On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: It’s January! Go Gut Yourself
Greetings and welcome to this, The Month That Sucks.
It’s a shame so many of us turn the start of a new year into an excuse to eviscerate our sense of selves and assume so-called “goals” as our burdensome, boring hobbies first thing post-holiday. And yet, countless self-flagellators like myself buy into the idea of annual resolutions. In an effort to evolve and achieve, be it through a Dry January or some broader personal mission pursued throughout the year, we choose to be...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: It’s January! Go Gut Yourself
Greetings and welcome to this, The Month That Sucks.
It’s a shame so many of us turn the start of a new year into an excuse to eviscerate our sense of selves and assume so-called “goals” as our burdensome, boring hobbies first thing post-holiday. And yet, countless self-flagellators like myself buy into the idea of annual resolutions. In an effort to evolve and achieve, be it through a Dry January or some broader personal mission pursued throughout the year, we choose to be...
- 1/6/2024
- by Alison Foreman and Christian Zilko
- Indiewire
The Venice Gap-Financing Market (September 1-3), part of the Venice Production Bridge, will present 34 fiction and documentary projects.
The Venice Gap-Financing Market (September 1-3), part of the Venice Production Bridge, will present 34 fiction and documentary projects at the 80th Venice International Film Festival (August 30-Septmber 9), including a new project from Palestinian director Annemarie Jacir, All Before You.
All Before You offers a retelling of the 1963 farner-led revolt against British colonial rule in Palestine. Jacir’s previous director credits include The Oblivion Theory, which won the top prize at the Berlinale co-production market in 2021, Salt Of This Sea, Wajib and When I Saw You,...
The Venice Gap-Financing Market (September 1-3), part of the Venice Production Bridge, will present 34 fiction and documentary projects at the 80th Venice International Film Festival (August 30-Septmber 9), including a new project from Palestinian director Annemarie Jacir, All Before You.
All Before You offers a retelling of the 1963 farner-led revolt against British colonial rule in Palestine. Jacir’s previous director credits include The Oblivion Theory, which won the top prize at the Berlinale co-production market in 2021, Salt Of This Sea, Wajib and When I Saw You,...
- 7/3/2023
- by Mona Tabbara
- ScreenDaily
The 10th edition of the Venice Gap-Financing Market, organized as part of the Venice Film Festival’s industry program Venice Production Bridge, has selected 62 projects in the final stages of development and funding.
Filmmakers taking projects to Venice include Jim Sheridan, an Oscar nominee with “In America,” “In the Name of the Father” and “My Left Foot”; Annemarie Jacir, whose credits include Cannes’ “Salt of This Sea,” Berlin’s “When I Saw You” and Locarno’s “Wajib”; Aisling Walsh, who directed “Maudie” with Sally Hawkins and Ethan Hawke, and “Elizabeth Is Missing” with Glenda Jackson; and Kim Mordaunt, who won best debut at Berlin with “The Rocket.”
Also selected are Roberto Minervini, who directed Cannes’ “The Other Side” and Venice’s “What You Gonna Do When the World’s on Fire?”; Laurynas Bareisa, who won the Venice Horizons Award for “Pilgrims”; Måns Månsson, who was in Berlin competition with “The Real Estate”; György Pálfi,...
Filmmakers taking projects to Venice include Jim Sheridan, an Oscar nominee with “In America,” “In the Name of the Father” and “My Left Foot”; Annemarie Jacir, whose credits include Cannes’ “Salt of This Sea,” Berlin’s “When I Saw You” and Locarno’s “Wajib”; Aisling Walsh, who directed “Maudie” with Sally Hawkins and Ethan Hawke, and “Elizabeth Is Missing” with Glenda Jackson; and Kim Mordaunt, who won best debut at Berlin with “The Rocket.”
Also selected are Roberto Minervini, who directed Cannes’ “The Other Side” and Venice’s “What You Gonna Do When the World’s on Fire?”; Laurynas Bareisa, who won the Venice Horizons Award for “Pilgrims”; Måns Månsson, who was in Berlin competition with “The Real Estate”; György Pálfi,...
- 7/3/2023
- by Leo Barraclough
- Variety Film + TV
Palestinian filmmaker Annemarie Jacir, Canadian filmmaker Geneviève Dulude-De Celles, Brazilian filmmaker Ricardo Alves Jr., veteran Hungarian filmmaker György Palfi and Italian filmmaker Roberto Minervini are five filmmakers among the 62 projects selected for the 2023 edition of the Venice Gap-Financing Market (September 1st to the 3rd).
The filmmaker behind Wajib in Annemarie Jacir (who also has the book to screen project The Oblivion Theory in the works), will present All Before You at the market. Docu-fiction blending helmer Roberto Minervini (who is among the producers on Payal Kapadia’s All We Imagine as Light) is going full fiction with The Damned.…...
The filmmaker behind Wajib in Annemarie Jacir (who also has the book to screen project The Oblivion Theory in the works), will present All Before You at the market. Docu-fiction blending helmer Roberto Minervini (who is among the producers on Payal Kapadia’s All We Imagine as Light) is going full fiction with The Damned.…...
- 7/3/2023
- by Eric Lavallée
- IONCINEMA.com
New Feature projects by Palestinian director Annemarie Jacir, Ireland’s Aisling Walsh and Jim Sheridan as well as Romanian filmmaker Anca Damian have been selected for the upcoming edition of the Venice Gap-Financing Market.
The 10th edition of the co-financing meeting will run from Sept. 1 to 3 as part as of the Venice Production Bridge, which is the industry component of the Venice Film Festival (Aug 30 to Sept. 9)
The market will present 62 projects in the final stages of development and funding, selected from 280 submissions.
The selection spans 34 feature-length fiction Film and documentary projects, 14 Immersive projects, 11 Biennale College Cinema – Virtual Reality projects and three Biennale College Cinema projects.
To be eligible for inclusion, the fiction films must have at least 70% of funding in place and be looking for minority partners only.
Full List of Feature Film Projects:
After The Evil (doc) by Tamara Erde, Gloria Films Production All Before You (fiction), by Annemarie Jacir,...
The 10th edition of the co-financing meeting will run from Sept. 1 to 3 as part as of the Venice Production Bridge, which is the industry component of the Venice Film Festival (Aug 30 to Sept. 9)
The market will present 62 projects in the final stages of development and funding, selected from 280 submissions.
The selection spans 34 feature-length fiction Film and documentary projects, 14 Immersive projects, 11 Biennale College Cinema – Virtual Reality projects and three Biennale College Cinema projects.
To be eligible for inclusion, the fiction films must have at least 70% of funding in place and be looking for minority partners only.
Full List of Feature Film Projects:
After The Evil (doc) by Tamara Erde, Gloria Films Production All Before You (fiction), by Annemarie Jacir,...
- 7/3/2023
- by Melanie Goodfellow
- Deadline Film + TV
AMC Networks Central Europe (Amcni Cne) and Oble Studios are set to co-produce a new revenge period drama set in Hungary titled “Fata Morgana.”
Set in Hungary in the early twentieth century, “Fata Morgana” is based on a legend – believed to be a true story – about an anti-heroine who disguises herself as a man in order to go on a killing spree avenging oppressed women.
The show – which has undertones of “Killing Eve” – centers around Victoria, who is frustrated with the physical abuse she witnesses perpetually inflicted on women by men. Vowing to get revenge, she takes on the identity of vigilante “Piperman” – blurring the lines between a feminist superhero and contemptable murderer.
Gabor Harmi has been confirmed as the showrunner on the series, which will see each episode utilize a distinct artistic approach to the story, while Zsofi Ruttkay, Gyorgy Palfi, and Gabor Papp are co-writers. Creative producers are...
Set in Hungary in the early twentieth century, “Fata Morgana” is based on a legend – believed to be a true story – about an anti-heroine who disguises herself as a man in order to go on a killing spree avenging oppressed women.
The show – which has undertones of “Killing Eve” – centers around Victoria, who is frustrated with the physical abuse she witnesses perpetually inflicted on women by men. Vowing to get revenge, she takes on the identity of vigilante “Piperman” – blurring the lines between a feminist superhero and contemptable murderer.
Gabor Harmi has been confirmed as the showrunner on the series, which will see each episode utilize a distinct artistic approach to the story, while Zsofi Ruttkay, Gyorgy Palfi, and Gabor Papp are co-writers. Creative producers are...
- 6/1/2023
- by K.J. Yossman
- Variety Film + TV
Some audiences search out the most disgusting and depraved films that they can find. Movies have the ability to leave their mark on a psychological level or a more visceral one that seeks to leave you feeling queasy and dirty. Here’s a look at 10 movies that are sure to scar you for life.
10. ‘Grotesque’ (2009) L-r: Hiroaki Kawatsure as Kazuo Kojima and Shigeo Ôsako as The Doctor | Media Blasters
A mysterious man identified only as “the doctor” kidnaps a young couple (Hiroaki Kawatsure and Kotoha Hiroyama) and begins to perform extreme torture on them. He puts them through a game for survival designed to slowly destroy their hopes of making it out with their lives.
Kôji Shiraishi’s Grotesque falls into the “torture porn” sub-genre that James Wan’s Saw and Eli Roth’s Hostel popularized in the 2000s. However, this Japanese exploitation horror flick pushes all boundaries, introducing...
10. ‘Grotesque’ (2009) L-r: Hiroaki Kawatsure as Kazuo Kojima and Shigeo Ôsako as The Doctor | Media Blasters
A mysterious man identified only as “the doctor” kidnaps a young couple (Hiroaki Kawatsure and Kotoha Hiroyama) and begins to perform extreme torture on them. He puts them through a game for survival designed to slowly destroy their hopes of making it out with their lives.
Kôji Shiraishi’s Grotesque falls into the “torture porn” sub-genre that James Wan’s Saw and Eli Roth’s Hostel popularized in the 2000s. However, this Japanese exploitation horror flick pushes all boundaries, introducing...
- 2/21/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
There’s lesser-seen and then there’s Hukkle. György Pálfi’s bleakly amusing feature accrued various levels of cachet among the cinephile scene(s) in the 20 years since its debut, but even by today’s huge standards of availability has this Hungarian whatsit toiled without any notable North American release. (Somehow nearly wordless features built on atmosphere and intonations of plot struggle for exposure.)
All due credit to Dekanalog, who have acquired Hukkle (two decades hence!) for theatrical release this fall. We’re thrilled to debut a trailer that conveys Pálfi’s dialogue-light, chaos-heavy project and, one hopes, long-overdue waves of appreciation.
Find preview and poster below:
Based on the true story of the Angel Makers of Nagyrév, Hukkle (Hunagarian for “hiccup”) follows a number of residents – both human and animal – in a small rural community in Hungary. An old man has hiccups sitting on a bench, a drunken youth snores on the carriage,...
All due credit to Dekanalog, who have acquired Hukkle (two decades hence!) for theatrical release this fall. We’re thrilled to debut a trailer that conveys Pálfi’s dialogue-light, chaos-heavy project and, one hopes, long-overdue waves of appreciation.
Find preview and poster below:
Based on the true story of the Angel Makers of Nagyrév, Hukkle (Hunagarian for “hiccup”) follows a number of residents – both human and animal – in a small rural community in Hungary. An old man has hiccups sitting on a bench, a drunken youth snores on the carriage,...
- 8/8/2022
- by Nick Newman
- The Film Stage
Fabula-Fremantle’s “Santa Maria,” Leticia Dolera’s “Puberty” and “Fata Morgana,” a Western thriller executive produced by Béla Tarr, all feature at this year’s vastly expanded Conecta Fiction & Entertainment.
In further news announced Monday, Conecta Fiction will also stage the European premiere of Star Plus’ “Santa Evita,” executive produced by Salma Hayek Pinault and José Tamez, starring Natalia Oreiro, Ernesto Alterio, Darío Grandinetti and one of Disney’s most anticipated titles Spanish-language titles.
“Santa Evita” tells the true events-based and extraordinary story of the odyssey of Argentine First Lady Eva Perón’s embalmed body over three decades, her elevation to near sainthood saying much about Argentina and Latin America at large.
A panel discussion will be lead by the key cast, directors Rodrigo García and Alejandro Maci and the executives who led its production – Mariana Pérez, VP, development and production, Twdc Latin America, and Leonardo Aranguibel, VP, production, Twdc Latin America.
In further news announced Monday, Conecta Fiction will also stage the European premiere of Star Plus’ “Santa Evita,” executive produced by Salma Hayek Pinault and José Tamez, starring Natalia Oreiro, Ernesto Alterio, Darío Grandinetti and one of Disney’s most anticipated titles Spanish-language titles.
“Santa Evita” tells the true events-based and extraordinary story of the odyssey of Argentine First Lady Eva Perón’s embalmed body over three decades, her elevation to near sainthood saying much about Argentina and Latin America at large.
A panel discussion will be lead by the key cast, directors Rodrigo García and Alejandro Maci and the executives who led its production – Mariana Pérez, VP, development and production, Twdc Latin America, and Leonardo Aranguibel, VP, production, Twdc Latin America.
- 6/6/2022
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
One of the best film festival press kits that has ever been offered was Fortissimo Films' promotion for György Pálfi's culty, exceptionally (but delightfully) grotesque Taxidermia. It came in a styrofoam tray, wrapped in shrink-wrap, where the booklet itself was printed as well marbled meat. You can see it here. That 2006 film also had some exceptional poster work done for it. So, the nostalgia for that piece of festival ephemera instantly endeared me to the new poster for Fresh, a dating comedy with a slice of cannibalism....
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/18/2022
- Screen Anarchy
The U.S. lineup for films coming to Mubi this September has been announced, featuring some of my personal favorites of the last few years, notably Philippe Lesage’s severely overlooked coming-of-age drama Genesis, John Gianvito’s Helen Keller documentary Her Socialist Smile, Joe DeNardo, Paul Felten’s formally thrilling Slow Machine, and Robert Greene’s documentary Bisbee ’17, as well as Jia Zhangke’s latest release Swimming Out Till the Sea Turns Blue.
Also in the lineup is Bill Forsyth’s delightful Gregory’s Girl, Ari Folman’s hybrid feature The Congress, and Manoel de Oliveira’s Visit, or Memories and Confession, which was made in 1982, and only allowed to screen after his death.
See the lineup below and get 30 days free here.
September 1 | Yellow Cat | Adilkhan Yerzhanov | Festival Focus: Venice
September 2 | Visit, or Memories and Confessions | Manoel de Oliveira | Rediscovered
September 3 | Slow Machine | Joe DeNardo, Paul Felten | Mubi Spotlight
September...
Also in the lineup is Bill Forsyth’s delightful Gregory’s Girl, Ari Folman’s hybrid feature The Congress, and Manoel de Oliveira’s Visit, or Memories and Confession, which was made in 1982, and only allowed to screen after his death.
See the lineup below and get 30 days free here.
September 1 | Yellow Cat | Adilkhan Yerzhanov | Festival Focus: Venice
September 2 | Visit, or Memories and Confessions | Manoel de Oliveira | Rediscovered
September 3 | Slow Machine | Joe DeNardo, Paul Felten | Mubi Spotlight
September...
- 8/21/2021
- by Jordan Raup
- The Film Stage
Building on what has come before, the opening act of Kornél Mundruczó and Kata Wéber’s “Evolution” recalls a monologue from the Hungarian duo’s previous film, “Pieces of a Woman,” when a Holocaust-hardened Jewish matriarch played by Ellen Burstyn repeats the mythology of her own survival — the idea that she somehow chose to live when so many around her were murdered. She tells the story of being hidden under the floorboards as an infant, and how even the doctor considered her a lost cause: “He picked me up by my feet and held me up like a chicken and said, ‘If she tries to lift her head, then there’s hope.’”
In “Evolution” — which Mundruczó adapted for the screen from his longtime collaborator’s logistically audacious Proton Theatre stage production — three generations of Jewish survivors choose to lift their heads, one after the other, across a trio of bravura single-take vignettes.
In “Evolution” — which Mundruczó adapted for the screen from his longtime collaborator’s logistically audacious Proton Theatre stage production — three generations of Jewish survivors choose to lift their heads, one after the other, across a trio of bravura single-take vignettes.
- 7/11/2021
- by Peter Debruge
- Variety Film + TV
Hen
After premiering two new titles in 2018, for what will technically be his 8th feature, Hungary’s György Pálfi moves into the pen with the intriguing Hen, a Hungarian-Mexican co-production presented as a project in the San Sebastian Europe-Latin America Co-Production Forum. Palfi’s crew has yet to be announced. Pálfi’s 2002 debut Hukkle went to TIFF and San Sebastian (where he won a Special Mention as Best New Director) and then his 2006’s Taxidermia premiered in Un Certain Regard at Cannes. He’s competed twice in Karlovy Vary, first with I Am Not Your Friend (co-directed by Zsofia Ruttkay and Attila Rethly) then in 2014 with Free Fall, which won Best Director and the Special Prize of the Jury.…...
After premiering two new titles in 2018, for what will technically be his 8th feature, Hungary’s György Pálfi moves into the pen with the intriguing Hen, a Hungarian-Mexican co-production presented as a project in the San Sebastian Europe-Latin America Co-Production Forum. Palfi’s crew has yet to be announced. Pálfi’s 2002 debut Hukkle went to TIFF and San Sebastian (where he won a Special Mention as Best New Director) and then his 2006’s Taxidermia premiered in Un Certain Regard at Cannes. He’s competed twice in Karlovy Vary, first with I Am Not Your Friend (co-directed by Zsofia Ruttkay and Attila Rethly) then in 2014 with Free Fall, which won Best Director and the Special Prize of the Jury.…...
- 1/2/2021
- by Nicholas Bell
- IONCINEMA.com
There will be some events on the ground in San Sebastian.
As the Donostia-San Sebastian International Film Festival kicks off in Spain, the festival is ensuring its industry activities are available online to those international delegates who are not able to travel this year.
“It is very important to continue maintaining the industry activities. They have been a fundamental part of our festival for years now and also San Sebastian is a bridge between Latin America and Europe, which has to be preserved,” explained festival director Jose Luis Rebordinos.
The Industry Office, headed by Saioa Riba and Esperanza Luffiego, has...
As the Donostia-San Sebastian International Film Festival kicks off in Spain, the festival is ensuring its industry activities are available online to those international delegates who are not able to travel this year.
“It is very important to continue maintaining the industry activities. They have been a fundamental part of our festival for years now and also San Sebastian is a bridge between Latin America and Europe, which has to be preserved,” explained festival director Jose Luis Rebordinos.
The Industry Office, headed by Saioa Riba and Esperanza Luffiego, has...
- 9/19/2020
- by Screen staff
- ScreenDaily
There will be some events on the ground in San Sebastian.
As the Donostia-San Sebastian International Film Festival kicks off in Spain, the festival is ensuring its industry activities are available online to those international delegates who are not able to travel this year.
“It is very important to continue maintaining the industry activities. They have been a fundamental part of our festival for years now and also San Sebastian is a bridge between Latin America and Europe, which has to be preserved,” explained festival director Jose Luis Rebordinos.
The Industry Office, headed by Saioa Riba and Esperanza Luffiego, has...
As the Donostia-San Sebastian International Film Festival kicks off in Spain, the festival is ensuring its industry activities are available online to those international delegates who are not able to travel this year.
“It is very important to continue maintaining the industry activities. They have been a fundamental part of our festival for years now and also San Sebastian is a bridge between Latin America and Europe, which has to be preserved,” explained festival director Jose Luis Rebordinos.
The Industry Office, headed by Saioa Riba and Esperanza Luffiego, has...
- 9/19/2020
- by Screen staff
- ScreenDaily
In this modern adaptation of Steinslaw Lem's (Solaris) classic sci-fi story, a young man searches for his father after he disappears while working on a highly classified project for the United States government that involves extraterrestrials.
The film comes from Hungarian writer/director György Pálfi.
Synopsis:
Péter is in his late thirties when he thinks he recognizes his father in a documentary on a mysterious accident. His father has deserted from Communist Hungary in the 70s, a criminal offense under that regime, and has not been h...
The film comes from Hungarian writer/director György Pálfi.
Synopsis:
Péter is in his late thirties when he thinks he recognizes his father in a documentary on a mysterious accident. His father has deserted from Communist Hungary in the 70s, a criminal offense under that regime, and has not been h...
- 10/11/2019
- QuietEarth.us
A journalist attempts to track down his scientist father in this trippy adaptation of the Stanislaw Lem science fiction classic, His Master's Voice. Péter (Csaba Polgár) is a thirty-something on the cusp of fatherhood, but an incredibly fraught relationship with his own Dad sends him on a journey around the world to try and track down the man who disappeared decades ago, leaving Péter and his brother Zsolt (Ádám Fekete) to wonder what became of him. What begins as a simple story of a man looking for his father, and by extension his own roots, quickly morphs into an incredibly complex conspiracy thriller in this bizarre adaptation of an already complex literary work. Director György Pálfi is well known in the arthouse world for having created some of the...
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- 10/9/2019
- Screen Anarchy
Another eight documentaries and 25 short films will screen in the competition sections, and the festival has scheduled master classes by Paul Schrader and Krzysztof Zanussi. The Batumi International Arthouse Film Festival (Biaff) is set to take place for the 14th time from 16-23 September. Biaff is again organising a carefully curated programme consisting of fiction-feature, documentary and short competitions, plus sidebar sections including Georgian Panorama, Masters and Special Screenings. In the Feature Competition, there are ten films: Mark Jenkin's Bait (UK), Veit Helmer's The Bra (Germany/Azerbaijan), Reza Mirkarimi's Castle of Dreams (Iran), Elmar Imanov's End of Season (Germany/Azerbaijan/Georgia), György Pálfi's His Master’s Voice (Canada/Hungary/France/Sweden/USA), Kıvanç Sezer's La Belle Indifference (Turkey), Marko Škop's Let There Be Light (Slovakia/Czech Republic), Jacek Borcuch's Dolce Fine Giornata (Poland), Emin Alper's A Tale of Three Sisters (Turkey/Germany/Netherlands...
Lund, the festival from the town of the same name in Sweden, is gearing up for its twenty-fith edition at the end of September. Last week they announced the travelling roadshow called Nerd culture on Tour - Skåne complete with screenings of Clive Barker's Hellraiser. Today they have announced the first handful of titles for this year's program. The first wave of title include György Pálfi’s His Master's Voice, Adrian Panek’s debut Werewolf, and Jagoda Szelc’s Singular Monument. These three films are also the first titles to participate in the Siren Competition where the winning film will received a cash prize of 1000 Eur. Out of that 12-film lineup six films will be nominated for Lund’s Méliès d’Argent, the winner going on to...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 8/30/2019
- Screen Anarchy
Total of 16 titles set for this year’s Competition line-up.
Tokyo International Film Festival has announced the 16 titles that will compete in its International Competition, including the world premieres of His Master’s Voice, from Hungary’s Gyorgy Palfi, Fruit Chan’s Three Husbands, Veit Helmer’s The Bra and Liu Hao’s The Poet.
Tiff’s competition line-up will also include the world premieres of two Japanese titles – Junji Sakamoto’s Another World and Rikiya Imaizumi’s Just Only Love (see full line-up below).
Leading Philippines filmmaker Brillante Ma Mendoza is heading this year’s Competition jury, which also comprises Us producer Bryan Burk,...
Tokyo International Film Festival has announced the 16 titles that will compete in its International Competition, including the world premieres of His Master’s Voice, from Hungary’s Gyorgy Palfi, Fruit Chan’s Three Husbands, Veit Helmer’s The Bra and Liu Hao’s The Poet.
Tiff’s competition line-up will also include the world premieres of two Japanese titles – Junji Sakamoto’s Another World and Rikiya Imaizumi’s Just Only Love (see full line-up below).
Leading Philippines filmmaker Brillante Ma Mendoza is heading this year’s Competition jury, which also comprises Us producer Bryan Burk,...
- 9/25/2018
- by Liz Shackleton
- ScreenDaily
For Ever & His Master’s Voice
Director: Gyorgy Palfi
Writer: György Pálfi, Zsofia Ruttkay (For Ever)
Writer: György Pálfi, Zsofia Ruttkay, Navy V.
Continue reading...
Director: Gyorgy Palfi
Writer: György Pálfi, Zsofia Ruttkay (For Ever)
Writer: György Pálfi, Zsofia Ruttkay, Navy V.
Continue reading...
- 1/3/2017
- by Nicholas Bell
- IONCINEMA.com
Thanks to TorontoFilm.Net here is the Toronto Film Production Update for September 2016, including "American Gods", "Flatliners", "Taken" and a whole lot more:
Click Here To Register With A Toronto Extras Agent
Alias Grace
Mini Series
Halfire Entertainment
Prod.: Sarah Polley, DJ Carson
Dir.: Mary Harron
Aug 15 - Nov 15/16
American Gods
TV Series
Fremantle / Starz Network
Exec. Prod.: Bryan Fuller,
Michael Green, Neil Gaiman
Dir.: David Slade & Various
Anon
Feature
Anon Film Prods. Canada Inc.
Prod.: Dan Bekerman
Dir.: Andrew Niccol
Jul 11 - Aug 26/16
Baroness Von Sketch Show
Season 2
TV Series
Bvss 2 Productions Ontario Inc. / Frantic Films
Prod.: Graham Ludlow, Jeff Peeler
Exec.Prod.: Jamie Brown, Carolyn Taylor, Meredith MacNeill, Aurora Browne, Jennifer Whalen
Dir.: Yael Staav
Sep 12 - Oct 28/16
Bruno & Boots II And III
TV Movie (2)
Aircraft Pictures
Prod.: Anthony Leo, Andrew Rosen
Dir.: Vivieno Caldinelli
Jul 22 -...
Click Here To Register With A Toronto Extras Agent
Alias Grace
Mini Series
Halfire Entertainment
Prod.: Sarah Polley, DJ Carson
Dir.: Mary Harron
Aug 15 - Nov 15/16
American Gods
TV Series
Fremantle / Starz Network
Exec. Prod.: Bryan Fuller,
Michael Green, Neil Gaiman
Dir.: David Slade & Various
Anon
Feature
Anon Film Prods. Canada Inc.
Prod.: Dan Bekerman
Dir.: Andrew Niccol
Jul 11 - Aug 26/16
Baroness Von Sketch Show
Season 2
TV Series
Bvss 2 Productions Ontario Inc. / Frantic Films
Prod.: Graham Ludlow, Jeff Peeler
Exec.Prod.: Jamie Brown, Carolyn Taylor, Meredith MacNeill, Aurora Browne, Jennifer Whalen
Dir.: Yael Staav
Sep 12 - Oct 28/16
Bruno & Boots II And III
TV Movie (2)
Aircraft Pictures
Prod.: Anthony Leo, Andrew Rosen
Dir.: Vivieno Caldinelli
Jul 22 -...
- 8/24/2016
- by Michael Stevens
- SneakPeek
Thanks to TorontoFilm.Net here is the Toronto Film Production Update for August 2016, including "Taken", "Flatliners", "People Of Earth" and a whole lot more:
Click Here To List With A Toronto Agent
Alias Grace
Mini Series
Halfire Entertainment
Prod.: Sarah Polley, DJ Carson
Dir.: Mary Harron
Aug 15 - Nov 15/16
American Gods
TV Series
Fremantle / Starz Network
Exec. Prod.: Bryan Fuller,
Michael Green, Neil Gaiman
Dir.: David Slade & Various
Mar. 14 – Sep 30/16
Anon
Feature
Anon Film Prods. Canada Inc.
Prod.: Dan Bekerman
Dir.: Andrew Niccol
Backstage
Season 2
TV Series
Fresh TV
Prod.: Brian Campbell
Exec. Prod.: Brian Irving,
Lara Azzopardi
Dir.: Mario Azzopardi,
Wendy Morgan, Director X, Rt!,
Warren P. Sonoda, Lara Azzopardi
Jul 5 - Aug 19/16
Bruno & Boots II And III
TV Movie (2)
Aircraft Pictures
Prod.: Anthony Leo, Andrew Rosen
Dir.: Vivieno Caldinelli
Jul 22 - Sep 2
Buckout Road
Feature
Buckout Productions Ltd
Prod.
Click Here To List With A Toronto Agent
Alias Grace
Mini Series
Halfire Entertainment
Prod.: Sarah Polley, DJ Carson
Dir.: Mary Harron
Aug 15 - Nov 15/16
American Gods
TV Series
Fremantle / Starz Network
Exec. Prod.: Bryan Fuller,
Michael Green, Neil Gaiman
Dir.: David Slade & Various
Mar. 14 – Sep 30/16
Anon
Feature
Anon Film Prods. Canada Inc.
Prod.: Dan Bekerman
Dir.: Andrew Niccol
Backstage
Season 2
TV Series
Fresh TV
Prod.: Brian Campbell
Exec. Prod.: Brian Irving,
Lara Azzopardi
Dir.: Mario Azzopardi,
Wendy Morgan, Director X, Rt!,
Warren P. Sonoda, Lara Azzopardi
Jul 5 - Aug 19/16
Bruno & Boots II And III
TV Movie (2)
Aircraft Pictures
Prod.: Anthony Leo, Andrew Rosen
Dir.: Vivieno Caldinelli
Jul 22 - Sep 2
Buckout Road
Feature
Buckout Productions Ltd
Prod.
- 7/25/2016
- by Michael Stevens
- SneakPeek
Mindörökké
Director: György Pálfi
Writer: György Pálfi, Zsofia Ruttkay
We’ve been waiting a long time for Hungarian auteur György Pálfi‘s ambitious project The Voice to transpire, but as that develops, he continues to work on other features. Though he’s perhaps still best known for his 2006 sophomore feature, Taxidermia, he won Best Director at Karlovy Vary in 2014 for the equally bizarre Free Fall (which we hopes picks up Us distribution someday). In mid-2015, Palfi opened an Indiegogo for post-production of his latest, Mindörökké (For Ever), based on a novel by Sandor Tar about a post-apocalyptic Hungarian-Ukrainian village. Knowing Pálfi’s particular visual flair and frequency of bizarre narratives, we can’t wait to see what he has in store for us.
Cast: Julia Ubrankovics, Tamas Polgar, Attila Menszator-Heresz
Production Co.: Kmh Film, Sunpunks Entertainment
U.S. Distributor: Rights available Tbd (domestic/international)
Release Date: Palfi has yet to present in Berlin,...
Director: György Pálfi
Writer: György Pálfi, Zsofia Ruttkay
We’ve been waiting a long time for Hungarian auteur György Pálfi‘s ambitious project The Voice to transpire, but as that develops, he continues to work on other features. Though he’s perhaps still best known for his 2006 sophomore feature, Taxidermia, he won Best Director at Karlovy Vary in 2014 for the equally bizarre Free Fall (which we hopes picks up Us distribution someday). In mid-2015, Palfi opened an Indiegogo for post-production of his latest, Mindörökké (For Ever), based on a novel by Sandor Tar about a post-apocalyptic Hungarian-Ukrainian village. Knowing Pálfi’s particular visual flair and frequency of bizarre narratives, we can’t wait to see what he has in store for us.
Cast: Julia Ubrankovics, Tamas Polgar, Attila Menszator-Heresz
Production Co.: Kmh Film, Sunpunks Entertainment
U.S. Distributor: Rights available Tbd (domestic/international)
Release Date: Palfi has yet to present in Berlin,...
- 1/9/2016
- by Nicholas Bell
- IONCINEMA.com
Hungarian award-winning cult director György Pálfi is preparing a new feature, For Ever, and needs some financial backing for the post-production phase. Principal photography is mainly over and the footage will be soon hurled into the editing room. Pálfi is asking for a reasonable amount of $40,000, which is destined for editing, CGI, color grading, sound editing, foley and music rights. For Ever is about a post-apocalyptic Hungarian village where everything is rotten and only alcohol moves people around. No money, no electricity: only barter. In this wasteland Ocsenas is the one who helps out. The only living hero is trying to survive savages and war inside a romantric triangle that defines his days to come.Now, the fact that a cult director has turned to crowdfunding has...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 8/23/2015
- Screen Anarchy
"For Ever" is the new film by acclaimed director György Pálfi and it's being produced by Kmh Film and Sunpunks Entertainment.
The story is based on the Hungarian novel ‘Our Street’ by Sandor Tar and the script was written by Zsófia Ruttkay and György Palfi. "For Ever" stars Tamás Polgár, ("Delta") Julia Ubrankovics, ("Virtually a Virgin") Attila Menszátor-héresz ("Freefall") and Mercédesz Érsek-Obádovics.
The films deals with a post-apocalyptic Hungarian-Ukranian village where everything is rotten, only alcohol moves people around, and planes randomly crash. In this wasteland Ocsenas is the one who helps everyone out. He is only living hero trying to survive against savages and war while inside a love triangle that will defines his future.
The shooting is almost over and now the filmmakers have started crowdfunding campaigns to raise enough funds for post-production. You can take a look at the Indiegogo campaign Here.
György Palfi's Filmography
-2002. "Hukkle"
(Cottbus, San Sebastian, Tiff, European Film Awards)
-2006. "Taxidermy"
(Cannes - Un Certain Regard,Cottbus, Sitges)
-2009." I am not your friend"
(Karlovy Vary)
-2012. "Final Cut: Ladies And Gentleman"
(Cannes Classics Closing Film)
-2014. "Freefall"
(Karlovy Vary – Best Director Award, Chicago Iff)...
The story is based on the Hungarian novel ‘Our Street’ by Sandor Tar and the script was written by Zsófia Ruttkay and György Palfi. "For Ever" stars Tamás Polgár, ("Delta") Julia Ubrankovics, ("Virtually a Virgin") Attila Menszátor-héresz ("Freefall") and Mercédesz Érsek-Obádovics.
The films deals with a post-apocalyptic Hungarian-Ukranian village where everything is rotten, only alcohol moves people around, and planes randomly crash. In this wasteland Ocsenas is the one who helps everyone out. He is only living hero trying to survive against savages and war while inside a love triangle that will defines his future.
The shooting is almost over and now the filmmakers have started crowdfunding campaigns to raise enough funds for post-production. You can take a look at the Indiegogo campaign Here.
György Palfi's Filmography
-2002. "Hukkle"
(Cottbus, San Sebastian, Tiff, European Film Awards)
-2006. "Taxidermy"
(Cannes - Un Certain Regard,Cottbus, Sitges)
-2009." I am not your friend"
(Karlovy Vary)
-2012. "Final Cut: Ladies And Gentleman"
(Cannes Classics Closing Film)
-2014. "Freefall"
(Karlovy Vary – Best Director Award, Chicago Iff)...
- 7/27/2015
- by Peter Belsito
- Sydney's Buzz
Works In Progress winner is Nataliya Kudryashova for Pioneer Heroes.
The Les Arcs Film Festival’s CoProduction Village wrapped its sixth edition on December 15, including the Works-In-Progress, Projects in Development, Low Budget Film Forum and for the first year, the Music Village Pro.
The Voice by György Pálfi was chosen as the prize winner for the Projects in Development, earning the Hungarian filmmaker €4,000 as part of a first time prize-fund sponsored by Arte.
The film centers around a young boy in search of his father who went missing in Stockholm thirty years ago. Pálfi, a Les Arcs regular, attributes much of his success to the CoProduction Village. “I am very supportive of this festival, it has benefitted me immensely over the years. But never did I think I would win this award.”
For the second year, Digimage Classics offered a €6000 prize in post-production services for the Works-In-Progress section, this year given to first-time feature director Nataliya Kudryashova...
The Les Arcs Film Festival’s CoProduction Village wrapped its sixth edition on December 15, including the Works-In-Progress, Projects in Development, Low Budget Film Forum and for the first year, the Music Village Pro.
The Voice by György Pálfi was chosen as the prize winner for the Projects in Development, earning the Hungarian filmmaker €4,000 as part of a first time prize-fund sponsored by Arte.
The film centers around a young boy in search of his father who went missing in Stockholm thirty years ago. Pálfi, a Les Arcs regular, attributes much of his success to the CoProduction Village. “I am very supportive of this festival, it has benefitted me immensely over the years. But never did I think I would win this award.”
For the second year, Digimage Classics offered a €6000 prize in post-production services for the Works-In-Progress section, this year given to first-time feature director Nataliya Kudryashova...
- 12/17/2014
- ScreenDaily
Russia big winner at FilmFestival Cottbus for second consecutive year.
Russia was the big winner for the second year in a row at the FilmFestival Cottbus with Ivan I. Tverdovsky’s Corrections Class picking up four awards at the weekend.
The feature debut received the International Jury’s main prize ¨for its unsentimental and unpretentious presentation of a powerful social theme presented through the prism of an excellent ensemble performance¨, thereby qualifying for the Connecting Cottbus Special Pitch Award, which will allow Tverdovsky and his producers to pitch a new project at the East-West co-production market in a year’s time.
Tverdovsky’s Russian-German co-production, which won the Best Debut prize at Kinotavr in Sochi and the East of the West Award in Karlovy Vary, also picked up the prizes from the Fipresci and Interfilm juries in Cottbus.
Last year, the main prize at Cottbus went to Russian director Alexander Veledinsky’s The Geographer Drank His Globe...
Russia was the big winner for the second year in a row at the FilmFestival Cottbus with Ivan I. Tverdovsky’s Corrections Class picking up four awards at the weekend.
The feature debut received the International Jury’s main prize ¨for its unsentimental and unpretentious presentation of a powerful social theme presented through the prism of an excellent ensemble performance¨, thereby qualifying for the Connecting Cottbus Special Pitch Award, which will allow Tverdovsky and his producers to pitch a new project at the East-West co-production market in a year’s time.
Tverdovsky’s Russian-German co-production, which won the Best Debut prize at Kinotavr in Sochi and the East of the West Award in Karlovy Vary, also picked up the prizes from the Fipresci and Interfilm juries in Cottbus.
Last year, the main prize at Cottbus went to Russian director Alexander Veledinsky’s The Geographer Drank His Globe...
- 11/10/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Chicago – The 2014 edition, the 50th Chicago International Film Festival, kicks off tonight on October 9th. The premiere film will be “Miss Julie,” an adaptation of the August Strindberg play adapted and directed by Liv Ullmann. The first weekend promises a scintillating variety of cinema indulgences.
HollywoodChicago.com contributors Nick Allen and Patrick McDonald have been sampling the festival offerings, and provide this preview to cover the first four days of the event. The depth and breadth of the films is a reminder to participate in the variety of the Festival, especially if interested in a particular country, for their cinema is a glimpse into their culture. Each capsule is designated with Na (Nick Allen) or Pm (Patrick McDonald), to indicate the author.
Opening Night “Miss Julie”
Jessica Chastain in ‘Miss Julie’
Photo credit: Chicago International Film Festival
Liv Ullmann, the legendary Swedish actress – and muse to director Ingmar Bergman – directs her fifth feature film,...
HollywoodChicago.com contributors Nick Allen and Patrick McDonald have been sampling the festival offerings, and provide this preview to cover the first four days of the event. The depth and breadth of the films is a reminder to participate in the variety of the Festival, especially if interested in a particular country, for their cinema is a glimpse into their culture. Each capsule is designated with Na (Nick Allen) or Pm (Patrick McDonald), to indicate the author.
Opening Night “Miss Julie”
Jessica Chastain in ‘Miss Julie’
Photo credit: Chicago International Film Festival
Liv Ullmann, the legendary Swedish actress – and muse to director Ingmar Bergman – directs her fifth feature film,...
- 10/9/2014
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
The concept for György Pálfi Free Fall holds so much promise: a woman climbs the stairs of an apartment building and we get a glimpse of what's going on behind the doors of an apartment on each floor. It's a great set-up for an anthology film though here, Pálfi and collaborating directors Gergely Pohárnok and Zsófia Ruttkay take on all seven stories and the result is exactly what most other anthology films deliver: a mixed bag.
The set-up is interesting enough; the aforementioned old lady climbs the stairs of her apartment building to the roof, jumps off and lands on the road with a splat. Minutes later she stands up, brushes herself off and goes back into the building where's she's forced to walk up the stairs because the elevator is being servic [Continued ...]...
The set-up is interesting enough; the aforementioned old lady climbs the stairs of her apartment building to the roof, jumps off and lands on the road with a splat. Minutes later she stands up, brushes herself off and goes back into the building where's she's forced to walk up the stairs because the elevator is being servic [Continued ...]...
- 10/3/2014
- QuietEarth.us
Ivano de Matteo’s Italian film to receive promotional support from Europa Cinemas.
Italian film The Dinner (i Nostri Ragazzi), directed by Ivano de Matteo has won the Europa Cinemas Label as Best European Film in the Venice Days section of the Venice Film Festival (Aug 27 - Sept 6). The jury comprised four exhibitors from the network.
The Dinner will now benefit from promotional support from Europa Cinemas and better exhibition due to a financial incentive for network cinemas to include it in their programme schedule.
The drama, about a family dinner going horribly wrong, is inspired by Herman Koch’s worldwide bestselling novel of the same name, which was previously adapted as a Dutch-language film by Menno Meyjes and is also slated for an adaptation starring Cate Blanchett.
The jury said: “Ivano de Matteo’s film is a confident, beautifully written and extremely well constructed drama. It manages to articulate many powerful themes – alienation between children and their...
Italian film The Dinner (i Nostri Ragazzi), directed by Ivano de Matteo has won the Europa Cinemas Label as Best European Film in the Venice Days section of the Venice Film Festival (Aug 27 - Sept 6). The jury comprised four exhibitors from the network.
The Dinner will now benefit from promotional support from Europa Cinemas and better exhibition due to a financial incentive for network cinemas to include it in their programme schedule.
The drama, about a family dinner going horribly wrong, is inspired by Herman Koch’s worldwide bestselling novel of the same name, which was previously adapted as a Dutch-language film by Menno Meyjes and is also slated for an adaptation starring Cate Blanchett.
The jury said: “Ivano de Matteo’s film is a confident, beautifully written and extremely well constructed drama. It manages to articulate many powerful themes – alienation between children and their...
- 9/5/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Fury (David Ayer)
[via the BFI]
The programme for the 58th BFI London Film Festival launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. The lineup includes highly anticipated fall titles including David Ayer’s Fury, Bennett Miller’s Foxcatcher, the Sundance smash Whiplash, Jean-Luc Godard’s Goodbye to Language 3D, The Imitation Game starring Benedict Cumberbatch, Mike Leigh’s Mr. Turner, Jason Reitman’s Men, Women and Children and Jean-Marc Vallee’s Wild.
As Britain’s leading film event and one of the world’s oldest film festivals, it introduces the finest new British and international films to an expanding London and UK-wide audience, offering a compelling combination of red carpet glamour, engaged audiences and vibrant exchange. The Festival provides an essential profiling opportunity for films seeking global success at the start of the Awards season, promotes the careers of British and...
[via the BFI]
The programme for the 58th BFI London Film Festival launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. The lineup includes highly anticipated fall titles including David Ayer’s Fury, Bennett Miller’s Foxcatcher, the Sundance smash Whiplash, Jean-Luc Godard’s Goodbye to Language 3D, The Imitation Game starring Benedict Cumberbatch, Mike Leigh’s Mr. Turner, Jason Reitman’s Men, Women and Children and Jean-Marc Vallee’s Wild.
As Britain’s leading film event and one of the world’s oldest film festivals, it introduces the finest new British and international films to an expanding London and UK-wide audience, offering a compelling combination of red carpet glamour, engaged audiences and vibrant exchange. The Festival provides an essential profiling opportunity for films seeking global success at the start of the Awards season, promotes the careers of British and...
- 9/3/2014
- by John
- SoundOnSight
Early predictions have emerged for most Academy Award categories. As the studios reveal their hopeful offers to be released in the final months of the year, the speculation increases. But despite all the information available on the centerpiece awards, other more obscure races remain a complete mystery at this point. Among these, the Best Foreign Language Film Oscar is almost certainly the most complex to prognosticate. The lengthy process that precedes the announcement of the final nominees makes for a competition that begins months in advance in nations around the globe.Having the opportunity to submit only one film, each country must carry out its own selection process. Once these decisions have been made, their chosen works will compete to make it to the nine-film shortlist, and eventually into the final five slots. Although this procedure allows for a certain degree of democracy, it also excludes all those other films that were left behind in their homelands. This, in turn, gives us a narrow view of what is being produced abroad.
Therefore, after lots of research and arduous educated guessing to put it together, the list below offers a more insightful look at this race before the actual individual selections are announced. For the sake of time, the amount of films is limited to five per country, but in some cases the choices are scarcer and less films are listed. While trying to speculate is always an uncertain endeavor, the factors taken into account to determine which are some of this year’s most important films in each country and their prospects of being chosen as their representative at the Academy Awards, were varied. Festival exposure, release date, the country’s previous submissions, and even the thematic elements of a few of them were considered to create this piece.
Clearly nothing is definitive at this point, but at the very least, this compilation will provide a sense of what the film industries in these territories are putting out and sharing with the world.
Read More: Oscars 2015 : Best Foreign Language Film Contenders - The Americas
Here is the first part of the list on Europe (Albania -Lithuania)
Albania
Last year the Balkan state had one of its strongest contenders in recent history, Robert Budina’s “Agon,” a powerful drama dealing with the ethnic identity of the region. This time around, there are three films that qualify to be selected. The front-runner is “ Amsterdam Express, ” which has the highest international profile of the three being a co-production between Albania, U.K The Netherlands and Germany. The film explores the sociopolitical situation of the country through the eyes of an Albanian man who immigrates to Dutch territory illegally. Following along are two other dramas, “The Last Wish” (Amaneti) and “Ada.” Having three clearly viable options, it is almost certain that Albania will compete once again this year.
1. "Amsterdam Express" PC: F&Me
2. "The Last Wish" (Amaneti) PC: Media Vision
3. "Ada" PC: Concordia Pictures
Armenia
Having submitted only four times as an independent nation, it is difficult to predict whether Armenia will decide to participate this year. However, they do have a few films that could represent them at the Academy Awards. Even though the country’s film industry is still precarious and struggling, they have their own annual awards and consistently complete feature length works. Since many of them don’t fulfill the quality standards of major festivals, few of their offers ever get passed their border. The most feasible candidate this year is “Tevanik,” a film about the Karabakh war that screened at the Cannes film market and that has also screened theatrically in its home country. Another possible selection is dark comedy “The Romanticists,” which won the Best Screenplay award at the Hayak National Cinema Awards and had some international exposure. Drama “From Two Worlds as a Keepsake, ” could also be a good candidate as it premiered last year at the World Film Festival in Montreal. Less likely are comedy “The Heart in the House ,” a Russian co-production, and Hayak Best Film nominee “Caucho,” which might be a bit too avant-garde to be chosen.
1. "Tevanik" PC: Fish Eye Art
2. "The Romanticists" (Rromantiknery) PC: Aysor-Plus Film Productions
3. "From Two Worlds as a Keepsake" (Yerku ashkharhic i hishatak) PC: National Film Centr of Armenia
4. "The Heart in the House" (Domik v serdtse) PC: Berg Sound
5. "Caucho"
Austria
Since Austrian productions are heavily influenced by the German film industry and often intertwined with it, it is no surprise that the major winner at the German Film Awards was the co-production “The Dark Valley.” But given that the director Andreas Prochaska is Austrian, as well as most of the creative control and resources, the Germans couldn’t claim it as their own. This, and the fact that Sam Riley is in it, make it an ideal, high profile candidate to be Austria’s Oscar submission. Nominated for five awards in the past Austrian Film Awards, “October November” is also a descent candidate. A close third followed is “The Last Dance” the latest film by Houchang Allahyari, whose film “I Love Vienna” represented the country a couple decades ago. Then we have “ Soldier Jane,” which also nominated for Best Film at the National Awards. Lastly, “The Silent Mountain, “ an epic period piece about World War I is not entirely far fetched. Other films that have had positive receptions at festivals such as “Macondo,” or “Amour Fou” will be released closer to the end of the year.
1. "The Dark Valley" (Das Fisntere Tal) Isa: Films Distribution
2. "October November" (Oktober November) Isa: The Match Factory
3. "The Last Dance" (Der letzte Tanz) PC: Allahyari Filmproduktion
4. "Soldier Jane" (Soldate Jeannette) Isa: Premium Films
5. "The Silent Mountain" ( Der Stille Berg) Isa: Premiere Entertainment Group
Azerbaijan
It's always great to see a country like Azerbaijan submitting a film and making an attempt at getting exposure for their filmmakers and industry. Their films rarely make it to the world stage of glamorous festivals, thus they remain mostly obscure and inaccessible outside their homeland. Nevertheless, this year an Azerbaijani film, “Nabat,” could change that as it will screen at the Venice Film festival. This war film has already screened in the country at least at a special event, it is difficult to know if it will qualify this time around. If it does, it is their best bet. Should they decide to save it for next year, the country has another option of mild prestige. “Chameleon,” a small drama set in a remote village, screened last year at Locarno and that alone could help its chances. Lastly, there is “Down by the River,” which was part of the Karlovy Vary Film Festival selection. It will almost certainly be released until past the deadline, but might be a strong contender in the future. Two other dramas, one of epic proportions and a biopic could get in the mix but there is hardly any information available besides the fact that they have been screened in the capital city of Baku.
1. "Nabat" Isa: Dreamlab Films
2. "Chameleon" (Buqälämun) PC: Arizona Productions
3. "Down the River" (Axinla ashagi) PC: Azerbaijanfilm
Belarus
The small ex-Soviet state has been mostly producing documentaries for local viewing. Their output of material that can be successful abroad is minimal, and even when they have been presented with a great opportunity to participate at the Academy Awards, they simply don’t. This was the case of Sergey Loznitsa's “In the Fog” a couple years back, which could have represented them but was not entered. In fact, they have only participated on two occasions, the last one being in 1996. Although it is unlikely they will show interest, the country has a couple of promising choices. Belarus’ best bet would be the international coproduction “ The Role,” a solemn period piece that was nominated for five Nika Awards (the Russian Oscars) and actually won for Best Screenplay. Highly improbable, but given their small number of contenders, the country could also choose to send “BaBu,” an Azerbaijani coproduction about the kidnapping of a businessman’s daughter.
1. "The Role" (Rol) Isa: Reflexion Films
2. "BaBu"
Belgium
With the return to Cannes of the country’s most iconic filmmakers, the Dardenne Brothers, Belgium has an easy decision to make. Starring Oscar-winner Marion Cotillard, “Two Days, One Night” looks like the obvious favorite. Nevertheless, the Dardennes have been overlooked before, as it was the case two years ago when the Belgians decided to send “Bullhead” over the duo’s “The Kid with a Bike.” The only real threat could be “Marina” by Stijn Coninx, who was nominated for an Oscar in this category back in 1992 with “Daens.“ His latest work is a period piece about Rocco Granata’s life, an Italian singer who lived in Belgium in his youth. A more audacious decision, but not entirely impossible, would be to select the beautifully nightmarish “The Strange Color of Your Body’s Tears,” which has had noticeable international presence. Two other titles, “ The Verdict” and “The Treatment” have been well received at home but since they are facing works by revered filmmakers, their chances are slight.
1. "Two Days, One Night" (Deux jours, une nuit) Isa: Wild Bunch
2. "Marina" Isa: Media Luna New Films
3. "The Strange Color of Your Body's Tears" (L'étrange couleur des larmes de ton corps) Isa: Bac Films International
4. "The Verdict" (Het Vonnis) Isa: Media Luna New Films
5. "The Treatment" (De Behandeling) Isa: Be for Films
Bosnia & Herzegovina
The last film by the poster child for Bosnian cinema, Danis Tanovic, managed to make it to the 9-film shortlist last December. This year, the country doesn’t have such a prominent candidate. Based on release date, festival exposure, and language, their safest selection would be the family drama “ With Mom.” Another title that could qualify is “Krivina,” which is technically a 2012 film, but did not premier in Bosnia until late last year. If eligible, it would definitively be a great runner-up. In third place is the incredibly small local film “ Krajina: Life or Death,” and it’s in that position simply because it meets all the minimum requirements to qualify - language included. The last two films mentioned here are longer shots not due to lack of quality, but because of their production details. One, “Bridges of Sarajevo,” is an anthology film created by over a dozen filmmakers from around the world. Even though one of the filmmakers is Bosnian and all sections are in a language other than English, it will be hard to consider it an actual Bosnian film. The other, “For Those Who Can Tell No Tales,” is a Bosnian production directed by Jasmila Zbanic, but the dialogue seems to be mostly in English, which would make it ineligible.
1. "With Mom" (Sa Mamom) PC: Scca/Pro.BA
2. "Krivina" Isa: Princ Films
3. "Krajina: Life and Death" (Ja sam iz Krajine, zemlje kestena) PC: Depo Production
4. "Bridges of Sarajevo" (Les Ponts de Sarajevo) Isa: Indie Sales
5."For Those Who Can Tell No Tales" (Za one koji ne mogu da govore) PC: Mpm
Bulgaria
In recent years the country has decided to send films that have won or have been nominated for their local film awards. This year the winner of the top award for Best Film was “Alienation,” seemingly making it the favorite to be submitted. This might actually not be the case. Premiering at Sundance earlier this year, “Viktoria,” an epic drama about a peculiar mother-daughter relationship, might actually be the frontrunner. The film has been rightfully hailed as the most important Bulgarian film of 2014 as it has been praised at several international festivals. The only concern was its release date, but that has been put to rest since the filmmakers have announced a one-week theatrical run of the film in Sofia this September. This might imply they are seriously considering the possibility of being chosen. Other less likely options are “Roseville,” another Best Film nominee at the local film awards, “Rat Poison,” which won Best Screenplay at those same awards, and the comedy “ Living Legends.” “The Judgement,” another important Bulgarian film that opened the Sofia International Film Festival in March, won’t opened theatrically until after the deadline.
1. "Viktoria" PC: Viktoria Films
2. "Alienation" PC: Red Carpet/ Bnt
3."Roseville" Isa: Wide
4. "Rat Poison" PC: Bulfilm Nfc
5. "Living Legends" PC: Euro Dialogue Productions
Croatia
Dominating last year’s Pula Film Festival with seven Golden Arena awards and presented at other international festivals, the drama “ A Stranger” is by far the most qualified choice. Bobo Jelcic’s film follows a man who returns to his hometown only to attend a funeral, but is forced to deal with several other issues from his past while there. Closely following is complex family drama “Hush…,” which also won several awards at the same festival. Other films that could come into play include “Vis-à-Vis,” a story about a film director and on his actor trying to write a screenplay, crime thriller “Not All About the Money, ”and the comedy “Handymen” by Dalibor Matanic, whose film “Fine Dead Girls” represented Croatia in 2002. It is important to note that three other relevant Croatian films, “The Bridge at the of the World,” "Number 55” and “The Reaper,” will probably be released in the next few months and will be in the running next year.
1. "A Stranger"(Obrana i zastita) Isa: Rendez-vous Pictures
2. "Hush..." (Šuti) PC: Kinorama
3. "Vis-a-Vis" PC: Copycat Production House
4. "Not All About the Money" (Nije sve u lovi) PC: Interfilm
5. "Handymen" (Majstori) PC: Hrvatska Radiotelevizija
Cyprus
As one of the few countries in Europe that has never submitted a film, it is likely they will continue on that path once again. Yet, if they decide otherwise, there is a film that could represent them. Crime drama “Stratos” directed by Cyprus-born Yannis Economides and produced with support from the Cyprus Ministry of Education and Culture could actually be the island nation’s lucky charm. Another Cypriot production, the romantic comedy “ Committed,” would be listed here as a possibility if it wasn’t for the fact that it is entirely in English.
1. "Stratos" (To Mikro Psari) Isa: The Match Factory
Czech Republic
Last year was rough for the Czechs. The ambitious historical courtroom drama “Burning Bush” by acclaimed filmmaker Agnieszka Holland, was disqualified as their submission because it was originally conceived as a TV miniseries. They were forced to select another film “The Don Juans,” which that didn’t do much them. This time around things are looking up with a wide array of films to choose from. Playing at Karlovy Vary recently and opening theatrically just in time to qualify is “Fair Play,” a sports drama about a sprinter attempting to make it to the Olympic Games in 1980. Then there is “Clownwise, ” a quirky dramedy that was nominated for Best Film and won Best Supporting actor at the local Czech Lion Awards. In the third spot is “Hany,” a film conformed of a single continuous shot depicting the madness occurring during a night out in the city. “The Way Out, ” a drama that screened in the Acid sidebar at Cannes, could also be picked based on that notable international exposure. Lastly, “Delight,” another Czech Lion Best Film nominee, could be the surprise selection, but it will probably prove to be a tad too abstract for voters.
1. "Fair Play" Isa: Intramovies
2. "Clownwise" (Klauni) Isa: Latido
3. "Hany" PC: Barletta
4. "The Way Out" (Cesta Ven) Isa: Premium Films
5. "Delight" (Rozkos) PC: Cineart TV Prague
Denmark
These days Denmark is a powerhouse in this category. After almost tasting glory once again with Vinterberg’s “The Hunt, ” the Danish will return to seek their third consecutive nomination. In order to continue their great streak, they need to choose wisely. “Someone in Love,” about a musician in crisis, has garnered praise from critics internationally, and will seem like the obvious choice. On the other hand, there is the mystery flick “ The Keeper of Lost Causes,” which opened in Denmark late last yearand was nominated for 4 Bodil Awards. Then there is “Sorrow and Joy” another powerful drama from Nils Malmros, whose film “Barbara” represented Denmark in 1992. Unique coming-of-age tale ”Speed Walking” could also be a contender. On the final slot there is the romantic drama “The Miracle,” a film that did well at the Montreal World Film Festival, unlikely but not impossible. Whichever it is, it will certainly be something to watch out for throughout the race.
1. "Someone You Love" (En du elsker) Isa: TrustNordisk
2. "The Keeper of Lost Causes" (Kvinden i buret) Isa: TrustNordisk
3. "Sorrow and Joy" (Sorg og glæde) PC: Nordisk Film Production
4. "Speed Walking" (Kapgang) PC: Nordisk Film Production
5. "The Miracle" (Miraklet) PC: Film i Vast
Estonia
This Baltic country’s film industry has increasingly become more consistent at delivering interesting films. Winning awards across festivals, their absolute frontrunner is “Tangerines, ” a Georgian coproduction about a Estonian man caught up in the middle of a war. Its biggest competition is the black and white historical film “In the Crosswind,” “which is a viable choice given that it deals with a painful episode in the region's history: the mass deportation of Baltic people to Siberia by Russia. Though it looks beautifully done, its particular visual aesthetic might seem to unconventional to some voters. It is still really possible they decide to send it regardless. Finally there is “ Kertu” a romantic drama about an unlikely relationship.
1. "Tangerines" (Mandariinid) Isa: Cinemavault
2. "In the Crosswind" (Risttuules) PC: Allfilm
3. "Kertu, Love is Blind" (Kertu) Isa: Paul Thiltges Distribution Sarl
Finland
Despite the countries long filmmaking tradition, the Finnish have only been nominated once for Aki Kaurismäki's “The Man Without a Past” in 2002. Fortunately for them, they have several great eligible films that will make for a difficult decision. Black and white philosophical drama “ Concrete Night” from Pirjo Honkasalo earned 6 Jussi Awards, given by Finland’s film professionals. Such overwhelming recognition will make it hard to ignore despite the serious competition. The film also had a great festival run. Right behind it are two films by prolific Dome Karukoski, who has represented his country at the Oscar previously. The first one is “The Grump,” a comedy based on the character created by Tuomas Kyro. It will screen at Tiff and will open locally just in time to qualify. Karukoski’s other film “Heart of a Lion,” tells a more serious story about a Neo-Nazi who reconsiders his views after falling in love. Either one of them could be picked as a way to honor the consistently great work this filmmaker puts out. Yet another interesting possibility is “Korso,” about a young man with big basketball dreams. The film was partially produced by the same company that created last year’s Oscar nominated short “Do I Have to Take Care of Everything?” There are several other plausible films, but from all those, the one that seems to have the best prospects is the historical comedy “August Fools.”
1. "Concrete Night" (Betoniyö) Isa: Film Republic
2. "The Grump" (Mielensäpahoittaja) Isa: The Yellow Affair
3. "Heart of a Lion" (Leijonasydän) Isa: The Yellow Affair
4. "Korso" PC: Bufo/Tuffi Films
5. "August Fools" (Mieletön elokuu) Isa: Insomnia World Sales
France
Narrowing down France’s possible selection to five titles is by far one of the must uncertain and difficult tasks. The French film industry releases a vast number of films every year in a variety of genres and sizes. This gives them endless possibilities. Yet, there are some indicators that provide insight to what they might end up choosing. First off, the Cesar Awards. This year’s big winner was Guillaume Gallienne's “Me, Myself and Mum, ” which is a delightfully funny film that shines with originality. It was released last November and could definitely be their selected entry. On the other hand, they could choose to honor legendary filmmaker Alain Resnais- who past away earlier this year - by submitting his last film “Life of Riley.” The film received mixed reactions, but won the Fipresci Prize and the Alfred Bauer Award in Berlin. If they want to go with some fresh young talent, there is Cannes Directors' Fortnight Winner “Love at First Sight, ” the debut feature by Thomas Cailley. Another award winner that qualifies is Katell Quillévéré’s “Suzanne” about a woman that loses it all for the love a deviant man. Last but not least, Mathieu Amalric’s latest directorial effort “The Blue Room” could be a surprise player given the actor’s prestige and talent both in front and behind the camera. It is still up in the air.
1. "Me, Myself and Mum" (Les Garçons et Guillaume, à table!) Isa: Gaumont
2. "Life of Riley" (Aimer, boire et chanter) PC: F Comme Film
3. "Love at First Sight" (Les Conbattants) PC: Nord-Ouest Productions
4. "Suzanne" Isa: Films Distribution
5. "The Blue Room" (La Chambre Bleue) Isa: Alfama Films
Georgia
Impressively on the rise, the Georgian film industry keeps on delivering great works that often make waves across international festivals. Last year’s submission “In Bloom,” was a great success and managed to get U.S. distribution for a small theatrical release. On this occasion, they have three films that have done well internationally. Out of the batch, the most successful has been Levan Koguashvili’s “Blind Dates, ” a charming story of a unique quest for love. A second strong competitor is “Brides,” a drama that screened both at the Berlinale and Tribeca this year. Then, just fresh from winning at Karlovy Vary, there is “Corn Island,” a poetic vision of life from the perspective of rural Georgia. It appears like all three titles will release at home in time to qualify. If that’s the case, Georgia has a tough decision to make
1. "Blind Dates" (Shemtkhveviti paemnebi) Isa: Films Boutique
2. "Brides" (Patardzlebi) Isa: Rezo
3. "Corn Island" (Simindis kundzuli) PC: Arizona Productions
Germany
After releasing a 15-film shortlist, Germany’s prospects look clearer. There are several titles on the list that won’t merit a nomination, but the prominent film that remain will make for a competitive final selection. Winning two prizes in Berlin, “Stations of the Cross,” a look at fundamentalist Catholicism, sounds like a front-runner. However, its subject matter might play against it. Feo Aladag’s latest film “Inbetween Worlds,” about a German soldier in Afghanistan, seems to be a powerful drama on the vein of Susanne Bier’s “In a Better World.” On the third slot is “West,” a moving film about a woman and her son escaping socialist East Germany to discover the other side also has its darkness. Then there is “Beloved Sisters,” a costume drama that seems like a safer choice. It might be too familiar to be selected, but not at all improbable. Lastly, “Home from Home,” which won several national awards. It'ss possible, but its narrative style and extensive running time (225 min.) might make it a much more harder sell.
1. "Stations of the Cross" (Kreuzweg) Isa: Beta Cinema
2. "Inbetween Worlds" (Zwischen Welten) Isa: The Match Factory
3. "West" (Westen) Isa: Picture Tree International
4. "Beloved Sisters" (Die geliebten Schwestern) PC: Bavaria Film
5. "Home from Home - Chronicle of a Vision" (Die andere Heimat - Chronik einer Sehnsucht) Isa: Arri Worldsales
Greece
Even though it not an absolute rule, the Greeks tend to select the Hellenic Awards Best Film winner as their submission. Taking that into account, the clear favorite and almost certain choice is “Little England,” a period piece that won big locally. It’s biggest flaw; however, is the lack of international exposure. If for some reason they wanted to make a bold move and reward an impressive festival run, then Alexandros Avranas’s marvelously perverse “Miss Violence” would be ideal. Another great festival darling is Elina Psikou‘s feature debut “The Eternal Return of Antonis Paraskevas,” a sardonic exploration on fame and identity. On the fourth spot, there is “ The Enemy Within,” a tense crime drama about a family in the aftermath of a home invasion. The film was also honored at the Hellenic Awards. Finally, “Standing Aside, Watching,” about corruption, sexism, and intimidation in a small village, could also be a great entry. Un Certain Regard film “Xenia” by Panos H. Koutras, won’t open in Greece until October, but will be a possible option next year.
1. "Little England" (Mikra Anglia) PC: Black Orange
2."Miss Violence" Isa: Elle Driver
3."The Eternal Return of Antonis Paraskevas" (I Aionia Epistrofi tou Antoni Paraskeva) Isa: M-Appeal World Sales
4."The Enemy Within" (O Ehthros Mou) Isa: Patra Spanou
5. "Standing Aside, Watching" (Na kathesai kai na koitas) Isa: Patra Spanou
Hungary
Hungary’s last submission “The Notebook” managed to make it into the highly competitive 9-film shortlist. This year they have even brighter hopes with a slate of titles that have done very well around the world. Un Certain Regard winner “White God” is undoubtedly the one to beat. It is a rare occasion for the country to win such a high profile prize, thus making it almost impossible to ignore. Nevertheless, if that is not enough to convince the selection committee, “Free Fall” the latest film György Pálfi - whose films “ Hukkie” and “Taxidermia” have represented Hungary in the past - would be the next best choice. It also won several awards recently at Karlovy Vary, which could be of help. Less likely is Virág Zomborácz‘s “Afterlife” another drama that screened at the renowned Czech festival. Other possible titles include Lgbt romantic drama “Land of Storms, “ which screened in Berlin, and dark “ “Heavenly Shift,” which descent international presence.
1. "White God" (Fehér isten) Isa: The Match Factory
2. "Free Fall" (Szabadesés) PC: Jiff Project
3. "Afterlife" (Utóélet) Isa: Hungarian National Film Fund
4. "Land of Storms" (Viharsarok) Isa: M-Appeal World Sales
5. "Heavenly Shift" (Isteni müszak) Isa: Hungarian National Film Fund
Iceland
This small Scandinavian nation seems to have a very easy decision to make. The film “Life in a Fishbowl” has been dubbed by local critics as “the best Icelandic” film ever made” and it has also been an absolute box-office hit in its homeland. The multi-narrative film is by far the most likely to be submitted. However, its closest competitor is Ragnar Bragason‘s “ Metalhead,” a drama about a girl coping with her brother’s death. It was released late last year and won several Edda Awards. With far less possibilities given the two frontrunners is the dramedy “Paris of the North, ” which screened at Karlovy Vary, and comedy “ The Grandad,” which lacks exposure and buzz.
1. "Life in a Fishbowl" (Vonarstræti) Isa: Films Boutique
2. "Metalhead" (Málmhaus) Isa: Picture Tree International
3. "Paris of the North" (París Norðursins) PC: Arizona Productions
4. "The Grandad" (Afinn) PC: Thorsson Productions
Ireland
Since most of country’s releases are in English rather than in the Irish language, most years the country doesn’t have any candidates for this category. Ireland has only submitted to films for consideration as foreign language films. It is unlikely they’ll enter the race this year, but if it manages to be released in time, Irish director Johnny O'Reilly‘s Russian-language film “Moscow Never Sleeps” could be their selected candidate. The film was produced with the help of the Irish Film Funs, a fact that could help claim it as an Irish production. Another film in the Irish language, “An Bronntanas” (The Gift), would be a great choice, but it seems to be originally envisioned for TV as a five part miniseries. It’s hard to know if it will manage to qualify.
1. "Moscow Never Sleeps" (Москва никогда не спит) PC: Snapshot Films
Italy
Returning as current champion, Italy - which is the most successful nation ever in this category – has two main contenders and a couple other minor players. At the top of the list is “Human Capital,” which beat out “The Great Beauty” at the local David di Donatello Awards. Added to that, the film has won almost every award at home and several others abroad. It would be shocking to see the film be ignored. The biggest threat to its flawless run is Cannes Competition film “The Wonders.” It received mixed reviews but the Cannes pedigree could play a big role. Local success “The Mafia Only Kills in Summer” is less likely to have a chance. However, it also received tons of praise at home, so it shouldn’t be entirely disqualified. “Misunderstood,” by Asia Argento, played in the Un Certain Regard section but faces tough competition. Rounding up these five possibilities is “Those Happy Years, ” a personal film by Daniele Luchetti, which received very positive reviews internationally.
1. "Human Capital" (Il capitale umano) PC: Indiana Production Company
2. "The Wonders" (Le meraviglie) Isa: The Match Factory
3. "The Mafia Only Kills in Summer" (La mafia uccide solo d'estate) Isa: Rai Com
4. "Misunderstood" (Incompresa) Isa: Other Angle Pictures
5. "Those Happy Years" (Anni felici) Isa: Celluloid Dreams/Nightmares
Kosovo
The surprise submission could come from the recently independent, war-torn Balkan state. They have a promising feature film by Isa Qosja's “Three Windows and a Hanging,” which has been called “the best film from Kosovo to date.” Dealing with the forced silence and shame rape victims experience in a small village ruled by patriarchal norms, the film seems to be a perfect candidate to be their first submission. It recently premiered at the Sarajevo Film Festival, so its biggest challenge would be qualifying based on its unknown release date at home.
1. "Three Windows and a Hanging"
Latvia
Unfortunately for Latvia, their possibilities are extremely limited this year. There are only two films that seem as possible candidates. One is the slasher horror film “The Man in the Orange Jacket.” It sports a great production value and might be an interesting offer, but it is hard to see it get far in the race. Nonetheless, it is still their best chance. The other film "Escaping Riga" is a documentary on historical figures Sergei Eisenstein and Sir Isaiah Berlin. Given its subject matter it wouldn’t be surprising if they chose to with this. Hopefully next year their output gives them more to pick from.
1. "The Man in the Orange Jacket" (M.O.Zh.) Isa: Wide
2. "Escaping Riga" PC: Mistrus Media
Lithuania
Opposite to its Baltic neighbor mentioned above, Lithuania has several notable films that could represent them. After winning the top prizes at the Lithuanian Silver Crane’ awards, “The Gambler” became the clear favorite. However, it is important to mention that despite having narrative features to choose from, Lithuania decided to send a small documentary to represent them last year. This curious fact could play in favor of “ Cenotaphs,” a doc focusing on the search for the remains of dead soldiers from World War II. The film won Best Documentary and was nominated in other categories at the local awards. Then there are three other Silver Crane nominated films. Coming-of-age flick “ Non-Present Time,” family drama “Santa,” and crime thriller “Name in the Dark.” The winner of several of these awards, “The Excursionist” was released too early last year to be considered this time around. Local financial success “Redirected” is mostly in English, thus ineligible.
1. "The Gambler" (Losejas) Isa: Wide
2. "Cenotaph" (Kenotafas) PC: Studio Uljana Kim
3. "Non-Present Time" (Nesamasis laikas) PC: Just a Moment
4. "Santa" PC: Artbox
5. "Name in the Dark" (Vardas tamsoje) PC: Fralita Films...
Therefore, after lots of research and arduous educated guessing to put it together, the list below offers a more insightful look at this race before the actual individual selections are announced. For the sake of time, the amount of films is limited to five per country, but in some cases the choices are scarcer and less films are listed. While trying to speculate is always an uncertain endeavor, the factors taken into account to determine which are some of this year’s most important films in each country and their prospects of being chosen as their representative at the Academy Awards, were varied. Festival exposure, release date, the country’s previous submissions, and even the thematic elements of a few of them were considered to create this piece.
Clearly nothing is definitive at this point, but at the very least, this compilation will provide a sense of what the film industries in these territories are putting out and sharing with the world.
Read More: Oscars 2015 : Best Foreign Language Film Contenders - The Americas
Here is the first part of the list on Europe (Albania -Lithuania)
Albania
Last year the Balkan state had one of its strongest contenders in recent history, Robert Budina’s “Agon,” a powerful drama dealing with the ethnic identity of the region. This time around, there are three films that qualify to be selected. The front-runner is “ Amsterdam Express, ” which has the highest international profile of the three being a co-production between Albania, U.K The Netherlands and Germany. The film explores the sociopolitical situation of the country through the eyes of an Albanian man who immigrates to Dutch territory illegally. Following along are two other dramas, “The Last Wish” (Amaneti) and “Ada.” Having three clearly viable options, it is almost certain that Albania will compete once again this year.
1. "Amsterdam Express" PC: F&Me
2. "The Last Wish" (Amaneti) PC: Media Vision
3. "Ada" PC: Concordia Pictures
Armenia
Having submitted only four times as an independent nation, it is difficult to predict whether Armenia will decide to participate this year. However, they do have a few films that could represent them at the Academy Awards. Even though the country’s film industry is still precarious and struggling, they have their own annual awards and consistently complete feature length works. Since many of them don’t fulfill the quality standards of major festivals, few of their offers ever get passed their border. The most feasible candidate this year is “Tevanik,” a film about the Karabakh war that screened at the Cannes film market and that has also screened theatrically in its home country. Another possible selection is dark comedy “The Romanticists,” which won the Best Screenplay award at the Hayak National Cinema Awards and had some international exposure. Drama “From Two Worlds as a Keepsake, ” could also be a good candidate as it premiered last year at the World Film Festival in Montreal. Less likely are comedy “The Heart in the House ,” a Russian co-production, and Hayak Best Film nominee “Caucho,” which might be a bit too avant-garde to be chosen.
1. "Tevanik" PC: Fish Eye Art
2. "The Romanticists" (Rromantiknery) PC: Aysor-Plus Film Productions
3. "From Two Worlds as a Keepsake" (Yerku ashkharhic i hishatak) PC: National Film Centr of Armenia
4. "The Heart in the House" (Domik v serdtse) PC: Berg Sound
5. "Caucho"
Austria
Since Austrian productions are heavily influenced by the German film industry and often intertwined with it, it is no surprise that the major winner at the German Film Awards was the co-production “The Dark Valley.” But given that the director Andreas Prochaska is Austrian, as well as most of the creative control and resources, the Germans couldn’t claim it as their own. This, and the fact that Sam Riley is in it, make it an ideal, high profile candidate to be Austria’s Oscar submission. Nominated for five awards in the past Austrian Film Awards, “October November” is also a descent candidate. A close third followed is “The Last Dance” the latest film by Houchang Allahyari, whose film “I Love Vienna” represented the country a couple decades ago. Then we have “ Soldier Jane,” which also nominated for Best Film at the National Awards. Lastly, “The Silent Mountain, “ an epic period piece about World War I is not entirely far fetched. Other films that have had positive receptions at festivals such as “Macondo,” or “Amour Fou” will be released closer to the end of the year.
1. "The Dark Valley" (Das Fisntere Tal) Isa: Films Distribution
2. "October November" (Oktober November) Isa: The Match Factory
3. "The Last Dance" (Der letzte Tanz) PC: Allahyari Filmproduktion
4. "Soldier Jane" (Soldate Jeannette) Isa: Premium Films
5. "The Silent Mountain" ( Der Stille Berg) Isa: Premiere Entertainment Group
Azerbaijan
It's always great to see a country like Azerbaijan submitting a film and making an attempt at getting exposure for their filmmakers and industry. Their films rarely make it to the world stage of glamorous festivals, thus they remain mostly obscure and inaccessible outside their homeland. Nevertheless, this year an Azerbaijani film, “Nabat,” could change that as it will screen at the Venice Film festival. This war film has already screened in the country at least at a special event, it is difficult to know if it will qualify this time around. If it does, it is their best bet. Should they decide to save it for next year, the country has another option of mild prestige. “Chameleon,” a small drama set in a remote village, screened last year at Locarno and that alone could help its chances. Lastly, there is “Down by the River,” which was part of the Karlovy Vary Film Festival selection. It will almost certainly be released until past the deadline, but might be a strong contender in the future. Two other dramas, one of epic proportions and a biopic could get in the mix but there is hardly any information available besides the fact that they have been screened in the capital city of Baku.
1. "Nabat" Isa: Dreamlab Films
2. "Chameleon" (Buqälämun) PC: Arizona Productions
3. "Down the River" (Axinla ashagi) PC: Azerbaijanfilm
Belarus
The small ex-Soviet state has been mostly producing documentaries for local viewing. Their output of material that can be successful abroad is minimal, and even when they have been presented with a great opportunity to participate at the Academy Awards, they simply don’t. This was the case of Sergey Loznitsa's “In the Fog” a couple years back, which could have represented them but was not entered. In fact, they have only participated on two occasions, the last one being in 1996. Although it is unlikely they will show interest, the country has a couple of promising choices. Belarus’ best bet would be the international coproduction “ The Role,” a solemn period piece that was nominated for five Nika Awards (the Russian Oscars) and actually won for Best Screenplay. Highly improbable, but given their small number of contenders, the country could also choose to send “BaBu,” an Azerbaijani coproduction about the kidnapping of a businessman’s daughter.
1. "The Role" (Rol) Isa: Reflexion Films
2. "BaBu"
Belgium
With the return to Cannes of the country’s most iconic filmmakers, the Dardenne Brothers, Belgium has an easy decision to make. Starring Oscar-winner Marion Cotillard, “Two Days, One Night” looks like the obvious favorite. Nevertheless, the Dardennes have been overlooked before, as it was the case two years ago when the Belgians decided to send “Bullhead” over the duo’s “The Kid with a Bike.” The only real threat could be “Marina” by Stijn Coninx, who was nominated for an Oscar in this category back in 1992 with “Daens.“ His latest work is a period piece about Rocco Granata’s life, an Italian singer who lived in Belgium in his youth. A more audacious decision, but not entirely impossible, would be to select the beautifully nightmarish “The Strange Color of Your Body’s Tears,” which has had noticeable international presence. Two other titles, “ The Verdict” and “The Treatment” have been well received at home but since they are facing works by revered filmmakers, their chances are slight.
1. "Two Days, One Night" (Deux jours, une nuit) Isa: Wild Bunch
2. "Marina" Isa: Media Luna New Films
3. "The Strange Color of Your Body's Tears" (L'étrange couleur des larmes de ton corps) Isa: Bac Films International
4. "The Verdict" (Het Vonnis) Isa: Media Luna New Films
5. "The Treatment" (De Behandeling) Isa: Be for Films
Bosnia & Herzegovina
The last film by the poster child for Bosnian cinema, Danis Tanovic, managed to make it to the 9-film shortlist last December. This year, the country doesn’t have such a prominent candidate. Based on release date, festival exposure, and language, their safest selection would be the family drama “ With Mom.” Another title that could qualify is “Krivina,” which is technically a 2012 film, but did not premier in Bosnia until late last year. If eligible, it would definitively be a great runner-up. In third place is the incredibly small local film “ Krajina: Life or Death,” and it’s in that position simply because it meets all the minimum requirements to qualify - language included. The last two films mentioned here are longer shots not due to lack of quality, but because of their production details. One, “Bridges of Sarajevo,” is an anthology film created by over a dozen filmmakers from around the world. Even though one of the filmmakers is Bosnian and all sections are in a language other than English, it will be hard to consider it an actual Bosnian film. The other, “For Those Who Can Tell No Tales,” is a Bosnian production directed by Jasmila Zbanic, but the dialogue seems to be mostly in English, which would make it ineligible.
1. "With Mom" (Sa Mamom) PC: Scca/Pro.BA
2. "Krivina" Isa: Princ Films
3. "Krajina: Life and Death" (Ja sam iz Krajine, zemlje kestena) PC: Depo Production
4. "Bridges of Sarajevo" (Les Ponts de Sarajevo) Isa: Indie Sales
5."For Those Who Can Tell No Tales" (Za one koji ne mogu da govore) PC: Mpm
Bulgaria
In recent years the country has decided to send films that have won or have been nominated for their local film awards. This year the winner of the top award for Best Film was “Alienation,” seemingly making it the favorite to be submitted. This might actually not be the case. Premiering at Sundance earlier this year, “Viktoria,” an epic drama about a peculiar mother-daughter relationship, might actually be the frontrunner. The film has been rightfully hailed as the most important Bulgarian film of 2014 as it has been praised at several international festivals. The only concern was its release date, but that has been put to rest since the filmmakers have announced a one-week theatrical run of the film in Sofia this September. This might imply they are seriously considering the possibility of being chosen. Other less likely options are “Roseville,” another Best Film nominee at the local film awards, “Rat Poison,” which won Best Screenplay at those same awards, and the comedy “ Living Legends.” “The Judgement,” another important Bulgarian film that opened the Sofia International Film Festival in March, won’t opened theatrically until after the deadline.
1. "Viktoria" PC: Viktoria Films
2. "Alienation" PC: Red Carpet/ Bnt
3."Roseville" Isa: Wide
4. "Rat Poison" PC: Bulfilm Nfc
5. "Living Legends" PC: Euro Dialogue Productions
Croatia
Dominating last year’s Pula Film Festival with seven Golden Arena awards and presented at other international festivals, the drama “ A Stranger” is by far the most qualified choice. Bobo Jelcic’s film follows a man who returns to his hometown only to attend a funeral, but is forced to deal with several other issues from his past while there. Closely following is complex family drama “Hush…,” which also won several awards at the same festival. Other films that could come into play include “Vis-à-Vis,” a story about a film director and on his actor trying to write a screenplay, crime thriller “Not All About the Money, ”and the comedy “Handymen” by Dalibor Matanic, whose film “Fine Dead Girls” represented Croatia in 2002. It is important to note that three other relevant Croatian films, “The Bridge at the of the World,” "Number 55” and “The Reaper,” will probably be released in the next few months and will be in the running next year.
1. "A Stranger"(Obrana i zastita) Isa: Rendez-vous Pictures
2. "Hush..." (Šuti) PC: Kinorama
3. "Vis-a-Vis" PC: Copycat Production House
4. "Not All About the Money" (Nije sve u lovi) PC: Interfilm
5. "Handymen" (Majstori) PC: Hrvatska Radiotelevizija
Cyprus
As one of the few countries in Europe that has never submitted a film, it is likely they will continue on that path once again. Yet, if they decide otherwise, there is a film that could represent them. Crime drama “Stratos” directed by Cyprus-born Yannis Economides and produced with support from the Cyprus Ministry of Education and Culture could actually be the island nation’s lucky charm. Another Cypriot production, the romantic comedy “ Committed,” would be listed here as a possibility if it wasn’t for the fact that it is entirely in English.
1. "Stratos" (To Mikro Psari) Isa: The Match Factory
Czech Republic
Last year was rough for the Czechs. The ambitious historical courtroom drama “Burning Bush” by acclaimed filmmaker Agnieszka Holland, was disqualified as their submission because it was originally conceived as a TV miniseries. They were forced to select another film “The Don Juans,” which that didn’t do much them. This time around things are looking up with a wide array of films to choose from. Playing at Karlovy Vary recently and opening theatrically just in time to qualify is “Fair Play,” a sports drama about a sprinter attempting to make it to the Olympic Games in 1980. Then there is “Clownwise, ” a quirky dramedy that was nominated for Best Film and won Best Supporting actor at the local Czech Lion Awards. In the third spot is “Hany,” a film conformed of a single continuous shot depicting the madness occurring during a night out in the city. “The Way Out, ” a drama that screened in the Acid sidebar at Cannes, could also be picked based on that notable international exposure. Lastly, “Delight,” another Czech Lion Best Film nominee, could be the surprise selection, but it will probably prove to be a tad too abstract for voters.
1. "Fair Play" Isa: Intramovies
2. "Clownwise" (Klauni) Isa: Latido
3. "Hany" PC: Barletta
4. "The Way Out" (Cesta Ven) Isa: Premium Films
5. "Delight" (Rozkos) PC: Cineart TV Prague
Denmark
These days Denmark is a powerhouse in this category. After almost tasting glory once again with Vinterberg’s “The Hunt, ” the Danish will return to seek their third consecutive nomination. In order to continue their great streak, they need to choose wisely. “Someone in Love,” about a musician in crisis, has garnered praise from critics internationally, and will seem like the obvious choice. On the other hand, there is the mystery flick “ The Keeper of Lost Causes,” which opened in Denmark late last yearand was nominated for 4 Bodil Awards. Then there is “Sorrow and Joy” another powerful drama from Nils Malmros, whose film “Barbara” represented Denmark in 1992. Unique coming-of-age tale ”Speed Walking” could also be a contender. On the final slot there is the romantic drama “The Miracle,” a film that did well at the Montreal World Film Festival, unlikely but not impossible. Whichever it is, it will certainly be something to watch out for throughout the race.
1. "Someone You Love" (En du elsker) Isa: TrustNordisk
2. "The Keeper of Lost Causes" (Kvinden i buret) Isa: TrustNordisk
3. "Sorrow and Joy" (Sorg og glæde) PC: Nordisk Film Production
4. "Speed Walking" (Kapgang) PC: Nordisk Film Production
5. "The Miracle" (Miraklet) PC: Film i Vast
Estonia
This Baltic country’s film industry has increasingly become more consistent at delivering interesting films. Winning awards across festivals, their absolute frontrunner is “Tangerines, ” a Georgian coproduction about a Estonian man caught up in the middle of a war. Its biggest competition is the black and white historical film “In the Crosswind,” “which is a viable choice given that it deals with a painful episode in the region's history: the mass deportation of Baltic people to Siberia by Russia. Though it looks beautifully done, its particular visual aesthetic might seem to unconventional to some voters. It is still really possible they decide to send it regardless. Finally there is “ Kertu” a romantic drama about an unlikely relationship.
1. "Tangerines" (Mandariinid) Isa: Cinemavault
2. "In the Crosswind" (Risttuules) PC: Allfilm
3. "Kertu, Love is Blind" (Kertu) Isa: Paul Thiltges Distribution Sarl
Finland
Despite the countries long filmmaking tradition, the Finnish have only been nominated once for Aki Kaurismäki's “The Man Without a Past” in 2002. Fortunately for them, they have several great eligible films that will make for a difficult decision. Black and white philosophical drama “ Concrete Night” from Pirjo Honkasalo earned 6 Jussi Awards, given by Finland’s film professionals. Such overwhelming recognition will make it hard to ignore despite the serious competition. The film also had a great festival run. Right behind it are two films by prolific Dome Karukoski, who has represented his country at the Oscar previously. The first one is “The Grump,” a comedy based on the character created by Tuomas Kyro. It will screen at Tiff and will open locally just in time to qualify. Karukoski’s other film “Heart of a Lion,” tells a more serious story about a Neo-Nazi who reconsiders his views after falling in love. Either one of them could be picked as a way to honor the consistently great work this filmmaker puts out. Yet another interesting possibility is “Korso,” about a young man with big basketball dreams. The film was partially produced by the same company that created last year’s Oscar nominated short “Do I Have to Take Care of Everything?” There are several other plausible films, but from all those, the one that seems to have the best prospects is the historical comedy “August Fools.”
1. "Concrete Night" (Betoniyö) Isa: Film Republic
2. "The Grump" (Mielensäpahoittaja) Isa: The Yellow Affair
3. "Heart of a Lion" (Leijonasydän) Isa: The Yellow Affair
4. "Korso" PC: Bufo/Tuffi Films
5. "August Fools" (Mieletön elokuu) Isa: Insomnia World Sales
France
Narrowing down France’s possible selection to five titles is by far one of the must uncertain and difficult tasks. The French film industry releases a vast number of films every year in a variety of genres and sizes. This gives them endless possibilities. Yet, there are some indicators that provide insight to what they might end up choosing. First off, the Cesar Awards. This year’s big winner was Guillaume Gallienne's “Me, Myself and Mum, ” which is a delightfully funny film that shines with originality. It was released last November and could definitely be their selected entry. On the other hand, they could choose to honor legendary filmmaker Alain Resnais- who past away earlier this year - by submitting his last film “Life of Riley.” The film received mixed reactions, but won the Fipresci Prize and the Alfred Bauer Award in Berlin. If they want to go with some fresh young talent, there is Cannes Directors' Fortnight Winner “Love at First Sight, ” the debut feature by Thomas Cailley. Another award winner that qualifies is Katell Quillévéré’s “Suzanne” about a woman that loses it all for the love a deviant man. Last but not least, Mathieu Amalric’s latest directorial effort “The Blue Room” could be a surprise player given the actor’s prestige and talent both in front and behind the camera. It is still up in the air.
1. "Me, Myself and Mum" (Les Garçons et Guillaume, à table!) Isa: Gaumont
2. "Life of Riley" (Aimer, boire et chanter) PC: F Comme Film
3. "Love at First Sight" (Les Conbattants) PC: Nord-Ouest Productions
4. "Suzanne" Isa: Films Distribution
5. "The Blue Room" (La Chambre Bleue) Isa: Alfama Films
Georgia
Impressively on the rise, the Georgian film industry keeps on delivering great works that often make waves across international festivals. Last year’s submission “In Bloom,” was a great success and managed to get U.S. distribution for a small theatrical release. On this occasion, they have three films that have done well internationally. Out of the batch, the most successful has been Levan Koguashvili’s “Blind Dates, ” a charming story of a unique quest for love. A second strong competitor is “Brides,” a drama that screened both at the Berlinale and Tribeca this year. Then, just fresh from winning at Karlovy Vary, there is “Corn Island,” a poetic vision of life from the perspective of rural Georgia. It appears like all three titles will release at home in time to qualify. If that’s the case, Georgia has a tough decision to make
1. "Blind Dates" (Shemtkhveviti paemnebi) Isa: Films Boutique
2. "Brides" (Patardzlebi) Isa: Rezo
3. "Corn Island" (Simindis kundzuli) PC: Arizona Productions
Germany
After releasing a 15-film shortlist, Germany’s prospects look clearer. There are several titles on the list that won’t merit a nomination, but the prominent film that remain will make for a competitive final selection. Winning two prizes in Berlin, “Stations of the Cross,” a look at fundamentalist Catholicism, sounds like a front-runner. However, its subject matter might play against it. Feo Aladag’s latest film “Inbetween Worlds,” about a German soldier in Afghanistan, seems to be a powerful drama on the vein of Susanne Bier’s “In a Better World.” On the third slot is “West,” a moving film about a woman and her son escaping socialist East Germany to discover the other side also has its darkness. Then there is “Beloved Sisters,” a costume drama that seems like a safer choice. It might be too familiar to be selected, but not at all improbable. Lastly, “Home from Home,” which won several national awards. It'ss possible, but its narrative style and extensive running time (225 min.) might make it a much more harder sell.
1. "Stations of the Cross" (Kreuzweg) Isa: Beta Cinema
2. "Inbetween Worlds" (Zwischen Welten) Isa: The Match Factory
3. "West" (Westen) Isa: Picture Tree International
4. "Beloved Sisters" (Die geliebten Schwestern) PC: Bavaria Film
5. "Home from Home - Chronicle of a Vision" (Die andere Heimat - Chronik einer Sehnsucht) Isa: Arri Worldsales
Greece
Even though it not an absolute rule, the Greeks tend to select the Hellenic Awards Best Film winner as their submission. Taking that into account, the clear favorite and almost certain choice is “Little England,” a period piece that won big locally. It’s biggest flaw; however, is the lack of international exposure. If for some reason they wanted to make a bold move and reward an impressive festival run, then Alexandros Avranas’s marvelously perverse “Miss Violence” would be ideal. Another great festival darling is Elina Psikou‘s feature debut “The Eternal Return of Antonis Paraskevas,” a sardonic exploration on fame and identity. On the fourth spot, there is “ The Enemy Within,” a tense crime drama about a family in the aftermath of a home invasion. The film was also honored at the Hellenic Awards. Finally, “Standing Aside, Watching,” about corruption, sexism, and intimidation in a small village, could also be a great entry. Un Certain Regard film “Xenia” by Panos H. Koutras, won’t open in Greece until October, but will be a possible option next year.
1. "Little England" (Mikra Anglia) PC: Black Orange
2."Miss Violence" Isa: Elle Driver
3."The Eternal Return of Antonis Paraskevas" (I Aionia Epistrofi tou Antoni Paraskeva) Isa: M-Appeal World Sales
4."The Enemy Within" (O Ehthros Mou) Isa: Patra Spanou
5. "Standing Aside, Watching" (Na kathesai kai na koitas) Isa: Patra Spanou
Hungary
Hungary’s last submission “The Notebook” managed to make it into the highly competitive 9-film shortlist. This year they have even brighter hopes with a slate of titles that have done very well around the world. Un Certain Regard winner “White God” is undoubtedly the one to beat. It is a rare occasion for the country to win such a high profile prize, thus making it almost impossible to ignore. Nevertheless, if that is not enough to convince the selection committee, “Free Fall” the latest film György Pálfi - whose films “ Hukkie” and “Taxidermia” have represented Hungary in the past - would be the next best choice. It also won several awards recently at Karlovy Vary, which could be of help. Less likely is Virág Zomborácz‘s “Afterlife” another drama that screened at the renowned Czech festival. Other possible titles include Lgbt romantic drama “Land of Storms, “ which screened in Berlin, and dark “ “Heavenly Shift,” which descent international presence.
1. "White God" (Fehér isten) Isa: The Match Factory
2. "Free Fall" (Szabadesés) PC: Jiff Project
3. "Afterlife" (Utóélet) Isa: Hungarian National Film Fund
4. "Land of Storms" (Viharsarok) Isa: M-Appeal World Sales
5. "Heavenly Shift" (Isteni müszak) Isa: Hungarian National Film Fund
Iceland
This small Scandinavian nation seems to have a very easy decision to make. The film “Life in a Fishbowl” has been dubbed by local critics as “the best Icelandic” film ever made” and it has also been an absolute box-office hit in its homeland. The multi-narrative film is by far the most likely to be submitted. However, its closest competitor is Ragnar Bragason‘s “ Metalhead,” a drama about a girl coping with her brother’s death. It was released late last year and won several Edda Awards. With far less possibilities given the two frontrunners is the dramedy “Paris of the North, ” which screened at Karlovy Vary, and comedy “ The Grandad,” which lacks exposure and buzz.
1. "Life in a Fishbowl" (Vonarstræti) Isa: Films Boutique
2. "Metalhead" (Málmhaus) Isa: Picture Tree International
3. "Paris of the North" (París Norðursins) PC: Arizona Productions
4. "The Grandad" (Afinn) PC: Thorsson Productions
Ireland
Since most of country’s releases are in English rather than in the Irish language, most years the country doesn’t have any candidates for this category. Ireland has only submitted to films for consideration as foreign language films. It is unlikely they’ll enter the race this year, but if it manages to be released in time, Irish director Johnny O'Reilly‘s Russian-language film “Moscow Never Sleeps” could be their selected candidate. The film was produced with the help of the Irish Film Funs, a fact that could help claim it as an Irish production. Another film in the Irish language, “An Bronntanas” (The Gift), would be a great choice, but it seems to be originally envisioned for TV as a five part miniseries. It’s hard to know if it will manage to qualify.
1. "Moscow Never Sleeps" (Москва никогда не спит) PC: Snapshot Films
Italy
Returning as current champion, Italy - which is the most successful nation ever in this category – has two main contenders and a couple other minor players. At the top of the list is “Human Capital,” which beat out “The Great Beauty” at the local David di Donatello Awards. Added to that, the film has won almost every award at home and several others abroad. It would be shocking to see the film be ignored. The biggest threat to its flawless run is Cannes Competition film “The Wonders.” It received mixed reviews but the Cannes pedigree could play a big role. Local success “The Mafia Only Kills in Summer” is less likely to have a chance. However, it also received tons of praise at home, so it shouldn’t be entirely disqualified. “Misunderstood,” by Asia Argento, played in the Un Certain Regard section but faces tough competition. Rounding up these five possibilities is “Those Happy Years, ” a personal film by Daniele Luchetti, which received very positive reviews internationally.
1. "Human Capital" (Il capitale umano) PC: Indiana Production Company
2. "The Wonders" (Le meraviglie) Isa: The Match Factory
3. "The Mafia Only Kills in Summer" (La mafia uccide solo d'estate) Isa: Rai Com
4. "Misunderstood" (Incompresa) Isa: Other Angle Pictures
5. "Those Happy Years" (Anni felici) Isa: Celluloid Dreams/Nightmares
Kosovo
The surprise submission could come from the recently independent, war-torn Balkan state. They have a promising feature film by Isa Qosja's “Three Windows and a Hanging,” which has been called “the best film from Kosovo to date.” Dealing with the forced silence and shame rape victims experience in a small village ruled by patriarchal norms, the film seems to be a perfect candidate to be their first submission. It recently premiered at the Sarajevo Film Festival, so its biggest challenge would be qualifying based on its unknown release date at home.
1. "Three Windows and a Hanging"
Latvia
Unfortunately for Latvia, their possibilities are extremely limited this year. There are only two films that seem as possible candidates. One is the slasher horror film “The Man in the Orange Jacket.” It sports a great production value and might be an interesting offer, but it is hard to see it get far in the race. Nonetheless, it is still their best chance. The other film "Escaping Riga" is a documentary on historical figures Sergei Eisenstein and Sir Isaiah Berlin. Given its subject matter it wouldn’t be surprising if they chose to with this. Hopefully next year their output gives them more to pick from.
1. "The Man in the Orange Jacket" (M.O.Zh.) Isa: Wide
2. "Escaping Riga" PC: Mistrus Media
Lithuania
Opposite to its Baltic neighbor mentioned above, Lithuania has several notable films that could represent them. After winning the top prizes at the Lithuanian Silver Crane’ awards, “The Gambler” became the clear favorite. However, it is important to mention that despite having narrative features to choose from, Lithuania decided to send a small documentary to represent them last year. This curious fact could play in favor of “ Cenotaphs,” a doc focusing on the search for the remains of dead soldiers from World War II. The film won Best Documentary and was nominated in other categories at the local awards. Then there are three other Silver Crane nominated films. Coming-of-age flick “ Non-Present Time,” family drama “Santa,” and crime thriller “Name in the Dark.” The winner of several of these awards, “The Excursionist” was released too early last year to be considered this time around. Local financial success “Redirected” is mostly in English, thus ineligible.
1. "The Gambler" (Losejas) Isa: Wide
2. "Cenotaph" (Kenotafas) PC: Studio Uljana Kim
3. "Non-Present Time" (Nesamasis laikas) PC: Just a Moment
4. "Santa" PC: Artbox
5. "Name in the Dark" (Vardas tamsoje) PC: Fralita Films...
- 8/31/2014
- by Carlos Aguilar
- Sydney's Buzz
We are three weeks away until Fantastic Fest. Kind of amazing to think about. This year, I am blessed to bring Mike Hassler with me. We will be seeing as many films as our eyeballs will see and writing as many reviews as our fingers will allow us. Take a look at the second wave announcement below and don’t forget to look at the first wave and my predictions of what might play at the fest (I didn’t fare well with the Second Wave). As before, I have included the trailers for all the films, if available, announced in this wave.
From the Press Release
Austin, TX – Wednesday, August 27, 2014 – Celebrating its 10th anniversary, Fantastic Fest is excited to announce the second wave of events, special guests and film programming. Fantastic Fest 2014 takes place September 18-25th in Austin, Texas at the newly reopened Alamo South Lamar and Highball.
From the Press Release
Austin, TX – Wednesday, August 27, 2014 – Celebrating its 10th anniversary, Fantastic Fest is excited to announce the second wave of events, special guests and film programming. Fantastic Fest 2014 takes place September 18-25th in Austin, Texas at the newly reopened Alamo South Lamar and Highball.
- 8/28/2014
- by Andy Triefenbach
- Destroy the Brain
As I will be attending my very first Fantastic Fest in but a few weeks, I now feel, more than ever, that it is my duty to present news on the fest (not that I wasn't willing to before). So, today we have for you their second wave of films, which includes Dan Gilroy's Nightcrawler as the closing night offering. But since that one is getting a general release very, very soon, more importantly there's the North American premiere of Taxidermia director György Pálfi's much acclaimed absurdest parable Free Fall (reviewed here), new work from Toad Road director Jason Banker in Felt, the world premiere of Chilean actioner Redeemer, as well as the Us premieres of Sono Sion's Tokyo Tribe, Justin Benson & Aaron Moorehead's...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 8/27/2014
- Screen Anarchy
Fantastic Fest 2014 kicks off September 18, and the second wave of films has been announced. Purgatory, Redeemer, Whispers Behind the Wall, Necrophobia 3D, Over Your Dead Body, and more are on the menu!
From the Press Release:
Celebrating its 10th anniversary, Fantastic Fest is excited to announce the second wave of events, special guests, and film programming. Fantastic Fest 2014 takes place September 18-25th in Austin, Texas, at the newly reopened Alamo South Lamar and Highball.
Get ready to be blown away by Lionsgate's latest action-packed thriller, John Wick starring Keanu Reeves, with a red carpet gala screening with Reeves and directors David Leitch and Chad Stahelski in attendance. John Wick is the story of a former ex-hitman who comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, John Wick (Keanu Reeves) is a fresh and stylized take on the "assassin genre.
From the Press Release:
Celebrating its 10th anniversary, Fantastic Fest is excited to announce the second wave of events, special guests, and film programming. Fantastic Fest 2014 takes place September 18-25th in Austin, Texas, at the newly reopened Alamo South Lamar and Highball.
Get ready to be blown away by Lionsgate's latest action-packed thriller, John Wick starring Keanu Reeves, with a red carpet gala screening with Reeves and directors David Leitch and Chad Stahelski in attendance. John Wick is the story of a former ex-hitman who comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, John Wick (Keanu Reeves) is a fresh and stylized take on the "assassin genre.
- 8/27/2014
- by Steve Barton
- DreadCentral.com
Be sure to check out MovieBS.com for reviews and commentary from the best film festival known to man. Here is the news release of the second wave of films and events.
Austin, TX – Wednesday, August 27, 2014 – Celebrating its 10th anniversary, Fantastic Fest is excited to announce the second wave of events, special guests and film programming. Fantastic Fest 2014 takes place September 18-25th in Austin, Texas at the newly reopened Alamo South Lamar and Highball.
Get ready to be blown away by Lionsgate’s latest action-packed thriller, John Wick starring Keanu Reeves, with a red carpet gala screening with Reeves and directors David Leitch and Chad Stahelski in attendance. John Wick is the story of a former ex-hitman who comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, John Wick (Keanu Reeves) is a fresh and stylized take on the “assassin genre.
Austin, TX – Wednesday, August 27, 2014 – Celebrating its 10th anniversary, Fantastic Fest is excited to announce the second wave of events, special guests and film programming. Fantastic Fest 2014 takes place September 18-25th in Austin, Texas at the newly reopened Alamo South Lamar and Highball.
Get ready to be blown away by Lionsgate’s latest action-packed thriller, John Wick starring Keanu Reeves, with a red carpet gala screening with Reeves and directors David Leitch and Chad Stahelski in attendance. John Wick is the story of a former ex-hitman who comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, John Wick (Keanu Reeves) is a fresh and stylized take on the “assassin genre.
- 8/27/2014
- by Jeff Bayer
- The Scorecard Review
The lineup for the second wave of films at 2014′s 10th Annual Fantastic Fest in Austin, Texas has arrived, and with it a potential Oscar contender, Dan Gilroy’s Nightcrawler. The film, a pulpy crime film about an embedded journalist (Jake Gyllenhaal), will make its U.S. premiere at the festival with Director and Writer Gilroy in attendance.
Fantastic Fest has also released a lineup that includes John Wick, an action/thriller starring Keanu Reeves (Reeves will be in attendance), Takashi Miike’s latest Over Your Dead Body and the Studio Ghibli film The Tale of Princess Kaguya. This announcement comes on the heels of the first wave of films, including Sundance horror film The Babadook.
Fantastic Fest takes place September 18-25 in Austin. View the first lineup of films here. And view the full lineup of films and descriptions from this second wave below via a press release.
****
The Absent One
Denmark,...
Fantastic Fest has also released a lineup that includes John Wick, an action/thriller starring Keanu Reeves (Reeves will be in attendance), Takashi Miike’s latest Over Your Dead Body and the Studio Ghibli film The Tale of Princess Kaguya. This announcement comes on the heels of the first wave of films, including Sundance horror film The Babadook.
Fantastic Fest takes place September 18-25 in Austin. View the first lineup of films here. And view the full lineup of films and descriptions from this second wave below via a press release.
****
The Absent One
Denmark,...
- 8/27/2014
- by Brian Welk
- SoundOnSight
Open Road’s Jake Gyllenhaal starrer Nightcrawler will close the 10th annual Fantastic Fest in its U.S. premiere and Keanu Reeves will drop by for a gala screening of Lionsgate’s John Wick, organizers announced today. The rising genre film fest held September 18-25 in Austin, TX will open with the previously announced Tusk from Kevin Smith.
Also unveiled today along with a second wave of programming is a centerpiece bout in the Fantastic Debates, in which filmmakers, critics, and celebs engage in discourse at a podium before taking it to the boxing ring to determine the ultimate winner. This year, BitTorrent’s Chief Content Officer Matt Mason will take on a challenger to duke it out over whether the file sharing platform is a valuable tool or an enabler of piracy.
Related: Kevin Smith’s Horror-Comedy ‘Tusk’ To Open Fantastic Fest 2014
This year’s festival marks the grand...
Also unveiled today along with a second wave of programming is a centerpiece bout in the Fantastic Debates, in which filmmakers, critics, and celebs engage in discourse at a podium before taking it to the boxing ring to determine the ultimate winner. This year, BitTorrent’s Chief Content Officer Matt Mason will take on a challenger to duke it out over whether the file sharing platform is a valuable tool or an enabler of piracy.
Related: Kevin Smith’s Horror-Comedy ‘Tusk’ To Open Fantastic Fest 2014
This year’s festival marks the grand...
- 8/27/2014
- by Jen Yamato
- Deadline
Retrospective to include films from Danis Tanovic, Cristi Puiu, Mira Fornay and more.
A total of 50 films are to make up the retrospective Eastern Promises: Autobiography of Eastern Europe at the 62nd San Sebastian Film Festival (Sept 19-27).
The line-up includes movies produced since 2000 in the countries that lived under Soviet influence after the Second World War and include some that were never released theatrically in Spain.
Several directors of films in the retrospective will attend the festival to present their works including Sarunas Bartas (Lithuania), Kristina Buožytė (Lithuania), Marian Crisan (Romania), Mira Fornay (Slovakia), Bohdan Sláma (Czech Republic), Malgorzata Szumowska (Poland) and Anna Viduleja (Latvia).
A book will be published to accompany the retrospective with contributions from journalists and critics across Europe.
The titles are:
Kruh In Mleko / Bread And Milk
Jan Cvitkovic (Slovenia) 2001
A modern classic of Slovenian cinema, the tale of a man who went out for bread and milk and lost himself to alcohol...
A total of 50 films are to make up the retrospective Eastern Promises: Autobiography of Eastern Europe at the 62nd San Sebastian Film Festival (Sept 19-27).
The line-up includes movies produced since 2000 in the countries that lived under Soviet influence after the Second World War and include some that were never released theatrically in Spain.
Several directors of films in the retrospective will attend the festival to present their works including Sarunas Bartas (Lithuania), Kristina Buožytė (Lithuania), Marian Crisan (Romania), Mira Fornay (Slovakia), Bohdan Sláma (Czech Republic), Malgorzata Szumowska (Poland) and Anna Viduleja (Latvia).
A book will be published to accompany the retrospective with contributions from journalists and critics across Europe.
The titles are:
Kruh In Mleko / Bread And Milk
Jan Cvitkovic (Slovenia) 2001
A modern classic of Slovenian cinema, the tale of a man who went out for bread and milk and lost himself to alcohol...
- 8/8/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Corn Island wins Crystal Globe at the Karlovy Vary International Film Festival; Elle Fanning wins best actress prize.
George Ovashvili’s Corn Island, a mostly silent portrait of an old man and his granddaughter attempting to grow crops on a small patch of land in the middle of a river, has picked up the Crystal Globe at the 49th Karlovy Vary International Film Festival (July 4-12).
The prize, awarded on the closing night of the festival in the Czech spa town, included $25,000 to be shared between director Ovashvili and the film’s producer.
Earlier in the day, it was announced that Corn Island had won the Ecumenical Jury Award.
Gyorgy Palfi’s Free Fall, which tells the stories of characters over several floors of an apartment building, picked up several awards including the Special Jury Prize worth $15,000.
The Hungary-France-South Korea co-production also won Palfi the Best Director Award and the Europa Cinemas Label Award for the best...
George Ovashvili’s Corn Island, a mostly silent portrait of an old man and his granddaughter attempting to grow crops on a small patch of land in the middle of a river, has picked up the Crystal Globe at the 49th Karlovy Vary International Film Festival (July 4-12).
The prize, awarded on the closing night of the festival in the Czech spa town, included $25,000 to be shared between director Ovashvili and the film’s producer.
Earlier in the day, it was announced that Corn Island had won the Ecumenical Jury Award.
Gyorgy Palfi’s Free Fall, which tells the stories of characters over several floors of an apartment building, picked up several awards including the Special Jury Prize worth $15,000.
The Hungary-France-South Korea co-production also won Palfi the Best Director Award and the Europa Cinemas Label Award for the best...
- 7/12/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
A re-energised Pula Film Festival, the biggest film festival in Croatia, will welcome top guests including Roger Michell, Fridrik Thor Fridriksson, Gyorgi Palfi, Tudor Giurgiu and Mike Cahill.
Fridriksson [pictured] will serve on a jury and be the subject of a retrospective including his films Rock in Reykjavik, Children of Nature, Devil’s Island, Angels Of The Universe, and Falcons.
The Pula Pro Industry section will include masterclasses from PR expert Charles MacDonald, marketing veteran John Durie, sound expert Ray Gillon of G-Minor and Nik Powell of the UK’s National Film and Television School (Nfts).
The festival boasts a new artistic team of Mike Downey, Hrvoje Puksec and Tanja Milicic, who took over in April.
The Pula Cinematheque section, under special advistor Rajko Grlic, will focus on the year 1965.
One new strand at the festival will be Dizalica, aimed at cinephiles aged 16-21; selections include We Are The Best! and Bitch Hug. This is added...
Fridriksson [pictured] will serve on a jury and be the subject of a retrospective including his films Rock in Reykjavik, Children of Nature, Devil’s Island, Angels Of The Universe, and Falcons.
The Pula Pro Industry section will include masterclasses from PR expert Charles MacDonald, marketing veteran John Durie, sound expert Ray Gillon of G-Minor and Nik Powell of the UK’s National Film and Television School (Nfts).
The festival boasts a new artistic team of Mike Downey, Hrvoje Puksec and Tanja Milicic, who took over in April.
The Pula Cinematheque section, under special advistor Rajko Grlic, will focus on the year 1965.
One new strand at the festival will be Dizalica, aimed at cinephiles aged 16-21; selections include We Are The Best! and Bitch Hug. This is added...
- 7/2/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
The Czech city Karlovy Vary is known for several things: its delicious Carlsbad plums, a liqueur called Becherovka, its spa treatments and, most importantly (to us at Toh, at least) its international film festival, which this year will take place from July 4-12. The 49th Karlovy Vary International Film Festival (Kviff) has announced its lineup of films for this year, including seven world premieres, five international premieres and the festival's first ever animated feature. Here are some of the highlights of the festivals 49th incarnation:"Corn Island," a drama from Georgian director George Ovashvili ("The Other Bank") "Welkome Home," Russian filmmaker Angelina Nikonova's examination of an immigrant community living in New York"Free Fall," a film of seven interconnected stories helmed by Hungarian director György Pálfi"I'm Yours," Belgian director David Lambart's drama about a relationship between a young Argentinian man and an aging Belgian baker"Rocks in My.
- 6/4/2014
- by Jacob Combs
- Thompson on Hollywood
Seven world premieres and five international premieres include an animated movie for the first time in competition; Us drama Low Down starring John Hawkes and Elle Fanning; and Hafsteinn Gunnar Sigurdsson’s follow-up to Either Way.
The 49th Karlovy Vary International Film Festival (July 4-12) has revealed the line-ups for its Official Selection Competition, East of the West Competition, Documentary Films Competition and Forum of Independents Competition.
Kv artistic director Karel Och said: “This year’s selection of competing films offers an exciting mixture of outstanding films whose completion has been eagerly anticipated.
“Many of the filmmakers, who explore less frequently trodden paths of cinematic expression, come from the countries of the former Eastern Bloc, which the Kviff has long focused on.”
In the main festival section, renowned Georgian filmmaker George Ovashvili (The Other Bank) will introduce his long-anticipated film Corn Island, a psychological drama that uses captivating imagery and visuals to present a highly topical subject...
The 49th Karlovy Vary International Film Festival (July 4-12) has revealed the line-ups for its Official Selection Competition, East of the West Competition, Documentary Films Competition and Forum of Independents Competition.
Kv artistic director Karel Och said: “This year’s selection of competing films offers an exciting mixture of outstanding films whose completion has been eagerly anticipated.
“Many of the filmmakers, who explore less frequently trodden paths of cinematic expression, come from the countries of the former Eastern Bloc, which the Kviff has long focused on.”
In the main festival section, renowned Georgian filmmaker George Ovashvili (The Other Bank) will introduce his long-anticipated film Corn Island, a psychological drama that uses captivating imagery and visuals to present a highly topical subject...
- 6/3/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Hovering around the twenty-one to twenty-four feature film mark with at least a quarter of those films belonging to first time filmmakers, the Quinzaine des Realisateurs (a.k.a Directors’ Fortnight) has in the past couple of years, counted on a healthy supply of French, Spanish and Belgium produced film items, and has been geared towards the offbeat genre items as with last year’s edition curated by Edouard Waintrop and co. To be unveiled on the 22nd, as we attempted with our Critics’ Week predix, Blake Williams, Nicholas Bell and I (Eric Lavallee) are thinking out loud and hedging our bets on what the section might look like or what the programmers might be looking at for 2014. Here is our predictions overview:
Alleluia
Six years after presenting Vinyan at the Venice Film Festival, Fabrice Du Welz finally returns with potentially not one, but a pair of works for the ’14 campaign.
Alleluia
Six years after presenting Vinyan at the Venice Film Festival, Fabrice Du Welz finally returns with potentially not one, but a pair of works for the ’14 campaign.
- 4/16/2014
- by IONCINEMA.com Contributing Writers
- IONCINEMA.com
Taxidermia
Written by György Pálfi & Zsófia Ruttkay
Directed by György Pálfi
Austria/France/Hungary, 2006
Striking visuals attempt to match allegory; this is the stuff of Taxidermia. From the onset it’s quite clear that Taxidermia isn’t interested in being a typical horror film. The film blends elements of comedy, body horror, and political allegory into as unappealing of a package as possible. That is, however, the reason that Taxidermia is so appealing as a film. The images are often visceral to the extreme, repugnant in the way they depict the characters. People who see Taxidermia will probably never be able to look at competitive eating the same way again. Repugnance is the point of Taxidermia, or rather it is the point that is used to get to the root of the political issues that have plagued Hungary for years.
On their own the three segments in time that comprise...
Written by György Pálfi & Zsófia Ruttkay
Directed by György Pálfi
Austria/France/Hungary, 2006
Striking visuals attempt to match allegory; this is the stuff of Taxidermia. From the onset it’s quite clear that Taxidermia isn’t interested in being a typical horror film. The film blends elements of comedy, body horror, and political allegory into as unappealing of a package as possible. That is, however, the reason that Taxidermia is so appealing as a film. The images are often visceral to the extreme, repugnant in the way they depict the characters. People who see Taxidermia will probably never be able to look at competitive eating the same way again. Repugnance is the point of Taxidermia, or rather it is the point that is used to get to the root of the political issues that have plagued Hungary for years.
On their own the three segments in time that comprise...
- 12/11/2013
- by Bill Thompson
- SoundOnSight
Every year, we here at Sound On Sight celebrate the month of October with 31 Days of Horror; and every year, I update the list of my favourite horror films ever made. Last year, I released a list that included 150 picks. This year, I’ll be upgrading the list, making minor alterations, changing the rankings, adding new entries, and possibly removing a few titles. I’ve also decided to publish each post backwards this time for one reason: the new additions appear lower on my list, whereas my top 50 haven’t changed much, except for maybe in ranking. I am including documentaries, short films and mini series, only as special mentions – along with a few features that can qualify as horror, but barely do.
****
Special Mention:
Häxan
Directed by Benjamin Christensen
Denmark / Sweden, 1922
Häxan (a.k.a The Witches or Witchcraft Through The Ages) is a 1922 silent documentary about the history of witchcraft,...
****
Special Mention:
Häxan
Directed by Benjamin Christensen
Denmark / Sweden, 1922
Häxan (a.k.a The Witches or Witchcraft Through The Ages) is a 1922 silent documentary about the history of witchcraft,...
- 10/30/2013
- by Ricky
- SoundOnSight
The debut feature of India’s Anand Gandhi adds to prizes won in Dubai and Tokyo.
This year’s Transilvania International Film Festival (Tiff) came to a close at the weekend in Cluj-Napoca with the awarding of the main prize, the Transilvania Trophy, to Indian feature debutant Anand Gandhi’s Ship Of Theseus.
The Competition Jury - comprising directors Cristi Puiu and György Pálfi, UK producer Lynda Myles, German actress Franziska Petri and Tribeca’s Artistic Director Frédéric Boyer - said Ship Of Theseus was evidence of “a new major talent of world cinema”.
The film’s also won the Best Cinematography Award for the work of DoP Pankaj Kumar.
Both prizes were accepted in Cluj on their behalf by the film’s Hungarian sound designer Gabor Erdelyi who spoke about the shoot as being a life-changing experience.
Fortissimo Films is handling international sales.
The Best Directing Award went to Japan’s Rikiya Imaizumi for I Catch...
This year’s Transilvania International Film Festival (Tiff) came to a close at the weekend in Cluj-Napoca with the awarding of the main prize, the Transilvania Trophy, to Indian feature debutant Anand Gandhi’s Ship Of Theseus.
The Competition Jury - comprising directors Cristi Puiu and György Pálfi, UK producer Lynda Myles, German actress Franziska Petri and Tribeca’s Artistic Director Frédéric Boyer - said Ship Of Theseus was evidence of “a new major talent of world cinema”.
The film’s also won the Best Cinematography Award for the work of DoP Pankaj Kumar.
Both prizes were accepted in Cluj on their behalf by the film’s Hungarian sound designer Gabor Erdelyi who spoke about the shoot as being a life-changing experience.
Fortissimo Films is handling international sales.
The Best Directing Award went to Japan’s Rikiya Imaizumi for I Catch...
- 6/10/2013
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Regained, the returning section of Iffr’s Signals programme is dedicated to the memory of film from a particular and contemporary viewpoint. Besides topical new documentaries this year’s Regained programme comprises a rich menu of innovative works using cinema’s history as a main ingredient. For performances and introductions within Regained, Iffr welcomes among others avant-garde maestros Michael Snow and Tony Conrad, and Hungarian filmmaker György Pálfi. Read More...
- 1/7/2013
- Bollywood Trade
Arvind Iyer’s Drapchi will be screened under the ‘The World Today’ section of the 28th Warsaw Film Festival. The 80 minute musical was earlier screened at the Osian’s Cinefan Film Festival 2012.
The Warsaw Film Festival will run from 12th – 21st October, 2012.
The synopsis of the film on the festival website reads: “Modern Tibet: a systematic war is being waged with the traditional past. Punishment awaits those who raise their voices in protest. This is the case with Yiga Gyalnang, a traditional Tibetan opera singer. She is abducted one morning and finds herself in near complete isolation in an underground prison cell in Drapchi, the biggest jail in Lhasa, Tibet. After two years, she breaks free and escapes to Nepal and from there, to the West. With her, she takes her strength, her spirituality, her Tibetan song.
Namgyal Lhamo, Lobsang Yonten, Chris Constantinou, Tashi Choephel and Gen Tenzin la are...
The Warsaw Film Festival will run from 12th – 21st October, 2012.
The synopsis of the film on the festival website reads: “Modern Tibet: a systematic war is being waged with the traditional past. Punishment awaits those who raise their voices in protest. This is the case with Yiga Gyalnang, a traditional Tibetan opera singer. She is abducted one morning and finds herself in near complete isolation in an underground prison cell in Drapchi, the biggest jail in Lhasa, Tibet. After two years, she breaks free and escapes to Nepal and from there, to the West. With her, she takes her strength, her spirituality, her Tibetan song.
Namgyal Lhamo, Lobsang Yonten, Chris Constantinou, Tashi Choephel and Gen Tenzin la are...
- 10/5/2012
- by NewsDesk
- DearCinema.com
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