With Maite Alberdi, twice Oscar nominated for her last two docus, “The Eternal Memory” and “The Mole Agent,” and Tana Gilbert whose feature debut “Malqueridas” won the Grand Prize at Venice’s Critics’ Week, Chilean documentaries are having a banner year.
Five documentaries participate in the May 20 Chilean Docs-in-Progress Showcase at the Marché du Film’s docu section, Cannes Docs.
Moreover, a delegation of some 15 other Chilean documentary filmmakers have swept into town with their respective projects, with themes ranging from gender issues, Indigenous peoples, climate change, teenage suicide and even, true crime.
“Chilean documentaries today touch on more universal themes, they are not so inward-looking,” Chiledoc director Paula Ossandon told Variety.
One of them, “Oasis,” has been picked up by Argentina’s Compañía de Cine to handle its international sales. Created by the Mafi filmmakers collective, this feature doc, which premiered at Berlinale, explores Chile’s failed attempt to...
Five documentaries participate in the May 20 Chilean Docs-in-Progress Showcase at the Marché du Film’s docu section, Cannes Docs.
Moreover, a delegation of some 15 other Chilean documentary filmmakers have swept into town with their respective projects, with themes ranging from gender issues, Indigenous peoples, climate change, teenage suicide and even, true crime.
“Chilean documentaries today touch on more universal themes, they are not so inward-looking,” Chiledoc director Paula Ossandon told Variety.
One of them, “Oasis,” has been picked up by Argentina’s Compañía de Cine to handle its international sales. Created by the Mafi filmmakers collective, this feature doc, which premiered at Berlinale, explores Chile’s failed attempt to...
- 5/18/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Movistar Plus+, Spain’s most-viewed pay TV operator, is partnering on “Los domingos,” a new film from “Lullaby” director Alauda Ruiz de Azúa and the producers of that critically acclaimed film.
A Movistar Plus+ Original, “Los Domingos” is set in and will shoot in Ruiz de Azúa’s native Basque country, said Nahikari Ipiña at Sayaka Producciones (“Colossal”).
Now in development, “Los Domingos” is produced by Movistar Plus+ and Sayaka and Marisa Fernández Armenteros’ Buenapinta Media (“The Mole Agent”), Sandra Hermida at Think Studio and Colosé Producciones (“Society of the Snow”) and Manu Calvo (“Wounded”).
“‘Los domingos’ is a co-production between Movistar Plus+ and four producers and as independent producers for us that’s important,” Fernández Armenteros said at Cannes.
“Domingos,” which shoots in the first half of 2025, is a drama, although plot details are under wraps.
“It is such luck to accompany Alauda in ‘Los domingos’ after ‘Lullaby’ success with audiences and critics.
A Movistar Plus+ Original, “Los Domingos” is set in and will shoot in Ruiz de Azúa’s native Basque country, said Nahikari Ipiña at Sayaka Producciones (“Colossal”).
Now in development, “Los Domingos” is produced by Movistar Plus+ and Sayaka and Marisa Fernández Armenteros’ Buenapinta Media (“The Mole Agent”), Sandra Hermida at Think Studio and Colosé Producciones (“Society of the Snow”) and Manu Calvo (“Wounded”).
“‘Los domingos’ is a co-production between Movistar Plus+ and four producers and as independent producers for us that’s important,” Fernández Armenteros said at Cannes.
“Domingos,” which shoots in the first half of 2025, is a drama, although plot details are under wraps.
“It is such luck to accompany Alauda in ‘Los domingos’ after ‘Lullaby’ success with audiences and critics.
- 5/18/2024
- by John Hopewell
- Variety Film + TV
Gravitas Ventures has picked up the documentary Stylebender, on the UFC Middleweight phenomenon and former world champion Israel Adesanya, for North America.
Zoë McIntosh followed Adesanya, known in the ring as “the last stylebender” for five years making the non-fiction feature, which premiered at the Tribeca film festival last year. Stylebender is less a classic sports doc than an exploration of Adesanya’s origins, family upbringing, and his struggles, as a shy Nigerian kid, growing up in rural New Zealand in the 2000s, to find his own way in the world. We see Adesanya working with his trainer and mentor, Eugene Bareman, as well as his therapist, as he discusses issues of masculinity, bullying, and mental health.
“After screening Stylebender in Tribeca, I could feel in my bones there was something supremely special about this film, and about Adesanya’s story,” said Gravitas’ Danielle Gasher. “There is a vulnerable and...
Zoë McIntosh followed Adesanya, known in the ring as “the last stylebender” for five years making the non-fiction feature, which premiered at the Tribeca film festival last year. Stylebender is less a classic sports doc than an exploration of Adesanya’s origins, family upbringing, and his struggles, as a shy Nigerian kid, growing up in rural New Zealand in the 2000s, to find his own way in the world. We see Adesanya working with his trainer and mentor, Eugene Bareman, as well as his therapist, as he discusses issues of masculinity, bullying, and mental health.
“After screening Stylebender in Tribeca, I could feel in my bones there was something supremely special about this film, and about Adesanya’s story,” said Gravitas’ Danielle Gasher. “There is a vulnerable and...
- 5/15/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
“The Hyperboreans,” the Cannes Directors’ Fortnight entry from Chile, defines the inventive works that have emerged from this small nation. Many of its films touch on traumatic national events of the past but play with rarely explored genres in the region. Case in point: the country’s recent Oscar submission, “The Settlers,” about Chile’s bloody colonial 1901 battle in its south, is a neo-Western.
Helmed by animation mavens Cristóbal León and Joaquín Cociña, “The Hyperboreans” (“Los Hiperbóreos”) combines live action and stop-motion animation in a story that also stands out for its singularity. In it, Chilean actress and psychologist Antonia Giesen films a script from her patient’s mind, leading to a reality-bending spiral when she discovers it originates from Nazi poet Miguel Serrano.
“We planned this as an exhibition of the filming process at an art gallery in Chile, so we filmed this in a single space and with only one actress,...
Helmed by animation mavens Cristóbal León and Joaquín Cociña, “The Hyperboreans” (“Los Hiperbóreos”) combines live action and stop-motion animation in a story that also stands out for its singularity. In it, Chilean actress and psychologist Antonia Giesen films a script from her patient’s mind, leading to a reality-bending spiral when she discovers it originates from Nazi poet Miguel Serrano.
“We planned this as an exhibition of the filming process at an art gallery in Chile, so we filmed this in a single space and with only one actress,...
- 5/14/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Maite Alberdi made history when she became the first Chilean woman to be nominated for an Oscar thanks to her 2021 documentary The Mole Agent. She repeated the distinction earlier this year when her latest doc, The Eternal Memory, competed for an Academy Award in a stacked category that ultimately went to 20 Days in Mariupol.
It was the latest distinction in a long list for Alberdi, who previously directed critically acclaimed feature docs like 2014’s La Once and 2016’s The Grown-Ups. But even with all of that success, Alberdi says people still ask her shocking questions about her résumé. “I just received a question, ‘When are you going to make a film?’ And it’s like, I make films,” Alberdi told The Hollywood Reporter recently during a sit-down interview at Xcaret in Riviera Maya, Mexico, ahead of the Platino Awards. The assumption is that documentaries are not “real films,” according to these ill-informed commenters.
It was the latest distinction in a long list for Alberdi, who previously directed critically acclaimed feature docs like 2014’s La Once and 2016’s The Grown-Ups. But even with all of that success, Alberdi says people still ask her shocking questions about her résumé. “I just received a question, ‘When are you going to make a film?’ And it’s like, I make films,” Alberdi told The Hollywood Reporter recently during a sit-down interview at Xcaret in Riviera Maya, Mexico, ahead of the Platino Awards. The assumption is that documentaries are not “real films,” according to these ill-informed commenters.
- 5/3/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
Following multiple nominations for “Anatomy of a Fall” and “The Zone of Interest,” industry insiders are excited for more “international” Academy Awards.
“The Oscars have been opening up to international filmmakers in recent years. I am happy to be one of them,” says Kaouther Ben Hania, nominated for doc “Four Daughters.”
“The Academy has made efforts to diversify its membership and nominations, leading to increased recognition for films from around the world. The expansion of categories like international feature film — formerly foreign-language film — and the inclusion of more international voices in other categories demonstrate a growing appreciation for global cinema,” Ben Hania adds.
“Let’s hope this becomes a trend, as audiovisual productions are increasingly global not only in their themes but also in their production models, which involve various countries for financing, artistic talents and technical expertise,” says Gabriela Sandoval, producer and president of Chile’s Assn. of Film and Television Producers.
“The Oscars have been opening up to international filmmakers in recent years. I am happy to be one of them,” says Kaouther Ben Hania, nominated for doc “Four Daughters.”
“The Academy has made efforts to diversify its membership and nominations, leading to increased recognition for films from around the world. The expansion of categories like international feature film — formerly foreign-language film — and the inclusion of more international voices in other categories demonstrate a growing appreciation for global cinema,” Ben Hania adds.
“Let’s hope this becomes a trend, as audiovisual productions are increasingly global not only in their themes but also in their production models, which involve various countries for financing, artistic talents and technical expertise,” says Gabriela Sandoval, producer and president of Chile’s Assn. of Film and Television Producers.
- 3/6/2024
- by Marta Balaga
- Variety Film + TV
MTV Documentary Films is making its Oscar-nominated documentary The Eternal Memory available for free on YouTube through the rest of the month.
The film, winner of the Goya Award for Best Iberoamerican Film and the Grand Jury Prize for World Cinema Documentary at the 2023 Sundance Film Festival among many other awards, earned director Maite Alberdi the second Oscar nomination of her career. The Chilean filmmaker was nominated in 2021 for her documentary feature The Mole Agent.
“The Eternal Memory tells a profound and moving love story that balances vibrant individual and collective remembrance with the longevity of an unbreakable human bond,” notes a release about the film. “Augusto and Paulina have been together and in love for 25 years. Eight years ago, their lives were forever changed by Augusto’s Alzheimer’s diagnosis. As one of Chile’s most prominent cultural commentators and television presenters, Augusto is no stranger to building an archive of memory.
The film, winner of the Goya Award for Best Iberoamerican Film and the Grand Jury Prize for World Cinema Documentary at the 2023 Sundance Film Festival among many other awards, earned director Maite Alberdi the second Oscar nomination of her career. The Chilean filmmaker was nominated in 2021 for her documentary feature The Mole Agent.
“The Eternal Memory tells a profound and moving love story that balances vibrant individual and collective remembrance with the longevity of an unbreakable human bond,” notes a release about the film. “Augusto and Paulina have been together and in love for 25 years. Eight years ago, their lives were forever changed by Augusto’s Alzheimer’s diagnosis. As one of Chile’s most prominent cultural commentators and television presenters, Augusto is no stranger to building an archive of memory.
- 2/23/2024
- by Matthew Carey
- Deadline Film + TV
Buoyed by the Oscar nomination of Chile’s very own Maite Alberdi for her poignant doc, “The Eternal Memory,” Chile’s documentary sector could not be more vibrant.
Debuting at the Berlinale’s Forum sidebar is “Oasis,” the latest feature doc from the Mapa Fílmico de un País (Mafi) collective and the hybrid Lgbtiq+ themed short film “Towards the Sun, Far from the Center.” Directed by Luciana Merino and Pascal Viveros and produced by Javiera Pineda, it vies for the best short film and the Teddy awards.
Both have their world premieres on Monday, Feb. 19.
Competing for the best documentary feature prize, “Oasis” is helmed by Tamara Uribe and Felipe Morgado and produced by Alba Gaviraghi and Diego Pino. It chronicles the turbulent times that led Chile to attempt a re-write of the Pinochet-era Constitution.
“We are pleased about this invitation and to be able to show our film. With it,...
Debuting at the Berlinale’s Forum sidebar is “Oasis,” the latest feature doc from the Mapa Fílmico de un País (Mafi) collective and the hybrid Lgbtiq+ themed short film “Towards the Sun, Far from the Center.” Directed by Luciana Merino and Pascal Viveros and produced by Javiera Pineda, it vies for the best short film and the Teddy awards.
Both have their world premieres on Monday, Feb. 19.
Competing for the best documentary feature prize, “Oasis” is helmed by Tamara Uribe and Felipe Morgado and produced by Alba Gaviraghi and Diego Pino. It chronicles the turbulent times that led Chile to attempt a re-write of the Pinochet-era Constitution.
“We are pleased about this invitation and to be able to show our film. With it,...
- 2/17/2024
- by Anna Marie de la Fuente
- Variety Film + TV
“We screamed a lot!” says “The Eternal Memory” director Maite Alberdi when discussing her 2024 Oscar nomination for Best Documentary Feature. It’s the filmmaker’s second nomination in this category after being nominated in 2021 for “The Mole Agent.” “When you’re a Latin-American filmmaker, you never dream of an Oscar nomination. It’s not in your possibilities. It’s exceptional that I represent a lot of directors from Latin America and it’s very important that the academy is more open to film in another language.” Watch our exclusive video interview above.
The movie from MTV Documentary Films tells the story of journalist Augusto Góngora and actress Paulina Urrutia, a Chilean couple who have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer’s disease. Both fear the day he no longer recognizes her.
See 2024 Oscar nominations: Full list of contenders in all 23 categories
“They are both very important figures in Chile,...
The movie from MTV Documentary Films tells the story of journalist Augusto Góngora and actress Paulina Urrutia, a Chilean couple who have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer’s disease. Both fear the day he no longer recognizes her.
See 2024 Oscar nominations: Full list of contenders in all 23 categories
“They are both very important figures in Chile,...
- 2/16/2024
- by Denton Davidson
- Gold Derby
It’s been a busy week for Oscar-nominated documentary filmmakers Maite Alberdi and Kaouther Ben Hania. On Monday, Alberdi, director of The Eternal Memory, and Ben Hania, director of Four Daughters, joined fellow nominees at the glittering Oscar Nominees Luncheon at the Beverly Hilton. Today, they sit down with Deadline for the latest edition of our Doc Talk podcast.
In her film, Alberdi documents the relationship between two of Chile’s most prominent figures in the arts and journalism – Paulina Urrutia and Augusto Góngora – a love story that endured even as Augusto coped with advancing Alzheimer’s disease. The director explains why she sees The Eternal Memory as “an answer” to her previous film The Mole Agent, which earned Alberdi the first Oscar nomination of her career..
In Four Daughters, Ben Hania explores a story from her native Tunisia — the case of a woman named Olfa who raised four girls, only to see the two eldest fall under the sway of radical Islamist ideology and join Isis. The director tells us why she made the decision to incorporate actors into her film to play Olfa and her two oldest daughters in re-creations. She also talks about why Hind Sabri, a star of Arab cinema who took on the role of Olfa, felt afraid of the woman she was portraying. And Ben Hania explains why a male actor she hired walked off the set during one particularly intense scene.
This marks a return trip to the Academy Awards for Ben Hania as well as Alberdi. They were both nominated in 2021 – Alberdi for Documentary Feature and Ben Hania in International Feature for her narrative feature The Man Who Sold His Skin.
In the new episode of Doc Talk, we also revisit our interview from last fall with Moses Bwayo and Christopher Sharp, directors of the Oscar-nominated documentary Bobi Wine: The People’s President. And the titular Bobi Wine – the Ugandan pop star turned politician — joins us too – explaining what he wishes the filmmakers had left out of the documentary.
That’s on Doc Talk, the podcast co-hosted by Oscar winner John Ridley (12 Years a Slave) and Matt Carey, Deadline’s documentary editor. Doc Talk is a production of Deadline and Ridley’s Nō Studios, presented with support from National Geographic Documentary Films.
In her film, Alberdi documents the relationship between two of Chile’s most prominent figures in the arts and journalism – Paulina Urrutia and Augusto Góngora – a love story that endured even as Augusto coped with advancing Alzheimer’s disease. The director explains why she sees The Eternal Memory as “an answer” to her previous film The Mole Agent, which earned Alberdi the first Oscar nomination of her career..
In Four Daughters, Ben Hania explores a story from her native Tunisia — the case of a woman named Olfa who raised four girls, only to see the two eldest fall under the sway of radical Islamist ideology and join Isis. The director tells us why she made the decision to incorporate actors into her film to play Olfa and her two oldest daughters in re-creations. She also talks about why Hind Sabri, a star of Arab cinema who took on the role of Olfa, felt afraid of the woman she was portraying. And Ben Hania explains why a male actor she hired walked off the set during one particularly intense scene.
This marks a return trip to the Academy Awards for Ben Hania as well as Alberdi. They were both nominated in 2021 – Alberdi for Documentary Feature and Ben Hania in International Feature for her narrative feature The Man Who Sold His Skin.
In the new episode of Doc Talk, we also revisit our interview from last fall with Moses Bwayo and Christopher Sharp, directors of the Oscar-nominated documentary Bobi Wine: The People’s President. And the titular Bobi Wine – the Ugandan pop star turned politician — joins us too – explaining what he wishes the filmmakers had left out of the documentary.
That’s on Doc Talk, the podcast co-hosted by Oscar winner John Ridley (12 Years a Slave) and Matt Carey, Deadline’s documentary editor. Doc Talk is a production of Deadline and Ridley’s Nō Studios, presented with support from National Geographic Documentary Films.
- 2/13/2024
- by Matthew Carey
- Deadline Film + TV
Ted Danson is going undercover in the new comedy series A Classic Spy, reuniting him with The Good Place creator Mike Schur.
Based on the Oscar-nominated documentary The Mole Agent, the eight-episode series follows a retired man, Charles (Danson), who gets a new lease on life when he answers an ad placed by a private investigator and becomes a mole in a secret investigation of the Pacific View Retirement Residence in San Francisco. Joining him is a pedigreed list of stars, including several Schur veterans from Brooklyn Nine-Nine.
The original film, which was nominated for a best documentary Oscar in 2021 (My Octopus Teacher won that year), takes place in Chile and follows an 83-year-old widower who is hired by a private investigator to infiltrate a nursing home in order to find out if its residents, including the mother of the Pi’s client, are being mistreated.
Here’s who...
Based on the Oscar-nominated documentary The Mole Agent, the eight-episode series follows a retired man, Charles (Danson), who gets a new lease on life when he answers an ad placed by a private investigator and becomes a mole in a secret investigation of the Pacific View Retirement Residence in San Francisco. Joining him is a pedigreed list of stars, including several Schur veterans from Brooklyn Nine-Nine.
The original film, which was nominated for a best documentary Oscar in 2021 (My Octopus Teacher won that year), takes place in Chile and follows an 83-year-old widower who is hired by a private investigator to infiltrate a nursing home in order to find out if its residents, including the mother of the Pi’s client, are being mistreated.
Here’s who...
- 2/5/2024
- by Jean Bentley
- Tudum - Netflix
Exclusive: MTV Documentary Films has announced a return theatrical engagement for its Oscar-nominated documentary The Eternal Memory, beginning today and extending throughout the month of February.
Maite Alberdi’s film, a love story that Deadline has compared to the narrative features Amour and Doctor Zhivago, will play exclusively at IFC Center in New York and in the Los Angeles area at two locations: Laemmle Monica Film Center in Santa Monica and Laemmle Glendale. In addition, MTV Documentary Films has set what it describes as “a very special Valentine’s Day Drive-In event on the evening of February 14 in the San Francisco Bay Area at the West Wind Drive-In theater, where couples can celebrate the love story of Paulina and Augusto that Alberdi so wonderfully captured in the film.”
‘The Eternal Memory’
A description of the film notes, “Augusto and Paulina have been together and in love for more than two decades.
Maite Alberdi’s film, a love story that Deadline has compared to the narrative features Amour and Doctor Zhivago, will play exclusively at IFC Center in New York and in the Los Angeles area at two locations: Laemmle Monica Film Center in Santa Monica and Laemmle Glendale. In addition, MTV Documentary Films has set what it describes as “a very special Valentine’s Day Drive-In event on the evening of February 14 in the San Francisco Bay Area at the West Wind Drive-In theater, where couples can celebrate the love story of Paulina and Augusto that Alberdi so wonderfully captured in the film.”
‘The Eternal Memory’
A description of the film notes, “Augusto and Paulina have been together and in love for more than two decades.
- 2/3/2024
- by Matthew Carey
- Deadline Film + TV
Stephanie Beatriz, Mary Elizabeth Ellis, and Lilah Richcreek Estrada join ‘A Classic Spy’
Netflix’s untitled Mike Schur/Ted Danson comedy series has an official title – A Classic Spy – and 13 new cast members. The comedy, based on the Oscar-nominated documentary The Mole Agent, follows Ted Danson as Charles, a retired man who fills his hours working for a private investigator as a mole inside a secret organization.
Mike Schur created the series and serves as an executive producer. Additional executive producers include Morgan Sackett, David Miner, Maite Alberdi, Marcela Santibañez, Julie Goldman, and Christopher Clements. The series is produced by Universal Television.
Netflix released the following A Classic Spy cast and character descriptions:
Mary Elizabeth Ellis (It’s Always Sunny in Philadelphia) plays Emily, a married mother of three boys who has to adjust when her father Charles (Danson) makes a surprising late-life career move and becomes an undercover detective. Stephanie Beatriz (Brooklyn Nine-Nine) plays Didi,...
Netflix’s untitled Mike Schur/Ted Danson comedy series has an official title – A Classic Spy – and 13 new cast members. The comedy, based on the Oscar-nominated documentary The Mole Agent, follows Ted Danson as Charles, a retired man who fills his hours working for a private investigator as a mole inside a secret organization.
Mike Schur created the series and serves as an executive producer. Additional executive producers include Morgan Sackett, David Miner, Maite Alberdi, Marcela Santibañez, Julie Goldman, and Christopher Clements. The series is produced by Universal Television.
Netflix released the following A Classic Spy cast and character descriptions:
Mary Elizabeth Ellis (It’s Always Sunny in Philadelphia) plays Emily, a married mother of three boys who has to adjust when her father Charles (Danson) makes a surprising late-life career move and becomes an undercover detective. Stephanie Beatriz (Brooklyn Nine-Nine) plays Didi,...
- 2/2/2024
- by Rebecca Murray
- Showbiz Junkies
Netflix‘s Mike Schur comedy A Classic Spy is adding more funny superstars to its cast led by previously-announced star Ted Danson. Reteaming after their run on The Good Place, Schur and Danson are expanding the show’s ensemble which includes vets from Schur’s other hits ranging from Brooklyn Nine-Nine and Parks and Recreation to even more Good Place alums. The show follows Charles (Danson), a retired man who gets a new lease on life when he answers an ad from a private investigator and becomes a mole in a secret investigation. The show is based on the documentary The Mole Agent, which was a 2021 Oscar nominee for Best Documentary Feature. In a massive casting announcement update, Netflix unveils Mary Elizabeth Ellis, Stephanie Beatriz, Lilah Richcreek Estrada, Stephen Mckinley Henderson, Sally Struthers, Eugene Cordero, Margaret Avery, John Getz, Susan Ruttan, Lori Tan Chinn, Clyde Kusatsu, Marc Evan Jackson, and...
- 2/2/2024
- TV Insider
Which familiar faces will join Ted Danson in his Netflix detective comedy, created by Mike Schur? Consider that mystery solved.
A Classic Spy, which stars Danson as a retiree named Charles who becomes a mole in a secret investigation, just announced its ensemble cast, including several actors from previous Schur projects The Good Place and Brooklyn Nine-Nine.
More from TVLineTVLine Items: Brenda Song Joins Mindy Kaling Series, Priscilla on Max and MoreNetflix Cancels Cobra Kai Creators' Action-Comedy Obliterated After 1 SeasonMatthew Macfadyen, Michael Shannon to Star in James Garfield Drama From Game of Thrones EPs
Stephanie Beatriz (Brooklyn Nine-Nine‘s Rosa) will play Didi,...
A Classic Spy, which stars Danson as a retiree named Charles who becomes a mole in a secret investigation, just announced its ensemble cast, including several actors from previous Schur projects The Good Place and Brooklyn Nine-Nine.
More from TVLineTVLine Items: Brenda Song Joins Mindy Kaling Series, Priscilla on Max and MoreNetflix Cancels Cobra Kai Creators' Action-Comedy Obliterated After 1 SeasonMatthew Macfadyen, Michael Shannon to Star in James Garfield Drama From Game of Thrones EPs
Stephanie Beatriz (Brooklyn Nine-Nine‘s Rosa) will play Didi,...
- 2/2/2024
- by Andy Swift
- TVLine.com
Exclusive: Netflix has assembled the cast around Ted Danson in the upcoming Mike Schur/Ted Danson comedy series, which now has a name, A Classic Spy. Joining Danson in the project are Mary Elizabeth Ellis (It’s Always Sunny in Philadelphia), Stephanie Beatriz, Lilah Richcreek Estrada (Chicago Med), two-time Tony nominee Stephen Mckinley Henderson (Dune), two-time Emmy Award winner Sally Struthers, Eugene Cordero (Loki), Academy Award nominee Margaret Avery (The Color Purple), John Getz (Grace and Frankie), four-time Emmy nominee Susan Ruttan, Lori Tan Chinn (Joy Ride), Clyde Kusatsu (Never Have I Ever), Marc Evan Jackson (Lessons In Chemistry) and Jama Williamson (Single Parents).
A Classic Spy reunites Cordero and Jackson with Danson and Schur. Cordero and Jackson both recurred on NBC’s The Good Place, which was created/executive produced by Schur and starred Danson. Jackson also...
A Classic Spy reunites Cordero and Jackson with Danson and Schur. Cordero and Jackson both recurred on NBC’s The Good Place, which was created/executive produced by Schur and starred Danson. Jackson also...
- 2/2/2024
- by Nellie Andreeva
- Deadline Film + TV
Netflix previewed its series and film slates for 2024 at its Next on Netflix event Wednesday in Los Angeles. The TV roster features several high-profile scripted series, which are set to release new seasons this year (no specific dates yet): The Night Agent (Season 2), the sixth and final season of Cobra Kai, Emily in Paris (Season 4), Outer Banks (Season 4), and Monsters: The Lyle and Erik Menendez Story, the second installment of Ryan Murphy‘s true-crime anthology series.
They join the previously announced 2024 returns of Squid Game (Season 2), Bridgerton (Season 3) and The Diplomat (Season 2).
Also set for a 2024 release are the eighth and final season of Elite, Season 3 of Heartstopper, Sweet Tooth and Vikings: Valhalla, as well as Season 2 of That ’90s Show, The Empress and docuseries Full Swing, which launches March 6.
New Netflix series making a debut in 2024 include the Untitled Mike Schur/Ted Danson comedy, inspired by the documentary The Mole Agent,...
They join the previously announced 2024 returns of Squid Game (Season 2), Bridgerton (Season 3) and The Diplomat (Season 2).
Also set for a 2024 release are the eighth and final season of Elite, Season 3 of Heartstopper, Sweet Tooth and Vikings: Valhalla, as well as Season 2 of That ’90s Show, The Empress and docuseries Full Swing, which launches March 6.
New Netflix series making a debut in 2024 include the Untitled Mike Schur/Ted Danson comedy, inspired by the documentary The Mole Agent,...
- 2/1/2024
- by Nellie Andreeva and Denise Petski
- Deadline Film + TV
With final voting complete, the 96th Oscars telecast will be broadcast on Sunday, March 10 and air live on ABC at 8:00 p.m. Et/ 5:00 p.m. Pt. We update predictions through awards season, so keep checking IndieWire for all our 2024 Oscar picks.
The State of the Race
With a fragile theatrical market for non-fiction features and a dwindling number of active documentary buyers, many Sundance 2023 films did not get picked up for distribution. As the top American film festival for docs, Sundance usually supplies as many as four out of the final five Oscar nominees each year.
And usually, by late summer, Oscar promotion is well underway. Last year, three Sundance grads — eventual Oscar nominees “Fire of Love” (Neon), “All that Breathes” (HBO), and the winner, “Navalny” (CNN) — were actively campaigning.
One Sundance World Cinema entry that built a following during the year was Pulitzer Prize winner Mstyslav Chernov...
The State of the Race
With a fragile theatrical market for non-fiction features and a dwindling number of active documentary buyers, many Sundance 2023 films did not get picked up for distribution. As the top American film festival for docs, Sundance usually supplies as many as four out of the final five Oscar nominees each year.
And usually, by late summer, Oscar promotion is well underway. Last year, three Sundance grads — eventual Oscar nominees “Fire of Love” (Neon), “All that Breathes” (HBO), and the winner, “Navalny” (CNN) — were actively campaigning.
One Sundance World Cinema entry that built a following during the year was Pulitzer Prize winner Mstyslav Chernov...
- 1/23/2024
- by Anne Thompson
- Indiewire
Oscar documentary branch voters can’t be accused of parochialism. They ventured far and wide to select their shortlist of feature documentaries for 2023, tapping films from countries as varied as a U.N. roll call: Ukraine, Uganda, Poland, Denmark, Tunisia, Canada and the United States.
To Kill a Tiger, one of the 15 finalists, unfolds in a village in the Indian state of Jharkhand. Nisha Pahuja, who was born in India and raised in Canada, directed the film about a humble couple who fight for justice after their 13-year-old daughter is sexually assaulted by three men. Before the shortlist was announced, Pahuja wondered whether doc branch members would embrace her documentary. “It’s a Canadian film, but it’s an Indian story,” she said, “and it’s subtitled.”
Pahuja needn’t have worried. Neither subtitles nor remote settings deter today’s documentary branch, whose membership is far less insular than it used to be.
To Kill a Tiger, one of the 15 finalists, unfolds in a village in the Indian state of Jharkhand. Nisha Pahuja, who was born in India and raised in Canada, directed the film about a humble couple who fight for justice after their 13-year-old daughter is sexually assaulted by three men. Before the shortlist was announced, Pahuja wondered whether doc branch members would embrace her documentary. “It’s a Canadian film, but it’s an Indian story,” she said, “and it’s subtitled.”
Pahuja needn’t have worried. Neither subtitles nor remote settings deter today’s documentary branch, whose membership is far less insular than it used to be.
- 1/14/2024
- by Matthew Carey
- Deadline Film + TV
Exclusive: Sierra Teller Ornelas and Jana Schmieding are developing the new CBS half-hour, multi-cam comedy series Bonnie from Universal Television. The project falls under Ornelas’ overall deal at Utv.
Bonnie is a family comedy about a former backup singer who left the grind of touring fifteen years ago to live on the rez, help raise her brother’s kids and live her dream of being “Cool Auntie.”
Ornelas and Schmieding will write and executive produce the project with the latter also set to star. In addition to the pair, Morgan Sackett, Jonathan Berry and Katie Newman also exec produce.
Recently, Ornelas was showrunner of the Peacock comedy Rutherford Falls, which she co-created with Mike Schur and Ed Helms. It was there she met Schmieding, who served as both a star and writer on the show. Previously, Ornelas was a co-executive producer on Loot...
Bonnie is a family comedy about a former backup singer who left the grind of touring fifteen years ago to live on the rez, help raise her brother’s kids and live her dream of being “Cool Auntie.”
Ornelas and Schmieding will write and executive produce the project with the latter also set to star. In addition to the pair, Morgan Sackett, Jonathan Berry and Katie Newman also exec produce.
Recently, Ornelas was showrunner of the Peacock comedy Rutherford Falls, which she co-created with Mike Schur and Ed Helms. It was there she met Schmieding, who served as both a star and writer on the show. Previously, Ornelas was a co-executive producer on Loot...
- 1/11/2024
- by Rosy Cordero
- Deadline Film + TV
Exclusive: 30 Rock creator and star Tina Fey is returning to the small screen as a lead of The Four Seasons, based on the 1981 feature film, which she co-created with fellow 30 Rock alums Lang Fisher and Tracey Wigfield. The high-profile comedy project, which marks Fey’s first TV starring role since 30 Rock, was taken out to the marketplace just before the holidays. In a very competitive situation with multiple bidders, it landed at Netflix with an eight-episode series order.
Production is slated to begin later this year. Universal Television, where Fey is based, is the studio.
The Universal Pictures film The Four Seasons, about three couples who vacation together every season, was written and directed by Alan Alda, produced by Martin Bregman, and starred Alda and Carol Burnett.
The Four Seasons TV series is written by Fey, Fisher and Wigfield who executive produce with David Miner, Eric Gurian and Jeff Richmond.
Production is slated to begin later this year. Universal Television, where Fey is based, is the studio.
The Universal Pictures film The Four Seasons, about three couples who vacation together every season, was written and directed by Alan Alda, produced by Martin Bregman, and starred Alda and Carol Burnett.
The Four Seasons TV series is written by Fey, Fisher and Wigfield who executive produce with David Miner, Eric Gurian and Jeff Richmond.
- 1/9/2024
- by Nellie Andreeva
- Deadline Film + TV
The critically-acclaimed documentary feature “The Eternal Memory” is returning to theaters, Variety has learned exclusively.
The doc, which hails from MTV Documentary Films, will be back on theater screens in New York and Los Angeles starting today. The film will screen daily at The IFC Center in New York on Jan. 5-7 and 12-15. It will screen at the Laemmle Glendale and Monica Film Center in Los Angeles on Jan. 6- 8 and 13- 15.
The film originally premiered at the 2023 Sundance Film Festival, where it won the Grand Jury Prize World Cinema – Documentary. It went on to win several more accolades on the festival circuit and was named to the to the shortlist in the Best Documentary Feature Film category for the 96th Academy Awards.
“The Eternal Memory” previously ran in theaters nationwide and debuted on Paramount+ in the U.S. in November.
The film tells the story of Augusto Góngora and Paulina Urrutia,...
The doc, which hails from MTV Documentary Films, will be back on theater screens in New York and Los Angeles starting today. The film will screen daily at The IFC Center in New York on Jan. 5-7 and 12-15. It will screen at the Laemmle Glendale and Monica Film Center in Los Angeles on Jan. 6- 8 and 13- 15.
The film originally premiered at the 2023 Sundance Film Festival, where it won the Grand Jury Prize World Cinema – Documentary. It went on to win several more accolades on the festival circuit and was named to the to the shortlist in the Best Documentary Feature Film category for the 96th Academy Awards.
“The Eternal Memory” previously ran in theaters nationwide and debuted on Paramount+ in the U.S. in November.
The film tells the story of Augusto Góngora and Paulina Urrutia,...
- 1/5/2024
- by Joe Otterson
- Variety Film + TV
Following The Film Stage’s collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Last year was my first as an official resident of Madrid (where I’m wrapping up my Ma in Cultural Theory and Criticism) and I’m happy to report the most extraordinary thing occurred: I fell in love with going to the movies again. I left New York City before movie theaters reopened in 2021, and the brief, in-between, time I spent in Honduras (one of the most dangerous countries in the world) made me even more of a movie recluse (insert Leo on the couch meme). Just when I felt like a jaded noir detective who’d fully embraced screening links, Madrid’s cinephile offerings slowly seduced me.
I saw 2022 gems like Aftersun inside a repurposed porn theater complete with velvet tapestry and a dog who sat...
Last year was my first as an official resident of Madrid (where I’m wrapping up my Ma in Cultural Theory and Criticism) and I’m happy to report the most extraordinary thing occurred: I fell in love with going to the movies again. I left New York City before movie theaters reopened in 2021, and the brief, in-between, time I spent in Honduras (one of the most dangerous countries in the world) made me even more of a movie recluse (insert Leo on the couch meme). Just when I felt like a jaded noir detective who’d fully embraced screening links, Madrid’s cinephile offerings slowly seduced me.
I saw 2022 gems like Aftersun inside a repurposed porn theater complete with velvet tapestry and a dog who sat...
- 1/4/2024
- by Jose Solís
- The Film Stage
Paris-based outfit Luxbox – one of Europe’s biggest sales agents and sometimes producers – of higher-profile Spanish-language art house fare, has swooped on international rights to “Reas,” a prison musical in which ex female cons process their experiences, which was confirmed last week as one of the first eight films selected for Berlin’s Forum section.
The second film by Argentine playwright and writer Lola Arias (“Theater of War”), and winner of the Head Pitchings du Réel Award at Visions du Réel in 2020, “Reas” was also selected by San Sebastian Film Festival for its 2023 Wip Latam.
It will world premiere at the Forum, a section focusing on boundary-breaking titles that challenge aesthetic and narrative norms.
“We feel extremely honored to represent the second feature by artist and filmmaker Lola Arias, whom we discovered at San Sebastian Work In Progress,” Luxbox CEO Fiorella Moretti told Variety.
An international co-production between Gema Juárez and Clarisa Oliveri,...
The second film by Argentine playwright and writer Lola Arias (“Theater of War”), and winner of the Head Pitchings du Réel Award at Visions du Réel in 2020, “Reas” was also selected by San Sebastian Film Festival for its 2023 Wip Latam.
It will world premiere at the Forum, a section focusing on boundary-breaking titles that challenge aesthetic and narrative norms.
“We feel extremely honored to represent the second feature by artist and filmmaker Lola Arias, whom we discovered at San Sebastian Work In Progress,” Luxbox CEO Fiorella Moretti told Variety.
An international co-production between Gema Juárez and Clarisa Oliveri,...
- 12/19/2023
- by Holly Jones
- Variety Film + TV
One of Hollywood’s most venerated auteurs has a new movie out this weekend. Will awards season pay attention? That’s the question facing most of these films, which tackle tough topics like Alzheimer’s, the stock market, and gay twincest.
The contender to watch this week: “The Killer”
David Fincher‘s latest has divided critics, with The New York Times‘ Manohla Dargis calling it “boring” and NPR’s Justin Chang declaring it “perfectly paced.” But if you think about it, a lot of Fincher’s work has proved at least mildly polarizing. He often overcomes those divides by the time Oscar nominations are announced, yet “The Killer” might be too cold and grim even for a Fincher flick. Michael Fassbender, at his most effortlessly slick, plays a nameless hitman suffering the consequences of a rare botched job. Fassbender’s fine-tuned performance is complemented by deft editing and another banger...
The contender to watch this week: “The Killer”
David Fincher‘s latest has divided critics, with The New York Times‘ Manohla Dargis calling it “boring” and NPR’s Justin Chang declaring it “perfectly paced.” But if you think about it, a lot of Fincher’s work has proved at least mildly polarizing. He often overcomes those divides by the time Oscar nominations are announced, yet “The Killer” might be too cold and grim even for a Fincher flick. Michael Fassbender, at his most effortlessly slick, plays a nameless hitman suffering the consequences of a rare botched job. Fassbender’s fine-tuned performance is complemented by deft editing and another banger...
- 11/11/2023
- by Matthew Jacobs
- Gold Derby
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Birth/Rebirth (Laura Moss)
Likely a film that some will find underwhelming due to its lowkey, mostly affectless style, it’s a rather impressive feat of narrative economy that manages to separate itself from the seemingly endless indie horror crop. Directed by Laura Moss, there’s the sense they either don’t have much of a feel for the genre or rather harbors a general disdain for the shorthands it’s fallen into (hopefully they don’t get absorbed into bad studio product soon), the film’s tendencies refreshingly feel free of the trappings of calling-card cinema. – Ethan V. (full review)
Where to Stream: Shudder, AMC+
The Curse (Nathan Fielder and Benny Safdie)
Following up the discomfitingly brilliant The Rehearsal, Nathan Fielder...
Birth/Rebirth (Laura Moss)
Likely a film that some will find underwhelming due to its lowkey, mostly affectless style, it’s a rather impressive feat of narrative economy that manages to separate itself from the seemingly endless indie horror crop. Directed by Laura Moss, there’s the sense they either don’t have much of a feel for the genre or rather harbors a general disdain for the shorthands it’s fallen into (hopefully they don’t get absorbed into bad studio product soon), the film’s tendencies refreshingly feel free of the trappings of calling-card cinema. – Ethan V. (full review)
Where to Stream: Shudder, AMC+
The Curse (Nathan Fielder and Benny Safdie)
Following up the discomfitingly brilliant The Rehearsal, Nathan Fielder...
- 11/10/2023
- by Jordan Raup
- The Film Stage
MTV Documentary Films’ “The Eternal Memory,” directed by Maite Alberdi, will exclusively debut on Paramount+ in the U.S. on Nov. 7.
“The Eternal Memory” tells the story of Augusto Góngora and Paulina Urrutia, a Chilean couple whose lives are irrevocably impacted by Augusto’s Alzheimer’s diagnosis.
The film’s description reads, “As one of Chile’s most prominent cultural commentators and television presenters, Augusto is no stranger to building an archive of memory. Now he turns that work to his own life, trying to hold on to his identity with the help of his beloved Paulina, whose own pre-eminence as a famous actress and Chilean Minister of Culture predates her ceaselessly inventive manner of engaging with her husband.”
The summary concludes, “Day by day, the couple face this challenge head-on, relying on the tender affection and sense of humor shared between them that remains, remarkably, fully intact.”
Alberdi’s...
“The Eternal Memory” tells the story of Augusto Góngora and Paulina Urrutia, a Chilean couple whose lives are irrevocably impacted by Augusto’s Alzheimer’s diagnosis.
The film’s description reads, “As one of Chile’s most prominent cultural commentators and television presenters, Augusto is no stranger to building an archive of memory. Now he turns that work to his own life, trying to hold on to his identity with the help of his beloved Paulina, whose own pre-eminence as a famous actress and Chilean Minister of Culture predates her ceaselessly inventive manner of engaging with her husband.”
The summary concludes, “Day by day, the couple face this challenge head-on, relying on the tender affection and sense of humor shared between them that remains, remarkably, fully intact.”
Alberdi’s...
- 11/8/2023
- by Jaden Thompson
- Variety Film + TV
Screenshot: Madman Films
When you go into a documentary about an aged couple living with Alzheimer’s, you expect it to be sad, perhaps cloyingly so. The premise itself may be a turn-off for those of us with an aversion to the saccharine. But with The Eternal Memory, which captured...
When you go into a documentary about an aged couple living with Alzheimer’s, you expect it to be sad, perhaps cloyingly so. The premise itself may be a turn-off for those of us with an aversion to the saccharine. But with The Eternal Memory, which captured...
- 11/8/2023
- by Drew Gillis
- avclub.com
Oscar-nominated Maite Alberdi’s empathic documentary witnesses a love surviving the devastation of worsening dementia
Chilean director Maite Alberdi really gets elderly people and those with mental health problems. One of her previous works, The Grown-Ups, focused on adults with Down’s syndrome struggling with independence, while her international breakthrough The Mole Agent featured residents of a care home, some with dementia. This latest painfully potent film, The Eternal Memory, carves a snug room for itself in the director’s thematic wheelhouse with its portrait of a Chilean couple, utterly devoted to each other, but challenged by the husband’s progressively worsening Alzheimer’s disease.
At the same time, the film also engages with recent Chilean history, another topic Alberdi has explored previously. How could it do otherwise given that the husband, Augusto Góngora, was a broadcaster and journalist who made underground documentaries about the conditions in Chile under Pinochet...
Chilean director Maite Alberdi really gets elderly people and those with mental health problems. One of her previous works, The Grown-Ups, focused on adults with Down’s syndrome struggling with independence, while her international breakthrough The Mole Agent featured residents of a care home, some with dementia. This latest painfully potent film, The Eternal Memory, carves a snug room for itself in the director’s thematic wheelhouse with its portrait of a Chilean couple, utterly devoted to each other, but challenged by the husband’s progressively worsening Alzheimer’s disease.
At the same time, the film also engages with recent Chilean history, another topic Alberdi has explored previously. How could it do otherwise given that the husband, Augusto Góngora, was a broadcaster and journalist who made underground documentaries about the conditions in Chile under Pinochet...
- 11/8/2023
- by Leslie Felperin
- The Guardian - Film News
For the 10th year in a row, the Scad Savannah Film Festival, the 26th edition of which ran from Oct. 21 through Oct. 28, was the place to be for documentary filmmakers and documentary lovers — specifically on Oct. 25, when The Hollywood Reporter presented and your humble correspondent hosted the fest’s Docs to Watch panel that brings together the directors of up to 10 of the year’s finest documentary features.
Over the past nine years, 45 films were nominated for the best documentary feature Oscar, 19 of which were first highlighted as Docs to Watch. And in seven of those nine years, one of the Docs to Watch went on to win the best documentary feature Oscar: 2015’s Amy, 2016’s O.J.: Made in America, 2017’s Icarus, 2018’s Free Solo, 2019’s American Factory, 2021’s Summer of Soul and 2022’s Navalny. (The other two eventual winners — 2014’s Citizenfour and 2020’s My Octopus Teacher — were not screened...
Over the past nine years, 45 films were nominated for the best documentary feature Oscar, 19 of which were first highlighted as Docs to Watch. And in seven of those nine years, one of the Docs to Watch went on to win the best documentary feature Oscar: 2015’s Amy, 2016’s O.J.: Made in America, 2017’s Icarus, 2018’s Free Solo, 2019’s American Factory, 2021’s Summer of Soul and 2022’s Navalny. (The other two eventual winners — 2014’s Citizenfour and 2020’s My Octopus Teacher — were not screened...
- 11/4/2023
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Christopher Nolan, Celine Song and Maite Alberdi will be feted at a gala fundraiser on the opening night of the 2024 Sundance Film Festival, the nonprofit Sundance Institute said Wednesday.
The Jan. 18 gathering, which will take place at the DeJoria Center, will “raise critical funds to support independent artists year-round through labs, grants and public programming that nurture artists globally.”
Nolan, who started in indie film before becoming the director of large-scale studio blockbusters like this year’s Oppenheimer, will be honored with the first-ever Sundance Institute Trailblazer Award. Song, the writer and director of this year’s Past Lives, and Alberdi, who helmed this year’s documentary The Eternal Memory, will each receive the Vanguard Award, Song for fiction and Alberdi for nonfiction.
Meanwhile, former Sundance Institute Board Chair and trustee Pat Mitchell will receive the Vanguard Award for Philanthropy.
“As we step into the 40th edition of the Sundance Film Festival,...
The Jan. 18 gathering, which will take place at the DeJoria Center, will “raise critical funds to support independent artists year-round through labs, grants and public programming that nurture artists globally.”
Nolan, who started in indie film before becoming the director of large-scale studio blockbusters like this year’s Oppenheimer, will be honored with the first-ever Sundance Institute Trailblazer Award. Song, the writer and director of this year’s Past Lives, and Alberdi, who helmed this year’s documentary The Eternal Memory, will each receive the Vanguard Award, Song for fiction and Alberdi for nonfiction.
Meanwhile, former Sundance Institute Board Chair and trustee Pat Mitchell will receive the Vanguard Award for Philanthropy.
“As we step into the 40th edition of the Sundance Film Festival,...
- 11/1/2023
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Nolan will get the new Trailblazer award and Song and Alberdi the festival’s Vanguard awards.
Christopher Nolan, Celine Song and Maite Alberdi have been set as award recipients for the opening night gala of the 2024 Sundance Film Festival (January 18-28).
Nolan, whose breakthrough film Memento screened at Sundance in 2001 and won the Waldo Salt Screenwriting Award, will receive the first ever Sundance Institute Trailblazer Award.
Song, whose debut feature as a writer-director Past Lives premiered at this year’s Sundance and is currently an awards contender, will be presented with the Vanguard Award for Fiction.
Alberdi, who was at...
Christopher Nolan, Celine Song and Maite Alberdi have been set as award recipients for the opening night gala of the 2024 Sundance Film Festival (January 18-28).
Nolan, whose breakthrough film Memento screened at Sundance in 2001 and won the Waldo Salt Screenwriting Award, will receive the first ever Sundance Institute Trailblazer Award.
Song, whose debut feature as a writer-director Past Lives premiered at this year’s Sundance and is currently an awards contender, will be presented with the Vanguard Award for Fiction.
Alberdi, who was at...
- 11/1/2023
- by John Hazelton
- ScreenDaily
The Sundance Institute will honor Christopher Nolan with the first-ever Sundance Trailblazer Award. The Opening Night Gala: Celebrating 40 Years Presented Chase Sapphire, on January 18, 2024 at the DeJoria Center in Utah, will also present the annual Vanguard Award to “Past Lives” writer/director Celine Song and “The Eternal Memory” writer/director Maite Alberdi. Their 40th annual film festival will take place from January 18 through January 28, 2024, as well as online from January 25 to January 28.
“As we step into the 40th edition of the Sundance Film Festival, it is a distinct honor to recognize Christopher Nolan, a prodigious artist whose singular talent and remarkable body of work have made him one of the most respected filmmakers of our time. We are looking forward to spotlighting the unique voices of both Celine and Maite, storytellers we have been supporting and deeply believe in. All three of these storytellers represent Sundance’s values,” said Sundance Institute CEO Joana Vicente.
“As we step into the 40th edition of the Sundance Film Festival, it is a distinct honor to recognize Christopher Nolan, a prodigious artist whose singular talent and remarkable body of work have made him one of the most respected filmmakers of our time. We are looking forward to spotlighting the unique voices of both Celine and Maite, storytellers we have been supporting and deeply believe in. All three of these storytellers represent Sundance’s values,” said Sundance Institute CEO Joana Vicente.
- 11/1/2023
- by Scott Mendelson
- The Wrap
The Sundance Institute on Wednesday unveiled details for the 2024 Sundance Film Festival’s January 18 opening-night gala that kicks off the festival’s 40th edition.
Oppenheimer director Christopher Nolan will be honored with the first Sundance Institute Trailblazer Award, while Celine Song and Maite Alberdi — who premiered their respective films Past Lives and The Eternal Memory at the 2023 Sundance Film Festival — each will receive the Vanguard Award.
The annual opening-night gala raises money for the nonprofit’s labs, grants and public programming. The Sundance Film Festival runs January 18-28 in Park City and Salt Lake City and online from January 25-28.
The organization said the Trailblazer Award will recognize an artist’s unwavering dedication and notable contributions to the field of independent film. Nolan was celebrated by Sundance two decades ago when his breakthrough film, Memento, won the Waldo Salt Screenwriting Award on its way to an Oscar Original Screenplay nomination.
Oppenheimer director Christopher Nolan will be honored with the first Sundance Institute Trailblazer Award, while Celine Song and Maite Alberdi — who premiered their respective films Past Lives and The Eternal Memory at the 2023 Sundance Film Festival — each will receive the Vanguard Award.
The annual opening-night gala raises money for the nonprofit’s labs, grants and public programming. The Sundance Film Festival runs January 18-28 in Park City and Salt Lake City and online from January 25-28.
The organization said the Trailblazer Award will recognize an artist’s unwavering dedication and notable contributions to the field of independent film. Nolan was celebrated by Sundance two decades ago when his breakthrough film, Memento, won the Waldo Salt Screenwriting Award on its way to an Oscar Original Screenplay nomination.
- 11/1/2023
- by Valerie Complex
- Deadline Film + TV
Thirteen-year-old Doc NYC, America’s largest documentary festival, has revealed its influential 15-film Short List. The festival will run its main lineup of 114 features and 129 short films in-person November 8-16 in New York City’s IFC Center, Sva Theatre and Village East by Angelika and continue online until November 26 with films available to viewers across the U.S. All the films will have theatrical screenings at the festival, often with the directors in person.
Historically, most of the Doc NYC shortlist titles overlap with the Academy’s official 15-film Oscar Shortlist. With the notable exception of Netflix’s Oscar-winning “My Octopus Teacher,” for 11 years the festival has screened the documentary that went on to win the Academy Award, including “Navalny,” “Summer of Soul,” “American Factory,” “Free Solo,” “Icarus,” “O.J.: Made in America,” “Amy,” “Citizenfour,” “20 Feet From Stardom,” “Searching for Sugar Man,” and “Undefeated.” The festival has also screened 49 of the last 55 Oscar-nominated documentary features.
Historically, most of the Doc NYC shortlist titles overlap with the Academy’s official 15-film Oscar Shortlist. With the notable exception of Netflix’s Oscar-winning “My Octopus Teacher,” for 11 years the festival has screened the documentary that went on to win the Academy Award, including “Navalny,” “Summer of Soul,” “American Factory,” “Free Solo,” “Icarus,” “O.J.: Made in America,” “Amy,” “Citizenfour,” “20 Feet From Stardom,” “Searching for Sugar Man,” and “Undefeated.” The festival has also screened 49 of the last 55 Oscar-nominated documentary features.
- 10/17/2023
- by Anne Thompson
- Indiewire
Doc NYC, America’s largest documentary festival, on Tuesday announced its lineup in the short and feature categories, as well as for its Winner’s Circle category and its new section for 2023 titled Come As You Are.
All shortlisted films will have theatrical screenings at the festival. With Tuesday’s announcement, Doc NYC will present a total of 114 features and 129 short films in its 14th year, including 33 world premieres and 29 U.S. premieres.
The festival will run this year Nov. 8-16 at IFC Center, Sva Theatre and Village East Angelika in New York, and will run online through Nov. 26.
The festival’s new Come As You Are section features films about “people striving to find their place in the world, or in their communities,” according to the festival. The Doc NYC Short List for documentary features was launched in 2012. For 10 of the last 11 years, the festival has screened doc features...
All shortlisted films will have theatrical screenings at the festival. With Tuesday’s announcement, Doc NYC will present a total of 114 features and 129 short films in its 14th year, including 33 world premieres and 29 U.S. premieres.
The festival will run this year Nov. 8-16 at IFC Center, Sva Theatre and Village East Angelika in New York, and will run online through Nov. 26.
The festival’s new Come As You Are section features films about “people striving to find their place in the world, or in their communities,” according to the festival. The Doc NYC Short List for documentary features was launched in 2012. For 10 of the last 11 years, the festival has screened doc features...
- 10/17/2023
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
Exclusive: The Eternal Memory, the latest film from Oscar-nominated filmmaker Maite Alberdi (The Mole Agent), has landed a series of international deals for Dogwoof and MTV Documentary Films ahead of its UK premiere this week at the London Film Festival.
Following what both companies have described as “competitive bidding,” new all-rights deals have been confirmed with Cinemex (Mexico), who will release the film this fall, Mediawaan (France), Piffl, Golden Scene (Hong Kong and Macau), and DDDream (China).
Dogwoof will release the doc across the UK and Ireland on November 10. Other theatrical releases set for this winter and early 2024, with previously announced markets, include Edge Entertainment (Nordic and Baltics), Madman (Australia and New Zealand), I Wonder Pictures (Italy), Periscoop (Benelux), Lev (Israel), Synca (Japan), Restart (Former Yugoslavia), and Spain’s B-Team.
The Eternal Memory debuted at this year’s Sundance Film Festival, where it picked up the Grand Jury Prize.
Following what both companies have described as “competitive bidding,” new all-rights deals have been confirmed with Cinemex (Mexico), who will release the film this fall, Mediawaan (France), Piffl, Golden Scene (Hong Kong and Macau), and DDDream (China).
Dogwoof will release the doc across the UK and Ireland on November 10. Other theatrical releases set for this winter and early 2024, with previously announced markets, include Edge Entertainment (Nordic and Baltics), Madman (Australia and New Zealand), I Wonder Pictures (Italy), Periscoop (Benelux), Lev (Israel), Synca (Japan), Restart (Former Yugoslavia), and Spain’s B-Team.
The Eternal Memory debuted at this year’s Sundance Film Festival, where it picked up the Grand Jury Prize.
- 10/5/2023
- by Zac Ntim
- Deadline Film + TV
It’s staffing season in September. A number of new series picked up right before or during the writers strike are assembling their writers rooms. And, picking up where they left off, a number of writers rooms that were either shut down or delayed by the WGA strike in May are ramping back up and are expected to be up and running early next week.
According to sources, going back on Monday are the writers rooms for ABC Signature’s Grey’s Anatomy (ABC) and Criminal Minds: Evolution (co-production with CBS Studios for Paramount+). Disney TV Studios sibling 20th Television has series 9-1-1 (now on ABC) and the animated Fox trio of Family Guy, Bob’s Burgers and The Simpsons also are set for a Monday start.
Showtime/eOne’s Yellowjackets, whose Season 3 writers room shut down after one day as the WGA strike started, will resume Wednesday, I hear.
Starting...
According to sources, going back on Monday are the writers rooms for ABC Signature’s Grey’s Anatomy (ABC) and Criminal Minds: Evolution (co-production with CBS Studios for Paramount+). Disney TV Studios sibling 20th Television has series 9-1-1 (now on ABC) and the animated Fox trio of Family Guy, Bob’s Burgers and The Simpsons also are set for a Monday start.
Showtime/eOne’s Yellowjackets, whose Season 3 writers room shut down after one day as the WGA strike started, will resume Wednesday, I hear.
Starting...
- 9/29/2023
- by Nellie Andreeva
- Deadline Film + TV
Incendiary Spanish director Isabel Coixet (“The Secret Life of Words”) heads to San Sebastian for the international premiere of her latest drama “Un Amor,” a take on devouring love starring Laia Costa (“Lullaby”) and Hovik Keuchkerian (“Money Heist”) that sets Coixet up to compete on the festival’s main stage for the first time.
“Un Amor” is produced by Buenapinta Media’s Marisa Fernández Armenteros (“The Mole Agent”) alongside “Society of the Snow” producers Sandra Hermida and Belén Atienza, here producing out of Perdición Films. World sales are handled by Film Constellation (“Return to Reason”).
The film is based on its namesake novel by Sara Mesa, branded Spain’s 2020 book of the year by Spanish newspaper El País. The script was written by Coixet and Laura Ferrero (“Empty Pools”).
Tormented by occupational hazards and the hustle of city living, protagonist Nat ventures to the countryside town of La Escapa to start fresh.
“Un Amor” is produced by Buenapinta Media’s Marisa Fernández Armenteros (“The Mole Agent”) alongside “Society of the Snow” producers Sandra Hermida and Belén Atienza, here producing out of Perdición Films. World sales are handled by Film Constellation (“Return to Reason”).
The film is based on its namesake novel by Sara Mesa, branded Spain’s 2020 book of the year by Spanish newspaper El País. The script was written by Coixet and Laura Ferrero (“Empty Pools”).
Tormented by occupational hazards and the hustle of city living, protagonist Nat ventures to the countryside town of La Escapa to start fresh.
- 9/25/2023
- by Holly Jones
- Variety Film + TV
The Scad Savannah Film Festival, which takes place each year at the Savannah College of Art and Design shortly before the Academy of Motion Picture Arts and Sciences votes to determine its Oscar shortlists, and which has become a premier showcase for documentary programming, has revealed the names of the 10 documentary features that it will highlight on this year’s edition of its popular Docs to Watch panel.
The Docs to Watch gathering, which features discussion about the challenges and rewards of documentary filmmaking, will take place at the Lucas Theatre on the evening of Wednesday, Oct. 25, midway through the 26th edition of the fest, which will run from Oct. 21 through Oct. 28. For the 10th year in a row, it will be presented by The Hollywood Reporter and moderated by yours truly.
The films represented on this year’s Docs to Watch panel — all of which will also screen during the fest,...
The Docs to Watch gathering, which features discussion about the challenges and rewards of documentary filmmaking, will take place at the Lucas Theatre on the evening of Wednesday, Oct. 25, midway through the 26th edition of the fest, which will run from Oct. 21 through Oct. 28. For the 10th year in a row, it will be presented by The Hollywood Reporter and moderated by yours truly.
The films represented on this year’s Docs to Watch panel — all of which will also screen during the fest,...
- 9/21/2023
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Spanish cinema has undoubtedly been making a strong imprint on the international film festival circuit throughout the last few years and, crucially, there’s a new wave of female filmmakers that are driving this charge.
Carla Simon’s Alcarràs took the Golden Bear in Berlin last year, while Elena Lopez Riera and Clara Roquet debuted their respective films The Water and Libertad in Cannes as well as Elena Martin’s feature debut Creatura, which played in the festival’s Directors Fortnight section this year.
So at this year’s San Sebastian International Film Festival, it’s unsurprising that the trend is continuing as three Spanish films in official competition this year are directed and produced by women: Isabel Coixet’s Un Amor, based on a bestselling novel by Sara Mesa, which is produced by Marisa Fernández Armenteros and Sandra Hermida; Sultana’s Dream, the debut feature from Isabel Herguera which...
Carla Simon’s Alcarràs took the Golden Bear in Berlin last year, while Elena Lopez Riera and Clara Roquet debuted their respective films The Water and Libertad in Cannes as well as Elena Martin’s feature debut Creatura, which played in the festival’s Directors Fortnight section this year.
So at this year’s San Sebastian International Film Festival, it’s unsurprising that the trend is continuing as three Spanish films in official competition this year are directed and produced by women: Isabel Coixet’s Un Amor, based on a bestselling novel by Sara Mesa, which is produced by Marisa Fernández Armenteros and Sandra Hermida; Sultana’s Dream, the debut feature from Isabel Herguera which...
- 9/19/2023
- by Diana Lodderhose
- Deadline Film + TV
The San Sebastian International Film Festival has long been considered the most intimate of the A-list festivals, neatly wrapping up a hectic fall festival season as delegates descend on the enchanting seaside city in Northern Spain. But in the last few years, the event has cemented itself into a festival reputed for championing new talent and emerging voices across all sections of its programming.
Indeed, in the last four years, San Sebastian has awarded its top prize, the Golden Shell, to either directorial debut titles or second features, a sure sign that it takes its role as a promoter of rising talent seriously.
This year’s edition, which takes place September 22-30, is no different, with the official competition having 11 films from first or second-time directors including: Raven Jackson’s debut All Dirt Roads Taste of Salt, which premiered in Sundance; Isabel Herguera’s animation Sultana’s Dream; Noah Pritzker’s second feature Ex-Husbands,...
Indeed, in the last four years, San Sebastian has awarded its top prize, the Golden Shell, to either directorial debut titles or second features, a sure sign that it takes its role as a promoter of rising talent seriously.
This year’s edition, which takes place September 22-30, is no different, with the official competition having 11 films from first or second-time directors including: Raven Jackson’s debut All Dirt Roads Taste of Salt, which premiered in Sundance; Isabel Herguera’s animation Sultana’s Dream; Noah Pritzker’s second feature Ex-Husbands,...
- 9/19/2023
- by Diana Lodderhose
- Deadline Film + TV
“The Eternal Memory,” Chilean documentarian Maite Alberdi’s follow-up to the Oscar-nominated “The Mole Agent,” is smashing box office records in Chile.
Bowing Thursday Aug. 24 in 70 theaters and shooting straight to No. 1, “The Eternal Memory’s” first week 80,157 ticket sales gave the film the biggest bow of any doc feature in history in Chile and the best opening of any Chilean film of any kind since 2018.
As the film sold out at screenings, its screen count was hiked to a 105 screen count from Aug. 28, doubling theaters in some regions and adding ones in parts of Chile which doesn’t normally screen national films.
“The Eternal Memory’s” first 10-day 102,696 admissions converted it into the high-grossing doc feature in Chilean history.
Tracking at near to 200,000 admissions, “The Eternal Memory” has now begun to challenge live action features, such as “Papa al Rescate,” Chile’s big early year comedy.
“What’s most...
Bowing Thursday Aug. 24 in 70 theaters and shooting straight to No. 1, “The Eternal Memory’s” first week 80,157 ticket sales gave the film the biggest bow of any doc feature in history in Chile and the best opening of any Chilean film of any kind since 2018.
As the film sold out at screenings, its screen count was hiked to a 105 screen count from Aug. 28, doubling theaters in some regions and adding ones in parts of Chile which doesn’t normally screen national films.
“The Eternal Memory’s” first 10-day 102,696 admissions converted it into the high-grossing doc feature in Chilean history.
Tracking at near to 200,000 admissions, “The Eternal Memory” has now begun to challenge live action features, such as “Papa al Rescate,” Chile’s big early year comedy.
“What’s most...
- 9/11/2023
- by John Hopewell
- Variety Film + TV
By Glenn Charlie Dunks
After garnering a (somewhat surprising?) Oscar nomination for The Mole Agent in 2020, Chilean director Maite Alberdi’s next feature was always going to be on people’s radar. With The Eternal Memory she has yet again returned to stories of the elderly in society. Unlike Mole, which had a comedic touch (I’m surprised Diane Keaton hasn’t optioned the film rights), The Eternal Memory is strictly dramatic in its telling of the ravages of Alzheimer’s Disease to one of her home country’s most celebrated journalists and authors, Augusto Góngora.
As you might expect, this isn’t an easy watch. Anybody who has seen what dementia does to a person will recognise many of its subject’s hardest moments. It’s probably a hardened soul who wouldn’t shed a tear by its end.
After garnering a (somewhat surprising?) Oscar nomination for The Mole Agent in 2020, Chilean director Maite Alberdi’s next feature was always going to be on people’s radar. With The Eternal Memory she has yet again returned to stories of the elderly in society. Unlike Mole, which had a comedic touch (I’m surprised Diane Keaton hasn’t optioned the film rights), The Eternal Memory is strictly dramatic in its telling of the ravages of Alzheimer’s Disease to one of her home country’s most celebrated journalists and authors, Augusto Góngora.
As you might expect, this isn’t an easy watch. Anybody who has seen what dementia does to a person will recognise many of its subject’s hardest moments. It’s probably a hardened soul who wouldn’t shed a tear by its end.
- 8/26/2023
- by Glenn Dunks
- FilmExperience
Nearly 150 documentaries set to screen at festival in South Korea.
South Korea’s Dmz International Documentary Film Festival (Dmz Docs) has overhauled its programme structure ahead of its 15th edition, which will open with Maite Alberdi’s The Eternal Memory.
A total of 147 documentaries, comprising 83 features and 64 shorts, from 54 countries will be screened at the festival from September 14-21 at cinemas in and around Goyang city, near the Demilitarized Zone between North and South Korea, in Gyeonggi Province.
The programme, which previously included the Global Vision and Dmz Open Cinema sections, have been reorganised into three competition strands: International, Frontier and Korean.
South Korea’s Dmz International Documentary Film Festival (Dmz Docs) has overhauled its programme structure ahead of its 15th edition, which will open with Maite Alberdi’s The Eternal Memory.
A total of 147 documentaries, comprising 83 features and 64 shorts, from 54 countries will be screened at the festival from September 14-21 at cinemas in and around Goyang city, near the Demilitarized Zone between North and South Korea, in Gyeonggi Province.
The programme, which previously included the Global Vision and Dmz Open Cinema sections, have been reorganised into three competition strands: International, Frontier and Korean.
- 8/24/2023
- by Michael Rosser
- ScreenDaily
Chile has picked its 2024 Oscar contender, selecting Felipe Gálvez’s critically acclaimed anti-colonialist western The Settlers for the awards race in the best international feature category.
The drama, which premiered in Cannes Un Certain Regard section this year, explores the massacre of Indigenous tribes at the hands of Spanish landowners in 19th century Chile. A critical hit, the film won the international film critics’ Fipresci prize.
The Settlers will have its North American premiere at the Toronto Film Festival next month. Mubi has domestic rights and will release the film theatrically in North America. Mubi also snatched up distribution rights for the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India.
The story of The Settlers follows three horsemen — a young Chilean mestizo, an American mercenary, and led by a reckless British lieutenant — hired by a wealthy Chilean landowner to mark out the perimeter of his extensive property...
The drama, which premiered in Cannes Un Certain Regard section this year, explores the massacre of Indigenous tribes at the hands of Spanish landowners in 19th century Chile. A critical hit, the film won the international film critics’ Fipresci prize.
The Settlers will have its North American premiere at the Toronto Film Festival next month. Mubi has domestic rights and will release the film theatrically in North America. Mubi also snatched up distribution rights for the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India.
The story of The Settlers follows three horsemen — a young Chilean mestizo, an American mercenary, and led by a reckless British lieutenant — hired by a wealthy Chilean landowner to mark out the perimeter of his extensive property...
- 8/24/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Anti-colonialist western will receive North American premiere at TIFF.
Felipe Gálvez’s Cannes Un Certain Regard Fipresci winner The Settlers has been selected as Chile’s Oscar submission.
‘The Settlers’: Cannes Review
The anti-colonialist western will receive its North American premiere at TIFF next month and will play in the Main Slate at New York Film Festival.
The Settlers takes place in Chile at the start of the 20th century as a wealthy landowner hires three horsemen to mark the perimeter of his property and open a path across Patagonia to the Atlantic Ocean. The expedition, comprising a young Chilean mestizo,...
Felipe Gálvez’s Cannes Un Certain Regard Fipresci winner The Settlers has been selected as Chile’s Oscar submission.
‘The Settlers’: Cannes Review
The anti-colonialist western will receive its North American premiere at TIFF next month and will play in the Main Slate at New York Film Festival.
The Settlers takes place in Chile at the start of the 20th century as a wealthy landowner hires three horsemen to mark the perimeter of his property and open a path across Patagonia to the Atlantic Ocean. The expedition, comprising a young Chilean mestizo,...
- 8/23/2023
- by Jeremy Kay
- ScreenDaily
Chile on Wednesday named the anti-colonialist Western The Settlers from first-time feature filmmaker Felipe Gálvez as its official entry for Best International Feature at the 2024 Academy Awards.
The film coming off a Fipresci Prize win at the 2023 Cannes Film Festival, where it played in Un Certain Regard, joins a list of entrants that includes Smoke Sauna Sisterhood (Estonia), The Teachers’ Lounge (Germany), Concrete Utopia (South Korea) and Thunder (Switzerland), as previously announced.
Following forthcoming screenings at the Toronto Film Festival and the New York Film Festival, the pic will be released theatrically in North America by Mubi, which also holds distribution rights for the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India, and will unveil further details as to its release plans at a later date.
Written by Gálvez and Antonia Girardi, in collaboration with Mariano Llinás, The Settler is set in Chile at the beginning of the 20th century,...
The film coming off a Fipresci Prize win at the 2023 Cannes Film Festival, where it played in Un Certain Regard, joins a list of entrants that includes Smoke Sauna Sisterhood (Estonia), The Teachers’ Lounge (Germany), Concrete Utopia (South Korea) and Thunder (Switzerland), as previously announced.
Following forthcoming screenings at the Toronto Film Festival and the New York Film Festival, the pic will be released theatrically in North America by Mubi, which also holds distribution rights for the UK, Latin America, Turkey, Germany, Austria, Switzerland, Italy, Benelux, and India, and will unveil further details as to its release plans at a later date.
Written by Gálvez and Antonia Girardi, in collaboration with Mariano Llinás, The Settler is set in Chile at the beginning of the 20th century,...
- 8/23/2023
- by Matt Grobar
- Deadline Film + TV
Sundance Institute has announced the 23 projects selected as grantees for this year’s Sundance Institute Documentary Fund and will provide unrestricted grant funding amounting to a little over $1m.
Projects from this cycle are in various stages: six are in development, 14 in production, and three in post-production.
The Fund prioritises supporting and empowering historically marginalised voices, often helping artists living and working in regions that lack a robust infrastructure of support for independent film, regions of conflict, and countries where freedom of expression is under threat.
Projects and filmmakers includr Looking At Ourselves directed by Oscar and Emmy-nominated filmmaker Lourdes Portillo,...
Projects from this cycle are in various stages: six are in development, 14 in production, and three in post-production.
The Fund prioritises supporting and empowering historically marginalised voices, often helping artists living and working in regions that lack a robust infrastructure of support for independent film, regions of conflict, and countries where freedom of expression is under threat.
Projects and filmmakers includr Looking At Ourselves directed by Oscar and Emmy-nominated filmmaker Lourdes Portillo,...
- 8/21/2023
- by Jeremy Kay
- ScreenDaily
The Sundance Institute has named the 2023 grantees of its Documentary Fund, supporting the work of nonfiction filmmakers from around the globe, with 23 projects being selected for unrestricted grant funding totaling just over $1M.
Six of the selected projects are in development, with 14 in production and three currently in post. Notable filmmakers recognized as part of the group include Oscar and Emmy nominee Lourdes Portillo (with Looking at Ourselves), artist and filmmaker Amy Jenkins (with Adam’s Apple), and Anayansi Prado (with Untitled Uvalde Documentary). Also represented are such sophomore filmmakers coming off strong debuts as Reid Davenport (I Didn’t See You There) with Life After, Sky Hopinka with Powwow People, and Tali Yankelevich (My Darling Supermarket) with Girl-Tubers.
Sundance Institute’s Documentary Fund prioritizes supporting and empowering historically marginalized voices and providing a platform for integral stories to be amplified. Many of the...
Six of the selected projects are in development, with 14 in production and three currently in post. Notable filmmakers recognized as part of the group include Oscar and Emmy nominee Lourdes Portillo (with Looking at Ourselves), artist and filmmaker Amy Jenkins (with Adam’s Apple), and Anayansi Prado (with Untitled Uvalde Documentary). Also represented are such sophomore filmmakers coming off strong debuts as Reid Davenport (I Didn’t See You There) with Life After, Sky Hopinka with Powwow People, and Tali Yankelevich (My Darling Supermarket) with Girl-Tubers.
Sundance Institute’s Documentary Fund prioritizes supporting and empowering historically marginalized voices and providing a platform for integral stories to be amplified. Many of the...
- 8/21/2023
- by Matt Grobar
- Deadline Film + TV
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