Brazilian auteur Carolina Markowicz will head to Bucharest to hone her third feature, “The Funeral.” In development, the film was selected for the 2024 Pop Up Residency, pairing Markowicz with multi-prized Romanian producer Ada Solomon for a three-week consultancy.
“It’s truly a privilege to be able to dialogue with an industry professional like Ada, a producer who has made some films I truly admire. Daring, original and different. I love the artists who still dare to take risks, this is so rare nowadays. I’m looking forward to hearing her take on my film, and very honored to have it selected by her,” Markowicz told Variety.
The residency is part of an exclusive development initiative from Projeto Paradiso, which additionally awarded Markowicz a Paradiso Scholarship this year to attend the Tfl ScriptLab for the budding concept. It’s the fifth consecutive year that the partner program has offered the residency to a Brazilian filmmaker.
“It’s truly a privilege to be able to dialogue with an industry professional like Ada, a producer who has made some films I truly admire. Daring, original and different. I love the artists who still dare to take risks, this is so rare nowadays. I’m looking forward to hearing her take on my film, and very honored to have it selected by her,” Markowicz told Variety.
The residency is part of an exclusive development initiative from Projeto Paradiso, which additionally awarded Markowicz a Paradiso Scholarship this year to attend the Tfl ScriptLab for the budding concept. It’s the fifth consecutive year that the partner program has offered the residency to a Brazilian filmmaker.
- 5/21/2024
- by Holly Jones
- Variety Film + TV
Athens-based sales and production outfit Heretic has sold key territories on the Cannes Film Festival’s Acid sidebar opening film, Greece’s “Kyuka: Before Summer’s End.”
Heretic has sealed distribution deals for France with The Dark, Benelux with Gusto Entertainment and Greece with Cinobo.
Directed by feature debutant Kostis Charamountanis, who previously directed several acclaimed shorts, the film follows a family of three, a single father, Babis, and his twin children on the verge of adulthood, Konstantinos and Elsa, who sail to the island of Poros on the family boat for their holidays. In the midst of swimming, sunbathing and making new friends, Konstantinos and Elsa meet, unbeknownst to them, their birth mother Anna who abandoned them when they were babies. The encounter stirs up long-held feelings of resentment in Babis, resulting in a bittersweet coming-of-age journey.
The film, which had its world premiere last week, opening Cannes Acid (Association...
Heretic has sealed distribution deals for France with The Dark, Benelux with Gusto Entertainment and Greece with Cinobo.
Directed by feature debutant Kostis Charamountanis, who previously directed several acclaimed shorts, the film follows a family of three, a single father, Babis, and his twin children on the verge of adulthood, Konstantinos and Elsa, who sail to the island of Poros on the family boat for their holidays. In the midst of swimming, sunbathing and making new friends, Konstantinos and Elsa meet, unbeknownst to them, their birth mother Anna who abandoned them when they were babies. The encounter stirs up long-held feelings of resentment in Babis, resulting in a bittersweet coming-of-age journey.
The film, which had its world premiere last week, opening Cannes Acid (Association...
- 5/19/2024
- by Naman Ramachandran
- Variety Film + TV
Meteore has acquired French distribution rights to Paulo Carneiro’s Savanna and the Mountain which plays in Cannes’ Directors Fortnight.
Set in northern Portugal, the hybrid documentary centres on a local community organising themselves after they discover that a British company plans to build the largest open-pit lithium mine in Europe just few metres from their homes. The Portuguese filmmaker, who is readying his latest feature Ma Terre Ma Force, wrote the project with Uruguayan director Alex Piperno.
Portugal Films is handling international sales. Carneiro’s Bam Bam Cinema and Piperno’s La Pobladora produce. The project won the Rtp...
Set in northern Portugal, the hybrid documentary centres on a local community organising themselves after they discover that a British company plans to build the largest open-pit lithium mine in Europe just few metres from their homes. The Portuguese filmmaker, who is readying his latest feature Ma Terre Ma Force, wrote the project with Uruguayan director Alex Piperno.
Portugal Films is handling international sales. Carneiro’s Bam Bam Cinema and Piperno’s La Pobladora produce. The project won the Rtp...
- 5/19/2024
- ScreenDaily
“The Fall Guy” is swinging into theaters this weekend, as are the indie masterpieces “I Saw the TV Glow” and “Evil Does Not Exist.” Fortunately, a handful of fun and intriguing titles are also hitting digital platforms, including a dynamic documentary about a rock ‘n’ roll linchpin.
The contender to watch this week: “Catching Fire: The Story of Anita Pallenberg”
No, this isn’t a “Hunger Games” sequel. Anita Pallenberg was an actress, a New York It Girl, and a denizen of Andy Warhol’s Factory, but she is best known as an associate of the Rolling Stones. She dated founder Brian Jones and, later, guitarist Keith Richards, with whom she had three children. Some people have called her the band’s muse. Pallenberg’s life was not always as glamorous as it sounds, though, and directors Alexis Bloom and Svetlana Zill mine her highs and lows for a compelling...
The contender to watch this week: “Catching Fire: The Story of Anita Pallenberg”
No, this isn’t a “Hunger Games” sequel. Anita Pallenberg was an actress, a New York It Girl, and a denizen of Andy Warhol’s Factory, but she is best known as an associate of the Rolling Stones. She dated founder Brian Jones and, later, guitarist Keith Richards, with whom she had three children. Some people have called her the band’s muse. Pallenberg’s life was not always as glamorous as it sounds, though, and directors Alexis Bloom and Svetlana Zill mine her highs and lows for a compelling...
- 5/4/2024
- by Matthew Jacobs
- Gold Derby
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Catching Fire: The Story of Anita Pallenberg (Alexis Bloom and Svetlana Zill)
You can’t always get what you want, unless you are a Rolling Stones fan hungering for documentary deep-dives into the band’s storied history. Indeed, it is spectacularly serendipitous that Catching Fire: The Story of Anita Pallenberg arrives just a few months after The Stones and Brian Jones. The latter doc, from Nick Broomfield, centered on Jones, the band’s founder and leader until Mick Jagger and Keith Richards snatched that mantle. Catching Fire and The Stones and Brian Jones cover much of the same ground, use some of the same archival footage, and even feature the same anecdotes from delightful Tin Drum director Volker Schlöndorff. The films are...
Catching Fire: The Story of Anita Pallenberg (Alexis Bloom and Svetlana Zill)
You can’t always get what you want, unless you are a Rolling Stones fan hungering for documentary deep-dives into the band’s storied history. Indeed, it is spectacularly serendipitous that Catching Fire: The Story of Anita Pallenberg arrives just a few months after The Stones and Brian Jones. The latter doc, from Nick Broomfield, centered on Jones, the band’s founder and leader until Mick Jagger and Keith Richards snatched that mantle. Catching Fire and The Stones and Brian Jones cover much of the same ground, use some of the same archival footage, and even feature the same anecdotes from delightful Tin Drum director Volker Schlöndorff. The films are...
- 5/3/2024
- by Jordan Raup
- The Film Stage
“In the Streets” is the first edition of the Notebook Insert, a seasonal supplement on moving-image culture. For the Multiplex column, we ask filmmakers, critics, and artists for short-form responses to the topic in question.Illustration by Lale Westvind.Martine Syms (Los Angeles)Artist; director, The African Desperate (2022)1.I’m shopping with **** and *** at a high-end store. I have a rare jewel up my butt. We’re looking for gifts. I run into Alex ****. She works at the store now. I try to remember lyrics to a punk song I wrote in high school. I jump up and I’m on a glider, gliding around town. I see a sign for legal services. Her & Her Feminist Law Office. The ad is a giant pair of pink panties. I decide to land there and check out their services. I have two Rimowa suitcases with me. I attempt to walk down the steps to the elevator,...
- 5/2/2024
- MUBI
Ted Sarandos To Speak At Rts London Convention
Ted Sarandos will speak at the Royal Television Society London Convention this year, which is being sponsored by Netflix. The head of the streamer will address the biannual event alongside the likes of the bosses of the BBC, ITV and Channel 4. Richard Osman and Marina Hyde, who helm the Rest is Entertainment podcast, will also speak. The convention is being forged with the theme The Next Episode: Keeping Our Creative Edge and will be overseen by Netflix’s Anna Mallett, Vice President, Production, Emea/UK. “As ever, identifying a pertinent theme, one that celebrates and also challenges the industry, is critical to our Convention,” said Rts CEO Theresa Wise. “Thank you so much to Anna Mallett, our chair for this tentpole in the industry calendar and to Netflix for being this year’s Principal Sponsor of the Rts London Convention 2024.”
Tudor Giurgiu...
Ted Sarandos will speak at the Royal Television Society London Convention this year, which is being sponsored by Netflix. The head of the streamer will address the biannual event alongside the likes of the bosses of the BBC, ITV and Channel 4. Richard Osman and Marina Hyde, who helm the Rest is Entertainment podcast, will also speak. The convention is being forged with the theme The Next Episode: Keeping Our Creative Edge and will be overseen by Netflix’s Anna Mallett, Vice President, Production, Emea/UK. “As ever, identifying a pertinent theme, one that celebrates and also challenges the industry, is critical to our Convention,” said Rts CEO Theresa Wise. “Thank you so much to Anna Mallett, our chair for this tentpole in the industry calendar and to Netflix for being this year’s Principal Sponsor of the Rts London Convention 2024.”
Tudor Giurgiu...
- 5/1/2024
- by Max Goldbart and Hannah Abraham
- Deadline Film + TV
Mubi’s May 2024 (streaming) lineup embraces their latest (theatrical) coup with a Radu Jude program. In addition to Do Not Expect Too Much From the End of the World arriving May 3, the Romanian director is highlighted with a six-film program launching on May 10. Lee Chang-dong and Bertrand Bonello are each given two-title highlights. While most of us can’t be at Cannes (I guess that’s a pun), the festival’s greatest tradition, booing, is celebrated with Jodie Foster’s The Beaver, Nicolas Winding Refn’s Only God Forgives, and Olivier Dahan’s Grace of Monaco. Among new releases, Al Warren’s Dogleg and the Ross brothers’ Gasoline Rainbow are notable selections.
As Lee Chang-dong recently told us in an extended interview, “Experiences in my life are what shaped me as a filmmaker, as obvious as that sounds. My artistic taste was shaped by the mountains and fields of my childhood village,...
As Lee Chang-dong recently told us in an extended interview, “Experiences in my life are what shaped me as a filmmaker, as obvious as that sounds. My artistic taste was shaped by the mountains and fields of my childhood village,...
- 4/22/2024
- by Nick Newman
- The Film Stage
Athens-based boutique film outfit Heretic has two titles in the Cannes Acid (Association for the International Distribution of Independent Cinemas) sidebar.
Heretic’s own Greek production, co-produced with North Macedonia’s List Production, “Kyuka Before Summer’s End,” by debut director Kostas Charamountanis, is the opening film of the Acid program. The film follows a family of three, a single father, Babis, and his twin children on the verge of adulthood, Konstantinos and Elsa, who sail to the island of Poros on the family boat for their holidays. In the midst of swimming, sunbathing and making new friends, Konstantinos and Elsa meet, unbeknownst to them, their birth mother Anna who abandoned them when they were babies. The encounter stirs up long-held feelings of resentment in Babis, resulting in a bittersweet coming-of-age journey.
“Kyuka Before Summer’s End” is produced by Danae Spathara, Giorgos Karnavas and Konstantinos Kontovrakis of Heretic, Greece...
Heretic’s own Greek production, co-produced with North Macedonia’s List Production, “Kyuka Before Summer’s End,” by debut director Kostas Charamountanis, is the opening film of the Acid program. The film follows a family of three, a single father, Babis, and his twin children on the verge of adulthood, Konstantinos and Elsa, who sail to the island of Poros on the family boat for their holidays. In the midst of swimming, sunbathing and making new friends, Konstantinos and Elsa meet, unbeknownst to them, their birth mother Anna who abandoned them when they were babies. The encounter stirs up long-held feelings of resentment in Babis, resulting in a bittersweet coming-of-age journey.
“Kyuka Before Summer’s End” is produced by Danae Spathara, Giorgos Karnavas and Konstantinos Kontovrakis of Heretic, Greece...
- 4/16/2024
- by Naman Ramachandran
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSOrlando.The Cinema for Gaza Auction has raised over $100,000 so far for Medical Aid for Palestinians (Map). The auction, which features such donations as a bedtime story read by Tilda Swinton and Mubi’s entire catalog of Blu-rays, closes April 12. As SAG-AFTRA lobbies for legal limits on digital replicas of actors, IATSE negotiates for “some of the spoils of artificial intelligence” as part of their next contract. Across the US, historic cinemas are being restored (and sometimes repurposed) by celebrities, foundations, and unlikely corporations.CANNESFrancis Ford Coppola’s self-funded, much-ballyhooed Megalopolis (2024) will premiere in competition at Cannes, while the first part of Kevin Costner’s Horizon: An American Saga (2024) will premiere out of competition.Andrea Arnold will...
- 4/10/2024
- MUBI
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSUntil Branches Bend.Amidst a widespread debate on the merit of U.S. state financial incentives for film and television productions, a Georgia bill that would have limited the sale of tax credits was rejected by the Senate Finance Committee. In recent years, those credits have exceeded $1 billion despite findings that the state makes back only 19¢ on the dollar. Four of the thirteen labor guilds bargaining with IATSE have now reached tentative agreements with the AMPTP: Locals 600 (cinematographers), 729 (set painters), 800 (art directors), and 695. IATSE president Matthew Loeb has threatened to strike if a new contract is not in place when the current one expires on July 31.Due to financial constraints, the Human Rights Watch Film Festival will be...
- 3/28/2024
- MUBI
The end will not come with a bang, they say, but with a TikTok post featuring a fake incel bragging about his prolific sex life. We’re paraphrasing slightly, but somehow, we don’t think the folks behind Do Not Expect Too Much From the End of the World will mind — this is a movie that gleefully blends highbrow references and dick jokes while bending reality to its breaking point. The latest satire from Romanian filmmaker Radu Jude, this provocation takes aim at a host of subjects: social media, the mainstream media,...
- 3/26/2024
- by David Fear
- Rollingstone.com
Q&a’s are a staple of indie opening weekends since they tend to sell tickets but Bob and Jeanne Berney’s Picturehouse has raised that bar, offering audiences seven-minute live burlesque revues before selected screenings of documentary Carol Doda Topless At The Condor. The ode to the woman, and to 1960s San Francisco where she broke out topless, opens in limited release in New York, LA, San Francisco and San Rafael. Dancers in what Bob Berney called a “Doda-esqe burlesque” will not be topless,” he said — “but pretty close.”
Dancers start in the audience then move to the front of the theater against a specially designed backdrop of image and sound on screen. “It brings you into that world immediately. You are there before the film starts,” he said.
“Eventizing” a film is great if you can do it. The box office is much better but still a bit weird since Covid.
Dancers start in the audience then move to the front of the theater against a specially designed backdrop of image and sound on screen. “It brings you into that world immediately. You are there before the film starts,” he said.
“Eventizing” a film is great if you can do it. The box office is much better but still a bit weird since Covid.
- 3/22/2024
- by Jill Goldsmith
- Deadline Film + TV
I was more curious to see Radu Jude’s Zoom setup than that of any artist I’ve virtually interviewed given how prominently virtual backgrounds feature in the Romanian filmmaker’s Do Not Expect Too Much from the End of the World. He explained his plain setup at the start of our call as the result of a Zoom update, which wiped his library of over a thousand images that he used to program as a live montage behind him. Jude did indulge me in a few glimpses of what he still had on hand, spanning from a photograph of soldiers standing atop a train car to a meme that positioned a Pepsi billboard next to the crucifixion of Jesus.
Seeing Jude’s collision of the historical and the contemporary, along with the somber and the silly, isn’t a privilege reserved for those fortunate enough to be in direct dialogue with him.
Seeing Jude’s collision of the historical and the contemporary, along with the somber and the silly, isn’t a privilege reserved for those fortunate enough to be in direct dialogue with him.
- 3/22/2024
- by Marshall Shaffer
- Slant Magazine
Radu Jude’s aptly and immensely titled new film, “Do Not Expect Too Much from the End of the World,” only vaguely touches on the existential threat — or promise? — of artificial intelligence. But for any filmmaker, AI is a no-longer-looming reality one must tangle with. In fact, it’s an agent of chaos for the creative community even though machine learning has long been used to enhance productions.
So while artificial intelligence has been with us for a long time, it’s now taken on a scarier late-capitalist dimension, with ChatGPT and other AI-driven means to industry cost-cutting feeding fears about consent (with protections against AI a major point for SAG-AFTRA in its recent strike negotiations out of the strikes) and compressed job opportunity for actual human beings.
Suddenly, a self-navigating car seems more viable than an underpaid driver running late and exhausted. Suddenly, digitally capturing the likeness of an...
So while artificial intelligence has been with us for a long time, it’s now taken on a scarier late-capitalist dimension, with ChatGPT and other AI-driven means to industry cost-cutting feeding fears about consent (with protections against AI a major point for SAG-AFTRA in its recent strike negotiations out of the strikes) and compressed job opportunity for actual human beings.
Suddenly, a self-navigating car seems more viable than an underpaid driver running late and exhausted. Suddenly, digitally capturing the likeness of an...
- 3/22/2024
- by Ryan Lattanzio
- Indiewire
Award-winning Romanian auteur Radu Jude's Do Not Expect Too Much from the End of the World extends the thematic and stylistic exploration seen in his previous Berlinale-winning film Bad Luck Banging or Loony Porn, giving the impression of a continuation within a cycle along with I Do Not Care If We Go Down in History as Barbarians. In his last two films, Jude centered on a female protagonist; this time, he features a spirited young Pa navigating through Bucharest as she manages errands for a corporate work-safety video production. Jude's most recent offering displays a more fragmented narrative structure, as the protagonist encounters diverse individuals while intertwining her personal affairs within a hectic schedule. Nevertheless, Do Not Expect Too Much from the End of the...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 3/21/2024
- Screen Anarchy
Romanian filmmaker Radu Jude has a pile of awards to his name — including a 2021 Berlinale Golden Bear for “Bad Luck Banging or Loony Porn” — and isn’t too stressed about Academy Awards.
The provocation-making director, whose politically-bristly latest “Do Not Expect Too Much from the End of the World” arrives in select U.S. theaters next week, has repped Romania four times in the Best International Feature Oscar race — including for “Do Not Expect Too Much.” He’s never even been shortlisted, and as he told IndieWire in a recent Zoom conversation from his homeland, where he’s already at work on new films, he’s never even watched the Oscars.
“I don’t care about the type of cinema that is promoted by the Oscars. I mean, most of them,” he said. “Of course, I watch [the films]. I appreciate some of them. I like very much Martin Scorsese’s film,...
The provocation-making director, whose politically-bristly latest “Do Not Expect Too Much from the End of the World” arrives in select U.S. theaters next week, has repped Romania four times in the Best International Feature Oscar race — including for “Do Not Expect Too Much.” He’s never even been shortlisted, and as he told IndieWire in a recent Zoom conversation from his homeland, where he’s already at work on new films, he’s never even watched the Oscars.
“I don’t care about the type of cinema that is promoted by the Oscars. I mean, most of them,” he said. “Of course, I watch [the films]. I appreciate some of them. I like very much Martin Scorsese’s film,...
- 3/15/2024
- by Ryan Lattanzio
- Indiewire
German actress Nina Hoss (Phoenix, Tár, Barbara) has signed on to star in The Other Side, an upcoming adventure thriller from German director Mariko Minoguchi.
Hoss will play Hanna, a doctor who, during the midst of an epidemic, goes into self-isolation in the mountain wilderness to protect herself and others.
Best known for her many collaborations with German director Christian Petzold —including 2007’s Yella, 2012’s Barbara and 2014’s Phoenix — Hoss played Cate Blanchett’s wife in Todd Field’s Oscar-nominated Tár (2022) and had a recurring role as Astrid in seasons 5 and 6 of Showtime’s Emmy-winning series Homeland and in Amazon’s action series Tom Clancy’s Jack Ryan. More recently, Hoss co-starred in Claire Burger’s coming-of-age romantic drama Langue Étrangère, which premiered at the Berlin Film Festival last month, and in Radu Jude’s freewheeling feminist satire Do Not Expect Too Much From the End of the World, which...
Hoss will play Hanna, a doctor who, during the midst of an epidemic, goes into self-isolation in the mountain wilderness to protect herself and others.
Best known for her many collaborations with German director Christian Petzold —including 2007’s Yella, 2012’s Barbara and 2014’s Phoenix — Hoss played Cate Blanchett’s wife in Todd Field’s Oscar-nominated Tár (2022) and had a recurring role as Astrid in seasons 5 and 6 of Showtime’s Emmy-winning series Homeland and in Amazon’s action series Tom Clancy’s Jack Ryan. More recently, Hoss co-starred in Claire Burger’s coming-of-age romantic drama Langue Étrangère, which premiered at the Berlin Film Festival last month, and in Radu Jude’s freewheeling feminist satire Do Not Expect Too Much From the End of the World, which...
- 3/13/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Lionsgate horror Imaginary opens in 516 UK-Ireland cinemas this weekend, as the first challenger to Dune: Part Two’s box office supremacy.
Directed by Jeff Wadlow who wrote the screenplay with Greg Erb and Jason Oremland, Imaginary stars DeWanda Wise as a woman who returns to her childhood home, to discover that the imaginary friend she left behind is real and unhappy at his abandonment.
It is the eighth feature from US filmmaker Wadlow, who has worked predominantly in the genre space with titles including 2018’s Truth Or Dare and 2020’s pandemic-afflicted Blumhouse’s Fantasy Island (£392,999; £763,958). His highest-grossing title is 2013’s Kick-Ass 2,...
Directed by Jeff Wadlow who wrote the screenplay with Greg Erb and Jason Oremland, Imaginary stars DeWanda Wise as a woman who returns to her childhood home, to discover that the imaginary friend she left behind is real and unhappy at his abandonment.
It is the eighth feature from US filmmaker Wadlow, who has worked predominantly in the genre space with titles including 2018’s Truth Or Dare and 2020’s pandemic-afflicted Blumhouse’s Fantasy Island (£392,999; £763,958). His highest-grossing title is 2013’s Kick-Ass 2,...
- 3/8/2024
- ScreenDaily
This month’s Hong Kong International Film Festival will showcase over 190 films from 62 countries and regions, including five world premieres, and 64 Asian premieres.
Running 12 days (March 28 – April 8), the festival will open with the Asian premiere of local director Ray Yeung’s “All Shall Be Well,” which won the Teddy Award at the recent Berlin festival.
The closing film is the Asian premiere of “All the Long Nights,” directed by Miyake Sho and starring Matsumura Hokuto and Kamishiraishi Mone, which also premiered in Berlin. Variety’s review of “Nights” called it “gently luminous.”
Chinese-language films selected for the Firebird competition include: “Borrowed Time,” “Brief History of a Family,” “Carefree Days,” Fresh off Markham,” “A Journey in Spring,” “Snow in Midsummer,” “Some Rain Must Fall” and “A Song Sung Blue.”
Foreign films for the Firebird competition’s other section include: “Arcadia,” “Arni,” “Ivo,” “Pepe,” “Sons,” “Sujo,” “The Tenants” and “Who Do I Belong to.
Running 12 days (March 28 – April 8), the festival will open with the Asian premiere of local director Ray Yeung’s “All Shall Be Well,” which won the Teddy Award at the recent Berlin festival.
The closing film is the Asian premiere of “All the Long Nights,” directed by Miyake Sho and starring Matsumura Hokuto and Kamishiraishi Mone, which also premiered in Berlin. Variety’s review of “Nights” called it “gently luminous.”
Chinese-language films selected for the Firebird competition include: “Borrowed Time,” “Brief History of a Family,” “Carefree Days,” Fresh off Markham,” “A Journey in Spring,” “Snow in Midsummer,” “Some Rain Must Fall” and “A Song Sung Blue.”
Foreign films for the Firebird competition’s other section include: “Arcadia,” “Arni,” “Ivo,” “Pepe,” “Sons,” “Sujo,” “The Tenants” and “Who Do I Belong to.
- 3/8/2024
- by Patrick Frater
- Variety Film + TV
Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony Awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages reflect the current standings in the race and do not reflect personal preferences for any individual contender. As other formal (and informal) polls suggest, competitions are fluid and subject to change based on buzz and events. Predictions are updated every Thursday.
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best International Feature Wim Wenders’ ‘Perfect Days’
Weekly Commentary: The United Kingdom is poised to win its first Academy Award with Jonathan Glazer’s “The Zone of Interest” and what a deserved win it will be.
But while I have the floor: it’s time for the...
Visit the prediction pages for the respective ceremonies via the links below:
Oscars | Emmys | Grammys | Tonys
2024 Oscars Predictions:
Best International Feature Wim Wenders’ ‘Perfect Days’
Weekly Commentary: The United Kingdom is poised to win its first Academy Award with Jonathan Glazer’s “The Zone of Interest” and what a deserved win it will be.
But while I have the floor: it’s time for the...
- 3/7/2024
- by Clayton Davis
- Variety Film + TV
Prior to making headlines the next day after a short-lived health scare that required a brief stay in hospital, Ireland’s President Michael D. Higgins arrived at Dublin’s Complex arts center last Wednesday to present the Dublin film festival’s highest honor to Steve McQueen. Introduced in 2007 and named the Volta Award, after the first commercial cinema set up in Dublin in 1909 by writer James Joyce, its previous recipients include Daniel Day Lewis, Claudia Cardinale and Al Pacino. The famously serious director was in high spirits, enthusing that “festivals are about passion, a passion for film.” “There’s always a buzz, isn’t there?” he continued. “[As you] go to the next picture, the next film, you tend to give people tips and say, ‘Oh, you’ve got to see this, you’ve got to see that…’”
McQueen was in and out of the festival, flying home the same night, fueling...
McQueen was in and out of the festival, flying home the same night, fueling...
- 3/4/2024
- by Damon Wise
- Deadline Film + TV
The world premere of Irish director Ross Killeen’s Don’t Forget To Remember scooped the audience award as the 22nd Dublin International Film Festival (Diff) drew to a close on Saturday (March 2).
The Irish documentary is a collaboration with artist Asbestos, and explores the lived experience of Alzheimer’s, and the fragility and fortitude of memory.
Scroll down for the full list of Diff winners
“Although it’s a very personal film, Don’t Forget To Remember holds universal themes of love and loss, but most importantly, it’s about how we remember and shows how fragile those memories can be,...
The Irish documentary is a collaboration with artist Asbestos, and explores the lived experience of Alzheimer’s, and the fragility and fortitude of memory.
Scroll down for the full list of Diff winners
“Although it’s a very personal film, Don’t Forget To Remember holds universal themes of love and loss, but most importantly, it’s about how we remember and shows how fragile those memories can be,...
- 3/4/2024
- ScreenDaily
"Wild, hilarious, and cryptically profound." Buckle up! Mubi has revealed their full trailer for the acclaimed Romanian indie film titled Do Not Expect Too Much from the End of the World, the latest creation by filmmaker Radu Jude (who won Berlinale's Golden Bear prize in 2021 for Bad Luck Banging or Loony Porn). This premiered at the 2023 Locarno Film Festival last year and many critics went berserk for it, heralding it as one of the best films at any festival last year. However, most people are not going to be into this one - it's nearly 3 hours long, mostly in B&w, following a woman driving around as she makes her own TikToks and cracks semi-offensive jokes all the time (here's my full review). An overworked and underpaid production assistant has to shoot a workplace safety video commissioned by a multinational company. But an interviewee makes a statement and must then re-invent...
- 2/22/2024
- by Alex Billington
- firstshowing.net
Good news, cinephiles: one of 2023’s buzziest movies now has an official theatrical release date. Radu Jude‘s “Do Not Expect Too Much From The End Of The World” hits theaters next month. And there are several good reasons that Mubi snatched Jude’s film up for distribution. For one, it won the Special Jury Prize at the Locarno Film Festival last year, where it had its world premiere.
Continue reading ‘Do Not Expect Too Much From The End Of The World’ Trailer: Mubi Releases On Of 2023’s Buzziest Films In Theaters On March 22 at The Playlist.
Continue reading ‘Do Not Expect Too Much From The End Of The World’ Trailer: Mubi Releases On Of 2023’s Buzziest Films In Theaters On March 22 at The Playlist.
- 2/22/2024
- by Ned Booth
- The Playlist
One of the most-acclaimed premieres of last year, so much so that it landed in our top 25 films of 2023 despite not even getting a U.S. release yet, Radu Jude’s Do Not Expect Too Much from the End of the World will now finally arrive this March, in theaters, via Mubi.
The Locarno winner and Romania’s Oscar entry follows an overworked and underpaid production assistant who must drive around the city of Bucharest to film the casting for a workplace safety video commissioned by a multinational company. When one of her interviewees makes a statement that ignites a scandal she is forced to re-invent the whole story. Ahead of the release, the first U.S. trailer and poster have now arrived.
Leonardo Goi said in his review, “A collage perched between road movie and black comedy, Jude’s latest is another effervescent study of life in the 21st century,...
The Locarno winner and Romania’s Oscar entry follows an overworked and underpaid production assistant who must drive around the city of Bucharest to film the casting for a workplace safety video commissioned by a multinational company. When one of her interviewees makes a statement that ignites a scandal she is forced to re-invent the whole story. Ahead of the release, the first U.S. trailer and poster have now arrived.
Leonardo Goi said in his review, “A collage perched between road movie and black comedy, Jude’s latest is another effervescent study of life in the 21st century,...
- 2/22/2024
- by Leonard Pearce
- The Film Stage
Víctor Erice’s “Close Your Eyes,” Andrew Haigh’s “All of Us Strangers” and Justine Triet’s “Anatomy of a Fall” dominated this year’s 21st Ics Awards, winning the top prizes.
“Close Your Eyes,” which picked up best picture and best director, revolves around the mysterious disappearance of a Spanish actor during the filming of a movie. Although his body is never found, the police concludes that he has suffered an accident on the edge of a cliff. Many years later, the cold case resurfaces.
Justine Triet’s “Anatomy of a Fall” won three awards, including best actress for Sandra Hüller, original screenplay for Triet and Arthur Harari, and editing for Laurent Sénéchal. The movie is nominated for five Oscars, seven BAFTA’s and 11 Cesar Awards.
The romantic fantasy “All of Us Strangers,” meanwhile, won four prizes, including best actor for Andrew Scott, supporting actor for Jamie Bell, adapted screenplay for Haigh,...
“Close Your Eyes,” which picked up best picture and best director, revolves around the mysterious disappearance of a Spanish actor during the filming of a movie. Although his body is never found, the police concludes that he has suffered an accident on the edge of a cliff. Many years later, the cold case resurfaces.
Justine Triet’s “Anatomy of a Fall” won three awards, including best actress for Sandra Hüller, original screenplay for Triet and Arthur Harari, and editing for Laurent Sénéchal. The movie is nominated for five Oscars, seven BAFTA’s and 11 Cesar Awards.
The romantic fantasy “All of Us Strangers,” meanwhile, won four prizes, including best actor for Andrew Scott, supporting actor for Jamie Bell, adapted screenplay for Haigh,...
- 2/14/2024
- by Elsa Keslassy
- Variety Film + TV
Heretic has acquired world sales right to Iranian director Aliyar Rasti’s “The Great Yawn of History,” a debut feature that premieres this month in the competitive Encounters strand of the Berlin Film Festival.
The film tells the story of a man who dreams of a box of gold waiting for him at the end of a cave. Curbed by his religious belief that it’s not permissible to go after it himself, he employs the assistance of a non-believer. Together they embark on a long journey across the Iranian landscape in pursuit of a miracle. But their treasure hunt soon turns tempting also for those they meet along the way.
Heretic’s head of sales and acquisitions, Ioanna Stais, praised the first-time director’s film for how it deftly transforms into an intricate game of hide-and-seek between faith and human frailty.
“From road trip to allegory, Aliyar’s poetic...
The film tells the story of a man who dreams of a box of gold waiting for him at the end of a cave. Curbed by his religious belief that it’s not permissible to go after it himself, he employs the assistance of a non-believer. Together they embark on a long journey across the Iranian landscape in pursuit of a miracle. But their treasure hunt soon turns tempting also for those they meet along the way.
Heretic’s head of sales and acquisitions, Ioanna Stais, praised the first-time director’s film for how it deftly transforms into an intricate game of hide-and-seek between faith and human frailty.
“From road trip to allegory, Aliyar’s poetic...
- 2/5/2024
- by Christopher Vourlias
- Variety Film + TV
UK producer and distributor Sovereign is expanding into US distribution and has set its first title as Laurent Negre’s A Forgotten Man.
The company aims to release up to three titles a year in US cinemas and across VOD platforms. The first will be Swiss thriller A Forgotten Man, which Sovereign released in the UK and Ireland on November 10, following its premiere at Zurich Film Festival in 2022. It is now set to open in the US on April 12.
It marks a further expansion for the London-based company, which was founded by Andreas Roald in 2008 and launched Sovereign Film Distribution...
The company aims to release up to three titles a year in US cinemas and across VOD platforms. The first will be Swiss thriller A Forgotten Man, which Sovereign released in the UK and Ireland on November 10, following its premiere at Zurich Film Festival in 2022. It is now set to open in the US on April 12.
It marks a further expansion for the London-based company, which was founded by Andreas Roald in 2008 and launched Sovereign Film Distribution...
- 1/25/2024
- ScreenDaily
Screen shines a light on 30 European titles that look set to grab the attention of festival directors in 2023, including new features by Tom Tykwer, Paz Vega, Paolo Sorrentino, Cecilia Verheyden and Baltasar Kormakur.
For our separate list of French festival hopefuls for 2024, click here.
Ariel (Sp-Por)
Dir. Lois Patiño
Patiño won the Encounters special jury prize at Berlin last year for Samsara and picked up the emerging director prize at Locarno in 2013 with Coast Of Death. His latest is a free adaptation of William Shakespeare’s The Tempest, shot in Galicia and The Azores islands. Ariel stars Goya winner Irene Escolar...
For our separate list of French festival hopefuls for 2024, click here.
Ariel (Sp-Por)
Dir. Lois Patiño
Patiño won the Encounters special jury prize at Berlin last year for Samsara and picked up the emerging director prize at Locarno in 2013 with Coast Of Death. His latest is a free adaptation of William Shakespeare’s The Tempest, shot in Galicia and The Azores islands. Ariel stars Goya winner Irene Escolar...
- 1/22/2024
- ScreenDaily
The worlds of fashion and film are tailor-made for each other in Season 5 of the critically acclaimed “Mubi Podcast.”
The new season of the global streaming platform, production company, and film distributor’s ongoing audio series debuts January 25, and IndieWire announces this year’s slate of guests and topics below. Titled “Tailor Made” and hosted by arts and travel reporter Rico Gagliano, the documentary podcast’s newest installment is available on all major platforms and via Mubi’s publication, “Notebook.”
Each episode of the season “tackles a landmark movie that captured a major fashion look of an era, and then decodes what that look meant — to the culture that spawned it, the people who wore it, and the audiences who watched it on screen,” per Mubi.
From Jean Seberg’s inimitable style in Jean-Luc Godard’s “Breathless” to a two-part exploration of how fashion folds into Sofia Coppola’s entire career,...
The new season of the global streaming platform, production company, and film distributor’s ongoing audio series debuts January 25, and IndieWire announces this year’s slate of guests and topics below. Titled “Tailor Made” and hosted by arts and travel reporter Rico Gagliano, the documentary podcast’s newest installment is available on all major platforms and via Mubi’s publication, “Notebook.”
Each episode of the season “tackles a landmark movie that captured a major fashion look of an era, and then decodes what that look meant — to the culture that spawned it, the people who wore it, and the audiences who watched it on screen,” per Mubi.
From Jean Seberg’s inimitable style in Jean-Luc Godard’s “Breathless” to a two-part exploration of how fashion folds into Sofia Coppola’s entire career,...
- 1/16/2024
- by Ryan Lattanzio
- Indiewire
Following The Film Stage’s collective top 50 films of 2023, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
In 2023, the Berlin Film Festival saw the resignation of Executive Director Mariette Rissenbeek and the ousting of Artistic Director Carlo Chatrian, a move that doubled as a rejection of Chatrian’s thoughtful curation that marched to the beat of its own drum. The Toronto International Film Festival saw the loss of its major sponsor after a 28-year partnership as well as layoffs in December. The Venice Film Festival saw a change in leadership with the appointment of a far-right figure as head of the Biennale, a choice from the country’s right-wing government that already has people nervous as to what the 2024 festival might look like. Then you have various film festival cancellations, for reasons both political and financial.
As we enter the third year of wondering if “movies are back,...
In 2023, the Berlin Film Festival saw the resignation of Executive Director Mariette Rissenbeek and the ousting of Artistic Director Carlo Chatrian, a move that doubled as a rejection of Chatrian’s thoughtful curation that marched to the beat of its own drum. The Toronto International Film Festival saw the loss of its major sponsor after a 28-year partnership as well as layoffs in December. The Venice Film Festival saw a change in leadership with the appointment of a far-right figure as head of the Biennale, a choice from the country’s right-wing government that already has people nervous as to what the 2024 festival might look like. Then you have various film festival cancellations, for reasons both political and financial.
As we enter the third year of wondering if “movies are back,...
- 1/2/2024
- by C.J. Prince
- The Film Stage
2023 was a year of seemingly seismic change for the film industry, as superhero movies (especially Marvel) lost their grip on the box office while more auteur-led efforts such as Oppenheimer and Barbie made serious bank. Audiences seem hungry for a return to thoughtful and engaging efforts, voting for their wallets against a decade of cape-clad hegenomy in favour of more challenging (and visually interesting) cinema. But as with the majority of contemporary film analysis, these are mostly concerns for Hollywood. The international arthouse scene plugs away as usual, providing a diverse range of exciting visions that once again expand the very possibilities of the cinematic form. I went back and forth on this list several times, only coming to a final top ten this very morning. With courtroom drama, oddball romance, epic character study and even outright horror, this year’s selection subverted and expanded genre norms, showing that great cinema,...
- 12/26/2023
- by Redmond Bacon
- Directors Notes
The Academy of Motion Picture Arts and Sciences has announced the shortlists in 10 categories for the upcoming 96th Oscars ceremony.
Overall, Greta Gerwig’s meta-comedy “Barbie” had the most mentions with five including sound, original song for its three submissions from Billie Eilish (“What I Was Made For?”), Dua Lipa (“Dance the Night”) and Mark Ronson and Andrew Wyatt (“I’m Just Ken”), and original score, from the latter duo. The big miss for “Barbie” was in makeup and hairstyling, which was the category that yielded the most surprises.
In addition to “Barbie,” “The Color Purple,” and “Guardians of the Galaxy Vol. 3” all failed to make the shortlist. Instead, the branch selected A24’s eccentric “Beau is Afraid” and Universal Pictures’ horror summer film “The Last Voyage of the Demeter.”
In the music categories are compositions from Daniel Pemberton (“Spider-Man: Across the Spider-Verse”), Ludwig Göransson (“Oppenheimer”) and the late...
Overall, Greta Gerwig’s meta-comedy “Barbie” had the most mentions with five including sound, original song for its three submissions from Billie Eilish (“What I Was Made For?”), Dua Lipa (“Dance the Night”) and Mark Ronson and Andrew Wyatt (“I’m Just Ken”), and original score, from the latter duo. The big miss for “Barbie” was in makeup and hairstyling, which was the category that yielded the most surprises.
In addition to “Barbie,” “The Color Purple,” and “Guardians of the Galaxy Vol. 3” all failed to make the shortlist. Instead, the branch selected A24’s eccentric “Beau is Afraid” and Universal Pictures’ horror summer film “The Last Voyage of the Demeter.”
In the music categories are compositions from Daniel Pemberton (“Spider-Man: Across the Spider-Verse”), Ludwig Göransson (“Oppenheimer”) and the late...
- 12/21/2023
- by Clayton Davis
- Variety Film + TV
Have you ever felt so sad that it made you burst into uncontrollable laughter? That's precisely the emotional rollercoaster Radu Jude's latest picture, Do Not Expect Too Much From the End of the World, takes you on. The Romanian director skillfully captures the injustice, inhumanity and absurdity of modern-day capitalism through the life of Angela (Ilinca Manolache), an overworked, sleep-deprived production assistant at a Romanian company serving Austrian clients. Angela is on a quest to find people injured at the firm’s worksites to feature in a safety video.
Jude opts for a dual narrative, intertwining Angela's present-day struggles with scenes from the 1981 picture Angela Moves On by Lucian Bratu. This method illustrates the parallel challenges faced by two overworked women named Angela, one in Ceaușescu-era Romania and the other in the contemporary period. Despite the absence of Ceaușescu, Jude’s film suggests that the fundamental issues, including sexism and social.
Jude opts for a dual narrative, intertwining Angela's present-day struggles with scenes from the 1981 picture Angela Moves On by Lucian Bratu. This method illustrates the parallel challenges faced by two overworked women named Angela, one in Ceaușescu-era Romania and the other in the contemporary period. Despite the absence of Ceaușescu, Jude’s film suggests that the fundamental issues, including sexism and social.
- 12/8/2023
- by Liza Alpaidze
- eyeforfilm.co.uk
Shortlist of 15 films to be announced December 21, nominations out on January 23, 2024.
The Academy has announced eligible features in the categories of international feature film, animation, and documentary for the 96th Academy Awards on March 10, 2024.
The shortlist of 15 films will be announced on December 21, and the nominations announcement is January 23, 2024.
International
Eighty-eight countries or regions have submitted films eligible for consideration in the international feature film category. An international feature film is defined as a feature-length motion picture (more than 40 minutes long) produced outside the US with a predominantly (more than 50%) non-English dialogue track. Namibia is a first-time entrant.
Academy members...
The Academy has announced eligible features in the categories of international feature film, animation, and documentary for the 96th Academy Awards on March 10, 2024.
The shortlist of 15 films will be announced on December 21, and the nominations announcement is January 23, 2024.
International
Eighty-eight countries or regions have submitted films eligible for consideration in the international feature film category. An international feature film is defined as a feature-length motion picture (more than 40 minutes long) produced outside the US with a predominantly (more than 50%) non-English dialogue track. Namibia is a first-time entrant.
Academy members...
- 12/7/2023
- by Jeremy Kay
- ScreenDaily
John Waters isn’t afraid to name Ari Aster’s existential dark comedy “Beau Is Afraid” as the best film of 2023.
The “Pink Flamingos” director shared his annual list of favorite movies of the year with Vulture, crowning the A24 film as his number one pick.
“A superlong, super-crazy, super-funny movie about one man’s mental breakdown with a cast better than ‘Around the World in 80 Days’: Joaquin Phoenix, Patti LuPone, Parker Posey, Nathan Lane, and Amy Ryan,” Waters wrote. “It’s a laugh riot from hell you’ll never forget, even if you want to.”
Pierre Croton’s “A Prince,” Paul Schrader’s “Master Gardener,” “Fallen Leaves,” “Do Not Expect Too Much of the End of the World,” “Last Summer,” and “Strange Way of Life,” the short film directed by Pedro Almodóvar, were all included in Waters’ list. The director additionally included Christopher Nolan’s “Oppenheimer,” which Waters...
The “Pink Flamingos” director shared his annual list of favorite movies of the year with Vulture, crowning the A24 film as his number one pick.
“A superlong, super-crazy, super-funny movie about one man’s mental breakdown with a cast better than ‘Around the World in 80 Days’: Joaquin Phoenix, Patti LuPone, Parker Posey, Nathan Lane, and Amy Ryan,” Waters wrote. “It’s a laugh riot from hell you’ll never forget, even if you want to.”
Pierre Croton’s “A Prince,” Paul Schrader’s “Master Gardener,” “Fallen Leaves,” “Do Not Expect Too Much of the End of the World,” “Last Summer,” and “Strange Way of Life,” the short film directed by Pedro Almodóvar, were all included in Waters’ list. The director additionally included Christopher Nolan’s “Oppenheimer,” which Waters...
- 12/7/2023
- by Samantha Bergeson
- Indiewire
One of our favorite traditions in best-of-the-year festivities is a lineup that tends to find a more interesting path than any guilds or critics groups. The wonderfully eccentric John Waters, whose tastes always includes a mix of the unexpected and underseen, hasn’t let us down with his top 10 films of 2023.
Published at Vulture, where one should click over to read thoughts on each, his top 10 is capped by Ari Aster’s Beau Is Afraid. Other selections include Paul Schrader’s Master Gardener, Christopher Nolan’s Oppenheimer, plus the latest from Pedro Almodóvar, Aki Kaurismäki, Radu Jude, and Catherine Breillat, as well as the overlooked Full Time.
Check out the list below, along with our reviews where available.
1. Beau Is Afraid (Ari Aster)
2. A Prince (Pierre Creton)
3. Master Gardener (Paul Schrader)
4. Full Time (Éric Gravel)
5. Last Summer (Catherine Breillat)
6. Sparta (Ulrich Seidl)
7. Fallen Leaves (Aki Kaurismäki)
8. Strange Way of Life...
Published at Vulture, where one should click over to read thoughts on each, his top 10 is capped by Ari Aster’s Beau Is Afraid. Other selections include Paul Schrader’s Master Gardener, Christopher Nolan’s Oppenheimer, plus the latest from Pedro Almodóvar, Aki Kaurismäki, Radu Jude, and Catherine Breillat, as well as the overlooked Full Time.
Check out the list below, along with our reviews where available.
1. Beau Is Afraid (Ari Aster)
2. A Prince (Pierre Creton)
3. Master Gardener (Paul Schrader)
4. Full Time (Éric Gravel)
5. Last Summer (Catherine Breillat)
6. Sparta (Ulrich Seidl)
7. Fallen Leaves (Aki Kaurismäki)
8. Strange Way of Life...
- 12/7/2023
- by Leonard Pearce
- The Film Stage
As 2023 draws to a close and the Oscar race begins to heat up, film publications around the world continue to roll out their lists of the year’s top films. IndieWire recently named Celine Song’s “Past Lives” the best film of the year, topping a list that also included “Barbie,” “Oppenheimer,” “Asteroid City,” and “Killers of the Flower Moon.” Now Cahiers du Cinema has gotten in on the action, selecting Laura Citarella’s “Trenque Lauquen” as its top pick.
The legendary French film publication, which served as an intellectual hub for the French New Wave after launching the careers of Jean-Luc Godard and Francois Truffaut, and famously named “Twin Peaks: The Return” the best film of the 2010s, revealed its top 10 films of 2023 on Friday, December 1. The list only includes movies that opened theatrically in France in 2023, so many films that had American theatrical runs or festival premieres in past years made the cut.
The legendary French film publication, which served as an intellectual hub for the French New Wave after launching the careers of Jean-Luc Godard and Francois Truffaut, and famously named “Twin Peaks: The Return” the best film of the 2010s, revealed its top 10 films of 2023 on Friday, December 1. The list only includes movies that opened theatrically in France in 2023, so many films that had American theatrical runs or festival premieres in past years made the cut.
- 12/1/2023
- by Christian Zilko
- Indiewire
Established in the 1950s by André Bazin, Joseph-Marie Lo Duca, and Jacques Doniol-Valcroze, France’s Cahiers du cinéma has been a bastion for international film criticism for decades, even amidst recent changes. They’ve now unveiled their predictably stellar top 10 films of 2023 list.
Topping the list is Laura Citeralla’s four-hour epic Trenque Lauquen, while Víctor Erice’s long-awaited return Close Your Eyes and Justine Triet’s Palme d’Or winner Anatomy of a Fall round out the top three. The list also features Aki Kaurismäki’s Fallen Leaves, Catherine Breillat’s Last Summer, and Radu Jude’s Do Not Expect Too Much From the End of the World.
Cyril Schäublin’s overlooked drama Unrest also got a mention while Pierre Creton’s Un prince and Kelly Reichardt’s Showing Up tied for tenth place. They also have room for one major surprise, this year being Rabah Ameur-Zaïmeche’s Berlinale...
Topping the list is Laura Citeralla’s four-hour epic Trenque Lauquen, while Víctor Erice’s long-awaited return Close Your Eyes and Justine Triet’s Palme d’Or winner Anatomy of a Fall round out the top three. The list also features Aki Kaurismäki’s Fallen Leaves, Catherine Breillat’s Last Summer, and Radu Jude’s Do Not Expect Too Much From the End of the World.
Cyril Schäublin’s overlooked drama Unrest also got a mention while Pierre Creton’s Un prince and Kelly Reichardt’s Showing Up tied for tenth place. They also have room for one major surprise, this year being Rabah Ameur-Zaïmeche’s Berlinale...
- 12/1/2023
- by Jordan Raup
- The Film Stage
“Do Not Expect Too Much From the End of the World,” from Romania’s Radu Jude, added to its ever larger silverware collection, winning the top Albar Award at Spain’s Gijón Festival.
Gijón’s big win join not only a Special Jury Prize at August’s Locarno Film Festival, where the film was the most talked about – one of Jude’s aims– and lauded of competition titles among reviewers, plus a Chicago Silver Hugo best performance nod (Ilinca Manolache) in October and a Lisbon Fest Jury Prize late last month.
Over 61 editions, and most especially when José Luis Cienfuegos, now Valladolid chief, took over its reins in 1995, the Gijón-Xijón Film Festival (Ficx) has carved out an identity as highlighting edgier international auteurs and indie fare, moving into promoting often more singular movies from a burgeoning new generation of Spanish filmmakers, greeted with enthusiasm by discerning and predominantly YA audiences...
Gijón’s big win join not only a Special Jury Prize at August’s Locarno Film Festival, where the film was the most talked about – one of Jude’s aims– and lauded of competition titles among reviewers, plus a Chicago Silver Hugo best performance nod (Ilinca Manolache) in October and a Lisbon Fest Jury Prize late last month.
Over 61 editions, and most especially when José Luis Cienfuegos, now Valladolid chief, took over its reins in 1995, the Gijón-Xijón Film Festival (Ficx) has carved out an identity as highlighting edgier international auteurs and indie fare, moving into promoting often more singular movies from a burgeoning new generation of Spanish filmmakers, greeted with enthusiasm by discerning and predominantly YA audiences...
- 11/27/2023
- by Pablo Sandoval
- Variety Film + TV
There's a new film from Romanian filmmaker Radu Jude playing on the film festival circuit this year. It's called Do Not Expect Too Much of the End of the World, which is an apt title for another film from Jude showing how mindless & idiotic humans have become, all the while everyone is going around ignoring what's really happening because they have a job to do and a life to live. After earning high praise from critics during its premiere at the 2023 Locarno Film Festival, I was lucky to catch up with Jude's Do Not Expect Too Much of the End of the World at the Tallinn Black Nights Film Festival (aka PÖFF) a few months later. Based on all the hyperbolic buzz out of Locarno, I was expecting something close to masterpiece alas it's far from that. Radu Jude certainly is a master filmmaker creating provocative, subversive, clever films about...
- 11/22/2023
- by Alex Billington
- firstshowing.net
Bookmark this page for the latest updates in the territory.
Screen is listing the 2024 release dates for films in the UK and Ireland in the calendar below.
For distributors who wish to add/amend a date on the calendar, please get in touch with Screen here. Screen is also running a calendar for festival and market dates throughout 2024 here.
January
January 5
Priscilla (Mubi), One Life (Warner Bros), Scala! (BFI), Night Swim (Universal), Blank (Sparky)
January 6
Nabucco - Met Opera 23/24 (Trafalgar)
January 12
Poor Things (Disney), The Boys In The Boat (Warner Bros), Freaks Vs The Reich (Miracle/Dazzler), The Beekeeper (Studiocanal...
Screen is listing the 2024 release dates for films in the UK and Ireland in the calendar below.
For distributors who wish to add/amend a date on the calendar, please get in touch with Screen here. Screen is also running a calendar for festival and market dates throughout 2024 here.
January
January 5
Priscilla (Mubi), One Life (Warner Bros), Scala! (BFI), Night Swim (Universal), Blank (Sparky)
January 6
Nabucco - Met Opera 23/24 (Trafalgar)
January 12
Poor Things (Disney), The Boys In The Boat (Warner Bros), Freaks Vs The Reich (Miracle/Dazzler), The Beekeeper (Studiocanal...
- 11/21/2023
- by Ben Dalton
- ScreenDaily
Victor Erice’s “Close Your Eyes” won best film at the 17th edition of Leffest Lisboa Film Festival, which announced awards Saturday night.
Marking Erice’s first feature film since his 1992 docudrama “The Quince Tree Sun” and garnering almost universal positive reviews – Variety called it “an aching ode to film, time and memory” – following its world premiere at Cannes, “Close Your Eyes” has screened at Toronto, Busan, BFI London and New York.
During Leffest, in a session moderated by Paulo Branco, 83-year old Erice took part in a conversation with preeminent 64-year old Portuguese helmer, Pedro Costa, whose short “The Daughters of Fire,” was a Cannes Special Screening and also had its Portuguese premiere at the fest.
Erice remarked during the event, one fest highlight, that both he and Costa are working in the shadow of two great filmmakers – “Don Luis Buñuel” and “Don Manoel de Oliveira” – and he added...
Marking Erice’s first feature film since his 1992 docudrama “The Quince Tree Sun” and garnering almost universal positive reviews – Variety called it “an aching ode to film, time and memory” – following its world premiere at Cannes, “Close Your Eyes” has screened at Toronto, Busan, BFI London and New York.
During Leffest, in a session moderated by Paulo Branco, 83-year old Erice took part in a conversation with preeminent 64-year old Portuguese helmer, Pedro Costa, whose short “The Daughters of Fire,” was a Cannes Special Screening and also had its Portuguese premiere at the fest.
Erice remarked during the event, one fest highlight, that both he and Costa are working in the shadow of two great filmmakers – “Don Luis Buñuel” and “Don Manoel de Oliveira” – and he added...
- 11/19/2023
- by Martin Dale
- Variety Film + TV
Maria Hatzakou and Alexandra Matheou’s “Stringa,” a female-led folk-horror set in remote rural Greece, won the top prize at Thessaloniki Film Festival’s Crossroads Co-Production Forum, which wrapped with an award ceremony Wednesday.
The Greek project took home the Two Thirty-Five Co-Production Award, giving full post-production image and sound support to a film that’s in development. This will be a debut feature for Matheou and Hatzakou, who also produces the film under her label Merricat. She was the one to receive the prize from the jury, which called the project “very solid and persuasive” in the ways in which it “addresses freedom of choice in a patriarchal society.”
The directors, who also co-wrote the script, describe it as “a film about the female experience,” a subversive horror that “touches on post-generational trauma and the sly ways by which the patriarchy still manages to impose itself on our lives and choices.
The Greek project took home the Two Thirty-Five Co-Production Award, giving full post-production image and sound support to a film that’s in development. This will be a debut feature for Matheou and Hatzakou, who also produces the film under her label Merricat. She was the one to receive the prize from the jury, which called the project “very solid and persuasive” in the ways in which it “addresses freedom of choice in a patriarchal society.”
The directors, who also co-wrote the script, describe it as “a film about the female experience,” a subversive horror that “touches on post-generational trauma and the sly ways by which the patriarchy still manages to impose itself on our lives and choices.
- 11/9/2023
- by Savina Petkova
- Variety Film + TV
The German festival posted its biggest ever audience in 2023.
Filmfest Hamburg came to a close on October 7 with an awards ceremony that saw the Cicae’s arthouse cinema award presented to UK filmmaker Molly Manning Walker’s directorial debut How To Have Sex which premiered in Un Certain Regard in Cannes in May
The cash prize €5,000 is provided by Hamburg’s local film fund Moin to be spent on the film’s PR campaign by its German distributor capelight pictures which will release the film in German cinemas on December 7.
The €5,000 Ndr young talent award, sponsored by local public broadcaster Ndr,...
Filmfest Hamburg came to a close on October 7 with an awards ceremony that saw the Cicae’s arthouse cinema award presented to UK filmmaker Molly Manning Walker’s directorial debut How To Have Sex which premiered in Un Certain Regard in Cannes in May
The cash prize €5,000 is provided by Hamburg’s local film fund Moin to be spent on the film’s PR campaign by its German distributor capelight pictures which will release the film in German cinemas on December 7.
The €5,000 Ndr young talent award, sponsored by local public broadcaster Ndr,...
- 10/9/2023
- by Martin Blaney
- ScreenDaily
Just when we thought that Radu Jude’s naming scheme couldn’t get any more complicated with his previous narrative essayistic experiment — Bad Luck Banging Or Loony Porn — he has decided to amuse us with yet another film with a tongue-twister as its name. Do Not Expect Too Much Of The End of the World is Jude’s latest experimental comedy. which recently won a Special Jury Prize in the International Competition selection at the Locarno Film Festival. The film is also due to play at Toronto, London, and New York film festivals in the coming months.
The action opens with a message saying that the film we’re about to watch is a conversation, or rather a dialogue, with an older Romanian film Angela Moves On (1981). This dialogue unfolds in a sort of one-two rhythm where, as we’re introduced to the contemporary state of affairs, we...
The action opens with a message saying that the film we’re about to watch is a conversation, or rather a dialogue, with an older Romanian film Angela Moves On (1981). This dialogue unfolds in a sort of one-two rhythm where, as we’re introduced to the contemporary state of affairs, we...
- 9/9/2023
- by Nikola Jovic
- eyeforfilm.co.uk
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe Way of the Wind (Terrence Malick).According to Terrence Malick’s producer, Alex Boden, the filmmaker is in the editing room working on his biblical epic The Way of the Wind, formerly known as The Last Planet. “Terry is very happy with what he is working on so far is the word,” Boden told Variety. Over at The Film Stage, Nick Newman compiles all of the updates and rumors so far about the production. Mark Rylance, who plays Satan in the film, says of Malick’s process: “It’s like a fine wine or whiskey; it only gets better with time.”We’ve updated our TIFF lineup master post to reflect new additions—notably the excellent selections that make up Wavelengths, TIFF’s experimental program. Featuring films by Radu Jude, Eduardo Williams, Pedro Costa,...
- 8/16/2023
- MUBI
Sovereign has acquired the U.K. and Ireland rights to Radu Jude’s latest feature, “Do Not Expect Too Much From the End of the World,” which won the special jury prize at Locarno Film Festival.
Written and directed by Jude, the comedy stars Ilinca Manolache, Ovidiu Pîrșan, Dorina Lazăr, László Miske, Katia Pascariu and Sofia Nicolaescu, with cameos from Nina Hoss and Uwe Boll. According to its official synopsis, the film follows an overworked production assistant who is instructed to “film a workplace safety video commissioned by a multinational company. But an interviewee makes a statement which forces him to reinvent his story to suit the company’s narrative.”
“Do Not Expect Too Much From the End of the World” recently premiered at Locarno, where it was nominated for the Golden Leopard Award for best film and won the festival’s special jury prize. The film was well-received by critics at the fest,...
Written and directed by Jude, the comedy stars Ilinca Manolache, Ovidiu Pîrșan, Dorina Lazăr, László Miske, Katia Pascariu and Sofia Nicolaescu, with cameos from Nina Hoss and Uwe Boll. According to its official synopsis, the film follows an overworked production assistant who is instructed to “film a workplace safety video commissioned by a multinational company. But an interviewee makes a statement which forces him to reinvent his story to suit the company’s narrative.”
“Do Not Expect Too Much From the End of the World” recently premiered at Locarno, where it was nominated for the Golden Leopard Award for best film and won the festival’s special jury prize. The film was well-received by critics at the fest,...
- 8/16/2023
- by Ellise Shafer
- Variety Film + TV
Next Goal Wins (Taika Waititi, 2023).The lineup is being unveiled for the 2023 edition of the Toronto International Film Festival, starting with 60 selections from the Gala and Special Presentations programs. The festival takes place from September 7–17, 2023.Gala PRESENTATIONSConcrete Utopia (Um Tae-Hwa)Dumb Money (Craig Gillespie)Fair Play (Chloe Domont)Flora and Son (John Carney)Hate to Love: Nickelback (Leigh Brooks)Lee (Ellen Kuras)Next Goal Wins (Taika Waititi)Nyad (Elizabeth Chai Vasarhelyi, Jimmy Chin)Punjab ’95 (Honey Trehan)Solo (Sophie Dupuis)The End We Start From (Mahalia Belo)The Movie Emperor (Ning Hao)The New Boy (Warwick Thornton) The Royal Hotel (Kitty Green)The Holdovers.Special Presentationsa Difficult Year (Éric Toledano, Olivier Nakache)A Normal Family (Hur Jin-ho)American Fiction (Cord Jefferson)Anatomy of a Fall (Justine Triet)Close to You (Dominic Savage)Days of Happiness (Chloé Robichaud)The Rescue (Daniela Goggi)Ezra (Tony Goldwyn)Fingernails (Christos Nikou)Four Daughters (Kaouther Ben Hania...
- 8/14/2023
- MUBI
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.