Fox has ordered 29th and 30th seasons of the pop culture phenomenon The Simpsons.
The renewal takes the long-running animated series to 669 episodes, the largest number of episodes for any scripted television show ever, breaking the record previously set by Gunsmoke (635).
“Take that Gunsmoke! You lost a race you didn't even know you were running!,” said Homer Simpson.
“This is yet another record-setting moment for what is truly a landmark series,” said Dana Walden and Gary Newman, Chairmen and CEOs, Fox Television Group.
“The Simpsons has meant so much to the network, the studio and everyone at Fox, and its continued cultural impact around the globe is a testament to the combined brilliance of Matt, Jim and Al."
"Congratulations to everyone who works on this groundbreaking series – from the voice cast and producers to the writers and production team – you comprise one of the greatest collections of creative talent in the history of the medium.
The renewal takes the long-running animated series to 669 episodes, the largest number of episodes for any scripted television show ever, breaking the record previously set by Gunsmoke (635).
“Take that Gunsmoke! You lost a race you didn't even know you were running!,” said Homer Simpson.
“This is yet another record-setting moment for what is truly a landmark series,” said Dana Walden and Gary Newman, Chairmen and CEOs, Fox Television Group.
“The Simpsons has meant so much to the network, the studio and everyone at Fox, and its continued cultural impact around the globe is a testament to the combined brilliance of Matt, Jim and Al."
"Congratulations to everyone who works on this groundbreaking series – from the voice cast and producers to the writers and production team – you comprise one of the greatest collections of creative talent in the history of the medium.
- 11/4/2016
- by Carissa Pavlica
- TVfanatic
When you're "The Simpsons" and you've been around for 27 seasons, and close to 600 episodes, doing something new is almost impossible. For the most part, the show's better latter-day episodes(*) mix and match stories the show has done a half dozen times or more in the past, finding amusing and/or poignant variations on old themes. Last week's Maggie subplot, for instance, featuring the triumphant return of Spider-Pig, had more than a little in common with the Oscar-nominated "Simpsons" short "The Longest Daycare," while the delightful "Cue Detective" episode from two weeks ago was cooked up from ingredients used in many past food-related episodes. (*) And, yes, the series is still capable of doing very good, and at times, great, episodes even if it's not with the frequency of the first decade. We picked out some of the better recent installments in the later installments of our guide to Fxx's Every "Simpsons" Ever marathon.
- 10/16/2015
- by Alan Sepinwall
- Hitfix
Animator David Silverman has been with The Simpsons since the beginning — literally: He directed the first episode of the series, as well as subsequent classics “The Way We Was,” “Krusty Gets Kancelled,” and “Homie the Clown,” not to mention The Simpsons Movie and the Academy Award–nominated short The Longest Daycare. Fxx’s recent marathon and upcoming "Simpsons World" experience in the Fxnow app has reignited an interest in the show’s earliest days, so Vulture asked Silverman to share the stories behind some previously unreleased sketches and storyboards from his personal collection. Twenty-seven years later, the characters look virtually the same as they did then, an impressive feat when you consider their animation motto at the time was “done equals good.” Click through to see eight early prototypes and to read Silverman’s stories behind each of them.
- 9/22/2014
- by Josh Kurp
- Vulture
We told you that Fxx acquired The Simpsons, but now it’s getting real. They have the syndication rights to all episodes of the animated series, and announced that it will kick off its syndication of The Simpsons by showing all 25 seasons (that’s 552 episodes) in chronological order, plus The Simpsons Movie (airing after episode 400), starting on August 21st. The episodes will run 24 hours a day until the series is up to date on September 1st, making it the longest-running marathon in TV history.
Wow. I know there is a good chance if you turn your TV on at any time of any day you will find The Simpsons on, but this just made it a lot more convenient.
Fxx will also make all Simpsons episodes available on demand through the Fxnow app—available on smart phones, smart TVs, and game consoles—and SimpsonsWorld.com starting in October. Fans will...
Wow. I know there is a good chance if you turn your TV on at any time of any day you will find The Simpsons on, but this just made it a lot more convenient.
Fxx will also make all Simpsons episodes available on demand through the Fxnow app—available on smart phones, smart TVs, and game consoles—and SimpsonsWorld.com starting in October. Fans will...
- 7/22/2014
- by Graham McMorrow
- City of Films
Remember that Lego Simpsons scoop we brought you way back in September, well by now you’ll have seen the pics of the new Lego Simpsons house (if you haven’t I’ve embedded a video showing all the pics below), however Lego have now also officially announced the minifigure line – priced slightly higher than previous lines, and the Simpsons Lego TV episode. Read all about it in the press release below:
The Lego Group Announces Partnership With Twentieth Century Fox Consumer Products To Launch Lego® And The Simpsons Branded Merchandise Construction Set and Minifigure Series Based on the Popular Show Available Beginning February 2014
Products To Coincide With Lego-Themed Simpsons Episode, Airing May 2014 on Fox
Billund, Denmark, Jan. 8, 2014 /PRNewswire/ — The Lego Group today announced a new partnership with Twentieth Century Fox Consumer Products to produce a construction set and licensed Lego® minifigures inspired by the iconic television series, The Simpsons.
The Lego Group Announces Partnership With Twentieth Century Fox Consumer Products To Launch Lego® And The Simpsons Branded Merchandise Construction Set and Minifigure Series Based on the Popular Show Available Beginning February 2014
Products To Coincide With Lego-Themed Simpsons Episode, Airing May 2014 on Fox
Billund, Denmark, Jan. 8, 2014 /PRNewswire/ — The Lego Group today announced a new partnership with Twentieth Century Fox Consumer Products to produce a construction set and licensed Lego® minifigures inspired by the iconic television series, The Simpsons.
- 1/13/2014
- by Ginger_Phoenix
- Nerdly
The producers of The Simpsons have inked a deal with Fxx, the spinoff network of FX, for the exclusive cable rights to all seasons of the show. This only excludes new seasons of the comedy, which will still air on Fox.
The channel will begin broadcasting Simpsons episodes in August 2014. The deal also includes the exclusive streaming rights to the series, which would belong to Fxnow, a mobile app that will debut soon. That deal effectively prevents Netflix, Hulu or others from carrying The Simpsons. When the deal goes into effect,...
The channel will begin broadcasting Simpsons episodes in August 2014. The deal also includes the exclusive streaming rights to the series, which would belong to Fxnow, a mobile app that will debut soon. That deal effectively prevents Netflix, Hulu or others from carrying The Simpsons. When the deal goes into effect,...
- 11/15/2013
- Rollingstone.com
Our Simpsons week comes to a close today, we hope you enjoyed all the fun as much as we did. If you were playing our Screenshot-o-rama on our Facebook page then you know how hard it was to stump Kevin who put it all together, thanks Kevin.
We now look to the future and what will inevitably a great 25th season for our favorite cartoon family. Here is a trailer for this Sunday’s episode “Homerland” where an FBI agent helps Lisa find out why Homer suddenly becomes polite after attending a nuclear power convention. Guest star: Kristen Wiig:
The Simpsons’ twenty-fifth season will begin airing on Fox on September 29, 2013. In this season, Homer sells his Mapple stock to buy a bowling ball, Marge blames herself and Kiss for Bart’s rebellious streak, Lisa becomes a cheerleader for Springfield’s football team, and Homer delivers a baby. Guest stars...
We now look to the future and what will inevitably a great 25th season for our favorite cartoon family. Here is a trailer for this Sunday’s episode “Homerland” where an FBI agent helps Lisa find out why Homer suddenly becomes polite after attending a nuclear power convention. Guest star: Kristen Wiig:
The Simpsons’ twenty-fifth season will begin airing on Fox on September 29, 2013. In this season, Homer sells his Mapple stock to buy a bowling ball, Marge blames herself and Kiss for Bart’s rebellious streak, Lisa becomes a cheerleader for Springfield’s football team, and Homer delivers a baby. Guest stars...
- 9/29/2013
- by Graham McMorrow
- City of Films
In 2012 Maggie Simpson starred in her very own 3D short film. The Longest Daycare debuted prior to Ice Age: Continental Drift on July 13, 2012. This film would be the second Simpsons movie to grace the big screen and was nominated for an Academy Award for Best Animated Short Film.
In true Maggie fashion, The Longest Daycare features no dialogue, yet the story plays out rather effectively. Like any other Simpsons product, the jokes are present, albeit a bit more subtle. The story is constantly in motion; amazing animation and a fantastic soundtrack make The Longest Daycare a great watch and well worth the time for Simpsons fans and non-Simpsons fans alike. While I am nowhere near as passionate for the series as Kevin and Graham are (I argue it peaked around the 7th and 8th seasons), The Longest Daycare contains everything you would want in an animated short. Not that I...
In true Maggie fashion, The Longest Daycare features no dialogue, yet the story plays out rather effectively. Like any other Simpsons product, the jokes are present, albeit a bit more subtle. The story is constantly in motion; amazing animation and a fantastic soundtrack make The Longest Daycare a great watch and well worth the time for Simpsons fans and non-Simpsons fans alike. While I am nowhere near as passionate for the series as Kevin and Graham are (I argue it peaked around the 7th and 8th seasons), The Longest Daycare contains everything you would want in an animated short. Not that I...
- 9/29/2013
- by Ryan
- City of Films
The Academy of Motion Picture Arts and Sciences has revealed its 276-member-strong class of 2013.
The list, published by The Hollywood Reporter, includes actors, cinematographers, designers, directors, documentarians, executives, film editors, makeup artists and hairstylists, "members-at-large," musicians, producers, PR folks, short filmmakers and animators, sound technicians, visual effects artists, and writers.
Jason Bateman, Rosario Dawson, Joseph Gordon-Levitt, Milla Jovovich, Lucy Liu, Jennifer Lopez, Emily Mortimer, Sandra Oh, Jason Schwartzman, and Michael Peña are among the roster of actors, while "The Heat" and "Bridesmaids" helmer Paul Feig made the directors' cut.
"We did not change our criteria at all," says Academy president Hawk Koch of this year's larger-than-usual class. "Yes, this year there is a tremendous amount of women, a tremendous amount of people of color, people from all walks of life. This year, we asked the branches to look at everybody who wasn't in the Academy but who deserved to be.
The list, published by The Hollywood Reporter, includes actors, cinematographers, designers, directors, documentarians, executives, film editors, makeup artists and hairstylists, "members-at-large," musicians, producers, PR folks, short filmmakers and animators, sound technicians, visual effects artists, and writers.
Jason Bateman, Rosario Dawson, Joseph Gordon-Levitt, Milla Jovovich, Lucy Liu, Jennifer Lopez, Emily Mortimer, Sandra Oh, Jason Schwartzman, and Michael Peña are among the roster of actors, while "The Heat" and "Bridesmaids" helmer Paul Feig made the directors' cut.
"We did not change our criteria at all," says Academy president Hawk Koch of this year's larger-than-usual class. "Yes, this year there is a tremendous amount of women, a tremendous amount of people of color, people from all walks of life. This year, we asked the branches to look at everybody who wasn't in the Academy but who deserved to be.
- 7/4/2013
- by Laura Larson
- Moviefone
The Academy of Motion Picture Arts and Sciences announced today the 276 members of the entertainment industry invited to join organization. The list includes actors, directors, documentarians, executives, film editors, producers and more. Of those listed below, those who accept the invitations will be the only additions to the Academy's membership in 2013. "These individuals are among the best filmmakers working in the industry today," said Academy President Hawk Koch in a press release. "Their talent and creativity have captured the imagination of audiences worldwide, and I am proud to welcome each of them to the Academy." Koch also told Variety, "In the past eight or nine years, each branch could only bring in X amount of members. There were people each branch would have liked to get in but couldn't. We asked them to be more inclusive of the best of the best, and each branch was excited, because they got...
- 6/28/2013
- by Brad Brevet
- Rope of Silicon
The Academy just added 276 Oscar voters.
That’s 100 more than last year, and part of an easing of a longstanding cap on the number of new members allowed to join the Academy of Motion Picture Arts and Sciences each year.
AMPAS usually adds between 130 and 180 new members, replacing those who have quit or passed away. The membership now stands around 6,000.
Jason Bateman, Jennifer Lopez, Joseph Gordon-Levitt, Emmanuelle Riva, and Chris Tucker are among the actors who have been invited to join, the organization announced today.
Other interesting additions: the musician Prince, Girls and Tiny Furniture writer/director/actress Lena Dunham,...
That’s 100 more than last year, and part of an easing of a longstanding cap on the number of new members allowed to join the Academy of Motion Picture Arts and Sciences each year.
AMPAS usually adds between 130 and 180 new members, replacing those who have quit or passed away. The membership now stands around 6,000.
Jason Bateman, Jennifer Lopez, Joseph Gordon-Levitt, Emmanuelle Riva, and Chris Tucker are among the actors who have been invited to join, the organization announced today.
Other interesting additions: the musician Prince, Girls and Tiny Furniture writer/director/actress Lena Dunham,...
- 6/28/2013
- by Anthony Breznican
- EW - Inside Movies
The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 276 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2013.
“These individuals are among the best filmmakers working in the industry today,” said Academy President Hawk Koch. “Their talent and creativity have captured the imagination of audiences worldwide, and I am proud to welcome each of them to the Academy.”
The 2013 invitees are:
Actors
Jason Bateman – “Up in the Air,” “Juno”
Miriam Colon – “City of Hope,” “Scarface”
Rosario Dawson – “Rent,” “Frank Miller’s Sin City”
Kimberly Elise – “For Colored Girls,” “Beloved”
Joseph Gordon-Levitt – “Lincoln,” “The Dark Knight Rises”
Charles Grodin – “Midnight Run,” “The Heartbreak Kid”
Rebecca Hall – “Iron Man 3,” “The Town”
Lance Henriksen – “Aliens,” “The Terminator”
Jack Huston – “Not Fade Away,” “Factory Girl”
Milla Jovovich – “Resident Evil,...
“These individuals are among the best filmmakers working in the industry today,” said Academy President Hawk Koch. “Their talent and creativity have captured the imagination of audiences worldwide, and I am proud to welcome each of them to the Academy.”
The 2013 invitees are:
Actors
Jason Bateman – “Up in the Air,” “Juno”
Miriam Colon – “City of Hope,” “Scarface”
Rosario Dawson – “Rent,” “Frank Miller’s Sin City”
Kimberly Elise – “For Colored Girls,” “Beloved”
Joseph Gordon-Levitt – “Lincoln,” “The Dark Knight Rises”
Charles Grodin – “Midnight Run,” “The Heartbreak Kid”
Rebecca Hall – “Iron Man 3,” “The Town”
Lance Henriksen – “Aliens,” “The Terminator”
Jack Huston – “Not Fade Away,” “Factory Girl”
Milla Jovovich – “Resident Evil,...
- 6/28/2013
- by Michelle McCue
- WeAreMovieGeeks.com
It’s the biggest night in Hollywoodland and we’re along for the crazy, caffeine-fueled night. Whether it’ll be Lincoln’s night or a wider net of awards there’ll be plenty to talk about for weeks to come.
If you’re on Twitter then follow us tweet the night away over at @heyuguys and you can keep abreast of all the winners as they are announced right here.
Ang Lee’s Life of Pi took home the most awards, with four statues to its name for Best Director, Best Original Score, Best Cinematography, and Best Visual Effects.
Ben Affleck’s Argo and Tom Hooper’s Les Misérables were next, taking three apiece. Affleck’s third feature took the most coveted award of the evening, very much deservedly winning him, George Clooney, and Grant Heslov the Best Picture award, as well as taking home the Best Film Editing and...
If you’re on Twitter then follow us tweet the night away over at @heyuguys and you can keep abreast of all the winners as they are announced right here.
Ang Lee’s Life of Pi took home the most awards, with four statues to its name for Best Director, Best Original Score, Best Cinematography, and Best Visual Effects.
Ben Affleck’s Argo and Tom Hooper’s Les Misérables were next, taking three apiece. Affleck’s third feature took the most coveted award of the evening, very much deservedly winning him, George Clooney, and Grant Heslov the Best Picture award, as well as taking home the Best Film Editing and...
- 2/25/2013
- by Jon Lyus
- HeyUGuys.co.uk
And in the end, it was the movie with a snubbed director that took the top prize. Ben Affleck's "Argo" rocked the Academy Awards by winning the Best Picture of the year award. The biggest surprise for me was Ang Lee who went home with the Best Director trophy for "Life of Pi" while Steven Spielberg went home empty handed. His "Lincoln" still won two Academy Awards, one for Best Actor for the great Daniel Day-Lewis' fine performance as our beloved 16th President, and the other for production design.
Just as I predicted to the lovely Anne Hathaway three months ago, she went home with the Best Supporting Actress trophy for her brilliant performance as Fantine in "Les Miserables." This sort of is a blessing from the Academy as well for turning in a memorable Catwoman performance in Christopher Nolan's "The Dark Knight Rises."
Jennifer Lawrence won (and fell,...
Just as I predicted to the lovely Anne Hathaway three months ago, she went home with the Best Supporting Actress trophy for her brilliant performance as Fantine in "Les Miserables." This sort of is a blessing from the Academy as well for turning in a memorable Catwoman performance in Christopher Nolan's "The Dark Knight Rises."
Jennifer Lawrence won (and fell,...
- 2/25/2013
- by Manny
- Manny the Movie Guy
Are you sick of those ordinary Oscar office pools? Tired of only guessing the top 6 or 8 categories for the Academy Awards? Let your inner-movie geek shine with Bowl the Perfect Oscar Score (aka Oscar Bowling), created by Jeff Bayer.
Try to nail 300 points on the 2013 Academy Awards.
This is a confidence list.
There are 24 categories.
How to play
Pick your winners in all 24 categories. Then, give each winner a confidence score. Your most confident pick gets 24 points, second most confident gets 23 points, third most confident gets 22 points, and eventually your least confident pick gets 1 point.
This is perfect for Oscar parties, because the lead keeps changing. The winner is the one with the most points at the end. A perfect score is 300. If there is a tie (there never is a tie), then the winner is the one with the most points in these three categories combined (Best Picture, Best Actor,...
Try to nail 300 points on the 2013 Academy Awards.
This is a confidence list.
There are 24 categories.
How to play
Pick your winners in all 24 categories. Then, give each winner a confidence score. Your most confident pick gets 24 points, second most confident gets 23 points, third most confident gets 22 points, and eventually your least confident pick gets 1 point.
This is perfect for Oscar parties, because the lead keeps changing. The winner is the one with the most points at the end. A perfect score is 300. If there is a tie (there never is a tie), then the winner is the one with the most points in these three categories combined (Best Picture, Best Actor,...
- 2/22/2013
- by Nick Allen
- The Scorecard Review
Predicting the Oscars? Whew! It.s a tough one this year! Besides, honestly, Anne Hathaway and Daniel Day-Lewis, there.s no clear-cut favorite at the 85th Academy Awards. Even Hathaway and Day-Lewis are on shaky grounds, okay, not that much. They may be surefire but what about for Best Picture, or heck, Best Director with the presumed frontrunner, Ben Affleck, missing from the race?
But, every year, I slaved to give you my honest, heartfelt Oscar predictions, which should help you with your Oscar pool.I hope. If you win anything, just give me an Oscar buck!
So here you go, my complete 2013 Oscar predictions for all categories:
Here's the video of the top categories, for the complete predictions, keep on reading :happy
Best Picture
"Amour"
*** "Argo"
"Beasts Of The Southern Wild"
"Django Unchained"
"Les Miserables"
"Life Of Pi"
"Lincoln"
"Silver Linings Playbook"
"Zero Dark Thirty"
Will Win: .Argo. . Why?...
But, every year, I slaved to give you my honest, heartfelt Oscar predictions, which should help you with your Oscar pool.I hope. If you win anything, just give me an Oscar buck!
So here you go, my complete 2013 Oscar predictions for all categories:
Here's the video of the top categories, for the complete predictions, keep on reading :happy
Best Picture
"Amour"
*** "Argo"
"Beasts Of The Southern Wild"
"Django Unchained"
"Les Miserables"
"Life Of Pi"
"Lincoln"
"Silver Linings Playbook"
"Zero Dark Thirty"
Will Win: .Argo. . Why?...
- 2/22/2013
- by Manny
- Manny the Movie Guy
Are you sick of those ordinary Oscar office pools? Tired of only guessing the top 6 or 8 categories for the Academy Awards? Let your inner-movie geek shine with Bowl the Perfect Oscar Score (aka Oscar Bowling), created by Jeff Bayer.
Try to nail 300 points on the 2013 Academy Awards.
This is a confidence list.
There are 24 categories.
How to play
Pick your winners in all 24 categories. Then, give each winner a confidence score. Your most confident pick gets 24 points, second most confident gets 23 points, third most confident gets 22 points, and eventually your least confident pick gets 1 point.
This is perfect for Oscar parties, because the lead keeps changing. The winner is the one with the most points at the end. A perfect score is 300. If there is a tie (there never is a tie), then the winner is the one with the most points in these three categories combined (Best Picture, Best Actor,...
Try to nail 300 points on the 2013 Academy Awards.
This is a confidence list.
There are 24 categories.
How to play
Pick your winners in all 24 categories. Then, give each winner a confidence score. Your most confident pick gets 24 points, second most confident gets 23 points, third most confident gets 22 points, and eventually your least confident pick gets 1 point.
This is perfect for Oscar parties, because the lead keeps changing. The winner is the one with the most points at the end. A perfect score is 300. If there is a tie (there never is a tie), then the winner is the one with the most points in these three categories combined (Best Picture, Best Actor,...
- 2/21/2013
- by Shane T. Nier
- The Scorecard Review
Are you sick of those ordinary Oscar office pools? Tired of only guessing the top 6 or 8 categories for the Academy Awards? Let your inner-movie geek shine with Bowl the Perfect Oscar Score (aka Oscar Bowling).
Try to nail 300 points on the 2013 Academy Awards.
This is a confidence list.
There are 24 categories.
How to play
Pick your winners in all 24 categories. Then, give each winner a confidence score. Your most confident pick gets 24 points, second most confident gets 23 points, third most confident gets 22 points, and eventually your least confident pick gets 1 point.
This is perfect for Oscar parties, because the lead keeps changing. The winner is the one with the most points at the end. A perfect score is 300. If there is a tie (there never is a tie), then the winner is the one with the most points in these three categories combined (Best Picture, Best Actor, Best Actress).
You...
Try to nail 300 points on the 2013 Academy Awards.
This is a confidence list.
There are 24 categories.
How to play
Pick your winners in all 24 categories. Then, give each winner a confidence score. Your most confident pick gets 24 points, second most confident gets 23 points, third most confident gets 22 points, and eventually your least confident pick gets 1 point.
This is perfect for Oscar parties, because the lead keeps changing. The winner is the one with the most points at the end. A perfect score is 300. If there is a tie (there never is a tie), then the winner is the one with the most points in these three categories combined (Best Picture, Best Actor, Best Actress).
You...
- 2/21/2013
- by Jeff Bayer
- The Scorecard Review
The Simpsons The Longest Daycare Short Film. David Silverman‘s The Simpsons: The Longest Daycare (2012) short film was written by James L. Brooks, Matt Groening, Al Jean, David Mirkin, Joel H. Cohen, and Michael Price. The Simpsons: The Longest Daycare‘s plot synopsis: “Maggie Simpson attends the Ayn Rand Daycare Center, where she finds a [...]
Continue reading: The Simpsons: The Longest Daycare (2012) Short Film: David Silverman...
Continue reading: The Simpsons: The Longest Daycare (2012) Short Film: David Silverman...
- 2/20/2013
- by Rollo Tomasi
- Film-Book
Predicting the Oscars? Whew! It.s a tough one this year! Besides, honestly, Anne Hathaway and Daniel Day-Lewis, there.s no clear-cut favorite at the 85th Academy Awards. Even Hathaway and Day-Lewis are on shaky grounds, okay, not that much. They may be surefire but what about for Best Picture, or heck, Best Director with the presumed frontrunner, Ben Affleck, missing from the race?
But, every year, I slaved to give you my honest, heartfelt Oscar predictions, which should help you with your Oscar pool.I hope. If you win anything, just give me an Oscar buck!
So here you go, my complete 2013 Oscar predictions for all categories:
Best Picture
"Amour"
*** "Argo"
"Beasts Of The Southern Wild"
"Django Unchained"
"Les Miserables"
"Life Of Pi"
"Lincoln"
"Silver Linings Playbook"
"Zero Dark Thirty"
Will Win: .Argo. . Why? Because it.s simply the best movie of 2012! Plus, it already won a Producer.s...
But, every year, I slaved to give you my honest, heartfelt Oscar predictions, which should help you with your Oscar pool.I hope. If you win anything, just give me an Oscar buck!
So here you go, my complete 2013 Oscar predictions for all categories:
Best Picture
"Amour"
*** "Argo"
"Beasts Of The Southern Wild"
"Django Unchained"
"Les Miserables"
"Life Of Pi"
"Lincoln"
"Silver Linings Playbook"
"Zero Dark Thirty"
Will Win: .Argo. . Why? Because it.s simply the best movie of 2012! Plus, it already won a Producer.s...
- 2/20/2013
- by Manny
- Manny the Movie Guy
Maggie Simpson may not be much of a talker on her Fox cartoon, but this year she plans on making a statement on the red carpet. The youngest member of The Simpsons clan stars in the Oscar-nominated animated short film The Longest Daycare and the eternal infant is looking for fans to help choose her dress for her big night out Sunday. People has a sneak peek at Simpson's three potential red carpet looks: a sparkly, red, backless stunner; a purple, tiered, strapless gown; and a leg-barring black number reminiscent of Angelina Jolie's 2012 Oscars dress. All can be paired with complementary pacifiers,...
- 2/19/2013
- by Patrick Gomez
- PEOPLE.com
Are you sick of those ordinary Oscar office pools? Tired of only guessing the top 6 or 8 categories for the Academy Awards? Let your inner-movie geek shine with Bowl the Perfect Oscar Score (aka Oscar Bowling).
Try to nail 300 points on the 2013 Academy Awards.
This is a confidence list.
There are 24 categories.
How to play
Pick your winners in all 24 categories. Then, give each winner a confidence score. Your most confident pick gets 24 points, second most confident gets 23 points, third most confident gets 22 points, and eventually your least confident pick gets 1 point.
This is perfect for Oscar parties, because the lead keeps changing. The winner is the one with the most points at the end. A perfect score is 300. If there is a tie (there never is a tie), then the winner is the one with the most points in these three categories combined (Best Picture, Best Actor, Best Actress).
You...
Try to nail 300 points on the 2013 Academy Awards.
This is a confidence list.
There are 24 categories.
How to play
Pick your winners in all 24 categories. Then, give each winner a confidence score. Your most confident pick gets 24 points, second most confident gets 23 points, third most confident gets 22 points, and eventually your least confident pick gets 1 point.
This is perfect for Oscar parties, because the lead keeps changing. The winner is the one with the most points at the end. A perfect score is 300. If there is a tie (there never is a tie), then the winner is the one with the most points in these three categories combined (Best Picture, Best Actor, Best Actress).
You...
- 2/18/2013
- by Jeff Bayer
- The Scorecard Review
Indiewire will provide regular updates of our predictions for the 85th Academy Awards through February 24th, when the winners are announced. The short film races are always extremely tough to call -- especially now that the entire Academy membership is eligible to vote for them. This race seems to be between two films: Disney character animator Minkyu Lee's "Adam and Dog" (which is made from money he saved while working at Disney, though Disney had no involvement) and actual Disney production, John Kahr's "Paperman." The latter won the Annie and will probably win here, but both are great and either could win. Nominees and predictions below. Check out all predictions in all the categories here, and this list of all the Oscar-nominated films available On Demand right now. The nominees: "Adam and Dog" "Fresh Guacamole" "Head Over Heels" "Maggie Simpson in the Longest Daycare" ...
- 2/17/2013
- by Peter Knegt
- Indiewire
You need only 5 minutes to check out David Silverman‘s 3D animated short film titled The Simpsons: The Longest Daycare! Just in case your favourite member of the Simpsons family is little Maggie – this is the perfect movie for you. In this Oscar-nominated short, she attends the Ayn Rand Daycare Center, where she finds a caterpillar and faces off against her nemesis. Sounds spooky but trust me – fun is guaranteed! David Silverman directed the film from a script written by James L. Brooks, Matt Groening, Al Jean, David Mirkin, Joel H. Cohen and Michael Price. It is based on characters from the popular...
- 2/17/2013
- by Jeanne Standal
- Filmofilia
Watch: Oscar-Nominated Short 'Head Over Heels' a Poignant Love Story of a Couple on Different Planes
Following the online debuts of the other four competing Oscar-nominated short animated films, stop-motion "Head Over Heels" is now available to watch until the day of the Oscars (February 24). Full video below. The poignant, autumnally lit film centers on a couple who operate on different planes; the husband goes about his day rightside-up, while the wife conducts her daily routine on the ceiling. When an accident occurs, their world of bickering and missed communications is literally turned upside-down. Made by a team of 11 students over 15 months, the film is directed by Timothy Reckart at the National Film and Television School. You can watch the Oscar-nominated short "Adam and Dog" here, and "Paperman," along with a featurette on the film, here. The other shorts, "Fresh Guacamole" and "The Simpsons: The Longest Daycare," are available to watch here.
- 2/11/2013
- by Beth Hanna
- Thompson on Hollywood
Here are the five animated short films that have been nominated for an Oscar at the 2013 Academy Awards. It's a great group of nominees this year, and it's usually been hard to watch these kinds of shorts before, so it's really cool that we are able to watch them now before the Oscars. The shorts include, Adam and Dog directed by Minkyu Lee, Fresh Guacamole directed by Pes, Head over Heels directed by Timothy Reckart and Fodhla Cronin O'Reilly, Maggie Simpson in The Longest Daycare directed by David Silverman, and Paperman directed by John Kahrs.
They are all really good films, but I'm going to be rooting for Disney's Paperman because it was so damn adorable, and I loved the animation! Watch all the shorts for yourself, and let us know what your favorite is!
Maggie Simpson attends the Ayn Rand Daycare Center, where she finds a caterpillar and faces off against her nemesis.
They are all really good films, but I'm going to be rooting for Disney's Paperman because it was so damn adorable, and I loved the animation! Watch all the shorts for yourself, and let us know what your favorite is!
Maggie Simpson attends the Ayn Rand Daycare Center, where she finds a caterpillar and faces off against her nemesis.
- 2/11/2013
- by Joey Paur
- GeekTyrant
As I watched this year’s nominees for Best Animated Short Film, I noticed something a bit strange. Pes’s Fresh Guacamole, a 90-second stop-motion film, has no dialogue at all. Adam and Dog, set in a beautifully drawn Garden of Eden, has no dialogue either. The Simpsons: The Longest Daycare, being entirely about Maggie, of course has no speaking. Paperman is also silent, in the spirit of some more recent Disney and Pixar shorts. Head Over Heels, finally, is just as willfully mute as the rest. There is not a single audible word of dialogue in any of this year’s nominees. What’s the significance of this? The silence has no bearing on the quality of the shorts, though it works better for Paperman and Fresh Guacamole than it does for Adam and Dog and Head Over Heels. However, I do think it has some relationship with the old Oscar adage of “Most” rather than...
- 2/9/2013
- by Daniel Walber
- FilmSchoolRejects.com
“We don’t want to analyze it too much,” admits David Silverman when asked what’s made “The Simpsons” last so long. “There’s just some magic to it. It’s amazing that the characters have endured so long, but animation does have that ability. Things like Bugs Bunny have endured for a long time because people still recognize the characters. I think in our case we still have a way of getting people to see it.” After 10 wins (out of 22 nominations) as Best Animated Program at the Primetime Emmys, “The Simpsons” could finally add an Oscar to its list of honors. “Maggie Simpson in The Longest Daycare,” directed Silverman, is nominated for Best Animated Short. This is Silverman’s second film to receive an Oscar nomination; he served as co-director on “Monster’s Inc.” which lost the inaugural Oscar for Best Animated Feature to "Shrek" in 2001. This short came...
- 1/31/2013
- Gold Derby
Vol. I Issue 6
Send us links to your sizzle reels and film sites.
Note: See Issues 1, 2, 3, and 4 for reviews and clips of the Academy documentary films and short films. Additional reviews of the documentary features follow in this issue.
Best documentary feature
5 Broken Cameras Emad Burnat and Guy Davidi
The Gatekeepers Nominees to be determined *See note below
How to Survive a Plague Nominees to be determined
The Invisible War Nominees to be determined
Searching for Sugar Man Nominees to be determined
Best documentary short subject
Inocente Sean Fine and Andrea Nix Fine
Kings Point Sari Gilman and Jedd Wider
Mondays at Racine Cynthia Wade and Robin Honan
Open Heart Kief Davidson and Cori Shepherd Stern
Redemption Jon Alpert and Matthew O'Neill
Best animated short film
Adam and Dog Minkyu Lee
Fresh Guacamole Pes
Head over Heels Timothy Reckart and Fodhla Cronin O'Reilly
Maggie Simpson in The Longest Daycare David Silverman
Paperman John Kahrs
Best live action short film
Asad Bryan Buckley and Mino Jarjoura
Buzkashi Boys Sam French and Ariel Nasr
Curfew Shawn Christensen
Death of a Shadow (Dood van een Schaduw) Tom Van Avermaet and Ellen De Waele
Henry Yan England
Achievement in music written for motion pictures (Original song) from a documentary
Before My Time from The documentary feature Chasing Ice Music and Lyric by J. Ralph
Note: *Nominees to be determined* The Documentary Brand gives the nomination to the individual(s) most involved in the key creative aspects of the filmmaking process. A maximum of two persons may be designated as nominees, one of whom must be the credited director who exercised directorial control, and the other of whom must have a producer or director credit. If a producer is named, that individual must have performed a major portion of the producing functions, in accordance with Academy producer criteria. No more than two statuettes will normally be given in the Documentary Feature category. All individuals with a “Producer” or “Produced by” credit on films that reach the semifinal round will automatically be vetted.
The Documentary Branch Executive Committee will determine which producers, if any, are eligible to receive an Oscar. In the unlikely event of a dispute, filmmakers may appeal the committee’s decision. In extremely rare circumstances, a third statuette may be awarded.
Production companies or persons with the screen credit of executive producer, co-producer or any credit other than director or producer shall not be eligible as nominees for the motion picture.
DGA Documentary Award Nominations
Kirby Dick The Invisible War
This is Mr. Dick’s first DGA Award nomination.
Malik Bendjelloul Searching For Sugar Man
This is Mr. Bendjelloul’s first DGA Award nomination.
Lauren Greenfield The Queen of Versailles
This is Ms. Greenfield’s first DGA Award nomination.
David France How To Survive A Plague
This is Mr. France’s first DGA Award nomination.
Alison Klayman Ai WeiWei: Never Sorry
This is Ms. Klayman’s first DGA Award nomination.
Two Academy Nominated Documentary Features
& One Academy Short Listed Documentary Reviewed
The Gatekeepers, directed by Dror Moreh
Documentary Feature Nominee
Six former heads of Israel’s domestic secret service agency, the Shin Bet, share their insights and reflect publicly on their actions and decisions in The Gatekeepers, a film by Dror Moreh. These six heads of the Shin Bet stood at the center of Israel's decision-making process in all matters pertaining to security. They worked closely with every Israeli prime minister, and their assessments and insights had—and continue to have—a profound impact on Israeli policy. The Gatekeepers is an exclusive account of their successes and failures.
I find The Gatekeepers remarkable. Not for its craft but for its concept and vision. Imagine
J Edger Hoover talking about his tenure at the FBI, his successes and his failures, his interactions with the Presidents and members of Congress, and his critical self-evaluation of his mission and how his agency’s work affected our nation. Imagine. Dror Moreh accomplished this feat when he convinced these six surviving members of the Shin Bet, to speak on camera.
The film provides a historical perspective of Israel that is both candid and critical of the successive governments in this rare Middle Eastern democracy. The Shin Bet was created in 1949 by David Ben-Gurion’s government to focus on the internal affairs of Israel and evolved into dealing with counterterrorism and intelligence gathering in the West Bank and Gaza.
These intelligence heads, like ours, report to the President/Prime Minister. They are not part of the military complex. It is this context that gives this work its power. We hear the story of Israel’s struggle to protect itself from both its internal and external enemies; the bombers, terrorists, agents and others who worked to destroy this small country. These men are not glamorous or like the fictional heads of the spy agencies we have seen in James Bond and Bourne films. They are bald or balding grandfather-types. Articulate, highly educated, calm and yet we know that they protected Israel from its enemies even if they had them killed.
This is one of the strongest of the nominated docs. It raises significant issues of personal responsibilities. Despite the lack of oversight we don’t feel that this is an organization gone amuck like the Catholic Church not protecting children or the Us Military not protecting its members from sexual harassment. We see these articulate men as guardians and protectors of their nation steadfastly doing their duty within the confines of their moral beliefs. What is scary about The Gatekeepers is that clearly there could have been abuses and wrongs done by the Shin Bet if these six had less character or their mission was redefined by the government without regard to moral or ethical standards. The film on reflection is troubling for regardless of how the spectator might feel about Israel it forces us to look at this conflict through the lenses of these six guardians and we can only wonder what they don’t tell us about what they did in the name of their country.
Credits:
Director: Dror Moreh
Camera: Avner Shahaf
Producers: Dror Moreh, Estelle Fialon, Philippa Kowarsky
Co Producer: Anna Van Der Wee
Sound: Amos Zipori
Sound Design: Aex Claude
Music: Ab Ovo, Jérôme Chassagnard, Régis Baillet
Editor: Oron Adar
Production Companies: Dror Moreh Productions, Les Films du Poisson, Cinephil
In Co-Production with: Mac Guff, Wild Heart Productions, Arte France, Iba, Ndr, Rtbf
With the support of: Cnc, Media, Région Ile-de-France, Procirep, Angoa, The Rabinovich Foundation for the Arts – Cinema Project
Distribution: Sony Classics
Trailer: http://www.sonyclassics.com/thegatekeepers/
The House I Live In, directed by Eugene Jarecki
Short Listed Documentary Feature for Academy Award nomination
The House I Live In looks at how America has waged war on some of its poorest citizens, costing countless lives, destroying families, and inflicting untold damage on future generations of Americans. It posits that over the last forty years, the War on Drugs has accounted for more than 45 million arrests and shows how America became the world’s largest jailer, damaging poor communities at home and abroad. Yet today drugs are cheaper, purer and more available than ever before. It shows that drug abuse is a public health issue. Despite this, it is treated by our society as a criminal matter and a vast machine has been created that feeds on the men and women who are incarcerated. Because of this, the prisoners are not offered help or a cure for their underlying problems, so they return to prison in a never ending cycle.
Eugene Jarecki, whose previous films looked at the military industrial complex (Why We Fight and The Trials of Henry Kissinger), won the Grand Jury Prize for Documentary at Sundance in both 2005 and 2010. The film tackles difficult material. Material that has been in scores of documentaries and television shows over the years. Yet Jarecki, using his personal experience, a wealth of interviews and strong case studies, builds a compelling case for changing the sentencing guidelines for crack (and cocaine) and for dealing with both addiction and the underlying causes of addiction. Jarecki is a skillful filmmaker who has picked a vast and complex subject and has created a work that while rich in content moves along at a good pace although it might have been stronger if it had tried to do less. The film editor Paul Frost and the composer Robert Miller do an excellent job building strong sequences with evocative music. It was nicely shot by Sam Cullman and Derek Hallquist. Richard Abramowitz’s Abramorama handled the distribution and was successful getting the work out which is never easy for such an issue oriented film.
Credits:
Director, Producer, Screenwriter: Eugene Jarecki
Producers: Melinda Shopsin, Sam Cullman, Christopher St. John
Executive Producers: Eugene Jarecki, Nick Fraser, Joslyn Barnes, Danny Glover, Russell Simmons, Roy Ackerman, John Legend, Sally Jo Feifer, Nick Fraser
Camera: Sam Cullman, Derek Hallquist
Sound: Matthew Freed, Art Jaso
Music: Robert Milller
Editor: Paul Frost
Production Companies: Charlotte Street Films, Zdf Enterprises, Independent Television Services, BBC, Aljazeera Documentary Channel, Vpro, Special Broadcasting Service Corporation, Louverture Films, Nhk
Distribution (Us): Abramorama Entertainment, Snag Films
How to Survive a Plague, directed by David France
Documentary Feature Nominee
How to Survive a Plague by writer and filmmaker David France tells the story of how two coalitions came together to lobby for effective treatments and funding for treatments of AIDS in the late 1980s when it was evident that the Us government and its health and other agencies were not being very effective dealing with the AIDS epidemic. The coalitions, Act Up and Tag (Treatment Action Group) helped to make AIDS more treatable. While there is still no cure for AIDS and thousands of people globally still die from the virus, it is now possible to prolong life with treatments that have been developed.
Despite having no scientific training, these self-made activists infiltrated the pharmaceutical industry and helped identify promising new drugs, moving them from experimental trials to patients in record time. With access to never-before-seen archival footage from the 1980s and '90s, filmmaker David France puts the viewer smack in the middle of the controversial actions, the heated meetings, the heartbreaking failures, and the exultant breakthroughs. Faced with their own mortality an improbable group of young men and women, many of them HIV-positive took on Washington and the medical establishment.
While there have been a handful of outstanding films dealing with the AIDS epidemic including Common Threads: Stories from the Quilt, The Broadcast Tapes of Dr. Peter and Silverlake Life, to name a few, How to Survive a Plague picks up on the story begun in the landmark Common Threads and updates the struggle, looking at the quest to find a treatment and possibly a cure for this vicious disease. The film weaves together stories of activism and shows how a small determined group can effect change not just nationally but globally. While the film is not as well made as Common Threads or Dr. Peter, it’s powerful. The archival footage manages to capture some of the key figures of Act Up and Tag showing actions as they take place. Instead of relying on talking heads to tell this amazing story, it is presented with footage shot as the story unfolded. This footage and its solid editing distinguishes this film from so many of the works that have tried to tell this story.
Few documentaries have such powerful antagonists, the government, incompetence, a lack of urgency on the part of the medical community and fear. Throw in homophobia and it is evident that the dramatic actions of these heroes saved hundreds of thousands of possible victims from this mostly sexually spread plague.
My only serious criticism of this documentary is its failure to be clearer that the plague continues, that there is no cure for HIV/AIDS and that the community continues to give a false sense of hope. Currently the Cdc states:
” ..estimates that 1,148,200 persons aged 13 years and older are living with HIV infection, including 207,600 (18.1%) who are unaware of their infection1. Over the past decade, the number of people living with HIV has increased, while the annual number of new HIV infections has remained relatively stable. Still, the pace of new infections continues at far too high a level—particularly among certain groups.
HIV Incidence(new infections): The estimated incidence of HIV has remained stable overall in recent years, at about 50,000 new HIV infections per year.2 Within the overall estimates, however, some groups are affected more than others. Msm (men who have sex with men) continue to bear the greatest burden of HIV infection, and among races/ethnicities, African Americans continue to be disproportionately affected.”
This information could have been contained in the last few minutes of this powerful work, to inspire and warn the audience that testing is critical and that safe sex is still the only way to contain AIDS.
The Filmmaker
David France, Director, Producer
David France is an award-winning journalist and New York Times best-selling author who has been writing about AIDS since 1982 and today is one of the best-known chroniclers of the epidemic. His work has appeared in the New York Times, Newsweek, GQ, and New York magazine, where he is a contributing editor, and has received the National Headliner Award and the GLAAD Media Award, among others. Several films have been inspired by his work, most recently the Emmy-nominated Showtime film Our Fathers, for which he received a WGA nomination. He is at work on a major history of AIDS, due from Alfred A. Knopf in 2013. Based on decades of reporting, How to Survive a Plague is his directorial debut.
Credits
Director: David France
Writers: David France, Todd Woody Richman, Tyler H. Walk
Producers: David France, Howard Gertler
Executive Producers: Dan Cogan, Joy A. Tomchin
Co-Producer: Todd Woody Richman
Camera: Derek Wieshahn
Sound: Stuart Deutsch, Topher Reifeiss
Original Music: Stuart Bogie
Editor: Todd Woody Richman, Tyler H. Walk
Production Companies: Public Square Films, Ninety Thousand Words
Distribution (Us): Sundance Selects
Short Notes and Update:
The International Documentary Association in Los Angeles presents Doc U: The Doc Reporter
Navigating the Intersection of Documentary and Journalism
Moderated by: Karin Skellwagen (The Brooks Institute)
With Panelists:
Sarah Burns (The Central Park Five)
Michael Donaldson (Partner, Donaldson & Callif)
David France (How To Survive A Plague)
For information: http://doc-u-jan-2013-la.eventbrite.com/
Sundance Announces 2013 International Documentary Competition:
Fallen City/ China (Director: Qi Zhao) — Fallen City spans four years to reveal how three families who survived the 2008 Sichuan earthquake to embark on a journey searching for hope, purpose, identity, and to rebuild their lives in a new China torn between tradition and modernity. North American Premiere
Fire in the Blood/ India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, causing 10 million or more unnecessary deaths. An improbable group of people decided to fight back. North American Premiere
Google and the World Brain/ Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious Internet project ever conceived, Google is working to scan every book in the world. Google says it is building a library for mankind. But some are trying to stop it, claiming that Google may have other intentions. World Premiere
The Machine Which Makes Everything Disappear/ Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations. North American Premiere
The Moo Man/ United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. World Premiere
Pussy Riot – A Punk Prayer/ Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in? World Premiere
A River Changes Course/ Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing, and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world. World Premiere
Salma/ United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world. World Premiere
The Square (Al Midan)/ Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation? World Premiere
The Stuart Hall Project/ United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of Cultural Studies, this documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual. World Premiere
The Summit/ Ireland, United Kingdom (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. International Premiere
Who is Dayani Cristal?/ United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. Day One Film
Producer’s Guild Announces Nominations for the Award for Outstanding Producer of Documentary Theatrical Motion Pictures and Non-Fiction Television:
A People Uncounted(Urbinder Films)
Producers: Marc Swenker, Aaron Yeger
The Gatekeepers(Sony Pictures Classics)
Producers: Estelle Fialon, Philippa Kowarsky, Dror Moreh
The Island President(Samuel Goldwyn Films)
Producers: Richard Berge, Bonni Cohen
The Other Dream Team(The Film Arcade)
Producers: Marius Markevicius, Jon Weinbach
Searching For Sugar Man(Sony Pictures Classics)
Producers: Malik Bendjelloul, Simon Chinn
Nominations for the Award for Outstanding Producer of
Non-Fiction Television:
American Masters(PBS)
Producers: Prudence Glass, Susan Lacy, Julie Sacks
Anthony Bourdain: No Reservations(Travel Channel)
Producers: Anthony Bourdain, Christopher Collins, Lydia Tenaglia, Sandy Zweig
Deadliest Catch(Discovery Channel)
Producers: Thom Beers, Jeff Conroy, Sean Dash, John Gray, Sheila McCormack, Bill Pruitt, Decker Watson
Inside the Actors Studio(Bravo)
Producers: James Lipton, Shawn Tesser, Jeff Wurtz
Shark Tank(ABC)
Producers: Rhett Bachner, Becky Blitz, Mark Burnett, Bill Gaudsmith, Yun Lingner, Brien Meagher, Clay Newbill, Jim Roush, Laura Skowlund, Paul Sutera, Patrick Wood
BAFTA Short and Documentary Feature Nominations (British Academy of Film and Television Arts, London)
Documentary Feature
The ImposterBart Layton, Dimitri Doganis
Marley Kevin Macdonald, Steve Bing, Charles Steel
McCullin David Morris, Jacqui Morris
Searching for Sugar Man Malik Bendjelloul, Simon Chinn
West of Memphis Amy Berg
Short Animation
Here to Fall Kris Kelly, Evelyn McGrath
I’m Fine Thanks Eamonn O'Neill
The Making of Longbird Will Anderson, Ainslie Henderson
Short Film
The Curse Fyzal Boulifa, Gavin Humphries
Good Night Muriel d'Ansembourg, Eva Sigurdardottir
Swimmer Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw
Tumult Johnny Barrington, Rhianna Andrews
The Voorman Problem Mark Gill, Baldwin Li
The Broadcast Film Critics Association (Bfca)
Documentary Feature Nominations
Bully
The Imposter
Queen of Versailles
Searching for Sugar Man (Winner)
The Central Park Five
West of Memphis
________________________________________________________________________
Credits: Editing by Jessica Just for SydneysBuzz
________________________________________________________________________
Block Doc Workshops in Los Angeles February 2013 Ida Doc U
The International Documentary Association will be hosting Documentary Funding and Documentary Tune-Up Workshops with Block on February 9/10. http://www.documentary.org/news/february-documentary-producing-workshops-mitchell-block
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2013Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
Send us links to your sizzle reels and film sites.
Note: See Issues 1, 2, 3, and 4 for reviews and clips of the Academy documentary films and short films. Additional reviews of the documentary features follow in this issue.
Best documentary feature
5 Broken Cameras Emad Burnat and Guy Davidi
The Gatekeepers Nominees to be determined *See note below
How to Survive a Plague Nominees to be determined
The Invisible War Nominees to be determined
Searching for Sugar Man Nominees to be determined
Best documentary short subject
Inocente Sean Fine and Andrea Nix Fine
Kings Point Sari Gilman and Jedd Wider
Mondays at Racine Cynthia Wade and Robin Honan
Open Heart Kief Davidson and Cori Shepherd Stern
Redemption Jon Alpert and Matthew O'Neill
Best animated short film
Adam and Dog Minkyu Lee
Fresh Guacamole Pes
Head over Heels Timothy Reckart and Fodhla Cronin O'Reilly
Maggie Simpson in The Longest Daycare David Silverman
Paperman John Kahrs
Best live action short film
Asad Bryan Buckley and Mino Jarjoura
Buzkashi Boys Sam French and Ariel Nasr
Curfew Shawn Christensen
Death of a Shadow (Dood van een Schaduw) Tom Van Avermaet and Ellen De Waele
Henry Yan England
Achievement in music written for motion pictures (Original song) from a documentary
Before My Time from The documentary feature Chasing Ice Music and Lyric by J. Ralph
Note: *Nominees to be determined* The Documentary Brand gives the nomination to the individual(s) most involved in the key creative aspects of the filmmaking process. A maximum of two persons may be designated as nominees, one of whom must be the credited director who exercised directorial control, and the other of whom must have a producer or director credit. If a producer is named, that individual must have performed a major portion of the producing functions, in accordance with Academy producer criteria. No more than two statuettes will normally be given in the Documentary Feature category. All individuals with a “Producer” or “Produced by” credit on films that reach the semifinal round will automatically be vetted.
The Documentary Branch Executive Committee will determine which producers, if any, are eligible to receive an Oscar. In the unlikely event of a dispute, filmmakers may appeal the committee’s decision. In extremely rare circumstances, a third statuette may be awarded.
Production companies or persons with the screen credit of executive producer, co-producer or any credit other than director or producer shall not be eligible as nominees for the motion picture.
DGA Documentary Award Nominations
Kirby Dick The Invisible War
This is Mr. Dick’s first DGA Award nomination.
Malik Bendjelloul Searching For Sugar Man
This is Mr. Bendjelloul’s first DGA Award nomination.
Lauren Greenfield The Queen of Versailles
This is Ms. Greenfield’s first DGA Award nomination.
David France How To Survive A Plague
This is Mr. France’s first DGA Award nomination.
Alison Klayman Ai WeiWei: Never Sorry
This is Ms. Klayman’s first DGA Award nomination.
Two Academy Nominated Documentary Features
& One Academy Short Listed Documentary Reviewed
The Gatekeepers, directed by Dror Moreh
Documentary Feature Nominee
Six former heads of Israel’s domestic secret service agency, the Shin Bet, share their insights and reflect publicly on their actions and decisions in The Gatekeepers, a film by Dror Moreh. These six heads of the Shin Bet stood at the center of Israel's decision-making process in all matters pertaining to security. They worked closely with every Israeli prime minister, and their assessments and insights had—and continue to have—a profound impact on Israeli policy. The Gatekeepers is an exclusive account of their successes and failures.
I find The Gatekeepers remarkable. Not for its craft but for its concept and vision. Imagine
J Edger Hoover talking about his tenure at the FBI, his successes and his failures, his interactions with the Presidents and members of Congress, and his critical self-evaluation of his mission and how his agency’s work affected our nation. Imagine. Dror Moreh accomplished this feat when he convinced these six surviving members of the Shin Bet, to speak on camera.
The film provides a historical perspective of Israel that is both candid and critical of the successive governments in this rare Middle Eastern democracy. The Shin Bet was created in 1949 by David Ben-Gurion’s government to focus on the internal affairs of Israel and evolved into dealing with counterterrorism and intelligence gathering in the West Bank and Gaza.
These intelligence heads, like ours, report to the President/Prime Minister. They are not part of the military complex. It is this context that gives this work its power. We hear the story of Israel’s struggle to protect itself from both its internal and external enemies; the bombers, terrorists, agents and others who worked to destroy this small country. These men are not glamorous or like the fictional heads of the spy agencies we have seen in James Bond and Bourne films. They are bald or balding grandfather-types. Articulate, highly educated, calm and yet we know that they protected Israel from its enemies even if they had them killed.
This is one of the strongest of the nominated docs. It raises significant issues of personal responsibilities. Despite the lack of oversight we don’t feel that this is an organization gone amuck like the Catholic Church not protecting children or the Us Military not protecting its members from sexual harassment. We see these articulate men as guardians and protectors of their nation steadfastly doing their duty within the confines of their moral beliefs. What is scary about The Gatekeepers is that clearly there could have been abuses and wrongs done by the Shin Bet if these six had less character or their mission was redefined by the government without regard to moral or ethical standards. The film on reflection is troubling for regardless of how the spectator might feel about Israel it forces us to look at this conflict through the lenses of these six guardians and we can only wonder what they don’t tell us about what they did in the name of their country.
Credits:
Director: Dror Moreh
Camera: Avner Shahaf
Producers: Dror Moreh, Estelle Fialon, Philippa Kowarsky
Co Producer: Anna Van Der Wee
Sound: Amos Zipori
Sound Design: Aex Claude
Music: Ab Ovo, Jérôme Chassagnard, Régis Baillet
Editor: Oron Adar
Production Companies: Dror Moreh Productions, Les Films du Poisson, Cinephil
In Co-Production with: Mac Guff, Wild Heart Productions, Arte France, Iba, Ndr, Rtbf
With the support of: Cnc, Media, Région Ile-de-France, Procirep, Angoa, The Rabinovich Foundation for the Arts – Cinema Project
Distribution: Sony Classics
Trailer: http://www.sonyclassics.com/thegatekeepers/
The House I Live In, directed by Eugene Jarecki
Short Listed Documentary Feature for Academy Award nomination
The House I Live In looks at how America has waged war on some of its poorest citizens, costing countless lives, destroying families, and inflicting untold damage on future generations of Americans. It posits that over the last forty years, the War on Drugs has accounted for more than 45 million arrests and shows how America became the world’s largest jailer, damaging poor communities at home and abroad. Yet today drugs are cheaper, purer and more available than ever before. It shows that drug abuse is a public health issue. Despite this, it is treated by our society as a criminal matter and a vast machine has been created that feeds on the men and women who are incarcerated. Because of this, the prisoners are not offered help or a cure for their underlying problems, so they return to prison in a never ending cycle.
Eugene Jarecki, whose previous films looked at the military industrial complex (Why We Fight and The Trials of Henry Kissinger), won the Grand Jury Prize for Documentary at Sundance in both 2005 and 2010. The film tackles difficult material. Material that has been in scores of documentaries and television shows over the years. Yet Jarecki, using his personal experience, a wealth of interviews and strong case studies, builds a compelling case for changing the sentencing guidelines for crack (and cocaine) and for dealing with both addiction and the underlying causes of addiction. Jarecki is a skillful filmmaker who has picked a vast and complex subject and has created a work that while rich in content moves along at a good pace although it might have been stronger if it had tried to do less. The film editor Paul Frost and the composer Robert Miller do an excellent job building strong sequences with evocative music. It was nicely shot by Sam Cullman and Derek Hallquist. Richard Abramowitz’s Abramorama handled the distribution and was successful getting the work out which is never easy for such an issue oriented film.
Credits:
Director, Producer, Screenwriter: Eugene Jarecki
Producers: Melinda Shopsin, Sam Cullman, Christopher St. John
Executive Producers: Eugene Jarecki, Nick Fraser, Joslyn Barnes, Danny Glover, Russell Simmons, Roy Ackerman, John Legend, Sally Jo Feifer, Nick Fraser
Camera: Sam Cullman, Derek Hallquist
Sound: Matthew Freed, Art Jaso
Music: Robert Milller
Editor: Paul Frost
Production Companies: Charlotte Street Films, Zdf Enterprises, Independent Television Services, BBC, Aljazeera Documentary Channel, Vpro, Special Broadcasting Service Corporation, Louverture Films, Nhk
Distribution (Us): Abramorama Entertainment, Snag Films
How to Survive a Plague, directed by David France
Documentary Feature Nominee
How to Survive a Plague by writer and filmmaker David France tells the story of how two coalitions came together to lobby for effective treatments and funding for treatments of AIDS in the late 1980s when it was evident that the Us government and its health and other agencies were not being very effective dealing with the AIDS epidemic. The coalitions, Act Up and Tag (Treatment Action Group) helped to make AIDS more treatable. While there is still no cure for AIDS and thousands of people globally still die from the virus, it is now possible to prolong life with treatments that have been developed.
Despite having no scientific training, these self-made activists infiltrated the pharmaceutical industry and helped identify promising new drugs, moving them from experimental trials to patients in record time. With access to never-before-seen archival footage from the 1980s and '90s, filmmaker David France puts the viewer smack in the middle of the controversial actions, the heated meetings, the heartbreaking failures, and the exultant breakthroughs. Faced with their own mortality an improbable group of young men and women, many of them HIV-positive took on Washington and the medical establishment.
While there have been a handful of outstanding films dealing with the AIDS epidemic including Common Threads: Stories from the Quilt, The Broadcast Tapes of Dr. Peter and Silverlake Life, to name a few, How to Survive a Plague picks up on the story begun in the landmark Common Threads and updates the struggle, looking at the quest to find a treatment and possibly a cure for this vicious disease. The film weaves together stories of activism and shows how a small determined group can effect change not just nationally but globally. While the film is not as well made as Common Threads or Dr. Peter, it’s powerful. The archival footage manages to capture some of the key figures of Act Up and Tag showing actions as they take place. Instead of relying on talking heads to tell this amazing story, it is presented with footage shot as the story unfolded. This footage and its solid editing distinguishes this film from so many of the works that have tried to tell this story.
Few documentaries have such powerful antagonists, the government, incompetence, a lack of urgency on the part of the medical community and fear. Throw in homophobia and it is evident that the dramatic actions of these heroes saved hundreds of thousands of possible victims from this mostly sexually spread plague.
My only serious criticism of this documentary is its failure to be clearer that the plague continues, that there is no cure for HIV/AIDS and that the community continues to give a false sense of hope. Currently the Cdc states:
” ..estimates that 1,148,200 persons aged 13 years and older are living with HIV infection, including 207,600 (18.1%) who are unaware of their infection1. Over the past decade, the number of people living with HIV has increased, while the annual number of new HIV infections has remained relatively stable. Still, the pace of new infections continues at far too high a level—particularly among certain groups.
HIV Incidence(new infections): The estimated incidence of HIV has remained stable overall in recent years, at about 50,000 new HIV infections per year.2 Within the overall estimates, however, some groups are affected more than others. Msm (men who have sex with men) continue to bear the greatest burden of HIV infection, and among races/ethnicities, African Americans continue to be disproportionately affected.”
This information could have been contained in the last few minutes of this powerful work, to inspire and warn the audience that testing is critical and that safe sex is still the only way to contain AIDS.
The Filmmaker
David France, Director, Producer
David France is an award-winning journalist and New York Times best-selling author who has been writing about AIDS since 1982 and today is one of the best-known chroniclers of the epidemic. His work has appeared in the New York Times, Newsweek, GQ, and New York magazine, where he is a contributing editor, and has received the National Headliner Award and the GLAAD Media Award, among others. Several films have been inspired by his work, most recently the Emmy-nominated Showtime film Our Fathers, for which he received a WGA nomination. He is at work on a major history of AIDS, due from Alfred A. Knopf in 2013. Based on decades of reporting, How to Survive a Plague is his directorial debut.
Credits
Director: David France
Writers: David France, Todd Woody Richman, Tyler H. Walk
Producers: David France, Howard Gertler
Executive Producers: Dan Cogan, Joy A. Tomchin
Co-Producer: Todd Woody Richman
Camera: Derek Wieshahn
Sound: Stuart Deutsch, Topher Reifeiss
Original Music: Stuart Bogie
Editor: Todd Woody Richman, Tyler H. Walk
Production Companies: Public Square Films, Ninety Thousand Words
Distribution (Us): Sundance Selects
Short Notes and Update:
The International Documentary Association in Los Angeles presents Doc U: The Doc Reporter
Navigating the Intersection of Documentary and Journalism
Moderated by: Karin Skellwagen (The Brooks Institute)
With Panelists:
Sarah Burns (The Central Park Five)
Michael Donaldson (Partner, Donaldson & Callif)
David France (How To Survive A Plague)
For information: http://doc-u-jan-2013-la.eventbrite.com/
Sundance Announces 2013 International Documentary Competition:
Fallen City/ China (Director: Qi Zhao) — Fallen City spans four years to reveal how three families who survived the 2008 Sichuan earthquake to embark on a journey searching for hope, purpose, identity, and to rebuild their lives in a new China torn between tradition and modernity. North American Premiere
Fire in the Blood/ India (Director: Dylan Mohan Gray) — In the late 1990s and early 2000s, Western governments and pharmaceutical companies blocked low-cost antiretroviral drugs from reaching AIDS-stricken Africa, causing 10 million or more unnecessary deaths. An improbable group of people decided to fight back. North American Premiere
Google and the World Brain/ Spain, United Kingdom (Director: Ben Lewis) — In the most ambitious Internet project ever conceived, Google is working to scan every book in the world. Google says it is building a library for mankind. But some are trying to stop it, claiming that Google may have other intentions. World Premiere
The Machine Which Makes Everything Disappear/ Georgia, Germany (Director: Tinatin Gurchiani) — A film director casting a 15-23-year-old protagonist visits villages and cities to meet people who answer her call. She follows those who prove to be interesting enough through various dramatic and funny situations. North American Premiere
The Moo Man/ United Kingdom (Directors: Andy Heathcote, Heike Bachelier) — A year in the life of heroic farmer Steve, scene stealing Ida (queen of the herd), and a supporting cast of 55 cows. When Ida falls ill, Steve’s optimism is challenged and their whole way of life is at stake. World Premiere
Pussy Riot – A Punk Prayer/ Russian Federation, United Kingdom (Directors: Mike Lerner, Maxim Pozdorovkin) — Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial: the three young artists or the society they live in? World Premiere
A River Changes Course/ Cambodia, U.S.A. (Director: Kalyanee Mam) — Three young Cambodians struggle to overcome the crushing effects of deforestation, overfishing, and overwhelming debt in this devastatingly beautiful story of a country reeling from the tragedies of war and rushing to keep pace with a rapidly expanding world. World Premiere
Salma/ United Kingdom, India (Director: Kim Longinotto) — When Salma, a young girl in South India, reached puberty, her parents locked her away. Millions of girls all over the world share the same fate. Twenty-five years later, Salma has fought her way back to the outside world. World Premiere
The Square (Al Midan)/ Egypt, U.S.A. (Director: Jehane Noujaim) — What does it mean to risk your life for your ideals? How far will five revolutionaries go in defending their beliefs in the fight for their nation? World Premiere
The Stuart Hall Project/ United Kingdom (Director: John Akomfrah) — Antinuclear campaigner, New Left activist and founding father of Cultural Studies, this documentary interweaves 70 years of Stuart Hall’s film, radio and television appearances, and material from his private archive to document a memorable life and construct a portrait of Britain’s foremost radical intellectual. World Premiere
The Summit/ Ireland, United Kingdom (Director: Nick Ryan) — Twenty-four climbers converged at the last stop before summiting the most dangerous mountain on Earth. Forty-eight hours later, 11 had been killed or simply vanished. Had one, Ger McDonnell, stuck to the climbers' code, he might still be alive. International Premiere
Who is Dayani Cristal?/ United Kingdom (Director: Marc Silver) — An anonymous body in the Arizona desert sparks the beginning of a real-life human drama. The search for its identity leads us across a continent to seek out the people left behind and the meaning of a mysterious tattoo. World Premiere. Day One Film
Producer’s Guild Announces Nominations for the Award for Outstanding Producer of Documentary Theatrical Motion Pictures and Non-Fiction Television:
A People Uncounted(Urbinder Films)
Producers: Marc Swenker, Aaron Yeger
The Gatekeepers(Sony Pictures Classics)
Producers: Estelle Fialon, Philippa Kowarsky, Dror Moreh
The Island President(Samuel Goldwyn Films)
Producers: Richard Berge, Bonni Cohen
The Other Dream Team(The Film Arcade)
Producers: Marius Markevicius, Jon Weinbach
Searching For Sugar Man(Sony Pictures Classics)
Producers: Malik Bendjelloul, Simon Chinn
Nominations for the Award for Outstanding Producer of
Non-Fiction Television:
American Masters(PBS)
Producers: Prudence Glass, Susan Lacy, Julie Sacks
Anthony Bourdain: No Reservations(Travel Channel)
Producers: Anthony Bourdain, Christopher Collins, Lydia Tenaglia, Sandy Zweig
Deadliest Catch(Discovery Channel)
Producers: Thom Beers, Jeff Conroy, Sean Dash, John Gray, Sheila McCormack, Bill Pruitt, Decker Watson
Inside the Actors Studio(Bravo)
Producers: James Lipton, Shawn Tesser, Jeff Wurtz
Shark Tank(ABC)
Producers: Rhett Bachner, Becky Blitz, Mark Burnett, Bill Gaudsmith, Yun Lingner, Brien Meagher, Clay Newbill, Jim Roush, Laura Skowlund, Paul Sutera, Patrick Wood
BAFTA Short and Documentary Feature Nominations (British Academy of Film and Television Arts, London)
Documentary Feature
The ImposterBart Layton, Dimitri Doganis
Marley Kevin Macdonald, Steve Bing, Charles Steel
McCullin David Morris, Jacqui Morris
Searching for Sugar Man Malik Bendjelloul, Simon Chinn
West of Memphis Amy Berg
Short Animation
Here to Fall Kris Kelly, Evelyn McGrath
I’m Fine Thanks Eamonn O'Neill
The Making of Longbird Will Anderson, Ainslie Henderson
Short Film
The Curse Fyzal Boulifa, Gavin Humphries
Good Night Muriel d'Ansembourg, Eva Sigurdardottir
Swimmer Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw
Tumult Johnny Barrington, Rhianna Andrews
The Voorman Problem Mark Gill, Baldwin Li
The Broadcast Film Critics Association (Bfca)
Documentary Feature Nominations
Bully
The Imposter
Queen of Versailles
Searching for Sugar Man (Winner)
The Central Park Five
West of Memphis
________________________________________________________________________
Credits: Editing by Jessica Just for SydneysBuzz
________________________________________________________________________
Block Doc Workshops in Los Angeles February 2013 Ida Doc U
The International Documentary Association will be hosting Documentary Funding and Documentary Tune-Up Workshops with Block on February 9/10. http://www.documentary.org/news/february-documentary-producing-workshops-mitchell-block
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2013Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
- 1/17/2013
- by Mitchell Block
- Sydney's Buzz
After a couple months of various organizations and associations sharing their favorites of the year, (look for our own Jeff Bayer at the Critics’ Choice Movie Awards tonight), the big kahuna has spoken – Oscar nominations are in.
Here are the nominees for the 85th annual Academy Awards, with the ceremony taking place on February 24, which will be hosted by Seth MacFarlane.
Best Picture
Nominees:
Amour (2012): To Be Determined
Argo (2012): Grant Heslov, Ben Affleck, George Clooney
Beasts of the Southern Wild (2012): Dan Janvey, Josh Penn, Michael Gottwald
Django Unchained (2012): Stacey Sher, Reginald Hudlin, Pilar Savone
Les Misérables (2012): Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh
Life of Pi (2012): Gil Netter, Ang Lee, David Womark
Lincoln (2012): Steven Spielberg, Kathleen Kennedy
Silver Linings Playbook (2012): Donna Gigliotti, Bruce Cohen, Jonathan Gordon
Zero Dark Thirty (2012): Mark Boal, Kathryn Bigelow, Megan Ellison
Best Performance by an Actor...
Here are the nominees for the 85th annual Academy Awards, with the ceremony taking place on February 24, which will be hosted by Seth MacFarlane.
Best Picture
Nominees:
Amour (2012): To Be Determined
Argo (2012): Grant Heslov, Ben Affleck, George Clooney
Beasts of the Southern Wild (2012): Dan Janvey, Josh Penn, Michael Gottwald
Django Unchained (2012): Stacey Sher, Reginald Hudlin, Pilar Savone
Les Misérables (2012): Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh
Life of Pi (2012): Gil Netter, Ang Lee, David Womark
Lincoln (2012): Steven Spielberg, Kathleen Kennedy
Silver Linings Playbook (2012): Donna Gigliotti, Bruce Cohen, Jonathan Gordon
Zero Dark Thirty (2012): Mark Boal, Kathryn Bigelow, Megan Ellison
Best Performance by an Actor...
- 1/10/2013
- by Nick Allen
- The Scorecard Review
Palme d’Or winner Amour & Sundance sensation Beasts Of The Southern Wild are in. Venice & Tiff shown The Master is out. Lincoln (12 noms) and Life Of Pi (11 noms) were tops in number of noms gathered across the board while Silver Linings Playbook will own the red carpet as well with noms in all four acting categories, editing, screenwriting, directing and Best Picture.
In the Best Picture category (this year’s total is nine out of ten), Amour and Beasts Of The Southern Wild are generally considered as the “nice surprise” nominations (these extends itself the Best Director category as well where Haneke and Zeitlin received nods), while Paul Thomas Anderson’s The Master is mysteriously snubbed from the batch. Was it too avant-garde or did it simply peak too early? Regardless, the Weinsteins have two horses for the final race with Slp and Django Unchained.
Best Actor category it looks...
In the Best Picture category (this year’s total is nine out of ten), Amour and Beasts Of The Southern Wild are generally considered as the “nice surprise” nominations (these extends itself the Best Director category as well where Haneke and Zeitlin received nods), while Paul Thomas Anderson’s The Master is mysteriously snubbed from the batch. Was it too avant-garde or did it simply peak too early? Regardless, the Weinsteins have two horses for the final race with Slp and Django Unchained.
Best Actor category it looks...
- 1/10/2013
- by Eric Lavallee
- IONCINEMA.com
Thanks to Seth MacFarlane and Emma Stone, we finally have the full list of nominations for the 85th Academy Awards! Guess that now is the perfect moment for us to say – surprise, surprise: Steven Spielberg’s Lincoln leads with 12 nominations and Ang Lee’s Life of Pi has 11. But let’s be honest, that’s not the surprise-part of the story. Check out the rest of this report, and take a good look at Best Director category. You will find Ben Affleck and Kathryn Bigelow right there: Not!
Performance By An Actor In A Leading Role: Bradley Cooper in Silver Linings Playbook Daniel Day-Lewis in Lincoln Hugh Jackman in Les Misérables Joaquin Phoenix in The Master Denzel Washington in Flight Performance By An Actor In A Supporting Role: Alan Arkin in Argo Robert De Niro in Silver Linings Playbook Philip Seymour Hoffman in The Master Tommy Lee Jones in Lincoln...
Performance By An Actor In A Leading Role: Bradley Cooper in Silver Linings Playbook Daniel Day-Lewis in Lincoln Hugh Jackman in Les Misérables Joaquin Phoenix in The Master Denzel Washington in Flight Performance By An Actor In A Supporting Role: Alan Arkin in Argo Robert De Niro in Silver Linings Playbook Philip Seymour Hoffman in The Master Tommy Lee Jones in Lincoln...
- 1/10/2013
- by Jeanne Standal
- Filmofilia
And the moment we, avid movie buffs, have been waiting for -- the 85th Annual Academy Awards nominations! Two things stuck in my mind as Seth MacFarlane and Emma Stone were reading the nominees this morning; First, I was very happy that Michael Haneke's "Amour" received love from the Academy including Best Picture, Original Screenplay, Actress (Emmanuelle Riva), and Director. Second, hurray for Quvenzhané Wallis, the memorable child actress from "Beasts of the Southern Wild" received her first Best Actress Oscar nomination. She was considered a non-professional actor and was snubbed by the Screen Actors Guild, so yay for the Academy.
Speaking of "Beasts of the Southern Wild," the film received kudos for Best Picture, Adapted Screenplay (Lucy Alibar, Benh Zeitlin), and Director for Zeitlin.
What I'm bummed about? Ben Affleck was ignored! His fantastic film, "Argo," received kudos for Best Picture and Adapted Screenplay for Chris Terrio, yet,...
Speaking of "Beasts of the Southern Wild," the film received kudos for Best Picture, Adapted Screenplay (Lucy Alibar, Benh Zeitlin), and Director for Zeitlin.
What I'm bummed about? Ben Affleck was ignored! His fantastic film, "Argo," received kudos for Best Picture and Adapted Screenplay for Chris Terrio, yet,...
- 1/10/2013
- by Manny
- Manny the Movie Guy
News Ryan Lambie Jan 10, 2013
The nominations are in for the 2013 Oscars. Feast your eyes on the list within...
The nominations for the 85th Academy Awards have been announced, and especially for the occasion, we've rolled out the red carpet (well, hoovered the office) put on our finest tuxedos (well, dressing gowns) and opened a bottle of expensive bubbly (Tizer).
As ever, there are few true surprises among the various nominees. Take a look at who'll be up for a golden statue, and feel free to leave your messages of apoplectic fury in the comments section. We'll forward them on to Emma Stone and Seth MacFarlane later.
Best Picture
Beasts Of The Southern Wild
Silver Linings Playbook
Zero Dark Thirty
Lincoln
Les Miserables
Life Of Pi
Amour
Django Unchained
Argo
Best Actor
Daniel Day Lewis - Lincoln
Denzel Washington - Flight
Hugh Jackman - Les Miserables
Bradley Cooper - Silver Linings Playbook...
The nominations are in for the 2013 Oscars. Feast your eyes on the list within...
The nominations for the 85th Academy Awards have been announced, and especially for the occasion, we've rolled out the red carpet (well, hoovered the office) put on our finest tuxedos (well, dressing gowns) and opened a bottle of expensive bubbly (Tizer).
As ever, there are few true surprises among the various nominees. Take a look at who'll be up for a golden statue, and feel free to leave your messages of apoplectic fury in the comments section. We'll forward them on to Emma Stone and Seth MacFarlane later.
Best Picture
Beasts Of The Southern Wild
Silver Linings Playbook
Zero Dark Thirty
Lincoln
Les Miserables
Life Of Pi
Amour
Django Unchained
Argo
Best Actor
Daniel Day Lewis - Lincoln
Denzel Washington - Flight
Hugh Jackman - Les Miserables
Bradley Cooper - Silver Linings Playbook...
- 1/10/2013
- by ryanlambie
- Den of Geek
After months of nail-biting speculation, and some voting hiccups, the 2013 Oscar nominees are here! While the categories were filled with expected nominees, including "Lincoln," "Zero Dark Thirty" and "Les Miserables" for Best Picture, this year's list features plenty of surprises, too -- namely, "Beasts of the Southern Wild." The indie film, which premiered at last year's Sundance Film Festival, racked up a Best Picture slot, along with a Best Director nomination for Behn Zeitlin and a Best Actress nod for nine-year-old Quvenzhané Wallis, the youngest actress to ever receive a nomination. (On the opposite end of the spectrum, Emmanuelle Riva, 85, became the oldest Best Actress Oscar nominee, with a nod for "Amour.") Other surprises included no Best Director nods for Kathryn Bigelow ("Zero Dark Thirty") or Ben Affleck ("Argo"), as well as a Best Supporting Actress nomination for Jacki Weaver ("Silver Linings Playbook"). Elsewhere, Daniel Day-Lewis received his fifth Academy Award nomination,...
- 1/7/2013
- by Jessie Heyman
- Moviefone
Vol. I Issue 4
Join us twice weekly. Send us links to your sizzle reels and film sites.
Mea Maxima Culpa: Silence in the House of God
Directed by Alex Gibney
In Mea Maxima Culpa: Silence in the House of God, Oscar®-winning filmmaker Alex Gibney examines the abuse of power in the Catholic Church through the story of four courageous deaf men who, in the first known case of public protest, set out to expose the priest who abused them. The film follows a cover-up that winds its way from the row houses of Milwaukee, Wisconsin, through the bare ruined choirs of Ireland's churches, all the way to the highest office of the Vatican.
Like Woodward and Bernstein covering the story of Watergate, Gibney uses the keyhole of the first known protest against clerical sexual abuse in the Us to show that the Pope knew (or should have known) that there is wide spread child abuse within the ranks of Catholic priests, not just in the U.S. but worldwide. Not exactly a pretty picture. This powerful, beautifully crafted film builds a case that screams out for reform of an institution that, like our military, is run by men with little or no outside supervision. One feels that like Nixon after the proven Watergate charges, the Pope should resign along with others who have allowed this outrageous behavior and its cover up to be so institutionalized.
Gibney’s films have a logical clarity that reinforces their intelligence. Smart, clear and wrenchingly powerful they explore institutions and the people who are part of them. From governors to prison guards he shows little patience for lies and incompetence. The chain he establishes in Maxima Culpa links the victims to the priests to their supervisors and on to Rome to the office formally run by the man who is now the Pope. What can you say? They knew, they had to know, the links are compelling. Why would this institution shelter these men (and women) who were abusing children and in some cases adults? Who would tolerate this behavior? Why would the Church tolerate this behavior? Yet the cover up continues.
In a year of films dealing with institutions, such as government officials slowly trying to find a cure for HIV/AIDS, or the military dealing with women being abused, or the Israel army ignoring the rights of the provocative Palestinians or even government failures to act on global warming, this is the best and it should be one of the nominees.
The Filmmaker
Alex Gibney is the founder of Jigsaw Productions. An Oscar, Emmy, and Grammy Award-winning producer, he is well known for producing one of the highest grossing documentaries of all time, Enron: The Smartest Guys in the Room.
His work as a writer and director includes the recent hit Client 9: The Rise and Fall of Eliot Spitzer, as well as the 2006 Oscar-nominated Enron: The Smartest Guys in the Room and the 2008 Oscar-winning Taxi to the Dark Side. Alex attended the film program at UCLA.
Credits:
Director/Producer/Writer: Alex Gibney
Producers:Trevor Birney, Alexandra Johnes, Ruth O’Reilly, Kristen Vaurio, Jedd Wider, Todd Widler
Executive Producers: Jessica Kingdon, Sheila Nevins, Lori Singer
Writer: Mark Monroe
Cinematography: Lisa Rinzler
Original Music Composer: Ivor Guest
Editor: Sloane Klevin
Production Companies: Jigsaw Productions, Wilder Film Projects, Union Editorial
Distribution: Content Media, HBO Documentary Films, HBO
Paperman a short animated film by John Kahrs
Paperman is an original seven-minute-long short animated film produced by Disney Animation.
It tells the story of a lonely young man in mid-century New York City, whose destiny takes an unexpected turn after a chance meeting with a beautiful woman on his morning commute. Convinced the girl of his dreams is gone forever, he gets a second chance when he spots her in a skyscraper window across the avenue from his office. With only his heart, imagination and a stack of papers to get her attention, his efforts are no match for what the fates have in store for him.
Director John Kahrs was the animation supervisor on Tangled, an animator on Bolt and Ratatouille, and worked on Pixar’s The Incredibles, Mike’s New Car, Monsters, Inc., Toy Story 2 and A Bug’s Life. Kahrs now gets his break as a director at Disney. 14 years of work in the animation department at Pixar, that’s paying dues! Now, I understand why this “Disney” animation film looks and feels like a “Pixar” film. It’s brilliant, polished, and elegant and, like the Simpson short, silent. Expressive muted black and white images with a slight color tint in this perfect short film dramatizes love at first sight. Tasteful, romantic and above all beautifully executed, I look forward to Kahrs’ feature film debut. A little Pixar goes a long way and this work is expressive of adult feelings that any child could enjoy. No need to dumb the story down, it works for audiences of all ages. A perfect 10.
Original music by Christophe Beck (who has 105 scoring credits) this work is produced by Kristina Reed (from Disney) and Executive Produced by Pixar’s John Lasseter. Written by Clio Chiang and Kendrelle Hoyer, it shows that “less” can be plenty. Short films don’t get better than this!
Credits:
Directed by: John Kahrs
Produced by: Kristina Reed
Executive Producer: John Lasseter
Art Direction: Jeff Tuley
Written by: Chio Chiang and Kendelle Hoyer
Music by: Christophe Beck
Film Editing: Lisa Linder
Produced by: Walt Disney Animation
Distributed by: Walt Disney Studios Motion Pictures
Running time: 7:00
Short Notes and Update:
The Invisible War is on the New York Times' and Christian Science Monitor's and Newsweek's 10 Best Films of 2012. The Gate Keepers is on the Wall Street Journal’s 10 Best Films of 2012.
Academy announces 10 animated films shortlisted for the Animation Short Film Nomination
The Short Films and Feature Animation Branch Reviewing Committee viewed all 57 eligible entries for the preliminary round of voting at screenings held in New York and Los Angeles. I’ve seen all of the films and this is one of the strongest group shortlisted in years, from the elegant Pixar/Disney film Paperman to the wildly funny Simpsons’ Daycare. These films are a treat for the eyes and mind. Stunning, moving, original, powerful and frankly amazing they will both amuse and entertain and each of the 10 films is special. The styles range from traditional animation to computer designed. A number of students made it with entries which are testimony to their vigorous programs and their talent. This is a year where handicapping is impossible.
At screenings of the short listed films, Short Films and Feature Animation Branch members have selected three to five nominees from among these 10 titles for its nominations.
The 85th Academy Awards nominations will be announced live on Thursday, January 10, 2013, at 5:30 a.m. Pst in the Academy's Samuel Goldwyn Theater.
Adam and Dog, Minkyu Lee, director (Lodge Films)
Web Link: https://vimeo.com/34849443
Length: 16 min.
Language: none
Country: USA
Combustible,Katsuhiro Otomo, director (Sunrise Inc.)
Web Link: None available
Length: 13 min.
Language: none
Country: Japan
Dripped, Léo Verrier, director (ChezEddy)
Web Link: http://www.youtube.com/watch?v=Wk9keXSBbhY
Length: 8 min.
Language: none
Country: France
The Eagleman Stag, Mikey Please, director, and Benedict Please, music scores and sound design (Royal College of Art)
Web Link: https://vimeo.com/mikeyplease/eaglemanstag
Length: 9 min.
Language: none
Country: England
The Fall of the House of Usher, Raul Garcia, director, and Stephan Roelants, producer (Melusine Productions, R&R Communications Inc., Les Armateurs, The Big Farm)
Web Link: http://youtu.be/5So_E6yPW40
Length: 17 min.
Language: none
Country: USA
Fresh Guacamole, Pes, director (Pes)
Web Link: https://www.youtube.com/watch?v=FQMO6vjmkyI
Length: 2 min.
Language: none
Country: USA
Head over Heels, Timothy Reckart, director, and Fodhla Cronin O’Reilly, producer (National Film and Television School)
Web Link: https://vimeo.com/timr/headoverheels
Length: 10 min.
Language: none
Country: England
Maggie Simpson in The Longest Daycare, David Silverman, director (Gracie Films)
Web Link: http://youtu.be/gV-NRwLV2qU
Length: 5 min.
Language: none
Country: USA
Paperman, John Kahrs, director (Disney Animation Studios)
Web Link: https://www.youtube.com/watch?v=jsoiEpuvTeQ
*note this about the technology in this film, but not a true trailer
Length: 7 min.
Language: none
Country: USA
Tram, Michaela Pavlátová, director, and Ron Dyens, producer (Sacrebleu Productions)
Web Link: http://youtu.be/a_QT-JaDswY
Length: 7 min.
Language: none
Country: French
______________________________________________________________________
Errata
Volume 1 Issue 3 In Chasing Ice the film was edited by Davis Coombe (and not Mark Monroe); Distributor (Us) Submarine Deluxe (not National Geographic).
______________________________________________________________________________
Block Doc Workshops in Los Angeles
The International Documentary Association will be hosting Documentary Funding and Documentary Tune Up Workshops with Block on February 9/10. http://www.eventbrite.com/org/169037034
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2012Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
Join us twice weekly. Send us links to your sizzle reels and film sites.
Mea Maxima Culpa: Silence in the House of God
Directed by Alex Gibney
In Mea Maxima Culpa: Silence in the House of God, Oscar®-winning filmmaker Alex Gibney examines the abuse of power in the Catholic Church through the story of four courageous deaf men who, in the first known case of public protest, set out to expose the priest who abused them. The film follows a cover-up that winds its way from the row houses of Milwaukee, Wisconsin, through the bare ruined choirs of Ireland's churches, all the way to the highest office of the Vatican.
Like Woodward and Bernstein covering the story of Watergate, Gibney uses the keyhole of the first known protest against clerical sexual abuse in the Us to show that the Pope knew (or should have known) that there is wide spread child abuse within the ranks of Catholic priests, not just in the U.S. but worldwide. Not exactly a pretty picture. This powerful, beautifully crafted film builds a case that screams out for reform of an institution that, like our military, is run by men with little or no outside supervision. One feels that like Nixon after the proven Watergate charges, the Pope should resign along with others who have allowed this outrageous behavior and its cover up to be so institutionalized.
Gibney’s films have a logical clarity that reinforces their intelligence. Smart, clear and wrenchingly powerful they explore institutions and the people who are part of them. From governors to prison guards he shows little patience for lies and incompetence. The chain he establishes in Maxima Culpa links the victims to the priests to their supervisors and on to Rome to the office formally run by the man who is now the Pope. What can you say? They knew, they had to know, the links are compelling. Why would this institution shelter these men (and women) who were abusing children and in some cases adults? Who would tolerate this behavior? Why would the Church tolerate this behavior? Yet the cover up continues.
In a year of films dealing with institutions, such as government officials slowly trying to find a cure for HIV/AIDS, or the military dealing with women being abused, or the Israel army ignoring the rights of the provocative Palestinians or even government failures to act on global warming, this is the best and it should be one of the nominees.
The Filmmaker
Alex Gibney is the founder of Jigsaw Productions. An Oscar, Emmy, and Grammy Award-winning producer, he is well known for producing one of the highest grossing documentaries of all time, Enron: The Smartest Guys in the Room.
His work as a writer and director includes the recent hit Client 9: The Rise and Fall of Eliot Spitzer, as well as the 2006 Oscar-nominated Enron: The Smartest Guys in the Room and the 2008 Oscar-winning Taxi to the Dark Side. Alex attended the film program at UCLA.
Credits:
Director/Producer/Writer: Alex Gibney
Producers:Trevor Birney, Alexandra Johnes, Ruth O’Reilly, Kristen Vaurio, Jedd Wider, Todd Widler
Executive Producers: Jessica Kingdon, Sheila Nevins, Lori Singer
Writer: Mark Monroe
Cinematography: Lisa Rinzler
Original Music Composer: Ivor Guest
Editor: Sloane Klevin
Production Companies: Jigsaw Productions, Wilder Film Projects, Union Editorial
Distribution: Content Media, HBO Documentary Films, HBO
Paperman a short animated film by John Kahrs
Paperman is an original seven-minute-long short animated film produced by Disney Animation.
It tells the story of a lonely young man in mid-century New York City, whose destiny takes an unexpected turn after a chance meeting with a beautiful woman on his morning commute. Convinced the girl of his dreams is gone forever, he gets a second chance when he spots her in a skyscraper window across the avenue from his office. With only his heart, imagination and a stack of papers to get her attention, his efforts are no match for what the fates have in store for him.
Director John Kahrs was the animation supervisor on Tangled, an animator on Bolt and Ratatouille, and worked on Pixar’s The Incredibles, Mike’s New Car, Monsters, Inc., Toy Story 2 and A Bug’s Life. Kahrs now gets his break as a director at Disney. 14 years of work in the animation department at Pixar, that’s paying dues! Now, I understand why this “Disney” animation film looks and feels like a “Pixar” film. It’s brilliant, polished, and elegant and, like the Simpson short, silent. Expressive muted black and white images with a slight color tint in this perfect short film dramatizes love at first sight. Tasteful, romantic and above all beautifully executed, I look forward to Kahrs’ feature film debut. A little Pixar goes a long way and this work is expressive of adult feelings that any child could enjoy. No need to dumb the story down, it works for audiences of all ages. A perfect 10.
Original music by Christophe Beck (who has 105 scoring credits) this work is produced by Kristina Reed (from Disney) and Executive Produced by Pixar’s John Lasseter. Written by Clio Chiang and Kendrelle Hoyer, it shows that “less” can be plenty. Short films don’t get better than this!
Credits:
Directed by: John Kahrs
Produced by: Kristina Reed
Executive Producer: John Lasseter
Art Direction: Jeff Tuley
Written by: Chio Chiang and Kendelle Hoyer
Music by: Christophe Beck
Film Editing: Lisa Linder
Produced by: Walt Disney Animation
Distributed by: Walt Disney Studios Motion Pictures
Running time: 7:00
Short Notes and Update:
The Invisible War is on the New York Times' and Christian Science Monitor's and Newsweek's 10 Best Films of 2012. The Gate Keepers is on the Wall Street Journal’s 10 Best Films of 2012.
Academy announces 10 animated films shortlisted for the Animation Short Film Nomination
The Short Films and Feature Animation Branch Reviewing Committee viewed all 57 eligible entries for the preliminary round of voting at screenings held in New York and Los Angeles. I’ve seen all of the films and this is one of the strongest group shortlisted in years, from the elegant Pixar/Disney film Paperman to the wildly funny Simpsons’ Daycare. These films are a treat for the eyes and mind. Stunning, moving, original, powerful and frankly amazing they will both amuse and entertain and each of the 10 films is special. The styles range from traditional animation to computer designed. A number of students made it with entries which are testimony to their vigorous programs and their talent. This is a year where handicapping is impossible.
At screenings of the short listed films, Short Films and Feature Animation Branch members have selected three to five nominees from among these 10 titles for its nominations.
The 85th Academy Awards nominations will be announced live on Thursday, January 10, 2013, at 5:30 a.m. Pst in the Academy's Samuel Goldwyn Theater.
Adam and Dog, Minkyu Lee, director (Lodge Films)
Web Link: https://vimeo.com/34849443
Length: 16 min.
Language: none
Country: USA
Combustible,Katsuhiro Otomo, director (Sunrise Inc.)
Web Link: None available
Length: 13 min.
Language: none
Country: Japan
Dripped, Léo Verrier, director (ChezEddy)
Web Link: http://www.youtube.com/watch?v=Wk9keXSBbhY
Length: 8 min.
Language: none
Country: France
The Eagleman Stag, Mikey Please, director, and Benedict Please, music scores and sound design (Royal College of Art)
Web Link: https://vimeo.com/mikeyplease/eaglemanstag
Length: 9 min.
Language: none
Country: England
The Fall of the House of Usher, Raul Garcia, director, and Stephan Roelants, producer (Melusine Productions, R&R Communications Inc., Les Armateurs, The Big Farm)
Web Link: http://youtu.be/5So_E6yPW40
Length: 17 min.
Language: none
Country: USA
Fresh Guacamole, Pes, director (Pes)
Web Link: https://www.youtube.com/watch?v=FQMO6vjmkyI
Length: 2 min.
Language: none
Country: USA
Head over Heels, Timothy Reckart, director, and Fodhla Cronin O’Reilly, producer (National Film and Television School)
Web Link: https://vimeo.com/timr/headoverheels
Length: 10 min.
Language: none
Country: England
Maggie Simpson in The Longest Daycare, David Silverman, director (Gracie Films)
Web Link: http://youtu.be/gV-NRwLV2qU
Length: 5 min.
Language: none
Country: USA
Paperman, John Kahrs, director (Disney Animation Studios)
Web Link: https://www.youtube.com/watch?v=jsoiEpuvTeQ
*note this about the technology in this film, but not a true trailer
Length: 7 min.
Language: none
Country: USA
Tram, Michaela Pavlátová, director, and Ron Dyens, producer (Sacrebleu Productions)
Web Link: http://youtu.be/a_QT-JaDswY
Length: 7 min.
Language: none
Country: French
______________________________________________________________________
Errata
Volume 1 Issue 3 In Chasing Ice the film was edited by Davis Coombe (and not Mark Monroe); Distributor (Us) Submarine Deluxe (not National Geographic).
______________________________________________________________________________
Block Doc Workshops in Los Angeles
The International Documentary Association will be hosting Documentary Funding and Documentary Tune Up Workshops with Block on February 9/10. http://www.eventbrite.com/org/169037034
Mitchell Block specializes in conceiving, producing, marketing & distributing independent features & consulting. He is an expert in placing both completed works into distribution & working with producers to make projects fundable. He conducts regular workshops in film producing in Los Angeles and most recently in Maine, Russia and in Myanmar (Burma).
Poster Girl, produced by Block was nominated for a Documentary Academy Award and selected by the Ida as the Best Doc Short 2011. It was also nominated for two Emmy Awards and aired on HBO. He is an executive producer of the Emmy Award-winning PBS series Carrier, a 10-hour series that he conceived & co-created. Block is a graduate of Tisch School and Columbia University’s Graduate School of Business. He is a member of Academy of Motion Picture Arts & Sciences, the Television Academy, a founding member of BAFTA-la and has been teaching at USC School of Cinematic Arts since 1979. Currently Block teaches a required class in the USC Peter Stark Producing Program.
______________________________________________________________________
©2012Mwb All Rights Reserved All Rights Reserved. All information and designs on the Sites are copyrighted material owned by Block. Reproduction, dissemination, or transmission of any part of the material here without the express written consent of the owner is strictly prohibited.All other product names and marks on Block Direct, whether trademarks, service marks, or other type, and whether registered or unregistered, is the property of Block.
- 1/3/2013
- by Mitchell Block
- Sydney's Buzz
Disney withdrew from the International Animated Film Society, Asifa-Hollywood back in 2010 and even before then it was hard to put much stock in the Annie Awards. Now it's just sort of a blip on the overall award season radar that manages headlines twice a year, once for their nominees and again for their winners, which this year will be announced on Saturday, February 2, 2013. That said, the org announced their 2013 nominees this morning and their Best Feature Film list was made up of eight nominees (a large list considering the lack of quality animated films I've seen this year) including Brave, Frankenweenie, Hotel Transylvania, ParaNorman, Rise of the Guardians, The Pirates! Band of Misfits, The Rabbi's Cat and Wreck-It Ralph. It is nice not to see something like The Lorax among that list, but I still think this was a year in which the field could have easily been limited to five nominees.
- 12/3/2012
- by Brad Brevet
- Rope of Silicon
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.