Paul Morrissey, the filmmaker who was a business partner and collaborator of Andy Warhol’s, died Monday, Oct. 29. He was 86.
The Andy Warhol Museum confirmed Morrissey’s death in a statement shared on social media. Per The New York Times, Morrissey’s archivist, Michael Chaiken, said the filmmaker died in a Manhattan hospital from pneumonia.
“Morrissey worked on almost every film Warhol made from 1965 – 1974, working as a soundman and lighting supervisor and receiving credits as director and executive producer,” the Warhol Museum said. “He directed the films Flesh, Trash, and...
The Andy Warhol Museum confirmed Morrissey’s death in a statement shared on social media. Per The New York Times, Morrissey’s archivist, Michael Chaiken, said the filmmaker died in a Manhattan hospital from pneumonia.
“Morrissey worked on almost every film Warhol made from 1965 – 1974, working as a soundman and lighting supervisor and receiving credits as director and executive producer,” the Warhol Museum said. “He directed the films Flesh, Trash, and...
- 10/29/2024
- by Jon Blistein
- Rollingstone.com
Paul Morrissey, an influential director known for pushing boundaries with low-budget films of the 1960s and ’70s, died this week at age 86. Morrissey collaborated closely with Andy Warhol on several groundbreaking films made in New York City. He helped develop an experimental style of avant-garde cinema and gave platforms to LGBT and transgender performers at the Factory studio.
Morrissey directed movies like Flesh, Trash, and Heat during his collaboration with Warhol between 1965-1974. These movies, made for under $10,000 each, starred underground stars and explored taboo topics. They helped propel the career of actor Joe Dallesandro as well. Sadly, Morrissey’s partnership with Warhol ended over disputes about their shared creative work.
Beyond films, Morrissey also played a role in Warhol’s music projects. He assisted with the Velvet Underground as their early concerts fused music and multimedia art. Morrissey co-founded Interview Magazine too for a time. In later decades, he...
Morrissey directed movies like Flesh, Trash, and Heat during his collaboration with Warhol between 1965-1974. These movies, made for under $10,000 each, starred underground stars and explored taboo topics. They helped propel the career of actor Joe Dallesandro as well. Sadly, Morrissey’s partnership with Warhol ended over disputes about their shared creative work.
Beyond films, Morrissey also played a role in Warhol’s music projects. He assisted with the Velvet Underground as their early concerts fused music and multimedia art. Morrissey co-founded Interview Magazine too for a time. In later decades, he...
- 10/29/2024
- by Naser Nahandian
- Gazettely
Paul Morrissey, the avant-garde filmmaker who worked on Andy Warhol movies including Chelsea Girls, Flesh, Trash and others who also managed The Velvet Underground in the mid-1960s, died Monday. He was 86.
His archivist Michael Chaiken told The New York Times that Morrissey died of pneumonia in a Manhattan hospital.
Morrissey collaborated with Warhol on several ultralow-budget features focused on the NYC subculture, starting with 1965’s My Hustler through 1974’s Blood for Dracula aka Andy Warhol’s Dracula. Their experimental movies — on which Morrissey often served in roles also including cinematographer and editor — often featured non-pro actors including Joe Dallesandro and Candy Darling and generally were ad-libbed rather than scripted.
Their biggest commercial success — a relative term — was with Trash, the 1970 pic starring Dallesandro as and junkie gigolo and Holly Woodlawn as his wife. Other Morrissey-Warhol films include 1968’s Lonesome Cowboys and 1972’s Heat and Women in Revolt. The duo...
His archivist Michael Chaiken told The New York Times that Morrissey died of pneumonia in a Manhattan hospital.
Morrissey collaborated with Warhol on several ultralow-budget features focused on the NYC subculture, starting with 1965’s My Hustler through 1974’s Blood for Dracula aka Andy Warhol’s Dracula. Their experimental movies — on which Morrissey often served in roles also including cinematographer and editor — often featured non-pro actors including Joe Dallesandro and Candy Darling and generally were ad-libbed rather than scripted.
Their biggest commercial success — a relative term — was with Trash, the 1970 pic starring Dallesandro as and junkie gigolo and Holly Woodlawn as his wife. Other Morrissey-Warhol films include 1968’s Lonesome Cowboys and 1972’s Heat and Women in Revolt. The duo...
- 10/28/2024
- by Erik Pedersen
- Deadline Film + TV
Paul Morrissey, a fixture of New York’s cinema scene whose collaborations with Andy Warhol in the ’60s and ’70s reinvented the American underground and made local legends of amateur actors and transgender performers, died Monday at a hospital in Manhattan. He was 86.
Morrissey’s death was confirmed by archivist Michael Chaiken to the New York Times, which reported that the cause was pneumonia.
Warhol and Morrissey were first introduced in 1965, when the former had begun to tinker with experimental films in his infamous loft hub, dubbed The Factory. Working on budgets of under $10,000, the pair completed a series of features, reaching the most commercial success with a trilogy starring Warhol fixture and gay sex symbol Joe Dallesandro that consisted of “Flesh,” “Trash” and “Heat.” Warhol served as producer, while Morrissey’s cinéma vérité direction and largely ad-libbed scripts provided his leads, such as Dallesandro, Jackie Curtis, Holly Woodlawn and Viva,...
Morrissey’s death was confirmed by archivist Michael Chaiken to the New York Times, which reported that the cause was pneumonia.
Warhol and Morrissey were first introduced in 1965, when the former had begun to tinker with experimental films in his infamous loft hub, dubbed The Factory. Working on budgets of under $10,000, the pair completed a series of features, reaching the most commercial success with a trilogy starring Warhol fixture and gay sex symbol Joe Dallesandro that consisted of “Flesh,” “Trash” and “Heat.” Warhol served as producer, while Morrissey’s cinéma vérité direction and largely ad-libbed scripts provided his leads, such as Dallesandro, Jackie Curtis, Holly Woodlawn and Viva,...
- 10/28/2024
- by J. Kim Murphy
- Variety Film + TV
Paul Morrissey, a cult film director and early Andy Warhol collaborator, has died. He was 86 years of age.
Morrissey’s archivist Michael Chaiken told The Hollywood Reporter the filmmaker died in the early morning of Oct. 28 at Lenox Hill Hospital in New York City after a bout with pneumonia. His most celebrated films as an auteur include Flesh, Trash, Heat, Flesh for Frankenstein and the classic B-picture Blood for Dracula, which starred Joe Dallesandro.
Morrissey’s films also included classics like Women in Revolt and the 1980s New York City trilogy Forty Deuce, Mixed Blood and Spike of Bensonhurst. But it’s Morrissey’s early association with pop artist Andy Warhol that helped establish him as a director and kept his cult status alive throughout his career.
The two artists first met in 1965 and Morrissey signed on to run the publicity and filmmaking for Warhol at The Factory under a...
Morrissey’s archivist Michael Chaiken told The Hollywood Reporter the filmmaker died in the early morning of Oct. 28 at Lenox Hill Hospital in New York City after a bout with pneumonia. His most celebrated films as an auteur include Flesh, Trash, Heat, Flesh for Frankenstein and the classic B-picture Blood for Dracula, which starred Joe Dallesandro.
Morrissey’s films also included classics like Women in Revolt and the 1980s New York City trilogy Forty Deuce, Mixed Blood and Spike of Bensonhurst. But it’s Morrissey’s early association with pop artist Andy Warhol that helped establish him as a director and kept his cult status alive throughout his career.
The two artists first met in 1965 and Morrissey signed on to run the publicity and filmmaking for Warhol at The Factory under a...
- 10/28/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
The Texas Chain Saw Massacre, Tobe Hooper's unhinged indie nightmare which went on to become one of the most influential and disturbing horror films ever made, was released on this day in 1974. Even after all the tributes that came on the film's previous anniversaries, Texas Chain Saw still deserves...
- 10/11/2024
- by Matthew Jackson
- avclub.com
There aren’t many movies like Cry Baby, just like there aren’t many directors and writers like John Waters. Both are unique and unlike anything that has come before or since.
Cry Baby hit screens at the beginning of a new decade, 1990, and celebrated a time many decades prior. It was skewering of teenage delinquent movies of the 50s with a healthy dose of weird, transgressive and musical theater. The overly dramatic time of a teenager and how rebel films of the 50s took that angst and upped to off the charts.
John Waters grew up with those films, and Cry Baby was his unique and amazing spin on that genre. Cry Baby tells the story of Wade “Cry Baby” Walker and his bizarre family and gang of Drapes. These are the weirdos and outcasts of Baltimore, the ones Waters himself would identify more with than the Squares of the story.
Cry Baby hit screens at the beginning of a new decade, 1990, and celebrated a time many decades prior. It was skewering of teenage delinquent movies of the 50s with a healthy dose of weird, transgressive and musical theater. The overly dramatic time of a teenager and how rebel films of the 50s took that angst and upped to off the charts.
John Waters grew up with those films, and Cry Baby was his unique and amazing spin on that genre. Cry Baby tells the story of Wade “Cry Baby” Walker and his bizarre family and gang of Drapes. These are the weirdos and outcasts of Baltimore, the ones Waters himself would identify more with than the Squares of the story.
- 5/28/2024
- by Jessica Dwyer
- JoBlo.com
Dubbed ‘The Sex Symbol of the silver screen’, Anita Ekberg, renowned for her iconic frolicking in the Trevi Fountain in Fellini’s ‘La Dolce Vita,’ delivers an amazingly unique barn-storming performance in ‘The Killer Nun.’ In an interview exclusive to this edition, Ekberg reveals her frustration with the ‘bombshell’ typecasting that followed, expressing a preference for working on films like ‘Killer Nun’ and she boldly declares, ‘This is the kind of film I like!‘
Originally banned as a Video Nasty, ‘Killer Nun’ is a true ‘Nunsploitation’ great, which uniquely crosses into the Giallo genre. Presented here uncut and pristinely restored from a 2K scan of the camera negative, this release finally does justice to the uninhibited and frenzied vision of its creator. With impressive high-style photography and vivid, deliciously surreal murders, it is superbly enhanced by the dreamy yet dystopian score of Alessandro Alessandroni (immortalised by his twangy guitar and...
Originally banned as a Video Nasty, ‘Killer Nun’ is a true ‘Nunsploitation’ great, which uniquely crosses into the Giallo genre. Presented here uncut and pristinely restored from a 2K scan of the camera negative, this release finally does justice to the uninhibited and frenzied vision of its creator. With impressive high-style photography and vivid, deliciously surreal murders, it is superbly enhanced by the dreamy yet dystopian score of Alessandro Alessandroni (immortalised by his twangy guitar and...
- 5/15/2024
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
By the time the curtain rang down on CBS’ “The Judy Garland Show” on March 29, 1964, the musical variety show had, in just one season, three producers and three different formats. Despite good reviews from critics and Judy Garland’s devoted fan base, the series wasn’t felled by the mercurial Garland being difficult but by the Cartwrights — Ben, Little Joe, Adam, and Hoss — of NBC’s ratings powerhouse “Bonanza.”
Though “The Judy Garland Show” was cancelled after one season, it certainly has lived on over the past six decades. The show was included in TV Guide’s 2013 list of 60 series that were “Cancelled Too Soon.” It certainly was the series that got away. Not only was the mercurial Garland in top (and emotional) voice, but the show also featured a powerhouse of guest stars from her frequent leading man Mickey Rooney, Ray Bolger from “The Wizard of Oz” and newcomers such as Barbra Streisand.
Though “The Judy Garland Show” was cancelled after one season, it certainly has lived on over the past six decades. The show was included in TV Guide’s 2013 list of 60 series that were “Cancelled Too Soon.” It certainly was the series that got away. Not only was the mercurial Garland in top (and emotional) voice, but the show also featured a powerhouse of guest stars from her frequent leading man Mickey Rooney, Ray Bolger from “The Wizard of Oz” and newcomers such as Barbra Streisand.
- 3/26/2024
- by Susan King
- Gold Derby
Killer Collectibles highlights five of the most exciting new horror products announced each and every week, from toys and apparel to artwork, records, and much more.
Here are the coolest horror collectibles unveiled this week!
The Guyver 4K Uhd from Unearthed Films
The Guyver will merge onto 4K Uhd + Blu-ray + CD on May 21 via Unearthed Films. Based on the Japanese manga series of the same name, the 1991 sci-fi superhero film has been newly restored in 4K from the original, R-rated 35mm camera negative.
Special effects legends Steve Wang (Predator) and Screaming Mad George (Society) co-direct from a script by Jon Purdy. Mark Hamill, Vivian Wu, Jack Armstrong, Jimmie Walker, Michael Berryman, David Gale, and Jeffrey Combs star. Brian Yuzna produces.
New special features include: a commentary by George and Wang; interviews with George and Yuzna; suit tests, outtakes, and a gag reel with commentary; and a gallery. A soundtrack CD...
Here are the coolest horror collectibles unveiled this week!
The Guyver 4K Uhd from Unearthed Films
The Guyver will merge onto 4K Uhd + Blu-ray + CD on May 21 via Unearthed Films. Based on the Japanese manga series of the same name, the 1991 sci-fi superhero film has been newly restored in 4K from the original, R-rated 35mm camera negative.
Special effects legends Steve Wang (Predator) and Screaming Mad George (Society) co-direct from a script by Jon Purdy. Mark Hamill, Vivian Wu, Jack Armstrong, Jimmie Walker, Michael Berryman, David Gale, and Jeffrey Combs star. Brian Yuzna produces.
New special features include: a commentary by George and Wang; interviews with George and Yuzna; suit tests, outtakes, and a gag reel with commentary; and a gallery. A soundtrack CD...
- 3/15/2024
- by Alex DiVincenzo
- bloody-disgusting.com
Harvey Keitel is to star in Sky/Peacock’s upcoming TV adaptation of The Tattooist of Auschwitz.
The Oscar-nominated Irishman star will play the modern-day Lale Sokolov. His younger self will be played by Jonah Hauer-King, who arrives at Auschwitz in 1942 and is made one of the tätowierer (tattooists), charged to ink identification numbers onto fellow prisoners’ arms.
Around 60 years later, Keitel’s Sokolov meets novice writer Heather Morris (Melanie Lynskey). Recently widowed, Sokolov finds the courage to tell the world his story as he faces the traumatic ghosts of his youth. Anna Próchniak and Jonas Nay also star. Further cast include Tallulah Haddon as Hanna, Mili Eshet as Ivana, Yali Topol Margalith in her first screen role as Cilka, Phénix Brossard as Leon, Ilan Galkoff as Aaron, and Marcel Sabat as Tomas.
The Oscar-nominated Irishman star will play the modern-day Lale Sokolov. His younger self will be played by Jonah Hauer-King, who arrives at Auschwitz in 1942 and is made one of the tätowierer (tattooists), charged to ink identification numbers onto fellow prisoners’ arms.
Around 60 years later, Keitel’s Sokolov meets novice writer Heather Morris (Melanie Lynskey). Recently widowed, Sokolov finds the courage to tell the world his story as he faces the traumatic ghosts of his youth. Anna Próchniak and Jonas Nay also star. Further cast include Tallulah Haddon as Hanna, Mili Eshet as Ivana, Yali Topol Margalith in her first screen role as Cilka, Phénix Brossard as Leon, Ilan Galkoff as Aaron, and Marcel Sabat as Tomas.
- 4/12/2023
- by Max Goldbart
- Deadline Film + TV
STX Films and MGM are ready to tug your heartstrings out of your chest, then leave them to bake under a hot desert sun for Guy Ritchie’sThe Covenant. The studios deployed a first look featurette for the film on Thursday, featuring Jake Gyllenhaal and Dar Salim going behind enemy lines to keep each other alive. The preview of the upcoming action-thriller includes commentary from Gyllenhaal, Salim, and Ritchie, who say the film is an emotional and action-packed journey from start to finish.
Guy Ritchie’s The Covenant comes from a script he wrote with Ivan Atkinson and Marn Davies. Antony Starr (The Boys), Alexander Ludwig (Vikings), Bobby Schofield (Cherry), Emily Beecham (Little Joe), and Johnny Lee Miller (Mindhunters) also star.
Guy Ritchie’s The Covenant follows US Army Sergeant John Kinley (Jake Gyllenhaal) and Afghan interpreter Ahmed (Dar Salim). After an ambush, Ahmed goes to Herculean lengths to save Kinley’s life.
Guy Ritchie’s The Covenant comes from a script he wrote with Ivan Atkinson and Marn Davies. Antony Starr (The Boys), Alexander Ludwig (Vikings), Bobby Schofield (Cherry), Emily Beecham (Little Joe), and Johnny Lee Miller (Mindhunters) also star.
Guy Ritchie’s The Covenant follows US Army Sergeant John Kinley (Jake Gyllenhaal) and Afghan interpreter Ahmed (Dar Salim). After an ambush, Ahmed goes to Herculean lengths to save Kinley’s life.
- 3/30/2023
- by Steve Seigh
- JoBlo.com
Bonanza remains the second-longest-running American western TV series of all time. The show’s unique storylines and characters made it a success, but the memorable theme song also played a part in the series’ popularity. The Bonanza theme song that introduced each episode changed before and during the show’s run, with one version including lyrics written and sung by one of its stars, Lorne Greene.
‘Bonanza’ is a standout show of its era Lorne Greene as Ben Cartwright in ‘Bonanza’ | Fred Sabine/NBCU Photo Bank/NBCUniversal via Getty Images
Bonanza centered on the trials and tribulations of the Cartwright family, led by patriarch Ben Cartwright (Lorne Greene), who lived on the Ponderosa ranch with his three sons: the educated engineer Adam (Pernell Roberts), the gentle giant Eric “Hoss” Cartwright (Dan Blocker), and the quick to anger “Little Joe” (Michael Landon). The NBC show’s exploration of their relationships and...
‘Bonanza’ is a standout show of its era Lorne Greene as Ben Cartwright in ‘Bonanza’ | Fred Sabine/NBCU Photo Bank/NBCUniversal via Getty Images
Bonanza centered on the trials and tribulations of the Cartwright family, led by patriarch Ben Cartwright (Lorne Greene), who lived on the Ponderosa ranch with his three sons: the educated engineer Adam (Pernell Roberts), the gentle giant Eric “Hoss” Cartwright (Dan Blocker), and the quick to anger “Little Joe” (Michael Landon). The NBC show’s exploration of their relationships and...
- 3/8/2023
- by Sam Hines
- Showbiz Cheat Sheet
Though actors typically portray many roles throughout their careers, they can also be defined by one or two pivotal parts that become their legacy (whether they like it or not). Such is the case with Pernell Roberts.
The actor was featured in numerous projects from the ’60s until the ’80s, particularly on TV. But Roberts is best known for two major characters over the course of his lifetime.
The TV shows were a substantial contributor to Roberts’ net worth. He left behind a small fortune at the time of his death in 2010. Here’s more about the actor and his legacy:
Pernell Roberts was best known for his roles on ‘Bonanza’ and ‘Trapper John M.D.’
Roberts has more than 100 credits to his name. But he’s best known for two roles, which also happen to be the lengthiest.
The Georgia native got his start playing Shakespearean characters on theater stages...
The actor was featured in numerous projects from the ’60s until the ’80s, particularly on TV. But Roberts is best known for two major characters over the course of his lifetime.
The TV shows were a substantial contributor to Roberts’ net worth. He left behind a small fortune at the time of his death in 2010. Here’s more about the actor and his legacy:
Pernell Roberts was best known for his roles on ‘Bonanza’ and ‘Trapper John M.D.’
Roberts has more than 100 credits to his name. But he’s best known for two roles, which also happen to be the lengthiest.
The Georgia native got his start playing Shakespearean characters on theater stages...
- 3/6/2023
- by Nikelle Murphy
- Showbiz Cheat Sheet
Click here to read the full article.
Stuart Margolin, the character actor and James Garner buddy best known for portraying the smarmy yet sweet con man Evelyn “Angel” Martin on The Rockford Files, has died. He was 82.
Margolin died Monday, his stepson, actor Max Martini (The Unit), reported on Instagram. Another stepson, director Christopher Martini, told THR that Margolin died of natural causes in Staunton, Virginia.
View this post on Instagram
A post shared by Max Martini (@maxmartinila)
Margolin also brought his manic, manipulative persona to the Blake Edwards films S.O.B. (1981), as a star’s (Julie Andrews) insidious personal assistant, and A Fine Mess (1986), as a bumbling crook in the filmmaker’s homage to slapstick.
Margolin appeared opposite Charles Bronson in The Stone Killer (1973) and Death Wish (1974) — both directed by Michael Winner — playing a contractor who arranges mob hits in the former and the guy who gives Bronson...
Stuart Margolin, the character actor and James Garner buddy best known for portraying the smarmy yet sweet con man Evelyn “Angel” Martin on The Rockford Files, has died. He was 82.
Margolin died Monday, his stepson, actor Max Martini (The Unit), reported on Instagram. Another stepson, director Christopher Martini, told THR that Margolin died of natural causes in Staunton, Virginia.
View this post on Instagram
A post shared by Max Martini (@maxmartinila)
Margolin also brought his manic, manipulative persona to the Blake Edwards films S.O.B. (1981), as a star’s (Julie Andrews) insidious personal assistant, and A Fine Mess (1986), as a bumbling crook in the filmmaker’s homage to slapstick.
Margolin appeared opposite Charles Bronson in The Stone Killer (1973) and Death Wish (1974) — both directed by Michael Winner — playing a contractor who arranges mob hits in the former and the guy who gives Bronson...
- 12/13/2022
- by Mike Barnes
- The Hollywood Reporter - Movie News
It’s the most wonderful time of the year. Fall has come and so has the official spooky season, at least until October 31st. But for some of us Spooky Season never stops, even with the ever sooner it seems encroaching of Christmas decorations into our beloved Jack O’Lanterns and bats.
This gift guide is a bridge for both those that love all things grisly and ghoulish when it comes to their entertainment and décor and also a handy map for those trying to find something to place under the tree from themselves or to help out Sandy Claws.
This guide will be broken down into sections from least expensive to the spendy range, touching on collectibles, movies, books and more. So let’s cut deep into what I think your favorite horror fan might love finding in their bloody stockings this holiday season.
Handmade By Robots – Buffalo Bill...
This gift guide is a bridge for both those that love all things grisly and ghoulish when it comes to their entertainment and décor and also a handy map for those trying to find something to place under the tree from themselves or to help out Sandy Claws.
This guide will be broken down into sections from least expensive to the spendy range, touching on collectibles, movies, books and more. So let’s cut deep into what I think your favorite horror fan might love finding in their bloody stockings this holiday season.
Handmade By Robots – Buffalo Bill...
- 10/30/2022
- by Jessica Dwyer
- JoBlo.com
As we get ready to say goodbye to March, we have one last round of horror and sci-fi Blu-ray and DVD releases headed our way before the new month arrives, and this week’s assortment of titles is pretty damn great. Tragedy Girls is receiving a new Blu-ray release courtesy of those fine fiends over at Vinegar Syndrome, and they are also keeping busy with several other titles this week, too: Flesh for Frankenstein, Beware! Children at Play, and Sister, Sister.
Severin Films is also doing the dark lord’s work with all their amazing releases on tap for this Tuesday, including their 3-Disc Limited Edition set for House on the Edge of the Park, Ballad in Blood, and The Forbidden Door. And for those of you who dig shark-themed horror, you should definitely check out The Requin.
Other releases for March 29th include Phantom of the Mall: Eric’s Revenge...
Severin Films is also doing the dark lord’s work with all their amazing releases on tap for this Tuesday, including their 3-Disc Limited Edition set for House on the Edge of the Park, Ballad in Blood, and The Forbidden Door. And for those of you who dig shark-themed horror, you should definitely check out The Requin.
Other releases for March 29th include Phantom of the Mall: Eric’s Revenge...
- 3/28/2022
- by Heather Wixson
- DailyDead
British auteur Peter Strickland is back with his fifth feature, “Flux Gourmet,” and it is as striking and uncompromising as his previous body of work, which includes “In Fabric” (2018), “The Duke of Burgundy” (2014), “Berberian Sound Studio” (2012) and “Katalin Varga” (2009). “Flux Gourmet” world premieres at the Berlin Film Festival’s Encounters strand on Feb. 11.
The film follows a sonic collective trio with rocky interpersonal dynamics, who take up residency at an institute devoted to culinary and alimentary performance and have to answer to the institute’s head, who has her own opinions about their work. Their chronicler, meanwhile, is dealing with stomach problems.
“Flux Gourmet” began life as Strickland was completing “In Fabric” when a producer offered him the opportunity of making anything he wanted, provided the budget was under £1 million ($1.3 million). “When I showed them the script, they ran a mile,” Strickland told Variety. “They said, ‘Do whatever you want,...
The film follows a sonic collective trio with rocky interpersonal dynamics, who take up residency at an institute devoted to culinary and alimentary performance and have to answer to the institute’s head, who has her own opinions about their work. Their chronicler, meanwhile, is dealing with stomach problems.
“Flux Gourmet” began life as Strickland was completing “In Fabric” when a producer offered him the opportunity of making anything he wanted, provided the budget was under £1 million ($1.3 million). “When I showed them the script, they ran a mile,” Strickland told Variety. “They said, ‘Do whatever you want,...
- 2/11/2022
- by Naman Ramachandran
- Variety Film + TV
Hey everyone! Before we wrap up the month of January, we have one more week of horror and sci-fi home media releases, and there is a lot to look forward to this Tuesday. Kier-La Janisse’s stunning documentary Woodlands Dark and Days Bewitched is getting its own release and is also included in Severin’s amazing Folk Horror compendium that includes a ton of great films beyond Janisse’s doc.
There are a ton of other great titles coming home on Tuesday, too, including Prano Bailey-Bond’s Censor, Arrebato, the cult classic Creature, Detention, Eyes of Fire, Trauma, a limited edition release of Sleep, and a 4K edition of Blood for Dracula.
Other home media titles arriving on January 25th include Delirium: Special Edition, Ebola Syndrome 4K, New York Ninja, The Deeper You Dig, Doctor Carver and Stage Fright (1950).
All The Haunts Be Ours: A Compendium Of Folk Horror (15-Disc...
There are a ton of other great titles coming home on Tuesday, too, including Prano Bailey-Bond’s Censor, Arrebato, the cult classic Creature, Detention, Eyes of Fire, Trauma, a limited edition release of Sleep, and a 4K edition of Blood for Dracula.
Other home media titles arriving on January 25th include Delirium: Special Edition, Ebola Syndrome 4K, New York Ninja, The Deeper You Dig, Doctor Carver and Stage Fright (1950).
All The Haunts Be Ours: A Compendium Of Folk Horror (15-Disc...
- 1/25/2022
- by Heather Wixson
- DailyDead
As part of Severin's mid-year sale, they're offering a number of new titles, including Paul Morrissey's Blood for Dracula, starring Udo Kier! The movie is getting an impressive 4K Uhd upgrade and we have all the details:
At Midnight Eastern on June 25th (Thursday transitioning into Friday), Severin Films is launching their Mid-Year Sale, and as part of it they’re offering up the 4K Uhd debut of Paul Morrissey’s cult classic Blood For Dracula (aka Andy Warhol’S Dracula) in a 3-disc set. The first disc is a Uhd with the film in 4K with Hdr. The second disc is a blu-ray with a 1080P presentation of the film, along with bonus features. The third disc is a newly mastered, extended version of the CD soundtrack
Immediately after completing Flesh For Frankenstein, writer/director Paul Morrissey and star Udo Kier created what remains sumptuously depraved Euroshocker, cunning...
At Midnight Eastern on June 25th (Thursday transitioning into Friday), Severin Films is launching their Mid-Year Sale, and as part of it they’re offering up the 4K Uhd debut of Paul Morrissey’s cult classic Blood For Dracula (aka Andy Warhol’S Dracula) in a 3-disc set. The first disc is a Uhd with the film in 4K with Hdr. The second disc is a blu-ray with a 1080P presentation of the film, along with bonus features. The third disc is a newly mastered, extended version of the CD soundtrack
Immediately after completing Flesh For Frankenstein, writer/director Paul Morrissey and star Udo Kier created what remains sumptuously depraved Euroshocker, cunning...
- 6/24/2021
- by Jonathan James
- DailyDead
How did a little girl who loved Westerns grow up into an icon of queer cinema? As she wins a Teddy award, the filmmaker talks about a life devoted to the movies
When Jenni Olson accepts the Berlin film festival’s coveted Teddy award this month – for “embodying, living and creating queer culture” – she will join the ranks of past recipients including John Hurt, Joe Dallesandro and Tilda Swinton. “Me and Tilda, you know?” laughs the 58-year-old as she winces in the morning sunlight which is streaming into her home in Berkeley, California. With her youthful features, crisply side-parted hair and apostrophe-shaped eyes, she might have been drawn by Charles M Schulz.
“When I started my little gay film series at the University of Minnesota in 1987,” she says, “I never could’ve imagined that one of the largest film festivals in the world would recognise my work.” Along the way,...
When Jenni Olson accepts the Berlin film festival’s coveted Teddy award this month – for “embodying, living and creating queer culture” – she will join the ranks of past recipients including John Hurt, Joe Dallesandro and Tilda Swinton. “Me and Tilda, you know?” laughs the 58-year-old as she winces in the morning sunlight which is streaming into her home in Berkeley, California. With her youthful features, crisply side-parted hair and apostrophe-shaped eyes, she might have been drawn by Charles M Schulz.
“When I started my little gay film series at the University of Minnesota in 1987,” she says, “I never could’ve imagined that one of the largest film festivals in the world would recognise my work.” Along the way,...
- 6/15/2021
- by Ryan Gilbey
- The Guardian - Film News
Years Of Lead: Five Classic Italian Crime Thrillers 1973-1977 will be available on Blu-ray June 22nd from Arrow Video. The titles are: Savage Three (1975), Like Rabid Dogs (1976),, Colt 38 Special Squad (1976), Highway Racer (1977) and Highway Racer (1977),
The 1970s were a time of intense uncertainty and instability in Italy. Political corruption and widespread acts of left and right-wing terrorism, alongside a breakdown in social cohesion and a loss of trust in public institutions such as the government and police, created a febrile atmosphere of cynicism, paranoia and unexploded rage. Throughout this period, these sentiments found expression in a series of brutal, often morally ambiguous crime thrillers which tapped into the atmosphere of violence and instability that defined the so-called Years of Lead.
This box set gathers five films from the heyday of the “poliziotteschi” – the umbrella term used to describe this diverse body of films. In Vittorio Salerno’s Savage Three (1975) and...
The 1970s were a time of intense uncertainty and instability in Italy. Political corruption and widespread acts of left and right-wing terrorism, alongside a breakdown in social cohesion and a loss of trust in public institutions such as the government and police, created a febrile atmosphere of cynicism, paranoia and unexploded rage. Throughout this period, these sentiments found expression in a series of brutal, often morally ambiguous crime thrillers which tapped into the atmosphere of violence and instability that defined the so-called Years of Lead.
This box set gathers five films from the heyday of the “poliziotteschi” – the umbrella term used to describe this diverse body of films. In Vittorio Salerno’s Savage Three (1975) and...
- 5/11/2021
- by Tom Stockman
- WeAreMovieGeeks.com
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Cinema Retro has received the following press release:
Cult Epics Indiegogo Campaign For “Sylvia Kristel: From Emmanuelle To Chabrol Written by Jeremy Richey Hardcover Book” + Sylvia Kristel 1970s Collection 4x Blu-ray set.
Los Angeles, CA (April 2021)
For Immediate Press release.
Sylvia Kristel: From Emmanuelle To Chabrol
A trailblazing figure in film and popular culture, Netherlands native Sylvia Kristel became one of the biggest stars in the world as Emmanuelle in 1974. Alongside her most famous role, directed by Just Jaeckin, a little-known fact is that Sylvia Kristel also appeared in over 20 films between 1973 and 1981 featuring exceptional work with some of the greatest directors in film history including Walerian Borowczyk, Alain Robbe-Grillet, Roger Vadim and Claude Chabrol. Now the story of Sylvia’s astonishing career in the '70s is told in Sylvia Kristel: From Emmanuelle to Chabrol, written by Jeremy Richey. Featured are new interviews with Just Jaeckin,...
Cinema Retro has received the following press release:
Cult Epics Indiegogo Campaign For “Sylvia Kristel: From Emmanuelle To Chabrol Written by Jeremy Richey Hardcover Book” + Sylvia Kristel 1970s Collection 4x Blu-ray set.
Los Angeles, CA (April 2021)
For Immediate Press release.
Sylvia Kristel: From Emmanuelle To Chabrol
A trailblazing figure in film and popular culture, Netherlands native Sylvia Kristel became one of the biggest stars in the world as Emmanuelle in 1974. Alongside her most famous role, directed by Just Jaeckin, a little-known fact is that Sylvia Kristel also appeared in over 20 films between 1973 and 1981 featuring exceptional work with some of the greatest directors in film history including Walerian Borowczyk, Alain Robbe-Grillet, Roger Vadim and Claude Chabrol. Now the story of Sylvia’s astonishing career in the '70s is told in Sylvia Kristel: From Emmanuelle to Chabrol, written by Jeremy Richey. Featured are new interviews with Just Jaeckin,...
- 4/16/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
An obscure oddity from the late 70s, to be sure, is French pop artist Serge Gainsbourg’s 1976 directorial debut, Je t’aime moi non plus, thus named after the singer’s 1969 hit song with Birkin, who also headlines. Although it received two Cesar nominations (for Best Music and Sound), the title had long been unavailable until a restoration release in October of 2019. Kino Lorber resurrects this woebegone road trip romance, which features Andy Warhol muse Joe Dallesandro in a customarily steamy characterization.
Hunky and brooding garbage truck driver Krassky (Dallesandro) rides around with his co-worker boyfriend Paduvan (Hugues Quester).…...
Hunky and brooding garbage truck driver Krassky (Dallesandro) rides around with his co-worker boyfriend Paduvan (Hugues Quester).…...
- 2/25/2020
- by Nicholas Bell
- IONCINEMA.com
Juliano Dornelles on Michael in Bacurau: “When Udo Kier’s character said to the outsiders about the Brazilian collaborators, ‘They don’t speak Brazilian here.’ Brazilian, it’s not a name.”
In celebration of the theatrical release of Bacurau in New York, Kleber Mendonça Filho and Juliano Dornelles will present Mapping Bacurau, a program of films that include John Sayles’s Lone Star,; Colin Eggleston’s Long Weekend; Paul Morrissey’s Blood For Dracula; 70mm print of John Carpenter’s Starman; Ted Kotcheff’s Wake In Fright, and a 4K restoration of Robin Hardy’s The Wicker Man: The Final Cut.
Kleber Mendonça Filho with Juliano Dornelles on Bacurau: “The horses for us is a very interesting marker that this is a Western. They’re beautiful animals, the way they move.” Photo: Anne-Katrin Titze
Bacurau, shot by Pedro Sotero, edited by Eduardo Serrano, costumes by Rita Azevedo, with a.
In celebration of the theatrical release of Bacurau in New York, Kleber Mendonça Filho and Juliano Dornelles will present Mapping Bacurau, a program of films that include John Sayles’s Lone Star,; Colin Eggleston’s Long Weekend; Paul Morrissey’s Blood For Dracula; 70mm print of John Carpenter’s Starman; Ted Kotcheff’s Wake In Fright, and a 4K restoration of Robin Hardy’s The Wicker Man: The Final Cut.
Kleber Mendonça Filho with Juliano Dornelles on Bacurau: “The horses for us is a very interesting marker that this is a Western. They’re beautiful animals, the way they move.” Photo: Anne-Katrin Titze
Bacurau, shot by Pedro Sotero, edited by Eduardo Serrano, costumes by Rita Azevedo, with a.
- 2/23/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
An impeccably dressed man drags on a cigarette at Lax, the smoke matching the color of his close-cropped hair. The Who’s “The Seeker” plays on the soundtrack as he gets into a cab. At his motel, he notices the return address on the back of an envelope. Suddenly, he’s standing in front of that same address. Then he’s on a plane. Then he’s in a car, staring at a picture of a young woman — who appears onscreen as a girl a split-second later, the flashback looking like a purplish,...
- 12/13/2019
- by David Fear
- Rollingstone.com
Francis Ford Coppola’s “The Cotton Club” was thought of as an expensive flop after it was released in 1984. Coppola has said that producers forced him to cut footage of Gregory Hines, who was meant to be a male co-lead with Richard Gere, to focus more on the love story between Gere and Diane Lane, and the result felt lifeless and cold.
But Coppola has restored the Hines footage for this new version, which has been dubbed “The Cotton Club Encore,” and it might also be called “The Cotton Club Transformed,” because this cut makes a film that felt like a failure into one of Coppola’s very best pictures. This movie is a feast with all the trimmings, and then some.
Coppola has a history of revisiting his films and putting out different cuts of them, as in his “Apocalypse Now Redux” and his longer version of “The Outsiders,...
But Coppola has restored the Hines footage for this new version, which has been dubbed “The Cotton Club Encore,” and it might also be called “The Cotton Club Transformed,” because this cut makes a film that felt like a failure into one of Coppola’s very best pictures. This movie is a feast with all the trimmings, and then some.
Coppola has a history of revisiting his films and putting out different cuts of them, as in his “Apocalypse Now Redux” and his longer version of “The Outsiders,...
- 10/2/2019
- by Dan Callahan
- The Wrap
Anita Ekberg in Killer Nun will be available on Blu-ray October 15th from Arrow Video
Aging blonde-bombshell Anita Ekberg gives a full-bodied performance as a sex-crazed sister with some seriously bad habits in the lurid cult classic Killer Nun.
One of the most notorious nunsploitation films, Killer Nun tells the sordid story of Sister Gertrude, a disturbed woman of the cloth who degenerates into a perverse mire of drug taking, sexual perversion, sadistic torture and murder. Joe Dallesandro, Alida Valli and the ample Paola Morra (Behind Convent Walls) offer spirited performances and able support to Ekberg, in this outrageous tale based on real events.
Boasting an incongruously classy score by legendary composer Alessandro Alessandroni (Women’s Camp 119) and stylishly rendered scenes of sex and murder, Killer Nun takes the viewer on a hair-raising journey from the heights of religious ecstasy to the depths of devilish degeneracy. Now Giulio Berruti s...
Aging blonde-bombshell Anita Ekberg gives a full-bodied performance as a sex-crazed sister with some seriously bad habits in the lurid cult classic Killer Nun.
One of the most notorious nunsploitation films, Killer Nun tells the sordid story of Sister Gertrude, a disturbed woman of the cloth who degenerates into a perverse mire of drug taking, sexual perversion, sadistic torture and murder. Joe Dallesandro, Alida Valli and the ample Paola Morra (Behind Convent Walls) offer spirited performances and able support to Ekberg, in this outrageous tale based on real events.
Boasting an incongruously classy score by legendary composer Alessandro Alessandroni (Women’s Camp 119) and stylishly rendered scenes of sex and murder, Killer Nun takes the viewer on a hair-raising journey from the heights of religious ecstasy to the depths of devilish degeneracy. Now Giulio Berruti s...
- 9/24/2019
- by Tom Stockman
- WeAreMovieGeeks.com
by Nathaniel R
Two time Best Supporting Actress Oscar nominee and party fixture Sylvia Miles died yesterday, three months shy of her 95th birthday. The NYC native rose to fame as a cult figure, a pioneer of Off Broadway plays, part of the Studio 54 scene, and a rather daring actress. She was often seen with Andy Warhol never quite going mainstream. Both of her Oscar nominations, for example, came from very brief gritty performances, at least in Oscar terms...
Two time Best Supporting Actress Oscar nominee and party fixture Sylvia Miles died yesterday, three months shy of her 95th birthday. The NYC native rose to fame as a cult figure, a pioneer of Off Broadway plays, part of the Studio 54 scene, and a rather daring actress. She was often seen with Andy Warhol never quite going mainstream. Both of her Oscar nominations, for example, came from very brief gritty performances, at least in Oscar terms...
- 6/13/2019
- by NATHANIEL R
- FilmExperience
Tony Sokol Jun 12, 2019
Sylvia Miles was the original Sally on the Dick van Dyke Show, and a fixture of New York's entertainment world.
Iconic New York stage and screen scene-stealer Sylvia Miles died at age 94, according to Variety. Miles created a string of incredibly memorable, very New York characters, often with very little screen time. She was on the screen for six minutes in Midnight Cowboy (1969), about five and a half minutes in Farewell, My Lovely (1975), and she was nominated as Best Supporting Actress for both. She only sold two apartments in Wall Street and its sequel Wall Street: Money Never Sleeps. Miles had three short scenes selling Amy Irving to the pickle guy in Crossing Delancey.
Her starring role in Andy Warhol's Heat, is no less memorable, though criminally under-watched. A take on the classic Sunset Boulevard, as if any of Warhol's movies weren't, Miles played the Gloria Swanson...
Sylvia Miles was the original Sally on the Dick van Dyke Show, and a fixture of New York's entertainment world.
Iconic New York stage and screen scene-stealer Sylvia Miles died at age 94, according to Variety. Miles created a string of incredibly memorable, very New York characters, often with very little screen time. She was on the screen for six minutes in Midnight Cowboy (1969), about five and a half minutes in Farewell, My Lovely (1975), and she was nominated as Best Supporting Actress for both. She only sold two apartments in Wall Street and its sequel Wall Street: Money Never Sleeps. Miles had three short scenes selling Amy Irving to the pickle guy in Crossing Delancey.
Her starring role in Andy Warhol's Heat, is no less memorable, though criminally under-watched. A take on the classic Sunset Boulevard, as if any of Warhol's movies weren't, Miles played the Gloria Swanson...
- 6/13/2019
- Den of Geek
Sylvia Miles, who earned two Oscar nominations – one for her memorable role as a poodle-owning Upper East Side matron who hooks up with Jon Voight’s hustler in Midnight Cowboy and one for a five and a-half minute scene with Robert Mitchum in Farewell My Lovely – has died.
Her friend, publicist Mauricio Padilha, confirmed to The New York Times that Miles died Wednesday in Manhattan. Padilha said she died in an ambulance on the way to a hospital. She was 94.
Miles was nominated for Best Supporting Actress Oscars for her roles in Midnight Cowboy and in 1975’s Farewell My Love She also appeared in Wall Street and its sequel Wall Street: Money Never Sleeps, among numerous other movies, plays and TV series.
Miles was also a long-time fixture on the New York party scene, often carousing with Andy Warhol and his Factory crowd. She was notable for her continuing appearances...
Her friend, publicist Mauricio Padilha, confirmed to The New York Times that Miles died Wednesday in Manhattan. Padilha said she died in an ambulance on the way to a hospital. She was 94.
Miles was nominated for Best Supporting Actress Oscars for her roles in Midnight Cowboy and in 1975’s Farewell My Love She also appeared in Wall Street and its sequel Wall Street: Money Never Sleeps, among numerous other movies, plays and TV series.
Miles was also a long-time fixture on the New York party scene, often carousing with Andy Warhol and his Factory crowd. She was notable for her continuing appearances...
- 6/12/2019
- by Denise Petski
- Deadline Film + TV
What critic B. Ruby Rich dubbed the “New Queer Cinema” encountered little but praise (plus some attention-getting damnation from political conservatives) with such early ’90s titles as “Swoon,” “My Own Private Idaho,” “The Living End,” “Paris Is Burning,” and so forth. But by mid-decade the vogue had run long enough that even gay audiences felt less inclined to embrace every creative effort, giving a relatively cold shoulder to Steve McLean’s “Postcards From America” (1994) and Todd Verow’s “Frisk.” Both were adapted from edgy gay lit figures — the former from autobiographical writings by David Wojnarowicz (who’d died of AIDS), the latter from a typically violent, queasy novel by Dennis Cooper.
These films look better now than most critics or viewers allowed then. The revulsion “Frisk” was greeted with (at a time when gay films were expected to provide some measure of reassuring uplift) only emboldened Verow as a since-highly-prolific director of microbudget features,...
These films look better now than most critics or viewers allowed then. The revulsion “Frisk” was greeted with (at a time when gay films were expected to provide some measure of reassuring uplift) only emboldened Verow as a since-highly-prolific director of microbudget features,...
- 6/28/2018
- by Dennis Harvey
- Variety Film + TV
In terms of horror adaptations, few stories are as well worn as Dracula and Frankenstein. From the early days of cinema until now, it feels a bit like every third genre director out there has taken a stab at adapting at least one of the classic gothics in their own voice, and the fact of the matter is that a whole lot of them don’t work. With notable exceptions here and there, a good majority of Dracula and Frankenstein spins are incredibly dull and, in an arguably worse sin, incredibly similar to each other.
Paul Morrissey’s films don’t have this problem. Working with the help of producer Andy Warhol, he managed to put out some of the most bizarre, inventive takes on the tales to ever hit the silver screen: a pair of Udo Kier-starring, gloriously campy X-rated horror films. They’re strange, they’re silly and they’re very,...
Paul Morrissey’s films don’t have this problem. Working with the help of producer Andy Warhol, he managed to put out some of the most bizarre, inventive takes on the tales to ever hit the silver screen: a pair of Udo Kier-starring, gloriously campy X-rated horror films. They’re strange, they’re silly and they’re very,...
- 5/5/2018
- by Perry Ruhland
- DailyDead
Review by Roger Carpenter
After cutting his teeth on a couple of spaghetti westerns (Django Defies Sartana; Death’s Dealer), director Pasquale Squitieri moved into the popular gangster genre with Gang War in Naples and Blood Brothers, this last film including the all-star cast of Claudia Cardinale, Franco Nero, and Fabio Testi. He then directed The Climber (1975) , a story about a young, cocky hood who climbs his way up the mafia ladder.
Cult actor Joe Dallesandro stars as the cocky hoodlum, Aldo. Dallesandro had just completed Warhol’s Dracula and Frankenstein films and had decided to stay in Europe. He was riding a crest of popularity and had no trouble finding work. Squitieri was happy to pick him up for this film, alongside co-star Stefania Casini (Warhol’s Dracula, Bertolucci’s 1900, as well as Suspiria).
The film opens with Aldo making off with a load of stolen cigarettes from the docks of Naples.
After cutting his teeth on a couple of spaghetti westerns (Django Defies Sartana; Death’s Dealer), director Pasquale Squitieri moved into the popular gangster genre with Gang War in Naples and Blood Brothers, this last film including the all-star cast of Claudia Cardinale, Franco Nero, and Fabio Testi. He then directed The Climber (1975) , a story about a young, cocky hood who climbs his way up the mafia ladder.
Cult actor Joe Dallesandro stars as the cocky hoodlum, Aldo. Dallesandro had just completed Warhol’s Dracula and Frankenstein films and had decided to stay in Europe. He was riding a crest of popularity and had no trouble finding work. Squitieri was happy to pick him up for this film, alongside co-star Stefania Casini (Warhol’s Dracula, Bertolucci’s 1900, as well as Suspiria).
The film opens with Aldo making off with a load of stolen cigarettes from the docks of Naples.
- 7/28/2017
- by Movie Geeks
- WeAreMovieGeeks.com
The Climber (1976) is now available Blu-ray From Arrow Video
After shooting cult favorites Flesh for Frankenstein and Blood for Dracula in Europe, Joe Dallesandro spent much of the seventies making movies on the continent. In France he worked with auteurs like Louis Malle and Walerian Borowczyk, and in Italy he starred in all manner of genre fare from poliziotteschi (Savage Three, Season for Assassins) to nunsploitation (Killer Nun).
The Climber follows in the tradition of gangster classics such as The Public Enemy and Scarface as it charts the rise and inevitable fall of small-time smuggler Aldo (Dallesandro). Beaten and abandoned by the local gang boss after he tries to skim off some profits for himself, Aldo forms his own group of misfits in order to exact revenge…
Written and directed by Pasquale Squitieri (Gang War in Naples, I Am the Law), The Climber is a prime example of Italian crime...
After shooting cult favorites Flesh for Frankenstein and Blood for Dracula in Europe, Joe Dallesandro spent much of the seventies making movies on the continent. In France he worked with auteurs like Louis Malle and Walerian Borowczyk, and in Italy he starred in all manner of genre fare from poliziotteschi (Savage Three, Season for Assassins) to nunsploitation (Killer Nun).
The Climber follows in the tradition of gangster classics such as The Public Enemy and Scarface as it charts the rise and inevitable fall of small-time smuggler Aldo (Dallesandro). Beaten and abandoned by the local gang boss after he tries to skim off some profits for himself, Aldo forms his own group of misfits in order to exact revenge…
Written and directed by Pasquale Squitieri (Gang War in Naples, I Am the Law), The Climber is a prime example of Italian crime...
- 5/23/2017
- by Tom Stockman
- WeAreMovieGeeks.com
Although François Truffaut has written that the New Wave began “thanks to Jacquette Rivette,” the films of this masterful French director are not well known. Rivette, like his “Cahiers du Cinéma” colleagues Truffaut, Jean-Luc Godard, Claude Chabrol and Éric Rohmer, did graduate to filmmaking but, like Rohmer, was something of a late bloomer as a director.
In 1969, he directed the 4-hour L’amour fou (1969), the now legendary 13-hour Out 1 (1971) (made for French TV in 1970 but never broadcast; edited to a 4-hour feature and retitled Out 1: Spectre (1972)), and the 3-hour Celine and Julie Go Boating (1974), his most entertaining and widely seen picture. In these three films, Rivette began to construct what has come to be called his “House of Fiction”–an enigmatic filmmaking style involving improvisation, ellipsis and considerable narrative experimentation.
Celine and Julie Go Boating
In 1975, Jacques Rivette reunited with Out 1 producer Stéphane Tchal Gadjieff with the idea of a four-film cycle.
In 1969, he directed the 4-hour L’amour fou (1969), the now legendary 13-hour Out 1 (1971) (made for French TV in 1970 but never broadcast; edited to a 4-hour feature and retitled Out 1: Spectre (1972)), and the 3-hour Celine and Julie Go Boating (1974), his most entertaining and widely seen picture. In these three films, Rivette began to construct what has come to be called his “House of Fiction”–an enigmatic filmmaking style involving improvisation, ellipsis and considerable narrative experimentation.
Celine and Julie Go Boating
In 1975, Jacques Rivette reunited with Out 1 producer Stéphane Tchal Gadjieff with the idea of a four-film cycle.
- 5/1/2017
- by Tom Stockman
- WeAreMovieGeeks.com
After introducing moviegoers to Belial in Basket Case, filmmaker Frank Henenlotter brought another evil entity to the big screen in Brain Damage, one of several horror films coming out on Blu-ray in the Us this spring from Arrow Video, who have now revealed the full list of special features for the 1988 film's high-def home media release.
Press Release: May sees the release of a fantastic slate of cult cinema from Arrow Video, with a healthy mix of giallo, cult crime and gore to keep fans happy.
First comes The Climber, starring cult actor Joe Dallesandro (Flesh for Frankenstein, Blood for Dracula). The Climber is a prime example of Italian crime cinema and follows the rise and fall of Dallesandro's smalltime drug dealer, Aldo. Filled with brawls, fistfights, shootouts and explosions, this is an excellent action-thriller. The other big crime release of May is Cops vs Thugs, Kinji Fukasaku's masterpiece...
Press Release: May sees the release of a fantastic slate of cult cinema from Arrow Video, with a healthy mix of giallo, cult crime and gore to keep fans happy.
First comes The Climber, starring cult actor Joe Dallesandro (Flesh for Frankenstein, Blood for Dracula). The Climber is a prime example of Italian crime cinema and follows the rise and fall of Dallesandro's smalltime drug dealer, Aldo. Filled with brawls, fistfights, shootouts and explosions, this is an excellent action-thriller. The other big crime release of May is Cops vs Thugs, Kinji Fukasaku's masterpiece...
- 4/11/2017
- by Derek Anderson
- DailyDead
Salt and FireDear Danny,Funny you mention genre, as A Quiet Passion would seem to belong to my least favorite one: the biopic. Or not really, for directors create their own genres, great ones do, and Terence Davies is among the greatest now at work. His Emily Dickinson, splendidly embodied by Cynthia Nixon, is no genteel figurine reciting favorite verses but a sharp and unyielding intelligence twisting in a severe body and a severe era. Right from the start, refusing to move to one side or another when her seminary is divided according to faith, she will not give an inch. (“You are alone in your rebellion,” snaps the headmistress, crucifix looming in the background.) At her Massachusetts family home, words—not just the budding poetess’ stanzas, but bon mots, barbs, any curlicues of witty verbiage—are cherished cracks in staid domesticity, like the songs in Meet Me in St. Louis.
- 9/14/2016
- MUBI
As an supplement to our Recommended Discs weekly feature, Peter Labuza regularly highlights notable recent home video releases with expanded reviews. See this week’s selections below.
The American Friend (Criterion)
“What’s wrong with a cowboy in Hamburg?” Wim Wenders’ ode to American crime films of the ’50s remains his most idiosyncratic work, teetering between absurdist comedy and strained psycho-drama. Bruno Ganz stars as an art framer — a metaphor for the impossible boundaries he can no longer contain — tempted by the opportunity of earning money for murder, a profession he has no experience in. It’s hard to know when to take Wenders seriously — Ganz’s trip to Paris begins with a conspiracy-ridden doctor’s visit that sets up the film for more absurdist laughs than a “state of the continent” manifesto (the target is noted as an “American Jew”). But the film’s murder in a Paris metro...
The American Friend (Criterion)
“What’s wrong with a cowboy in Hamburg?” Wim Wenders’ ode to American crime films of the ’50s remains his most idiosyncratic work, teetering between absurdist comedy and strained psycho-drama. Bruno Ganz stars as an art framer — a metaphor for the impossible boundaries he can no longer contain — tempted by the opportunity of earning money for murder, a profession he has no experience in. It’s hard to know when to take Wenders seriously — Ganz’s trip to Paris begins with a conspiracy-ridden doctor’s visit that sets up the film for more absurdist laughs than a “state of the continent” manifesto (the target is noted as an “American Jew”). But the film’s murder in a Paris metro...
- 2/8/2016
- by Peter Labuza
- The Film Stage
Holly Woodlawn, a transgender actress in Andy Warhol's Factory and the inspiration behind the opening verse of Lou Reed's "Walk on the Wild Side," passed away Sunday following a battle with cancer. She was 69. Woodlawn first discovered she had cancer in August and was since transferred to an assisted-living facility in Los Angeles, where she died, the BBC reports.
Born Haroldo Santiago Franceschi Rodriguez Danhakl in Puerto Rico in 1946, Woodlawn adopted her name from Truman Capote's Breakfast at Tiffany's main character Holly Golightly as well as an...
Born Haroldo Santiago Franceschi Rodriguez Danhakl in Puerto Rico in 1946, Woodlawn adopted her name from Truman Capote's Breakfast at Tiffany's main character Holly Golightly as well as an...
- 12/7/2015
- Rollingstone.com
Transgender actress Holly Woodlawn, who enjoyed a measure of fame and notoriety as one of Andy Warhol’s circle of personalities — “superstars” — at the artist’s The Factory in early 1970s New York City, has died. Woodlawn, nee Harold Danhaki in Puerto Rico, was 69 and died Sunday after battling brain and liver cancer in Los Angeles. In addition to the scene at The Factory, Woodlawn appeared in Warhol and Paul Morrissey’s underground classic Trash with Joe Dallesandro…...
- 12/7/2015
- Deadline TV
Transgender actress Holly Woodlawn, who enjoyed a measure of fame and notoriety as one of Andy Warhol’s circle of personalities — “superstars” — at the artist’s The Factory in early 1970s New York City, has died. Woodlawn, nee Harold Danhaki in Puerto Rico, was 69 and died Sunday after battling brain and liver cancer in Los Angeles. In addition to the scene at The Factory, Woodlawn appeared in Warhol and Paul Morrissey’s underground classic Trash with Joe Dallesandro…...
- 12/7/2015
- Deadline
Daniel Bird: “What is your opinion of Walerian Borowczyk’s work?”Andrzej Żuławski: “Borowczyk? Oh, he lost himself, I think, it’s a pity because he was quite a talent.” One radical filmmaker laments another radical. With one sentence, Żuławski encapsulates the conventional arc of Borowczyk, or as he calls himself in Mr. and Mrs. Kabal's Theatre (1967), Boro’s career. He was a great animator working with Jan Lenica in Poland and, when moving to France, Chris Marker[1]. His shorts influenced Jan Švankmajer, Terry Gilliam, and the Quay Brothers, and were praised by critics like Amos Vogel and Raymond Durgnat. With his first two live-action feature-films, Goto, Island of Love (1968) and Blanche (1971), critics hailed Boro as part of the major league—an auteur. He’s the next Bresson! He’s the next Buñuel! Then he made Immoral Tales (1974), a blemish in his body of work at this point in his career.
- 4/1/2015
- by Tanner Tafelski
- MUBI
Paul Morrisey’s 1973 film Flesh for Frankenstein, starring the inimitable Joe Dallesandro, Udo Kier and Dalila Di Lazzaro, will be screened tonight on 35mm at the beautiful Nitehawk Cinema at 136 Metropolitan Avenue in Brooklyn, NY at midnight as part of their September “Nitehawk Nasties” series. From the press release:
Many versions of Dr. Frankenstein and his monstrous creation have been made since Mary Shelley first wrote her gothic novel Frankenstein in 1818 … Continue reading →
Horrornews.net...
Many versions of Dr. Frankenstein and his monstrous creation have been made since Mary Shelley first wrote her gothic novel Frankenstein in 1818 … Continue reading →
Horrornews.net...
- 9/6/2014
- by Jonathan Stryker
- Horror News
The North American rights to a new documentary, Eurocrime: The Italian Cop and Gangster Films That Ruled the 70′s, have been acquired. The film is due for release on DVD in the fourth quarter of 2014. Directed by Mike Malloy, the nearly 140-minute documentary features interviews with many actors and directors involved in the making of these films, among them Franco Nero, John Saxon, Henry Silva, Fred Williamson, Enzo G. Castellari, Joe Dallesandro, and … Continue reading →
Horrornews.net...
Horrornews.net...
- 5/21/2014
- by Jonathan Stryker
- Horror News
If you missed Italian Stallion when I played it last year at my Super-8 Sex Movie Madness show, you’ll have another chance this weekend when I screen it (in it’s glorious condensed 18-minute super-8 cut) at the Super Swingers ’70s Night at The Way Out Club this Saturday Nov 23rd beginning at 9pm. I’ll be showing Italian Stallion and some other films of that nature that are not pornography, but a certain type of R-Rated film that one may have enjoyed at the Drive-ins in the 1970′s. The other swinging films I’ll be screening that night include Flesh Gordon, Swinging Stewardesses, Ed Wood’s Glen Or Glenda, and a ’70s Sexploitation trailer reel.
The Way Out Club is located at 2525 Jefferson Avenue in South St. Louis
Bell Bottom, platform shoe wearing, chevron mustache and side burn sporting, vintage 1970′s Funk Funk Funk is strutting your way...
The Way Out Club is located at 2525 Jefferson Avenue in South St. Louis
Bell Bottom, platform shoe wearing, chevron mustache and side burn sporting, vintage 1970′s Funk Funk Funk is strutting your way...
- 11/18/2013
- by Tom Stockman
- WeAreMovieGeeks.com
Over five decades, from the forties until his death in 1992, photographer Bob Mizer built his own libidinal archipelago on West 11th Street in downtown Los Angeles. This compound, surrounding a boardinghouse his mother owned where he lived his whole life, served as headquarters for what he called the Athletic Model Guild, and as home to a churn of young, often troubled men he photographed for Amg’s magazine Physique Pictorial.This was a risky operation at first—Mizer even went to jail for distributing his photos through the mail. But he was, in his way, both a visionary and a relentless entrepreneur, serving, and to some extent stoking and shaping, what was then an outsider market for idealized depictions of male beauty. Painter David Hockney credited Physique Pictorial with inspiring his move to L.A., and Mizer took pictures of notable hotties like Alan Ladd, Arnold Schwarzenegger, Joe Dallesandro,...
- 10/28/2013
- by Carl Swanson
- Vulture
Bringing his lady out for a special affair, Johnny Depp arrived at the 9th Annual Johnny Ramone Tribute in Hollywood on Sunday (August 18).
The “Pirates of the Caribbean” actor walked hand-in-hand with his lovely gal Amber Heard as the two mingled with fellow industry folks at Hollywood Forever Cemetery.
John Waters hosted the tribute, which featured a screening of a classic Johnny film bringing together other celebrity guests including Dita Von Teese, Ricki Lake, Traci Lords and Joe Dallesandro.
Meanwhile, Amber recently confronted engagement rumors between her and Depp in the latest issue of Elle magazine and said, "I don't imagine myself, my work, or my life, fitting into any kind of standardized path. In fact, the idea of there even being a standard freaks me out a lot."...
The “Pirates of the Caribbean” actor walked hand-in-hand with his lovely gal Amber Heard as the two mingled with fellow industry folks at Hollywood Forever Cemetery.
John Waters hosted the tribute, which featured a screening of a classic Johnny film bringing together other celebrity guests including Dita Von Teese, Ricki Lake, Traci Lords and Joe Dallesandro.
Meanwhile, Amber recently confronted engagement rumors between her and Depp in the latest issue of Elle magazine and said, "I don't imagine myself, my work, or my life, fitting into any kind of standardized path. In fact, the idea of there even being a standard freaks me out a lot."...
- 8/19/2013
- GossipCenter
Johnny Depp, whose film career began with John Waters' 1990 Cry-Baby, was a surprise guest at the 9th Annual Johnny Ramone Tribute on Sunday at Hollywood Forever Cemetery, where the film was screened on the mausoleum. Depp joined a Q&A moderated by Sex Pistol Steve Jones and also featuring Waters and costars Traci Lords, Ricki Lake, Joe Dallesandro (of Andy Warhol film fame) and James Intveld (Depp's singing voice in the film and, according to Waters, "the real Hollywood crybaby"). Cry-Baby, a '50s satire, set Depp free by satirizing his then-imprisoning image as a TV heartthrob. Photos:
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- 8/19/2013
- by Tim Appelo
- The Hollywood Reporter - Movie News
Johnny Depp made being bad look oh-so-good in the 1990 cult classic "Cry-Baby" -- and last night in Hollywood, he made a surprise reunion with the film's cast!The actor joined director John Waters and costars Ricki Lake, Traci Lords and Joe Dallesandro for a special screening of the film on Sunday at the Hollywood Forever Cemetery.Ricki's onscreen children, former child stars Scout Raskin and Jonathan Benya, were also on hand for the event -- and posed for photos with their movie mom.Coming off of "21 Jump Street," the film was Depp's first starring role on the big screen -- and, according to one of his costars, he was ready to break out."Every single member of that cast had so much to prove," Traci Lords told The Hollywood Reporter. "I mean, Johnny Depp desperately wanted to be a movie star, and everybody said he couldn't, because he was only...
- 8/19/2013
- by tooFab Staff
- TooFab
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