Blood Brothers", a drama about three friends taking on a life of big-city crime; Comeau's fugitive drama "Le Deuxieme Souffle"; Lumet's "Before the Devil Knows You're Dead," a thriller about a botched robbery; Brad Furman's "The Take", about the aftermath of an armored car heist; and Ira Sachs' "Married Life", a drama about a husband who kills his wife to spare her the shame of divorce.
Cowan said that the crime-themed movies this year recall the '70s-era vigilante movies that coincided with Vietnam.
"When the U.S. is faced with wars that are frustrating in their inability to be totally understood, that comes out in their films," Toronto's top programr said.
"Just as the 1970s, there's films that reflect paranoia about government and police corruption and which come from a frustration and rage about what's happening in the world," he added.
Other Toronto highlights announced Wednesday include talks by President Carter and his wife, Rosalynn Carter, an update on Bill Maher and Larry Charles' anti-religion documentary and a briefing on the ongoing crisis in Darfur courtesy of International Criminal Court prosecutor Luis Moreno-Ocampo and Don Cheadle.
Toronto is set to open Sept. 6 with Jeremy Podeswa's "Fugitive Pieces" and close 10 days later with another Canadian film, Paolo Barzman's "Emotional Arithmetic".
A complete list of titles screening at Toronto follows:
Galas:
"Across the Universe", Julie Taymor, U.S.
"L'Age Des Tenebres", Denys Arcand, Canada
"Blood Brothers", Alexi Tan, Taiwan/China/Hong Kong
"Caramel", Nadine Labaki, Lebanon/France
"Cassandra's Dream", Woody Allen, Britain
"Cleaner", Renny Harlin, U.S.
- 8/23/2007
- The Hollywood Reporter - Movie News
PARIS -- Months of conjecture surrounding the Festival de Cannes lineup will come to an end Thursday as organizers unveil the festival's 2007 lineup.
Wong Kar Wai's "My Blueberry Nights", which the Weinstein Co. will release in the U.S., looks as if it will be completed in time to fill the high-profile opening-night slot May 16, while David Fincher's "Zodiac", a Paramount Pictures/Warner Bros. Pictures co-production, is rumored as the festival closer on May 27.
Quentin Tarantino and Robert Rodriguez's "Grindhouse", Steven Soderbergh's "Ocean's Thirteen", James Gray's "We Own the Night" and the Coen brothers' "No Country for Old Men" are locked, and Michael Winterbottom's "A Mighty Heart" is set to premiere May 21 in Cannes.
The U.S.-heavy lineup awaits final confirmation on front-runner "Paranoid Park" by fest veteran Gus Van Sant.
Michael Moore will most likely be making it back to the Croisette with his health care documentary "Sicko", following the director's Palme d'Or win in 2004 for "Fahrenheit 9/11." Paulo Morelli's "City of Men" (the sequel to Fernando Meirelles' "City of God") and Harmony Korine's "Mister Lonely" also are anticipated.
As usual, the French are taking their time to secure festival slots, but it looks as if the black-and-white animated film "Persepolis" will be a contender. Claude Miller's "Un Secret" and Alain Corneau's "Le deuxieme souffle" are still in the running, and U.S. director Julian Schnabel's French production "The Diving Bell and the Butterfly" is poised to ring on the Croisette.
Although originally rumored as a possible Gallic addition to the In Competition section, Cedric Klapisch's "Paris" won't be finished in time to screen at the fest.
Wong Kar Wai's "My Blueberry Nights", which the Weinstein Co. will release in the U.S., looks as if it will be completed in time to fill the high-profile opening-night slot May 16, while David Fincher's "Zodiac", a Paramount Pictures/Warner Bros. Pictures co-production, is rumored as the festival closer on May 27.
Quentin Tarantino and Robert Rodriguez's "Grindhouse", Steven Soderbergh's "Ocean's Thirteen", James Gray's "We Own the Night" and the Coen brothers' "No Country for Old Men" are locked, and Michael Winterbottom's "A Mighty Heart" is set to premiere May 21 in Cannes.
The U.S.-heavy lineup awaits final confirmation on front-runner "Paranoid Park" by fest veteran Gus Van Sant.
Michael Moore will most likely be making it back to the Croisette with his health care documentary "Sicko", following the director's Palme d'Or win in 2004 for "Fahrenheit 9/11." Paulo Morelli's "City of Men" (the sequel to Fernando Meirelles' "City of God") and Harmony Korine's "Mister Lonely" also are anticipated.
As usual, the French are taking their time to secure festival slots, but it looks as if the black-and-white animated film "Persepolis" will be a contender. Claude Miller's "Un Secret" and Alain Corneau's "Le deuxieme souffle" are still in the running, and U.S. director Julian Schnabel's French production "The Diving Bell and the Butterfly" is poised to ring on the Croisette.
Although originally rumored as a possible Gallic addition to the In Competition section, Cedric Klapisch's "Paris" won't be finished in time to screen at the fest.
- 4/19/2007
- The Hollywood Reporter - Movie News
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