Museum of the Moving Image is pleased to announce the complete lineup for the 13th edition of First Look, the Museum's festival of new and innovative international cinema, which will take place in person March 13–17, 2024. Each year, First Look offers a diverse slate of major New York premieres, work-in-progress screenings and sessions, gallery installations, and fresh perspectives on the art and process of filmmaking. This year's festival introduces New York audiences to more than three dozen works from around the world. The guiding ethos of First Look is openness, curiosity, and discovery, aiming to expose audiences to new art, artists to new audiences, and everyone to different methods, perspectives, interrogations, and encounters. For five consecutive days the festival takes over MoMI's two theaters, as well as other rooms and galleries throughout the Museum—with in-person appearances and dialogue integral to the experience. Each night concludes with one of five...
- 2/14/2024
- by Rouven Linnarz
- AsianMoviePulse
Get in touch to send in cinephile news and discoveries. For regular updates, sign up for our weekly email newsletter and follow us @NotebookMUBI.NEWSDry Leaf.On Criterion’s Daily, David Hudson has shared a useful roundup of films that might be expected to premiere during 2024. Among the inclusions are: Mickey 17, Bong Joon-ho’s first film since Parasite (2019); It’s Not Me, Leos Carax’s latest collaboration with Denis Lavant; and Dry Leaf, the enticing-sounding new film by Alexandre Koberidze (What Do We See When We Look at the Sky? [2021]), which is said to be about “a photographer who shoots soccer stadiums [who] goes missing.”A list of international filmmakers including Apichatpong Weerasethakul, Pedro Costa, Radu Jude, Ira Sachs, Claire Denis, and Abderrahmane Sissako have signed a letter, published during the holiday season in the French newspaper Libération, demanding (as translated by the Film Stage) “an immediate end to the bombings on Gaza,...
- 1/10/2024
- MUBI
Georgian cinema continues to show thriving signs of life in Blackbird Blackbird Blackberry, a film about a contently independent woman who is faced with the thrills and spills of companionship for the first time. A breakout at Directors’ Fortnight at Cannes earlier this year and a deserved winner, last week, of both best film and actress at the Sarajevo Film Festival, Blackbird is the latest from Elene Naveriani, a 38-year-old director who co-wrote the script with the writer and feminist activist Tamta Melashvili. From that collaboration springs an unlikely tale about the shock of attraction, about how bodies appear depending on how we see them and who’s looking, and about the joys of touch and solitude and whether or not they need be mutually exclusive.
Naveriani’s third feature opens with swagger and a literal cliffhanger: Eto, our immediately likable champion of self-sufficiency, is out picking berries when she...
Naveriani’s third feature opens with swagger and a literal cliffhanger: Eto, our immediately likable champion of self-sufficiency, is out picking berries when she...
- 8/31/2023
- by Rory O'Connor
- The Film Stage
Sara Summa’s European road movie “Arthur & Diana,” which will make its world premiere in the Discovery section of Toronto Film Festival, has been picked up for world sales by Vienna-based Square Eyes. The film is debuting its trailer with Variety.
The film centers on siblings Arthur and Diana. Together with Diana’s two-year-old son, they leave Berlin for Paris for a short, relaxed trip for the required annual safety inspection of their rusty old Renault. But the journey will turn out not so relaxed, the direction not Paris, and whether the car will get to its destination is all too questionable.
Summa said: “‘Arthur & Diana’ is a very significant film for me personally, because it is an autofictional experiment in which my two-year-old son, my brother, and I play the protagonists of this purely fictional road movie. With this second feature I wanted to convey some joie de vivre...
The film centers on siblings Arthur and Diana. Together with Diana’s two-year-old son, they leave Berlin for Paris for a short, relaxed trip for the required annual safety inspection of their rusty old Renault. But the journey will turn out not so relaxed, the direction not Paris, and whether the car will get to its destination is all too questionable.
Summa said: “‘Arthur & Diana’ is a very significant film for me personally, because it is an autofictional experiment in which my two-year-old son, my brother, and I play the protagonists of this purely fictional road movie. With this second feature I wanted to convey some joie de vivre...
- 8/22/2023
- by Leo Barraclough
- Variety Film + TV
Audrey Diwan’s “Happening,” Jane Campion’s “The Power of the Dog,” Ryûsuke Hamaguchi’s “Drive My Car” and Terence Davies’s “Benediction” won top prizes at the 2022 Ics Awards, which are handed out by the International Cinephile Society.
This 19th edition marked a milestone with female talents winning best picture, director, animated film, documentary, debut feature, breakthrough performance and cinematography.
“Happening,” a timely abortion drama set in 1960s France, took home best picture, while its star, Anamaria Vartolomei, won best breakthrough performance.
“Remarkable in its combination of artistic delicacy and brutal realism, yet resisting any hint of didacticism, the film quietly builds tension to a gut-wrenching emotional pitch,” stated the Ics.
Campion, meanwhile, won best director with her Western family drama “The Power of the Dog.” Runner-up for top film was Hamaguchi with “Drive My Car,” a road drama based on Haruki Murakami’s short story about guilt and grief.
This 19th edition marked a milestone with female talents winning best picture, director, animated film, documentary, debut feature, breakthrough performance and cinematography.
“Happening,” a timely abortion drama set in 1960s France, took home best picture, while its star, Anamaria Vartolomei, won best breakthrough performance.
“Remarkable in its combination of artistic delicacy and brutal realism, yet resisting any hint of didacticism, the film quietly builds tension to a gut-wrenching emotional pitch,” stated the Ics.
Campion, meanwhile, won best director with her Western family drama “The Power of the Dog.” Runner-up for top film was Hamaguchi with “Drive My Car,” a road drama based on Haruki Murakami’s short story about guilt and grief.
- 2/7/2022
- by Elsa Keslassy
- Variety Film + TV
The mashup of different cinematic techniques inside the same narrative, including music video aesthetics, narration, and the breaking of the fourth wall has been one of the most recent trends of the independent/art house scene, with Wes Anderson probably being the master of the “technique”. Alexandre Koberidze attempts something similar, although more intently art-house/low budget (European if you prefer) in a movie that is artful, quite intelligent, and at the same time, self-indulgent.
“What Do We See When We Look at the Sky?” is screening at Black Movie International Festival of Independent Movies
The film begins with a chance encounter that potentially could lead to a real romance, as medical student and pharmacy clerk Lisa bumps into footballer Giorgi on the street, in a scene that could be described as cheesy, as we watch him pick up the book she dropped before the two agree on date. However,...
“What Do We See When We Look at the Sky?” is screening at Black Movie International Festival of Independent Movies
The film begins with a chance encounter that potentially could lead to a real romance, as medical student and pharmacy clerk Lisa bumps into footballer Giorgi on the street, in a scene that could be described as cheesy, as we watch him pick up the book she dropped before the two agree on date. However,...
- 1/30/2022
- by Panos Kotzathanasis
- AsianMoviePulse
Following The Film Stage’s collective top 50 films of 2021, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
After over 14 months of no cinema-going, 2021 finally marked a return to theaters. The first film back––something every cinephile will forever have etched in their memory––was not a movie I heavily anticipated but one that thoroughly entertained: Guy Ritchie’s delightfully nasty B-movie Wrath of Man.
While the rest of the movie-going year had its ups and downs (the uncertain future of the arthouse marketplace as they attempt to find a footing in Disneyfied world), 2021’s cinematic output certainly wasn’t lacking for quality.
Looking back at the new releases, there’s a number of films that narrowly missed my top 15, including The French Dispatch, What Do We See When We Look at the Sky?, Days, The Beatles: Get Back, Annette, West Side Story, Siberia, Procession,...
After over 14 months of no cinema-going, 2021 finally marked a return to theaters. The first film back––something every cinephile will forever have etched in their memory––was not a movie I heavily anticipated but one that thoroughly entertained: Guy Ritchie’s delightfully nasty B-movie Wrath of Man.
While the rest of the movie-going year had its ups and downs (the uncertain future of the arthouse marketplace as they attempt to find a footing in Disneyfied world), 2021’s cinematic output certainly wasn’t lacking for quality.
Looking back at the new releases, there’s a number of films that narrowly missed my top 15, including The French Dispatch, What Do We See When We Look at the Sky?, Days, The Beatles: Get Back, Annette, West Side Story, Siberia, Procession,...
- 1/14/2022
- by Jordan Raup
- The Film Stage
Our second ever Best West Asian list is a bit smaller than the previous one, which included 20 films, but at least equal in terms of quality and diversity. In that fashion, and although Iran has the lion’s share, movies from Turkey, Georgia, Palestine, Lebanon, Iran, Kazakhstan and Bangladesh are included in a list that also showcases (experimental) documentaries, dramas, comedies, action and everything between.
Without further ado, here are the best West Asian films of 2021, in random order. Some films may have premiered in 2020, but since they mostly circulated in 2021, we decided to include them.
15. Radiograph of A Family
“Radiograph of a Family” is a great documentary that manages to combine artfulness with a very interesting story and a parallel to the history of Iran, through a rather brave approach due to its intimacy. (Panos Kotzathanasis)
14. Hit the Road
Panahi directs his first feature with style and elegance, channeling...
Without further ado, here are the best West Asian films of 2021, in random order. Some films may have premiered in 2020, but since they mostly circulated in 2021, we decided to include them.
15. Radiograph of A Family
“Radiograph of a Family” is a great documentary that manages to combine artfulness with a very interesting story and a parallel to the history of Iran, through a rather brave approach due to its intimacy. (Panos Kotzathanasis)
14. Hit the Road
Panahi directs his first feature with style and elegance, channeling...
- 1/6/2022
- by AMP Group
- AsianMoviePulse
Alexandre Koberidze's What Do We See When We Look at the Sky? is showing exclusively on Mubi in many countries starting January 7, 2022 in the series The New Auteurs.Inspiration #1“Don’t Cry for Me Argentina” by Sinead O'ConnorListening and watching Sinéad O'Connor singing” Don't Cry for Me Argentina” is one of the most beautiful experiences I ever had. While writing the script, while preparing the film, I was often watching it. I think a wish to make a film as gentle, careful, and at the same time as overwhelming as this performance will follow me for many years. Inspiration #2A scene Three Days of Hot Summer (1981)by Merab Kokochashvili The character played by Kakhi Kavsadze is an archeologist. Late at night during a heavy rainstorm he wants to go to his worksite because it might be raining there too and he wants to cover it up."You're crazy," his wife says,...
- 1/5/2022
- MUBI
Mubi is kicking off the new year with a selection of our 2021 highlights, including some of which haven’t picked up proper distribution yet. Most notably, their own release, Alexandre Koberidze’s dazzling What Do We See When We Look at the Sky?, will premiere along with a New Voices in Georgian Cinema series. Also arriving is Salomé Jashi’s Taming the Garden, Ana Katz’s The Dog Who Wouldn’t Be Quiet, Alex Camilleri’s Luzzu, and Nino Martínez Sosa’s Liborio.
As part of a series of first films, they’ll also feature works from Janicza Bravo, Noah Baumbach, Garrett Bradley, Lucile Hadzihalilovic, Mahamat-Saleh Haroun, Terry Gilliam, and more. A double bill of Federico Fellini classics, Nights of Cabiria and The White Sheik, will also come to the platform.
Check out the lineup below and get 30 days free here.
January 1 | Kicking & Screaming | Noah Baumbach | First Films First
January...
As part of a series of first films, they’ll also feature works from Janicza Bravo, Noah Baumbach, Garrett Bradley, Lucile Hadzihalilovic, Mahamat-Saleh Haroun, Terry Gilliam, and more. A double bill of Federico Fellini classics, Nights of Cabiria and The White Sheik, will also come to the platform.
Check out the lineup below and get 30 days free here.
January 1 | Kicking & Screaming | Noah Baumbach | First Films First
January...
- 12/17/2021
- by Jordan Raup
- The Film Stage
Berlin-based Films Boutique has acquired “Talking About The Weather,” Annika Pinske’s contemporary debut film which will have its world premiere at the Berlin Film Festival in the Panorama section.
The movie follows Clara, who has left her native East Germany and is living a bohemian life in Berlin, teaching philosophy while finishing her PhD. Between an affair with one of her students and her testy friendship with thesis advisor Margot, she barely has time to see her 15-year-old daughter, who mostly lives with her ex. But when Clara visits her mother for a weekend, she finds herself confronted with her ideal of an unfettered, self-determined life.
Pinske previously worked as creative assistant to German filmmaker Maren Ade (“Toni Erdmann”), as well as theater director René Pollesch. “Talking About The Weather” is Pinske’s graduation film from the German Film and Television Academy (Dffb).
The movie stars “Toni Erdmann” actor Sandra Hüller,...
The movie follows Clara, who has left her native East Germany and is living a bohemian life in Berlin, teaching philosophy while finishing her PhD. Between an affair with one of her students and her testy friendship with thesis advisor Margot, she barely has time to see her 15-year-old daughter, who mostly lives with her ex. But when Clara visits her mother for a weekend, she finds herself confronted with her ideal of an unfettered, self-determined life.
Pinske previously worked as creative assistant to German filmmaker Maren Ade (“Toni Erdmann”), as well as theater director René Pollesch. “Talking About The Weather” is Pinske’s graduation film from the German Film and Television Academy (Dffb).
The movie stars “Toni Erdmann” actor Sandra Hüller,...
- 12/16/2021
- by Elsa Keslassy
- Variety Film + TV
In Brighton 4th, the Georgian diaspora of Brooklyn’s Brighton Beach (an area known colloquially as “Little Odessa” for its largely East European and Russian communities) provide backdrop to a touching story of father (a former champion wrestler) and son (a decent man with an indecent gambling habit). Equally warm and melancholic with a rich vein of tragicomedy, Brighton is just the second narrative from Levan Koguashvili, a Georgian filmmaker who became toast of this year’s Tribeca Film Festival when Brighton 4th took home the award for Best Film in their “International” selection, as well as Best Actor and Best Screenplay
Brighton 4th was recently announced as Georgia’s submission to the Oscars, selected over more challenging and poetic works from Alexandre Koberidze (What Do We See When We Look at the Sky?) and Déa Kulumbegashvili (Beginning). Koguashvili’s film is clearly the easiest sell, but it is good...
Brighton 4th was recently announced as Georgia’s submission to the Oscars, selected over more challenging and poetic works from Alexandre Koberidze (What Do We See When We Look at the Sky?) and Déa Kulumbegashvili (Beginning). Koguashvili’s film is clearly the easiest sell, but it is good...
- 12/15/2021
- by Rory O'Connor
- The Film Stage
Reservation Dogs milestone success for indigenous storytelling.
Netflix’s The Lost Daughter claimed four prizes including best feature at the 2021 Gotham Awards on Monday night (November 29) at an in-person ceremony in New York that marked the first major US awards show of the season.
The Elena Ferrante adaptation about a professor on holiday who confronts her past also won breakthrough director and best screenplay for debutante feature writer-director Gyllenhaal, while Olivia Colman tied for best lead actor in the first year of the Gothams’ gender neutral acting categories.
Back in its traditional slot on the first Monday after Thanksgiving the...
Netflix’s The Lost Daughter claimed four prizes including best feature at the 2021 Gotham Awards on Monday night (November 29) at an in-person ceremony in New York that marked the first major US awards show of the season.
The Elena Ferrante adaptation about a professor on holiday who confronts her past also won breakthrough director and best screenplay for debutante feature writer-director Gyllenhaal, while Olivia Colman tied for best lead actor in the first year of the Gothams’ gender neutral acting categories.
Back in its traditional slot on the first Monday after Thanksgiving the...
- 11/30/2021
- by Jeremy Kay
- ScreenDaily
The 31st annual Gotham Awards is a key stop in the awards season marathon, especially for lower-budget indies looking for some traction for the Oscars race. However, not every likely Oscar contender found itself up for Gothams, including “The Power of the Dog,” “Tick, Tick… Boom!” and “The Harder They Fall,” as they exceeded the $35 million budget limit for nominees.
For the first time, international documentaries were eligible in the best documentary feature category. Additionally, the new award breakthrough nonfiction series is among category updates for the year, as well as outstanding lead performance, outstanding supporting performance and outstanding performance in a new series, from the television side. Outstanding lead performance, breakthrough performance and outstanding supporting performance were all gender neutral categories, with eight men and 14 women nominated.
Netflix’s “The Lost Daughter” ran away with the evening, scoring the most amount of wins with prizes in best feature, breakthrough director for Maggie Gyllenhaal,...
For the first time, international documentaries were eligible in the best documentary feature category. Additionally, the new award breakthrough nonfiction series is among category updates for the year, as well as outstanding lead performance, outstanding supporting performance and outstanding performance in a new series, from the television side. Outstanding lead performance, breakthrough performance and outstanding supporting performance were all gender neutral categories, with eight men and 14 women nominated.
Netflix’s “The Lost Daughter” ran away with the evening, scoring the most amount of wins with prizes in best feature, breakthrough director for Maggie Gyllenhaal,...
- 11/30/2021
- by Katie Song
- Variety Film + TV
The Gotham Awards were handed out on November 29 at Cipriani Wall Street in New York City. So who won at these annual indie film kudos from The Gotham Film and Media Institute, which streamed on YouTube and Facebook? Scroll down for the complete list of winners in all categories.
Netflix’s “The Lost Daughter” and “Passing” went in as the two most nominated films with five apiece, but that didn’t automatically mean they were the front-runners. Categories at these awards are judged by panels of just a handful of industry insiders, often leading to unexpected, under-the-radar winners. You can’t count anyone out at an event where unique juries review all the nominated material.
Seersvp now for November 30: Film producers panel with ‘Being the Ricardos,’ ‘Belfast,’ ‘The Power of the Dog,’ ‘tick, tick… Boom!’
That means these awards can be quite idiosyncratic — they’re independent thinkers, and not...
Netflix’s “The Lost Daughter” and “Passing” went in as the two most nominated films with five apiece, but that didn’t automatically mean they were the front-runners. Categories at these awards are judged by panels of just a handful of industry insiders, often leading to unexpected, under-the-radar winners. You can’t count anyone out at an event where unique juries review all the nominated material.
Seersvp now for November 30: Film producers panel with ‘Being the Ricardos,’ ‘Belfast,’ ‘The Power of the Dog,’ ‘tick, tick… Boom!’
That means these awards can be quite idiosyncratic — they’re independent thinkers, and not...
- 11/30/2021
- by Daniel Montgomery
- Gold Derby
The Gotham Awards took place on November 29 in Lower Manhattan, back in their usual prime slot at the start of the awards season. The event marks the first significant awards ceremony of the season, ahead of most critics groups and guilds.
Films with budgets exceeding $35 million are automatically disqualified from Gotham Awards consideration. For this reason, major Oscar contenders from Netflix, such as Jane Campion’s Venice winner “Power of the Dog,” Lin-Manuel Miranda’s feature directorial debut “Tick Tick Boom,” Jeymes Samuels’ “The Harder They Fall,” and Adam McKay’s “Don’t Look Up” did not make the cut.
Kristen Stewart received this year’s Performer Tribute thanks to her performance in “Spencer.” Other...
Films with budgets exceeding $35 million are automatically disqualified from Gotham Awards consideration. For this reason, major Oscar contenders from Netflix, such as Jane Campion’s Venice winner “Power of the Dog,” Lin-Manuel Miranda’s feature directorial debut “Tick Tick Boom,” Jeymes Samuels’ “The Harder They Fall,” and Adam McKay’s “Don’t Look Up” did not make the cut.
Kristen Stewart received this year’s Performer Tribute thanks to her performance in “Spencer.” Other...
- 11/30/2021
- by Ryan Lattanzio
- Indiewire
Samuel Theis’ “Softie” won the top prize at the 62nd Thessaloniki Film Festival, which wrapped Sunday night with a ceremony in Greece’s second city.
The film, which premiered in Cannes’ Critics’ Week section, was awarded the Golden Alexander and a €10,000 cash prize by a jury comprised of writer-director Nanouk Leopold, sound designer Roland Vajs and actor Michelle Valley.
The Special Jury Award was given to “Clara Sola,” by Natalie Álvarez Mesén, while the Special Jury Award for best director went to Lorenzo Vigas for “The Box.”
The award for best actress went to Sofia Kokkali for her performance in “Moon, 66 Questions,” by director Jacqueline Lentzou. Aliocha Reinert won the prize for best actor for his role in Golden Alexander winner “Softie.” The award for best screenplay went to Laurynas Bareiša for his film “Pilgrims,” while a special mention was given to Alexandre Koberidze for “What Do We See When We Look at the Sky?...
The film, which premiered in Cannes’ Critics’ Week section, was awarded the Golden Alexander and a €10,000 cash prize by a jury comprised of writer-director Nanouk Leopold, sound designer Roland Vajs and actor Michelle Valley.
The Special Jury Award was given to “Clara Sola,” by Natalie Álvarez Mesén, while the Special Jury Award for best director went to Lorenzo Vigas for “The Box.”
The award for best actress went to Sofia Kokkali for her performance in “Moon, 66 Questions,” by director Jacqueline Lentzou. Aliocha Reinert won the prize for best actor for his role in Golden Alexander winner “Softie.” The award for best screenplay went to Laurynas Bareiša for his film “Pilgrims,” while a special mention was given to Alexandre Koberidze for “What Do We See When We Look at the Sky?...
- 11/14/2021
- by Christopher Vourlias
- Variety Film + TV
One of the year’s most magical cinematic experiences hails from Georgia. Alexandre Koberidze’s What Do We See When We Look at the Sky?, which premiered at Berlinale earlier this year and opens in theaters this week via Mubi, is a delightful city symphony capturing summer in Kutaisi. Following a pharmacist named Lisa and a soccer player named Giorgi––along with many others who call the city home––we witness quite a unique take on a relationship story as life unfolds around them.
I spoke with Koberidze about inviting the audience into this fairy tale of a film, his time at German Film and Television Academy Berlin (Dffb), the joy of Buster Keaton films, his favorite city symphonies, capturing soccer in cinema, canines, and more.
The Film Stage: At the New York Film Festival premiere you mentioned that every second of this film felt precious to you and you...
I spoke with Koberidze about inviting the audience into this fairy tale of a film, his time at German Film and Television Academy Berlin (Dffb), the joy of Buster Keaton films, his favorite city symphonies, capturing soccer in cinema, canines, and more.
The Film Stage: At the New York Film Festival premiere you mentioned that every second of this film felt precious to you and you...
- 11/11/2021
- by Jordan Raup
- The Film Stage
The 25th edition of Tallinn Black Nights Film Festival is about to kick off, and between 12-28 of November the audience will have the oportunity to watch a great number of films from Asia, strewn across festival’s various program sections, including all competition segments. We went through the complete program and counted no more or less than 69 films from the broader Asian region.
Quite surprising is the amount of competition titles in the main selection, with three world premieres, four international. Lu ZHang’s “Yanagawa” will have its European premiere at PÖFF.
Yerzhanov returns to Tallinn a year after he presented two films at the festival, the main competition title “Ulbolsyn” about a woman who comes to a Kazhak village to “steer trouble”, and the oddball comedy “Yellow Cat” screened in the Current Waves program. Kirill Sokolov is also back two years after the premiere of his critically acclaimed...
Quite surprising is the amount of competition titles in the main selection, with three world premieres, four international. Lu ZHang’s “Yanagawa” will have its European premiere at PÖFF.
Yerzhanov returns to Tallinn a year after he presented two films at the festival, the main competition title “Ulbolsyn” about a woman who comes to a Kazhak village to “steer trouble”, and the oddball comedy “Yellow Cat” screened in the Current Waves program. Kirill Sokolov is also back two years after the premiere of his critically acclaimed...
- 11/10/2021
- by Marina D. Richter
- AsianMoviePulse
Celebrating its 70th anniversary this year, the International Film Festival Mannheim-Heidelberg (Iffmh) is for the first time taking place in cinemas across both cities, introducing new sections, and looking back at its rich history with a special retrospective.
“Being 70 in a way is a starting point for reflection,” says festival director Sascha Keilholz. “What was the festival like in the past? What is it now? Where do we want to go in the future? The festival is in a transformational process that we started last year and was actually quite successful.”
Indeed, after adopting a new brand image last year, the Iffmh won the 2021 German Brand Award for brand strategy and design.
After being forced online last year amid the pandemic, going back into theaters was one of this year’s main goals, Keilholz says. “This is more important than ever.”
In celebrating its return to cinemas as well...
“Being 70 in a way is a starting point for reflection,” says festival director Sascha Keilholz. “What was the festival like in the past? What is it now? Where do we want to go in the future? The festival is in a transformational process that we started last year and was actually quite successful.”
Indeed, after adopting a new brand image last year, the Iffmh won the 2021 German Brand Award for brand strategy and design.
After being forced online last year amid the pandemic, going back into theaters was one of this year’s main goals, Keilholz says. “This is more important than ever.”
In celebrating its return to cinemas as well...
- 11/9/2021
- by Ed Meza
- Variety Film + TV
The Tokyo Filmex festival wrapped up on Sunday with a prize ceremony and the surprise screening of “Revolution of Our Times,” a documentary about the pro-democracy movement in Hong Kong.
Filmex and the Tokyo International Film Festival have been largely cooperative events in the past two years. TIFF will come to a close with its own prize ceremony on Monday evening.
The Filmex first prize was awarded jointly to “Anatomy of Time,” directed by Thailand’s Jakrawal Nilthamrong, and to “What Do We See When We Look at the Sky?,” directed by Georgia’s Aleksandre Koberidze. Each wins a cash prize of JPY500,000.
The competition jury described “Anatomy” as “a suddenly cruel and violent sequence of characters past and present in which different layers of time are intertwined in a fascinating and challenging way.” Of “Sky” the jury said it was “a beautiful portrait of the city of Kutaisi [in which] the...
Filmex and the Tokyo International Film Festival have been largely cooperative events in the past two years. TIFF will come to a close with its own prize ceremony on Monday evening.
The Filmex first prize was awarded jointly to “Anatomy of Time,” directed by Thailand’s Jakrawal Nilthamrong, and to “What Do We See When We Look at the Sky?,” directed by Georgia’s Aleksandre Koberidze. Each wins a cash prize of JPY500,000.
The competition jury described “Anatomy” as “a suddenly cruel and violent sequence of characters past and present in which different layers of time are intertwined in a fascinating and challenging way.” Of “Sky” the jury said it was “a beautiful portrait of the city of Kutaisi [in which] the...
- 11/8/2021
- by Patrick Frater
- Variety Film + TV
Chicago – The Chicago International Film Festival (Ciff) is competitive, and the 57th edition presented its awards on October 22nd, 2021, as a live virtual and online event.. The winner of the Gold Hugo as Best International Film was “Memoria” (Columbia), directed by Apichatpong Weerasethakul.
The 57th Chicago International Film Festival continues on Day 11, featuring screenings in theater, at the drive-in and virtual/online. Click here for a complete how-to guide on navigating the 57th Ciff. And click Day 11 for the complete line up of films.
The awards were presented by the various jury members in each film category, and were hosted by Artistic Director Mimi Plauché and Managing Director Vivian Teng. The Festival’s highest honor is the Gold Hugo, named for the mythical God of Discovery.
International Feature Film Competition
‘Memoria’
Photo credit: Chicago International Film Festival
The Gold Hugo for Best Film: “Memoria” (Columbia) Directed by Apichatpong Weerasethakul
In...
The 57th Chicago International Film Festival continues on Day 11, featuring screenings in theater, at the drive-in and virtual/online. Click here for a complete how-to guide on navigating the 57th Ciff. And click Day 11 for the complete line up of films.
The awards were presented by the various jury members in each film category, and were hosted by Artistic Director Mimi Plauché and Managing Director Vivian Teng. The Festival’s highest honor is the Gold Hugo, named for the mythical God of Discovery.
International Feature Film Competition
‘Memoria’
Photo credit: Chicago International Film Festival
The Gold Hugo for Best Film: “Memoria” (Columbia) Directed by Apichatpong Weerasethakul
In...
- 10/23/2021
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Ahead of a ceremony on November 29, this year’s Gotham Awards nominations have been unveiled, featuring some of the year’s finest cinema. Among the nominations are some personal favorites here at The Film Stage, including Drive My Car, Faya Dayi, The Worst Person in the World (a film that still doesn’t have an actual 2021 U.S. release date), Test Pattern, and El Planeta.
This year, the Gothams made a switch to have all performance categories be gender neutral, with those categories have been restructured into Outstanding Leading and Supporting Performance categories for feature films, joining the already existing Breakthrough Performer category.
Check out the film nominations for the Gotham Awards below.
Best Feature
The Green Knight
David Lowery, director; Toby Halbrooks, James M. Johnston, David Lowery, Tim Headington, Theresa Steele Page, producers (A24)
The Lost Daughter
Maggie Gyllenhaal, director; Osnat Handelsman Keren, Talia Kleinhendler, Maggie Gyllenhaal, Charles Dorfman,...
This year, the Gothams made a switch to have all performance categories be gender neutral, with those categories have been restructured into Outstanding Leading and Supporting Performance categories for feature films, joining the already existing Breakthrough Performer category.
Check out the film nominations for the Gotham Awards below.
Best Feature
The Green Knight
David Lowery, director; Toby Halbrooks, James M. Johnston, David Lowery, Tim Headington, Theresa Steele Page, producers (A24)
The Lost Daughter
Maggie Gyllenhaal, director; Osnat Handelsman Keren, Talia Kleinhendler, Maggie Gyllenhaal, Charles Dorfman,...
- 10/21/2021
- by Leonard Pearce
- The Film Stage
“The Green Knight,” “The Lost Daughter,” “Passing,” “Pig” and “Test Pattern” will compete for best feature film at the 31st annual Gotham Awards. The event is key stop in the awards season marathon, particularly for lower-budgeted indie fare that is looking to elbow into the Oscars race.
At the Gothams, “Passing,” a black-and-white drama that examines racism and colorist, and “The Lost Daughter,” a searing look at motherhood, led the pack with five nominations apiece. Close behind was “Coda,” a tender look at a teenager who is the only hearing member of a deaf family, earned three nominations including one of breakthrough performer for its star Emilia Jones. “Red Rocket,” the story of a washed-up porn star who returns to his hometown, also nabbed three nominations.
Nominees for the best documentary prize include “Ascension,” “Faya Dayi,” “Flee,” “President,” and “Summer Of Soul.” Best international feature is a race between “Azor,...
At the Gothams, “Passing,” a black-and-white drama that examines racism and colorist, and “The Lost Daughter,” a searing look at motherhood, led the pack with five nominations apiece. Close behind was “Coda,” a tender look at a teenager who is the only hearing member of a deaf family, earned three nominations including one of breakthrough performer for its star Emilia Jones. “Red Rocket,” the story of a washed-up porn star who returns to his hometown, also nabbed three nominations.
Nominees for the best documentary prize include “Ascension,” “Faya Dayi,” “Flee,” “President,” and “Summer Of Soul.” Best international feature is a race between “Azor,...
- 10/21/2021
- by Brent Lang and Jazz Tangcay
- Variety Film + TV
The annual Gotham Awards is, once again, the first prominent awards ceremony out of the gate during Oscar season, thanks to this morning’s nominations announcement. Films with budgets exceeding $35 million are automatically disqualified from Gotham Awards consideration. For this reason, major Oscar contenders from Netflix, such as Jane Campion’s Venice winner “Power of the Dog,” Lin-Manuel Miranda’s feature directorial debut “Tick Tick Boom,” Jeymes Samuels’ “The Harder They Fall,” and Adam McKay’s “Don’t Look Up” did not make the cut.
Prior to the nominations announcement, the Gotham Awards confirmed that Kristen Stewart would be the recipient of this year’s Performer Tribute thanks to her performance in “Spencer.” Other honorees include Eamonn Bowles (who is receiving the Industry Tribute), the cast of “The Harder They Fall” (receiving the Ensemble Tribute), and Campion (who is receiving the Director’s Tribute).
The Gotham Awards don’t always line up with the Oscars,...
Prior to the nominations announcement, the Gotham Awards confirmed that Kristen Stewart would be the recipient of this year’s Performer Tribute thanks to her performance in “Spencer.” Other honorees include Eamonn Bowles (who is receiving the Industry Tribute), the cast of “The Harder They Fall” (receiving the Ensemble Tribute), and Campion (who is receiving the Director’s Tribute).
The Gotham Awards don’t always line up with the Oscars,...
- 10/21/2021
- by Zack Sharf
- Indiewire
Exclusive: Arthouse streamer and distributor Mubi is launching a U.S. in-theater offering this month letting members see one film a week that it selects at participating cinemas starting in New York City. It said Mubi Go will roll out nationwide in selected markets with LA next in early 2022.
Mubi Go (available in the U.K. and India) will launch Oct. 29 with Netflix’s Passing, directed by Rebecca Hall, that premiered at Sundance and screened at the New York Film Festival. Subscribers can get a free ticket during the film’s theatrical engagement at the Paris Theater and IFC Center ahead of its Nov. 10 streaming release on Netflix.
Adapted from the 1929 novel by Nella Larsen, Passing is the story of two Black women, Irene Redfield (Tessa Thompson) and Clare Kendry (Ruth Negga), who can pass as white but choose to live on opposite sides of the color line during the height of the Harlem Renaissance.
Mubi Go (available in the U.K. and India) will launch Oct. 29 with Netflix’s Passing, directed by Rebecca Hall, that premiered at Sundance and screened at the New York Film Festival. Subscribers can get a free ticket during the film’s theatrical engagement at the Paris Theater and IFC Center ahead of its Nov. 10 streaming release on Netflix.
Adapted from the 1929 novel by Nella Larsen, Passing is the story of two Black women, Irene Redfield (Tessa Thompson) and Clare Kendry (Ruth Negga), who can pass as white but choose to live on opposite sides of the color line during the height of the Harlem Renaissance.
- 10/19/2021
- by Jill Goldsmith
- Deadline Film + TV
After opening the Venice Film Festival and continuing on to the New York Film Festival, Oscar winner Pedro Almodóvar’s Parallel Mothers from Sony Pictures Classics will have a red-carpet premiere at this year’s AFI Fest at the Tcl Chinese Theatre on Saturday, Nov. 13.
In the movie, two women, Janis and Ana, played respectively by Penelope Cruz and Milena Smit, coincide in a hospital room where they are going to give birth. Both are single and became pregnant by accident. Janis, middle-aged, doesn’t regret it and she is exultant. The other, Ana, an adolescent, is scared, repentant and traumatized. Janis tries to encourage her while they move like sleepwalkers along the hospital corridors. The few words they exchange in these hours will create a very close link between the two, which by chance develops and complicates, and changes their lives in a decisive way. Cruz won the Volpi...
In the movie, two women, Janis and Ana, played respectively by Penelope Cruz and Milena Smit, coincide in a hospital room where they are going to give birth. Both are single and became pregnant by accident. Janis, middle-aged, doesn’t regret it and she is exultant. The other, Ana, an adolescent, is scared, repentant and traumatized. Janis tries to encourage her while they move like sleepwalkers along the hospital corridors. The few words they exchange in these hours will create a very close link between the two, which by chance develops and complicates, and changes their lives in a decisive way. Cruz won the Volpi...
- 10/13/2021
- by Anthony D'Alessandro
- Deadline Film + TV
China’s Pingyao International Film Festival got under way on Tuesday with the gala screening of Zhang Lu’s new drama film “Yanagawa.” The festival will unspool Oct. 12-19 with a familiar package of competition screenings a work in progress section, a film lab, a project market and a tribute section dedicated to Tsui Hark.
Organizers announced an ambitious twelve-title competition section (“Crouching Tigers”) for first second and third films from around the world.
These include: “Amparo,” directed by Simón Mesa Soto; “As Far As I Can Walk,” directed by Strahinja Banovic; “Feathers,” directed by Omar El Zohairy; “Mama, I’m Home” directed by Vladimir Bitokov (Russia); “Pedro” directed by Natesh Hegde (India); “Playground” (Un Monde) directed by Laura Wandel (Belgium); “Prayers for the Stolen” (Noche de Fuego) directed by Tatiana Huezo; “Rehana” (Rehana Maryam Noor) directed by Abdullah Mohammad Saad; “The Tale of King Crab” (Re Granchio) directed by...
Organizers announced an ambitious twelve-title competition section (“Crouching Tigers”) for first second and third films from around the world.
These include: “Amparo,” directed by Simón Mesa Soto; “As Far As I Can Walk,” directed by Strahinja Banovic; “Feathers,” directed by Omar El Zohairy; “Mama, I’m Home” directed by Vladimir Bitokov (Russia); “Pedro” directed by Natesh Hegde (India); “Playground” (Un Monde) directed by Laura Wandel (Belgium); “Prayers for the Stolen” (Noche de Fuego) directed by Tatiana Huezo; “Rehana” (Rehana Maryam Noor) directed by Abdullah Mohammad Saad; “The Tale of King Crab” (Re Granchio) directed by...
- 10/13/2021
- by Patrick Frater
- Variety Film + TV
Festival, which opens today, also annouced its Crouching Tigers and Hidden Dragons competition sections.
This year’s Pingyao International Film Festival (Octobner 12-19) will open with Korean-Chinese director Zhang Lu’s Yanagawa and close with Xu Lei’s The Great Director.
Starring Ni Ni, Zhang Luyi and Xin Baiqing, Yanagawa revolves around two brothers who travel to Japan in search of the woman they both loved in their youth. The film, which is receiving its world premiere at Busan in the Icons section, is produced by Midnight Blur Films and sold internationally by Hishow Entertainment. The Great Director is described...
This year’s Pingyao International Film Festival (Octobner 12-19) will open with Korean-Chinese director Zhang Lu’s Yanagawa and close with Xu Lei’s The Great Director.
Starring Ni Ni, Zhang Luyi and Xin Baiqing, Yanagawa revolves around two brothers who travel to Japan in search of the woman they both loved in their youth. The film, which is receiving its world premiere at Busan in the Icons section, is produced by Midnight Blur Films and sold internationally by Hishow Entertainment. The Great Director is described...
- 10/12/2021
- by Liz Shackleton
- ScreenDaily
Movies can truly be anything, and the beauty of Alexandre Koberidze’s “What Do We See When We Look at the Sky?” is how it reminds us of that — time and again — during almost every one of its meandering 150 minutes.
Nevertheless, a crucial scene towards the beginning stands out for the way it epitomizes that magic. A soccer player named Giorgi (Giorgi Ambroladze) and a knowledgeable young pharmacist named Lisa (Ani Karseladze) have just enjoyed an extremely Lanthimos-esque meet-cute along the banks of the Rioni River in the ancient Georgian city of Kutaisi; we’ve only seen them interact from the knees down or through nighttime long shots lensed from so far away that these characters have been reduced to specks of light in the darkness, but the film’s affectless narrator (voiced by Koberidze himself) assures us of their shared affections. Alas, they are both about to be cursed as well,...
Nevertheless, a crucial scene towards the beginning stands out for the way it epitomizes that magic. A soccer player named Giorgi (Giorgi Ambroladze) and a knowledgeable young pharmacist named Lisa (Ani Karseladze) have just enjoyed an extremely Lanthimos-esque meet-cute along the banks of the Rioni River in the ancient Georgian city of Kutaisi; we’ve only seen them interact from the knees down or through nighttime long shots lensed from so far away that these characters have been reduced to specks of light in the darkness, but the film’s affectless narrator (voiced by Koberidze himself) assures us of their shared affections. Alas, they are both about to be cursed as well,...
- 9/29/2021
- by David Ehrlich
- Indiewire
One of the major surprises coming out of Berlinale earlier this year was Alexandre Koberidze’s What Do We See When We Look at the Sky?, which won the Fipresci prize. The Georgian filmmaker’s latest work, which is now playing at NYFF and will arrive in theaters on November 12 via Mubi, is set in the Georgian riverside city of Kutaisi as summertime romance and World Cup fever are in the air. After a pair of chance encounters, pharmacist Lisa and soccer player Giorgi find their plans for a date undone when they both awaken magically transformed — with no way to recognize or contact each other. As the would-be couple tries to reunite, their eyes are opened to a whole new world filled with surprises in every cafe, courtyard, and cinema. Ahead of the release, a new trailer has arrived.
Orla Smith said in her review, “This odd love story...
Orla Smith said in her review, “This odd love story...
- 9/28/2021
- by Jordan Raup
- The Film Stage
Above: US release poster for Flee. Illustrations by Mikkel Sommer and Kenneth Ladekjaer; art direction by Martin Hultman.Since 2010, on the last Friday of every September, I have gathered all the posters for the films in the main slate of the New York Film Festival. Last year, six months into the pandemic, I didn’t do it. There was a New York Film Festival, and there was a main slate, but with most of the films only screening online, it just didn’t seem like the real thing and my heart wasn’t in it. This year the NYFF is back and entirely Irl and, although we’re still not out of the pandemic woods, I feel that the wonderful new poster for Jonas Poher Rasmussen’s Flee is emblematic of the moment: people, lots of them,, coming together. Aside from the Flee poster, the highlights of this year would...
- 9/24/2021
- MUBI
"The wind wanted to tell her that Lisa wouldn't be the only one to wake up with different looks the next day..." Mubi has unveiled an official trailer for an acclaimed indie film from Georgia titled What Do We See When We Look at the Sky?, which is an evocative title for this charming film about a young woman longing for a romantic encounter. It originally premiered at the 2021 Berlin Film Festival earlier this year, and many critics flipped for it. The film next plays at the New York, Vancouver, London, and Chicago Film Festivals this fall. A chance encounter on a street corner has Lisa and Giorgi fall in love at first sight, but an evil spell is cast on them. Will they ever meet again? This slow cinema feature is described as "an irresistibly radiant romantic fable from Alexandre Koberidze." Starring Ani Karseladze, Giorgi Bochorishvili, and Vakhtang Panchulidze.
- 9/24/2021
- by Alex Billington
- firstshowing.net
Berlinale Fipresci winner “What Do We See When We Look At The Sky?” received rave reviews at the Berlin Film Festival earlier this year. Now, the enchanting sophomore feature from Georgian director Alexandre Koberidze is about to make its North American premiere at the New York Film Festival next week, followed by a Mubi premiere in November.
Read More: Fall 2021 Movie Preview: 60+ Must-See Films
“This isn’t just an ode to the impossibility of love, the magnetic pull that enwraps us and drags us, unknowingly, towards strangers,” our Berlin review wrote, “But to affection in all of its forms: to friends, to home, to the cobbled city streets, to ice cream and the birds that chirp and dance in the sky.’
Read More ” ‘What Do We See When We Look At The Sky?’: Alexandre Koberidze Creates A Compelling Fable From The Putty Of Love [Berlin Review]
Here’s the official synopsis:...
Read More: Fall 2021 Movie Preview: 60+ Must-See Films
“This isn’t just an ode to the impossibility of love, the magnetic pull that enwraps us and drags us, unknowingly, towards strangers,” our Berlin review wrote, “But to affection in all of its forms: to friends, to home, to the cobbled city streets, to ice cream and the birds that chirp and dance in the sky.’
Read More ” ‘What Do We See When We Look At The Sky?’: Alexandre Koberidze Creates A Compelling Fable From The Putty Of Love [Berlin Review]
Here’s the official synopsis:...
- 9/24/2021
- by Rodrigo Perez
- The Playlist
So the world is on fire and a global pandemic well into its “my God, is this still happening?” phase rages on. Among the slightly less critical consequences is another level of intricacy added to the Academy Awards’ most byzantine and unpredictable category — best international feature film. Any other year, we’d have a much clearer picture of actual submissions by now, but once the deadline moved back a month to Nov. 1, most countries delayed their selection processes accordingly. Considering local release dates — a factor in a film’s eligibility — are hard to guarantee right now, take this highly speculative, partial and at times proudly agenda-driven rundown of the current contenders with a pinch of salt: best international feature film remains a fascinatingly flawed category because it is subject to politics and strategies that are, to anyone not actually on a national selection committee, mystifying.
From Europe, however — the continent...
From Europe, however — the continent...
- 9/9/2021
- by Jessica Kiang and Guy Lodge
- Variety Film + TV
The 65 British Film Institute (BFI) London Film Festival has unveiled its full program and the headline galas include several films that have been gaining fame recently.
Among the galas are Pablo Larrain’s “Spencer,” with Kristen Stewart; Jane Campion’s “The Power of the Dog,” with Benedict Cumberbatch; Reinaldo Marcus Green’s “King Richard,” with Will Smith; and Wes Anderson’s “The French Dispatch,” featuring a host of stars including Timothée Chalamet, Tilda Swinton and Léa Seydoux.
The galas also include Kenneth Branagh’s “Belfast,” Paul Verhoeven’s “Benedetta,” Eva Husson’s “Mothering Sunday,” Edgar Wright’s “Last Night in Soho,” Maggie Gyllenhaal’s “The Lost Daughter,” Joanna Hogg’s “The Souvenir: Part II” and Sarah Smith and Jean Philippe-Vine’s “Ron’s Gone Wrong.”
Special presentations include Clio Barnard’s “Ali & Ava,” Ryusuke Hamaguchi’s “Drive My Car,” Apichatpong Weerasethakul’s “Memoria,” Julia Ducournau’s “Titane,” Jacques Audiard’s “Paris, 13th District,...
Among the galas are Pablo Larrain’s “Spencer,” with Kristen Stewart; Jane Campion’s “The Power of the Dog,” with Benedict Cumberbatch; Reinaldo Marcus Green’s “King Richard,” with Will Smith; and Wes Anderson’s “The French Dispatch,” featuring a host of stars including Timothée Chalamet, Tilda Swinton and Léa Seydoux.
The galas also include Kenneth Branagh’s “Belfast,” Paul Verhoeven’s “Benedetta,” Eva Husson’s “Mothering Sunday,” Edgar Wright’s “Last Night in Soho,” Maggie Gyllenhaal’s “The Lost Daughter,” Joanna Hogg’s “The Souvenir: Part II” and Sarah Smith and Jean Philippe-Vine’s “Ron’s Gone Wrong.”
Special presentations include Clio Barnard’s “Ali & Ava,” Ryusuke Hamaguchi’s “Drive My Car,” Apichatpong Weerasethakul’s “Memoria,” Julia Ducournau’s “Titane,” Jacques Audiard’s “Paris, 13th District,...
- 9/7/2021
- by Naman Ramachandran
- Variety Film + TV
Films include Emerald Fennell’s ‘Promising Young Woman’ and Blerta Basholli’s ‘Hive’.
More films than ever before are eligible for this year’s European Film Awards’ feature film and documentary film selection, with 40 feature films and 15 documentary films, and further feature film titles to be revealed in September.
Titles in the feature film selection include Blerta Basholli’s Sundance hit Hive and Emerald Fennell’s Promising Young Woman. The latter is eligible despite being listed as a film of US origin. The European Film Academy (Efa) told Screen this was because the film reaches the number of points in...
More films than ever before are eligible for this year’s European Film Awards’ feature film and documentary film selection, with 40 feature films and 15 documentary films, and further feature film titles to be revealed in September.
Titles in the feature film selection include Blerta Basholli’s Sundance hit Hive and Emerald Fennell’s Promising Young Woman. The latter is eligible despite being listed as a film of US origin. The European Film Academy (Efa) told Screen this was because the film reaches the number of points in...
- 8/24/2021
- by Mona Tabbara
- ScreenDaily
633 critics from around the world voted.
Chloe Zhao’s US drama Nomadland has added to its impressive awards haul with the Grand Prix from the International Federation Of Film Critics (Fipresci) for 2021.
The award will be presented during the opening gala of the 69th San Sebastian Film Festival, which runs from September 17 to 25, 2021. The festival is looking to secure Zhao’s attendance but that is still to be confirmed.
The award was voted for by 633 critics from around the world, and open to all feature films released after July 1, 2020. Last year’s award was left undecided due to the pandemic.
Chloe Zhao’s US drama Nomadland has added to its impressive awards haul with the Grand Prix from the International Federation Of Film Critics (Fipresci) for 2021.
The award will be presented during the opening gala of the 69th San Sebastian Film Festival, which runs from September 17 to 25, 2021. The festival is looking to secure Zhao’s attendance but that is still to be confirmed.
The award was voted for by 633 critics from around the world, and open to all feature films released after July 1, 2020. Last year’s award was left undecided due to the pandemic.
- 8/18/2021
- by Ben Dalton
- ScreenDaily
Frances McDormand in Chloé Zhao's Nomadland
Chloé Zhao's Nomadland has won the Fipresci Grand Prix after having been voted best film of the year by the members of the International Federation of Film Critics, voted on globally by 593 critics.
The film, which follows a woman as she embarks on a nomadic life in the modern US, was selected from a field that included all films released after July 1, 2020. The other four finalists were Thomas Vinterberg's Another Round (Druk), Jasmila Zbanic's Quo Vadis, Aida?, Alexandre Koberidze's What Do We See When We Look at the Sky? (Ras vkhedavt rodesac cas vukurebt) and Radu Jude's Bad Luck Banging Or Loony Porn (Babardeala cu bucluc sau porno balamuc ).
The Fipresci Grand Prix will be presented during the opening gala of the 69th San Sebastian Festival. In 2020 the award was left undecided due to the cancellation of festivals and releases caused by the.
Chloé Zhao's Nomadland has won the Fipresci Grand Prix after having been voted best film of the year by the members of the International Federation of Film Critics, voted on globally by 593 critics.
The film, which follows a woman as she embarks on a nomadic life in the modern US, was selected from a field that included all films released after July 1, 2020. The other four finalists were Thomas Vinterberg's Another Round (Druk), Jasmila Zbanic's Quo Vadis, Aida?, Alexandre Koberidze's What Do We See When We Look at the Sky? (Ras vkhedavt rodesac cas vukurebt) and Radu Jude's Bad Luck Banging Or Loony Porn (Babardeala cu bucluc sau porno balamuc ).
The Fipresci Grand Prix will be presented during the opening gala of the 69th San Sebastian Festival. In 2020 the award was left undecided due to the cancellation of festivals and releases caused by the.
- 8/18/2021
- by Amber Wilkinson
- eyeforfilm.co.uk
The New York Film Festival has rounded out its lineup with a main slate of 32 films, adding buzzy festival titles such as Paul Verhoeven’s “Benedetta,” Palme D’Or winner “Titane” and Rebecca Hall’s Sundance darling “Passing.”
“Benedetta” is one of the new titles making its North American premiere at NYFF, as well as two films by South Korea’s Hong Sangsoo including “Introduction” and “In Front Of Your Face.” Sangsoo is making his 16th and 17th appearance at the festival with his two films. Other North American premieres include Joanna Hogg’s “The Souvenir Part II,” “What Do We See When We Look at the Sky?” from director Alexandre Koberidze.
They join the previously announced world premiere of “The Tragedy of Macbeth” as the opening night film, Jane Campion’s “The Power of the Dog” as the centerpiece and the North American premiere of “Parallel Mothers” from Pedro Almodóvar...
“Benedetta” is one of the new titles making its North American premiere at NYFF, as well as two films by South Korea’s Hong Sangsoo including “Introduction” and “In Front Of Your Face.” Sangsoo is making his 16th and 17th appearance at the festival with his two films. Other North American premieres include Joanna Hogg’s “The Souvenir Part II,” “What Do We See When We Look at the Sky?” from director Alexandre Koberidze.
They join the previously announced world premiere of “The Tragedy of Macbeth” as the opening night film, Jane Campion’s “The Power of the Dog” as the centerpiece and the North American premiere of “Parallel Mothers” from Pedro Almodóvar...
- 8/10/2021
- by Brian Welk
- The Wrap
No virtual screenings at this year’s event.
Julia Ducournau’s Palme d’Or winner Titane, Paul Verhoeven’s Benedetta and Jonas Poher Rasmussen’s Sundance hit Flee are among selections on New York Film Festival’s (NYFF) main slate.
The line-up, announced on Tuesday (August 10), includes Radu Jude’s Berlin Golden bear winner Bad Luck Banging Or Loony Porn, Ryûsuke Hamaguchi’s Cannes selection Drive My Car that topped Screen’s jury grid during the festival, and Rebecca Hall’s directing debut and Sundance entry Passing.
The 59th New York Film Festival (NYFF) runs September 24-October 10 as a primarily...
Julia Ducournau’s Palme d’Or winner Titane, Paul Verhoeven’s Benedetta and Jonas Poher Rasmussen’s Sundance hit Flee are among selections on New York Film Festival’s (NYFF) main slate.
The line-up, announced on Tuesday (August 10), includes Radu Jude’s Berlin Golden bear winner Bad Luck Banging Or Loony Porn, Ryûsuke Hamaguchi’s Cannes selection Drive My Car that topped Screen’s jury grid during the festival, and Rebecca Hall’s directing debut and Sundance entry Passing.
The 59th New York Film Festival (NYFF) runs September 24-October 10 as a primarily...
- 8/10/2021
- by Jeremy Kay
- ScreenDaily
Of all the international film festivals to roll out the red carpet this summer in what feels like a global industry reboot, few can fall back on past experience when it comes to the logistics of an in-person pandemic edition. But amid the wave of cancellations that all but wiped out the calendar year in 2020, the Transilvania Intl. Film Festival managed to pull off what few others could, relying on a host of open-air venues to successfully welcome moviegoers to the medieval city of Cluj.
One year later, for what in a different era might have been a splashy 20th anniversary edition, TIFF founder Tudor Giurgiu admits, “I thought this year would be easier.” Just days after confusion over Pcr tests and vaccine certificates reigned on the Croisette, however, Giurgiu and the TIFF organizing team have realized that as the coronavirus’ deadly Delta variant sweeps across the globe, a return...
One year later, for what in a different era might have been a splashy 20th anniversary edition, TIFF founder Tudor Giurgiu admits, “I thought this year would be easier.” Just days after confusion over Pcr tests and vaccine certificates reigned on the Croisette, however, Giurgiu and the TIFF organizing team have realized that as the coronavirus’ deadly Delta variant sweeps across the globe, a return...
- 7/22/2021
- by Christopher Vourlias
- Variety Film + TV
Jury includes ‘Amores Perros’ screenwriter Guillermo Arriaga.
Transilvania International Film Festival has revealed the 12 films that will screen in its official competition and its international jury.
Each title competing for the Transilvania Trophy will receive its Romanian premiere at the 20th edition of the festival, which is set to take place in-person in the city of Cluj-Napoca.
They include What Do We See When We Look At The Sky?, by Georgian filmmaker Alexandre Koberidze, which played in competition at the Berlinale, and Lili Horvát’s Preparations To Be Together For An Unknown Period Of Time, which was Hungary’s Oscar submission.
Transilvania International Film Festival has revealed the 12 films that will screen in its official competition and its international jury.
Each title competing for the Transilvania Trophy will receive its Romanian premiere at the 20th edition of the festival, which is set to take place in-person in the city of Cluj-Napoca.
They include What Do We See When We Look At The Sky?, by Georgian filmmaker Alexandre Koberidze, which played in competition at the Berlinale, and Lili Horvát’s Preparations To Be Together For An Unknown Period Of Time, which was Hungary’s Oscar submission.
- 7/2/2021
- by Michael Rosser
- ScreenDaily
France- and Dubai-based sales agency Cercamon has picked up international rights to Chinese crime drama “Streetwise,” which will have its world premiere at the Cannes Film Festival, in the Un Certain Regard section. Before that, Cercamon has released a trailer.
The film (aka “Gaey Wa’r”) is the debut feature effort of Na Jiazuo, who is a graduate of the Beijing Film Academy and had previously directed shorts. That makes “Streetwise” a candidate for the Camera d’Or awarded to the best first film in any of Cannes’ official and sidebar sections.
“Streetwise” was executive produced by Guan Hu, who directed record breaker “The Eight Hundred” and “Mister Six,” and has a track record as a discoverer and supporter of new directing talent.
The film is a detailed look at the lives and predicaments of young people in China in the early 2000s who did not migrate to the big cities.
The film (aka “Gaey Wa’r”) is the debut feature effort of Na Jiazuo, who is a graduate of the Beijing Film Academy and had previously directed shorts. That makes “Streetwise” a candidate for the Camera d’Or awarded to the best first film in any of Cannes’ official and sidebar sections.
“Streetwise” was executive produced by Guan Hu, who directed record breaker “The Eight Hundred” and “Mister Six,” and has a track record as a discoverer and supporter of new directing talent.
The film is a detailed look at the lives and predicaments of young people in China in the early 2000s who did not migrate to the big cities.
- 6/28/2021
- by Patrick Frater
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSFilmmaker Bertrand Mandico has illustrated the 70th anniversary cover of Cahier du Cinéma, entitled "Gloria, angel of the history of the cinema." The Museum of Modern Art and Film at Lincoln Center have announced the lineup for the 50th edition of New Directors/New Films. Screenings will take place from April 28-May 8 through the MoMA and Flc virtual cinemas, and in-person screenings at Flc through May 13. The lineup of 27 features and 11 shorts includes Theo Anthony's All Light, Everywhere, Andreas Fontana's Azor, Alice Diop's We (Nous), and Jane Schoenbrun's We’re All Going to the World’s Fair. Recommended VIEWINGAnother Gaze's free streaming project, Another Screen, has announced two new programmes: Hands Tied, about hands, and Eating the Other, about gendered notions of eating. The first official trailer for Mamoru Hosoda's Belle, which...
- 4/6/2021
- MUBI
Cercamon has closed major sales for “What Do We See When We Look at the Sky?,” from Georgian director Alexandre Koberidze, which had its world premiere in competition at the Berlin Film Festival.
The Dubai-based indie specialist has sealed a multi-territory deal with Mubi, the global distributor and streaming service, which includes the U.S., where the film will be released this fall, Canada, Italy, India, Turkey, and Latin America.
Pic has also been sold to the U.K. and Ireland (New Wave Films), France (Damned Films), Benelux (Mooov), Spain (Noucinemart), Germany (Grandfilm), Austria (Polyfilm Verleih), Greece (Ama Film), Romania (Bad Unicorn), the Baltics (A-One), Taiwan (Hooray Film), and mainland China (Beijing Hugoeast). Discussions are also underway with distributors in Japan, Scandinavia, Australia and Israel.
“We had an overwhelming response from distributors all over the world and very enthusiastic press,” said Cercamon’s Sebastien Chesneau. “Cinema is fully alive,...
The Dubai-based indie specialist has sealed a multi-territory deal with Mubi, the global distributor and streaming service, which includes the U.S., where the film will be released this fall, Canada, Italy, India, Turkey, and Latin America.
Pic has also been sold to the U.K. and Ireland (New Wave Films), France (Damned Films), Benelux (Mooov), Spain (Noucinemart), Germany (Grandfilm), Austria (Polyfilm Verleih), Greece (Ama Film), Romania (Bad Unicorn), the Baltics (A-One), Taiwan (Hooray Film), and mainland China (Beijing Hugoeast). Discussions are also underway with distributors in Japan, Scandinavia, Australia and Israel.
“We had an overwhelming response from distributors all over the world and very enthusiastic press,” said Cercamon’s Sebastien Chesneau. “Cinema is fully alive,...
- 3/29/2021
- by Christopher Vourlias
- Variety Film + TV
Above: What Do You See When You Look at the Sky?Awards: Golden Bear for Radu Jude's Bad Luck Banging or Loony PornTOP Picksdaniel KASMAN1. What Do You See When You Look at the Sky?2. Petite maman3. Limbo4. Bad Luck Banging or Loony Porn5. The Girl and the Spider6. Azor7. Wheel of Fortune and Fantasy8. Mr. Bachmann and His Class9. Fabian - Going to the Dogs10. Just a MovementELA BITTENCOURT1. Fury is a Feeling Too2. Bad Luck Banging or Loony Porn3. What Do We See When We Look at the Sky?4. We5. Tzarevna Scaling6. The Girl and the Spider7. Taste8. Ski9. Manual for an Occupation: The First 54 Years10. Tie: Mr. Bachmann and His Class | As I WantCOVERAGEDANIEL KASMANFrom Where They Stood (Christopher Cognet, France)Fabian - Going to the Dogs (Dominik Graf, Germany)The Girl and the Spider (Ramon and Silvan Zürcher, Germany)What Do We See When We Look at the Sky? (Alexandre Koberidze,...
- 3/17/2021
- MUBI
With a two-part structure featuring an online press and industry component that’s just concluded, followed by physical screenings this summer, the Berlin International Film Festival is unveiling a selection of the year’s finest films. Along with our extensive coverage of the festival (with a few reviews still to come), we’ve asked our Berlinale contributors to share their personal favorites. Check out their lists below, with links to coverage where available.
Ed Frankl
Memory Box
1. Petite Maman (Céline Sciamma)
2. Memory Box (Joana Hadjithomas & Khalil Joreige)
3. Brother’s Keeper (Ferit Karahan)
4. Ballad of a White Cow (Behtash Sanaeeha & Maryam Moghaddam)
5. Ninjababy (Yngvild Sve Flikke)
Honorable Mentions: The Fam, Language Lessons, Natural Light, Taste, and Wheel of Fortune and Fantasy.
Leonardo Goi
Taste
1. Taste (Lê Bảo)
2. Petite Maman (Céline Sciamma)
3. The Scary of Sixty-First (Dasha Nekrasova)
4. Wheel of Fortune and Fantasy (Ryûsuke Hamaguchi)
5. Bad Luck Banging or Loony Porn (Radu Jude...
Ed Frankl
Memory Box
1. Petite Maman (Céline Sciamma)
2. Memory Box (Joana Hadjithomas & Khalil Joreige)
3. Brother’s Keeper (Ferit Karahan)
4. Ballad of a White Cow (Behtash Sanaeeha & Maryam Moghaddam)
5. Ninjababy (Yngvild Sve Flikke)
Honorable Mentions: The Fam, Language Lessons, Natural Light, Taste, and Wheel of Fortune and Fantasy.
Leonardo Goi
Taste
1. Taste (Lê Bảo)
2. Petite Maman (Céline Sciamma)
3. The Scary of Sixty-First (Dasha Nekrasova)
4. Wheel of Fortune and Fantasy (Ryûsuke Hamaguchi)
5. Bad Luck Banging or Loony Porn (Radu Jude...
- 3/10/2021
- by The Film Stage
- The Film Stage
How often does the cosmos grant us love at first sight? What if you were to be given such an exceptional gift, derived from an impossible encounter in the middle of the street, only for it to be teasingly snatched away? You may think it far from likely, but this is precisely what happens to Giorgi (Giorgi Bochorishvili), and Lisa (Ani Karseladze) in “What Do We See When We Look at the Sky?
Continue reading ‘What Do We See When We Look At The Sky?’: Alexandre Koberidze Creates A Compelling Fable From The Putty Of Love [Berlin Review] at The Playlist.
Continue reading ‘What Do We See When We Look At The Sky?’: Alexandre Koberidze Creates A Compelling Fable From The Putty Of Love [Berlin Review] at The Playlist.
- 3/5/2021
- by Jack King
- The Playlist
There’s a brief shot early on in Georgian filmmaker Alexandre Koberidze’s wondrous romance and Berlinale competition entry What Do We See When We Look at the Sky? (Ras vkhedavt, rodesac cas vukurebt?) that might seem to illustrate something quite mundane.
The male protagonist’s soccer practice session has ended. Koberidze chooses the locker room as the location for the scene, as indeed most filmmakers might. But what makes the shot unexpected is that all that we see is an anonymous corner of the locker room, chipped tiles and all. The boys’ jerseys are thrown into that corner and form a rapidly ...
The male protagonist’s soccer practice session has ended. Koberidze chooses the locker room as the location for the scene, as indeed most filmmakers might. But what makes the shot unexpected is that all that we see is an anonymous corner of the locker room, chipped tiles and all. The boys’ jerseys are thrown into that corner and form a rapidly ...
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