Baby Driver is the newest film by director Edgar Wright, who is famous for making some of the arguably best British comedies of all time with the Three Flavours of Cornetto Trilogy. After a four-year break from directing following the conclusion to the trilogy in the World's End, Wright resurfaces with 'Baby Driver', a worthy addition to his filmography.
The film follows the story of 'Baby', a young man who works as a getaway driver for a mob boss to whom he owes a debt. Music is a huge part of Baby's life and this is used as a central plot point: a lot of the time the music he listens to is used as the soundtrack and the scenes are filmed accordingly. This is a very ambitious and arguably unique concept which Wright pulls off well and which helps to keep the film moving throughout.
Wright went with a cast of mostly small-scale actors but with the addition of the two stars Kevin Spacey and Jamie Foxx. This combination works very well and all of them, especially Ansel Elgort (Baby), deliver very convincing performances.
There is a good blend of tension and humour in the film and coupled with Wright's unique and captivating cinematography it makes the film a very fun but at the same time engaging ride. Both the scripting and the pacing are good and the film does not get particularly boring at any point. However, the thing that undoubtedly stands out the most is the soundtrack. Wright uses a kaleidoscope of different genres yet all the songs seem to blend together seamlessly. From Egyptian reggae to Queen, from Hans Zimmer to Simon & Garfunkel, each song has its place and fits perfectly into its respective scene. Baby's dancing performances, especially in the brilliant one-take shot at the beginning, only manage to add to the already great atmosphere created by the soundtrack.
Overall, Baby Driver is one of Edgar Wright's best films to date and through a combination of great cinematography, good acting, humour and a unique, well applied soundtrack, it is most certainly a film worth seeing.
The film follows the story of 'Baby', a young man who works as a getaway driver for a mob boss to whom he owes a debt. Music is a huge part of Baby's life and this is used as a central plot point: a lot of the time the music he listens to is used as the soundtrack and the scenes are filmed accordingly. This is a very ambitious and arguably unique concept which Wright pulls off well and which helps to keep the film moving throughout.
Wright went with a cast of mostly small-scale actors but with the addition of the two stars Kevin Spacey and Jamie Foxx. This combination works very well and all of them, especially Ansel Elgort (Baby), deliver very convincing performances.
There is a good blend of tension and humour in the film and coupled with Wright's unique and captivating cinematography it makes the film a very fun but at the same time engaging ride. Both the scripting and the pacing are good and the film does not get particularly boring at any point. However, the thing that undoubtedly stands out the most is the soundtrack. Wright uses a kaleidoscope of different genres yet all the songs seem to blend together seamlessly. From Egyptian reggae to Queen, from Hans Zimmer to Simon & Garfunkel, each song has its place and fits perfectly into its respective scene. Baby's dancing performances, especially in the brilliant one-take shot at the beginning, only manage to add to the already great atmosphere created by the soundtrack.
Overall, Baby Driver is one of Edgar Wright's best films to date and through a combination of great cinematography, good acting, humour and a unique, well applied soundtrack, it is most certainly a film worth seeing.
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