The various elements of writer-director-star Louis Garrel’s low-key comic crime caper don’t sound that original at first glance. The audience-friendly plot involves a troubled thirtysomething, Abel (Garrel), lured by family connections into assisting with a heist in order to protect those he loves. In addition to this conscience-plagued hero, the cast of characters include Abel’s free-spirited mother (Anouk Grinberg), a reformed — or is he? — ex-con (Roschdy Zem), a manic-pixie dream girl-esque female lead (Noémie Merlant) and various shady underworld sorts mostly restricted to hiding in the shadows. But this film is a slightly slipperier customer than a topline summary would suggest, with tonal shifts that shouldn’t work, but somehow do. Fans of the likes of Maren Ade’s 2016 comedy-drama Toni Erdmann or Alex van Warmerdam’s 2013 psychological thriller Borgman may recognize a kindred sensibility.
Here is a film in which the sight of the serious but...
Here is a film in which the sight of the serious but...
- 4/6/2023
- by Catherine Bray
- Variety Film + TV
If a tree falls in the forest and nobody is there to see it, does it still feel awkward?
Set in the northern stretch of Germany which is culturally more like the Netherlands, where even language blurs, Alex van Warmerdam’s curious thriller revolves around themes of identity and performance, lives lived in fear of somebody watching and watchers whose agenda is unguessable but, at any rate, not what they claim.
At the centre of it all is Günter (Tom Dewispelaere), an actor in the process of rehearsing for a play. Found wandering in the forest as a child, he has spent his whole life wondering about his origins and his dimly remembered mother. He now has a daughter, Lizzy (Frieda Barnhard), who is just in the early stages of living her life independently, and trying, when she visits, to renegotiate their relationship on equal terms. An open, emotional person,...
Set in the northern stretch of Germany which is culturally more like the Netherlands, where even language blurs, Alex van Warmerdam’s curious thriller revolves around themes of identity and performance, lives lived in fear of somebody watching and watchers whose agenda is unguessable but, at any rate, not what they claim.
At the centre of it all is Günter (Tom Dewispelaere), an actor in the process of rehearsing for a play. Found wandering in the forest as a child, he has spent his whole life wondering about his origins and his dimly remembered mother. He now has a daughter, Lizzy (Frieda Barnhard), who is just in the early stages of living her life independently, and trying, when she visits, to renegotiate their relationship on equal terms. An open, emotional person,...
- 12/9/2022
- by Jennie Kermode
- eyeforfilm.co.uk
The best way to watch Alex van Warmerdam’s latest Nr. 10 is to go in blind. He practically titled it “number 10” to help with that fact—it being his tenth directorial effort taking the spotlight from anything specific within. It’s also the reason why the first half of the runtime unfolds conventionally. If all you’re watching is an actor (Tom Dewispelaere’s Günter) as his world comes undone after his director (Hans Kesting’s Karl) discovers he’s having an affair with his wife (Anniek Pheifer’s Isabel), you become lulled into a false sense of familiarity. Yes, there are strange men putting their fingerprints all over his life’s sudden implosion to force us into questioning their motivations along the way. But only superficially. At least for now.
Is Günter a good man? Should we care about his plight? Maybe. He seems to have a decent relationship...
Is Günter a good man? Should we care about his plight? Maybe. He seems to have a decent relationship...
- 11/28/2022
- by Jared Mobarak
- The Film Stage
Drafthouse Films has unveiled the clip for “Nr. 10,” the anticipated next film of Alex van Warmerdam, the bold Dutch director best known for “Borgman.”
Van Warmerdam’s 10th feature, the film is a maze-like thriller telling the story of Günter, a theater actor who was raised by foster parents after being found abandoned in the woods with no memory as a child. Years later, a man approaches Günter on the street and whispers a strange word in his ear. He begins to experience visions from his fractured past that reveal a dark secret, threatening what he thinks he knows about his life and the very nature of his existence.
“Nr. 10” world premiered at Fantastic Fest 2021. It shot in Dutch, German and English with a cast boasting Tom Dewispelaere, Frieda Barnhard, Pierre Bokma, Hans Kesting, Anniek Pheifer and Jan Bijvoet. Drafthouse Films will release Nr. 10 in theaters on Dec. 2, followed by a digital release on Dec.
Van Warmerdam’s 10th feature, the film is a maze-like thriller telling the story of Günter, a theater actor who was raised by foster parents after being found abandoned in the woods with no memory as a child. Years later, a man approaches Günter on the street and whispers a strange word in his ear. He begins to experience visions from his fractured past that reveal a dark secret, threatening what he thinks he knows about his life and the very nature of his existence.
“Nr. 10” world premiered at Fantastic Fest 2021. It shot in Dutch, German and English with a cast boasting Tom Dewispelaere, Frieda Barnhard, Pierre Bokma, Hans Kesting, Anniek Pheifer and Jan Bijvoet. Drafthouse Films will release Nr. 10 in theaters on Dec. 2, followed by a digital release on Dec.
- 11/22/2022
- by Elsa Keslassy
- Variety Film + TV
Nr. 10 Trailer — Alex van Warmerdam‘s Nr. 10 (2021) movie trailer has been released by Alamo Drafthouse. The Nr. 10 trailer stars Tom Dewispelaere, Frieda Barnhard, Pierre Bokma, Hans Kesting, Anniek Pheifer, and Jan Bijvoet. Crew Alex van Warmerdam wrote the screenplay for Nr. 10. Plot Synopsis Nr. 10‘s plot synopsis: “Günter (Tom Dewispelaere) was raised by [...]
Continue reading: Nr. 10 (2021) Movie Trailer: Tom Dewispelaere’s Memories are Returned to Him in Alamo Drafthouse’s Thriller...
Continue reading: Nr. 10 (2021) Movie Trailer: Tom Dewispelaere’s Memories are Returned to Him in Alamo Drafthouse’s Thriller...
- 11/4/2022
- by Rollo Tomasi
- Film-Book
"What do you know about my mother?" Drafthouse revealed their official US trailer for a Dutch film titled Nr. 10, which is being released this fall exclusively in Alamo Drafthouse movie theaters around the country. This is the latest feature from Borgman director Alex van Warmerdam, and it first premiered at Fantastic Fest and the Tallinn Black Nights Film Festival last year. Günter was raised by foster parents after being found abandoned in the woods with no memory as a child. Years later, when a man approaches him on the street and whispers a strange word in his ear, he begins to experience visions from his fractured past that reveal a dark secret, threatening what he thinks he knows about his life and the very nature of his existence. Described as "a labyrinthine thriller with a stunning conclusion you will not predict or soon forget." Starring Tom Dewispelaere, Frieda Barnhard, Pierre Bokma,...
- 11/4/2022
- by Alex Billington
- firstshowing.net
The trailer for Alex van Warmerdam’s’ “Nr. 10” opens by creating an unsettling element of doom with just a simple handshake. With that, the viewer is already engrossed in suspense and curiosity. van Warmerdam’s’ ability to blend genres and create suspense and tension in the ordinarily mundane is a talent that audiences have come to love.
van Warmerdam might not be a household name, but he is one of the Netherlands’ premiere filmmakers with over a dozen credits to his name.
Continue reading ‘Nr. 10’ Trailer: Alex van Warmerdam, The Director Of ‘Borgman’ Returns With A Mysterious New Nightmare About The Past [Exclusive] at The Playlist.
van Warmerdam might not be a household name, but he is one of the Netherlands’ premiere filmmakers with over a dozen credits to his name.
Continue reading ‘Nr. 10’ Trailer: Alex van Warmerdam, The Director Of ‘Borgman’ Returns With A Mysterious New Nightmare About The Past [Exclusive] at The Playlist.
- 11/3/2022
- by Jamie Rogers
- The Playlist
Traditionally, Friday marks the end of the working week for much of the world, to which we say: "Bah!" Here at Screen Anarchy, Friday marks the beginning of renewed cinematic opportunities to feast on genre goodness from all parts of the world, including Switzerland, aka the heart of Europe, aka the home of the Neuchâtel International Fantastic Film Festival. Today marks encore screenings of excellent films, including Alex van Warmerdam's sly and brilliant No. 10, the fiery brilliance of Ashkal, the darkly comic Dual, the Thai monster flick Leio, and the Japanese gangster flick Bad City, which we've all reviewed -- look for links below the gallery -- and are recommended, among others. In the gallery below, we consider three films that we haven't yet...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 7/8/2022
- Screen Anarchy
Nejc Gazvoda, whose previous films include “A Trip” and “Dual,” has started shooting “Father Figure” in his home town, Novo Mesto, Slovenia. The film will be shot in 25 days and is expected to be completed in the spring of 2023, online news service Film New Europe reports.
“Father Figure” is an absurdist tale, written by Gazvoda, which follows a mother and her son who move from Ljubljana to a small town after the mother’s divorce. Jan is in his final year of elementary school, and Maja is a psychologist at the same school. The film begins with the reopening of schools after the end of the pandemic, but things do not seem to be the way they were before.
“ ‘Father Figure’ is a film about a particular period (the middle of 2021), set in an elementary school, and all the issues it deals with are concrete: peer violence, loneliness, dignity. At the same time,...
“Father Figure” is an absurdist tale, written by Gazvoda, which follows a mother and her son who move from Ljubljana to a small town after the mother’s divorce. Jan is in his final year of elementary school, and Maja is a psychologist at the same school. The film begins with the reopening of schools after the end of the pandemic, but things do not seem to be the way they were before.
“ ‘Father Figure’ is a film about a particular period (the middle of 2021), set in an elementary school, and all the issues it deals with are concrete: peer violence, loneliness, dignity. At the same time,...
- 4/21/2022
- by Damijan Vinter
- Variety Film + TV
HBO has rights to the film for central Europe.
Dealer, the debut feature from Belgian actor Jeroen Perceval, which won 10 prizes at this year’s De Ensors Belgian film awards, has sealed some key distribution deals for Austrian sales outfit Fizz-e-Motion.
The film has sold to central Europe (HBO) and Latin America (Encripta), plus a VOD deal for Taiwan (Sky Digi Entertainment).
Having been nominated in 14 categories, Dealer picked up 10 prizes at De Ensors on Saturday, March 12. Categories it won included best film, best director, best supporting actor and the public award.
Dealer follows a 14-year-old drug dealer in a young person’s care home,...
Dealer, the debut feature from Belgian actor Jeroen Perceval, which won 10 prizes at this year’s De Ensors Belgian film awards, has sealed some key distribution deals for Austrian sales outfit Fizz-e-Motion.
The film has sold to central Europe (HBO) and Latin America (Encripta), plus a VOD deal for Taiwan (Sky Digi Entertainment).
Having been nominated in 14 categories, Dealer picked up 10 prizes at De Ensors on Saturday, March 12. Categories it won included best film, best director, best supporting actor and the public award.
Dealer follows a 14-year-old drug dealer in a young person’s care home,...
- 3/17/2022
- by Ben Dalton
- ScreenDaily
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
The Alex van Warmerdam Collection
If you only know the work of Alex van Warmerdam as it pertains to his breakout psychological thriller Borgman, one know has a chance to dive into five other films from the Dutch director. Abel, The Northerners, The Last Days of Emma Blank, Schneider vs. Bax, and his new re-edit of Grimm are now on Film Movement Plus. We said in our review of Schneider vs. Bax, “Hitman films tend to be action-packed and heavy with tropes familiar to that particular sub-genre of thrillers. Yet Dutch filmmaker Alex van Warmerdam hopes to subvert those expectations by crafting an almost absurdist, Beckett-style drama between two contract killers hired to take out the other.”
Where to Stream: Film Movement...
The Alex van Warmerdam Collection
If you only know the work of Alex van Warmerdam as it pertains to his breakout psychological thriller Borgman, one know has a chance to dive into five other films from the Dutch director. Abel, The Northerners, The Last Days of Emma Blank, Schneider vs. Bax, and his new re-edit of Grimm are now on Film Movement Plus. We said in our review of Schneider vs. Bax, “Hitman films tend to be action-packed and heavy with tropes familiar to that particular sub-genre of thrillers. Yet Dutch filmmaker Alex van Warmerdam hopes to subvert those expectations by crafting an almost absurdist, Beckett-style drama between two contract killers hired to take out the other.”
Where to Stream: Film Movement...
- 3/11/2022
- by Jordan Raup
- The Film Stage
Digital Distributor Giant Pictures has acquired Drafthouse Films and announced its first two acquisitions, Nr. 10 and Masking Threshold.
Giant Pictures’ Gm Nick Savva will serve as the new Drafthouse Films CEO and Alamo Drafthouse founder Tim League will be chairman. Financial terms of the transaction weren’t released.
Drafthouse Films, a genre and international specialist, was founded as the distribution arm of Alamo Drafthouse Cinemas in 2010 before being spun off from the exhibitor. As CEO, Savva is planning to expand the Drafthouse Films label.
“Giant Pictures’ investment enables Drafthouse Films to continue releasing the provocative, visionary, and artfully unusual genre films from around the world that have always defined the Drafthouse brand,” Savva says. “At the same time, this acquisition gives Giant new theatrical releasing capabilities which complement our existing digital distribution and streaming technology businesses.”
Giant Pictures will work closely with Alamo Drafthouse and its related media companies, such...
Giant Pictures’ Gm Nick Savva will serve as the new Drafthouse Films CEO and Alamo Drafthouse founder Tim League will be chairman. Financial terms of the transaction weren’t released.
Drafthouse Films, a genre and international specialist, was founded as the distribution arm of Alamo Drafthouse Cinemas in 2010 before being spun off from the exhibitor. As CEO, Savva is planning to expand the Drafthouse Films label.
“Giant Pictures’ investment enables Drafthouse Films to continue releasing the provocative, visionary, and artfully unusual genre films from around the world that have always defined the Drafthouse brand,” Savva says. “At the same time, this acquisition gives Giant new theatrical releasing capabilities which complement our existing digital distribution and streaming technology businesses.”
Giant Pictures will work closely with Alamo Drafthouse and its related media companies, such...
- 3/9/2022
- by Jill Goldsmith
- Deadline Film + TV
Digital distributor Giant Pictures has acquired Drafthouse Films, the genre movie label formed by Alamo Drafthouse founder Tim League.
Giant Pictures general manager Nick Savva will serve as CEO of the company, which will continue to operate under the title Drafthouse Films. League will become the chairman of Drafthouse Films.
“Giant Pictures’ investment enables Drafthouse Films to continue releasing the provocative, visionary, and artfully unusual genre films from around the world that have always defined the Drafthouse brand,” Savva said. “At the same time, this acquisition gives Giant new theatrical releasing capabilities which complement our existing digital distribution and streaming technology businesses.”
Drafthouse Films was created as the distribution arm of Alamo Drafthouse Cinemas in 2010 before being spun off from the exhibitor. Past titles on Drafthouse Films’ slate were “Bullhead,” “The Act of Killing,” “Spring” and “Cheap Thrills.” Giant Pictures partners with studios and filmmakers to release movies and TV shows across major streaming platforms,...
Giant Pictures general manager Nick Savva will serve as CEO of the company, which will continue to operate under the title Drafthouse Films. League will become the chairman of Drafthouse Films.
“Giant Pictures’ investment enables Drafthouse Films to continue releasing the provocative, visionary, and artfully unusual genre films from around the world that have always defined the Drafthouse brand,” Savva said. “At the same time, this acquisition gives Giant new theatrical releasing capabilities which complement our existing digital distribution and streaming technology businesses.”
Drafthouse Films was created as the distribution arm of Alamo Drafthouse Cinemas in 2010 before being spun off from the exhibitor. Past titles on Drafthouse Films’ slate were “Bullhead,” “The Act of Killing,” “Spring” and “Cheap Thrills.” Giant Pictures partners with studios and filmmakers to release movies and TV shows across major streaming platforms,...
- 3/9/2022
- by Rebecca Rubin
- Variety Film + TV
Ostend Film Festival will be forced to change its original dates
The Belgian film sector has been sent reeling by the surprise news on Wednesday (December 22) that all cinemas in the country will be obliged to close from December 26 to January 28.
The cinema closures are part of a new raft of public measures being introduced in response to a rise in Covid cases spurred by the Omicron variant.
Some within the local industry are striking a defiant and angry note, however, given Belgian cinemas already have stringent measures in place to prevent the spread of Covid, including reduced capacity, social distancing,...
The Belgian film sector has been sent reeling by the surprise news on Wednesday (December 22) that all cinemas in the country will be obliged to close from December 26 to January 28.
The cinema closures are part of a new raft of public measures being introduced in response to a rise in Covid cases spurred by the Omicron variant.
Some within the local industry are striking a defiant and angry note, however, given Belgian cinemas already have stringent measures in place to prevent the spread of Covid, including reduced capacity, social distancing,...
- 12/22/2021
- by Geoffrey Macnab
- ScreenDaily
Holland Film Meeting is the industry strand of the Netherlands Film Festival.
Paula van der Oest’s €9m English-language drama Mata Hari is among the films being presented during the Holland Film Meeting’s projects programme, the industry side of this year’s Netherlands Film Festival, which begins today (September 24) in Utrecht. It will run until October 2.
Van der Oest, promised a ”feminist approach” to the subject matter. “Most of the existing Mata Hari films are told from a male perspective,” she told Screen. “They focus on Mata Hari being a glamorous and exotic spy. A dangerous temptress,...
Paula van der Oest’s €9m English-language drama Mata Hari is among the films being presented during the Holland Film Meeting’s projects programme, the industry side of this year’s Netherlands Film Festival, which begins today (September 24) in Utrecht. It will run until October 2.
Van der Oest, promised a ”feminist approach” to the subject matter. “Most of the existing Mata Hari films are told from a male perspective,” she told Screen. “They focus on Mata Hari being a glamorous and exotic spy. A dangerous temptress,...
- 9/24/2021
- by Geoffrey Macnab
- ScreenDaily
A perfect storm of titles previously delayed by the pandemic combined with features set to launch on the back of the Netherlands Film Festival later this month means that a bumper harvest of home-grown films is set for release in Dutch theaters this autumn.
Anticipated titles include Alex van Warmerdam’s latest feature “No. 10,” which tells the story of an actor who cannot recall his past but who is strong-armed into his future by a group of strangers.
“Goldie” director Sam de Jong also looks set to return with his third film, “Met Mes,” a satire about the media focusing on a TV personality who exaggerates the theft of a new camera, which leads to unforeseen consequences.
Other films creating buzz include “My Father Is an Aeroplane,” directed by Antoinette Beumer (“Jackie”), which is set to open the Netherlands Film Festival.
Based on Beumer’s 2018 novel it tells the story...
Anticipated titles include Alex van Warmerdam’s latest feature “No. 10,” which tells the story of an actor who cannot recall his past but who is strong-armed into his future by a group of strangers.
“Goldie” director Sam de Jong also looks set to return with his third film, “Met Mes,” a satire about the media focusing on a TV personality who exaggerates the theft of a new camera, which leads to unforeseen consequences.
Other films creating buzz include “My Father Is an Aeroplane,” directed by Antoinette Beumer (“Jackie”), which is set to open the Netherlands Film Festival.
Based on Beumer’s 2018 novel it tells the story...
- 9/4/2021
- by Ann-Marie Corvin
- Variety Film + TV
Producers are busy but there are questions over how films will be released.
As Dutch filmmakers prepare new projects to whet the appetite of the international film industy, the Netherlands Film Fund is keeping an eye on the future with the launch of a range of initiatives to support diverse and emerging talent.
Bero Beyer, CEO of the Netherlands Film Fund (and former artistic director of International Film Festival Rotterdam), believes new talent can be overlooked by crisis support schemes.
“We should not forget the next generation of filmmakers and those who have not gone through the route of film academies,...
As Dutch filmmakers prepare new projects to whet the appetite of the international film industy, the Netherlands Film Fund is keeping an eye on the future with the launch of a range of initiatives to support diverse and emerging talent.
Bero Beyer, CEO of the Netherlands Film Fund (and former artistic director of International Film Festival Rotterdam), believes new talent can be overlooked by crisis support schemes.
“We should not forget the next generation of filmmakers and those who have not gone through the route of film academies,...
- 2/4/2021
- by Geoffrey Macnab
- ScreenDaily
The project is written and directed by German-based Mongolian director Uisenma Borchu.
Pim Hermeling’s Amsterdam-based Nine Film has acquired international sales rights, outside Germany, to Berlinale Panorama title Black Milk, written and directed by German-based Mongolian director Uisenma Borchu.
It will be released in Germany by Munich-based Alpenrepublik.
Black Milks a semi-autobiographical drama about a young woman in search of her roots.
“We have a tendency to follow women and stories about women. This is something important for us,” said Nelleke Driessen, head of sales and acquisitions for Nine Films.
Driessen was attending the International Film Festival Rotterdam (Iffr...
Pim Hermeling’s Amsterdam-based Nine Film has acquired international sales rights, outside Germany, to Berlinale Panorama title Black Milk, written and directed by German-based Mongolian director Uisenma Borchu.
It will be released in Germany by Munich-based Alpenrepublik.
Black Milks a semi-autobiographical drama about a young woman in search of her roots.
“We have a tendency to follow women and stories about women. This is something important for us,” said Nelleke Driessen, head of sales and acquisitions for Nine Films.
Driessen was attending the International Film Festival Rotterdam (Iffr...
- 1/30/2020
- by 57¦Geoffrey Macnab¦41¦
- ScreenDaily
Speculation is mounting as to who might succeed Boonekamp as head of the Fund.
Doreen Boonekamp is to stand down in October after a decade as CEO of the Netherlands Film Fund, it was confirmed in Cannes this week.
Speaking exclusively to Screen International, the Fund head reflected on her ten year stint at the Fund during a period of seismic change in the Dutch industry. When she took over, the Dutch economy was reeling in the wake of the 2008 financial crisis, there was a steep decline in both public and private financing for film, and the government had made...
Doreen Boonekamp is to stand down in October after a decade as CEO of the Netherlands Film Fund, it was confirmed in Cannes this week.
Speaking exclusively to Screen International, the Fund head reflected on her ten year stint at the Fund during a period of seismic change in the Dutch industry. When she took over, the Dutch economy was reeling in the wake of the 2008 financial crisis, there was a steep decline in both public and private financing for film, and the government had made...
- 5/18/2019
- by Geoffrey Macnab
- ScreenDaily
Government-backed scheme is backing projects by Thomas Vinterberg, Alex van Warmerdam and Ramon Gieling.
The Netherlands film production incentive has announced today it is backing high-profile projects by Thomas Vinterberg and Alex van Warmerdam in its first funding round of 2019.
Overall the incentive will pump €10.5m ($11.79m) into 22 new productions and five high-end TV-series. This breaks down as 17 feature films, three feature length documentaries, two animated feature films, four drama series and one animated series, including 14 international co-productions. It is predicted the projects backed in this spending round will generate more than €40m ($35.64m) in production expenditure in the Netherlands.
The Netherlands film production incentive has announced today it is backing high-profile projects by Thomas Vinterberg and Alex van Warmerdam in its first funding round of 2019.
Overall the incentive will pump €10.5m ($11.79m) into 22 new productions and five high-end TV-series. This breaks down as 17 feature films, three feature length documentaries, two animated feature films, four drama series and one animated series, including 14 international co-productions. It is predicted the projects backed in this spending round will generate more than €40m ($35.64m) in production expenditure in the Netherlands.
- 4/4/2019
- by Geoffrey Macnab
- ScreenDaily
Two years after China’s Hehe Pictures rescued it from receivership, former Asian industry powerhouse Fortissimo Films is making a full return to the international film sales business. The revived and revamped company will debut next week at Berlin’s European Film Market, and will also launch an international film marketing services subsidiary.
In its former incarnation, Fortissimo played a major role in growing Asia’s art-house film business and launched the careers of dozens of Asian auteurs. Although it operated out of Hong Kong, the company was legally registered in the Netherlands and filed for bankruptcy there in August 2016. Hehe Pictures backed the acquisition of the company from Dutch bankruptcy administrators in February 2017.
The new Fortissimo will keep its Amsterdam office, but decisions will now be made from Beijing by a team headed by former Im Global executive Clement Magar, Fortissimo’s general manager. Gabrielle Rozing, who was instrumental...
In its former incarnation, Fortissimo played a major role in growing Asia’s art-house film business and launched the careers of dozens of Asian auteurs. Although it operated out of Hong Kong, the company was legally registered in the Netherlands and filed for bankruptcy there in August 2016. Hehe Pictures backed the acquisition of the company from Dutch bankruptcy administrators in February 2017.
The new Fortissimo will keep its Amsterdam office, but decisions will now be made from Beijing by a team headed by former Im Global executive Clement Magar, Fortissimo’s general manager. Gabrielle Rozing, who was instrumental...
- 1/28/2019
- by Patrick Frater
- Variety Film + TV
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’re highlighting the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Araby (Affonso Uchoa and João Duman)
“I’m like everyone else,” writes about himself Cristiano (Aristides de Sousa), the working class hero at the center of Affonso Uchoa and João Dumans’ Araby, “It’s just my life that was a little bit different.” Calling that an understatement would be a euphemism. An average-sized and average-looking factory worker in the Southern Brazilian state of Minas Gerais, Cristiano is an everyman par excellence. Neither charismatic nor particularly striking – at least not on a first look – he seems so ordinary it takes us twenty minutes to understand he’s Araby’s protagonist, and not some flickering extra. When we first meet him,...
Araby (Affonso Uchoa and João Duman)
“I’m like everyone else,” writes about himself Cristiano (Aristides de Sousa), the working class hero at the center of Affonso Uchoa and João Dumans’ Araby, “It’s just my life that was a little bit different.” Calling that an understatement would be a euphemism. An average-sized and average-looking factory worker in the Southern Brazilian state of Minas Gerais, Cristiano is an everyman par excellence. Neither charismatic nor particularly striking – at least not on a first look – he seems so ordinary it takes us twenty minutes to understand he’s Araby’s protagonist, and not some flickering extra. When we first meet him,...
- 11/23/2018
- by Jordan Raup
- The Film Stage
Editor’s note: This article is presented in partnership with the Holland Marketing Alliance and their award-winning “Holland. The Original Cool” travel series. You can watch their new short film, “The Tale of Kat & Dog: A Holland Cool Movie,” below.
Try as some filmmakers might, it’s impossible for a single movie to represent an entire country. With all the different perspectives and geographical locations that a nation has to offer, it’s difficult to pinpoint all of those diverse experiences in a neat package.
Luckily, the Netherlands has decades of history and cinematic depictions to dive into, from Dutch filmmakers and those telling their stories far from home. The short film that got us thinking about this? “The Tale of Kat & Dog: A Holland Cool Movie,” a 17-minute tour across Amsterdam with an adorable canine as a guide:
Now that you’ve seen a bit of the country through...
Try as some filmmakers might, it’s impossible for a single movie to represent an entire country. With all the different perspectives and geographical locations that a nation has to offer, it’s difficult to pinpoint all of those diverse experiences in a neat package.
Luckily, the Netherlands has decades of history and cinematic depictions to dive into, from Dutch filmmakers and those telling their stories far from home. The short film that got us thinking about this? “The Tale of Kat & Dog: A Holland Cool Movie,” a 17-minute tour across Amsterdam with an adorable canine as a guide:
Now that you’ve seen a bit of the country through...
- 11/2/2016
- by Indiewire Staff
- Indiewire
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon Instant Video, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Captain America: Civil War (Russos)
In seeking to create an expansive multi-film universe, Marvel has managed to both bless and curse each of its subsequent films. The blessing comes in the form of a character development that takes place over the course of films and phases instead of scenes and acts. Characters who we met eight years ago have grown and changed before our eyes, and...
Captain America: Civil War (Russos)
In seeking to create an expansive multi-film universe, Marvel has managed to both bless and curse each of its subsequent films. The blessing comes in the form of a character development that takes place over the course of films and phases instead of scenes and acts. Characters who we met eight years ago have grown and changed before our eyes, and...
- 9/2/2016
- by The Film Stage
- The Film Stage
12 Unique Visions We Are Excited to See at the 35th Minneapolis St. Paul International Film Festival
Numerous sections that range from those that focus on particular geographical regions, to one that highlights features crafted by homegrown talent, another formed by stories about people who have left their hometowns to find a better life elsewhere, and even one that honors Minnesota’s Scandinavian heritage, are some of the blocks that build the extensive and boldly curated program of the 35th Minneapolis St. Paul International Film Festival (Mspiff).
Discerning which films to watch from the couple hundred that will play in the Midwestern city during the next two weeks is a colossal task and one that is directed by taste and interests; however, there are plenty of options for adventurous audiences looking to watch a unique cinematic vision outside of their comfort zone.
The most audacious offers include a French animated featured focused on a war-torn African country, Joel Potrykus follow-up to “Buzzard,” a subversive Lgbt drama about skaters in Mexico City, the story of a Somali man in Minneapolis who finds friendship in a lonely dog, a dark Swedish comedy that resembles the humor of celebrated Nordic masters, or a Brazilian coming-of-ager centered on a girl obsessed with the recent murders of local women. Just from the premises is easy to predict that these will not be your typical experience at the movies, but that's not to say they won't be exponentially more entertaining and eye-opening.
Here is a list with 12 unconventional choices, including those mentioned above, playing at Mspiff that we can't wait to see.
Synopses courtesy of the festival.
The 35th Minneapolis St. Paul International Film Festival takes place runs April 7-23. For the full program and tickets visit Here.
"Adama"
Dir. Simon Rouby
France
12 year-old Adama, voiced by French-Malian child actor Azize Abdoulaye Diabaté, lives in an idyllic village sheltered by cliffs. When his brother Samba defies their elders and flees to join the ‘Nassara’ (colonialist French army), Adama follows in an attempt to bring Samba home. Experimental animation combining laser-scanned sculptures of clay and sand with painterly animated scenes bring magical realism to Adama’s journey north from West Africa to Europe’s Western Front in 1914. A heroic odyssey mixes elements of mysticism and allegory with action, adventure, and a little known historical African narrative
Screens April 20 at 2:30 Pm and April 16 at 3:45
"The Alchemist Cookbook"
Dir. Joel Potrykus
U.S.
Sean is a young hermit, living in near total isolation and obsessed with a mysterious alchemic and somewhat manic pursuit that challenges the laws of nature. Off the grid and turning his back on civilization, his days play out inside an old trailer in the swamps, conducting experiments. When a demonic entity appears in the shadows, Sean’s self-induced seclusion is shattered by a true force of evil. Joel Potrykus delivers another meditation on the idiosyncratic side of the male psyche that feels like a dark and demented modern-day folk tale.
Screens April 14 at 9:50 Pm and April 21 at 10:00 Pm
"The Ardennes"
Dir. Robin Pront
Belgium
Robin Pront's feature-film debut opens with a powerful punch and continues with a slow burn downward spiral of brotherly betrayal and brutal retribution. After a robbery goes hopelessly wrong, Dave escapes the scene leaving his brother Kenny behind to take the rap. Flash forward four years and Dave has been able to turn his life around while time has stood still for Kenny, now out on parole, who was left simmering in jail. The palpable tension between Dave and Kenny builds to brutal and thrilling crescendo in the shadows of Belgium's Ardennes forest.
Screens April 10 at 9:40 Pm and April 22 at 9:45 Pm
"A Decent Man"
Dir. Micha Lewinsky
Switzerland
This provocative drama chronicles a family vacation that turns into every parent’s nightmare. Thomas, an amiable man in his mid-forties, resolves that his family will take their annual skiing holiday in the Swiss Alps even though neither his wife or daughter are interested. But things soon become more complicated when his manipulative boss pressures him to include his difficult daughter, Sarah. A convincing portrait of an insecure man whose failure to be a beloved father, brilliant journalist and understanding husband is sending him over the edge.
Screens April 8 at 4:45 Pm and April 19 at 9:40 Pm
"Dragonfly"
Dir. Maribeth Romslo and Cara Greene Epstein
U.S.
Told with heart, humor, and a little bit of magic, "Dragonfly" is a film about homecoming and healing for a Midwestern family divided by divorce and illness. When Anna’s mom is diagnosed with early onset Alzheimer’s, Anna returns home to help but not without some reluctance tied to her emotional family baggage. As she unpacks her past, Anna rediscovers a mysterious mailbox from her childhood and embarks on a search to solve its mystery. What she learns along the way may be the key to her own reconciliation.
Screens: April 10 at 7:10 Pm and April 16 at 4:40 Pm
"Endorphine"
Dir. André Turpin
Canada
What’s the connection between trauma, memory and the relativity of space and time? Endorphine sends you down a rabbit hole where time and existence are scrambled into a Lynchian fever dream. After 12-year-old Simone helplessly witnesses the murder of her mother, she is thrust into an endless loop that explores alternate realities and parallel lives, including what may or may not be adult versions of herself. Expertly crafted by André Turpin (cinematographer on Xavier Dolan’s Mommy and Tom at the Farm and Denis Villeneuve’s Incendies), "Endorphine" is a dark and visually arresting head trip.
Screens April 10 at 9:15 Pm and April 18 at 9:30 Pm
"The Garbage Helicopter"
Dir. Jonas Selberg Augustsén
Sweden
An old Roma woman is seized by a sudden urge to reclaim her antique clock, sending her three grandchildren on an odyssey across the lonesome, big-sky highways of northern Sweden (captured in beautifully bleak black-and-white). The action takes place in the deadpan absurdist territory pioneered by Jarmusch, Kaurismäki, and Andersson. Here, crosswords are completed (including the mysterious entry, "garbage helicopter"), a speed-trap camera is demolished, a Holocaust museum is visited, the world’s second-biggest chair is solemnly viewed, and a gang of art thieves is encountered.
Screens April 21 at 9:40 Pm and April 23 at 7:05 Pm
"Kill Me Please"
Dir. Anita Rocha da Silveira
Brazil/Argentina
Anita Rocha da Silveira’s stunning debut drops us directly into the psyche of a middle-class teenage girl, piqued by raging hormones and fueled with fearless curiosity. A string of grisly neighborhood murders of women captures the imagination of a clique of girls, but especially Bia who feels more and more connected to the dead women than her high school friends. The incident ignites something in Bia, causing her to embrace fantasy and openly explore her sexuality. Built on a unique atmosphere devoid of adults, Kill Me Please is a dark yet pop-infused coming-of-age story.
Screens April 9 at 3:15 Pm and April 14 at 9:45 Pm
"I Promise Anarchy"
Dir. Julio Hernández Cordón
Mexico
Miguel and Johnny are friends from opposite sides of the tracks, but that doesn’t inhibit their romance with one another that revolves around sex, drugs and skateboarding. To support their devil-may-care lifestyle, the boys sell their own blood—and occasionally the blood of their friends and whomever they can find—to an underground network run by the drug cartel. When one such arrangement goes wrong, Miguel and Johnny find themselves way over their head. Director Julio Hernandez Cordon’s stylishly blends a breezy romance of wayward youth with a gritty nior thriller on the streets of Mexico City.
Screens April 8 at 9:15 Pm and April 11 at 9:50 Pm
"Schneider vs. Bax"
Dir. Alex van Warmerdam
Netherlands/Belgium
This black comedy makes a point of turning the hitman genre on its head with unconventional setups that spiral into absurdism. Schneider wakes to his adoring wife and two young daughters planning his birthday party only to have it interrupted by a call from his boss with a job that must be done right away: an easy hit on an isolated novelist named Bax that he can finish by noon. Needless to say, things do not go as planned. Schneider vs. Bax is as much about the contrast and comparison of these two men and their families, as it is the nascent yet ineffective real-world cage match.
Screens April 10 at 9:35 Pm and April 14 at 9:40 Pm
"A Stray"
Dir. Musa Syeed
U.S.
In the microcosm of Minneapolis’ large Somali community, Adan has run out of options. Looking to turn his life around, he finds solace, friendship and a job as a janitor at the mosque. Finding an even better job driving a taxi, Adan unexpectedly finds a new friend in a stray dog. But the mosque sees the dog as impure, and Adan finds himself on the streets again. Director Musa Syeed brings the streets of Riverside and the struggles of young Somalis to the big screen in this vivid and moving drama.
Screens April 15 at 7:20 Pm and April 17 at 3: 50 Pm
"Wednesday, May 9"
Dir. Vahid Jalilvand
Iran
Leila works in a chicken packing factory to support her family, but still has no money left over to save for a much-needed operation for her disabled husband. Setareh secretly married against her family’s wishes, and when her tyrannical cousin finds out, an altercation lands her young husband in jail, requiring 30 million tomans in “blood money” for his release. The two tragic stories of these women are connected to a potential benefactor who could help them in Vahid Jalilvand’s incredible debut feature of carefully drawn characters and bold statements of humanism.
Screens April 8 at 4:50 Pm and April 19 at 4:30 Pm...
Discerning which films to watch from the couple hundred that will play in the Midwestern city during the next two weeks is a colossal task and one that is directed by taste and interests; however, there are plenty of options for adventurous audiences looking to watch a unique cinematic vision outside of their comfort zone.
The most audacious offers include a French animated featured focused on a war-torn African country, Joel Potrykus follow-up to “Buzzard,” a subversive Lgbt drama about skaters in Mexico City, the story of a Somali man in Minneapolis who finds friendship in a lonely dog, a dark Swedish comedy that resembles the humor of celebrated Nordic masters, or a Brazilian coming-of-ager centered on a girl obsessed with the recent murders of local women. Just from the premises is easy to predict that these will not be your typical experience at the movies, but that's not to say they won't be exponentially more entertaining and eye-opening.
Here is a list with 12 unconventional choices, including those mentioned above, playing at Mspiff that we can't wait to see.
Synopses courtesy of the festival.
The 35th Minneapolis St. Paul International Film Festival takes place runs April 7-23. For the full program and tickets visit Here.
"Adama"
Dir. Simon Rouby
France
12 year-old Adama, voiced by French-Malian child actor Azize Abdoulaye Diabaté, lives in an idyllic village sheltered by cliffs. When his brother Samba defies their elders and flees to join the ‘Nassara’ (colonialist French army), Adama follows in an attempt to bring Samba home. Experimental animation combining laser-scanned sculptures of clay and sand with painterly animated scenes bring magical realism to Adama’s journey north from West Africa to Europe’s Western Front in 1914. A heroic odyssey mixes elements of mysticism and allegory with action, adventure, and a little known historical African narrative
Screens April 20 at 2:30 Pm and April 16 at 3:45
"The Alchemist Cookbook"
Dir. Joel Potrykus
U.S.
Sean is a young hermit, living in near total isolation and obsessed with a mysterious alchemic and somewhat manic pursuit that challenges the laws of nature. Off the grid and turning his back on civilization, his days play out inside an old trailer in the swamps, conducting experiments. When a demonic entity appears in the shadows, Sean’s self-induced seclusion is shattered by a true force of evil. Joel Potrykus delivers another meditation on the idiosyncratic side of the male psyche that feels like a dark and demented modern-day folk tale.
Screens April 14 at 9:50 Pm and April 21 at 10:00 Pm
"The Ardennes"
Dir. Robin Pront
Belgium
Robin Pront's feature-film debut opens with a powerful punch and continues with a slow burn downward spiral of brotherly betrayal and brutal retribution. After a robbery goes hopelessly wrong, Dave escapes the scene leaving his brother Kenny behind to take the rap. Flash forward four years and Dave has been able to turn his life around while time has stood still for Kenny, now out on parole, who was left simmering in jail. The palpable tension between Dave and Kenny builds to brutal and thrilling crescendo in the shadows of Belgium's Ardennes forest.
Screens April 10 at 9:40 Pm and April 22 at 9:45 Pm
"A Decent Man"
Dir. Micha Lewinsky
Switzerland
This provocative drama chronicles a family vacation that turns into every parent’s nightmare. Thomas, an amiable man in his mid-forties, resolves that his family will take their annual skiing holiday in the Swiss Alps even though neither his wife or daughter are interested. But things soon become more complicated when his manipulative boss pressures him to include his difficult daughter, Sarah. A convincing portrait of an insecure man whose failure to be a beloved father, brilliant journalist and understanding husband is sending him over the edge.
Screens April 8 at 4:45 Pm and April 19 at 9:40 Pm
"Dragonfly"
Dir. Maribeth Romslo and Cara Greene Epstein
U.S.
Told with heart, humor, and a little bit of magic, "Dragonfly" is a film about homecoming and healing for a Midwestern family divided by divorce and illness. When Anna’s mom is diagnosed with early onset Alzheimer’s, Anna returns home to help but not without some reluctance tied to her emotional family baggage. As she unpacks her past, Anna rediscovers a mysterious mailbox from her childhood and embarks on a search to solve its mystery. What she learns along the way may be the key to her own reconciliation.
Screens: April 10 at 7:10 Pm and April 16 at 4:40 Pm
"Endorphine"
Dir. André Turpin
Canada
What’s the connection between trauma, memory and the relativity of space and time? Endorphine sends you down a rabbit hole where time and existence are scrambled into a Lynchian fever dream. After 12-year-old Simone helplessly witnesses the murder of her mother, she is thrust into an endless loop that explores alternate realities and parallel lives, including what may or may not be adult versions of herself. Expertly crafted by André Turpin (cinematographer on Xavier Dolan’s Mommy and Tom at the Farm and Denis Villeneuve’s Incendies), "Endorphine" is a dark and visually arresting head trip.
Screens April 10 at 9:15 Pm and April 18 at 9:30 Pm
"The Garbage Helicopter"
Dir. Jonas Selberg Augustsén
Sweden
An old Roma woman is seized by a sudden urge to reclaim her antique clock, sending her three grandchildren on an odyssey across the lonesome, big-sky highways of northern Sweden (captured in beautifully bleak black-and-white). The action takes place in the deadpan absurdist territory pioneered by Jarmusch, Kaurismäki, and Andersson. Here, crosswords are completed (including the mysterious entry, "garbage helicopter"), a speed-trap camera is demolished, a Holocaust museum is visited, the world’s second-biggest chair is solemnly viewed, and a gang of art thieves is encountered.
Screens April 21 at 9:40 Pm and April 23 at 7:05 Pm
"Kill Me Please"
Dir. Anita Rocha da Silveira
Brazil/Argentina
Anita Rocha da Silveira’s stunning debut drops us directly into the psyche of a middle-class teenage girl, piqued by raging hormones and fueled with fearless curiosity. A string of grisly neighborhood murders of women captures the imagination of a clique of girls, but especially Bia who feels more and more connected to the dead women than her high school friends. The incident ignites something in Bia, causing her to embrace fantasy and openly explore her sexuality. Built on a unique atmosphere devoid of adults, Kill Me Please is a dark yet pop-infused coming-of-age story.
Screens April 9 at 3:15 Pm and April 14 at 9:45 Pm
"I Promise Anarchy"
Dir. Julio Hernández Cordón
Mexico
Miguel and Johnny are friends from opposite sides of the tracks, but that doesn’t inhibit their romance with one another that revolves around sex, drugs and skateboarding. To support their devil-may-care lifestyle, the boys sell their own blood—and occasionally the blood of their friends and whomever they can find—to an underground network run by the drug cartel. When one such arrangement goes wrong, Miguel and Johnny find themselves way over their head. Director Julio Hernandez Cordon’s stylishly blends a breezy romance of wayward youth with a gritty nior thriller on the streets of Mexico City.
Screens April 8 at 9:15 Pm and April 11 at 9:50 Pm
"Schneider vs. Bax"
Dir. Alex van Warmerdam
Netherlands/Belgium
This black comedy makes a point of turning the hitman genre on its head with unconventional setups that spiral into absurdism. Schneider wakes to his adoring wife and two young daughters planning his birthday party only to have it interrupted by a call from his boss with a job that must be done right away: an easy hit on an isolated novelist named Bax that he can finish by noon. Needless to say, things do not go as planned. Schneider vs. Bax is as much about the contrast and comparison of these two men and their families, as it is the nascent yet ineffective real-world cage match.
Screens April 10 at 9:35 Pm and April 14 at 9:40 Pm
"A Stray"
Dir. Musa Syeed
U.S.
In the microcosm of Minneapolis’ large Somali community, Adan has run out of options. Looking to turn his life around, he finds solace, friendship and a job as a janitor at the mosque. Finding an even better job driving a taxi, Adan unexpectedly finds a new friend in a stray dog. But the mosque sees the dog as impure, and Adan finds himself on the streets again. Director Musa Syeed brings the streets of Riverside and the struggles of young Somalis to the big screen in this vivid and moving drama.
Screens April 15 at 7:20 Pm and April 17 at 3: 50 Pm
"Wednesday, May 9"
Dir. Vahid Jalilvand
Iran
Leila works in a chicken packing factory to support her family, but still has no money left over to save for a much-needed operation for her disabled husband. Setareh secretly married against her family’s wishes, and when her tyrannical cousin finds out, an altercation lands her young husband in jail, requiring 30 million tomans in “blood money” for his release. The two tragic stories of these women are connected to a potential benefactor who could help them in Vahid Jalilvand’s incredible debut feature of carefully drawn characters and bold statements of humanism.
Screens April 8 at 4:50 Pm and April 19 at 4:30 Pm...
- 4/7/2016
- by Carlos Aguilar
- Sydney's Buzz
Hearts of Darkness: Guerra’s Exceptional Exploration of Ruinous Colonialization
Colombian director Ciro Guerra charts an enigmatic narrative of parallel odysseys through the Amazon with his third feature, Embrace of the Serpent is no less intimate in its rendering of human interaction than previous films The Wandering Shadows (2004) and The Wind Journeys (2009), Guerra’s stark allegory of the extinction of indigenous cultures at the hands of well-meaning but ignorant white Europeans is powerfully resonant in this gorgeously shot film, touted as the first feature to be shot in the Colombian jungle in over three decades.
In 1909, ailing German explorer Theodor Koch–Grunberg (Jan Bijvoet) scours the Colombian jungle for isolated shaman Karamakate (Nilbio Torres), a guide he believes will lead him to an exotic plant known as yakruna, and thus restore his health. Karamakate, the last surviving member of his tribe, is incredibly wary of white men, and seems only...
Colombian director Ciro Guerra charts an enigmatic narrative of parallel odysseys through the Amazon with his third feature, Embrace of the Serpent is no less intimate in its rendering of human interaction than previous films The Wandering Shadows (2004) and The Wind Journeys (2009), Guerra’s stark allegory of the extinction of indigenous cultures at the hands of well-meaning but ignorant white Europeans is powerfully resonant in this gorgeously shot film, touted as the first feature to be shot in the Colombian jungle in over three decades.
In 1909, ailing German explorer Theodor Koch–Grunberg (Jan Bijvoet) scours the Colombian jungle for isolated shaman Karamakate (Nilbio Torres), a guide he believes will lead him to an exotic plant known as yakruna, and thus restore his health. Karamakate, the last surviving member of his tribe, is incredibly wary of white men, and seems only...
- 2/17/2016
- by Nicholas Bell
- IONCINEMA.com
After garnering the most wide spread acclaim of his career with his previous picture, Borgman, director Alex van Warmerdam is back with what may be not only his most accessible film, but also the prototypical black comedy that he has been striving to make his entire career.
Ostensibly a hit man story in the mold of a Spy vs. Spy comic tale, Schneider Vs. Bax is a pitch black comedy that introduces us to our two titular lead characters, Schneider (a suburban father played wonderfully on edge by Tom Dewisplaere) and Bax (who is a writer with a penchant for booze and hard drugs and is played by van Warmerdam himself). Where the humor truly comes in is the picture’s almost farce-style narrative, which sees these two have to deal with their respective hits (which may or may not be born out of less than ideal intentions) as well as their families,...
Ostensibly a hit man story in the mold of a Spy vs. Spy comic tale, Schneider Vs. Bax is a pitch black comedy that introduces us to our two titular lead characters, Schneider (a suburban father played wonderfully on edge by Tom Dewisplaere) and Bax (who is a writer with a penchant for booze and hard drugs and is played by van Warmerdam himself). Where the humor truly comes in is the picture’s almost farce-style narrative, which sees these two have to deal with their respective hits (which may or may not be born out of less than ideal intentions) as well as their families,...
- 2/15/2016
- by Joshua Brunsting
- CriterionCast
Hitman films tend to be action-packed and heavy with tropes familiar to that particular sub-genre of thrillers. Yet Dutch filmmaker Alex van Warmerdam hopes to subvert those expectations by crafting an almost absurdist, Beckett-style drama between two contract killers hired to take out the other. Such is the premise of Schneider vs Bax, where two seemingly normal individuals reveal their true colors when put to the test of trying to kill one another. Director van Warmerdam, who brought us the devilishly delightful Borgman a few years prior, also stars as one of the titular leads, Bax, adding a compelling layer of personal subtext to his conflicted on-screen persona. Yet despite being able to create an enticing mood with beautiful cinematography and a deliberately methodical pace, Schneider vs Bax does little to deliver on its auspicious prospects, and all that remains in the end are fragmented concepts that fall to the wayside.
- 10/7/2015
- by Raffi Asdourian
- The Film Stage
Up the steep track, under the warm dusk, we trudged with no purpose other than to reach our agreed-upon stop: a hillside café halfway between Prizren and the heavens. Below us, behind us, glittery headlights passed through Kosovo’s second city, en route to its capital, Priština. Stop-start progressions. Bad roads. I’d been overseas for eleven days, Neil for thirty. Our time in Prizren, home for fourteen editions now to the dependably curated Dokufest, had helped to barricade a week between the previous film festival and our imminent recording.From Locarno, Switzerland, news had just arrived to us of the winners awarded during the closing ceremony of that town’s 68th annual film festival. The Locarno Film Festival is never short of talking points: though some of its fare had already retreated into the ether of our minds (good riddance to the lot of it), some had proved to...
- 9/24/2015
- by Michael Pattison
- MUBI
Demon, from late director Marcin Wrona, among those in competition.Scroll down for full competition list
The 31st Warsaw Film Festival (Oct 8-19) has revealed the 16 films selected for its international competition, which will vye for the main award - Warsaw Grand Prix, Best Director Award and Special Jury Award.
The titles include Demon, from Marcin Wrona, the 42-year-old Polish who died in Gdynia on Saturday (Sept 19). The death was likely a suicide, according to reports.
Other films in competition include Hany Abu-Assad’s The Idol, Gabriel Mascaro’s Neon Bull and Alex van Warmerdam’s Schneider vs. Bax.
This year’s festival will include 111 full-length films from 57 countries, comprising 90 features, 18 documentaries and three animations as well as 66 short films.
The winners of Short Film Competition will be put forward to compete for the Oscar.
The festival will open with Men and Chicken by Anders Thomas Jensen, whose film Adam’s Apples won theAudience Award at Wff...
The 31st Warsaw Film Festival (Oct 8-19) has revealed the 16 films selected for its international competition, which will vye for the main award - Warsaw Grand Prix, Best Director Award and Special Jury Award.
The titles include Demon, from Marcin Wrona, the 42-year-old Polish who died in Gdynia on Saturday (Sept 19). The death was likely a suicide, according to reports.
Other films in competition include Hany Abu-Assad’s The Idol, Gabriel Mascaro’s Neon Bull and Alex van Warmerdam’s Schneider vs. Bax.
This year’s festival will include 111 full-length films from 57 countries, comprising 90 features, 18 documentaries and three animations as well as 66 short films.
The winners of Short Film Competition will be put forward to compete for the Oscar.
The festival will open with Men and Chicken by Anders Thomas Jensen, whose film Adam’s Apples won theAudience Award at Wff...
- 9/23/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Relentlessly paced, with the volatile ferocity of a rabid pitbull, "Schneider vs. Bax" is, above all else, pretty damn funny. That's if you're into Alex van Warmerdam's distinctive brand of humor. He strikes me as the kind of surgeon who would wear a clown nose while preforming a life-or-death operation, just to lighten up the mood in the room. It's this kind of dark, caustic drollness that takes center stage in the Dutch director's absurd comedy of errors about two hitmen pitted against one another. More playful, but less compelling, than his previous film — the endlessly engrossing "Borgman" — this latest picture won't make too many lasting impressions, but it's a helluva ride in the moment. It's Tuesday, and Schneider (Tom Dewispelaere) is awakened by his lovely wife Lucy (Loes Haverkort) and two young adorable daughters singing him "Happy Birthday." He barely gets a word in edgewise before his handler Mertens (Gene Bervoets) calls.
- 9/19/2015
- by Nikola Grozdanovic
- The Playlist
The 21st edition of Paris' Etrange Festival came to a fiendish close last night, awarding prizes to four lucky films and leaving local genre-heads heartbroken with the knowledge that it's a full 51 weeks until next year's festivities. Top honors went to Alex Van Warmerdam's hit-man comedy Schneider Vs. Bax, a delightfully nasty piece of work that our man Todd Brown has called "occasionally shocking and frequently hilarious." While Moonwalkers, "a very broad commentary on Swinging London, complete with numerous topless women, an excess of psychedelic drugs, and a brain-fried Ron Perlman, who must team with well-meaning yet ineffective music manager Rupert Grint to [convince Stanley Kubrick to fake the moon-landing]" didn't quite wow our Peter Martin, it certainly went the distance with local festival-goers, who gave...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 9/15/2015
- Screen Anarchy
Context may not be quite everything in life but it is almost always pretty damn important and so it should be noted that if I were to describe Alex Van Warmerdam's most recent feature film as a pleasant little diversion or a wry bit of entertainment that I would be doing so only within the context of his other work. And while the Dutch auteur's delightfully dry hitman comedy Schneider vs Bax is both of those things the larger fact is that a minor diversion for Van Warmerdam still contains more craft, more nuance, and just plain more quality than major works from a healthy majority of other directors. This should be a very simple day for Schneider. A domestic day. His day. It is,...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 9/13/2015
- Screen Anarchy
One thing I love, that is apparent from this wave announcement, is that Fantastic Fest not only celebrates new genre cinema but relishes in repertory genre cinema! We have some awesome martial arts films and a 35mm screening of Evilspeak to coincide with Kier-La Jannise & Paul Corupe’s Satanic Panic: Pop-Cultural Paranoia in the 1980’s. We are also getting the new horror anthology from V/H/S alumni (Producer Roxanne Benjamin, director David Bruckner and directing team Radio Silence) with Southbound! Read on fiends, read on.
Fantastic Fest announces its final wave of highly anticipated features and epic events for the annual celebration of all things genre. With signature smackdown Fantastic Debates and Comedy Central’s The Meltdown with Jonah and Kumail, this year’s Fantastic Fest promises more thrills than ever before as it rages through Austin from September 24 – October 1st. Joining Fantastic Fest for the first time, Charlie Kaufman...
Fantastic Fest announces its final wave of highly anticipated features and epic events for the annual celebration of all things genre. With signature smackdown Fantastic Debates and Comedy Central’s The Meltdown with Jonah and Kumail, this year’s Fantastic Fest promises more thrills than ever before as it rages through Austin from September 24 – October 1st. Joining Fantastic Fest for the first time, Charlie Kaufman...
- 9/9/2015
- by Andy Triefenbach
- Destroy the Brain
Austin, TX – Wednesday, September 9, 2015 – Fantastic Fest announces its final wave of highly anticipated features and epic events for the annual celebration of all things genre. With signature smackdown Fantastic Debates and Comedy Central’s The Meltdown with Jonah and Kumail, this year’s Fantastic Fest promises more thrills than ever before as it rages through Austin from September 24 – October 1st. Joining Fantastic Fest for the first time, Charlie Kaufman and Duke Johnson will be in attendance to share their wildly inventive world of stop motion animation Anomalisa, Cannes Grand Prix winner Son Of Saul is screening in glorious 35mm, the stunning adult fairytale from Gomorrah director Matteo Garrone Tale Of Tales will unfurl, Jerusalem Film Festival’s top prize winner Tikkun, and we welcome the World Premiere of the action-thriller Camino with Zoe Bell and Fantastic Fest veteran / mayor Nacho Vigalondo as a religious psychopath — a prospect that should fill...
- 9/9/2015
- by Jeff Bayer
- The Scorecard Review
The final wave of Fantastic Fest 2015 has finally been announced and it features a crop of festival darlings along with Charlie Kaufman and Duke Johnson’s highly anticipated stop-motion animation film Anomalisa. The Cannes Grand Prix winner Son of Saul joins the list as well as the new film from director Matteo Garrone, Tale of Tales. PopOptiq will be present once again this year so be sure to check out our coverage in the upcoming weeks. Check out the full list below.
****
Anomalisa
United States, 2015
Regional Premiere, 90 min
Directors – Charlie Kaufman and Duke Johnson
Charlie Kaufman’s newest story, a revolutionary and emotional stop-motion animation, follows an unhappy customer service guru looking for an escape from the monotony of his life.
The Assassin
Taiwan, 2015
Us Premiere, 104 min
Director – Hou Hsiao-hsien
After failing to dispatch a corrupt government official, an assassin is disciplined by her master with a mission to...
****
Anomalisa
United States, 2015
Regional Premiere, 90 min
Directors – Charlie Kaufman and Duke Johnson
Charlie Kaufman’s newest story, a revolutionary and emotional stop-motion animation, follows an unhappy customer service guru looking for an escape from the monotony of his life.
The Assassin
Taiwan, 2015
Us Premiere, 104 min
Director – Hou Hsiao-hsien
After failing to dispatch a corrupt government official, an assassin is disciplined by her master with a mission to...
- 9/9/2015
- by Ricky
- SoundOnSight
Fantastic Fest announced its final wave of features and events for the annual celebration of all things genre.
Taking place in Austin, Texas, from September 24-October 1, the festival will include Charlie Kaufman and Duke Johnson’s Anomalisa and Hou Hsiao-hsien’s The Assassin.
“I love the diversity and breadth of programming that the team delivered this year,” said Tim League, Fantastic Fest and Alamo Drafthouse founder.
“In particular I’d like to highlight Anomalisa, Tikkun and Son Of Saul. These utterly-unique, auteur-driven, genre-defying masterpieces are exactly the type of groundbreaking cinema I want to share with the discerning Fantastic Fest audience.”
The films are:
Anomalsia (Us), Charlie Kaufman and Duke Johnson
The Assassin (Taiwan, pictured), Hou Hsiao-hsien
The Boy And The Beast (Japan), Mamoru Hosoda
Camino (Us), Josh C Waller
Come Drink With Me (Hong Kong), King Hu
Dag (Norway), Oystein Karlsen
Daniel’s World (Czech Republic), Veronika Lišková
The Devil’s Candy (Us), Sean Byrne...
Taking place in Austin, Texas, from September 24-October 1, the festival will include Charlie Kaufman and Duke Johnson’s Anomalisa and Hou Hsiao-hsien’s The Assassin.
“I love the diversity and breadth of programming that the team delivered this year,” said Tim League, Fantastic Fest and Alamo Drafthouse founder.
“In particular I’d like to highlight Anomalisa, Tikkun and Son Of Saul. These utterly-unique, auteur-driven, genre-defying masterpieces are exactly the type of groundbreaking cinema I want to share with the discerning Fantastic Fest audience.”
The films are:
Anomalsia (Us), Charlie Kaufman and Duke Johnson
The Assassin (Taiwan, pictured), Hou Hsiao-hsien
The Boy And The Beast (Japan), Mamoru Hosoda
Camino (Us), Josh C Waller
Come Drink With Me (Hong Kong), King Hu
Dag (Norway), Oystein Karlsen
Daniel’s World (Czech Republic), Veronika Lišková
The Devil’s Candy (Us), Sean Byrne...
- 9/9/2015
- ScreenDaily
Anne Sewitsky‘s Sundance preemed Homesick, Cannes preemed Romanian imports from Radu Muntean‘s One Floor Below and Corneliu Porumboiu‘s The Treasure along with Athina Rachel Tsangari‘s Locarno shown Chevalier are just four of the film titles in the just announced Contemporary World Cinema programme for Tiff. Among the other noteworthy titles in what is mostly a mix of world preems and North American premieres we find Grímur Hákonarson‘s Rams (just picked up by Cohen Media), Alex van Warmerdam well-received Locarno comedy Schneider vs. Bax , the world preem for Sion Sono’s The Whispering Star, and the Oscilloscope Laboratories picked up Ciro Guerra‘s Embrace Of The Serpent. Here are today’s selections that were added to the already announced Canadian items.
25 April (New Zealand), Leanne Pooley Wp
3000 Nights (Palestine-France-Jordan-Lebanon-uae-Qatar), Mai Masri Wp
An (Japan-France-Germany), Naomi Kawase Nap
The Apostate (Spain-France-Uruguay), Federico Veiroj Wp
As I Open...
25 April (New Zealand), Leanne Pooley Wp
3000 Nights (Palestine-France-Jordan-Lebanon-uae-Qatar), Mai Masri Wp
An (Japan-France-Germany), Naomi Kawase Nap
The Apostate (Spain-France-Uruguay), Federico Veiroj Wp
As I Open...
- 8/18/2015
- by Eric Lavallee
- IONCINEMA.com
Filipino helmer Erik Matti's latest crime thriller Honor Thy Father (pictured above), Sono's arthouse scifi offering The Whispering Star, Cesc Gay's Truman, and Alex Van Warmerdam's dark hitman comedy Schneider Vs Bax are among the latest additions to the Toronto International Film Festival, both included as part of the sprawling Contemporary World Cinema program. Check the full announcement below and let us know what you're looking forward to!Contemporary World Cinema Programme Presents 60 Outstanding Films From Across The Globe Films from countries including Ethiopia, New Zealand, Peru, Israel, Indonesia , Germany, Australia, Spain, China, France, Japan, Iceland and Morocco in Festival spotlight Toronto -- A diverse and fascinating selection of 60 films from countries across the globe were announced today in the Toronto International Film...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 8/18/2015
- Screen Anarchy
Due to the large volume of films that the Toronto International Film Festival screens every year, participants often find themselves unsure of how to decide what to see. To that end, festival organisers often distribute the films into numerous programmes to reflect commonalities among them. The Contemporary World Cinema Programme, to that end, looks at the features from filmmakers from around the world, showcasing the talents being displayed from numerous countries.
The full lineup for the 2015 Tiff Contemporary World Cinema Programme has now been announced, adding to the previously announced slate of Canadian Films in the Programme. The films, as well as their official synopses, can be seen below.
25 April, directed by Leanne Pooley, making its World Premiere
Award-winning filmmaker Leanne Pooley utilizes the letters and memoirs of New Zealand soldiers and nurses along with state of the art animation to tell the true story of the 1915 battle of Gallipoli.
The full lineup for the 2015 Tiff Contemporary World Cinema Programme has now been announced, adding to the previously announced slate of Canadian Films in the Programme. The films, as well as their official synopses, can be seen below.
25 April, directed by Leanne Pooley, making its World Premiere
Award-winning filmmaker Leanne Pooley utilizes the letters and memoirs of New Zealand soldiers and nurses along with state of the art animation to tell the true story of the 1915 battle of Gallipoli.
- 8/18/2015
- by Deepayan Sengupta
- SoundOnSight
Potential awards season contenders Truth from James Vanderbilt and Marc Abraham’s I Saw The Light starring Tom Hiddleston as Hank Williams land world premiere slots, while Paco Cabezas’s Mr. Right will close the festival.
London is the subject of the seventh annual City To City programme that features world premieres of Tom Geens’ Couple In A Hole starring Paul Higgins and Kate Dickie and Michael Caton-Jones’ Urban Hymn with Letitia Wright and Shirley Henderson. Elaine Constantine’s Northern Soul gets a North American premiere.
The world premiere of Catherine Hardwicke’s Miss You Already is among five additions to the galas alongside Mr. Right, an action comedy starring Sam Rockwell and Anna Kendrick.
Matthew Cullen’s Martin Amis adaptation London Fields and David Gordon Green’s Our Brand Is Crisis get first public screenings in the Special Presentations roster with I Saw The Light.
Tiff top brass also unveiled the Contemporary World Cinema section, featuring...
London is the subject of the seventh annual City To City programme that features world premieres of Tom Geens’ Couple In A Hole starring Paul Higgins and Kate Dickie and Michael Caton-Jones’ Urban Hymn with Letitia Wright and Shirley Henderson. Elaine Constantine’s Northern Soul gets a North American premiere.
The world premiere of Catherine Hardwicke’s Miss You Already is among five additions to the galas alongside Mr. Right, an action comedy starring Sam Rockwell and Anna Kendrick.
Matthew Cullen’s Martin Amis adaptation London Fields and David Gordon Green’s Our Brand Is Crisis get first public screenings in the Special Presentations roster with I Saw The Light.
Tiff top brass also unveiled the Contemporary World Cinema section, featuring...
- 8/18/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
We're gathering reviews and dispatches from the 68th edition of the Locarno Film Festival and have notes on, for example, Josh Mond's James White, Sina Ataeian Dena's Paradise, Akiz's Der Nachtmahr, Igor Drljaca's The Waiting Room, Guillaume Senez's Keeper, Catherine Corsini's La Belle Saison, Barbet Schroeder’s Amnesia, Lionel Baier's La Vanité, Lars Kraume's Der Staat gegen Fritz Bauer, Alex van Warmerdam's Schneider vs. Bax, Pascal Magontier’s The Final Passage, films by Sam Peckinpah, Marlen Khutsiev and many more. » - David Hudson...
- 8/9/2015
- Fandor: Keyframe
We're gathering reviews and dispatches from the 68th edition of the Locarno Film Festival and have notes on, for example, Josh Mond's James White, Sina Ataeian Dena's Paradise, Akiz's Der Nachtmahr, Igor Drljaca's The Waiting Room, Guillaume Senez's Keeper, Catherine Corsini's La Belle Saison, Barbet Schroeder’s Amnesia, Lionel Baier's La Vanité, Lars Kraume's Der Staat gegen Fritz Bauer, Alex van Warmerdam's Schneider vs. Bax, Pascal Magontier’s The Final Passage, films by Sam Peckinpah, Marlen Khutsiev and many more. » - David Hudson...
- 8/9/2015
- Keyframe
Read More: Indiewire's Coverage of the 2015 Locarno Film Festival Dutch filmmaker Alex van Warmerdam's movies tend to take the form of black comedies where doomed characters are trapped by bizarre circumstances. His last feature, the Cannes-acclaimed "Borgman," took this tendency into the realm of abstraction, with the unsettling tale of a devilish presence who inserts himself into an upper class home and destroys it from the inside. Van Warmerdam's latest effort, the riveting and very funny "Schneider vs. Bax," takes a comparatively more traditional approach to turning domestic problems into a warped farce. The plot is fairly straightforward: A pair of killers cope with their families and their targets at once. While more readily accessible, "Schneider vs. Bax" delivers the rare joy ride in which everything going wrong feels exactly right. On the one hand, the premise unfolds in fairly basic terms, with the majority of the running time.
- 8/9/2015
- by Eric Kohn
- Indiewire
Hong Sang-soo's Right Now, Wrong Then.The lineup for the 2015 festival has been revealed, including new films by Hong Sang-soo, Andrzej Zulawski, Chantal Akerman, Athina Rachel Tsangari, and others, alongside retrospectives and tributes dedicated to Sam Peckinpah, Michael Cimino, Bulle Ogier, and much more.Piazza GRANDERicki and the Flash (Jonathan Demme, USA)La belle saison (Catherine Corsini, France)Le dernier passage (Pascal Magontier, France)Der staat gegen Fritz Bauer (Lars Kraume, Germany)Southpaw (Antoine Fuqua, USA)Trainwreck (Judd Apatow, USA)Jack (Elisabeth Scharang, Austria)Floride (Philippe Le Guay, France)The Deer Hunter (Michael Cimino, UK/USA)Erlkönig (Georges Schwizgebel, Switzerland)Guibord s'en va-t-en guerre (Philippe Falardeau, Canada)Bombay Velvet (Anurag Kashyap, India)Pastorale cilentana (Mario Martone, Italy)La vanite (Lionel Baier, Switzerland/France)The Laundryman (Lee Chung, Taiwan)Me and Earl and the Dying Girl (Alfonso Gomez-Rejon, USA) I pugni ni tasca (Marco Bellocchio, Italy)Heliopolis (Sérgio Machado, Brazil)Amnesia (Barbet Schroeder,...
- 7/20/2015
- by Notebook
- MUBI
Dutch helmer Alex van Warmerdam has won a loyal audience around the globe with his delightfully dark creations and fans of the Borgman director will soon have a new treat to feast upon with his upcoming hitman comedy Schneider vs Bax.On his birthday, hit man Schneider's target is Ramon Bax, a writer. It's an easy job. It'll be over before noon. Schneider reluctantly accepts. Bax is recovering from a night of drugs and alcohol. When his daughter Francisca arrives, depressed and unhappy, they quarrel and she starts to cry. Bax suppresses his discomfort with vodka, a joint and some haphazardly chosen pills. What seems a simple hit job for Schneider turns out to be a lot more complicated...The first teaser for this one - really...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 7/8/2015
- Screen Anarchy
Benelux distributor Cineart has been on its usual pre-Cannes buying spree, picking up several high profile arthouse and Us indie titles both in official selection and in the market.
Among its acquisitions from the competition are Mia Madre from Nanni Moretti (sold by Films Distribution), Mon Roi from Maïwenn (sold by Studiocanal) and Marguerite and Julien from Valerie Donzelli (sold by Wild Bunch).
Cineart has also Un Certain Regard opening film An from Naomi Kawase, sold by MK2.
From the Midnight Screenings. it has taken Asif Kapadia’s Amy Winehouse doc Amy (sold by Sunray) and Gaspar Noe’s Love, sold by Wild Bunch.
Another new pick up is Critics’ Week entry La Vie En Grand from Mathieu Vadepied, sold by Gaumont.
Cineart is already aboard the new project from the Dardennes, The Unknown Girl.
Its other pre-buys include Captain Fantastic (from eOne), Nicolas Winding Refn’s Neon Demon (sold by Gaunt and Wild Bunch), Julio Medem’s Ma ma...
Among its acquisitions from the competition are Mia Madre from Nanni Moretti (sold by Films Distribution), Mon Roi from Maïwenn (sold by Studiocanal) and Marguerite and Julien from Valerie Donzelli (sold by Wild Bunch).
Cineart has also Un Certain Regard opening film An from Naomi Kawase, sold by MK2.
From the Midnight Screenings. it has taken Asif Kapadia’s Amy Winehouse doc Amy (sold by Sunray) and Gaspar Noe’s Love, sold by Wild Bunch.
Another new pick up is Critics’ Week entry La Vie En Grand from Mathieu Vadepied, sold by Gaumont.
Cineart is already aboard the new project from the Dardennes, The Unknown Girl.
Its other pre-buys include Captain Fantastic (from eOne), Nicolas Winding Refn’s Neon Demon (sold by Gaunt and Wild Bunch), Julio Medem’s Ma ma...
- 5/13/2015
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
After his last film Borgman premieres in Cannes competition, we expected to see Alex van Warmerdam‘s follow-up Schneider vs. Bax among the slate, or at least a sidebar, but that doesn’t look to be the case. Nonetheless, it’ll arrive in the Netherlands in late May and we’re greatly looking forward to news of a U.S. […]...
- 4/28/2015
- by Leonard Pearce
- The Film Stage
Following the international success of his most recent effort, Borgman, expectations are running high for Dutch director Alex van Warmerdam's upcoming Schneider vs Bax. the veteran helmer has fused arthouse impulses with a wickedly dark sense of humor throughout his career and that love of the absurd appears to be very much in effect with this new effort.On his birthday, hit man Schneider's target is Ramon Bax, a writer. It's an easy job. It'll be over before noon. Schneider reluctantly accepts. Bax is recovering from a night of drugs and alcohol. When his daughter Francisca arrives, depressed and unhappy, they quarrel and she starts to cry. Bax suppresses his discomfort with vodka, a joint and some haphazardly chosen pills. What seems a simple hit job...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 4/27/2015
- Screen Anarchy
Gazing into the crystal ball, Screen rounds up its Cannes predictions.
With the unveiling of Cannes Film Festival’s Official Selection now exactly three weeks away buzz over the titles that Thierry Fremaux and his team will select for the 68th edition is hitting fever pitch.
Official teaser announcements have started to roll this week, led by the confirmation on Wednesday that George Miller’s Mad Max: Fury Road would premiere in an Out of Competition screening on May 14.
Earlier the week, Cannes unveiled its poster featuring Ingrid Bergman to mark the centenary of the late big screen’s birth and it was announced that Stig Bjorkman’s documentary Ingrid Bergman – In Her Own Words would show in Cannes Classics as part of the commemorations.
For the rest of the Official Selection, except perhaps the opening film which is traditionally revealed in advance, Cannes watchers will have to wait for the announcement press conference in Paris on April...
With the unveiling of Cannes Film Festival’s Official Selection now exactly three weeks away buzz over the titles that Thierry Fremaux and his team will select for the 68th edition is hitting fever pitch.
Official teaser announcements have started to roll this week, led by the confirmation on Wednesday that George Miller’s Mad Max: Fury Road would premiere in an Out of Competition screening on May 14.
Earlier the week, Cannes unveiled its poster featuring Ingrid Bergman to mark the centenary of the late big screen’s birth and it was announced that Stig Bjorkman’s documentary Ingrid Bergman – In Her Own Words would show in Cannes Classics as part of the commemorations.
For the rest of the Official Selection, except perhaps the opening film which is traditionally revealed in advance, Cannes watchers will have to wait for the announcement press conference in Paris on April...
- 3/26/2015
- ScreenDaily
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