News

The Palisades Fire has engulfed Palisades Charter High School, a school that has long been a popular location for Hollywood productions.

NBC Los Angeles reported on Tuesday night that the fire spread through several structures at the Pchs campus, and had all but destroyed the adjacent Theater Palisades.

Earlier in the day, Pchs posted a note on its website that the school was closed due to the Palisades Fire.

As the fires continued to rage, California Gov. Gavin Newsom declared a state of emergency, and nearly 30,000 people have been ordered to evacuate.

Pchs is a popular location for Hollywood productions. The school has featured prominently in films, most notably Brian De Palma’s 1976 horror classic Carrie, where it was dubbed Bates High School in the movie. The school also featured heavily in Danny Steinmann’s 1984 teen vigilante movie Savage Streets, the 2003 remake of Freaky Friday, the Teen Wolf TV series,...

Plenty of bananas and a gruesomely gorgeous wedding cake get praise in musical moments in Tim Burton’s Beetlejuice Beetlejuice. Several 80s artists like Donna Summer, Jimmy Buffet and The Bee Gees have songs featured in the film, which is a followup to the 1988 original starring Michael Keaton as the ghost with the most, Winona Ryder as goth girl Lydia Deetz and Catherine O’Hara as Lydia’s stepmother Delia Deetz.

Wednesday’s Jenna Ortega joins the sequel in addition to other newcomers, and she has another fun dance moment set to one of the songs in the film’s soundtrack below. A choir sings a beautiful rendition of “Day-o” which can be heard in the film’s trailer. Of course, there wouldn’t be a musical dance moment — or more — without some possessed bodies and souls. The Afterlife provides ample opportunity to feature more genre songs from the 80s, as...

I’ve always felt that the 1979 horror film Tourist Trap (watch it Here) deserves a lot more respect and attention than it gets – and that star Chuck Connors (best known for The Rifleman) deserved the “genre icon” career he was aiming for when he signed on for the movie. Barbara Crampton is someone who did achieve a genre icon career, and she clearly believes there was something great going on with Tourist Trap, because our friends at Bloody Disgusting have learned that she is producing a remake of the film!

Crampton is the Vice President of Production & Development at Alliance Media Partners, and the company has just acquired the rights to make a new version of Tourist Trap. Crampton will be producing the film alongside Bob Portal, who is Amp’s Managing Director & Head of Production.

Produced by Full Moon founder Charles Band, the original Tourist Trap stars Connors as Mr.

Piper Laurie, the three-time Oscar nominee whose seven decade acting career included iconic roles in “The Hustler” and “Carrie,” has died at the age of 91. The news was confirmed to IndieWire by Laurie’s ex-husband, critic Joe Morganstern.

Born Rosetta Jacobs in Detroit, Michigan in 1932, Laurie changed her name after moving to Hollywood and signing with Universal Pictures in 1949. She enjoyed early success in films like the Ronald Reagan-led “Louisa,” but soon moved to New York to focus on developing her acting craft on stage. When she returned to Hollywood to star in “The Hustler” in 1961, she earned her first Oscar nomination for her role as Sarah Packard in the iconic tale of pool hall gambling gone awry.

Firmly established as a dramatic actress, Laurie continued to work steadily in film and television for the next six decades. Her villainous turn as Margaret White, the hyper-religious mother in Brian De Palma’s “Carrie,...

2020, a bad year for many things, has actually been a good year for romantic comedy TV shows. Two of the best of the year, the Hulu "reboot" of High Fidelity and HBO Max's Love Life, seem to have little in common at first glance. Sure, they each have a young female lead, but Zoe Kravitz's Rob and Anna Kendrick's Darby couldn't be more different personality-wise. What they have in common is a fully realized female protagonist whose personal growth is more important than her love life.

Romance is at the heart of each show - and it's an important part of each season finale, to be sure, but Darby's and Rob's arcs are journeys in which they learn more about themselves and evolve into the best version of themselves. Only then do they become ready for a partner. Sadly, most female-led romantic comedy shows do not afford their main characters this,...

Ever since Carrie in 1976, many of Stephen King's works have been adapted for both the small and the large screens. As King's books are often better than the screen adaptations, there have been a fair few disappointments over the years, although there have been a number of excellent adaptations too, with It, Salem's Lot, and Doctor Sleep standing among them.

Related: Every Netflix Original Stephen King Adaptation

The Stephen King wagon train keeps on rolling, and many more adaptations are planned. Some are so far unconfirmed and the basis of rumor, but the following are those that have been officially confirmed.

After chilling horror lovers with his written works, author Stephen King has also given lovers of the genre cause for many a sleepless night thanks to the movie adaptations of his novels. Since Carrie, the very first adaptation of one of his books, there have been numerous cinematic incarnations of his terrifying tales.

Related: Stephen King's The Shining & 9 More Horror Novels Perfect For Halloween

Below are just a few of those terrifying moments that audiences will remember. So, dim the lights, lock the doors, and delve into your nightmares for scenes that are guaranteed to induce restless nights.

The film has topped a poll for the most rewatchable film. Its director, Mike Newell, sees why. So why would Curtis, who wrote the script, rather rewatch Elf?

Richard Curtis rarely rewatches Four Weddings and a Funeral. “There isn’t a natural circumstance where I say: ‘I’ll tell you what I’ll do for the next two hours, see one of my films.’” Partly, it is knowing the punchlines. Partly, it is being a bit busy. On the wall of Curtis’s Notting Hill home office, just out of frame of his laptop camera, are six Post-it reminders of pre-Christmas tasks. Wrap presents? Make pud? Nope: rewrite a film, cast an online panto, appoint a new CEO for Comic Relief. Et cetera.

Anyway, for those of us a bit less pressed, things are different. Four Weddings – in which Hugh Grant’s stuttering bachelor, in a series of morning suits,...

HBO Max Highlights December 2020 — HBO Max has released a list of its original content, HBO originals, documentaries, and movies that will be airing on the streaming service in December 2020. Highlights of this programming includes: Wonder Woman 1984, My Gift: A Christmas Special from Carrie Underwood, Euphoria, Let Them [...]

Continue reading: HBO Max Highlights for December 2020: Wonder Woman 1984, Euphoria, Let Them All Talk, & More...

Carrie Underwood brings holiday classics and originals to the stage in the new trailer for My Gift, her Christmas special set to premiere December 3rd on HBO Max.

In the My Gift trailer, Underwood is accompanied by an orchestra as she sings standards like “Have Yourself a Merry Little Christmas” and “O Holy Night” alongside the original compositions “Let There Be Peace” and “Favorite Time of Year.” Additionally, John Legend makes an appearance in the special to perform their duet “Hallelujah.”

“For Christmas, it was always about just us being together,...

AC/DC’s Power Up debuts at Number One on this week’s Rolling Stone Top 200 Albums Chart, marking the band’s first time topping the chart. Power Up, which is AC/DC’s seventeenth studio album, saw 124,700 album-equivalent units from November 13th through November 19th, the majority of which came from sales, with 105,800 album sales last week.

Chris Stapleton takes Number Two on this weeks albums chart as his fourth studio album, Starting Over, edges out Future and Lil Uzi Vert’s Pluto x Baby Pluto. While Pluto x...

Almost since he became a best-selling author, Stephen King has seen his work adapted for the movies and television.

Just two years after his first novel, 1974’s Carrie, was published, a film version directed by Brian De Palma was a massive hit, earning Oscar nominations for stars Sissy Spacek and Piper Laurie. The floodgates opened after that, with a TV miniseries based on his second novel, ‘Salem’s Lot (1979), Stanley Kubrick’s high-profile film of The Shining (1980), Creepshow (1982), Cujo (1983), The Dead Zone (1983), Christine (1983), Children of the Corn (1984), Firestarter (1984), Silver Bullet (1985), and many more coming quickly during the next few years.

King adaptations continued well into the late 1980s, 1990s and 2000s, although the quality began to trail off and many were either quickie cash-ins, direct-to-video clunkers or both. There were high points, of course: Pet Sematary (1989), Misery (1990), The Shawshank Redemption (1994), the TV miniseries of The Stand (1994), Dolores Claiborne (1995), 1408 (2007), and The Mist (2007) are all standouts.

As one of the most heavily adapted authors on the planet, it isn’t surprising that the quality of the many movies and TV shows based on the works of Stephen King have been wildly inconsistent over the decades. For every Carrie, The Shawshank Redemption, Stand by Me or The Shining there’s a Dreamcatcher, The Dark Tower or Bag of Bones.

For the most part, King’s novels and short stories have fared much better on the small screen, at least when there hasn’t already been a great movie made out of the source material. For instance, a lot of people might not even be aware that The Shining and Carrie were the subjects of TV shows, which is probably for the best. However, the likes of 11.22.63, Mr. Mercedes and The Outsider have all been solid at the very least.

One of the more forgotten efforts, though, was Under the Dome,...

If you’re a horror fan you’ll have one. A memory of a moment, or a series of moments, where you first felt the thrill of the genre. That sparkly feeling of fear and delight, when you want to look away but you feel like you can’t.

It could be a book, a film, a tv show, a snatched glimpse of something you shouldn’t have seen when you were too young to understand it. We all start somewhere.

Den of Geek spoke to a whole range of top people working in horror movies and tv to find out where it all started.

Horror fans – let us know your origins stories in the comments!

Clive Barker

Playwright, novelist, film director, and visual artist. Author of Books Of Blood, director of Hellraiser.

“At the age of 15, I went with a friend of mine to see a horror movie called Psycho,...

Nearly a quarter-century has gone by since cult horror classic “The Craft” tapped into a pre-Harry Potter fascination with witches, giving teenage audiences a sense of how empowering it might feel for four young women, persecuted by date-rapey d-bags and openly racist prom queens, to invoke a little black magic in their desire to get even. That surprise hit was creaky even by 1996 standards, but its Goth-grunge attitude was hella edgy by comparison with “Clueless” and other clean-scrubbed YA offerings of the time, and one would hope that a Blumhouse follow-up made in the year 2020 might find a way to feel similarly avant-garde.

Instead, “Blumhouse’s The Craft: Legacy” comes across as “The Craft: Lite,” a watered-down, PG-13 reboot in which the outsiders are no longer treated as freaks, and their mission amounts to enlightening Neanderthal classmates and other assorted chauvinists about the risks of underestimating young women. Doing so...

The celebrate the spooky season, “Dancing with the Stars” skipped its usual “Halloween Night” festivities in favor of a similarly ghoulish evening. For “Villains Night,” the top 10 celebrities performed dances inspired by some of the most famous bad guys in pop culture history. So who scared up the highest scores and who was killed off? Find out below in our live blog with all the minute-by-minute developments (and our commentary) as the night progresses.

Last week had four celebrities at the top of the judges’ leaderboard for “Top 11” night: Justina Machado, Aj McLean, Monica Aldama and Kaitlyn Bristowe. Were they able to keep up their momentum? Aldama channeled the sinister Nurse Ratched for a jazz routine. Machado did a “Carrie” tango and hoped to make Stephen King proud. McLean also took on a tango while celebrating yet another classic “Psycho,” namely Norman Bates. And Bristowe had to flip her sunny...

Celebrated shorts director Jill Gevargizian steps it up a notch with this sumptuously shot low-rent serial killer drama; a mature, empathetic adaptation of her well-regarded short of the same name, that expands on its eponymous lead in all the right ways.

Surprisingly powerful in its execution, Gevargizian’s full-blooded The Stylist tackles gentle loner Claire (Najarra Townsend); a hair stylist with a murderous secret, who uses her trusted (and largely anonymous) position cutting hair to silently obsess over the lives of her glamorous customers, before ending them for good. But when a particularly friendly new bride-to-be (indie horror legend Brea Grant) gets a little too close for comfort, Claire finds her hyper-repressed exterior slowly starting to break apart at the seams, with the violent killer within sprawling out for all to see.

And despite a fair few grisly moments (played out with some beautifully realised practical effects), it’s this...

Brian De Palma's adaptation of Stephen King's hit novel Carrie was a massive critical and box office success. The film started the Stephen King adaptation craze that lasts to this very day and spawned many imitators and rip-offs. However, some films took the spirit of Carrie and infused it into their own films, making them something special that still evoked the sensibilities of King's creation.

Related: 10 Behind-The-Scenes Facts About The Making Of Carrie (1976)

Due to the potency of De Palma's film and the subtexts within, female-driven horror films became more common and blended feminist slants with their horror. A most welcome combination.

With streaming dominating the industry — and suddenly becoming the “new normal” in a changing world — IndieWire is taking a closer look at the news cycle, breaking down what really matters to provide a clear picture of what companies are winning the streaming wars, and how they’re pulling ahead.

By looking at trends and the latest developments, Streaming Wars Report: Indie Edition offers a snapshot of what’s happening overall and day-to-day in streaming for the indie set. Check out the latest Streaming Wars Report for updates to the bigger players in the industry.

Holiday Cheer

Do you like scary movies? Come October, it seems as if everyone is a horror fan, cuddling up for another “spooky season” of thrills, chills, and the surprisingly enduring family classic or two, and a recent look at the viewing numbers and audience preference indicates that Halloween-centric films remain big business during autumn.

Fandango...

“What an excellent day for an exorcism.”

-Linda Blair, “The Exorcist” (1973)

If asked to describe a typical “Oscar” film, you’d likely hear phrases like “biopic” or “sprawling epic.” If there’s a genre that’s been grievously undervalued, and to a greater extent, disrespected within the industry space, it’s horror. It can be argued that it’s one of two genres that comes with an embedded bias, preventing wide acceptance (the other being “musicals”). Academy voters are one problem, but critics and awards analysts are another. Qualifying phrases like “highbrow” or “surprisingly smart” have to be used to give permission for analysts and voters to give “serious” consideration for annual top 10 lists and ballots.

The definition of what constitutes “horror” has been debated for decades. If you yell into the vacuum of Oscar historians asking, “What is the last horror film to be embraced by the Academy...

Zac Efron has signed on to star in Firestarter, the upcoming film from Universal Pictures, Blumhouse Productions and Weed Road Productions, adapted Stephen King’s classic sci-fi thriller novel “Firestarter.”

In the new film “A young girl develops pyrokinetic abilities and is abducted by a secret government agency that wants to harness her powerful gift as a weapon.”

Efron can currently be seen in and produces the highly-successful docu-series Down to Earth on Netflix.

As previously announced, Keith Thomas (The Vigil) will direct the film that is being adapted by writer Scott Teems, who will also executive produce.

Jason Blum and Academy Award® winner Akiva Goldsman will produce. Martha De Laurentiis, who was an associate producer on the 1984 adaptation of Firestarter starring a young Drew Barrymore, will executive produce.

Firestarter reunites Goldsman and Blum who have previously collaborated on the Paranormal Activity franchise.

Stephen King is a bestselling novelist who...

Zac Efron will star in “Firestarter,” a new adaptation of Stephen King’s classic novel.

The film centers on a young girl who develops pyrokinetic powers and the ability to see the future. She is abducted by a mysterious government agency that plans to weaponize her superhuman skills. The film is backed by Universal Pictures, Blumhouse Productions and Weed Road Productions.

Efron, who first came to fame in the rosy “High School Musical” franchise, has shown his darker side in certain projects, playing Ted Bundy in “Extremely Wicked, Shockingly Evil and Vile.” This feels in that vein. Efron’s other credits include “Neighbors,” “The Greatest Showman” and “The Paperboy.” He will next be seen in a remake of “Three Men and a Baby,” which feels very far removed from all things Ted Bundy and Stephen King.

King is a horror and fantasy giant, whose list of bestsellers include “It,” “The Shining,...

In today’s TV news roundup, BET announced that “Sacrifice” has been picked up for 10 episodes following the same characters as in the 2019 film.

Greenlights

BET announced that “Sacrifice,” the legal thriller film starring Paula Patton, has now been picked up to series. The movie released in 2019 as the first original film on the BET Plus streaming platform. Patton plays entertainment lawyer Daniella Hernandez, and the 10-episode series will follow her dealings with rich clients who are often up to no good. Other cast members include Marques Houston, James Trevena Brown, Veronika Bozeman, Altonio Jackson, Liliana Montenegro, Michael Toland, and Nelson Bonilla.

Production

Season 18 of “Top Chef” will showcase Portland, Ore. in 2021. The announcement came in partnership with Travel Portland and Travel Oregon. Padma Lakshmi will host the show, with Tom Colicchio and Gail Simmons stationed at the judges’ table. The upcoming season will also a rotating judging and dining...

Check out the scary trailer:

After a series of escalating violent incidents, Brian is moved from failed therapist to failed therapist, maturing into a young man still unable to escape his anger issues.When his life eventually falls apart by his own choices, Brian blames his series of failed therapists, embracing his dark nature and taking his revenge on everyone who ever wronged him, one by one, finally understanding that accepting who you are inside can be the best therapy.

Elizabeth Keener (“The L Word”), Thom Mathews, Michael Qeliqi,, Pj Soles, Adrienne King, Daeg Faerch, Javon Johnson, Ivy George (“Big Little Lies”)

The post Killer Therapy Drops on VOD, Digital and DVD on September 15th appeared first on We Are Movie Geeks.

Showtime is saying goodbye to a number of titles in September.

The premium outlet has announced the list of movies that are set to disappear throughout the month.

The Punisher and Scream 4 will be some of the first titles taken off, on Sept. 6, followed by King Kong on Sept. 11. The Grey will leave Showtime on Sept. 15. And Sept. 30 is the last call, for now, for films such as A.I. Artificial Intelligence, The Amityville Horror, Carrie, Cloverfield, Paul Blart: Mall Cop, Pretty in Pink, Sorry For Your Loss, Stepmom and When a Stranger Calls. 

Though a number of titles are leaving, Showtime ...

Showtime is saying goodbye to a number of titles in September.

The premium outlet has announced the list of movies that are set to disappear throughout the month.

The Punisher and Scream 4 will be some of the first titles taken off, on Sept. 6, followed by King Kong on Sept. 11. The Grey will leave Showtime on Sept. 15. And Sept. 30 is the last call, for now, for films such as A.I. Artificial Intelligence, The Amityville Horror, Carrie, Cloverfield, Paul Blart: Mall Cop, Pretty in Pink, Sorry For Your Loss, Stepmom and When a Stranger Calls. 

Though a number of titles are leaving, Showtime ...

Hospitalization proves more than usually fatal in “12 Hour Shift,” a bloody black comedy from actress turned writer-director Brea Grant. This clever mix of the farcical and macabre finds shady nurse Angela Bettis’ sideline in illicit organ harvesting going seriously awry during an extra-long work stint at a 1999 Arkansas care facility. Although closer to the twistedly gallows-humorous likes of “The Hospital” and Scorcese’s underrated “Bringing Out the Dead” than the sizable subgenre of hospital horror mellers, it will most likely find an appreciative initial audience among genre fans. Magnet plans release to available theaters and on demand Oct. 2, following a brief, Covid-hobbled festival tour.

Though she started out in prestige dramatic roles for Zeffirelli and James Mangold, Bettis became a favorite for horror aficionados as of 2002, via title roles in both indie cult object “May” and a TV “Carrie.” Her forays into that territory invariably up the movie’s game,...

“I’m here. I’m part of this now.”

— Pam, “The Office”

The human mind and soul exist, but are not mutually exclusive to chasing your dreams. In kindergarten, your teacher may have asked you what you wanted to be when you grow up. As 5 and 6 year olds, we try to pick the coolest job, or perhaps even mirror what our parents or guardians are doing at that moment in time. Like many young kids from an inner-city neighborhood, you struggle to find your place in a world not reflected broadly in the media.

As a champion for the underserved, underrepresented and an unashamed advocate for diversity, my role as the film awards editor at Variety is a humbling achievement that will never go unappreciated. This is my first week on the new job. So who am I and what is all this about?

Founding my own corner of the web at AwardsCircuit,...

Very few people have found their work adapted for both the big and small screen as regularly as prolific author Stephen King, who has proven to be a goldmine for Hollywood ever since horror classic Carrie was first released all the way back in 1976.

Since then, the Stephen King well has been revisited countless times with 52 movies and 30 TV shows materializing, covering everything from box office smash hits to colossal failures, spawning cult favorites and all-time greats in a variety of genres that include such diverse output as The Running Man and The Shining to The Green Mile and The Shawshank Redemption.

The latest boom period is still ongoing, with The Stand set to debut on CBS in December and a further eight shows in various stages of development, not to mention eleven feature-length films. The royalties alone that King is raking in must be seriously impressive, and that number...

It used to be that multiple delays to a movie’s release date were a sign that something was wrong with the project. But in the case of Josh Boone’s “The New Mutants,” the fact that even a global coronavirus pandemic isn’t forcing the movie to budge from its drop-dead Aug. 28 opening (after multiple postponements back when moviegoing was thought to be safe for one’s health) is what looks like a red flag. Why would Disney, which acquired the project when it bought Fox last year, dump this orphaned X-Men spinoff into theaters mere days before launching “Mulan” on its proprietary streaming platform?

The answer: because Disney couldn’t keep delaying it forever, but also because this inclusive, female-empowering, youth-centric addition to the already overcrowded X-Men universe had lost its luster. After having been greenlit as a fresh take on a successful franchise by a hot up-and-coming director,...

For The Curse of Audrey Earnshaw, writer/director Thomas Robert Lee transports viewers to a small community in 1973 that is on the brink of annihilation. Pestilence has ravaged the land, the mortality rates for children in the area are horrifically high and the only person who is seemingly untouched by these unfortunate occurrences is Agatha Earnshaw (Catherine Walker), who lives in exile outside the tight-knit religious colony. She is the only resident who seems to be thriving, and always has plenty to eat, but she doesn’t share her bounty with the other villagers as they have long suspected that Agatha has pledged her allegiance to dark forces, and so she feels no remorse about letting those who wish her ill suffer in turn.

But it’s Agatha’s secret that is the biggest reason she has no desire to co-mingle with the other residents: she has a daughter named...

”I didn’t want to make a two-dimensional horror film that was just about a bunch of scares.”

Genre filmmaker Neil Marshall kicks off this year’s virtual edition of Fantasia International Film Festival with opening night selection The Reckoning, marking his second opening night selection after The Descent in 2005.

Set during the Great Plague in 17th century England when paranoia, accusation and witchfinders stalked the land, The Reckoning follows the plight of Grace Haverstock, a woman accused of being a witch, and echoes the hysteria and misinformation that informs the current state of the world.

In his first published interview about the film Marshall,...

Season two of Riverdale brought more juicy drama, betrayal, and secrets. It also brought a musical episode based on the cult horror classic, Carrie, which was originally a novel written by writer Stephen King.

Related: Riverdale: 10 Things We Want To See In Season 4

Titled “Chapter 31: A Night to Remember,” Archie and the gang prepare for Riverdale High School’s production of Carrie The Musical, and every member in Riverdale is typecasted to their respective roles. Friendships are mended, egos are challenged, and relationships are tested, all while traipsing across the stage, belting show-stopping songs worth singing. This episode also comes with a couple of downers audiences may not be fans of. Here is every number in The Carrie Musical episode, ranked. To skip or not to skip, that is the question...

What do Heathers, Carrie, and Hedwig and the Angry Inch all have in common? They were all the unfortunate contenders that were picked to have been in Riverdale's musical episodes. Musical episodes are pretty hit or miss, and let's just say there have been three strikes already with Riverdale's episodes. There's no doubt that the stars in Riverdale have talent to boot and they sing their hearts out with every number. But does that mean they should've done it?

Related: 10 Continuity Errors In Riverdale

With every musical episode comes storylines that should've never been written, lyrics that shouldn't have been changed, and more importantly, song selections that don't match the episode at all. Here are the ten worst musical numbers that were done for the Archie comic book series.

Riverdale has a knack for musical episodes and season 3, episode 16 brought viewers a Heathers-themed musical episode. The teens of Riverdale High put on a high school production of Heathers: The Musical in the episode "Chapter 51: Big Fun." Unlike the Carrie-themed episode, audiences received even more angsty numbers and more dramatic plot revelations, all within the standard 42-minute runtime.

Related: 10 Continuity Errors In Riverdale

With performances from Jughead, Toni, Cheryl, and the rest of the beloved Riverdale gang, here are all the numbers from the Heathers musical episode, ranked.

A “creepy” a cappella group at Dylan Holmes Williams’ university led the filmmaker to make a dark comedy short titled “The Devil’s Harmony,” about a bullied teenage girl who uses her music group to get revenge on her fellow classmates.

“I had the original idea because I was making a music video for an a cappella club and I realized how incredibly creepy they are, and I realized that that could be a starting point for a high school horror short,” Williams, one of the finalists in TheWrap’s ShortList Film Festival, told TheWrap. “Some of them have seen it, one of them is now a director, and he said it’s a very accurate description of what it’s like to be in an a cappella group. I worked with my co-writer Jess O’Kane on fleshing out a story from there and I wanted to do a dark comic,...

To say that Stephen King is the master of horror literature is such an understatement that its practically a cliché. The man behind such works as It, The Shining, Carrie, and Cujo has kept readers and viewers awake at night since the 70s and has no signs of slowing down anytime soon.

Related: 10 Interpretations Of The Shining

As scary as his works are, people often forget that the guy isn't some one-trick-pony. In fact, King has written a host of other works in other genres. While they might skip on the gruesome and grim at times, they're definitely worth just as much attention as his works of horror.

Stephen King has written almost a hundred novels over his long and decorated career. From classics like It, Carrie, and The Shining, to more genre-bending stories such as The Gunslinger, The Green Mile, and The Institution. Likewise, his films carry the same Stephen-King-trademark that makes them distinct and recognizable.

Related: 10 Films To Watch If You Like The Shining

That being said, elements of Stephen King's work do tend to repeat themselves. The author has even admitted that he is the "literary equivalent of a Big Mac and fries." While his tropes might slip into cliche territory at times, there's no doubt there's something enjoyable about pointing them out.

Another day, another brand new streaming platform out there begging you to subscribe to its service so you can ignore your family members and binge-watch a bunch of TV shows and movies in the name of entertainment. This time, it's NBCUniversal's Peacock, which offers a free tier as well as two

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While it may be difficult to gauge time in the world right now, Halloween is indeed right around the corner, and Scream Factory is looking to make it a memorable spooky season with a Blu-ray release for Terror in the Aisles and Steelbook Blu-rays of Motel Hell and Pumpkinhead.

The Steelbooks will include all bonus features from Scream Factory's previous Blu-ray releases of Pumpkinhead and Motel Hell, and the full special features for Terror in the Aisles will be revealed at a later date.

In the meantime, you can check out the official announcements and cover art below (via Facebook):

Terror in the Aisles Blu-ray: "Terror In The Aisles - The fan-favorite 1984 theatrically-released compilation film featuring some of some of the greatest horror hits of all time – is finally getting its own standalone Blu-ray release before this Halloween on October 13th!

A roller coaster ride through the most terrifying...

Last weeks episode of Ru Paul’s Drag Race All-Stars: Season 5 saw the elimination of the meme queen herself Mayhem Miller who did appear to be struggling to match the creativity, uniqueness, nerve and talent of the other competitors but it was still a shame to see her leave. This started a discussion between the queens about whether or not a queen should vote for their own elimination. While I understand that voting for yourself does appear to be giving up, at the same time if you know you are the worst-performing queen in the line up then surely it’s within your power to admit that by voting yourself to go home. Also due to Mayhem’s elimination, it means we are now into the top six queens of All-Stars fifth season which means the audience are beginning to see the finale approach, which really helps to amp up...

I don't know how much loose change you currently have shoved in between the cushions of your couch, but not all of us have the cash flow to afford Netflix, Hulu, Amazon Prime, Disney+, Apple TV+, and/or whatever other streaming service subscriptions are out there. Sometimes you just need a simple

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Hollywood has a horror of the twin taboos of intercourse and menstruation. But female writers and directors are starting to change the way women’s bodies are portrayed on screen

When it comes to taboo subjects on screen, period sex serves up a double whammy. Intercourse and menstruation – who wants to see that, right? Certainly not Hollywood. In the history of cinema, the vanishingly rare instances of sexual flow-down are portrayed with more focus on the horror of women “surfing the crimson wave”, as Cher from Clueless puts it, rather than reducing the stigma.

Who can forget the moment, in both the original 1976 Carrie and 2013 remake, when the titular heroine is terrified when she discovers blood coming out of her vagina in the school showers? A similar scene of fright occurs when Brooke Shields’s young castaway Emmeline gets her period for the first time in The Blue Lagoon (1980), while...

“As much as I love that show, it was good to be done,” admits “Homeland” cinematographer David Klein. “It was such a hard show, traveling the world and creating a new world every season. I owe that show a lot, but it was time, I think.” The multiple Emmy nominee reminisced about saying goodbye to the acclaimed series while appearing at Gold Derby’s Meet the Btl Experts panel, moderated virtually by managing editor Chris Beachum. Watch our exclusive video interview with Klein above.

See Lesli Linka Glatter Interview: ‘Homeland’ director

Klein joined the Showtime series about globetrotting CIA agent Carrie Mathison’s (Claire Danes) efforts to track down terrorists abroad in Season 3. Much like Carrie, Klein traveled the world with the production, shooting in Charlotte, Nc, Cape Town, Berlin, New York City, Richmond, Va, Morocco and, of course, Los Angeles, CA. “Every season was like starting a new show,...

Angela Bettis (Carrie, May, The Woman) returns to horror in writer/director Brea Grant‘s (After Midnight) new film 12 Hour Shift (read our review), which was set to World Premiere at the Tribeca Film Festival prior to its cancelation. News today ahead of Cannes is that Magnet Releasing has acquired worldwide rights to the horror-comedy that follows a group […]...

Brian De Palma's Carrie is all but unanimously praised as one of the scariest horror movies of all time. Based on Stephen King's first published novel, the story centers on Carrie (Sissy Spacek), a timid teenage girl who is bullied in school by popular girls and tormented at home by her fanatically religious mother (Piper Laurie). Like the novel, the movie became a smash hit, turning a $1.8 million investment into a $33.8 million moneymaker.

Related: Every Carrie Movie Ranked, Worst To Best

As a result, Carrie spawned a sequel, a made for TV remake, a 2013 reboot, and two musical adaptations. With the original film version celebrating its 44th anniversary this year, here are 10-Behind-The-Scenes Facts about the making of Carrie (1976).

Catherine S. McMullen with ‘The Other Lamb’ producer Stephanie Wilcox and director Małgorzata Szumowska (Photo credit: Stephanie Wilcox).

Screenwriter Catherine S. McMullen addresses the challenges of making a living in the genre space in Australia and for females to be recognised in the profession.

A former production freelancer, she wrote an episode of the second season of Playmaker Media/Stan’s Bloom, two episodes of Fremantle’s Wentworth Vr and Princess Pictures’ digital series Parked before her international breakthrough, scripting The Other Lamb.

The English-language debut of Polish director Małgorzata Szumowska, the horror movie follows a group of girls and women who live in a mysterious secluded compound with a man they call “Shepherd,” hailed by critics as combining elements of The Witch, The Handmaid’s Tale, Rosemary’s Baby and Carrie.

Q: In the recent Australians in Film webinar with Zak Hilditch, Ben Young and Natalie Erika James, you said it...

The 1970s brought some of the greatest horror movies of all time. As the “New Hollywood” movement took over the industry, movies in general were becoming darker and grittier, with a rebellious, staunchly anti-establishment point of view. It didn’t take long for this nihilism to bleed into the horror genre.

Related: The 5 Best (& 5 Worst) '70s Action Movies

George A. Romero solidified his creation of the zombie genre with Dawn of the Dead, Richard Donner gave a face and name to the Antichrist in The Omen, and Brian De Palma terrified moviegoers with his big-screen adaptation of Stephen King’s debut novel Carrie. So, here are the five best and five worst horror movies from the ‘70s.

Fans can’t help but wonder Sex And The City's Carrie Bradshaw is the funniest pop culture heroines of the last few decades. The New York-based sex-pert and relationship columnist had a crackling wit and a nuanced sense of humor, and would often make the most stunning observations about life and love, to which her fans could immediately relate.

Related: Sex And The City: 5 Of Carrie's Boyfriends We'd Love To Date (& 5 We Wouldn't)

Carrie’s career depended on being concise and sharp-witted, but fans have often noted how her vocabulary and personality stood out from the rest of the gang for being more self-aware and grounded, yet polished. These are some of the funniest and most heartbreaking quotes by Carrie.

Sex And The City's Carrie Bradshaw has been TV’s favorite single woman; the relationship columnist and trailblazing fashionista had a sitcom-worthy life with a fair share of drama. But much like the members of her squad, Carrie had some poor moments too that showed she wasn’t exactly flawless.

Related: Sex And The City: 5 Of Carrie's Boyfriends We'd Love To Date (& 5 We Wouldn't)

Like when she cheated on Aidan with Big or made out with Aidan in Abu Dhabi while she was married to Big. There was also hat time when she actually got mad at Charlotte for not offering her money. Here are five times we felt bad for Carrie and five times we hated her.