There are a lot of "Frankenstein" movies. There's even one in theaters right now: "Lisa Frankenstein," a fun 80s-set horror-comedy-romance brew (read /Film's review here).
One could even say the story of "Frankenstein" birthed the horror genre as we know it today, both in literature (thanks to Mary Shelley's "Modern Prometheus") and in film. James Whale's 1931 "Frankenstein," arriving on the heels of "Dracula," cemented the age of Universal Horror and proved that monsters could be crowd-pleasers.
Countless sequels and remakes later, everyone knows the basics of the story. Dr. Frankenstein (first name usually Victor) sets out to create life in a reanimated corpse. The result is a Creature, unpleasant to the eye, and soon Frankenstein experiences the wrath of his Monster. Was Frankenstein's Monster born destructive or made that way by his creator rejecting him? Interpretations differ, but the message endures: don't play God (or become a parent...
One could even say the story of "Frankenstein" birthed the horror genre as we know it today, both in literature (thanks to Mary Shelley's "Modern Prometheus") and in film. James Whale's 1931 "Frankenstein," arriving on the heels of "Dracula," cemented the age of Universal Horror and proved that monsters could be crowd-pleasers.
Countless sequels and remakes later, everyone knows the basics of the story. Dr. Frankenstein (first name usually Victor) sets out to create life in a reanimated corpse. The result is a Creature, unpleasant to the eye, and soon Frankenstein experiences the wrath of his Monster. Was Frankenstein's Monster born destructive or made that way by his creator rejecting him? Interpretations differ, but the message endures: don't play God (or become a parent...
- 2/18/2024
- by Devin Meenan
- Slash Film
Boris Karloff: The Man Behind The Monster director Thomas Hamilton on his upcoming series Horror Icons on interviewing Roger Corman: “He not only worked with Vincent Price, he worked with Peter Lorre, Basil Rathbone, Lon Chaney.” Photo: Thomas Hamilton
Vincent Price, Peter Lorre, Basil Rathbone, Conrad Veidt, Maria Ouspenskaya, George Zukor, Paul Wegener, Emil Jannings, Brigitte Helm, Gale Sondergaard, Gloria Holden, Claude Rains, Fay Wray, Duane Jones, Max Schreck, Boris Karloff, Colin Clive, Lon Chaney Sr., Lon Chaney Jr, Fw Murnau’s Faust and Nosferatu, Arthur Lubin’s Phantom of the Opera, Rowland V. Lee’s Son of Frankenstein, George Waggner’s The Wolf Man, James Whale’s The Invisible Man, Lambert Hillyer’s Dracula’s Daughter, Robert Wiene’s The Cabinet of Dr. Caligari, Paul Wegener and Henrik Galeen’s The Golem, Hanns Heinz Ewers and Stellan Rye’s The Student Of Prague, and George Romero’s Night Of The Living Dead...
Vincent Price, Peter Lorre, Basil Rathbone, Conrad Veidt, Maria Ouspenskaya, George Zukor, Paul Wegener, Emil Jannings, Brigitte Helm, Gale Sondergaard, Gloria Holden, Claude Rains, Fay Wray, Duane Jones, Max Schreck, Boris Karloff, Colin Clive, Lon Chaney Sr., Lon Chaney Jr, Fw Murnau’s Faust and Nosferatu, Arthur Lubin’s Phantom of the Opera, Rowland V. Lee’s Son of Frankenstein, George Waggner’s The Wolf Man, James Whale’s The Invisible Man, Lambert Hillyer’s Dracula’s Daughter, Robert Wiene’s The Cabinet of Dr. Caligari, Paul Wegener and Henrik Galeen’s The Golem, Hanns Heinz Ewers and Stellan Rye’s The Student Of Prague, and George Romero’s Night Of The Living Dead...
- 4/1/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Robert Donat snagged an Oscar for this sentimental crowdpleaser, a Best Picture nominee in Hollywood’s ‘Golden Year’ of 1939. The genteel chemistry between Donat’s shy schoolteacher and the charming personality Greer Garson broke hearts, and made Ms. Garson one of MGM’s top names for the next decade. It’s one of the studio’s English productions, filmed in the shadow of the coming war. A glowing new digital restoration redeems 70 years of not-so-good TV prints.
Goodbye, Mr. Chips
Blu-ray
Warner Archive Collection
1939 / B&w / 1:37 Academy / 115 min. / Street Date January 24, 2023 / Available at Amazon.com/ 21.99
Starring: Robert Donat, Greer Garson, Terry Kilburn, John Mills, Paul Henreid, Judith Furse.
Cinematography: Freddie Young
Art Director: Alfred Junge
Film Editor: Charles Frend
Original Music: Richard Addinsell
Written by R.C. Sherriff, Claudine West, Eric Maschwitz from the novel by James Hilton
Produced by Victor Saville
Directed by Sam Wood
No, it’s not about the terrible Chips Ahoy!
Goodbye, Mr. Chips
Blu-ray
Warner Archive Collection
1939 / B&w / 1:37 Academy / 115 min. / Street Date January 24, 2023 / Available at Amazon.com/ 21.99
Starring: Robert Donat, Greer Garson, Terry Kilburn, John Mills, Paul Henreid, Judith Furse.
Cinematography: Freddie Young
Art Director: Alfred Junge
Film Editor: Charles Frend
Original Music: Richard Addinsell
Written by R.C. Sherriff, Claudine West, Eric Maschwitz from the novel by James Hilton
Produced by Victor Saville
Directed by Sam Wood
No, it’s not about the terrible Chips Ahoy!
- 2/11/2023
- by Glenn Erickson
- Trailers from Hell
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By Hank Reineke
Just following Christmas of 1940, Box Office reported Paramount’s new thriller The Mad Doctor would hit cinemas on Valentine’s Day of 1941. The actual sneak-preview – and accompanying publicity push - of the film would take place ten days prior, February 4, at Los Angeles’s Paramount Theater. Then, on Saturday night, February 6, the studio would pull out all the stops, offering a proper premiere for their “blood-chilling drama.” The studio would celebrate the double-bill of The Mad Doctor and The Monster and the Girl as central to a “Spook Week” celebration. Saturday’s “hair-raising” program would not only feature the films but also a magician and Andy Kirk and his Harlem Orchestra… the latter performing their swinging “Spooks and Boogie Woogie” stage show.
The general release of The Mad Doctor, more fittingly described a “drama” than a horror film in industry trades,...
By Hank Reineke
Just following Christmas of 1940, Box Office reported Paramount’s new thriller The Mad Doctor would hit cinemas on Valentine’s Day of 1941. The actual sneak-preview – and accompanying publicity push - of the film would take place ten days prior, February 4, at Los Angeles’s Paramount Theater. Then, on Saturday night, February 6, the studio would pull out all the stops, offering a proper premiere for their “blood-chilling drama.” The studio would celebrate the double-bill of The Mad Doctor and The Monster and the Girl as central to a “Spook Week” celebration. Saturday’s “hair-raising” program would not only feature the films but also a magician and Andy Kirk and his Harlem Orchestra… the latter performing their swinging “Spooks and Boogie Woogie” stage show.
The general release of The Mad Doctor, more fittingly described a “drama” than a horror film in industry trades,...
- 4/12/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
The stars of the excellent new comedy doc Joy Ride discuss some of their favorite two handers with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
The Graduate (1967) – Neil Labute’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Cocoon (1985)
Mission: Impossible III (2006)
Santa Claus Conquers The Martians (1964)
Police Academy 3: Back In Training (1986)
Crooklyn (1994)
Call Me Lucky (2015)
Shakes The Clown (1991)
A History Of Violence (2005)
You Only Live Twice (1967)
Artists And Models (1955) – Tfh’s global trailer search
Joy Ride (2021)
Joy Ride (2001)
Stay (2005)
Sleeping Dogs Lie (2006)
Capturing The Friedmans (2003)
Bela Lugosi Meets A Brooklyn Gorilla (1952) – Joe Dante’s trailer commentary, Charlie Largent’s review
Sleepless In Seattle (1993)
The Producers (1967) – Charlie Largent’s Blu-ray review
My Friend Irma Goes West (1950)
Delicate Delinquent (1957)
Keyholes Are For Peeping (1972)
The Brain That Wouldn’t Die (1962) – John Landis’s trailer commentary
Abbott And Costello Meet Frankenstein (1948) – John Landis’s trailer commentary, Charlie...
Show Notes: Movies Referenced In This Episode
The Graduate (1967) – Neil Labute’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Cocoon (1985)
Mission: Impossible III (2006)
Santa Claus Conquers The Martians (1964)
Police Academy 3: Back In Training (1986)
Crooklyn (1994)
Call Me Lucky (2015)
Shakes The Clown (1991)
A History Of Violence (2005)
You Only Live Twice (1967)
Artists And Models (1955) – Tfh’s global trailer search
Joy Ride (2021)
Joy Ride (2001)
Stay (2005)
Sleeping Dogs Lie (2006)
Capturing The Friedmans (2003)
Bela Lugosi Meets A Brooklyn Gorilla (1952) – Joe Dante’s trailer commentary, Charlie Largent’s review
Sleepless In Seattle (1993)
The Producers (1967) – Charlie Largent’s Blu-ray review
My Friend Irma Goes West (1950)
Delicate Delinquent (1957)
Keyholes Are For Peeping (1972)
The Brain That Wouldn’t Die (1962) – John Landis’s trailer commentary
Abbott And Costello Meet Frankenstein (1948) – John Landis’s trailer commentary, Charlie...
- 10/26/2021
- by Kris Millsap
- Trailers from Hell
Our Halloween episode! The legendary actor and star of Shudder’s The Mortuary Collection talks about his favorite horror movies from his childhood.
Show Notes: Movies Referenced In This Episode
The Mortuary Collection (2020), now streaming on Shudder!
Nightmare Cinema (2019)
We Come In Pieces: The Rebirth of the Horror Anthology Film (2014)
Bad Boys (1983)
Gentle Giant (1967)
Gone In 60 Seconds (1974)
The Green Slime (1969)
Battle Royale (2000)
The Shawshank Redemption (1994)
Tarzan’s Three Challenges (1963)
The Professionals (1966)
Dracula, Prince of Darkness (1966)
Ultraman (1967)
Batman (1966)
The Curse of Frankenstein (1957)
Horror of Dracula (1958)
The Brides of Dracula (1960)
Psycho (1960)
Jack The Ripper (1959)
Dracula A.D. 1972 (1972)
The Satanic Rites of Dracula (1973)
Bram Stoker’s Dracula (1974)
Count Dracula (1977)
Son of Dracula (1943)
Bram Stoker’s Dracula (1992)
The Haunting (1963)
The Haunting (1999)
The Others (2001)
The Babysitter Murders (2015)
Halloween (1978)
Frankenstein (1931)
King Kong (1933)
Scanners (1981)
Wisconsin Death Trip (1999)
Bride of Frankenstein (1935)
The Bride (1985)
Young Frankenstein (1974)
The Love Bug (1968)
Son of Frankenstein (1939)
Son of Kong (1933)
The Road Back (1937)
Crimson Peak...
Show Notes: Movies Referenced In This Episode
The Mortuary Collection (2020), now streaming on Shudder!
Nightmare Cinema (2019)
We Come In Pieces: The Rebirth of the Horror Anthology Film (2014)
Bad Boys (1983)
Gentle Giant (1967)
Gone In 60 Seconds (1974)
The Green Slime (1969)
Battle Royale (2000)
The Shawshank Redemption (1994)
Tarzan’s Three Challenges (1963)
The Professionals (1966)
Dracula, Prince of Darkness (1966)
Ultraman (1967)
Batman (1966)
The Curse of Frankenstein (1957)
Horror of Dracula (1958)
The Brides of Dracula (1960)
Psycho (1960)
Jack The Ripper (1959)
Dracula A.D. 1972 (1972)
The Satanic Rites of Dracula (1973)
Bram Stoker’s Dracula (1974)
Count Dracula (1977)
Son of Dracula (1943)
Bram Stoker’s Dracula (1992)
The Haunting (1963)
The Haunting (1999)
The Others (2001)
The Babysitter Murders (2015)
Halloween (1978)
Frankenstein (1931)
King Kong (1933)
Scanners (1981)
Wisconsin Death Trip (1999)
Bride of Frankenstein (1935)
The Bride (1985)
Young Frankenstein (1974)
The Love Bug (1968)
Son of Frankenstein (1939)
Son of Kong (1933)
The Road Back (1937)
Crimson Peak...
- 10/27/2020
- by Kris Millsap
- Trailers from Hell
The coronavirus pandemic is still going on, and shutdowns are being lifted oh so gently. That generally means two things: go outside with a mask on while strafing away from passersby on the sidewalk, or stay in and watch stuff. Luckily, The Criterion Channel has announced its June 2020 lineup, which is full of things old and new.
June sees the streaming premiere of Bertrand Bonello’s fantasy-horror, Zombi Child, which originally premiered in the Director’s Fortnight section of the 2019 Cannes Film Festival. The month also brings us the Channel’s addition of Gus Van Sant’s My Own Private Idaho, which comes with deleted scenes, a making-of documentary, and more. Meanwhile, they will also flesh out the service’s Chantal Akerman selection, adding features such as One Day Pina Asked…, Golden Eighties, and her penultimate feature, Almayer’s Folly. On the other side of the coin comes Jamie Babbit...
June sees the streaming premiere of Bertrand Bonello’s fantasy-horror, Zombi Child, which originally premiered in the Director’s Fortnight section of the 2019 Cannes Film Festival. The month also brings us the Channel’s addition of Gus Van Sant’s My Own Private Idaho, which comes with deleted scenes, a making-of documentary, and more. Meanwhile, they will also flesh out the service’s Chantal Akerman selection, adding features such as One Day Pina Asked…, Golden Eighties, and her penultimate feature, Almayer’s Folly. On the other side of the coin comes Jamie Babbit...
- 5/20/2020
- by Matt Cipolla
- The Film Stage
Above: Title lobby card for 3 Bad Men.The Museum of Modern Art in New York is in the middle of the second part of their essential series of films made by the Fox Film Corporation between 1920 and 1933. Born in Hungary in 1879 but raised in New York, William Fox (born Wilhelm Fuchs) bought his first Nickelodeon in 1904 and spent ten years as an exhibitor and distributor before setting up the Fox Film Corporation production company in 1915 in Fort Lee, New Jersey. The studio eventually moved to Hollywood and for twenty years—before merging with Twentieth Century Pictures to form 20th Century Fox in 1935—was, as MoMA says, “home to the most dazzling lineup of directorial talent in the studio era. As silent film transitioned into sound, Fox’s roster of directors included Frank Borzage, Allan Dwan, John Ford, Howard Hawks, William K. Howard, Henry King, William Cameron Menzies, F. W. Murnau,...
- 3/8/2019
- MUBI
By Hank Reineke
Though Vincent Price would eventually garner a well-deserved reputation as Hollywood’s preeminent bogeyman, it was only really with André De Toth’s House of Wax (1953) that the actor would become associated with all things sinister. In some sense the playful, nervously elegant Price was an odd successor to the horror film-maestro throne: he was a somewhat aristocratic psychotic who shared neither Boris Karloff’s cold and malevolent scowl nor Bela Lugosi’s distinctly unhinged madness or old-world exoticism.
His early film career started in a less pigeonholed manner: as a budding movie actor with a seven year contract for Universal Studios in the 1940s, the tall, elegant Price would appear in a number of semi-distinguished if modestly-budgeted romantic comedies and dramas. His contract with Universal was apparently non-exclusive, and his most memorable roles for the studio were his earliest. In a harbinger of things to come,...
Though Vincent Price would eventually garner a well-deserved reputation as Hollywood’s preeminent bogeyman, it was only really with André De Toth’s House of Wax (1953) that the actor would become associated with all things sinister. In some sense the playful, nervously elegant Price was an odd successor to the horror film-maestro throne: he was a somewhat aristocratic psychotic who shared neither Boris Karloff’s cold and malevolent scowl nor Bela Lugosi’s distinctly unhinged madness or old-world exoticism.
His early film career started in a less pigeonholed manner: as a budding movie actor with a seven year contract for Universal Studios in the 1940s, the tall, elegant Price would appear in a number of semi-distinguished if modestly-budgeted romantic comedies and dramas. His contract with Universal was apparently non-exclusive, and his most memorable roles for the studio were his earliest. In a harbinger of things to come,...
- 1/30/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Nitrate film fell out of widespread use due to the how flammable it is, but anyone who’s seen an actual nitrate print knows that its quality is impossible to fully reproduce. Enthusiasts of the long-gone format were excited over the weekend by the discovery of the original uncut trailer for 1939’s “Son of Frankenstein,” not least because it’s said to be taken from alternate takes and deleted scenes. Watch it below.
Read More: Universal Monsters Cinematic Universe Wants Javier Bardem as Frankenstein
Rowland V. Lee directed the film, the third entry in the “Frankenstein” mythos produced by Universal. Basil Rathbone, Boris Karloff and Béla Lugosi star in the picture, with narrator Charles Frederick Lindsley singing their praises throughout the two-and-a-half minute trailer: there’s Karloff “rising from the past to spread new terror,” for instance, while Lugosi is “sinister, mysterious, evil.”
Read More: Can You Answer These 10 ‘Frankenstein’ Questions?...
Read More: Universal Monsters Cinematic Universe Wants Javier Bardem as Frankenstein
Rowland V. Lee directed the film, the third entry in the “Frankenstein” mythos produced by Universal. Basil Rathbone, Boris Karloff and Béla Lugosi star in the picture, with narrator Charles Frederick Lindsley singing their praises throughout the two-and-a-half minute trailer: there’s Karloff “rising from the past to spread new terror,” for instance, while Lugosi is “sinister, mysterious, evil.”
Read More: Can You Answer These 10 ‘Frankenstein’ Questions?...
- 10/24/2016
- by Michael Nordine
- Indiewire
Wang Bing, Adam Wong, Pema Tseden and Lav Diaz (pictured) among directors with projects in line-up.Scoll down for full line-up
The 14th Hong Kong-Asia Film Financing Forum (Haf) (March 14-16) has revealed its full line-up of 31 projects, including new works from renowned filmmakers such as Wang Bing, Pema Tseden and Lav Diaz as well as from new talents.
Hong Kong is well-represented with five projects, including The Way We Dance director Adam Wong’s new project Trains In The Night; 2012 Hong Kong Film Awards best new director Jessey Tsang’s erotic feature The Lady Improper; and Dot 2 Dot director Amos Why’s adaptation of award-winning suspense novel Napping Kid.
Other Chinese-language projects from Taiwan and China include Taiwan actress Rene Liu’s directorial debut Lieutenant Yi, which will be produced by her regular collaborator Sylvia Chang; new director Huang Zi’s From Black And White To Shades Of Grey, produced by Monga...
The 14th Hong Kong-Asia Film Financing Forum (Haf) (March 14-16) has revealed its full line-up of 31 projects, including new works from renowned filmmakers such as Wang Bing, Pema Tseden and Lav Diaz as well as from new talents.
Hong Kong is well-represented with five projects, including The Way We Dance director Adam Wong’s new project Trains In The Night; 2012 Hong Kong Film Awards best new director Jessey Tsang’s erotic feature The Lady Improper; and Dot 2 Dot director Amos Why’s adaptation of award-winning suspense novel Napping Kid.
Other Chinese-language projects from Taiwan and China include Taiwan actress Rene Liu’s directorial debut Lieutenant Yi, which will be produced by her regular collaborator Sylvia Chang; new director Huang Zi’s From Black And White To Shades Of Grey, produced by Monga...
- 1/18/2016
- ScreenDaily
How would you program this year's newest, most interesting films into double features with movies of the past you saw in 2015?Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2015—in theatres or at a festival—and creatively pair it with an old film they also saw in 2015 to create a unique double feature.All the contributors were given the option to write some text explaining their 2015 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
- 1/4/2016
- by Notebook
- MUBI
Constance Cummings: Actress in minor Hollywood movies became major London stage star. Constance Cummings: Actress went from Harold Lloyd and Frank Capra to Noël Coward and Eugene O'Neill Actress Constance Cummings, whose career spanned more than six decades on stage, in films, and on television in both the U.S. and the U.K., died ten years ago on Nov. 23. Unlike other Broadway imports such as Ann Harding, Katharine Hepburn, Miriam Hopkins, and Claudette Colbert, the pretty, elegant Cummings – who could have been turned into a less edgy Constance Bennett had she landed at Rko or Paramount instead of Columbia – never became a Hollywood star. In fact, her most acclaimed work, whether in films or – more frequently – on stage, was almost invariably found in British productions. That's most likely why the name Constance Cummings – despite the DVD availability of several of her best-received performances – is all but forgotten.
- 11/4/2015
- by Andre Soares
- Alt Film Guide
Starting off this morning's round-up is Frankenstein Day of the Beast release details for the U.S. and Canada. Also: a new variant for The Walking Dead #1, Kids of Horror photo gallery, Son of Frankenstein screening details, and photos from the 8 Films to Die For premiere.
Frankenstein Day of the Beast: Press Release: "Sgl Entertainment is pleased to announce that they just have signed a 6 picture movie deal with the Legendary Horror Filmmaker Ricardo Islas. As part of the Deal, the first release of many will be Frankenstein Day Of The Beast to be Unleashed on Blu-ray, DVD and VOD in the U.S. and Canada. The award-winning film had previously been released in Germany and Japan but will now be Available in North America via Sgl Entertainment along with their partners Mvd and Indie Rights.
In a foggy winter morning, a raft brings a priest to an isolated island.
Frankenstein Day of the Beast: Press Release: "Sgl Entertainment is pleased to announce that they just have signed a 6 picture movie deal with the Legendary Horror Filmmaker Ricardo Islas. As part of the Deal, the first release of many will be Frankenstein Day Of The Beast to be Unleashed on Blu-ray, DVD and VOD in the U.S. and Canada. The award-winning film had previously been released in Germany and Japan but will now be Available in North America via Sgl Entertainment along with their partners Mvd and Indie Rights.
In a foggy winter morning, a raft brings a priest to an isolated island.
- 10/22/2015
- by Tamika Jones
- DailyDead
Above: Us three-sheet poster for The Private Life of Henry VIII (Alexander Korda, UK, 1933).
The great Charles Laughton may not have been the prettiest of movie stars, but he had a presence that many matinee idols would have killed for (as the current retrospective running at Film Forum will attest). In an era in which glamor was everything, studio marketers may have struggled with how to present Laughton’s unconventional looks and his larger-than-life portrayals of larger-than-life characters (so many monsters, murderers, tyrants, or simply overbearing fathers) to the public. In most of the posters for his most famous film, The Hunchback of Notre Dame (1939), he is all but a silhouette, a spoiler alert to his monstrous transformation as Quasimodo. And in some posters for The Private Life of Henry VIII (1933), the film for which he won his first Oscar, Henry is made to look more like the Hans Holbein...
The great Charles Laughton may not have been the prettiest of movie stars, but he had a presence that many matinee idols would have killed for (as the current retrospective running at Film Forum will attest). In an era in which glamor was everything, studio marketers may have struggled with how to present Laughton’s unconventional looks and his larger-than-life portrayals of larger-than-life characters (so many monsters, murderers, tyrants, or simply overbearing fathers) to the public. In most of the posters for his most famous film, The Hunchback of Notre Dame (1939), he is all but a silhouette, a spoiler alert to his monstrous transformation as Quasimodo. And in some posters for The Private Life of Henry VIII (1933), the film for which he won his first Oscar, Henry is made to look more like the Hans Holbein...
- 2/21/2015
- by Adrian Curry
- MUBI
Don Kaye Jan 13, 2020
Universal's Son of Frankenstein capped off the first great movie trilogy after the first two great James Whale movies.
On Jan. 13, 1939, Universal Pictures released Son of Frankenstein, the follow-up to 1931’s Frankenstein and 1935’s Bride of Frankenstein. Bride itself was an unprecedented event: the first major sequel to a horror film, it not only continued the story established in the first movie but expanded upon it with more characters and an even richer storyline. Sequels were considered for a long time by studios as quick cash grabs, usually done on the cheap and often lacking the qualities that made the original film a success. The idea of a sequel continuing the story, with the same kind of production values, storytelling, and craft, was almost unheard of when director James Whale made Bride; a third film created with the same care hardly seemed possible.
And yet Son of Frankenstein...
Universal's Son of Frankenstein capped off the first great movie trilogy after the first two great James Whale movies.
On Jan. 13, 1939, Universal Pictures released Son of Frankenstein, the follow-up to 1931’s Frankenstein and 1935’s Bride of Frankenstein. Bride itself was an unprecedented event: the first major sequel to a horror film, it not only continued the story established in the first movie but expanded upon it with more characters and an even richer storyline. Sequels were considered for a long time by studios as quick cash grabs, usually done on the cheap and often lacking the qualities that made the original film a success. The idea of a sequel continuing the story, with the same kind of production values, storytelling, and craft, was almost unheard of when director James Whale made Bride; a third film created with the same care hardly seemed possible.
And yet Son of Frankenstein...
- 1/13/2015
- Den of Geek
Loretta Young films as TCM celebrates her 102nd birthday (photo: Loretta Young ca. 1935) Loretta Young would have turned 102 years old today. Turner Classic Movies is celebrating the birthday of the Salt Lake City-born, Academy Award-winning actress today, January 6, 2015, with no less than ten Loretta Young films, most of them released by Warner Bros. in the early '30s. Young, who began her film career in a bit part in the 1927 Colleen Moore star vehicle Her Wild Oat, remained a Warners contract player from the late '20s up until 1933. (See also: "Loretta Young Movies.") Now, ten Loretta Young films on one day may sound like a lot, but one should remember that most Warner Bros. -- in fact, most Hollywood -- releases of the late '20s and early '30s were either B Movies or programmers. The latter were relatively short (usually 60 to 75 minutes) feature films starring A (or B+) performers,...
- 1/6/2015
- by Andre Soares
- Alt Film Guide
Veterans Day movies on TCM: From 'The Sullivans' to 'Patton' (photo: George C. Scott in 'Patton') This evening, Turner Classic Movies is presenting five war or war-related films in celebration of Veterans Day. For those outside the United States, Veterans Day is not to be confused with Memorial Day, which takes place in late May. (Scroll down to check out TCM's Veterans Day movie schedule.) It's good to be aware that in the last century alone, the U.S. has been involved in more than a dozen armed conflicts, from World War I to the invasion of Iraq, not including direct or indirect military interventions in countries as disparate as Iran, Guatemala, and Chile. As to be expected in a society that reveres people in uniform, American war movies have almost invariably glorified American soldiers even in those rare instances when they have dared to criticize the military establishment.
- 11/12/2014
- by Andre Soares
- Alt Film Guide
Joan Lorring, 1945 Best Supporting Actress Oscar nominee, dead at 88: One of the earliest surviving Academy Award nominees in the acting categories, Lorring was best known for holding her own against Bette Davis in ‘The Corn Is Green’ (photo: Joan Lorring in ‘Three Strangers’) Best Supporting Actress Academy Award nominee Joan Lorring, who stole the 1945 film version of The Corn Is Green from none other than Warner Bros. reigning queen Bette Davis, died Friday, May 30, 2014, in the New York City suburb of Sleepy Hollow. So far, online obits haven’t mentioned the cause of death. Lorring, one of the earliest surviving Oscar nominees in the acting categories, was 88. Directed by Irving Rapper, who had also handled one of Bette Davis’ biggest hits, the 1942 sudsy soap opera Now, Voyager, Warners’ The Corn Is Green was a decent if uninspired film version of Emlyn Williams’ semi-autobiographical 1938 hit play about an English schoolteacher,...
- 6/1/2014
- by Andre Soares
- Alt Film Guide
The New Beverly Cinema in Los Angeles is presenting a double feature of Son of Frankenstein (1939) and House of Frankenstein (1944) this coming Sunday and Monday.
Son of Frankenstein was directed by Rowland V. Lee and stars Basil Rathbone, Boris Karloff, Béla Lugosi, Lionel Atwill, Josephine Hutchinson, and Donnie Dunagan. Projected on 35mm film.
House of Frankenstein was directed by Erle C. Kenton and stars Boris Karloff, Lon Chaney Jr., John Carradine, J. … Continue reading →
Horrornews.net...
Son of Frankenstein was directed by Rowland V. Lee and stars Basil Rathbone, Boris Karloff, Béla Lugosi, Lionel Atwill, Josephine Hutchinson, and Donnie Dunagan. Projected on 35mm film.
House of Frankenstein was directed by Erle C. Kenton and stars Boris Karloff, Lon Chaney Jr., John Carradine, J. … Continue reading →
Horrornews.net...
- 1/17/2014
- by Jonathan Stryker
- Horror News
Dutch Colonialism and its long-lasting consequences are the topics of the documentary ’Empire’ at the Redcat (photo: ’Empire: The Unintended Consequences of Dutch Colonialism’) Mixing personal narratives, investigative journalism, video art, and split/multiple screens, Eline Jongsma and Kel O’Neill’s transmedia documentary Empire: The Unintended Consequences of Dutch Colonialism — the lengthy title gives you a pretty good idea of what the film is about — will have its West Coast Premiere on Monday, November 11, 2013, at 8:30 p.m. at downtown Los Angeles’ Redcat. Both Eline Jongsma and Kel O’Neill are expected to attend the screening. Previously shown at the 2013 New York Film Festival, Empire: The Unintended Consequences of Dutch Colonialism was filmed in more than half a dozen countries over the course of three years. According to the Redcat press release, the Dutch-American filmmakers (Jongsma is Dutch; O’Neill is American) "traveled 140,000 kilometers through Asia, Africa, Oceania and...
- 10/15/2013
- by Andre Soares
- Alt Film Guide
The 2013 TCM Classic Film Festival continues to expand, with newly added appearances by legendary stars at screenings of some of their most memorable films, including Mel Brooks, Carl Reiner, Mickey Rooney, Jonathan Winters, Marvin Kaplan, Barrie Chase, Polly Bergen,Coleen Gray, Theodore Bikel and Norman Lloyd, as well as producer Stanley Rubin, Clara Bow biographer David Stenn, Museum of Modern Art (MoMA) film collections manager Katie Trainor and director Nicholas Ray’s widow, Susan Ray. In addition, TCM’s Essentials Jr. host and Saturday Night Live star Bill Hader will present screenings of Shane (1953) and The Ladykillers(1955).
And The Film Forum’s Bruce Goldstein will present a special screening of Frank Capra’s The Donovan Affair (1929), complete with live voice actors and sound effects to replace the film’s long-lost soundtrack.Mel Brooks is slated to talk about his comedy The Twelve Chairs (1970). Carl Reiner, Mickey Rooney, Jonathan Winters, Marvin Kaplan...
And The Film Forum’s Bruce Goldstein will present a special screening of Frank Capra’s The Donovan Affair (1929), complete with live voice actors and sound effects to replace the film’s long-lost soundtrack.Mel Brooks is slated to talk about his comedy The Twelve Chairs (1970). Carl Reiner, Mickey Rooney, Jonathan Winters, Marvin Kaplan...
- 3/13/2013
- by Melissa Thompson
- WeAreMovieGeeks.com
Fay Wray: King Kong actress, but never a Hollywood superstar [See previous article "Fay Wray bio."] While at Paramount at the dawn of the sound era, Fay Wray was featured opposite the fast-rising Gary Cooper in three movies: William A. Wellman’s war drama Legion of the Condemned (1928), Rowland V. Lee’s romance The First Kiss (1928), and John Cromwell’s Western The Texan (1930), the pair’s last film together while they were both at the studio. (Photo: Fay Wray King Kong, in which Wray plays screaming heroine Ann Darrow.) A mere three years later, Wray was reunited with Gary Cooper in Stephen Roberts’ slice of [...]...
- 9/17/2012
- by Andre Soares
- Alt Film Guide
Release Date: Feb. 7, 2012
Price: DVD $19.95
Studio: Hen’s Tooth
Robert donat (l.) swashbuckles as The Count of Monte Cristo.
Robert Donat (The 39 Steps) stars in the 1934 film adaptation of the classic action-adventure swashbuckler The Count of Monte Cristo, based on the classic 1844 novel by Alexandre Dumas.
The movie tells the story of Edmond Dantes (Donat), a common seaman falsely accused of spying during the Napoleonic Wars. Imprisoned without trial in the infamous Chateau d’If, he spends over a decade in solitary confinement. Eventually, with the aid of a fellow captive (O.P. Heggie), he makes a daring escape. Once outside, he fabricates a stately new identity as the Count of Monte Cristo and vows to bring the villains who framed him to justice.
Directed by Rowland V. Lee (Captain Kidd), the classic film also stars Elissa Landi (After the Thin Man) and Sidney Blackmer (Rosemary’s Baby).
The movie was...
Price: DVD $19.95
Studio: Hen’s Tooth
Robert donat (l.) swashbuckles as The Count of Monte Cristo.
Robert Donat (The 39 Steps) stars in the 1934 film adaptation of the classic action-adventure swashbuckler The Count of Monte Cristo, based on the classic 1844 novel by Alexandre Dumas.
The movie tells the story of Edmond Dantes (Donat), a common seaman falsely accused of spying during the Napoleonic Wars. Imprisoned without trial in the infamous Chateau d’If, he spends over a decade in solitary confinement. Eventually, with the aid of a fellow captive (O.P. Heggie), he makes a daring escape. Once outside, he fabricates a stately new identity as the Count of Monte Cristo and vows to bring the villains who framed him to justice.
Directed by Rowland V. Lee (Captain Kidd), the classic film also stars Elissa Landi (After the Thin Man) and Sidney Blackmer (Rosemary’s Baby).
The movie was...
- 11/11/2011
- by Laurence
- Disc Dish
(1939, PG, Optimum)
This cult classic, a surprisingly literate work made when anglophilia was riding high in Hollywood, draws most of its cast from the Hollywood cricket club and brings together Universal's cycle of gothic horror movies with the 1930s swashbuckler for a decent exercise in 15th-century British history. Directed by the talented Rowland V. Lee (The Count of Monte Cristo, Son of Frankenstein), it stars Basil Rathbone at his most villainously suave as the Duke of Gloucester, and charts his way to becoming Richard III and his defeat at Bosworth. He's assisted from first to last by Boris Karloff (playing hairless, crippled executioner Mord), and among his victims is Vincent Price in his first evil role as the Duke of Clarence, famously drowned in a butt of malmsey. The trio were reunited 20 years later as members of Roger Corman's rep company. There are fascinating touches (eg, Richard charting his...
This cult classic, a surprisingly literate work made when anglophilia was riding high in Hollywood, draws most of its cast from the Hollywood cricket club and brings together Universal's cycle of gothic horror movies with the 1930s swashbuckler for a decent exercise in 15th-century British history. Directed by the talented Rowland V. Lee (The Count of Monte Cristo, Son of Frankenstein), it stars Basil Rathbone at his most villainously suave as the Duke of Gloucester, and charts his way to becoming Richard III and his defeat at Bosworth. He's assisted from first to last by Boris Karloff (playing hairless, crippled executioner Mord), and among his victims is Vincent Price in his first evil role as the Duke of Clarence, famously drowned in a butt of malmsey. The trio were reunited 20 years later as members of Roger Corman's rep company. There are fascinating touches (eg, Richard charting his...
- 4/24/2010
- by Philip French
- The Guardian - Film News
There is something insanely romantic about a movie on a city rooftop. And I’m not just talking taking a hold of your girl’s hand. It’s the night air, the hint nostalgia for drive-in movies, and hopefully stars in the sky as well as the screen.
Here is Portland’s schedule thanks to the Northwest Film Center …
The Northwest Film Center presents: Top Down: Rooftop Films July 16-August 27 This summer the Northwest Film Center’s Top Down rooftop cinema event is back for a fifth season. Warm starry nights in downtown Portland are filled with entertaining films, culinary treats, live music and spectacular city views, all atop the panoramic parking rooftop at the Hotel deLuxe (Sw 15th at Yamhill). The evenings begin at 8pm with local music and refreshments. Gracie’s Restaurant will offer easy-to-juggle meals, snacks and cocktails, and additional beverages will be available from Tazo and BridgePort Brewing.
Here is Portland’s schedule thanks to the Northwest Film Center …
The Northwest Film Center presents: Top Down: Rooftop Films July 16-August 27 This summer the Northwest Film Center’s Top Down rooftop cinema event is back for a fifth season. Warm starry nights in downtown Portland are filled with entertaining films, culinary treats, live music and spectacular city views, all atop the panoramic parking rooftop at the Hotel deLuxe (Sw 15th at Yamhill). The evenings begin at 8pm with local music and refreshments. Gracie’s Restaurant will offer easy-to-juggle meals, snacks and cocktails, and additional beverages will be available from Tazo and BridgePort Brewing.
- 7/9/2009
- by Jeff Bayer
- The Scorecard Review
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