The exploration of horror through an overcrowded streaming market continues. Since each month brings a plethora of new additions to streaming libraries across all platforms, from Netflix to Tubi, that means an insane selection of all styles and types of horror available at our fingertips.
Max doesn’t just serve as the spot for Warner Bros. titles, but offers hubs to connect you to HBO, Cartoon Network, TCM, and curated selections to find even more pockets of horror.
New additions to Max’s horror library in April include Wes Craven Presents: They and Alex Garland’s Men on April 18. Also look for Metalocalypse: Army of the Doomstar to arrive on the streaming platform on April 6.
Here are the best Max horror movies you can stream right now.
Aliens
Whereas Ridley Scott’s Alien embraced quiet haunted house-like chills for his sci-fi movie, James Cameron took a drastic detour into action-horror territory for the epic-scaled sequel.
Max doesn’t just serve as the spot for Warner Bros. titles, but offers hubs to connect you to HBO, Cartoon Network, TCM, and curated selections to find even more pockets of horror.
New additions to Max’s horror library in April include Wes Craven Presents: They and Alex Garland’s Men on April 18. Also look for Metalocalypse: Army of the Doomstar to arrive on the streaming platform on April 6.
Here are the best Max horror movies you can stream right now.
Aliens
Whereas Ridley Scott’s Alien embraced quiet haunted house-like chills for his sci-fi movie, James Cameron took a drastic detour into action-horror territory for the epic-scaled sequel.
- 4/4/2024
- by Meagan Navarro
- bloody-disgusting.com
“You got involved with a woman who fell in love with you for your sanity and hoped it would rub off.”
What would the horror version of Kramer vs. Kramer look like? What about a murderous version of Marriage Story? While horror fans might enjoy throwing in gory dismemberment or supernatural chaos to these extremely human stories, would we be able to stomach the devastating mix of physical and emotional pain? Divorce is already hard enough! But that’s just what David Cronenberg gives us with The Brood. This 1979 film is a shocking and powerful story about the death of a marriage and the extensive collateral damage that lies in its wake.
Nola (Samantha Eggar) is a young mother taking time for herself. In order to process childhood trauma, she’s enrolled in extensive treatment at the Somafree Institure, a therapeutic retreat run by the illustrious Dr. Raglan (Oliver Reed). His patented modality,...
What would the horror version of Kramer vs. Kramer look like? What about a murderous version of Marriage Story? While horror fans might enjoy throwing in gory dismemberment or supernatural chaos to these extremely human stories, would we be able to stomach the devastating mix of physical and emotional pain? Divorce is already hard enough! But that’s just what David Cronenberg gives us with The Brood. This 1979 film is a shocking and powerful story about the death of a marriage and the extensive collateral damage that lies in its wake.
Nola (Samantha Eggar) is a young mother taking time for herself. In order to process childhood trauma, she’s enrolled in extensive treatment at the Somafree Institure, a therapeutic retreat run by the illustrious Dr. Raglan (Oliver Reed). His patented modality,...
- 3/14/2024
- by Jenn Adams
- bloody-disgusting.com
Horror can always be counted on to transform the most innocuous concepts into unsettling nightmares, especially when it comes to exploring themes of parenthood.
In horror, children frequently veer straight into creepy territory with unsettling statements and empty stares. Creepy kids in horror have been a long-running archetype, turning out iconic characters like Antichrist Damien Thorn in The Omen, The Bad Seed’s Rhoda Penmark, and the possessed Regan MacNeil in The Exorcist.
This week’s streaming picks highlight some of horror’s most unnerving children.
Here’s where to stream these creepy kid horror movies this week.
For more Stay Home, Watch Horror picks, click here.
The Brood – Criterion Channel, Max
Frank Carveth (Art Hindle) is in the midst of an embittered separation process from his estranged wife Nola (Samantha Eggar), a woman currently undergoing experimental therapy. Her psychotherapist, Hal Raglan (Oliver Reed), has developed an experimental process that...
In horror, children frequently veer straight into creepy territory with unsettling statements and empty stares. Creepy kids in horror have been a long-running archetype, turning out iconic characters like Antichrist Damien Thorn in The Omen, The Bad Seed’s Rhoda Penmark, and the possessed Regan MacNeil in The Exorcist.
This week’s streaming picks highlight some of horror’s most unnerving children.
Here’s where to stream these creepy kid horror movies this week.
For more Stay Home, Watch Horror picks, click here.
The Brood – Criterion Channel, Max
Frank Carveth (Art Hindle) is in the midst of an embittered separation process from his estranged wife Nola (Samantha Eggar), a woman currently undergoing experimental therapy. Her psychotherapist, Hal Raglan (Oliver Reed), has developed an experimental process that...
- 3/4/2024
- by Meagan Navarro
- bloody-disgusting.com
The exploration of horror through an overcrowded streaming market continues. Since each month brings a plethora of new additions to streaming libraries across all platforms, from Netflix to Tubi, that means an insane selection of all styles and types of horror available at our fingertips.
Max doesn’t just serve as the spot for Warner Bros. titles, but offers hubs to connect you to HBO, Cartoon Network, TCM, and curated selections to find even more pockets of horror.
For starters, Max’s horror selection offers a relatively robust selection of foundational horror titles and franchises, including Paranormal Activity and Friday the 13th.
Here are the best Max horror movies you can stream right now.
Aliens
Whereas Ridley Scott’s Alien embraced quiet haunted house-like chills for his sci-fi movie, James Cameron took a drastic detour into action-horror territory for the epic-scaled sequel. Poor Ellen Ripley is forced to return to Lv-426 along with space Marines,...
Max doesn’t just serve as the spot for Warner Bros. titles, but offers hubs to connect you to HBO, Cartoon Network, TCM, and curated selections to find even more pockets of horror.
For starters, Max’s horror selection offers a relatively robust selection of foundational horror titles and franchises, including Paranormal Activity and Friday the 13th.
Here are the best Max horror movies you can stream right now.
Aliens
Whereas Ridley Scott’s Alien embraced quiet haunted house-like chills for his sci-fi movie, James Cameron took a drastic detour into action-horror territory for the epic-scaled sequel. Poor Ellen Ripley is forced to return to Lv-426 along with space Marines,...
- 2/13/2024
- by Meagan Navarro
- bloody-disgusting.com
The most popular episode of "Star Trek: The Next Generation" is likely the two-parter "The Best of Both Worlds" which served as the season finale for the show's third season and the premiere of its fourth. That's the episode wherein Captain Picard (Patrick Stewart) was assimilated by the all-consuming semi-mechanical beings called the Borg. It was up to Commander Riker (Jonathan Frakes) to take command of the Enterprise and fight the Picard-influenced Borg in what turned out to be a disastrous cosmic conflagration. At the end of the episode's second part, Picard was extracted from the Borg's influence and put back in command of the Enterprise.
The episode's penetrating final shot was Picard, wearing medical plates on his face where the Borg machinery had been implanted, staring out of the window of his ready room, pondering the harrowing experience he survived. The galaxy is no longer an exciting frontier to explore.
The episode's penetrating final shot was Picard, wearing medical plates on his face where the Borg machinery had been implanted, staring out of the window of his ready room, pondering the harrowing experience he survived. The galaxy is no longer an exciting frontier to explore.
- 12/8/2023
- by Witney Seibold
- Slash Film
It’s Labor vs. Capital, in basic terms! Sean Connery is the tough, embittered miner looking to strike back against the bosses, and Richard Harris the underdog who sees a way out by becoming an agent provocateur for the Pinkertons. An admirable true-life history lesson, Walter Bernstein & Martin Ritt’s downer of a drama didn’t grab the public’s imagination. But there’s no better vision of the time and place, thanks to James Wong Howe’s realistic, nearly monochromatic cinematography.
The Molly Maguires
Blu-ray
Viavision [Imprint] 172
1970 / Color / 2:39 widescreen / 124 min. / Street Date October 26, 2022 / Available from Viavision / au 34.95
Starring: Sean Connery, Richard Harris, Samantha Eggar, Frank Finlay, Anthony Zerbe, Philip Bourneuf, Anthony Costello, Bethel Leslie, Brendan Dillon.
Cinematography: James Wong Howe
Art Director: Tambi Larsen
Costumes designed by: Dorothy Jeakins
Film Editor: Frank Bracht
Original Music: Henry Mancini
Written by Walter Bernstein suggested by a book by Arthur H. Lewis
Produced by Walter Bernstein,...
The Molly Maguires
Blu-ray
Viavision [Imprint] 172
1970 / Color / 2:39 widescreen / 124 min. / Street Date October 26, 2022 / Available from Viavision / au 34.95
Starring: Sean Connery, Richard Harris, Samantha Eggar, Frank Finlay, Anthony Zerbe, Philip Bourneuf, Anthony Costello, Bethel Leslie, Brendan Dillon.
Cinematography: James Wong Howe
Art Director: Tambi Larsen
Costumes designed by: Dorothy Jeakins
Film Editor: Frank Bracht
Original Music: Henry Mancini
Written by Walter Bernstein suggested by a book by Arthur H. Lewis
Produced by Walter Bernstein,...
- 12/6/2022
- by Glenn Erickson
- Trailers from Hell
Horror fans have Canada to thank for a lot of their favorite movies from the ‘70s and ‘80s. Black Christmas, Prom Night, Happy Birthday to Me, My Bloody Valentine — all these fright flicks and more were in fact made in Canada. And for a lot of these vintage movies, they were produced in the Great White North because of an enticing tax incentive. It was all part of a desire to fire up the country’s movie industry. And so long as these potential productions were chiefly shot and edited in Canada, as well as starred mostly Canadian actors, the movies’ costs were up to 100 tax deductible. Like those before him, producer Peter R. Simpson (Prom Night III: The Last Kiss) acted on this attractive business offer, though his timing could have been better. By the time Curtains came out in 1983, Canada’s most significant era of “B” movies was...
- 11/11/2022
- by Paul Lê
- bloody-disgusting.com
Cary Grant was 62 years old when he broke the world's heart and decided he couldn't be Cary Grant anymore. It was 1966: He'd just wrapped the romantic comedy "Walk, Don't Run," wherein he provided only the comedy. The romance involved the attractive young duo of Samantha Eggar and Jim Hutton. She was twenty-six at the time. He was thirty-two.
Though some critics raved that the aging star was as charming as ever, Grant knew better. Slotted in the (mostly) sexless matchmaker role, Grant was on the cusp of playing grandfathers and generals and men who are generally unfun because they are about to...
The post Charade Marked The End Of An Era For Cary Grant's Film Career appeared first on /Film.
Though some critics raved that the aging star was as charming as ever, Grant knew better. Slotted in the (mostly) sexless matchmaker role, Grant was on the cusp of playing grandfathers and generals and men who are generally unfun because they are about to...
The post Charade Marked The End Of An Era For Cary Grant's Film Career appeared first on /Film.
- 7/9/2022
- by Jeremy Smith
- Slash Film
Guy Ritchie is going Zero to Hero and will direct the live-action “Hercules” movie at Disney, an individual with knowledge of the project told TheWrap.
Ritchie previously directed Disney’s live-action “Aladdin,” the 2019 blockbusters that surpassed 1 billion at the global box office. The “Hercules” live-action movie has “Avengers” directors Anthony and Joe Russo producing the film through their Agbo banner.
Dave Callaham (“Shang-Chi and the Legend of the Ten Rings”) wrote the first draft of the script adapting the animated “Hercules” film, and Disney is now looking for writers for the project.
Also Read:
‘Wonder Man’ Series in the Works at Disney+ With Andrew Guest as Head Writer
The original animated movie from 1997 shows Hercules, the son of the God Zeus, growing up on Earth as a human but gifted with superhuman strength as he falls in love with the human Megara, as he works with a Satyr named Phil...
Ritchie previously directed Disney’s live-action “Aladdin,” the 2019 blockbusters that surpassed 1 billion at the global box office. The “Hercules” live-action movie has “Avengers” directors Anthony and Joe Russo producing the film through their Agbo banner.
Dave Callaham (“Shang-Chi and the Legend of the Ten Rings”) wrote the first draft of the script adapting the animated “Hercules” film, and Disney is now looking for writers for the project.
Also Read:
‘Wonder Man’ Series in the Works at Disney+ With Andrew Guest as Head Writer
The original animated movie from 1997 shows Hercules, the son of the God Zeus, growing up on Earth as a human but gifted with superhuman strength as he falls in love with the human Megara, as he works with a Satyr named Phil...
- 6/17/2022
- by Brian Welk
- The Wrap
With the release of the director’s latest body horror Crimes of the Future, Guardian writers have singled out their most-loved Cronenberg offerings
Cronenberg’s horror films could be described as unnerving and unsettling, or majestically gross, but they’re almost never scary in the traditional sense. The Brood is a blood-curdling exception, unleashing a small army of half-formed dwarf-children with murderous intent. Written in the wake of Cronenberg’s bitter divorce and custody battle, The Brood is a raw expression of anger and psychic distress, which manifests itself in the bodily mutations that often find their way into his work. Only here the little monsters are literally the product of broken marriage, asexual offspring that the mother, Nola (Samantha Eggar), spawns while undergoing an intensive New Age therapy.
Cronenberg’s horror films could be described as unnerving and unsettling, or majestically gross, but they’re almost never scary in the traditional sense. The Brood is a blood-curdling exception, unleashing a small army of half-formed dwarf-children with murderous intent. Written in the wake of Cronenberg’s bitter divorce and custody battle, The Brood is a raw expression of anger and psychic distress, which manifests itself in the bodily mutations that often find their way into his work. Only here the little monsters are literally the product of broken marriage, asexual offspring that the mother, Nola (Samantha Eggar), spawns while undergoing an intensive New Age therapy.
- 6/2/2022
- by Scott Tobias, Jordan Hoffman, Charles Bramesco, AA Dowd, Guy Lodge, Benjamin Lee, Catherine Shoard, Radheyan Simonpillai, Veronica Esposito and Jesse Hassenger
- The Guardian - Film News
800x600 Normal 0 false false false En-us X-none X-none MicrosoftInternetExplorer4
By Doug Oswald
A concentration camp survivor returns home after the war only to find betrayal and deceit in “Phoenix,” a Blu-ray release from Criterion. Nina Hoss is Nelly Lenz, a German Jew returning to Berlin in 1945 both physically and psychologically damaged after years in concentration camps including the notorious Auschwitz death camp. A successful nightclub singer prior to the horrors of Nazi Germany, she returns home with a disfigured face hidden under bandages when we first meet her on screen. Nelly is aided by her friend Lene Winter (Nina Kunzendorf), a fellow German Jew who fled to England before the war. Nelly receives reconstructive surgery on her face which alters her looks, although we never see what she looked liked prior to her facial disfigurement. We first see her after the bandages are removed post surgery.
Nelly wants to be reunited with her husband,...
By Doug Oswald
A concentration camp survivor returns home after the war only to find betrayal and deceit in “Phoenix,” a Blu-ray release from Criterion. Nina Hoss is Nelly Lenz, a German Jew returning to Berlin in 1945 both physically and psychologically damaged after years in concentration camps including the notorious Auschwitz death camp. A successful nightclub singer prior to the horrors of Nazi Germany, she returns home with a disfigured face hidden under bandages when we first meet her on screen. Nelly is aided by her friend Lene Winter (Nina Kunzendorf), a fellow German Jew who fled to England before the war. Nelly receives reconstructive surgery on her face which alters her looks, although we never see what she looked liked prior to her facial disfigurement. We first see her after the bandages are removed post surgery.
Nelly wants to be reunited with her husband,...
- 1/16/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Pairing wine with movies! See the trailers and hear the fascinating commentary for these movies and many more at Trailers From Hell. Crime is a hot topic in the movies, but be careful – you don’t always know who the criminals are.
Clay Pigeon didn’t exactly set 1971 on fire, but if it had it would have been liable for more serious crimes than artistic ones. Plus, in the pairing-wine-with-movies biz, it’s always touch-and-go when dealing with a movie involving substance abuse. The laughs don’t exactly fall out of the balcony.
This movie starred Tom Stern, who also co-directed with Lane Slate. You may know Stern as the one-time husband of Samantha Eggar, or he may be on your radar for being what IMDb calls the “Orson Welles of ‘60s biker movies.” Citizen Knucklehead, anyone?
In Clay Pigeon, he was a Vietnam vet who wanted to kick hard drugs.
Clay Pigeon didn’t exactly set 1971 on fire, but if it had it would have been liable for more serious crimes than artistic ones. Plus, in the pairing-wine-with-movies biz, it’s always touch-and-go when dealing with a movie involving substance abuse. The laughs don’t exactly fall out of the balcony.
This movie starred Tom Stern, who also co-directed with Lane Slate. You may know Stern as the one-time husband of Samantha Eggar, or he may be on your radar for being what IMDb calls the “Orson Welles of ‘60s biker movies.” Citizen Knucklehead, anyone?
In Clay Pigeon, he was a Vietnam vet who wanted to kick hard drugs.
- 10/14/2020
- by Randy Fuller
- Trailers from Hell
Editor’s Note: This post is updated monthly. Bookmark this page and come back every month to see the new horror movies on HBO Max.
Updated for October 2020
What ever would we do without horror?
So much of our daily life is built around logic and known, verifiable facts, and for some, the rest of the time must be supplemented with comforting reassurances that everything is going to be alright. Well if the last year has taught us anything… that’s not the case. Perhaps this is why horror hounds know the best way to face abstract fears is to confront them head on… and preferably with a screen in the way.
So, with Halloween around the corner, we figured it’s time to get in touch with our illogical, terrified animal brain. That’s where horror and horror movies in particular come in. Gathered here are the best horror...
Updated for October 2020
What ever would we do without horror?
So much of our daily life is built around logic and known, verifiable facts, and for some, the rest of the time must be supplemented with comforting reassurances that everything is going to be alright. Well if the last year has taught us anything… that’s not the case. Perhaps this is why horror hounds know the best way to face abstract fears is to confront them head on… and preferably with a screen in the way.
So, with Halloween around the corner, we figured it’s time to get in touch with our illogical, terrified animal brain. That’s where horror and horror movies in particular come in. Gathered here are the best horror...
- 10/10/2020
- by David Crow
- Den of Geek
That’s a title with a ton of exploitation promise, don’t you think? Now imagine being a ten year old movie freak that ingested anything remotely salacious or possibly brain-damaging into his system to increase his cinematic database. A match made in heaven? Probably not in the eyes of those who would shelter such fragile minds from the grotesque and lurid underbelly of commercial film, but a definite boon to the kid looking specifically for the grotesque and lurid. Well folks, the buck pretty much not only stops at The Exterminator (1980), it finds itself aflame as celluloid floats to the ground in messy tribute. The ash of this one spread everywhere.
And I know, it’s not horror; but to a ten year old, exploitation and horror is completely simpatico - violence, nudity, and degradation were not only on the menu, they were pretty much alone on the laminated list.
And I know, it’s not horror; but to a ten year old, exploitation and horror is completely simpatico - violence, nudity, and degradation were not only on the menu, they were pretty much alone on the laminated list.
- 7/11/2020
- by Scott Drebit
- DailyDead
Hello, dear readers! With Mother’s Day coming up this weekend, this writer thought that the timing was right to celebrate all the horror and sci-fi mother-centric films that are currently available to stream on various platforms, including Shudder, Vudu, Tubi TV, Amazon Prime, Netflix, Crackle, Pluto TV, Kanopy, YouTube, and the Criterion Channel.
So whether you’re in the mood to celebrate badass moms, maniacal maternal figures on the edge, or those characters who have a unique motherly instinct, there’s pretty much something for every genre fan on this list.
Happy Streaming!
The Exorcist (Streaming on Vudu)
An innocent girl is evilly possessed - and a doubting priest becomes her last hope. Linda Blair and Ellen Burstyn in the award-winner that shocked the world.
Child’s Play (1988) (Streaming on Vudu & Netflix & Amazon Prime & Pluto TV)
When serial killer Charles Lee Ray is mortally wounded in a police shoot-out, he...
So whether you’re in the mood to celebrate badass moms, maniacal maternal figures on the edge, or those characters who have a unique motherly instinct, there’s pretty much something for every genre fan on this list.
Happy Streaming!
The Exorcist (Streaming on Vudu)
An innocent girl is evilly possessed - and a doubting priest becomes her last hope. Linda Blair and Ellen Burstyn in the award-winner that shocked the world.
Child’s Play (1988) (Streaming on Vudu & Netflix & Amazon Prime & Pluto TV)
When serial killer Charles Lee Ray is mortally wounded in a police shoot-out, he...
- 5/8/2020
- by Heather Wixson
- DailyDead
Disney is going zero to hero as the studio is in the works on a live-action adaptation of “Hercules,” tapping “Shang-Chi and The Legend of the Ten Rings” writer Dave Callaham to write the screenplay, with the Russo Brothers attached to produce, an individual with knowledge of the project told TheWrap.
Joe and Anthony Russo, best known for “Avengers: Endgame,” will produce through their Agbo banner the adaptation of the 1997 animated film, a retelling of the classic Greek myth of Hercules.
No casting has been set.
Also Read: ABC Sets 'Disney Family Singalong: Volume II' Special for Mother's Day
The movie shows Hercules, the son of the God Zeus, growing up on Earth as a human but gifted with superhuman strength as he works to become a true hero and stop an evil plot by the lord of the Underworld, Hades, to release four monstrous titans to wreak havoc on the world.
Joe and Anthony Russo, best known for “Avengers: Endgame,” will produce through their Agbo banner the adaptation of the 1997 animated film, a retelling of the classic Greek myth of Hercules.
No casting has been set.
Also Read: ABC Sets 'Disney Family Singalong: Volume II' Special for Mother's Day
The movie shows Hercules, the son of the God Zeus, growing up on Earth as a human but gifted with superhuman strength as he works to become a true hero and stop an evil plot by the lord of the Underworld, Hades, to release four monstrous titans to wreak havoc on the world.
- 4/30/2020
- by Brian Welk
- The Wrap
“Lighthouse Kirk And Pirate Yul”
By Raymond Benson
Spend eleven million dollars (that was a lot of money in 1970-1971), cast classic Hollywood stars like Kirk Douglas and Yul Brynner, hire an international production crew from Spain, Italy, and France, appoint Alexander and Ilya Salkind as producers (with Douglas himself credited as producer), and adapt a little-known public domain novel by Jules Verne about pirates in the Cape Horn area in 1865, and you’ve got the ingredients for a rousing, epic action/adventure flick to rival Journey to the Center of the Earth or 20,000 Leagues Under the Sea, right?
Unfortunately, something went wrong. The Light at the Edge of the World flopped at the box office, and, while the picture has its fans—who will welcome this impressive new Blu-ray restoration from Kino Lorber—the movie is a dud.
Douglas plays Will Denton, a lighthouse keeper on an isolated island.
By Raymond Benson
Spend eleven million dollars (that was a lot of money in 1970-1971), cast classic Hollywood stars like Kirk Douglas and Yul Brynner, hire an international production crew from Spain, Italy, and France, appoint Alexander and Ilya Salkind as producers (with Douglas himself credited as producer), and adapt a little-known public domain novel by Jules Verne about pirates in the Cape Horn area in 1865, and you’ve got the ingredients for a rousing, epic action/adventure flick to rival Journey to the Center of the Earth or 20,000 Leagues Under the Sea, right?
Unfortunately, something went wrong. The Light at the Edge of the World flopped at the box office, and, while the picture has its fans—who will welcome this impressive new Blu-ray restoration from Kino Lorber—the movie is a dud.
Douglas plays Will Denton, a lighthouse keeper on an isolated island.
- 3/31/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Jules Verne’s version of ‘Die Hard’ takes place not on Christmas Eve in Century City, but 160 years ago at a lonely lighthouse in Tierra Del Fuego. The mini-moguls the Salkinds rounded up a great cast — Kirk Douglas! Samantha Eggar! Yul Brynner! — but let them down severely in production details and particularly the edit. Most everything is here for a classic adventure-suspense picture, but somebody thought it had to be ultra-violent and nihilistic. The new Blu-ray restores it to good color and an uncut state.
The Light at the Edge of the World
Blu-ray
Kl Studio Classics
1971 / Color / 2:35 anamorphic 16:9 / 126 min. / La Luz del fin del mundo / 129 min. / Street Date February 18, 2020 / available through Kino Lorber / 29.95
Starring: Kirk Douglas, Yul Brynner, Samantha Eggar, Jean-Claude Drouot,
Fernando Rey, Renato Salvatori.
Cinematography: Henri Decae
Film Editor: Bert Bates
Original Music: Piero Piccioni
Written by Tom Rowe, Rachel Billington from a book by...
The Light at the Edge of the World
Blu-ray
Kl Studio Classics
1971 / Color / 2:35 anamorphic 16:9 / 126 min. / La Luz del fin del mundo / 129 min. / Street Date February 18, 2020 / available through Kino Lorber / 29.95
Starring: Kirk Douglas, Yul Brynner, Samantha Eggar, Jean-Claude Drouot,
Fernando Rey, Renato Salvatori.
Cinematography: Henri Decae
Film Editor: Bert Bates
Original Music: Piero Piccioni
Written by Tom Rowe, Rachel Billington from a book by...
- 2/4/2020
- by Glenn Erickson
- Trailers from Hell
Robert Downey Jr. electrifies one of literature’s most enduring characters in a vivid reimagining of the classic tale of the man who could talk to animals: Dolittle.
In theaters January 17, 2020, watch the first trailer from Universal Pictures.
This looks fabulous and Rdj was born to play the character.
There have been other cinematic versions. The classic 1967 movie starred Rex Harrison as John Dolittle and was a Best Picture nominee.
The musical film directed by Richard Fleischer also featured Samantha Eggar, Anthony Newley and Richard Attenborough. It was adapted by Leslie Bricusse from the novel series by Hugh Lofting. It primarily fused three of the books The Story of Doctor Dolittle, The Voyages of Doctor Dolittle, and Doctor Dolittle’s Circus.
Check out this clip.
The movie from 1998 starred Eddie Murphy. Check it out if you get a chance.
In this updated version:
After losing his wife seven years earlier,...
In theaters January 17, 2020, watch the first trailer from Universal Pictures.
This looks fabulous and Rdj was born to play the character.
There have been other cinematic versions. The classic 1967 movie starred Rex Harrison as John Dolittle and was a Best Picture nominee.
The musical film directed by Richard Fleischer also featured Samantha Eggar, Anthony Newley and Richard Attenborough. It was adapted by Leslie Bricusse from the novel series by Hugh Lofting. It primarily fused three of the books The Story of Doctor Dolittle, The Voyages of Doctor Dolittle, and Doctor Dolittle’s Circus.
Check out this clip.
The movie from 1998 starred Eddie Murphy. Check it out if you get a chance.
In this updated version:
After losing his wife seven years earlier,...
- 10/14/2019
- by Michelle Hannett
- WeAreMovieGeeks.com
Full disclosure: I’m not a cat guy. Sorry! Nothing against them, but I’ve always preferred the company of dogs. However, I’ve always admired a cat’s sense of self, and their stubborn refusal to do anything at all unless it’s on their own terms. According to The Uncanny (1977), that would also include murder, as these kitties claw and bite their way to vengeance, and leave it to Severin Films to give them a brand spanking new Blu-ray litter box to play in.
A co-production between Canada’s Cinévidéo and the UK’s The Rank Organisation, The Uncanny was shot in Quebec and England for less than a million dollars. One may presume that a solid portion of the film was spent on acquiring Donald Pleasence, Peter Cushing, Ray Milland, John Vernon, and Samantha Eggar for the wraparound and the three individual segments. It certainly wasn’t...
A co-production between Canada’s Cinévidéo and the UK’s The Rank Organisation, The Uncanny was shot in Quebec and England for less than a million dollars. One may presume that a solid portion of the film was spent on acquiring Donald Pleasence, Peter Cushing, Ray Milland, John Vernon, and Samantha Eggar for the wraparound and the three individual segments. It certainly wasn’t...
- 6/4/2019
- by Scott Drebit
- DailyDead
Before we say goodbye to the month of May, we have one final day of Blu-ray and DVD releases ahead of us, and it’s an eclectic bunch of titles, to say the least. If you missed them in theaters earlier this year, Gaspar Noé’s Climax as well as Neil Jordan’s Greta hit both formats this Tuesday, and for you David Lynch lovers out there, Criterion is showing Blue Velvet some much-deserved love with their brand-new release of the cult classic as well.
Scream Factory is doing the dark lord’s work with their new Blus for both When A Stranger Calls Back and The Alligator People, and Severin Films is bringing home The Uncanny in HD for the first time ever this week.
Other home media releases for May 28th include Double Impact, Near Extinction, Splatter Farm, and a Shark Attack 3-Pack.
The Alligator People
Terror in the Bayou!
Scream Factory is doing the dark lord’s work with their new Blus for both When A Stranger Calls Back and The Alligator People, and Severin Films is bringing home The Uncanny in HD for the first time ever this week.
Other home media releases for May 28th include Double Impact, Near Extinction, Splatter Farm, and a Shark Attack 3-Pack.
The Alligator People
Terror in the Bayou!
- 5/27/2019
- by Heather Wixson
- DailyDead
Looking to add some scares to your viewing slate this summer? Severin Films has you covered (in blood) with their upcoming May Blu-ray releases that include The Uncanny, the wrestling horror movie Masked Mutilator, and Saint Bernard from writer, director, and makeup effects master Gabe Bartalos:
"This May, Severin Films is unleashing three visionary films that only the strongest viewers will be able to witness without losing their sanity. May 28th brings the long- awaited disc debut of the classic anthology horror The Uncanny, starring Peter Cushing & Ray Milland. May 14th sees the arrival of two brand-new, very different, outsider visions: FX guru Gabe Bartalos’ unhinged St. Bernard breaks down the barriers of good taste and Masked Mutilator splatters the blood of the wrestling ring all over Severin’s sub-label Intervision Picture Corp.
The Uncanny:
In 1977, legendary Amicus co-founder Milton Subotsky teamed with Canadian producer Claude Héroux for the anthology shocker CelluloidDiaries.
"This May, Severin Films is unleashing three visionary films that only the strongest viewers will be able to witness without losing their sanity. May 28th brings the long- awaited disc debut of the classic anthology horror The Uncanny, starring Peter Cushing & Ray Milland. May 14th sees the arrival of two brand-new, very different, outsider visions: FX guru Gabe Bartalos’ unhinged St. Bernard breaks down the barriers of good taste and Masked Mutilator splatters the blood of the wrestling ring all over Severin’s sub-label Intervision Picture Corp.
The Uncanny:
In 1977, legendary Amicus co-founder Milton Subotsky teamed with Canadian producer Claude Héroux for the anthology shocker CelluloidDiaries.
- 4/16/2019
- by Derek Anderson
- DailyDead
Psyche 59
Blu ray – All Region
Powerhouse
1964 / 1:85:1 / 94 Min. / Street Date – February 25, 2019
Starring Patricia Neal, Samantha Eggar, Curd Jürgens
Cinematography by Walter Lassally
Directed by Alexander Singer
The story of a troubled marriage and a tenacious home wrecker, Psyche 59 is a Brigitte Bardot movie without Bardot – despite its overheated narrative Alexander Singer’s psychosexual potboiler is stuck at room temperature.
Patricia Neal plays Alison Crawford, the unlucky sibling to Samantha Eggar’s hot to trot sister Robin and Curd Jürgens is Eric, the reluctant Romeo in the little flirt’s crosshairs. Jürgens knew the pitfalls of a wandering eye having tangled with Bardot herself in 1956’s And God Created Woman – judging by his reaction to Eggar he hasn’t learned his lesson.
Alison suffers from hysterical blindness and has suppressed the traumatic event that triggered it – her sister’s return unlocks a Pandora’s Box of bad memories but...
Blu ray – All Region
Powerhouse
1964 / 1:85:1 / 94 Min. / Street Date – February 25, 2019
Starring Patricia Neal, Samantha Eggar, Curd Jürgens
Cinematography by Walter Lassally
Directed by Alexander Singer
The story of a troubled marriage and a tenacious home wrecker, Psyche 59 is a Brigitte Bardot movie without Bardot – despite its overheated narrative Alexander Singer’s psychosexual potboiler is stuck at room temperature.
Patricia Neal plays Alison Crawford, the unlucky sibling to Samantha Eggar’s hot to trot sister Robin and Curd Jürgens is Eric, the reluctant Romeo in the little flirt’s crosshairs. Jürgens knew the pitfalls of a wandering eye having tangled with Bardot herself in 1956’s And God Created Woman – judging by his reaction to Eggar he hasn’t learned his lesson.
Alison suffers from hysterical blindness and has suppressed the traumatic event that triggered it – her sister’s return unlocks a Pandora’s Box of bad memories but...
- 3/9/2019
- by Charlie Largent
- Trailers from Hell
The Collector
Blu ray – All Region
Indicator/Powerhouse
1965/ 1.85:1 / Street Date September 24, 2018
Starring Terence Stamp, Samantha Eggar
Cinematography by Robert Surtees, Robert Krasker
Directed by William Wyler
German-born William Wyler was a storyteller who asked the audience not to understand him too quickly. A notorious perfectionist, he was a masterful old-school director of enduring entertainments distinguished by thoughtfulness and, a rare trait for the times, ambiguity.
At their best, Wyler’s films were acutely observed slices of American life, particularly concerning its ongoing civil wars – Davis treading on Southern decorum in Jezebel, Dana Andrew’s bitter post-war abasement in The Best Years of Our Lives and the deal-breaking social gulf between the would-be lovers of Roman Holiday. In The Collector, those class conflicts get the horror movie treatment.
Frederick Clegg, the gaunt loner lurking at the edges of Wyler’s psycho-thriller, is the very model of the modern Incel. Emotionally...
Blu ray – All Region
Indicator/Powerhouse
1965/ 1.85:1 / Street Date September 24, 2018
Starring Terence Stamp, Samantha Eggar
Cinematography by Robert Surtees, Robert Krasker
Directed by William Wyler
German-born William Wyler was a storyteller who asked the audience not to understand him too quickly. A notorious perfectionist, he was a masterful old-school director of enduring entertainments distinguished by thoughtfulness and, a rare trait for the times, ambiguity.
At their best, Wyler’s films were acutely observed slices of American life, particularly concerning its ongoing civil wars – Davis treading on Southern decorum in Jezebel, Dana Andrew’s bitter post-war abasement in The Best Years of Our Lives and the deal-breaking social gulf between the would-be lovers of Roman Holiday. In The Collector, those class conflicts get the horror movie treatment.
Frederick Clegg, the gaunt loner lurking at the edges of Wyler’s psycho-thriller, is the very model of the modern Incel. Emotionally...
- 9/30/2018
- by Charlie Largent
- Trailers from Hell
Director Richard Ciupka’s Canadian slasher updates the old dark house theme as a group of aspiring actresses convene in a spooky mansion while trying to avoid a masked figure armed with a sickle and a bad temper. The 1983 film benefits from the welcome presence of Animal House’s John Vernon, John Steed’s former partner Linda Thorson and the exquisite Samantha Eggar.
- 10/27/2017
- by Charlie Largent
- Trailers from Hell
Or to be completely accurate, Demonoid, Messenger of Death (aka Macabro)! This trailer was prepared by the New World Pictures crew, but for whatever reason the picture ended up going out through another distributor. It’s director Alfredo Zacharias’s somewhat less impoverished follow up to The Bees, his earlier Us-Mexican co-production for New World. This one’s another possessed-crawling-hand-in-need-of-an-exorcism movie, with the always appealing Samantha Eggar running around lamenting how quickly she went from William Wyler to Alfredo Zacharias. Nsfw!
- 5/17/2017
- by TFH Team
- Trailers from Hell
This one states the theme for much of Cronenberg’s output in the eighties: what’s bred in the bone will out in the flesh (and there’s nothing we can do about it). Psychotherapist Oliver Reed enables his patients to physically mutate in response to their own repressed rage. Samantha Eggar is the unlucky mom who spawns the titular monsters: dwarf-like creatures who do the murderous bidding of mom’s subconscious impulses (akin to Professor Morbius’ Id Monster in Forbidden Planet). Apparently inspired by his then-recent divorce and child custody battle, Cronenberg reportedly considers this study of marital rage to be his Kramer vs. Kramer.
- 11/30/2016
- by TFH Team
- Trailers from Hell
In his Drive In Dust-Offs and It Came From The Tube columns on Daily Dead, Scott Drebit sheds an informative and entertaining light on fright films from days gone by, making him the perfect special guest for the latest episode of Chris Lombardo and Jeff Kirschner's Really Awful Movies Podcast.
From Really Awful Movies Podcast: "Oliver Reed and familial disintegration. Join us as we chat Burnt Offerings and The Brood, which both star ol' Ollie.
We're happy to have Scott Drebit, recurring guest, on the show. He's of course the guy behind Drive In Dust Offs and It Came from the Tube, both columns at Daily Dead.
He's one of a handful of writers worth reading every single week in the horror space, as his affection for horror, both new and old, is infectious.(There's a reason we thank him so prominently in our book, Death By Umbrella! The...
From Really Awful Movies Podcast: "Oliver Reed and familial disintegration. Join us as we chat Burnt Offerings and The Brood, which both star ol' Ollie.
We're happy to have Scott Drebit, recurring guest, on the show. He's of course the guy behind Drive In Dust Offs and It Came from the Tube, both columns at Daily Dead.
He's one of a handful of writers worth reading every single week in the horror space, as his affection for horror, both new and old, is infectious.(There's a reason we thank him so prominently in our book, Death By Umbrella! The...
- 10/14/2016
- by Derek Anderson
- DailyDead
The Dead Zone (1983) is where director David Cronenberg turned from the horrors of the body to the torture of the soul. But before that, he made tentative steps towards adding a layer of vulnerability to his work, in the very personal and frightening The Brood (1979). It’s still rooted in the tactile, but listen closely and you can hear whispers of humanity piercing the skin.
Which is to take nothing away from his earlier works; Shivers (1975) and Rabid (1977) are both potent allegories (and gory allies) on class warfare and sexual promiscuity. But The Brood was written by Cronenberg while going through a divorce and nasty custody battle, and while it mostly maintains a safe distance from emotional investment for the viewer, the beginnings of a sympathetic point of view start to take shape.
Released by New World Pictures in May, on a budget of $1.4 million Can, The Brood made some...
Which is to take nothing away from his earlier works; Shivers (1975) and Rabid (1977) are both potent allegories (and gory allies) on class warfare and sexual promiscuity. But The Brood was written by Cronenberg while going through a divorce and nasty custody battle, and while it mostly maintains a safe distance from emotional investment for the viewer, the beginnings of a sympathetic point of view start to take shape.
Released by New World Pictures in May, on a budget of $1.4 million Can, The Brood made some...
- 8/20/2016
- by Scott Drebit
- DailyDead
What's contemporary Europe got that we ain't got? Powerful, serious filmmaking like that by Christian Petzold, starring the impressive Nina Hoss. Their sixth collaboration is a loaded narrative that takes some pretty wild narrative themes -- plastic surgery, hidden identities -- and spins them in a suspenseful new direction. Phoenix Blu-ray The Criterion Collection 809 2014 / Color / 2:39 widescreen (Super 35) / 98 min. / available through The Criterion Collection / Street Date April 26, 2016 / 39.95 Starring Nina Hoss, Ronald Zehrfeld, Nina Kunzendorf, Imogen Kogge. Cinematography Hans Fromm Film Editor Bettina Böhler Original Music Stefan Will Written by Christian Petzold, Haroun Farocki from ideas in the book Le retour des cendres by Hubert Monteilhet Produced by Florian Koerner von Gustorf, Michael Weber Directed by Christian Petzold
Reviewed by Glenn Erickson
I had seen only one Christian Petzold feature before this one. 2012's Barbara is an excellent Deutsche-Millennial thriller starring Barbara Hoss as an East German doctor trying to do...
Reviewed by Glenn Erickson
I had seen only one Christian Petzold feature before this one. 2012's Barbara is an excellent Deutsche-Millennial thriller starring Barbara Hoss as an East German doctor trying to do...
- 5/3/2016
- by Glenn Erickson
- Trailers from Hell
When one looks back at mid ‘70s to early ‘80s horror, it’s quite surprising to see how many Canadian made films are nestled among fan favorites. Titles such as Black Christmas, Shivers, Prom Night, Happy Birthday to Me, and My Bloody Valentine continue to delight and shock veteran horror lovers or those just starting their jagged journey down the terror path. There is one, however, that due to a troubled production and poor distribution, seems relegated to the discount bins of time. Today, we’re pulling back the curtain on, uh, Curtains (1983), an unsung slasher weirder than a sack full of rabid beavers.
Released by Jensen Farley Pictures in March of ’83 in the Us, and September of ’84 by Norstar Releasing in (my home and) native land, Curtains received a very limited release in both countries, but coming as it did at a time when the Canadian film industry had...
Released by Jensen Farley Pictures in March of ’83 in the Us, and September of ’84 by Norstar Releasing in (my home and) native land, Curtains received a very limited release in both countries, but coming as it did at a time when the Canadian film industry had...
- 2/6/2016
- by Scott Drebit
- DailyDead
Stars: Samantha Eggar, Stuart Whitman, Roy Jenson, Lew Saunders, Narciso Busquets, José Chávez, Haji, Erika Carlsson, Whitey Hughes, Al Jones, George Soviak, Ted White | Written by Alfredo Zacarías, David Lee Fein, F. Amos Powell | Directed by Alfredo Zacarías
Samantha Eggar (The Brood) stars as Jennifer Baines a woman who is visiting her wealthy industrialist husband Mark (Roy Jenson, Soylent Green) in the small city of Guanajuato, Mexico. Mark is currently planning to reopen a mine which is is rich in silver. Unfortunately for him, his workforce is comprised of superstitious locals who refuse to go deep in to the mine. To prove everything is fine, Jennifer suggests that the pair go deep down in to the mine, but they get more than what they bargained for; a severed hand. “The Devil’s Hand” to be precise. With their workforce even more terrified, things surely can’t get any worse can they?...
Samantha Eggar (The Brood) stars as Jennifer Baines a woman who is visiting her wealthy industrialist husband Mark (Roy Jenson, Soylent Green) in the small city of Guanajuato, Mexico. Mark is currently planning to reopen a mine which is is rich in silver. Unfortunately for him, his workforce is comprised of superstitious locals who refuse to go deep in to the mine. To prove everything is fine, Jennifer suggests that the pair go deep down in to the mine, but they get more than what they bargained for; a severed hand. “The Devil’s Hand” to be precise. With their workforce even more terrified, things surely can’t get any worse can they?...
- 12/22/2015
- by Mondo Squallido
- Nerdly
David Cronenberg swaps his venereal ick-monsters for Samantha Eggar's mater furiosa, an annihilating female who commits her killings as would the villain of a Greek tragedy -- through her offspring. Oliver Reed is the new-age guru of 'Psychoplasmics,' who teaches Eggar to direct her rage in an utterly unique way. The disturbing concept sounds less preposterous when one finds out it was written in response to a brutal divorce experience. Hell hath no fury. The Brood Blu-ray The Criterion Collection 777 1979 / Color / 1:78 widescreen / 92 min. / available through The Criterion Collection / Street Date October 13, 2015 / 39.95 Starring Oliver Reed, Samantha Eggar, Art Hindle, Henry Beckman, Nuala Fitzgerald, Cindy Hinds, Susan Hogan, Gary McKeehan, Michael Magee, Robert Silverman, Felix Silla. Cinematography Mark Irwin Film Editor Alan Collins Original Music Howard Shore Special Makeup Jack Young, Dennis Pike Art Direction Carol Spier Produced by Claude Héroux Written and Directed by David Cronenberg
Reviewed by...
Reviewed by...
- 10/27/2015
- by Glenn Erickson
- Trailers from Hell
It’s the moment you wait for the entire horror film. It’s not just a plot twist or a payoff but a trigger to your deepest emotions. You want to be shocked and sickened and saddened when the killer is revealed, the hero suddenly dies, or the mystery is solved. Most of all, you want your jaw to be on the floor. **Spoilers obviously ahead**
****
The Brood (1979)- Mommy knows best
David Cronenberg’s third horror film is his first truly great movie and also his first superbly acted film. The Brood’s ensemble is solid but Oliver Reed and Samantha Eggar stand out as maverick doctor Hal Raglan and his disturbed patient Nola Carveth. Nola’s estranged husband Frank (played by Art Hindle) teams up with Dr. Raglan in the film’s suspenseful climax. He confronts Nola while Raglan attempts to rescue Frank’s young daughter from a group of murderous deformed children.
****
The Brood (1979)- Mommy knows best
David Cronenberg’s third horror film is his first truly great movie and also his first superbly acted film. The Brood’s ensemble is solid but Oliver Reed and Samantha Eggar stand out as maverick doctor Hal Raglan and his disturbed patient Nola Carveth. Nola’s estranged husband Frank (played by Art Hindle) teams up with Dr. Raglan in the film’s suspenseful climax. He confronts Nola while Raglan attempts to rescue Frank’s young daughter from a group of murderous deformed children.
- 10/26/2015
- by Staff
- SoundOnSight
The Brood
Written and directed by David Cronenberg
Canada, 1979
Inspired by his own unpleasant divorce, and the subsequent liberation of his daughter just before his ex-wife was able to take the girl to a California cult, David Cronenberg’s The Brood is essentially an ugly, highly unorthodox custody battle. As the great Canadian filmmaker famously quipped, “The Brood is my version of Kramer vs. Kramer [also released in 1979], but more realistic.”
The Brood is Cronenberg’s sixth feature, coming just after the seemingly out of place Fast Company (1979)—not so very odd given the director’s love for automobile racing—and just before his more exemplary breakthrough, Scanners (1981). It is consummate Cronenberg, with a heady mixture of clinically twisted science and the deep psychological strain that inevitably mars said science with corporeal disfigurement.
With his wife, Nola (Samantha Eggar), undergoing treatment at a facility known as the Somafree Institute of Psychoplasmics (a Cronenbergian...
Written and directed by David Cronenberg
Canada, 1979
Inspired by his own unpleasant divorce, and the subsequent liberation of his daughter just before his ex-wife was able to take the girl to a California cult, David Cronenberg’s The Brood is essentially an ugly, highly unorthodox custody battle. As the great Canadian filmmaker famously quipped, “The Brood is my version of Kramer vs. Kramer [also released in 1979], but more realistic.”
The Brood is Cronenberg’s sixth feature, coming just after the seemingly out of place Fast Company (1979)—not so very odd given the director’s love for automobile racing—and just before his more exemplary breakthrough, Scanners (1981). It is consummate Cronenberg, with a heady mixture of clinically twisted science and the deep psychological strain that inevitably mars said science with corporeal disfigurement.
With his wife, Nola (Samantha Eggar), undergoing treatment at a facility known as the Somafree Institute of Psychoplasmics (a Cronenbergian...
- 10/19/2015
- by Jeremy Carr
- SoundOnSight
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. Check out our rundown below and return every Tuesday for the best (or most interesting) films one can take home. Note that if you’re looking to support the site, every purchase you make through the links below helps us and is greatly appreciated.
Aladdin (Ron Clements and John Musker)
The first film I recall seeing in a theater, Aladdin was certainly a formative moviegoing experience, and having recently revisited it over the summer, it still wonderfully holds up. Now coming to Blu-ray, Disney’s remastered edition includes a wealth of extra, topped by a nine-minute reel of Robin Williams outtakes, coming to life with storyboards. Also including a pair of audio commentaries, a featurette on the Broadway adaptation, and more, it’s an essential pick-up.
Aladdin (Ron Clements and John Musker)
The first film I recall seeing in a theater, Aladdin was certainly a formative moviegoing experience, and having recently revisited it over the summer, it still wonderfully holds up. Now coming to Blu-ray, Disney’s remastered edition includes a wealth of extra, topped by a nine-minute reel of Robin Williams outtakes, coming to life with storyboards. Also including a pair of audio commentaries, a featurette on the Broadway adaptation, and more, it’s an essential pick-up.
- 10/13/2015
- by TFS Staff
- The Film Stage
As we get closer and closer to Halloween, the home entertainment releases on Blu-ray and DVD seem to get better and better, as this Tuesday will see the release of several fantastic cult classics and so much more. On October 13th, Criterion Collection is bringing home David Cronenberg’s terrifying masterpiece The Brood to both Blu and DVD and we’ve also got The Return of Count Yorga to look forward to courtesy of Scream Factory.
For those of you who love a good "bad movie," Synapse Releasing has a restored version of the granddaddy of them all, Manos: The Hands of Fate, arriving on both formats this week as well.
Other notable October 13th releases include a two-disc Blu-ray of the 192os classic The Phantom of the Opera, The Gallows, the 2oth anniversary release of Mosquito, Shakma, Tomorrowland, and the high-def debut of Class of Nuke ’Em High 3.
The Brood (Criterion Collection,...
For those of you who love a good "bad movie," Synapse Releasing has a restored version of the granddaddy of them all, Manos: The Hands of Fate, arriving on both formats this week as well.
Other notable October 13th releases include a two-disc Blu-ray of the 192os classic The Phantom of the Opera, The Gallows, the 2oth anniversary release of Mosquito, Shakma, Tomorrowland, and the high-def debut of Class of Nuke ’Em High 3.
The Brood (Criterion Collection,...
- 10/13/2015
- by Heather Wixson
- DailyDead
“Mommie’S Dearest”
By Raymond Benson
David Cronenberg’s horror films always seem to tackle subjects that involve an unpredictable human body and the terror of your consciousness residing inside of it. He explored parasites in his first mainstream picture, Shivers (aka They Came From Within, 1975), and viral “stingers” than grow in a woman’s armpit in his second, Rabid, 1977. The rest of his movies, leading up to the ultimate statement of being trapped in a horrible body, The Fly (1986), all dealt with some aspect of physical or mental transformation. The Brood, released in 1979, fits right in with Cronenberg’s thematic fascination with flesh and blood. And it’s a corker.
Oliver Reed plays Dr. Raglan, an unorthodox psychotherapist who uses controversial techniques that cause his patients to manifest their inner turmoil and anger into visible, bizarre growths on their bodies. One guy sprouts spots. Another man grows a weird...
By Raymond Benson
David Cronenberg’s horror films always seem to tackle subjects that involve an unpredictable human body and the terror of your consciousness residing inside of it. He explored parasites in his first mainstream picture, Shivers (aka They Came From Within, 1975), and viral “stingers” than grow in a woman’s armpit in his second, Rabid, 1977. The rest of his movies, leading up to the ultimate statement of being trapped in a horrible body, The Fly (1986), all dealt with some aspect of physical or mental transformation. The Brood, released in 1979, fits right in with Cronenberg’s thematic fascination with flesh and blood. And it’s a corker.
Oliver Reed plays Dr. Raglan, an unorthodox psychotherapist who uses controversial techniques that cause his patients to manifest their inner turmoil and anger into visible, bizarre growths on their bodies. One guy sprouts spots. Another man grows a weird...
- 10/9/2015
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Sure, children are our future. But what if they turn out to be our demise? Whether kids are compelled to murder through the extremity of a situation or because they are seemingly rotten to the core, the idea that precious innocence can be twisted into something hideously unrecognizable continues to be a terrifying trope of the horror genre. Here is a list of movies where creepy little hands commit unspeakable deeds.
5. The Bad Seed
Written by John Lee Mahin, Maxwell Anderson, and William March
Written by Mervyn LeRoy
USA, 1956
The Bad Seed’s Rhonda (Patty McCormack) is a pig-tailed little girl who threatens, hurts, and murders anyone who hinders her from getting every whim. Although the film skirts around this truth for too long, it is clear from the beginning that she is the culprit of any pain being inflicted. The movie contains lengthy intervals where almost nothing happens, but...
5. The Bad Seed
Written by John Lee Mahin, Maxwell Anderson, and William March
Written by Mervyn LeRoy
USA, 1956
The Bad Seed’s Rhonda (Patty McCormack) is a pig-tailed little girl who threatens, hurts, and murders anyone who hinders her from getting every whim. Although the film skirts around this truth for too long, it is clear from the beginning that she is the culprit of any pain being inflicted. The movie contains lengthy intervals where almost nothing happens, but...
- 10/8/2015
- by Lane Scarberry
- SoundOnSight
The eighth entry in an on-going series of audiovisual essays by Cristina Álvarez López and Adrian Martin.***Cinephilia—in the form in which it can be shared by spectators and filmmakers alike—has two extreme poles, and both of them are associated with fierce, intense drives. There is the cinephilia aligned with love in all its manifestations: romanticism, desire, tenderness, hope. And then there is the cinephilia aligned with aggression, violence, a death-drive. Neither, in an important sense, should be regarded entirely literally: many things on the face of this earth slip under and between love and aggressivity, and these metamorphosing states can stand for, or become attached to, every kind of social, political situation. Samuel Fuller knew the score, in his famous pronouncement for Pierrot le fou (1965): “Film is like a battleground. Love. Hate. Action. Violence. Death. In one word…emotion.” And emotion can be never constrained or...
- 9/5/2015
- by Cristina Álvarez López & Adrian Martin
- MUBI
About once a month, Cinelinx will chose one director for an in-depth examination of the “signatures” that they leave behind in their work. This week, we’re examining the trademark style and calling signs of David Cronenberg as director.
Cronenberg first became interested in film during college, where he self-taught himself the art before establishing a co-op to produce films. His first feature length films were art-house movies, Stereo (1969) and Crimes of the Future (1970). Shivers (1975) was his breakthrough. That film received a lot of attention because although people were talking about it, they were divided in regards to its vulgarity, especially considering the fact that it was funded by the Canadian government. Still, it was the most profitable film funded by the Canadian government up to that point. His follow up was Rancid (1977) which was commercially successful. His next movie took a break from body horror to explore his love of cars and racing.
Cronenberg first became interested in film during college, where he self-taught himself the art before establishing a co-op to produce films. His first feature length films were art-house movies, Stereo (1969) and Crimes of the Future (1970). Shivers (1975) was his breakthrough. That film received a lot of attention because although people were talking about it, they were divided in regards to its vulgarity, especially considering the fact that it was funded by the Canadian government. Still, it was the most profitable film funded by the Canadian government up to that point. His follow up was Rancid (1977) which was commercially successful. His next movie took a break from body horror to explore his love of cars and racing.
- 7/29/2015
- by feeds@cinelinx.com (G.S. Perno)
- Cinelinx
Fans of David Cronenberg and Brian De Palma are in for a treat this summer and fall, as The Criterion Collection will release the former's The Brood and the latter's Dressed to Kill on respective Blu-rays.
The Criterion Collection will release The Brood on Blu-ray October 13th and Dressed to Kill on Blu-ray August 18th:
From The Criterion Collection: The Brood: "A disturbed woman is receiving a radical form of psychotherapy at a remote, mysterious institute. Meanwhile, her five-year-old daughter, under the care of her estranged husband, is being terrorized by a group of demonic beings. How these two story lines connect is the shocking and grotesque secret of this bloody tale of monstrous parenthood from David Cronenberg, starring Oliver Reed and Samantha Eggar. With its combination of psychological and body horror, The Brood laid the groundwork for many of the director’s films to come, but it stands...
The Criterion Collection will release The Brood on Blu-ray October 13th and Dressed to Kill on Blu-ray August 18th:
From The Criterion Collection: The Brood: "A disturbed woman is receiving a radical form of psychotherapy at a remote, mysterious institute. Meanwhile, her five-year-old daughter, under the care of her estranged husband, is being terrorized by a group of demonic beings. How these two story lines connect is the shocking and grotesque secret of this bloody tale of monstrous parenthood from David Cronenberg, starring Oliver Reed and Samantha Eggar. With its combination of psychological and body horror, The Brood laid the groundwork for many of the director’s films to come, but it stands...
- 7/22/2015
- by Derek Anderson
- DailyDead
Ron Moody in Mel Brooks' 'The Twelve Chairs.' The 'Doctor Who' that never was. Ron Moody: 'Doctor Who' was biggest professional regret (See previous post: "Ron Moody: From Charles Dickens to Walt Disney – But No Harry Potter.") Ron Moody was featured in about 50 television productions, both in the U.K. and the U.S., from the late 1950s to 2012. These included guest roles in the series The Avengers, Gunsmoke, Starsky and Hutch, Hart to Hart, and Murder She Wrote, in addition to leads in the short-lived U.S. sitcom Nobody's Perfect (1980), starring Moody as a Scotland Yard detective transferred to the San Francisco Police Department, and in the British fantasy Into the Labyrinth (1981), with Moody as the noble sorcerer Rothgo. Throughout the decades, he could also be spotted in several TV movies, among them:[1] David Copperfield (1969). As Uriah Heep in this disappointing all-star showcase distributed theatrically in some countries.
- 6/19/2015
- by Andre Soares
- Alt Film Guide
Ron Moody as Fagin in 'Oliver!' based on Charles Dickens' 'Oliver Twist.' Ron Moody as Fagin in Dickens musical 'Oliver!': Box office and critical hit (See previous post: "Ron Moody: 'Oliver!' Actor, Academy Award Nominee Dead at 91.") Although British made, Oliver! turned out to be an elephantine release along the lines of – exclamation point or no – Gypsy, Star!, Hello Dolly!, and other Hollywood mega-musicals from the mid'-50s to the early '70s.[1] But however bloated and conventional the final result, and a cast whose best-known name was that of director Carol Reed's nephew, Oliver Reed, Oliver! found countless fans.[2] The mostly British production became a huge financial and critical success in the U.S. at a time when star-studded mega-musicals had become perilous – at times downright disastrous – ventures.[3] Upon the American release of Oliver! in Dec. 1968, frequently acerbic The...
- 6/19/2015
- by Andre Soares
- Alt Film Guide
Psychotherapist Oliver Reed enables his patients to physically mutate in response to their own repressed rage. Samantha Eggar is the unlucky mom who spawns the titular monsters: dwarf-like creatures who do the murderous bidding of mom’s subconscious impulses (akin to Professor Morbius’ Id Monster in "Forbidden Planet"). Apparently inspired by his then-recent divorce and child custody battle, Cronenberg reportedly considers this study of marital rage to be his "Kramer vs. Kramer.
- 5/6/2015
- by Trailers From Hell
- Thompson on Hollywood
What’s the Matter with Havana?: Cronenberg’s L.A. Story a Hot Mess of Tangled Ideas
Couched within its episodic instances of harpooning Hollywood stereotypes, there is a rather interesting tale in Maps to the Stars contending as a wobbly family saga of vacuous types tainted by their desperate attempts to maintain a certain visibility within celebrity culture. But it’s an idea lost in its own maddening attempt at actually engaging in the mythos pointedly laid out in its own subtext as pertains to provocative motifs like incest, nepotism, and (literally) ghosts from the past. The result is a maudlin brew of wacky circumstances and over-the-top flourishes that sometimes work, but, more often than not, fall flat the longer running the time wears on. While it very much feels like a Cronenbergian endeavor, its pointed critique of a particular empty headed culture ends up feeling like a series of wink-wink potshots,...
Couched within its episodic instances of harpooning Hollywood stereotypes, there is a rather interesting tale in Maps to the Stars contending as a wobbly family saga of vacuous types tainted by their desperate attempts to maintain a certain visibility within celebrity culture. But it’s an idea lost in its own maddening attempt at actually engaging in the mythos pointedly laid out in its own subtext as pertains to provocative motifs like incest, nepotism, and (literally) ghosts from the past. The result is a maudlin brew of wacky circumstances and over-the-top flourishes that sometimes work, but, more often than not, fall flat the longer running the time wears on. While it very much feels like a Cronenbergian endeavor, its pointed critique of a particular empty headed culture ends up feeling like a series of wink-wink potshots,...
- 2/25/2015
- by Nicholas Bell
- IONCINEMA.com
1. Dead Ringers
Two Jeremy Irons doing anything would be scary: his turn in 1988’s Dead Ringers as good gynaecologist, bad gynaecologist is truly terrifying. Irons plays identical twin doctors Beverly and Eliot Mantle with dizzying ease and effect: you give up looking for the special effects, because you forget there are any. Genevieve Bujold’s Claire gets far more than she bargained for: sinister is heaped upon tragic when she goes to their clinic because of her infertility and is drawn darkly downhill into the brothers’ world of women-sharing, paranoid delusions, assault against patients and an abundance of prescription drugs. Beverly and Eliot’s souls are so close that they have grown interdependent and tangled, like the branches of trees planted too close together. Body horror is given a stark slant when Beverly attacks a patient with a specially-made medical tool, and the spectre of partly hidden female genitalia hangs...
Two Jeremy Irons doing anything would be scary: his turn in 1988’s Dead Ringers as good gynaecologist, bad gynaecologist is truly terrifying. Irons plays identical twin doctors Beverly and Eliot Mantle with dizzying ease and effect: you give up looking for the special effects, because you forget there are any. Genevieve Bujold’s Claire gets far more than she bargained for: sinister is heaped upon tragic when she goes to their clinic because of her infertility and is drawn darkly downhill into the brothers’ world of women-sharing, paranoid delusions, assault against patients and an abundance of prescription drugs. Beverly and Eliot’s souls are so close that they have grown interdependent and tangled, like the branches of trees planted too close together. Body horror is given a stark slant when Beverly attacks a patient with a specially-made medical tool, and the spectre of partly hidden female genitalia hangs...
- 1/13/2015
- by Juliette Jones
- SoundOnSight
Jean Arthur films on TCM include three Frank Capra classics Five Jean Arthur films will be shown this evening, Monday, January 5, 2015, on Turner Classic Movies, including three directed by Frank Capra, the man who helped to turn Arthur into a major Hollywood star. They are the following: Capra's Mr. Deeds Goes to Town, You Can't Take It with You, and Mr. Smith Goes to Washington; George Stevens' The More the Merrier; and Frank Borzage's History Is Made at Night. One the most effective performers of the studio era, Jean Arthur -- whose film career began inauspiciously in 1923 -- was Columbia Pictures' biggest female star from the mid-'30s to the mid-'40s, when Rita Hayworth came to prominence and, coincidentally, Arthur's Columbia contract expired. Today, she's best known for her trio of films directed by Frank Capra, Columbia's top director of the 1930s. Jean Arthur-Frank Capra...
- 1/6/2015
- by Andre Soares
- Alt Film Guide
Welcome back everyone for the final day of Daily Dead’s 2014 Holiday Gift Guide! Because it’s been an exceptional year for genre fans, we’re focusing today on recapping more books and films that would make for great gifts this holiday season and are perfect for all fans. We’ve also got another great find from over on Etsy and we’re celebrating a new subscription service from the fine folks over at Waxworks Records.
And be sure to check out today’s final Holiday Horrors trivia question below for your shot at winning some awesome merchandise from our fine sponsors at HorrorDecor.net, Scream Factory and Anchor Bay Entertainment.
Thanks so much for following along with our 2014 Holiday Gift Guide and I hope you guys had as much fun reading the series as I had putting it together!
Vendor Spotlight: Waxwork Records
Waxwork Records specializes in releasing horror,...
And be sure to check out today’s final Holiday Horrors trivia question below for your shot at winning some awesome merchandise from our fine sponsors at HorrorDecor.net, Scream Factory and Anchor Bay Entertainment.
Thanks so much for following along with our 2014 Holiday Gift Guide and I hope you guys had as much fun reading the series as I had putting it together!
Vendor Spotlight: Waxwork Records
Waxwork Records specializes in releasing horror,...
- 12/12/2014
- by Heather Wixson
- DailyDead
Top 100 horror movies of all time: Chicago Film Critics' choices (photo: Sigourney Weaver and Alien creature show us that life is less horrific if you don't hold grudges) See previous post: A look at the Chicago Film Critics Association's Scariest Movies Ever Made. Below is the list of the Chicago Film Critics's Top 100 Horror Movies of All Time, including their directors and key cast members. Note: this list was first published in October 2006. (See also: Fay Wray, Lee Patrick, and Mary Philbin among the "Top Ten Scream Queens.") 1. Psycho (1960) Alfred Hitchcock; with Anthony Perkins, Janet Leigh, Vera Miles, John Gavin, Martin Balsam. 2. The Exorcist (1973) William Friedkin; with Ellen Burstyn, Linda Blair, Jason Miller, Max von Sydow (and the voice of Mercedes McCambridge). 3. Halloween (1978) John Carpenter; with Jamie Lee Curtis, Donald Pleasence, Tony Moran. 4. Alien (1979) Ridley Scott; with Sigourney Weaver, Tom Skerritt, John Hurt. 5. Night of the Living Dead (1968) George A. Romero; with Marilyn Eastman,...
- 10/31/2014
- by Andre Soares
- Alt Film Guide
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.