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Our Flag Means Death: Mermen (2023)
Season 2, Episode 8
10/10
We need more time for s3!!!
3 November 2023
While it's clear that time and budget restraints effected the pace of storytelling in this second season, there's no disputing the fact that OFMD is a cut above everything else going. The themes are complex, the arcs are many and varied, the tone is comedy + high drama + romance and the format is only 8 X 30 minutes for pity's sake! This is ambitious stuff people!

Emotions are running high as a result of the long wait so reactions to an all too brief S2 are clearly polarised, but the fact is OFMD offers its devoted audience something completely unique, heartfelt and passionate. Let's not forget that as we all rally for a third season.
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Austenland (2013)
9/10
Just goddamned delightful
17 September 2022
Warning: Spoilers
Anyone who loves Austen, will understand the fantasy of Austenland, and fervently wish it really existed. I'd say this movie was a guilty pleasure, but I refuse to feel guilty about how many times I've watched it or how many more times I no doubt will again. It's very funny, very sweet and very romantic, and the cast - peppered with fantastic actors - is stellar.

My only gripe with the movie is the odd mis-casting of lovely Bret McKenzie as the a**hole who treats Jane badly, as opposed to the romantic lead. Bret is far too charismatic and adorable to play someone so unkind, and excellent as JJ Feild is, c'mon...we all want Jane to end up with Martin and for him to be sincere.
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Our Flag Means Death (2022–2023)
10/10
A fun pirate rom-com - that unexpectedly offers unprecedented queer representation
27 March 2022
Having being a huge fan of both Rhys Darby and Taika Waititi sinces the early 2000s, I was super excited when I heard they were co-starring in a new HBO comedy about pirates.

Expecting the same brand of hilarious dry Kiwi humour I've come to expect from any collaboration of theirs, I was both delighted and touched to find that this sweetly kind and funny comedy show was also very obviously *a gay love story*, featuring the kind of easy throwaway acceptance of sexuality, gender and diversity that I was shocked to realise I had never seen before on a TV show.

To say this sweetly funny, gorgeously shot little show has been a revolutionary step-forward in queer storytelling is not an understatement in the slightest. The outpouring of love and gratitude I've seen online from the LGBTQ+ community for these characters, the showrunner David Jenkins and for Taika and Rhys is unprecedented. The incredible fan-art, the fanfiction (thanks Frenchie!), the sharing of feelings and personal stories and emotions this whole last couple of weeks over social media has been a total trip, and the loveliest part of that has been to see it all held, validated and delighted in by the entire creative team that made the show.

I hope HBO Max know that they will be the darlings of the streaming platforms when they renew this for the 2 more seasons (minimum!) that David Jenkins has planned. That announcement can't come soon enough frankly.
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8/10
Weirdly sweet and sad movie
3 July 2021
I have no idea why I'd heard so many bad things at the time about this sweetly quirky strange little film, but I'm so happy I forgot them and ended up watching it anyway.

I had a favourite movie back in the early 90s called 'Miracle Mile' which had a similar plot, so I was intrigued by the premise of this film and wanted to see where the story went, given that the protagonists had 3 weeks instead of just a few hours. And I have to say, I love where it went. I imagine this was a really realistic depiction of how people would spend their last days: the reality being, most of us would carry on our lives pretty much as usual.

Weirdly sweet and romantic film that will leave you with a huge lump in your throat and maybe some tears in your eyes.
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Destroyer (2018)
8/10
But then...I love a slow-paced, character-driven movie
14 March 2020
Came to give this film a good rating and was surprised to see so many negative reviews. Yes, the movie is long and slow-paced but then so are some of the greatest movies ever made. The cinematography is gorgeous and Nicole Kidman's performance is fantastic: as utterly convincing as the grim wrecked Erin Bell as she is the younger, sharper and more selfish version of herself in love with her partner Sebastian Stan.

Modern day Erin has failed as a mother, as a cop, essentially at life, has abused her body to the point of collapse, but somehow she still smolders with some kind of internal energy - maybe it's her sixteen year old thirst for revenge? Either way, Kidman is a wonder to watch as she strides into every scene like some kind of vengeful limping grim reaper, pistol whipping anyone who stands in her way.

I was really surprised to read so many people say the ending was somehow disappointing or anti-climactic, because - for me - it was a fantastic twist, that didn't really need the couple of flashbacks that made sense of it. I thought this was a great movie, absorbing and gritty and deeply sad.
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Easy A (2010)
4/10
Genuinely no idea what the message is supposed to be here...
10 February 2020
This film is really baffling. I have an idea that it's supposed to be a quirky post-modern look at the tired tropes of 80s movies or make some kind of sharp comment about slut-shaming, but in my opinion it somehow utterly misses everything it aims for and ends up being ugly and mean-spirited.
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Arctic (2018)
9/10
Incredible feat of filmmaking
31 May 2019
When I heard the premise of 'Arctic' I was immediately reminded of Gus van Sant's 2002 movie 'Gerry'. I remembered being amazed by a movie in which so little happened, but which was utterly riveting due to performances and intense slow pacing.

Having now seen it, 'Arctic' bears little resemblance to that long, agonizing slog of a movie. It's a heart-wrenchingly sad but ultimately hopeful film - which incredibly seems too short at 1hr 40 - about what it means to be a human being isolated and alone and separated from the rest of humanity.
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9/10
Fantastic documentary
14 October 2016
This a great little movie with everything an excellent documentary needs; pathos, drama, tragedy and humour. Anthony Baxter comes across as a very sympathetic and empathetic filmmaker who gets to know the subjects of him film - the residents of Balmedie - very well and obviously gains their trust and friendship.

The theme - ordinary people being steamrollered by corporate greed - is a classic one, and as the central figure of Trump so typifies the careless, thoughtless greed of corporate America it makes for one hell of a drama. Great film. Well worth watching. And look out for the sequel!
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Hear My Song (1991)
9/10
A mostly forgotten delight
21 May 2016
I saw 'Hear My Song' every night for a week when we showed it at the cinema I worked at in 1991. The audiences were small, but then they always were back then for British movies on limited budgets. 'Hear My Song' came out without any of the showy publicity that so many other movies did that year, there were no press packs or standees in the lobby, but still it knocked spots of the majority of movies I had to sit through that year.

I loved its sly, charming leading man Adrian Dunbar, and his best friend the then all-but- unknown James Nesbitt as Fin and their adventure in search of a legend who (at that time) I'd never even heard of.

The story follows the classic Hero's Journey structure, and is filled with pathos, great music and scenery, wonderful performances from a stellar cast and a wry very- British sense of humour that still has me chuckling whenever I recount my favourite scenes.

I have a real soft spot for this film and always list it as one of my favourite British movies and force friends to watch my much sought after R2 DVD copy whenever I can. 'Funny Bones' which Chelsom also wrote and directed is a fantastic movie which rarely seems to get a showing on TV despite being one of Jerry Lewis' finest films IMO.
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Brainstorm (1983)
9/10
Bruce Joel Rubin at his very best
18 April 2016
Every time I'm asked to list my top ten favourite movies, I always include 'Brainstorm'. Despite - or maybe because - of its flaws, it still remains one of the most beautiful and thought- provoking ideas I've ever seen committed to the screen, for which we have writer Bruce Joel Rubin to thank.

Chris Walken is perfectly cast as the fiercely intelligent and angelically beautiful Michael, with his close friend the lovely Natalie Wood in this her final role. The chemistry between Walken and Wood is near perfect, and their struggles to understand each other in the wake of their break-up make for some of the most poignant and touching moments of the movie.

I won't spoil the plot, or pretend that the film hasn't dated somewhat, but it really is an incredible story that will leave you thinking for days afterwards about the possibilities created by a machine that can record human memories and emotions.
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5/10
Icky
12 March 2016
The movie, which could have been so sweet, just left me with a bad taste in my mouth and the overriding need to go and take a shower to get the (thankfully off screen) image of an aging Kevin Costner astride his (is she isn't she?) daughter. The fact that Aniston's character can even contemplate sleeping with a man who shagged her mum AND her granny is icky enough, but doing it with possibility that he might be her father still literally hovering in the air made my skin crawl. There's daddy-issues and then there's DADDY-issues apparently. Quite why Reiner decided this was a good subject for a non-black comedy though, I have no idea.

As an addendum,I couldn't help wondering how - if you reversed the sexes - how utterly unacceptable the plot of this would have been. As it was, it escaped with just being creepy.

Mark Ruffalo was adorable though, as always.
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Neither fish nor fowl
11 March 2016
I'm on a Mark Ruffalo kick at the moment. So far I've watched seventeen of his movies, not in sequential order but just as they come up on Netflix, Amazon or any of the other streaming channels. The reason: Mark Ruffalo is pretty awesome in everything he's in. Even in execrable pap like 'View From The Top', his performance shines with authenticity and pathos. I normally like Gwyneth Paltrow too, and she didn't do a terrible job in this, hampered as she was by the god awful script, clunky editing and with the enormous albatross that is Mike Myer's when he's really hamming it up.

I'm not going to say much about the plot (there wasn't one), or the supporting cast (forgettable) or sledgehammer message (live your dreams baby), but I will say that the outtakes over the credits at the end were some of the most tragic, manufactured cobblers I'd ever witnessed. In the words of another reviewer; 'I felt violated'.
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Begin Again (II) (2013)
7/10
Surprisingly lovely
4 March 2016
I was a bit shocked that I liked this movie as much as I did, if I'm honest. I adore Mark Ruffalo in anything, but am not particularly enamored of Keira Knightley, as her performance often comes off as a little 'brattish' and unsympathetic to me. Also, the idea of her as a singer kind of rankled for me, as I felt as if the role could have been given to someone with genuine a musical background rather than an A list star who just happens to be able to sing.

That said, I was bracing myself for hating the 'music' part of the movie, so was pleasantly surprised to discover all of Gretta's songs were wonderfully written, quirky and delicate rather than poppy over-produced crap that would have been incidental to the plot. I adored the idea of music recorded with a background of city sounds, and loved seeing how the 'band' formed so organically and the individual characters of the musicians. That part felt very real for me, and was massively entertaining to watch.

Ruffalo's enthusiastic, weathered Dan was a warm, sweet-hearted lead, who just unfolded like a flower as the movie went on; starting out as a slightly unsympathetic stubborn jerk and ending as a man who'd discovered the joy of life. I loved that the moments of tenderness between him and Gretta never moved into romance, but instead realistically portrayed the very special connection made with someone who helps you grow and change. My heart ached during the scenes when they walked the city at night - sharing Gretta's playlist - because to meet someone like that and share such a special evening is a moment that sometimes only happens once in a lifetime.

Such a touching, joyful film and one most musicians I know would love.
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8/10
One of my top 10 guilty pleasure movies...
11 February 2016
I love this movie. I've seen it maybe four of five times, but this morning I woke up knowing that today I'd just have to watch it again.

There are some movies that just embody the term 'feelgood' and this film is one of them. I love all kinds of movies, from foreign art-house to westerns through to zombie horror flicks and courtroom dramas, but for me there's always a place for films like this that just give you a lift, aren't super-taxing to the intellect, and leave you just a tiny bit wrung out from the tears of empathy and laughs of delight.

I also think this particular 'body swap' has a little more to offer than most, as it's one of those rare beasts: a really positive movie about how to be a decent human being. Jennifer Garner as Jenna is very warm and real, and you grow to genuinely care for her as she stumbles her way through adult life slowly realising that all that glittered wasn't gold after all. It's Mark Ruffalo's Matty that is the real beating heart of the film though. From the first moment he opens his apartment door to the teenage brained Jenna, the distrust and pain he feels around the girl he once loved is palpable. You so badly want him to let his guard down, but at the same time you perfectly understand what's happened here, because scabbed-over betrayal is a universal concept we can all understand.

No great analysis is needed for this movie, just a good rating and a recommendation to watch it whenever you're feeling low :)
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7/10
Enjoyable action movie that doesn't deserve such a crummy overall rating...
7 January 2016
I'll keep this short. I've never played the Hit-man games or seen the other movie. I have absolutely no interest in the idea of a movie spawned from a video game, in my experience that's a fools errand. I can count the number of watchable game/movies I've seen on one hand, and could fill a car boot with the ones I've seen that were execrable cr*p. Thankfully 'Hitman 47' is part of the former group.

It's fun, fast-paced, full of great action sequences, car chases, fights and sh*t getting blown up in public places. It has great locations and some humour. Zachary Quinto is awesome and more than a bit creepy - especially starting out as he does seeming like the romantic hero - and Hannah Ware isn't too dusty either. Rupert Friend however is superbly watchable as 47. Physically beautiful and superbly kickass, he gives the character of 47 a subtle undercurrent of pathos that allows you to actually give a toss, despite his seeming lack of personality. I watched 'Spectre' a few days before I saw this and am amazed at how this, far smaller and less explosive movie managed to succeed in ways that the mighty Bond franchise entirely fell down, number one being the fact that it was entertaining without being insanely misogynistic.

It's no 'Bourne Identity' but it's a fun pacey action movie for when you're in the mood for just such fare. And 7/10 for not throwing in a gratuitous sex scene somewhere, even though we all wanted it :P
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5/10
Just something missing...
12 December 2015
I really wanted to love this movie, as I love Anders Jensen's writing and all his directorial projects, but I felt let down by 'Wilbur'. Despite the great performances, I just couldn't connect with any of the characters. Wilbur's desperate need to end his life just didn't feel real to me, just faintly comedic. And, similarly, Harbour's illness just didn't strike me as the tragedy I felt it should. The editing seemed sloppy and the story rushed, with the effect that the narrative seemed jumpy and confusing.

I couldn't help but wonder whether the film suffered from being very Danish in tone, but being delivered by a British cast. The humour seemed lost on them, just as the sadness seemed unconvincing. A pity as it seemed as if the original script was very interesting.
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Men & Chicken (2015)
10/10
Another ATJ masterpiece of black humour...and insanity
9 July 2015
OK. Admittedly, I'm biased. I'm an enormous fan of Anders Thomas Jensen's movies and pretty much adore everything he's ever made or been even tangentially involved in, but up until now I was very firmly of the belief that 'Blinkende Lygter' was and would always remain my favourite of ATJ's movies. That was until I saw 'Mænd & Høns' and fell completely and traitorously in love.

A perfect balance of black (oh god so so black) humour and pathos, this movie is a testament to ATJ's wonderfully deft touch with both. The characters, surreal and ridiculous as they are, are played with such humanity and conviction, that one cannot help but love them all, every last weird, disgusting one of them. As dual-lead, David Dencik is both loathsome and pathetically lovable as Gabriel. Nicolas Bro is a delight as always as the loquacious over-sharing Joseph, as is an almost unrecognisable Søren Malling as Franz. However, whereas it's normally Nicolaj Lie Haas that takes the comedic football and runs uncontested for the touchline, 'Mænd & Høns' is (definitely) Mads Mikkelsen's movie. As the compulsively masturbating, bombastic Elias, Mikkelsen reaps the lion's share of the comedic lines, delivering them with such incredible timing and bravado you can't help but think he missed his vocation when he opted for a career as leading-man heart-throb over bumbling idiotic funnyman.

I can't say enough good about this film. Watch it as soon as a UK release is available. Talk about it until there is. Petition your local cinemas. Buy 'Mænd & høns' t-shirts and bore your friends. I know I will.
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Trust (1990)
10/10
Still the best of Hartley's movies IMO
6 July 2015
I first saw 'Trust' in 1991 in an outdoor cinema tent at Glastonbury Festival. I came in late, had no idea of the title, the plot, or had a clue who any of the actors were, but from the second I sat down I was in love. The style of it, the characters, the story, but above all the dialogue changed the way I thought about movies forever. Later, when I got interesting in writing for TV and film those ideas continued to shape me. I love deadpan humour, lengthy soliloquies that read like Beckett and I love love LOVE stories about simple people and small lives. They will always be the realest, the deepest felt and the most heartwarming of all.

24 years (and a hell of a lot of movies) later, 'Trust' still remains one of my favourites. I felt genuinely bereft when Adrienne Shelley was murdered, especially since 'Waitress' had also made it into my top twenty. I continue to seek out movies like 'Trust' that stick in my soul and never de-tangle. And I thank God for Hal Hartley every Thanksgiving.
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10/10
Sublime movie
24 March 2015
I saw 'Blinkende Lygter' after watching first 'Adam's Apple's' and then 'The Green Butchers', so effectively in reverse order! The thing that captivates me so much about Jensen's writer/directorial outings is the wonderfully individual black humour he brings to the screen. It took me three movies to realise that he reminds me a great deal of Beat Takeshi, in fact this movie - "Flickering Lights" - reminded me a lot of "Sonatine", my favourite of all Beat's movies. The theme was very similar; a criminal gang run away to live in seclusion in the countryside and come to a better understanding of who they are and what they really want. There's a gentle, subtle affection that bonds the four men together - despite their violent occupation and chaotic lives - and the sense that they all share a common need for family, stability and purpose they together they realise they can provide for each other.

More than anything I thought this was a wonderful film about male friendships and how important it is for men to support each other in their endeavours. And, although Torvild initially goes off selfish and half-cocked in his plans, as the dad of the group he ultimately gets everyone what they need and keeps his family together. Heartwarming and hilarious. One I will re-watch many times.
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Move On (2012)
6/10
Interesting Movie
8 February 2015
I had no idea of the concept of this movie, having just plucked it from the Mads Mikkelsen back catalogue, and I have to say I was pleasantly surprised. I liked the central character, and there was just enough information and pathos (being generated by Mads) to make him both sympathetic and intriguing.

The cinematography was excellent, the pace was brisk but always unpredictable and the car chases were great. I particularly liked the Hungarian section, from the moment Mark hit the deer with his car to the moment he drove his mended car from his kind host's house, I was in heaven. My only real criticism was I would have liked a few more of those human interactions, and perhaps a bit more of a flavour of Mark's past somehow. Nice movie, crisply made, entertaining and a great ending that just left me laughing out loud with wtf appreciation - as a big fan of the existential payoff!
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The Judge (2014)
RDJ was the wrong choice
9 January 2015
Pardon me for saying so, but this had the potential to be a really GREAT movie (as opposed to a just a good movie with Robert Duvall) if they'd just cast someone else in the lead role.

Don't get me wrong, I love RDJ, but I find myself constantly exasperated by his need to play these "serious roles" that would be much better off being given to actors with a little more gravitas. He was wrong in this role, the lightness he brings to his acting kept pulling me out of the story again and again when I should have been committed. It was just...no. Bad choice IMO. I could think of at least 3 other actors who would have worked 100 times better:

Tom Cruise (and I hate that little f**cker) Matthew McConaughey (despite the fact he's a git) Mark Ruffalo (because he is all kinds of awesome)

Any other suggestions?
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Shame (2011)
Sex Tragedy
5 December 2014
I've had this movie on my watch list for a while, being a bit of a Fassbender and a Mulligan fan and had just been waiting for the mood to strike me. I'm not sure exactly what I was expecting, a friend's reaction when I'd asked him if it was any good had been to cover his face and wail at me through his fingers so I knew it wasn't going to be pretty.

Right from the get-go the film reminded me a lot of a Brett Easton-Ellis novel, partly the setting and protagonist - sleek, city bachelor apartment inhabited by chiselled, cold eyed bachelor - but also the deep undercurrent of unease and darkness that seemed to run through it. Brandon is a handsome, successful man who knows just how to talk to women to get what he wants, but something behind his eyes tells of a lack of understanding for any of the people he deals with. He's permanently elsewhere, fixated on something really basic and primal, and missing what for most people is the meaning of life: connection.

When Cissy arrives we at last see a glimmer of a real human being. Brandon cares deeply for his sister, very probably she's the only person he has ever really allowed himself to care about, and yet still feels the need to keep her at arms length. "Why are you always so angry with me?" Cissy asks, and the answer is very simple, because Brandon cares and caring makes him feel vulnerable, something he seem unable to be with anyone else.

A fantastic character study that left me full of questions and of sadness that men that Brandon exist.
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Foodfight! (2012)
Execrable, torturous, c**p
17 June 2012
Words cannot begin to express how awful this movie is. Have you ever seen Lawnmower Man? Remember those CGI scenes in which Jeff Fahey gets it on with the CHI woman? OK, now imagine someone watched that and thought "hey, there's a kids' movie here!! I just have to find some way of slapping a script together, hiring the guys who made these really cool graphics in the early 90s and I'll make literally thousands of dollars!"

It doesn't appeal to kids, or adults, or even the blind apparently (a blind guy walked out halfway through saying it stunk). I'm not sure who's left.
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Killer Elite (2011)
Hilarious accents, hackneyed dialogue, plus a BZUH?? plot point...
19 November 2011
Warning: Spoilers
If you're in the mood for an action movie and are a big fan of the whole 'Transporter' oeuvre, don't be fooled into thinking this movie is ANYTHING LIKE THAT.

This is a very very bad movie. And believe me when I say I'm no harsh critic, I'll watch anything. I love Jason Statham's other knuckle-headed movies, I like explosions and car chases and insane high-speed fights that make you go "ooooooooooo" from between your teeth. Sadly 'Killer Elite' does not have enough of these things to lift it out of the mire of execrable dialogue, horrible editing and the hackneyed, cliché plot it's been saddled with.

My first (and ongoing) problem was the casting of Dominic Purcell (an American) as Davies, an ex-Services Cockney who spent some of the movie apparently pretending to be a Welshman (although there was no way to discern which accent was which). All I can imagine is that someone gave Purcell a load of old Ealing comedies as research material, because the resulting accent was god awful, and frankly so ridiculous it transformed his (clearly supposed to be) larger-than-life character into a complete parody. At best he was distracting, but at worst he was like Olly Reed on crack.

Next we had Clive Owen (aka Spike Logan the improbably named nemesis). With a glass eye. And a weaselly bum-fluff moustache. The glass eye I could have excused, except that for some strange reason it was grey and a bit like a cat's eye, and no-one bothered to explain why that was. The moustache was just silly. I like to think Owens was just having a laugh and grew it to demonstrate that, because otherwise I can't imagine the reasoning behind it. It's the 80s not the 70s, no-one had a moustache unless they were your dad's mate Bernard who he always warned you about accepting lifts from.

Third on my lists of wtfs, comes the addition of Yvonne Strahovski's character; the winsome blond Australian girl (oh wait she's Polish/American isn't she?) who Danny remembers from his childhood. After he's quit the game and reconnects with his roots, there she is, with her beautiful face and lovely smile and delicate features and suddenly he feels all warm inside and wants to stop shooting brown people in the face for money forever.

My problem with this particular plot-point is WHO GIVES A FLYING CR*P? This is an *action movie* about professional assassins. There is no place for a protagonist who periodically stares into the middle distance thinking about rolling in puppies and flowers with a wholesome blond girl who he longs to marry and settle down with. No place. Not only does the whole subplot with her feel tacked on, it also feels a little insulting; as if women need something like this to keep them engaged and help them connect. We don't. We like the explosions and the car chases just like you do. If we'd wanted action + schmoopy romance we would have rented 'Date Night'.

There is so much bad, chain-linked to bad in this movie it's hard to list it all in a short review, but I'll just summarise with a few of the questions that were left unanswered for me when the credits rolled:

1) What kind of accent was Aden Young attempting? He may have been German, he certainly looked German with the tiny glasses and Kraftwerk moustache.

2) Why would a trained assassin (DeNiro as Hunter) trying to escape a compound secretively, shoot a man in the head with an un-silenced gun and alert every guard in the place to his whereabouts?

3) Why, when you are using a map as a visual explanation of a route covering roughly 2 square miles, would you use an ordnance survey map of the whole of south east England?

4) Why would an black guy in a position of power wear a tiny black trilby hat that makes him look like a Yardie? And finally

5) If you shoot someone in the leg and then plan on telling everyone he's dead, you might want to be sure he isn't someone famous or likely to become terribly famous and have two famous sons and everything.

I have no understanding or explanation for the other stellar reviews of this movie. Maybe all these people were stoned. It is a terrible film with an awful, sprawling, messy plot that finally makes little sense and not enough action sequences to make up for the horrible dialogue, hammy performances. Plus it has a stupid stupid ending involving RANULPH FIENNES. Yes, the *real* Ranulph Fiennes, who - to my knowledge - has never been shot in the leg by a mercenary who had been hired by a dying sheikh to avenge the deaths at the hands of SAS soldiers of his three sons.
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2/10
White Turd
10 May 2011
Nope. Even the adorable and charismatic Nathan Fillion couldn't save this clunker. I mean, don't get me wrong, it had its moments, but no matter how good the opening of a movie is, how subtle the acting and how intriguing the premise, nothing can save a film that is this determined to disappear up its own a$$.

Particularly squirmsome moments included the eminently wooden Craig Fairbrass coming to his grand conclusion re: the devil, Katee Sackoff coming to that all-so-bizarre conclusion *all by herself* and - wow - just accepting it? Really? And that oh-so-convenient news stand with the usefully clear front page picture of the recently murdered woman. Darn that was useful, and just as he was thinking about her.

Lazy lazy scriptwriting, woeful conclusions, hammy supporting performances. Nathan, I hope you have a better agent now.
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