Canadian actor and filmmaker Xavier Dolan will be joined on this year’s Un Certain Regard Jury by French-Senegalese filmmaker Maïmouna Doucouré, Moroccan director Asmae El Moudir, German-Luxembourg actress Vicky Krieps, and American film critic and writer Todd McCarthy.
The jury will be in charge of awarding prizes for the Un Certain Regard sidebar. This year, 18 films have been selected, including eight first features. The 2023 Un Certain Regard top prize went to director Molly Manning Walker’s debut feature How to Have Sex. When the light breaks by Rúnar Rúnarsson will open the Un Certain Regard section on May 15.
A self-taught filmmaker, Dolan made his feature directorial debut at 19 with I Killed My Mother, an adaptation of his own short story, which was chosen to represent Canada at the Academy Awards. He followed up that film with the 2010 romantic drama Heartbeats, which brought him into the Un Certain Regard section...
The jury will be in charge of awarding prizes for the Un Certain Regard sidebar. This year, 18 films have been selected, including eight first features. The 2023 Un Certain Regard top prize went to director Molly Manning Walker’s debut feature How to Have Sex. When the light breaks by Rúnar Rúnarsson will open the Un Certain Regard section on May 15.
A self-taught filmmaker, Dolan made his feature directorial debut at 19 with I Killed My Mother, an adaptation of his own short story, which was chosen to represent Canada at the Academy Awards. He followed up that film with the 2010 romantic drama Heartbeats, which brought him into the Un Certain Regard section...
- 4/24/2024
- by Zac Ntim
- Deadline Film + TV
Exclusive: French sales and production company Totem Films has boarded international sales on Somalia-set drama The Village Next To Paradise by Mo Harawe.
The movie was among 14 titles announced for the Un Certain Section of the 77th edition of the Cannes Film Festival at the event’s press conference in Paris on Thursday.
Set in a remote Somali village, the feature revolves around a newly assembled family as its members navigate between their different aspirations and the complex world surrounding them. Only love, trust and resilience will power them through their life paths.
“It is a privilege to afford to dream, let alone to become a filmmaker,” said Harawe. following the news. “The Village Next to Paradise serves as a metaphor for a country that holds the potential for paradise, were it not for the circumstances that make such a reality impossible.”
The film stars Somalian actors Ahmed Ali Farah,...
The movie was among 14 titles announced for the Un Certain Section of the 77th edition of the Cannes Film Festival at the event’s press conference in Paris on Thursday.
Set in a remote Somali village, the feature revolves around a newly assembled family as its members navigate between their different aspirations and the complex world surrounding them. Only love, trust and resilience will power them through their life paths.
“It is a privilege to afford to dream, let alone to become a filmmaker,” said Harawe. following the news. “The Village Next to Paradise serves as a metaphor for a country that holds the potential for paradise, were it not for the circumstances that make such a reality impossible.”
The film stars Somalian actors Ahmed Ali Farah,...
- 4/11/2024
- by Melanie Goodfellow
- Deadline Film + TV
David Thion, the French producer of Justine Triet’s best picture contender “Anatomy of a Fall,” is preparing a raft of projects helmed by daring female directors including Charline Bourgeois-Tacquet (“Anais in Love”) and Emily Atef (“More Than Ever”).
Speaking to Variety ahead of the Oscars, Thion said he and Marie-Ange Luciani, who also produced “Anatomy of a Fall,” have also signed Triet for her next movie, the topic of which hasn’t been decided yet.
“Justine has devoted herself fully to the awards campaign for ‘Anatomy of a Fall’ and she hasn’t had time to decide what her next film will be, but she has a few ideas,” Thion said. He added that Triet’s next film will likely be “mainly shot in French, but could have an Anglo-Saxon actress as the lead.”
Bourgeois-Tacquet, who made her feature debut with “Anais in Love,” which premiered at Cannes’ Critics Week,...
Speaking to Variety ahead of the Oscars, Thion said he and Marie-Ange Luciani, who also produced “Anatomy of a Fall,” have also signed Triet for her next movie, the topic of which hasn’t been decided yet.
“Justine has devoted herself fully to the awards campaign for ‘Anatomy of a Fall’ and she hasn’t had time to decide what her next film will be, but she has a few ideas,” Thion said. He added that Triet’s next film will likely be “mainly shot in French, but could have an Anglo-Saxon actress as the lead.”
Bourgeois-Tacquet, who made her feature debut with “Anais in Love,” which premiered at Cannes’ Critics Week,...
- 3/8/2024
- by Elsa Keslassy
- Variety Film + TV
Bookmark this page for the latest updates in the territory.
Screen is listing the 2023 release dates for films in the UK and Ireland in the calendar below.
For distributors who wish to add/amend a date on the calendar, please get in touch with Screen here. Screen is also running a calendar for festival and market dates throughout 2023 here.
December
December 31
Berliner Philharmoniker Live: New Year’s Eve Concert 2023 (Trafalgar - event cinema)
Previous releases January
January 6
Piggy (Vertigo), The Enforcer (Vertigo), Alcarràs (Mubi), A Man Called Otto (Sony), Rashomon (BFI), Till (Universal)
January 7
Andre Rieu In Dublin 2023 (Piece of...
Screen is listing the 2023 release dates for films in the UK and Ireland in the calendar below.
For distributors who wish to add/amend a date on the calendar, please get in touch with Screen here. Screen is also running a calendar for festival and market dates throughout 2023 here.
December
December 31
Berliner Philharmoniker Live: New Year’s Eve Concert 2023 (Trafalgar - event cinema)
Previous releases January
January 6
Piggy (Vertigo), The Enforcer (Vertigo), Alcarràs (Mubi), A Man Called Otto (Sony), Rashomon (BFI), Till (Universal)
January 7
Andre Rieu In Dublin 2023 (Piece of...
- 12/30/2023
- by Ben Dalton
- ScreenDaily
The annual 16 Days 16 Films short movie festival is running: more details and this year’s finalists all here.
Finalists are now being revealed for this year’s 16 Days 16 Films festival, an annual competition that’s attracted entrants from around the world.
To qualify, films are directed by a filmmaker who identifies as female, with their films 25 minutes or under. This year’s selection all, in the words of the festival, ‘explore, emote, or educate on a form of violence against women.’
Partners for the festival include Un Women, The Geena Davis Institute and the BFI. Previous finalists have included How To Have Sex director Molly Manning Walker, and Girl director Adura Onashile.
This year’s finalists – and we’ll be adding the films as they become available over the 16 day period – are…
Esperanza (Mexico) – Mayra Veliz
A Very Nice Guy (Mexico) – Minerva R. Bolaños Rodrigo Fierro
After Fred (UK) – Rachel Meyrick...
Finalists are now being revealed for this year’s 16 Days 16 Films festival, an annual competition that’s attracted entrants from around the world.
To qualify, films are directed by a filmmaker who identifies as female, with their films 25 minutes or under. This year’s selection all, in the words of the festival, ‘explore, emote, or educate on a form of violence against women.’
Partners for the festival include Un Women, The Geena Davis Institute and the BFI. Previous finalists have included How To Have Sex director Molly Manning Walker, and Girl director Adura Onashile.
This year’s finalists – and we’ll be adding the films as they become available over the 16 day period – are…
Esperanza (Mexico) – Mayra Veliz
A Very Nice Guy (Mexico) – Minerva R. Bolaños Rodrigo Fierro
After Fred (UK) – Rachel Meyrick...
- 12/8/2023
- by Simon Brew
- Film Stories
Seven young directors will discuss their latest films with producers, industry experts and audiences.
Nordic Film Days’ industry programme Lübeck Meetings is running a new initiative, Future North, at next month’s event targeted at young directors underrepresented areas of Northern Europe.
Future North has invited seven young directors to discuss the status of their latest films with producers, industry experts and audiences.
The seven directors come from the Baltic countries, Greenland, Sápmi, the Faroe Islands and Schleswig-Holstein.
The directors taking part are: Armands Začs (Latvia), Gailė Garnelytė (Lithuania), Helen Takkin (Estonia), Inuk Jörgensen (Greenland), Johannes Vang (Sàmi), Pola Rader...
Nordic Film Days’ industry programme Lübeck Meetings is running a new initiative, Future North, at next month’s event targeted at young directors underrepresented areas of Northern Europe.
Future North has invited seven young directors to discuss the status of their latest films with producers, industry experts and audiences.
The seven directors come from the Baltic countries, Greenland, Sápmi, the Faroe Islands and Schleswig-Holstein.
The directors taking part are: Armands Začs (Latvia), Gailė Garnelytė (Lithuania), Helen Takkin (Estonia), Inuk Jörgensen (Greenland), Johannes Vang (Sàmi), Pola Rader...
- 10/25/2023
- by Tim Dams
- ScreenDaily
Exclusive: Shooting has wrapped on Went Up the Hill, the psychological ghost story starring Cannes award winner Vicky Krieps and Stranger Things actor Dacre Montgomery.
Above is a first look at the Samuel Van Grinsven flick, which is headed for next week’s AFM via Bankside Films. Buyers in LA will be presented with a promo reel, with Bankside repping international sales and co-repping North American rights with CAA Media Finance.
The film was shot on location in New Zealand and was the latest collaboration between London-based Bankside and Causeway Films following their partnership on Danny & Michael Philippou’s Talk to Me, which is nearing $100M at the global box office. We first told you about it last year.
Went Up the Hill stars Montgomery as Jack and Krieps as Jill. Abandoned as a child, Jack ventures to remote New Zealand to attend the funeral of his estranged mother and there meets her grieving widow,...
Above is a first look at the Samuel Van Grinsven flick, which is headed for next week’s AFM via Bankside Films. Buyers in LA will be presented with a promo reel, with Bankside repping international sales and co-repping North American rights with CAA Media Finance.
The film was shot on location in New Zealand and was the latest collaboration between London-based Bankside and Causeway Films following their partnership on Danny & Michael Philippou’s Talk to Me, which is nearing $100M at the global box office. We first told you about it last year.
Went Up the Hill stars Montgomery as Jack and Krieps as Jill. Abandoned as a child, Jack ventures to remote New Zealand to attend the funeral of his estranged mother and there meets her grieving widow,...
- 10/24/2023
- by Jesse Whittock
- Deadline Film + TV
A wacky film based on a stage show by comedians Aaron Jackson and Josh Sharp, Dicks: The Musical – a riff on The Parent Trap with two adult men as the starring twins — opens in seven theaters in NY, LA and San Francisco on a crowded specialty weekend as theatrical releases of fall film festival titles accelerates.
Dicks, from A24, developed by Chernin Entertainment, is, according to press notes, a first “adult musical comedy” for both. (It’s Chernin’s second musical after hit The Greatest Showman.) Directed by Larry Charles, it stars the two creators Jackson and Sharp as self-obsessed businessmen who discover they’re long-lost identical twins and come together to plot the reunion of their eccentric divorced parents. They’re joined by an A-list roster of Nathan Lane, Megan Mullally, Bowen Yang and Megan Thee Stallion.
A SAG-AFTRA interim agreement allowed the talent to promote the film at TIFF,...
Dicks, from A24, developed by Chernin Entertainment, is, according to press notes, a first “adult musical comedy” for both. (It’s Chernin’s second musical after hit The Greatest Showman.) Directed by Larry Charles, it stars the two creators Jackson and Sharp as self-obsessed businessmen who discover they’re long-lost identical twins and come together to plot the reunion of their eccentric divorced parents. They’re joined by an A-list roster of Nathan Lane, Megan Mullally, Bowen Yang and Megan Thee Stallion.
A SAG-AFTRA interim agreement allowed the talent to promote the film at TIFF,...
- 10/6/2023
- by Jill Goldsmith
- Deadline Film + TV
Hélène Mouchet (Vicky Krieps) is probably dying. She has been diagnosed with an idiopathic fibrosis of the lungs, meaning none of her doctors really has much idea of how to treat her condition. They do know that it will eventually result in suffocation, unless she is able to undergo a lung transplant — which is far from certain to work. In “More Than Ever,” a thoughtful, well-acted drama from writer-director Emily Atef (changing the pace from her work on TV’s “Killing Eve”), this setup is the basis for an exploration, through the lens of one woman’s experience, of how serious disease might be faced, both medically and socially. Strand Releasing is bringing the film to U.S. audiences more than a year after its Un Certain Regard premiere in Cannes.
Hélène finds the awkward response of her social circle unendurable; people mean well, but are terrified of saying the wrong thing.
Hélène finds the awkward response of her social circle unendurable; people mean well, but are terrified of saying the wrong thing.
- 10/4/2023
- by Catherine Bray
- Variety Film + TV
Only a select few rappers can move seamlessly from what is considered rap’s underground into a successful mainstream career. Chicago rapper Lucki’s 2022 project Flawless Like Me reached number 12 on the Billboard 200, while his new highly anticipated album S*ex M*ney Dr*gs, released last week, earned him his highest streaming day of all time on Spotify with 8 million streams. It’s a culmination of a 10-year run of projects that have earned Lucki one of rap’s most loyal fanbases, on par with Playboi Carti’s infamous army of stans.
- 7/13/2023
- by Dewayne Gage
- Rollingstone.com
UK-France-Germany co-production depicts the AIDS pandemic at the end of 1990s.
Germany-based sales firm Global Screen has boarded world sales on Mercy, the new film from More Than Ever director Emily Atef.
French-Iranian director Atef is in Cannes sourcing partners for the film, which will be her English-language film debut and is aiming for a 2024 shoot entirely in Kenya.
Atef has written the adaptation of Lara Santoro’s novel of the same name, about a friendship between a US correspondent in Kenya and a local woman from the slums, who pair up to combat the AIDS crisis in the country...
Germany-based sales firm Global Screen has boarded world sales on Mercy, the new film from More Than Ever director Emily Atef.
French-Iranian director Atef is in Cannes sourcing partners for the film, which will be her English-language film debut and is aiming for a 2024 shoot entirely in Kenya.
Atef has written the adaptation of Lara Santoro’s novel of the same name, about a friendship between a US correspondent in Kenya and a local woman from the slums, who pair up to combat the AIDS crisis in the country...
- 5/21/2023
- by Ben Dalton
- ScreenDaily
Ragna Nordhus joins as producer and co-owner, and Gary Cranner as executive producer and advisor.
Elisa Fernanda Pirir’s new Norwegian production company Staer, which launched in January, is already expanding with two new hires.
Both are producers who Pirir formerly worked with at Mer Film. Ragna Nordhus, who had been head of production at Mer Film, is joining Staer as producer and co-owner. Nordhus also co-produced Cannes 2022 Un Certain Regard feature More Than Ever by Emily Atef.
Gary Cranner, a former Screen Future Leaders producer, who also recently worked at Mer and previously ran his own company Chezville, joins Staer as executive producer.
Elisa Fernanda Pirir’s new Norwegian production company Staer, which launched in January, is already expanding with two new hires.
Both are producers who Pirir formerly worked with at Mer Film. Ragna Nordhus, who had been head of production at Mer Film, is joining Staer as producer and co-owner. Nordhus also co-produced Cannes 2022 Un Certain Regard feature More Than Ever by Emily Atef.
Gary Cranner, a former Screen Future Leaders producer, who also recently worked at Mer and previously ran his own company Chezville, joins Staer as executive producer.
- 5/18/2023
- by Wendy Mitchell
- ScreenDaily
Ragna Nordhus joins as producer and co-owner, and Gary Cranner as executive producer and advisor.
Elisa Fernanda Pirir’s new Norwegian outfit Staer has hired Ragna Nordhus, as producer and co-owner, and Gary Cranner, a former Screen Future Leaders producer, as executive producer and advisor.
Nordhus was head of production at Mer Film and co-produced Emily Atef’s More Than Ever, while Cranner also worked at Mer and ran his own company Chezville. He continue to develop projects through Mantra Film, the company he started with Oda Kruse.
Tromso-based Staer will next shoot Arru, a musical drama showcasing Sami traditional joiks,...
Elisa Fernanda Pirir’s new Norwegian outfit Staer has hired Ragna Nordhus, as producer and co-owner, and Gary Cranner, a former Screen Future Leaders producer, as executive producer and advisor.
Nordhus was head of production at Mer Film and co-produced Emily Atef’s More Than Ever, while Cranner also worked at Mer and ran his own company Chezville. He continue to develop projects through Mantra Film, the company he started with Oda Kruse.
Tromso-based Staer will next shoot Arru, a musical drama showcasing Sami traditional joiks,...
- 5/18/2023
- by Wendy Mitchell
- ScreenDaily
Strand Releasing has bought all North American rights to Emily Atef’s last two movies, “Someday We’ll Tell Each Other Everything” which competed at the Berlin Film Festival, as well as her Cannes entry “More Than Ever.” Both films are represented in international markets by The Match Factory.
Based on Daniela Krien’s novel, the film is set in the summer of 1990, shortly after the fall of the Berlin wall, in the countryside of former East Germany. Marlene Burow plays Maria, who is about to turn 19, lives with her boyfriend at his parents’ farm. She engages into a passionate and lustful affair with Henner (Felix Kramer), a reclusive neighbor who is twice her age.
“More Than Ever,” meanwhile, premiered at last year’s Cannes Film Festival in the Un Certain Regard. It stars Vicky Krieps and late French actor Gaspard Ulliel as a couple whose bond is tested when one...
Based on Daniela Krien’s novel, the film is set in the summer of 1990, shortly after the fall of the Berlin wall, in the countryside of former East Germany. Marlene Burow plays Maria, who is about to turn 19, lives with her boyfriend at his parents’ farm. She engages into a passionate and lustful affair with Henner (Felix Kramer), a reclusive neighbor who is twice her age.
“More Than Ever,” meanwhile, premiered at last year’s Cannes Film Festival in the Un Certain Regard. It stars Vicky Krieps and late French actor Gaspard Ulliel as a couple whose bond is tested when one...
- 3/20/2023
- by Elsa Keslassy
- Variety Film + TV
‘Riceboy Sleeps’ Scoops Top Canadian Film Award
Anthony Shim’s Riceboy Sleeps has won Canada’s biggest film award, the Rogers Best Canadian Film Award. The prize, decided by the Toronto Film Critics Association (Tfca), comes with a Can$100,000 cash prize. Riceboy Sleeps beat nominees Clement Virgo’s Brother and David Cronenberg’s Crimes of the Future. The semi-autobiographical film explores the challenges of living between two cultures through the tale of a Korean immigrant single mother raising her son in Canada. Shot in the Greater Vancouver area and Korea, the feature world premiered at the Toronto International Film Festival in 2022, winning its Platform Prize, and then played in Busan and a raft of other festivals. The win comes as Toronto-based distributor Game Theory Films gears up for the title’s Canadian release on March 17. The feature will also be released in Korea, Singapore and the US in the coming months.
Anthony Shim’s Riceboy Sleeps has won Canada’s biggest film award, the Rogers Best Canadian Film Award. The prize, decided by the Toronto Film Critics Association (Tfca), comes with a Can$100,000 cash prize. Riceboy Sleeps beat nominees Clement Virgo’s Brother and David Cronenberg’s Crimes of the Future. The semi-autobiographical film explores the challenges of living between two cultures through the tale of a Korean immigrant single mother raising her son in Canada. Shot in the Greater Vancouver area and Korea, the feature world premiered at the Toronto International Film Festival in 2022, winning its Platform Prize, and then played in Busan and a raft of other festivals. The win comes as Toronto-based distributor Game Theory Films gears up for the title’s Canadian release on March 17. The feature will also be released in Korea, Singapore and the US in the coming months.
- 3/8/2023
- by Melanie Goodfellow
- Deadline Film + TV
German cinema looks set for a major boom this year with a strong lineup of diverse works that span historical dramas, coming-of-age tales, high-octane nostalgia, animation and sci-fi fun.
The Berlin Film Festival is bowing a muscular selection of local titles, among them “Afire,” by Berlinale mainstay Christian Petzold (“Undine”), screening in competition. The films centers on a group of young people staying at a holiday house near the Baltic Sea during a hot, dry summer, exploring volatile emotions that start to sizzle when a wildfire spreads through the surrounding forest.
Likewise vying for the Golden Bear is Margarethe von Trotta’s biopic “Ingeborg Bachmann: Journey Into the Desert,” starring Vicky Krieps (“Corsage”) as the radical Austrian author. The film examines her relationship with Swiss writer Max Frisch and her 1964 journey of self-discovery through the Egyptian desert.
“Someday We’ll Tell Each Other Everything,” by Emily Atef (“More Than Ever”) and...
The Berlin Film Festival is bowing a muscular selection of local titles, among them “Afire,” by Berlinale mainstay Christian Petzold (“Undine”), screening in competition. The films centers on a group of young people staying at a holiday house near the Baltic Sea during a hot, dry summer, exploring volatile emotions that start to sizzle when a wildfire spreads through the surrounding forest.
Likewise vying for the Golden Bear is Margarethe von Trotta’s biopic “Ingeborg Bachmann: Journey Into the Desert,” starring Vicky Krieps (“Corsage”) as the radical Austrian author. The film examines her relationship with Swiss writer Max Frisch and her 1964 journey of self-discovery through the Egyptian desert.
“Someday We’ll Tell Each Other Everything,” by Emily Atef (“More Than Ever”) and...
- 2/19/2023
- by Ed Meza
- Variety Film + TV
Anyone who has spent much time on Film Twitter recently might know that there are two recurring subjects sure to instigate discourse wars between certain moralistic Zoomers and their befuddled elders: on-screen relationships marked by significant age gaps, and on-screen sex scenes between partners of any age, largely condemned by youthful detractors as gratuitous narrative roadblocks. That demographic won’t be seeking out Emily Atef’s film “Someday We’ll Tell Each Other Everything,” a brazenly sensual May-December romance between a teenage ingenue and a middle-aged social outcast, though beyond the festival circuit, this pretty but somewhat dreary mood piece is unlikely to end up on many people’s radars at all.
Indeed, what’s most interesting about German-born filmmaker Atef’s return to her home turf — after a directing stint on TV’s “Killing Eve” and last year’s predominantly French romance “More Than Ever,” with Vicky Krieps and the...
Indeed, what’s most interesting about German-born filmmaker Atef’s return to her home turf — after a directing stint on TV’s “Killing Eve” and last year’s predominantly French romance “More Than Ever,” with Vicky Krieps and the...
- 2/17/2023
- by Guy Lodge
- Variety Film + TV
Emily Atef, who is presenting her latest film, “Someday We’ll Tell Each Other Everything,” in competition at the Berlin Film Festival, just moved to Paris to direct “La Maison,” a series depicting a fictional family-owned French luxury fashion empire.
While discussing “Someday We’ll Tell Each Other Everything” ahead of its world premiere, Atef told Variety that “La Maison” will be filled with a lot of drama and tragicomedy. “It’s very Shakespearean. There’s so much beauty and luxury with old mansions in Brittany, Parisian ‘hotel particuliers,’ and then behind all that there’s so much human poverty, and you see them ripping each other appart for power,” said Atef, who will direct the pilot and three more episodes.
The series was created and penned by Jose Caltagirone (“Les Combattantes”) and Valentine Milville (“The Bureau”), and will star a high-profile French ensemble cast, including Lambert Wilson (“Benedetta”), Carole Bouquet (“En Therapie...
While discussing “Someday We’ll Tell Each Other Everything” ahead of its world premiere, Atef told Variety that “La Maison” will be filled with a lot of drama and tragicomedy. “It’s very Shakespearean. There’s so much beauty and luxury with old mansions in Brittany, Parisian ‘hotel particuliers,’ and then behind all that there’s so much human poverty, and you see them ripping each other appart for power,” said Atef, who will direct the pilot and three more episodes.
The series was created and penned by Jose Caltagirone (“Les Combattantes”) and Valentine Milville (“The Bureau”), and will star a high-profile French ensemble cast, including Lambert Wilson (“Benedetta”), Carole Bouquet (“En Therapie...
- 2/17/2023
- by Elsa Keslassy
- Variety Film + TV
Emily Atef’s drama, following a dreamy teenager into an affair with a middle-aged man, addresses difficult material with a driving narrative force
More Than Ever director Emily Atef’s new film is a tale of erotic obsession and despair in the farmlands of Thuringia on the eastern side of Germany’s now vanished internal border: it is the summer of 1990, the last historic moments of the Gdr. This is a movie to raise the possibility that Germany has still not perhaps made a full reckoning with the euphoric trauma of the Berlin Wall coming down. Atef finds something mythic, tragic and romantic in the great healing rupture. Something comic, too. There is a bizarre, and unexpectedly funny scene when a Trabant – that well-known symbol of communist Germany’s cultural cringe to the west – veers chaotically off the road, turning over like a biscuit box on wheels; the driver stoically...
More Than Ever director Emily Atef’s new film is a tale of erotic obsession and despair in the farmlands of Thuringia on the eastern side of Germany’s now vanished internal border: it is the summer of 1990, the last historic moments of the Gdr. This is a movie to raise the possibility that Germany has still not perhaps made a full reckoning with the euphoric trauma of the Berlin Wall coming down. Atef finds something mythic, tragic and romantic in the great healing rupture. Something comic, too. There is a bizarre, and unexpectedly funny scene when a Trabant – that well-known symbol of communist Germany’s cultural cringe to the west – veers chaotically off the road, turning over like a biscuit box on wheels; the driver stoically...
- 2/17/2023
- by Peter Bradshaw
- The Guardian - Film News
Germany’s reunification as a backdrop for two attractive bodies uniting over and over again is one way to sum up Someday We’ll Tell Each Other Everything, which director Emily Atef (3 Days in Quiberon) adapted from Daniela Krien’s popular 2011 novel.
The problem with this handsomely made, well-acted and overwrought rural drama is precisely that: What’s interesting is not the doomed love affair between a beautiful 19-year-old girl and a strapping farmer more than twice her age, in a story that’s plays out like Lady Chatterley’s Lover meets Fifty Shades of Gray in the former Ddr. It’s whatever the film has to say about the struggling family and farming community that serves as its setting, during a period just after the fall of the Berlin Wall.
Unfortunately, Atef gives short shrift to the latter in favor of the former, in a movie that starts off rather promisingly...
The problem with this handsomely made, well-acted and overwrought rural drama is precisely that: What’s interesting is not the doomed love affair between a beautiful 19-year-old girl and a strapping farmer more than twice her age, in a story that’s plays out like Lady Chatterley’s Lover meets Fifty Shades of Gray in the former Ddr. It’s whatever the film has to say about the struggling family and farming community that serves as its setting, during a period just after the fall of the Berlin Wall.
Unfortunately, Atef gives short shrift to the latter in favor of the former, in a movie that starts off rather promisingly...
- 2/17/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
Emily Atef, the outspoken French-German filmmaker, may have stepped into a minefield with her latest movie, “Someday We’ll Tell Each Other Everything,” which looks to be one of the Berlinale’s most divisive movies in competition. With such a cute title, one might expect a flowery romance drama, but the movie goes far to break deep-entrenched taboos about female sexuality.
Based on Daniela Krien’s novel, the film is set in the summer of 1990, shortly after the fall of the Berlin wall, in the countryside of former East Germany. Marlene Burow plays Maria, who is about to turn 19, lives with her boyfriend at his parents’ farm. She engages into a passionate and lustful affair with Henner (Felix Kramer), a reclusive neighbor who is twice her age.
“Making this film would have been like a suicide if I was a man. I would have been lynched,” Atef tells Variety ahead of...
Based on Daniela Krien’s novel, the film is set in the summer of 1990, shortly after the fall of the Berlin wall, in the countryside of former East Germany. Marlene Burow plays Maria, who is about to turn 19, lives with her boyfriend at his parents’ farm. She engages into a passionate and lustful affair with Henner (Felix Kramer), a reclusive neighbor who is twice her age.
“Making this film would have been like a suicide if I was a man. I would have been lynched,” Atef tells Variety ahead of...
- 2/17/2023
- by Elsa Keslassy
- Variety Film + TV
"He can have her one more time." The Match Factory has also unveiled a festival promo trailer for another new German film premiering soon at the 2023 Berlin Film Festival kicking off this week. Someday We'll Tell Each Other Everything is the latest film from filmmaker Emily Atef, following her Cannes 2022 feature More Than Ever. Set in a warm summer in 1990 in former East Germany, it follows a young woman who begins a passionate sexual relationship with a charismatic farmer who is twice her age. That's pretty much the entire story here, as it plays itself out. The film stars Marlene Burow, Felix Kramer, Cedric Eich, Silke Bodenbender, and Florian Panzner. The fest adds: "Rarely has an adaptation of a vibrant literary text been able to create such energy, and even more rarely has it been able to revitalise virtues (in the truest sense of the word) which some might find old-fashioned.
- 2/13/2023
- by Alex Billington
- firstshowing.net
The trailer for “Someday We’ll Tell Each Other Everything,” French-Iranian filmmaker Emily Atef’s tale of forbidden love, which premieres in Berlinale Competition, has debuted (below). The Match Factory is looking after the film’s international sales, and Pandora Film is handling German distribution.
The film, based on Daniela Krien’s novel, is set in the summer of 1990 in the countryside around Thuringia, in former East Germany.
Maria, who is about to turn 19, lives with her boyfriend Johannes on his parents’ farm and would rather lose herself in books than focus on graduating. There is a sense of a new era dawning with the reunification of Germany.
When she bumps into Henner, the farmer living next door, one touch is all it takes to ignite an all-consuming passion between Maria and the headstrong, charismatic man twice her age. In an atmosphere buzzing with possibilities, love is born: a secret passion...
The film, based on Daniela Krien’s novel, is set in the summer of 1990 in the countryside around Thuringia, in former East Germany.
Maria, who is about to turn 19, lives with her boyfriend Johannes on his parents’ farm and would rather lose herself in books than focus on graduating. There is a sense of a new era dawning with the reunification of Germany.
When she bumps into Henner, the farmer living next door, one touch is all it takes to ignite an all-consuming passion between Maria and the headstrong, charismatic man twice her age. In an atmosphere buzzing with possibilities, love is born: a secret passion...
- 2/10/2023
- by Leo Barraclough
- Variety Film + TV
Austria’s Oscar© 2023 Entry for Best International Feature: ‘Corsage’ by Marie Kreutzer;Marie KreutzerA corsage is not a flower but a corset gripping the very guts of Sisi, the Empress of the Hapsburg Empire. Married at 16, by 40, hating aging and gaining weigh, Sisi pines away, never finding a pathway toward life.
Quite the opposite of my other favorite films of Cannes where it premiered along with Plus que jamais aka More Than Ever directed by Emily Atef and also starring a luminous Vicky Krieps, Revoir Paris aka ‘Paris Memorie by Alice Winocour and totally forgotten by now, and Un beau matin aka One Fine Morning by Mia Hansen-Love and starring Lea Seydoux in one of her best roles, where the female protagonists heed their inner voices to lead them on their unique pathways to peace. This film nevertheless features a top performance by Vicky Krieps (The Phantom Thread, Plus que jambs) for which she won the Cannes Award for Best Actress in a modern rendition of celebrity royalty.
Vicky Krieps, Luxembourg’s top star
Recalling Sofia Coppola’s Marie Antoinette with its touches of modernism like in the songs sung for royal entertainment, or recalling the real life Princess Diana’s own futile quest for inner peace, Corsage stands on the brilliant direction by Marie Kreutzer who also wrote the screenplay. Beautiful cinematophy by Judith Kaufmann, striking music by Camille, superb editing by Ulrike Kofler. The costumes by Monika Buttinger are extraordinary! The attractive production design may be by another woman but it is uncredited in IMDb. In all, the crew is comprised of a majority of women.
Elisabeth has gone down in history as an empress of eternal youthfulness and beauty. For more than three decades she was regarded as the most beautiful queen in Europe. When Sisi married at 16, she was carefree and frivolous, and imagined herself in love with Emperor Franz Joseph who was head over heals in love with her.
In this rendition of her story, Empress Elizabeth of Austria is idolized for her beauty and renowned for inspiring fashion trends. In 1877 Christmas Empress turns 40 and is officially deemed an old woman she starts trying to maintain her public image.
The glamour of her clothes and the portraits and sculptures of her are still intoxicating while in fact, and as shown in the film, to her, they were toxic reminders to her of lost youth.
Today her life is displayed as kitsch; just visit Vienna to see.
She spent hours each day in efforts to preserve her legendary beauty. Her most striking feature was her thick, ankle-length hair, the care of which required enormous expenditure of time. Franziska Feifalik, the empress’s personal hairdresser, skilfully contrived ingenious hairstyles, including the famous braided crown.
She expressed hardly any political opinions in the final decades of her life. Having put immense pressure on the emperor during the negotiations with Hungary for the Compromise by which the lands of the House of Habsburg were reorganized as a real union between the Austrian Empire and the Hungarian Kingdom, a unpopular event, Elisabeth was forbidden by her husband to interfere in politics ever again. The event is eluded to in the course of telling the story of her progressive retreat from public life.
Elisabeth withdrew from the court and began to lead her own life according to her inclinations. This is where the film begins.
Watch the trailer here.
She spent hours on horseback, riding and dressage; she composed verses in the style of the German poet Heinrich Heine and she travelled frequently. In her apartment she had a gymnastic apparatus set up and performed a strenuous daily program of exercises, which scandalized the court.
After the tragic suicide of her son Rudolf in 1889 the empress only appeared in mourning on official occasions in the lands of the Monarchy and retreated into her grief. Black veils and fans completed the image of the grieving, withdrawn woman. In the film, we do not know of Rudolf’s death but we see her dressed in black and may wonder what precipitated that.
A few other questions remain unanswered in the film, like what were her deepest feelings about her husband and what were his about her? He had numerous mistresses, but their love making, when it finally happens, is both seductive and tender, and she chooses a proper mistress for him as if to replace her in his affections.
Most disappointing is her never finding a way of life for herself. Krieps’ depiction of a life with all exits but one cut off is deeply moving until one realizes that given all she had going for her, she was not able to grow in any way.
After its world premiere at the Cannes Film Festival, it went on to play at the Munich International Film Festval, then going to the Jerusalem Film Festival, the Melbourne International Film Festival and in September to the Toronto International Film Festival.
Isa MK2 has so far sold the film to Ifc for No. America, Ad Vitam for France, Alamode for Germany, Panda Lichtspiele for Austria, Angel for Denmark, Picturehouse for U.K. and Ireland, The Searchers for Benelux, Ascot Elite for Switzerland, Cirko for Hungary, European Film Forum Scanorama for the Baltics, Bim for Italy, Green Narae for So. Korea, Hooray for Taiwan.
From Screen:
The production company behind the film, Germany’s Komplizen Film has become the 10th member of The Creatives, an alliance of independent production companies that work together to co-produce, form strategic partnerships and share information and talent and buyer networks.They are looking at a three-year partnership for developing and funding select series with Fremantle.
Komplizen principals are Janine Jackowski, Maren Ade and Jonas Dornbach. It is one of the key players on the international arthouse film scene, working with directors including Radu Jude, Miguel Gomes, Nadav Lapid, Sonja Heiss and Valeska Griesbach as well as producing Ade’s own three features to date, including her 2016 international hit Toni Erdmann.
Their film was Nicolette Krebitz’s A E I O U — A Quick Alphabet Of Love in the Berlinale Competition in 2022. They have also co-produced Pablo Larrain’s Spencer, with the UK’s Shoebox Films.
In 2019, the company expanded into producing for television with the establishment of Komplizen Serien and went on to make the Frankfurt-based series Skylines for Netflix.
The other companies in The Creatives are Haut et Court (France), Good Chaos (UK), Lemming Film (Netherlands), Maipo Film (Norway), Masha (US), Razor Film (Germany) Spiro (Israel), Unité (France) and Versus Production (Belgium).
“We are happy and proud that our highly esteemed colleagues and also longtime friends from Komplizen Film are going to join the Creatives family,” said Roman Paul and Gerhard Meixner, co-CEOs of the other German member Razor Film.
Komplizen Film’s Janine Jackowski and Jonas Dornbach added that they were very much looking forward to joining forces with “a network of exquisite international and independent producers who share our visions in a rapid and dynamic industry.”...
Quite the opposite of my other favorite films of Cannes where it premiered along with Plus que jamais aka More Than Ever directed by Emily Atef and also starring a luminous Vicky Krieps, Revoir Paris aka ‘Paris Memorie by Alice Winocour and totally forgotten by now, and Un beau matin aka One Fine Morning by Mia Hansen-Love and starring Lea Seydoux in one of her best roles, where the female protagonists heed their inner voices to lead them on their unique pathways to peace. This film nevertheless features a top performance by Vicky Krieps (The Phantom Thread, Plus que jambs) for which she won the Cannes Award for Best Actress in a modern rendition of celebrity royalty.
Vicky Krieps, Luxembourg’s top star
Recalling Sofia Coppola’s Marie Antoinette with its touches of modernism like in the songs sung for royal entertainment, or recalling the real life Princess Diana’s own futile quest for inner peace, Corsage stands on the brilliant direction by Marie Kreutzer who also wrote the screenplay. Beautiful cinematophy by Judith Kaufmann, striking music by Camille, superb editing by Ulrike Kofler. The costumes by Monika Buttinger are extraordinary! The attractive production design may be by another woman but it is uncredited in IMDb. In all, the crew is comprised of a majority of women.
Elisabeth has gone down in history as an empress of eternal youthfulness and beauty. For more than three decades she was regarded as the most beautiful queen in Europe. When Sisi married at 16, she was carefree and frivolous, and imagined herself in love with Emperor Franz Joseph who was head over heals in love with her.
In this rendition of her story, Empress Elizabeth of Austria is idolized for her beauty and renowned for inspiring fashion trends. In 1877 Christmas Empress turns 40 and is officially deemed an old woman she starts trying to maintain her public image.
The glamour of her clothes and the portraits and sculptures of her are still intoxicating while in fact, and as shown in the film, to her, they were toxic reminders to her of lost youth.
Today her life is displayed as kitsch; just visit Vienna to see.
She spent hours each day in efforts to preserve her legendary beauty. Her most striking feature was her thick, ankle-length hair, the care of which required enormous expenditure of time. Franziska Feifalik, the empress’s personal hairdresser, skilfully contrived ingenious hairstyles, including the famous braided crown.
She expressed hardly any political opinions in the final decades of her life. Having put immense pressure on the emperor during the negotiations with Hungary for the Compromise by which the lands of the House of Habsburg were reorganized as a real union between the Austrian Empire and the Hungarian Kingdom, a unpopular event, Elisabeth was forbidden by her husband to interfere in politics ever again. The event is eluded to in the course of telling the story of her progressive retreat from public life.
Elisabeth withdrew from the court and began to lead her own life according to her inclinations. This is where the film begins.
Watch the trailer here.
She spent hours on horseback, riding and dressage; she composed verses in the style of the German poet Heinrich Heine and she travelled frequently. In her apartment she had a gymnastic apparatus set up and performed a strenuous daily program of exercises, which scandalized the court.
After the tragic suicide of her son Rudolf in 1889 the empress only appeared in mourning on official occasions in the lands of the Monarchy and retreated into her grief. Black veils and fans completed the image of the grieving, withdrawn woman. In the film, we do not know of Rudolf’s death but we see her dressed in black and may wonder what precipitated that.
A few other questions remain unanswered in the film, like what were her deepest feelings about her husband and what were his about her? He had numerous mistresses, but their love making, when it finally happens, is both seductive and tender, and she chooses a proper mistress for him as if to replace her in his affections.
Most disappointing is her never finding a way of life for herself. Krieps’ depiction of a life with all exits but one cut off is deeply moving until one realizes that given all she had going for her, she was not able to grow in any way.
After its world premiere at the Cannes Film Festival, it went on to play at the Munich International Film Festval, then going to the Jerusalem Film Festival, the Melbourne International Film Festival and in September to the Toronto International Film Festival.
Isa MK2 has so far sold the film to Ifc for No. America, Ad Vitam for France, Alamode for Germany, Panda Lichtspiele for Austria, Angel for Denmark, Picturehouse for U.K. and Ireland, The Searchers for Benelux, Ascot Elite for Switzerland, Cirko for Hungary, European Film Forum Scanorama for the Baltics, Bim for Italy, Green Narae for So. Korea, Hooray for Taiwan.
From Screen:
The production company behind the film, Germany’s Komplizen Film has become the 10th member of The Creatives, an alliance of independent production companies that work together to co-produce, form strategic partnerships and share information and talent and buyer networks.They are looking at a three-year partnership for developing and funding select series with Fremantle.
Komplizen principals are Janine Jackowski, Maren Ade and Jonas Dornbach. It is one of the key players on the international arthouse film scene, working with directors including Radu Jude, Miguel Gomes, Nadav Lapid, Sonja Heiss and Valeska Griesbach as well as producing Ade’s own three features to date, including her 2016 international hit Toni Erdmann.
Their film was Nicolette Krebitz’s A E I O U — A Quick Alphabet Of Love in the Berlinale Competition in 2022. They have also co-produced Pablo Larrain’s Spencer, with the UK’s Shoebox Films.
In 2019, the company expanded into producing for television with the establishment of Komplizen Serien and went on to make the Frankfurt-based series Skylines for Netflix.
The other companies in The Creatives are Haut et Court (France), Good Chaos (UK), Lemming Film (Netherlands), Maipo Film (Norway), Masha (US), Razor Film (Germany) Spiro (Israel), Unité (France) and Versus Production (Belgium).
“We are happy and proud that our highly esteemed colleagues and also longtime friends from Komplizen Film are going to join the Creatives family,” said Roman Paul and Gerhard Meixner, co-CEOs of the other German member Razor Film.
Komplizen Film’s Janine Jackowski and Jonas Dornbach added that they were very much looking forward to joining forces with “a network of exquisite international and independent producers who share our visions in a rapid and dynamic industry.”...
- 12/18/2022
- by Sydney
- Sydney's Buzz
"I want to make this trip. Even if you disagree." Modern Films in the UK has revealed an official UK trailer for a French indie drama titled More Than Ever, originally known as Plus Que Jamais in French. This heartfelt, honest film premiered at the 2022 Cannes Film Festival earlier this year. It's about a woman with a terminal illness who decides to explore her own mortality and encroaching end of life by going to Norway to meet with another terminally ill man who lives peacefully in a house located in a beautiful fjord. Hélène and Mathieu have been happy together for many years. Their bond is deep. When faced with an existential decision, Hélène travels alone to Norway to seek peace and meet a blogger from the internet. Vicky Krieps co-stars with Bjørn Floberg, with Gaspard Ulliel as her partner. I caught this in Cannes and it's a good film,...
- 12/8/2022
- by Alex Billington
- firstshowing.net
The films will play in the Laugh and Love strands respectively.
Modern Films has acquired UK-Ireland distribution rights on two films that will play in next month’s BFI London Film Festival.
From Memento Films, It has picked up Kristoffer Borgli’s Sick Of Myself, which will debut in the Laugh strand. Produced by The Worst Person In The World producers Dyveke Bjorkly Graver and Andrea Berentsen Ottmar, the film follows a couple in an unhealthy competitive relationship that takes a turn when one of them breaks through as a contemporary artist.
It debuted in Un Certain Regard at Cannes in May,...
Modern Films has acquired UK-Ireland distribution rights on two films that will play in next month’s BFI London Film Festival.
From Memento Films, It has picked up Kristoffer Borgli’s Sick Of Myself, which will debut in the Laugh strand. Produced by The Worst Person In The World producers Dyveke Bjorkly Graver and Andrea Berentsen Ottmar, the film follows a couple in an unhealthy competitive relationship that takes a turn when one of them breaks through as a contemporary artist.
It debuted in Un Certain Regard at Cannes in May,...
- 9/1/2022
- by Ben Dalton
- ScreenDaily
The first 30 titles in the running for the EFAs have been announced.
The first 30 titles in the running for the 2022 European Film Awards have been revealed with a second wave of titles due to be announced in September.
Scroll down for first selection of films
The titles include Ruben Östlund’s Palme d’Or winner Triangle Of Sadness, Carla Simón’s Berlinale Golden Bear winner Alcarras and Kenneth Branagh’s Oscar-winner Belfast. Also selected is Colm Bairéad’s The Quiet Girl, which is Ireland’s submission for the best international feature Oscar.
Further Cannes award winners to make the first...
The first 30 titles in the running for the 2022 European Film Awards have been revealed with a second wave of titles due to be announced in September.
Scroll down for first selection of films
The titles include Ruben Östlund’s Palme d’Or winner Triangle Of Sadness, Carla Simón’s Berlinale Golden Bear winner Alcarras and Kenneth Branagh’s Oscar-winner Belfast. Also selected is Colm Bairéad’s The Quiet Girl, which is Ireland’s submission for the best international feature Oscar.
Further Cannes award winners to make the first...
- 8/18/2022
- by Michael Rosser
- ScreenDaily
Now seemingly a regular fixture at the Cannes Film Festival, before this year’s Corsage and More Than Ever, Vicky Krieps debuted Bergman Island and Hold Me Tight there last year. The lattermost film, directed by international cinema icon Mathieu Amalric, arrives in U.S. theaters (courtesy Kino Lorber) next month and the new trailer has landed.
Adapted from a stage play by Claudine Galéa, the film follows Clarisse, a mother coping with great emotional upheaval, and Arieh Worthalter (Girl) as Marc, the husband she leaves behind. Krieps’ character is a woman on the run from her family for reasons that aren’t immediately clear, alternating between scenes of Clarisse’s road trip and of Marc as he cares for their two children, Paul, and Lucie, a pianist prodigy.
See the trailer below.
Hold Me Tight opens on September 9.
The post Vicky Krieps is on the Run in U.S.
Adapted from a stage play by Claudine Galéa, the film follows Clarisse, a mother coping with great emotional upheaval, and Arieh Worthalter (Girl) as Marc, the husband she leaves behind. Krieps’ character is a woman on the run from her family for reasons that aren’t immediately clear, alternating between scenes of Clarisse’s road trip and of Marc as he cares for their two children, Paul, and Lucie, a pianist prodigy.
See the trailer below.
Hold Me Tight opens on September 9.
The post Vicky Krieps is on the Run in U.S.
- 8/4/2022
- by Jordan Raup
- The Film Stage
Fresh off the world premiere screening of More Than Ever (read review) in the Un Certain Regard section, Emily Atef is already back in the director’s chair set to go into production on a project she has been toiling with since 2018. The Screen Daily folks confirmed that next outing Some Day We Will Tell Each Other Everything will see newcomer Marlene Burow leads the set during the summer of 1990 drama also featuring Felix Kramer (who’ll be seen in the near future in Asli Özge’s Black Box).
Based on Daniela Krien’s debut novel, this is about a passionate romance between an 18 year-old woman and a 40 year-old man in the first summer following the fall of the Berlin Wall, deep in the East German countryside.…...
Based on Daniela Krien’s debut novel, this is about a passionate romance between an 18 year-old woman and a 40 year-old man in the first summer following the fall of the Berlin Wall, deep in the East German countryside.…...
- 6/7/2022
- by Eric Lavallée
- IONCINEMA.com
The Cannes Film Festival’s Un Certain Regard sidebar handed out its prizes tonight with top honors going to Lise Akoka and Romane Gueret’s The Worst Ones (Les Pires). The Jury Prize was awarded to Saim Sadig’s Joyland, the first Pakistani movie ever in official selection at Cannes.
The Worst Ones is a drama about a film within a film that sees a crew hit a working class French town. Deadline’s review said it hit “with thought-provoking and sometimes darkly funny results.”
Joyland for its part, centers on a married man who falls for a trans woman. Deadline called it an “atmospheric” title that “explores a whole family, presenting a picture of a clan torn between modernity and tradition in contemporary Lahore.”
Meanwhile, as had been expected, Vicky Krieps took the Best Actor award for her performance in Marie Kreutzer’s Corsage. She shared the honor with Adam Bessa from Harka.
The Worst Ones is a drama about a film within a film that sees a crew hit a working class French town. Deadline’s review said it hit “with thought-provoking and sometimes darkly funny results.”
Joyland for its part, centers on a married man who falls for a trans woman. Deadline called it an “atmospheric” title that “explores a whole family, presenting a picture of a clan torn between modernity and tradition in contemporary Lahore.”
Meanwhile, as had been expected, Vicky Krieps took the Best Actor award for her performance in Marie Kreutzer’s Corsage. She shared the honor with Adam Bessa from Harka.
- 5/27/2022
- by Nancy Tartaglione
- Deadline Film + TV
Predicting winners is always a fool’s errand in the Un Certain Regard section (the second-most prestigious competition of the Cannes Film Festival) and so it proved tonight, as the little-heralded French entry “The Worst Ones” (“Les Pires”), a debut feature from female directing duo Lise Akoka and Romane Gueret, was handed the top prize by jury president Valeria Golino — one of four first films to be recognized at the ceremony.
A playful film-within-a-film about the challenges and perils of street casting — following a film crew seeking out local non-professional actors for a shoot in a working-class French town — “The Worst Ones” surged past a number of buzzier critical favorites and hot distribution prospects to claim the award.
It’s the second consecutive female-directed feature to be named best in show: last year’s Prix Un Certain Regard went to Russian director Kira Kovalenko’s gritty coming-of-age drama “Unclenching the Fists.
A playful film-within-a-film about the challenges and perils of street casting — following a film crew seeking out local non-professional actors for a shoot in a working-class French town — “The Worst Ones” surged past a number of buzzier critical favorites and hot distribution prospects to claim the award.
It’s the second consecutive female-directed feature to be named best in show: last year’s Prix Un Certain Regard went to Russian director Kira Kovalenko’s gritty coming-of-age drama “Unclenching the Fists.
- 5/27/2022
- by Guy Lodge
- Variety Film + TV
On Saturday, film and TV funder Medienboard Berlin-Brandenburg celebrated the six films that it funded running in the official program of the Cannes Film Festival.
These were Ruben Östlund’s “Triangle of Sadness,” in Competition, Ali Abbasi’s “Holy Spider,” in Competition, Emily Atef’s “More Than Ever,” in Un Certain Regard, Mia Hansen-Løve’s “Un beau matin,” in Directors’ Fortnight, Sergei Loznitsa’s “The Natural History of Destruction,” in Special Screening, and Mantas Kvedaravicius’ “Mariupolis 2,” in Special Screening.
Commenting on the role Medienboard played in funding the films in Cannes, the organization’s chief Kirsten Niehuus said: “Medienboard Berlin-Brandenburg and other film funds play an important role in sustaining high quality cinema in Europe and in international co-productions around the world.”
Speaking about the type of films Medienboard likes to fund, she said: “Not very original but true – we prefer films that bring something original to an audience.
These were Ruben Östlund’s “Triangle of Sadness,” in Competition, Ali Abbasi’s “Holy Spider,” in Competition, Emily Atef’s “More Than Ever,” in Un Certain Regard, Mia Hansen-Løve’s “Un beau matin,” in Directors’ Fortnight, Sergei Loznitsa’s “The Natural History of Destruction,” in Special Screening, and Mantas Kvedaravicius’ “Mariupolis 2,” in Special Screening.
Commenting on the role Medienboard played in funding the films in Cannes, the organization’s chief Kirsten Niehuus said: “Medienboard Berlin-Brandenburg and other film funds play an important role in sustaining high quality cinema in Europe and in international co-productions around the world.”
Speaking about the type of films Medienboard likes to fund, she said: “Not very original but true – we prefer films that bring something original to an audience.
- 5/25/2022
- by Leo Barraclough
- Variety Film + TV
Italian filmmaker’s second film has an ensemble cast that includes Alba Rohrwacher and Valeria Bruni Tedeschi.
Leading German sales agent The Match Factory has acquired international rights to Ginevra Elkann’s upcoming Italian drama I Told You So.
It marks the second feature to be directed by the London-born Italian filmmaker after If Only (Magari), which opened Locarno Film Festival in 2019.
I Told You So, which has the Italian title Te l’avevo detto, is described as “a turbulent mosaic of intertwined stories amidst the inescapable Italian heat”, with an ensemble cast that includes Marisa Borini, Valeria Bruni Tedeschi,...
Leading German sales agent The Match Factory has acquired international rights to Ginevra Elkann’s upcoming Italian drama I Told You So.
It marks the second feature to be directed by the London-born Italian filmmaker after If Only (Magari), which opened Locarno Film Festival in 2019.
I Told You So, which has the Italian title Te l’avevo detto, is described as “a turbulent mosaic of intertwined stories amidst the inescapable Italian heat”, with an ensemble cast that includes Marisa Borini, Valeria Bruni Tedeschi,...
- 5/25/2022
- by Michael Rosser
- ScreenDaily
Director Emily Atef’s Cannes Un Certain Regard drama More Than Ever is a careful, fastidious, Tradition of Quality film about impending death that’s easy to admire but won’t exactly pack ‘em in.
Vicky Krieps impresses yet again, here playing a woman in her early 30s suffering from a likely fatal condition who travels from France to the fjords of Norway to try to come to terms with her unfair lot in life. It’s an entirely respectable and honorable piece about facing your own demise far before your expected time, but still the kind of thing most people would rather not think about.
In Europe in particular, the film will be remembered as the last feature to star the popular French actor Gaspard Ulliel, who died in a skiing accident on January 19. He had also played the young Hannibal Lecter in Hannibal Rising as well as the...
Vicky Krieps impresses yet again, here playing a woman in her early 30s suffering from a likely fatal condition who travels from France to the fjords of Norway to try to come to terms with her unfair lot in life. It’s an entirely respectable and honorable piece about facing your own demise far before your expected time, but still the kind of thing most people would rather not think about.
In Europe in particular, the film will be remembered as the last feature to star the popular French actor Gaspard Ulliel, who died in a skiing accident on January 19. He had also played the young Hannibal Lecter in Hannibal Rising as well as the...
- 5/23/2022
- by Todd McCarthy
- Deadline Film + TV
For all their faults, the 2020s are shaping up to be a welcome celebration of actor Vicky Krieps. The Luxembourg actress is perhaps best-known with domestic audiences for her performance in Paul Thomas Anderson‘s “Phantom Thread,” but with 2021’s “Bergman Island” and a pair of 2022 Cannes Film Festival titles under her belt, she seems poised to enter that rare stratosphere of performers who move between national cinema and Hollywood with ease.
Continue reading Vicky Krieps Says She’ll Star Next In A Viggo Mortensen-Directed Western Set In Mexico at The Playlist.
Continue reading Vicky Krieps Says She’ll Star Next In A Viggo Mortensen-Directed Western Set In Mexico at The Playlist.
- 5/22/2022
- by Matthew Monagle
- The Playlist
Inspired by her own late mother’s long battle with multiple sclerosis, writer/director Emily Atef’s latest work, “More Than Ever,” delivers a poignant and well-acted story. Featuring Gaspard Ulliel’s last performance, the film asks its audience to face the reality of and ponder the inevitability of death as well as the line between those who have experienced a type of suffering and those who haven’t.
Read More: Cannes Film Festival 2022 Preview: 25 Must-See Films To Watch
In her first of two films premiering at this year’s Un Certain Regard section at Cannes — the second being Marie Kreutzer’s brilliant “Corsage” — Vicky Krieps stars as Hélène, a 33-year-old woman struggling with idiopathic pulmonary fibrosis, a rare illness that impacts the lungs and causes breathing to become increasingly more difficult until the person eventually suffocates to death.
Continue reading ‘More Than Ever’ Review: Vicky Krieps & Gaspard Ulliel Shine...
Read More: Cannes Film Festival 2022 Preview: 25 Must-See Films To Watch
In her first of two films premiering at this year’s Un Certain Regard section at Cannes — the second being Marie Kreutzer’s brilliant “Corsage” — Vicky Krieps stars as Hélène, a 33-year-old woman struggling with idiopathic pulmonary fibrosis, a rare illness that impacts the lungs and causes breathing to become increasingly more difficult until the person eventually suffocates to death.
Continue reading ‘More Than Ever’ Review: Vicky Krieps & Gaspard Ulliel Shine...
- 5/22/2022
- by Jihane Bousfiha
- The Playlist
Leading arthouse sales company the Match Factory has acquired the rights to “Bachmann & Frisch,” a biopic about the radical Austrian writer and poet Ingeborg Bachmann, directed by Venice Golden Lion winner Margarethe von Trotta. The film stars Vicky Krieps — who appears in two Cannes Film Festival films this year, “Corsage” and “More Than Ever” — as the poet, and Ronald Zehrfeld as her partner, the Swiss writer Max Frisch.
The pickup follows the international sales success for the Match Factory with Von Trotta’s “Hannah Arendt” in 2012. The company also represented Von Trotta’s “Forget About Nick” in 2017.
“Bachmann & Frisch” tells the story of the author’s life in Berlin, Zurich and Rome, her relationship with Frisch, her trip to Egypt and her radical texts and readings.
Also in the cast are Tobias Resch (“Breaking the Ice”), Basil Eidenbenz (“Denial”), Luna Wedler (“Je Suis Karl”) and Marc Limpach (“Munich: The Edge of War...
The pickup follows the international sales success for the Match Factory with Von Trotta’s “Hannah Arendt” in 2012. The company also represented Von Trotta’s “Forget About Nick” in 2017.
“Bachmann & Frisch” tells the story of the author’s life in Berlin, Zurich and Rome, her relationship with Frisch, her trip to Egypt and her radical texts and readings.
Also in the cast are Tobias Resch (“Breaking the Ice”), Basil Eidenbenz (“Denial”), Luna Wedler (“Je Suis Karl”) and Marc Limpach (“Munich: The Edge of War...
- 5/22/2022
- by Leo Barraclough
- Variety Film + TV
Vicky Krieps should be up for Best Actress at Cannes this year. But as usual, festival programmers have slotted one of the best films at Cannes, Marie Kreutzer’s irreverently feminist Austrian royal drama “Corsage,” in Un Certain Regard.
Krieps’ time will come. Ever since she broke out in 2017 opposite Daniel Day Lewis in Paul Thomas Anderson’s “Phantom Thread,” the Luxembourg actress has been making up for lost time, shooting one role after another, with no regard for making smart career choices, she told me at Cannes. “My choice always comes from my heart, which is why it doesn’t seem like a career choice, ever.”
Mia Hansen-Love’s “Bergman Island,” starring Krieps and Tim Roth as a fractious married couple, made a small arthouse splash last year after debuting at Cannes, while Mathieu Amalric’s Cannes title “Hold Me Tight” is finally coming out in North America this fall.
Krieps’ time will come. Ever since she broke out in 2017 opposite Daniel Day Lewis in Paul Thomas Anderson’s “Phantom Thread,” the Luxembourg actress has been making up for lost time, shooting one role after another, with no regard for making smart career choices, she told me at Cannes. “My choice always comes from my heart, which is why it doesn’t seem like a career choice, ever.”
Mia Hansen-Love’s “Bergman Island,” starring Krieps and Tim Roth as a fractious married couple, made a small arthouse splash last year after debuting at Cannes, while Mathieu Amalric’s Cannes title “Hold Me Tight” is finally coming out in North America this fall.
- 5/21/2022
- by Anne Thompson
- Indiewire
When it was announced five months ago that Gaspard Ulliel — the wolfishly handsome beau of films including “A Very Long Engagement”, “Saint Laurent” and “Sibyl” — died suddenly in a freak skiing accident at 37, peopled mourned the world over for one the most charming actors working in contemporary Gallic cinema. With his good-natured, sleepy grin and icy blue eyes that concealed a glint of malice, it made perfect sense in his smattering of sly roles that his trademark dimple was actually, in fact, a scar.
And it’s a perverse coincidence that his final feature film is entirely concerned with our hopelessness in the face of the inevitable onslaught of death. Perhaps talk about Emily Atef’s bleakly funereal “More Than Ever” as an abrupt bookend to Ulliel’s career will overshadow the fact that , giving space for its subject to be selfish even if that means opting for the cruelest...
And it’s a perverse coincidence that his final feature film is entirely concerned with our hopelessness in the face of the inevitable onslaught of death. Perhaps talk about Emily Atef’s bleakly funereal “More Than Ever” as an abrupt bookend to Ulliel’s career will overshadow the fact that , giving space for its subject to be selfish even if that means opting for the cruelest...
- 5/21/2022
- by Steph Green
- Indiewire
French-Iranian director set to shoot ’Someday We’ll Tell Each Other Everything’.
French-Iranian director Emily Atef, who is in town with her Un Certain Regard title More Than Ever, is gearing up to shoot her next film Someday We’ll Tell Each Other Everything.
Newcomer Marlene Burow leads the cast opposite Felix Kramer.
The German-language production will begin filming in Germany in three weeks, produced by Karsten Stöter for Rohfilm Factory, who produced Atef’s seven-time German Film Award winner 3 Days In Quiberon. All funding has come from Germany and Stöter is in Cannes to finalise additional finance.
Atef described...
French-Iranian director Emily Atef, who is in town with her Un Certain Regard title More Than Ever, is gearing up to shoot her next film Someday We’ll Tell Each Other Everything.
Newcomer Marlene Burow leads the cast opposite Felix Kramer.
The German-language production will begin filming in Germany in three weeks, produced by Karsten Stöter for Rohfilm Factory, who produced Atef’s seven-time German Film Award winner 3 Days In Quiberon. All funding has come from Germany and Stöter is in Cannes to finalise additional finance.
Atef described...
- 5/19/2022
- by Ben Dalton
- ScreenDaily
Debra Granik, Joanna Kulig also on majority-female jury.
Italian filmmaker and actor Valeria Golino will head a majority-female jury for the Un Certain Regard section of the 75th Cannes Film Festival (May 17-28).
Alongside Golino on the five-person jury are US filmmaker Debra Granik; Joanna Kulig, the Polish lead of Cold War; Venezuelan actor Edgar Ramirez; and French singer-songwriter and actor Benjamin Biolay.
Having appeared as an actor in English-language films including Rain Man, Golino is recently known for her work as a director including 2018 Un Certain Regard selection Euphoria.
This year’s Un Certain Regard features 20 films, including eight...
Italian filmmaker and actor Valeria Golino will head a majority-female jury for the Un Certain Regard section of the 75th Cannes Film Festival (May 17-28).
Alongside Golino on the five-person jury are US filmmaker Debra Granik; Joanna Kulig, the Polish lead of Cold War; Venezuelan actor Edgar Ramirez; and French singer-songwriter and actor Benjamin Biolay.
Having appeared as an actor in English-language films including Rain Man, Golino is recently known for her work as a director including 2018 Un Certain Regard selection Euphoria.
This year’s Un Certain Regard features 20 films, including eight...
- 4/27/2022
- by Ben Dalton
- ScreenDaily
It took a few extra days — and years of advocacy — but the Cannes Film Festival has finally broken its long-held record for the number of female filmmakers premiering films in the Competition section. With today’s new addition to the slate, this year’s festival will debut five films directed or co-directed by women in competition for the first time ever.
As IndieWire reported last week, when the the bulk of this year’s lineup was announced, the festival again failed to bump up its representation of female filmmakers in the competition. At the time, the festival announced just three films directed by women had made the cut, with Claire Denis, Kelly Reichardt, and Valeria Bruni Tedeschi all in the section. Today, with a fleet of new films announced, they will be joined by Charlotte Vandermeersch, who co-directed new competition title “The Eight Mountains” with Felix Van Groeningen, and former...
As IndieWire reported last week, when the the bulk of this year’s lineup was announced, the festival again failed to bump up its representation of female filmmakers in the competition. At the time, the festival announced just three films directed by women had made the cut, with Claire Denis, Kelly Reichardt, and Valeria Bruni Tedeschi all in the section. Today, with a fleet of new films announced, they will be joined by Charlotte Vandermeersch, who co-directed new competition title “The Eight Mountains” with Felix Van Groeningen, and former...
- 4/21/2022
- by Kate Erbland
- Indiewire
A week after announcing its official selections, the 2022 Cannes Film Festival has added 17 new films, in the process increasing the number of films directed by women in its main competition from three to five.
The addition of “Un Petit Frere” by French director Leonor Serraille and “Le Otto Montagne” by the Belgian team of Charlotte Vandermeersch and Felix Van Groeningen means that this year’s competition lineup contains five films from female directors, one more than the record of four that was set in 2011 and equaled in 2019 and 2021.
The section now includes 21 films, which means that female-directed films still make up less than one-fourth of the competition lineup at a festival long criticized for its paltry representation of films by women.
The other new competition title is “Tourment Sur les Iles” by Spanish director Albert Serra. Other additions to the festival lineup include Dominik Moll’s “La Nuit du 12” and...
The addition of “Un Petit Frere” by French director Leonor Serraille and “Le Otto Montagne” by the Belgian team of Charlotte Vandermeersch and Felix Van Groeningen means that this year’s competition lineup contains five films from female directors, one more than the record of four that was set in 2011 and equaled in 2019 and 2021.
The section now includes 21 films, which means that female-directed films still make up less than one-fourth of the competition lineup at a festival long criticized for its paltry representation of films by women.
The other new competition title is “Tourment Sur les Iles” by Spanish director Albert Serra. Other additions to the festival lineup include Dominik Moll’s “La Nuit du 12” and...
- 4/21/2022
- by Steve Pond
- The Wrap
New titles join 47 unveiled at April 14 press conference and previously announced Elvis and Top Gun: Maverick.
Cannes Film Festival has added a flurry of new titles to its 2022 Official Selection, as promised by delegate general Thierry Frémaux at last week’s press conference unveiling the bulk of the titles due to premiere at its 75th edition, running May 17-28.
A total of 17 fresh additions were announced, joining the 47 films unveiled on April 14 as well as Elvis and Top Gun: Maverick, which were announced earlier. This brings the total number of films in selection so far to 66 against 83 in last year’s special July edition.
Cannes Film Festival has added a flurry of new titles to its 2022 Official Selection, as promised by delegate general Thierry Frémaux at last week’s press conference unveiling the bulk of the titles due to premiere at its 75th edition, running May 17-28.
A total of 17 fresh additions were announced, joining the 47 films unveiled on April 14 as well as Elvis and Top Gun: Maverick, which were announced earlier. This brings the total number of films in selection so far to 66 against 83 in last year’s special July edition.
- 4/21/2022
- by Melanie Goodfellow
- ScreenDaily
After the initial announcement, the 2022 Cannes Film Festival has added a handful of new titles across its various sections. Most notably, Albert Serra’s newest feature Pacifiction – Tourment sur les îles is now in competition, as well as the latest film from Montparnasse Bienvenüe director Léonor Serraille. Also added is Serge Bozon’s Don Juan, starring Virginie Efira and Tahar Rahim, in the Cannes Premiere section, while Louis Garrel’s L’Innocent will premiere out of competition. Check out all the additions below.
Competition
Le Otto Montagne Charlotte Vandermeersch, Felix Van Groeningen (Italy/Belgium)
Un Petit FRÈRE Léonor Serraille (France)
Tourment Sur Les ÎLES Albert Serra (Spain)
Cannes PREMIÈRE
Don Juan Serge Bozon (France)
LA Nuit Du 12 Dominik Moll (France)
Chronique D’Une Liaison PASSAGÈRE Emmanuel Mouret (France)
Midnight Screenings
Rebel Adil El Arbi, Bilall Fallah (Belgium)
Un Certain Regard
Plus Que Jamais Emily Atef (Germany/France)
Mediterranean Fever Maha Haj...
Competition
Le Otto Montagne Charlotte Vandermeersch, Felix Van Groeningen (Italy/Belgium)
Un Petit FRÈRE Léonor Serraille (France)
Tourment Sur Les ÎLES Albert Serra (Spain)
Cannes PREMIÈRE
Don Juan Serge Bozon (France)
LA Nuit Du 12 Dominik Moll (France)
Chronique D’Une Liaison PASSAGÈRE Emmanuel Mouret (France)
Midnight Screenings
Rebel Adil El Arbi, Bilall Fallah (Belgium)
Un Certain Regard
Plus Que Jamais Emily Atef (Germany/France)
Mediterranean Fever Maha Haj...
- 4/21/2022
- by Leonard Pearce
- The Film Stage
Updated, April 21: The Cannes Film Festival has added competition titles and additional screenings in the Midnight, Un Certain Regard, and Out of Competition sections. They are:
Competition
“The Eight Mountains,” Charlotte Vandermeersch, Felix Van Groeningen
“Un Petit Frère,” Leonor Serraille
“Tourment Sur Les Iles,” Albert Serra
Cannes Premiere
“Don Juan,” Serge Bozon
“La Nuit du 12,” Dominik Moll
“Chronicle of a Temporary Affair,” Emmanuel Mouret
Midnight Screenings
“Rebel,” Adil Arbi, Bilall Fallah
Un Certain Regard
“More Than Ever,” Emily Atef
“Mediterranean Fever,” Maha Haj
“The Blue Caftan,” Maryam Touzani
Out of Competition
“L’Innocent,” Louis Garrel
Special Screenings
“Mi Pais Imaginario,” Patricio Guzmán
“The Vagabonds,” Doroteya Droumeva
“Riposte Feministe,” Marie Perennes, Simon Depardon
“Restos do Vento,” Tiago Guedes
“Little Nicholas,” Amandine Fredon, Benjamin Massoubre
Earlier, April 14: The 2022 Cannes Film Festival is upon us and once again taking place in person this spring from May 17 through May 28. The lineup for...
Competition
“The Eight Mountains,” Charlotte Vandermeersch, Felix Van Groeningen
“Un Petit Frère,” Leonor Serraille
“Tourment Sur Les Iles,” Albert Serra
Cannes Premiere
“Don Juan,” Serge Bozon
“La Nuit du 12,” Dominik Moll
“Chronicle of a Temporary Affair,” Emmanuel Mouret
Midnight Screenings
“Rebel,” Adil Arbi, Bilall Fallah
Un Certain Regard
“More Than Ever,” Emily Atef
“Mediterranean Fever,” Maha Haj
“The Blue Caftan,” Maryam Touzani
Out of Competition
“L’Innocent,” Louis Garrel
Special Screenings
“Mi Pais Imaginario,” Patricio Guzmán
“The Vagabonds,” Doroteya Droumeva
“Riposte Feministe,” Marie Perennes, Simon Depardon
“Restos do Vento,” Tiago Guedes
“Little Nicholas,” Amandine Fredon, Benjamin Massoubre
Earlier, April 14: The 2022 Cannes Film Festival is upon us and once again taking place in person this spring from May 17 through May 28. The lineup for...
- 4/21/2022
- by Ryan Lattanzio
- Indiewire
Viewers of Marvel’s Moon Knight may have noticed that episode 3 was dedicated to the memory of French actor Gaspard Ulliel, who plays black market antiquities collector Anton Mogart in the episode. He ends up clashing with Layla El-Faouly (May Calamawy) and Marc Spector (Oscar Isaac) – the latter in and out of the Moon Knight suit — over a sarcophagus containing the next clue to the whereabouts of Ammit’s tomb.
Ulliel, who made his feature film debut in 2001’s The Brotherhood of the Wolf but was perhaps best known to American audiences as a young Hannibal Lecter in the 2007 film Hannibal Rising, was tragically killed at the age of 37 on January 18, 2022 in a skiing accident in Savoie, France.
Ulliel was not as well known on this side of the Atlantic outside of his lead role in the Hannibal Lecter origin story. His work as the still-forming Hannibal was given favorable...
Ulliel, who made his feature film debut in 2001’s The Brotherhood of the Wolf but was perhaps best known to American audiences as a young Hannibal Lecter in the 2007 film Hannibal Rising, was tragically killed at the age of 37 on January 18, 2022 in a skiing accident in Savoie, France.
Ulliel was not as well known on this side of the Atlantic outside of his lead role in the Hannibal Lecter origin story. His work as the still-forming Hannibal was given favorable...
- 4/13/2022
- by Don Kaye
- Den of Geek
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