Isabella Rossellini's Green Porno and Other Shorts is now showing on Mubi in many countries.Green Porno: Mantis. Ask any film lover about Isabella Rossellini, and the first image that springs to their mind is most likely to be the star’s iconic performance as songstress Dorothy Vallens, the femme fatale of David Lynch’s Blue Velvet (1986), a glamorous yet tortured vision draped in sensual, shimmering black. Revealing a delightfully eccentric side to her screen image, Rossellini’s directorial career ventures into a very different realm of sexuality: that of the mating and maternal habits seen in the animal kingdom. Rossellini’s playful and educational micro-shorts—divided into three series cheekily titled Green Porno (2006–2008), Seduce Me (2010), and Mammas (2013)—are vaudevillian studies in animal behavior, awash in puppetry, construction-paper sets, and slapstick. In addition to her writing and directing duties, Rossellini also gamely performs these frisky rituals in inventive,...
- 4/30/2024
- MUBI
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 4/26/2024
- by Cody Hamman
- JoBlo.com
Film Forum is turning back the clock to the ’80s and celebrating golden era cinemas with the New York premiere of Richard Shepard’s “Film Geek.”
Emmy winner Shepard writes and directs the cine-memoir feature centered on moviegoing in the ’70s and ’80s. “Film Geek” debuts as part of Film Forum’s “Out of the ’80s” programming, which includes over 50 films ranging from blockbusters to cult classics.
Films such as “Blue Velvet,” “Do the Right Thing,” “Fast Times at Ridgemont High,” and more will screen at the theater. Actors such as Griffin Dunne and Isaac Mizrahi will revisit their own ’80s features, while directors like Charlie Ahearn, Charles Lane, and Jerry Schatzberg discuss their filmmaking styles.
The series is programmed by Bruce Goldstein, Film Forum’s Repertory Artistic Director, and was inspired by Richard Shepard’s documentary “Film Geek.” The festival centers on the debut of “Film Geek,” which is...
Emmy winner Shepard writes and directs the cine-memoir feature centered on moviegoing in the ’70s and ’80s. “Film Geek” debuts as part of Film Forum’s “Out of the ’80s” programming, which includes over 50 films ranging from blockbusters to cult classics.
Films such as “Blue Velvet,” “Do the Right Thing,” “Fast Times at Ridgemont High,” and more will screen at the theater. Actors such as Griffin Dunne and Isaac Mizrahi will revisit their own ’80s features, while directors like Charlie Ahearn, Charles Lane, and Jerry Schatzberg discuss their filmmaking styles.
The series is programmed by Bruce Goldstein, Film Forum’s Repertory Artistic Director, and was inspired by Richard Shepard’s documentary “Film Geek.” The festival centers on the debut of “Film Geek,” which is...
- 4/25/2024
- by Samantha Bergeson
- Indiewire
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 4/19/2024
- by Cody Hamman
- JoBlo.com
Brad Dourif has had an incredible acting career that stretches back more than fifty years – and back in the early days of that career, he even earned a “Best Actor in a Supporting Role” Oscar nomination for his performance in the 1975 classic One Flew Over the Cuckoo’s Nest. Over a decade later, he started playing the role he is best known for, that of Charles Lee Ray, a.k.a. Chucky, a serial killer who uses voodoo to transfer his soul into the body of a doll. Dourif is now 74 years old, so when we hear that he has decided to retire from acting, it’s totally understandable… but while talking about his retirement, Dourif has also made sure to assure fans that his days of Chucky are not over. He will still continue to work on any Chucky projects that might come up.
News of Dourif’s retirement comes...
News of Dourif’s retirement comes...
- 4/17/2024
- by Cody Hamman
- JoBlo.com
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: It’s Time for IndieWire After the Dark Underside of Suburbia
I’ve long felt that the premise of “This Suburban Utopia Has Something Dark Lurking Underneath It” is among the lamest, most played-out tropes in all of media. Decades have passed since any serious person viewed the stylized suburban innocence of “Leave It to Beaver” as a remotely accurate depiction of American life, and contemporary attempts at “subverting” it often feel as if artists are mocking the same media that they grew up watching other artists mock without pausing...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: It’s Time for IndieWire After the Dark Underside of Suburbia
I’ve long felt that the premise of “This Suburban Utopia Has Something Dark Lurking Underneath It” is among the lamest, most played-out tropes in all of media. Decades have passed since any serious person viewed the stylized suburban innocence of “Leave It to Beaver” as a remotely accurate depiction of American life, and contemporary attempts at “subverting” it often feel as if artists are mocking the same media that they grew up watching other artists mock without pausing...
- 4/13/2024
- by Christian Zilko and Alison Foreman
- Indiewire
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 4/12/2024
- by Cody Hamman
- JoBlo.com
David Lynch is undoubtedly one of Hollywood’s biggest visionaries and an author who will forever be remembered in history among the names that have changed movies for the better. Best known as the author of Twin Peaks, The Elephant Man, Blue Velvet, Mulholland Drive, and the surreal, experimental movie Eraserhead, Lynch has recently revealed to Deadline that he has an idea for an animated movie Snootworld which he hopes to release in the future despite, as he reveals, the rejection he got from Netflix.
Lynch’s unique vision could be seen in many of his live-action movies or series, and while fans are hoping for a continuation of Twin Peaks, after the enigmatic conclusion of the third season, it seems that Lynch has other priorities at the time and that he desperately wants to make an animated movie.
Snootworld, as the movie is set to be titled, has been...
Lynch’s unique vision could be seen in many of his live-action movies or series, and while fans are hoping for a continuation of Twin Peaks, after the enigmatic conclusion of the third season, it seems that Lynch has other priorities at the time and that he desperately wants to make an animated movie.
Snootworld, as the movie is set to be titled, has been...
- 4/9/2024
- by Arthur S. Poe
- Fiction Horizon
A couple decades ago, legendary filmmaker David Lynch – who we have to thank for Eraserhead, The Elephant Man, the 1984 version of Dune, Blue Velvet, Twin Peaks, Wild at Heart, Lost Highway, The Straight Story, and Mulholland Drive, among other things – started working with The Nightmare Before Christmas, Edward Scissorhands, The Addams Family, and Welcome to Marwen writer Caroline Thompson on the screenplay for an animated movie called Snootworld… and even though the Netflix streaming service recently turned down the chance to bring Snootworld into our world, Lynch told Deadline that he’s not giving up on getting the movie made.
Lynch said, “I don’t know when I started thinking about Snoots but I’d do these drawings of Snoots and then a story started to emerge. I got together with Caroline and we worked on a script. Just recently I thought someone might be interested in getting behind this...
Lynch said, “I don’t know when I started thinking about Snoots but I’d do these drawings of Snoots and then a story started to emerge. I got together with Caroline and we worked on a script. Just recently I thought someone might be interested in getting behind this...
- 4/8/2024
- by Cody Hamman
- JoBlo.com
David Lynch is claiming Netflix didn’t want to greenlight his “wacky” animated feature, “Snootworld.”
The “Twin Peaks” and “Blue Velvet” auteur told Deadline that his long-awaited animated debut has been two decades in the process. Lynch co-wrote the script with “The Nightmare Before Christmas” and “The Addams Family” scribe Caroline Thompson; the feature has a strict three act structure, with Lynch penning act two.
Lynch revealed that Netflix allegedly “rejected” the project most likely since “old fashioned fairytales are considered groaners.” IndieWire has reached out to Netflix.
“I don’t know when I started thinking about Snoots but I’d do these drawings of Snoots and then a story started to emerge,” Lynch told Deadline. “I got together with Caroline and we worked on a script. Just recently I thought someone might be interested in getting behind this so I presented it to Netflix in the last few months but they rejected it.
The “Twin Peaks” and “Blue Velvet” auteur told Deadline that his long-awaited animated debut has been two decades in the process. Lynch co-wrote the script with “The Nightmare Before Christmas” and “The Addams Family” scribe Caroline Thompson; the feature has a strict three act structure, with Lynch penning act two.
Lynch revealed that Netflix allegedly “rejected” the project most likely since “old fashioned fairytales are considered groaners.” IndieWire has reached out to Netflix.
“I don’t know when I started thinking about Snoots but I’d do these drawings of Snoots and then a story started to emerge,” Lynch told Deadline. “I got together with Caroline and we worked on a script. Just recently I thought someone might be interested in getting behind this so I presented it to Netflix in the last few months but they rejected it.
- 4/8/2024
- by Samantha Bergeson
- Indiewire
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 4/5/2024
- by Cody Hamman
- JoBlo.com
The episode of Wtf Happened to This Horror Movie? covering Manhunter was Written and Narrated by Mike Holtz, Edited by Joseph Wilson, Produced by Andrew Hatfield and John Fallon, and Executive Produced by Berge Garabedian.
How cool would it be to wake up in an alternate universe where bizarre versions of your favorite movies existed and you could experience them all over again for the first time? That’s exactly what I can offer to The Silence of the Lambs and Red Dragon fans who have never experienced Manhunter (watch it Here). The forgotten and abandoned stepchild of the Hannibal Lecter film series. How in the fava bean f*$& does a movie that has the twisted murder weirdness and fascinating serial killer storytelling of a Silence of the Lambs or Mindhunter paired with the coolness of a movie like Heat and flair of a Nicolas Winding Refn film go this unnoticed?...
How cool would it be to wake up in an alternate universe where bizarre versions of your favorite movies existed and you could experience them all over again for the first time? That’s exactly what I can offer to The Silence of the Lambs and Red Dragon fans who have never experienced Manhunter (watch it Here). The forgotten and abandoned stepchild of the Hannibal Lecter film series. How in the fava bean f*$& does a movie that has the twisted murder weirdness and fascinating serial killer storytelling of a Silence of the Lambs or Mindhunter paired with the coolness of a movie like Heat and flair of a Nicolas Winding Refn film go this unnoticed?...
- 4/1/2024
- by Cody Hamman
- JoBlo.com
David Lynch‘s “Blue Velvet” continues to cause a stir nearly four decades after its release, with the film having just as many detractors as it does champions. And in a recent interview with IndieWire, actress Isabella Rossellini had a chance to respond to one of the film’s harshest critics: the late Roger Ebert.
Read More: ‘La Chimera’ Trailer: Alice Rohrwacher’s Latest Drama Stars Josh O’Connor, Isabella Rossellini & More
Ebert infamously trounced the film upon release in 1986, particularly how Lynch treated Rossellini in her performance, deeming it exploitative, but Rossellini defended her “choice” to do the role as “an adult.” “I didn’t read the reviews at the time it came out,” the actress said about “Blue Velvet.” “I try not to read reviews.
Continue reading ‘Blue Velvet’: Isabella Rossellini Reflects On Roger Ebert’s Criticism Of Lynch’s Film: “I Chose To Play The Character” at The Playlist.
Read More: ‘La Chimera’ Trailer: Alice Rohrwacher’s Latest Drama Stars Josh O’Connor, Isabella Rossellini & More
Ebert infamously trounced the film upon release in 1986, particularly how Lynch treated Rossellini in her performance, deeming it exploitative, but Rossellini defended her “choice” to do the role as “an adult.” “I didn’t read the reviews at the time it came out,” the actress said about “Blue Velvet.” “I try not to read reviews.
Continue reading ‘Blue Velvet’: Isabella Rossellini Reflects On Roger Ebert’s Criticism Of Lynch’s Film: “I Chose To Play The Character” at The Playlist.
- 3/29/2024
- by Ned Booth
- The Playlist
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 3/29/2024
- by Cody Hamman
- JoBlo.com
Nearly 40 years after Roger Ebert’s one-star review of David Lynch’s Blue Velvet, in which the late critic alleged that Isabella Rossellini was “degraded,” the film’s star is speaking out on how incorrect she believes Ebert’s assessment was.
Speaking with IndieWire, Rossellini said she didn’t read Blue Velvet reviews when the film came out — which she avoids for any of her work — because “even if [the review is] good, there is always one sentence that is negative and stays inside you forever.” However, Ebert’s words were unavoidable, as she was told his review mentioned that Lynch, who was Rossellini’s partner at the time, “exploited” her.
“I was surprised, because I was an adult,” she recalled. “I was 31 or 32. I chose to play the character.”
In the film, Rossellini plays Dorothy Vallens, who is raped and abused by gangster Frank Booth (Dennis Hopper), who has also kidnapped her husband,...
Speaking with IndieWire, Rossellini said she didn’t read Blue Velvet reviews when the film came out — which she avoids for any of her work — because “even if [the review is] good, there is always one sentence that is negative and stays inside you forever.” However, Ebert’s words were unavoidable, as she was told his review mentioned that Lynch, who was Rossellini’s partner at the time, “exploited” her.
“I was surprised, because I was an adult,” she recalled. “I was 31 or 32. I chose to play the character.”
In the film, Rossellini plays Dorothy Vallens, who is raped and abused by gangster Frank Booth (Dennis Hopper), who has also kidnapped her husband,...
- 3/28/2024
- by Tatiana Tenreyro
- The Hollywood Reporter - Movie News
Isabella Rossellini transitioned from her modeling career to an acting career through David Lynch’s 1986 film, Blue Velvet. Rossellini was praised for her role and the film achieved a cult status in the following years, but Blue Velvet was a controversial film at the time of its release. The explicit content was a major problem for critics, including Roger Ebert, who accused Lynch of exploiting the actress. However, Rossellini has defended Lynch in her recent interview.
Isabella Rossellini as Dorothy Vallens in Blue Velvet
David Lynch worked on Blue Velvet‘s script after the commercial failure of his epic sci-fi project, Dune. While the critical response was divided, Lynch received his second Academy Award nomination for Best Director for the film.
Isabella Rossellini Defends David Lynch For Her Exploitative Scenes In Blue Velvet Isabella Rossellini and David Lynch on the sets of Blue Velvet
Isabella Rossellini played the role of...
Isabella Rossellini as Dorothy Vallens in Blue Velvet
David Lynch worked on Blue Velvet‘s script after the commercial failure of his epic sci-fi project, Dune. While the critical response was divided, Lynch received his second Academy Award nomination for Best Director for the film.
Isabella Rossellini Defends David Lynch For Her Exploitative Scenes In Blue Velvet Isabella Rossellini and David Lynch on the sets of Blue Velvet
Isabella Rossellini played the role of...
- 3/28/2024
- by Hashim Asraff
- FandomWire
One of the most infamous reviews for David Lynch’s “Blue Velvet” to publish when the film opened in 1986 came courtesy of Roger Ebert, who gave the movie one star. Then the most prominent critic in the United States, Ebert criticized how Lynch’s casting of Isabella Rossellini in a role where she gets “humiliated.”
“[Rossellini] is asked to do things in this film that require real nerve … She is degraded, slapped around, humiliated and undressed in front of the camera,” Ebert wrote. “And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film.”
Rossellini stars in “Blue Velvet” as the tormented nightclub singer Dorothy Vallens, who is held emotionally and physically captive by the sociopath gangster Frank Booth (Dennis Hopper). At one point in the film, Dorothy shows up naked on the front porch of Jeffrey...
“[Rossellini] is asked to do things in this film that require real nerve … She is degraded, slapped around, humiliated and undressed in front of the camera,” Ebert wrote. “And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film.”
Rossellini stars in “Blue Velvet” as the tormented nightclub singer Dorothy Vallens, who is held emotionally and physically captive by the sociopath gangster Frank Booth (Dennis Hopper). At one point in the film, Dorothy shows up naked on the front porch of Jeffrey...
- 3/27/2024
- by Zack Sharf
- Variety Film + TV
In Roger Ebert’s one-star review of David Lynch‘s “Blue Velvet” in 1986, the film critic had strong words for the director he never softened through the rest of his career, even as Ebert came to appreciate some of Lynch’s later films. Ebert wrote that Isabella Rossellini “is asked to do things in this film that require real nerve… She is degraded, slapped around, humiliated and undressed in front of the camera. And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film.”
But Rossellini, who at the time of the controversial landmark’s release was in a relationship with director Lynch, today doesn’t necessarily agree with Ebert’s takedown of the movie. The daughter of Ingrid Bergman and Roberto Rossellini had by then gathered some modeling and film credits, but “Blue Velvet” proved to be her big breakout.
But Rossellini, who at the time of the controversial landmark’s release was in a relationship with director Lynch, today doesn’t necessarily agree with Ebert’s takedown of the movie. The daughter of Ingrid Bergman and Roberto Rossellini had by then gathered some modeling and film credits, but “Blue Velvet” proved to be her big breakout.
- 3/27/2024
- by Ryan Lattanzio
- Indiewire
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way.
For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 3/22/2024
- by Cody Hamman
- JoBlo.com
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way.
For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and Psycho II.
- 3/15/2024
- by Cody Hamman
- JoBlo.com
Creo has announced the jury for the 2024 Sony Future Filmmaker Awards.
Director Justin Chadwick serves as chair for the second year in a row. He is joined on the jury by Michael Barker and Tom Bernard, co-founders and co-presidents of Sony Pictures Classics; cinematographer Rob Hardy ASC, Bsc; cinematographer Kate Reid Bsc; cinematographer Robert Primes ASC; and Australian filmmaker Unjoo Moon.
Chadwick said, “It is such a pleasure to return as Chair of this new prestigious panel of decorated creatives. Last year, we brought to the forefront 30 exceptionally talented filmmakers from across the world, each of whom had the unique chance to access the inner workings of the industry in Los Angeles, opening doors to career-launching opportunities. From my own experience, the art of the short film is by no means one to be underestimated, and I look forward to discovering more brilliant, talented individuals through this upcoming selection.”
In...
Director Justin Chadwick serves as chair for the second year in a row. He is joined on the jury by Michael Barker and Tom Bernard, co-founders and co-presidents of Sony Pictures Classics; cinematographer Rob Hardy ASC, Bsc; cinematographer Kate Reid Bsc; cinematographer Robert Primes ASC; and Australian filmmaker Unjoo Moon.
Chadwick said, “It is such a pleasure to return as Chair of this new prestigious panel of decorated creatives. Last year, we brought to the forefront 30 exceptionally talented filmmakers from across the world, each of whom had the unique chance to access the inner workings of the industry in Los Angeles, opening doors to career-launching opportunities. From my own experience, the art of the short film is by no means one to be underestimated, and I look forward to discovering more brilliant, talented individuals through this upcoming selection.”
In...
- 3/13/2024
- by Jazz Tangcay and Diego Ramos Bechara
- Variety Film + TV
David Lynch's "Dune" was mostly seen as a misstep for the celebrated director back in 1984. As we gear up for the bleak blockbuster that is Denis Villeneuve's "Dune: Part Two," Lynch's "Dune" now occupies an unusual space in the public consciousness — somewhere between cult classic and historic blunder. There are undoubtedly plenty of things wrong with "Dune" 1984, and the film suffered a brutal critical and commercial reception. But forty years after Lynch's $40 million spectacle bombed at the box office, some have come to see the films' positives, arguing that "Dune" 1984 is better than its reputation suggests.
Which, as it happens, is a perfectly reasonable point of view. Aside from the impressive set and costume design, "Dune" actually featured some pretty good visual effects for the time. What's more, the casting was excellent. Lynch may have ruthlessly denied Glenn Close for a part in "Dune," but luckily for him,...
Which, as it happens, is a perfectly reasonable point of view. Aside from the impressive set and costume design, "Dune" actually featured some pretty good visual effects for the time. What's more, the casting was excellent. Lynch may have ruthlessly denied Glenn Close for a part in "Dune," but luckily for him,...
- 3/11/2024
- by Joe Roberts
- Slash Film
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 3/8/2024
- by Cody Hamman
- JoBlo.com
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 3/1/2024
- by Cody Hamman
- JoBlo.com
Nearly a year since it premiered at SXSW, Julio Torres’ “Problemista” finally had its New York City premiere at the Village East by Angelika on Tuesday, February 27. His A24 satire stars Tilda Swinton, Isabella Rossellini, James Scully, Greta Lee, and RZA, to name a few. On the red carpet, producer Emma Stone, alongside fellow producers Dave McCary and Ali Herting, even made a surprise appearance.
“She was very happy to do it,” Julio Torres said of getting Tilda Swinton involved as his co-lead. “She was a little worried about playing an American, then we talked and she didn’t have to be American. She found this creature, we don’t know where she came from. Like a dragon, she emerged from a cave.”
Tilda Swinton was visibly very excited to be in Manhattan in support of this project. “Julio sent me [the script] and asked me to come play with him,” the Oscar winner said.
“She was very happy to do it,” Julio Torres said of getting Tilda Swinton involved as his co-lead. “She was a little worried about playing an American, then we talked and she didn’t have to be American. She found this creature, we don’t know where she came from. Like a dragon, she emerged from a cave.”
Tilda Swinton was visibly very excited to be in Manhattan in support of this project. “Julio sent me [the script] and asked me to come play with him,” the Oscar winner said.
- 2/28/2024
- by Vincent Perella
- Indiewire
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 2/23/2024
- by Cody Hamman
- JoBlo.com
As attention turns to the Oscars around this time every year, it’s easy to get caught up remembering some of the big winners. One of the most notable champs was The Silence of the Lambs, which took home the “Big Five” awards in 1992: Best Picture, Best Actor (Anthony Hopkins), Best Actress (Jodie Foster), Best Director (Jonathan Demme), and Best Adapted Screenplay (Ted Tally), as well as Best Sound Mixing and Best Film Editing to round it out.
And despite owning the film rights to works of author Thomas Harris, super-producer Dino De Laurentiis saw none of that windfall, be it Oscar gold or box office riches. How could a savvy Hollywood player, responsible for making some of the most important movies of all time, make such a wild mistake?
It’s all Michael Mann’s fault.
Hannibal and the Italian
In 1981, author Thomas Harris published Red Dragon, a...
And despite owning the film rights to works of author Thomas Harris, super-producer Dino De Laurentiis saw none of that windfall, be it Oscar gold or box office riches. How could a savvy Hollywood player, responsible for making some of the most important movies of all time, make such a wild mistake?
It’s all Michael Mann’s fault.
Hannibal and the Italian
In 1981, author Thomas Harris published Red Dragon, a...
- 2/19/2024
- by David Crow
- Den of Geek
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 2/16/2024
- by Cody Hamman
- JoBlo.com
Through its remarkable 25-season run, premier Law & Order spinoff Law & Order: Special Victims Unit has featured many classic moments.
From Elliot Stabler (Christopher Meloni) and Olivia Benson’s (Mariska Hargitay) burgeoning chemistry to the ripped-from-the-headlines cases to basically everything Ice-t’s Fin Tutuola says, fans have had plenty of things to latch onto. And yet, one Law & Order: Svu scene stands tall above them all.
It’s the time that Twin Peaks‘ Kyle MacLachlan shot and killed a kid.
Actually, “Kyle MacLachlan shot and killed a kid” is somehow underselling it. It’s more accurate to say that Kyle MacLachlan breaks out of Elliot Stabler’s vice-like grip, tosses an innocent bystander aside like a rag doll, grabs a cop’s gun, and fatally shoots an 13-year-old who had just told him “I’m sorry for what happened, sir. I really am.”
As you might imagine, Kyle...
From Elliot Stabler (Christopher Meloni) and Olivia Benson’s (Mariska Hargitay) burgeoning chemistry to the ripped-from-the-headlines cases to basically everything Ice-t’s Fin Tutuola says, fans have had plenty of things to latch onto. And yet, one Law & Order: Svu scene stands tall above them all.
It’s the time that Twin Peaks‘ Kyle MacLachlan shot and killed a kid.
Actually, “Kyle MacLachlan shot and killed a kid” is somehow underselling it. It’s more accurate to say that Kyle MacLachlan breaks out of Elliot Stabler’s vice-like grip, tosses an innocent bystander aside like a rag doll, grabs a cop’s gun, and fatally shoots an 13-year-old who had just told him “I’m sorry for what happened, sir. I really am.”
As you might imagine, Kyle...
- 2/13/2024
- by Alec Bojalad
- Den of Geek
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 2/9/2024
- by Cody Hamman
- JoBlo.com
The supposed demise of physical media has been well covered and long lamented, with each passing year bringing reports of yet another nail in the coffin of the once flourishing DVD and Blu-ray market. Fall 2023 brought a double whammy of bad news: Netflix shipped its final discs to customers before closing up its DVD department for good, and a month later, Best Buy announced that it would be phasing out the sale of physical media. Yet, while DVDs are no longer the massive revenue generator for studios that they were throughout the first decade of the 2000s, it has never been a better time to be a physical media enthusiast. Thanks to independent labels like Criterion, Kino Lorber, Shout! Factory, Arrow, Imprint, Indicator, and many others, every month sees the release of well over a dozen exceptional titles, often lovingly restored and with indispensable scholarly extras.
That we’re living...
That we’re living...
- 2/5/2024
- by Jim Hemphill
- Indiewire
Actor turned director Keir O’Donnell’s first feature behind the camera is a primary coloured effort with some smart plot twists
Although largely comic in tone, this frothy thriller is obviously modelled on classic films noir, with their tales of betrayal and cunning, gullible heroes tricked into crime by femmes fatales, and the ever-present backbeat of quiet economic desperation. But Keir O’Donnell, a character actor making his writing-directing debut, has juiced up the formula with a palette of poppy primary colours and bright stabs of pink, and an ironic, self-mocking tone. That should help this slip down easy with new-generation viewers who may never have seen such classics as The Postman Always Rings Twice or Double Indemnity, let alone later remakes or homages like Body Heat or Blue Velvet.
It also helps that O’Donnell has cast Gen-z-star-on-the-rise Joe Keery (Steve from Stranger Things) as protagonist Baron, a guileless poor...
Although largely comic in tone, this frothy thriller is obviously modelled on classic films noir, with their tales of betrayal and cunning, gullible heroes tricked into crime by femmes fatales, and the ever-present backbeat of quiet economic desperation. But Keir O’Donnell, a character actor making his writing-directing debut, has juiced up the formula with a palette of poppy primary colours and bright stabs of pink, and an ironic, self-mocking tone. That should help this slip down easy with new-generation viewers who may never have seen such classics as The Postman Always Rings Twice or Double Indemnity, let alone later remakes or homages like Body Heat or Blue Velvet.
It also helps that O’Donnell has cast Gen-z-star-on-the-rise Joe Keery (Steve from Stranger Things) as protagonist Baron, a guileless poor...
- 2/5/2024
- by Leslie Felperin
- The Guardian - Film News
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 2/3/2024
- by Cody Hamman
- JoBlo.com
This coming month, the free streamer Tubi is adding dozens of new titles to its library, from Academy Award-nominated genre-bending thrillers like 2019’s “The Lighthouse” to rom-coms that have dominated culture for decades, such as Nora Ephron’s quintessential “When Harry Met Sally.”
Check out The Streamable’s picks for the best of Tubi’s February additions, and find out everything coming to the platform this month!
Watch Now Free TubiTV.com What are the 5 Best Shows and Movies Coming to Tubi in February 2024? “If Beale Street Could Talk” | Thursday, Feb. 1
Barry Jenkins follows up his Oscar-winning “Moonlight” with another Oscar nominee in this adaptation of James Baldwin’s novel of the same name. KiKi Layne and Stephan James lead the cast as Tish and Fonny a devoted couple who have been friends since childhood who dream of a future together but whose plans are derailed when Fonny is arrested...
Check out The Streamable’s picks for the best of Tubi’s February additions, and find out everything coming to the platform this month!
Watch Now Free TubiTV.com What are the 5 Best Shows and Movies Coming to Tubi in February 2024? “If Beale Street Could Talk” | Thursday, Feb. 1
Barry Jenkins follows up his Oscar-winning “Moonlight” with another Oscar nominee in this adaptation of James Baldwin’s novel of the same name. KiKi Layne and Stephan James lead the cast as Tish and Fonny a devoted couple who have been friends since childhood who dream of a future together but whose plans are derailed when Fonny is arrested...
- 1/26/2024
- by Ashley Steves
- The Streamable
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 1/26/2024
- by Cody Hamman
- JoBlo.com
Plot: Four interconnected tales follow a teenager in love (Jack Champion), two female rappers trying to make it (Normani and Dominique Thorne), a world-weary debt mob enforcer (Pedro Pascal ) and a basketball legend (Jay Ellis) looking for vengeance in 1987 Oakland.
Review: Directors Anna Boden and Ryan Fleck (Half Nelson) make a triumphant return to Sundance with one of the festival’s most energetic offerings in years. Mixing a Tarantino-style crime tale with high-octane action, Boden and Fleck use the bag of tricks they earned working for the MCU (Captain Marvel) to deliver an unexpected smash. Freaky Tales is the kind of movie Sundance would have shown in its nineties heyday, with it likely the only film playing this year that ends in a kung-fu-heavy bloodbath. I loved every second of it.
Freaky Tales mostly takes place over a single night in Oakland; it uses a few things that were...
Review: Directors Anna Boden and Ryan Fleck (Half Nelson) make a triumphant return to Sundance with one of the festival’s most energetic offerings in years. Mixing a Tarantino-style crime tale with high-octane action, Boden and Fleck use the bag of tricks they earned working for the MCU (Captain Marvel) to deliver an unexpected smash. Freaky Tales is the kind of movie Sundance would have shown in its nineties heyday, with it likely the only film playing this year that ends in a kung-fu-heavy bloodbath. I loved every second of it.
Freaky Tales mostly takes place over a single night in Oakland; it uses a few things that were...
- 1/26/2024
- by Chris Bumbray
- JoBlo.com
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 1/19/2024
- by Cody Hamman
- JoBlo.com
Rumors about Adam Sandler‘s upcoming dramatic role, Spaceman, have been circulating since late 2020, but the movie is now planned to be released in 2024.
The sci-fi drama adventure film, based on the novel Spaceman of Bohemia by Czech author Jaroslav Kalfař, stars Sandler as the eponymous astronaut, Jakub.
Spaceman, directed by Johan Renck of Chornobyl fame & written by Colby Day, follows an astronaut stationed on a mission to deep space, where he comes across an ancient species that has stowed away on board his ship.
The movie is described as “an intergalactic journey of love, determination, and self-discovery.” Following up on the Spaceman teaser trailer that premiered in December, Netflix recently unveiled the entire trailer.
Spaceman | Official Trailer
The trailer opens by showing how lonely Sandler’s lead character, Jakub Procházka, feels after going on a solo space mission for approximately 200 days.
Jakub, a middle-aged, middle-class man and an independent nation’s first astronaut,...
The sci-fi drama adventure film, based on the novel Spaceman of Bohemia by Czech author Jaroslav Kalfař, stars Sandler as the eponymous astronaut, Jakub.
Spaceman, directed by Johan Renck of Chornobyl fame & written by Colby Day, follows an astronaut stationed on a mission to deep space, where he comes across an ancient species that has stowed away on board his ship.
The movie is described as “an intergalactic journey of love, determination, and self-discovery.” Following up on the Spaceman teaser trailer that premiered in December, Netflix recently unveiled the entire trailer.
Spaceman | Official Trailer
The trailer opens by showing how lonely Sandler’s lead character, Jakub Procházka, feels after going on a solo space mission for approximately 200 days.
Jakub, a middle-aged, middle-class man and an independent nation’s first astronaut,...
- 1/18/2024
- by Mantisha
- https://dailyresearchplot.com/wp-content/uploads/2023/03/new-sam
The feelings some of us have about the Sundance Film Festival border on the religious. I don’t mean that we’re a cult; I mean that the force that Sundance represents is a religion worth believing in. By the end of the 1980s, the action/comedy/horror/fantasy grind of Hollywood cinema had become bloated and exhausting. The independent film movement didn’t just reinvigorate American movies. It saved them. When I started going to Sundance in the ’90s, I always felt, despite the winter landscape, that I was going to be reveling in a vast garden of cinema. Each year, I wanted to know: What extraordinary film flowers are going to pop up that will then be spread throughout the land? I’ll arrive with that same question when Sundance 2024 commences this week on Jan. 18.
For years, I wrote about Sundance with a missionary zeal that I knew,...
For years, I wrote about Sundance with a missionary zeal that I knew,...
- 1/15/2024
- by Owen Gleiberman
- Variety Film + TV
Love or loathe David Lynch, you have to admit that the former indie filmmaker has had one of the most unusual routes to fame in the history of Hollywood. Once king of the “midnight movies” in the 1970s, Lynch from plucked from that world by the Mel Brooks production company to helm the adaptation of the Tony Award-winning Broadway play “The Elephant Man” in 1980. What prompted Lynch to be chosen may be a question for the ages, but it launched a film career that has been nothing short of remarkable.
Lynch’s particular vision (which some critics have termed “narrow”) has produced some distinctive oddities (“Lost Highway” and “Inland Empire” among them), but when Lynch connects, such as in “Blue Velvet” and “Mulholland Drive,” he changes the limited notion of what some filmgoers think of as “the movies.” Both of those films brought him Oscar nominations for directing, while “The Elephant Man...
Lynch’s particular vision (which some critics have termed “narrow”) has produced some distinctive oddities (“Lost Highway” and “Inland Empire” among them), but when Lynch connects, such as in “Blue Velvet” and “Mulholland Drive,” he changes the limited notion of what some filmgoers think of as “the movies.” Both of those films brought him Oscar nominations for directing, while “The Elephant Man...
- 1/13/2024
- by Tom O'Brien, Chris Beachum and Zach Laws
- Gold Derby
JoBlo.com recently launched a new weekly documentary series called 80s Horror Memories, where each year of the 1980s has five episodes dedicated to it. Looking back at 1980, we discussed Maniac, Dressed to Kill, Alligator, Friday the 13th, The Shining, Prom Night, and The Fog. The second five episodes were a journey through 1981, covering The Funhouse, The Burning, Friday the 13th Part 2, My Bloody Valentine, Halloween II, The Evil Dead, The Howling, and An American Werewolf in London, as well as the careers of horror hosts Elvira and Joe Bob Briggs. The next five were, of course, all about movies that came out in 1982: Conan the Barbarian, The Thing, Halloween III: Season of the Witch, and Poltergeist, with an examination of the short-lived 3-D boom along the way. For 1983, we talked about a trio of Stephen King adaptations, Jaws 3-D, Sleepaway Camp, the rise of TV horror anthologies, and...
- 1/12/2024
- by Cody Hamman
- JoBlo.com
Too early to call this the discovery of 2024? If we never get another David Lynch movie, series, or short film shot on consumer-grade Dv, this is just about our closest proximity to a fresh vision—also one that’s 40 years old, but sometimes we can’t make the choice between what is future and what is past. In researching his recently published A Masterpiece in Disarray: David Lynch’s Dune—An Oral History, Max Evry gave himself the unenviable task of finding Lynch’s supposed script for Dune Messiah––“supposed” because its only traces are to be found decades-old interviews, often in promotion of a film that caused so much disturbance to its creator he still speaks of it like… well, like a David Lynch character speaks of the malevolent force that hangs over their every moment. Saying he “wrote half a script” in Lynch on Lynch could’ve meant...
- 1/10/2024
- by Leonard Pearce
- The Film Stage
David Lynch had some hesitations about acting in Steven Spielberg’s The Fabelmans. However, once he took on the role of John Ford, he had one simple request — a bag of Cheetos.
“Well, Cheetos, number one, I love them,” he told Empire magazine of his requirement for appearing in the film loosely based on Spielberg’s life. “And any chance I can, I get them. But I know that they’re not exactly health food. So when I do leave the house and I get a chance to… But I don’t get them that often, honestly.”
He continued, “If I do get them, I want a big bag. Because once you start… you need to have a lot before you could slow down and actually stop. Otherwise, with a small bag, then you’d be prowling for days to find more […] It’s incredible flavour.”
The director of films like Dune,...
“Well, Cheetos, number one, I love them,” he told Empire magazine of his requirement for appearing in the film loosely based on Spielberg’s life. “And any chance I can, I get them. But I know that they’re not exactly health food. So when I do leave the house and I get a chance to… But I don’t get them that often, honestly.”
He continued, “If I do get them, I want a big bag. Because once you start… you need to have a lot before you could slow down and actually stop. Otherwise, with a small bag, then you’d be prowling for days to find more […] It’s incredible flavour.”
The director of films like Dune,...
- 12/20/2023
- by Armando Tinoco
- Deadline Film + TV
Josh Kramer, who worked as a film producer and financier and Amazon executive, died Nov. 27 in Santa Monica, Calif. He was 67.
Kramer started his career in entertainment in foreign sales for the Italian producer Dino De Laurentiis. By pre-selling foreign movie rights, he became an integral member of the company, financing films such as “Manhunter” and “Blue Velvet.” He led the acquisition of the film rights for Madonna’s first concert film “Madonna: Truth or Dare” and later sold the film overseas.
Rachael Horovitz, who worked with him at De Laurentiis, remembered Kramer on his memorial site. “A concert pianist who helped right the Beastie Boys tourbus one night in Paris when rabid fans were tipping it over; a patient negotiator who cried reading J.D. Salinger. His contradictions made him.”
He joined forces with Thom Mount to form the Mount/Kramer Company in the early ’90s, producing Roman Polanski’s...
Kramer started his career in entertainment in foreign sales for the Italian producer Dino De Laurentiis. By pre-selling foreign movie rights, he became an integral member of the company, financing films such as “Manhunter” and “Blue Velvet.” He led the acquisition of the film rights for Madonna’s first concert film “Madonna: Truth or Dare” and later sold the film overseas.
Rachael Horovitz, who worked with him at De Laurentiis, remembered Kramer on his memorial site. “A concert pianist who helped right the Beastie Boys tourbus one night in Paris when rabid fans were tipping it over; a patient negotiator who cried reading J.D. Salinger. His contradictions made him.”
He joined forces with Thom Mount to form the Mount/Kramer Company in the early ’90s, producing Roman Polanski’s...
- 12/19/2023
- by Caroline Brew
- Variety Film + TV
Josh Kramer, who produced Roman Polanski’s Death and the Maiden and Sidney Lumet’s Night Falls on Manhattan and later led sales for Capitol Films before becoming Head of Motion Picture Business Operations at Amazon Studios, has died. He was 67.
Kramer died November 27 in Santa Monica.
Born on May 17, 1956, he began his showbiz career working for the Italian producer Dino De Laurentiis, pre-selling foreign movie rights that would help finance films including Manhunter, Blue Velvet and others. Kramer was instrumental in the success of the 1991 concert pic Madonna: Truth or Dare, leading the acquisition of the film rights and then selling the film overseas.
In the early 1990s, he teamed with Thom Mount to form the Mount/Kramer Company, which produced Death and the Maiden (1994) and Night Falls on Manhattan (1996).
He went on to become the head of sales for Capitol Films, later joining international acquisitions at MGM. In...
Kramer died November 27 in Santa Monica.
Born on May 17, 1956, he began his showbiz career working for the Italian producer Dino De Laurentiis, pre-selling foreign movie rights that would help finance films including Manhunter, Blue Velvet and others. Kramer was instrumental in the success of the 1991 concert pic Madonna: Truth or Dare, leading the acquisition of the film rights and then selling the film overseas.
In the early 1990s, he teamed with Thom Mount to form the Mount/Kramer Company, which produced Death and the Maiden (1994) and Night Falls on Manhattan (1996).
He went on to become the head of sales for Capitol Films, later joining international acquisitions at MGM. In...
- 12/19/2023
- by Erik Pedersen
- Deadline Film + TV
When you’re :a[Steven Spielberg]{href='https://www.empireonline.com/movies/features/steven-spielberg-movies-ranked/' target='blank' rel='noreferrer noopener'}, you have the power to make certain calls – like asking David Lynch if he’ll pop up for the final five minutes of your movie. Not only that, but you can cast the :a[Mulholland Drive]{href='https://www.empireonline.com/movies/reviews/mulholland-drive-review/' target='blank' rel='noreferrer noopener'} and :a[Blue Velvet]{href='https://www.empireonline.com/movies/reviews/blue-velvet-review/' target='_blank' rel='noreferrer noopener'} director as one of the (other) all-time-great filmmakers, the legendary John Ford, with whom a young Spielberg crossed paths at the very start of his career. And so, Spielberg did exactly that – when making :a[The Fabelmans]{href='https://www.empireonline.com/movies/reviews/the-fabelmans/' target='_blank' rel='noreferrer noopener'}, his lightly fictionalised look-back at his own young years,...
- 12/19/2023
- by Ben Travis
- Empire - Movies
If you had to name the most original filmmaker of the last half-century, what’s the first name that comes to mind? David Cronenberg? Wes Anderson? Maybe Werner Herzog or the Coen brothers? While all of them are certainly worthy contenders, it’s hard to argue against the lasting merits of David Lynch, the truly unique cinematic surrealist who has been tormenting audiences with nightmarishly vexing material since his feature film debut Eraserhead in 1977. Indeed, few filmmakers have become name brands unto themselves in the way Lynch’s name evokes a particular type of psychological moviegoing experience. And while he’s worked in many different genres in his career with varying results, no one explores the nature of dreams and the human subconscious like Lynch has repeatedly done throughout his filmography. Moreover, as seen in his tour-de-force 1986 neo-noir mystery Blue Velvet, Lynch has an uncanny knack for digging beneath the...
- 11/27/2023
- by Jake Dee
- JoBlo.com
November is the month of thankfulness, so why not be thankful for some great independent cinema?
As the end of the year approaches, new films arrive in theaters at a rapid pace with big blockbusters, seasonal holiday films, and major Oscar contenders all vying for those juicy November and December slots. This month alone, some highly anticipated films include “American Fiction,” “Dream Scenario,” “Leave the World Behind,” “May December,” “The Hunger Games: The Ballad of Songbirds & Snakes,” “Napoleon,” and the Disney Film “Wish.” On streaming, new movies skew towards the seasonal holiday variet with mountains of Christmas rom-coms coming to Netflix for you to enjoy and/or dread. But there’s still plenty of classic films arriving on platforms this November — including great independent movies that have released as recently as 2014 and as far back as 1969.
It’s a particularly great month for the Criterion Channel: the streamer for...
As the end of the year approaches, new films arrive in theaters at a rapid pace with big blockbusters, seasonal holiday films, and major Oscar contenders all vying for those juicy November and December slots. This month alone, some highly anticipated films include “American Fiction,” “Dream Scenario,” “Leave the World Behind,” “May December,” “The Hunger Games: The Ballad of Songbirds & Snakes,” “Napoleon,” and the Disney Film “Wish.” On streaming, new movies skew towards the seasonal holiday variet with mountains of Christmas rom-coms coming to Netflix for you to enjoy and/or dread. But there’s still plenty of classic films arriving on platforms this November — including great independent movies that have released as recently as 2014 and as far back as 1969.
It’s a particularly great month for the Criterion Channel: the streamer for...
- 11/10/2023
- by Wilson Chapman
- Indiewire
It’s a truth universally acknowledged that a movie labeled “horror” must be in want of a ghost, ghoul, or masked slasher.
But let’s not pigeonhole terror, shall we? Sometimes, the most unsettling shivers come from flicks that sport different genre tags. And hey, who doesn’t love a surprise freak-out from a film that’s supposed to be a drama, thriller, or even a family flick? We’ve compiled a list of 15 of the scariest non-horror movies that stealthily creep into horror territory without the usual tropes. From mind-bending psychological dread to the macabre lurking in the mundane, these films are the cinematic equivalent of finding a live spider in your cereal box – unexpected, creepy, and weirdly, kind of impressive?
From the surreal to the too-real, each of these films brings its own brand of terror. They won’t have you checking your closet for monsters, but they...
But let’s not pigeonhole terror, shall we? Sometimes, the most unsettling shivers come from flicks that sport different genre tags. And hey, who doesn’t love a surprise freak-out from a film that’s supposed to be a drama, thriller, or even a family flick? We’ve compiled a list of 15 of the scariest non-horror movies that stealthily creep into horror territory without the usual tropes. From mind-bending psychological dread to the macabre lurking in the mundane, these films are the cinematic equivalent of finding a live spider in your cereal box – unexpected, creepy, and weirdly, kind of impressive?
From the surreal to the too-real, each of these films brings its own brand of terror. They won’t have you checking your closet for monsters, but they...
- 11/4/2023
- by Kimberley Elizabeth
Kicking October to the curb and bringing in some November goodness is a fresh slate of new content headed to Paramount Global’s streamer Paramount+, including the sequel to the hit 1997 film “Good Burger.”
Paramount+ started off November by adding more than 30 titles to its library, some of which include “Above the Rim,” Season 15 of “Ink Master,” “Gladiator” and “The Color Purple.”
And if you’re looking for some holiday movies to watch with the family, you can deck the halls with “Happy Christmas,” “Mistletoe Ranch” or “Christmas Eve.” When the kids go to sleep, adult-friendly treats like “Bad Santa” and “Bad Santa 2” are also available.
The highly-anticipated “Good Burger 2,” which stars Kel Mitchell, Keenan Thompson, Shar Jackson, Carmen Electra, Josh Server, Alex R. Hibbert, Lori Beth Denberg and Lil Rel Howery, hits the platform on Nov. 22
Here’s everything coming to Paramount+ this November, from “The Truman Show” to “Paw Patrol.
Paramount+ started off November by adding more than 30 titles to its library, some of which include “Above the Rim,” Season 15 of “Ink Master,” “Gladiator” and “The Color Purple.”
And if you’re looking for some holiday movies to watch with the family, you can deck the halls with “Happy Christmas,” “Mistletoe Ranch” or “Christmas Eve.” When the kids go to sleep, adult-friendly treats like “Bad Santa” and “Bad Santa 2” are also available.
The highly-anticipated “Good Burger 2,” which stars Kel Mitchell, Keenan Thompson, Shar Jackson, Carmen Electra, Josh Server, Alex R. Hibbert, Lori Beth Denberg and Lil Rel Howery, hits the platform on Nov. 22
Here’s everything coming to Paramount+ this November, from “The Truman Show” to “Paw Patrol.
- 11/3/2023
- by Raquel 'Rocky' Harris
- The Wrap
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