Miramax Pictures
When David Simon, the mastermind behind HBO’s The Wire and Treme, was told by a former location manager that he really needed to meet with a guy who had once worked in the mob-controlled adult film industry in New York’s Times Square in the 1970s he thought, “I’m married with kids and lawn furniture. I don’t want to go there, man. That’s dark.”
Indeed. To the wider world, there is something undignified about someone who concerns themselves with the history of dirty movies. What’s to know? They were once short movies sold under the counter, then they became full movies watched in public and now porn is seemingly the reason the internet exists (well, that and cat pictures).
Along the way, the mob controlled everything until they didn’t, the drugs remained plentiful despite so many people dying, the FBI spent millions...
When David Simon, the mastermind behind HBO’s The Wire and Treme, was told by a former location manager that he really needed to meet with a guy who had once worked in the mob-controlled adult film industry in New York’s Times Square in the 1970s he thought, “I’m married with kids and lawn furniture. I don’t want to go there, man. That’s dark.”
Indeed. To the wider world, there is something undignified about someone who concerns themselves with the history of dirty movies. What’s to know? They were once short movies sold under the counter, then they became full movies watched in public and now porn is seemingly the reason the internet exists (well, that and cat pictures).
Along the way, the mob controlled everything until they didn’t, the drugs remained plentiful despite so many people dying, the FBI spent millions...
- 11/22/2015
- by Kelly Konda
- Obsessed with Film
With the dog days of summer finally upon us, it's good to find an excuse (any excuse) to dip out of the heat and into a coolly air-conditioned living room. And what better way to spend your time than by watching things on Netflix? Behold, a list of things that are new to Netflix in July.
There are a bunch of new Christmas movies on the streaming service, part of the company's "Christmas in July" program (things like "Bad Santa" and "The Nightmare Before Christmas"), as well as a handful of Disney classics (like "Tarzan" and "Honey, I Shrunk the Kids"). There are also, as always, newer films that you might have missed, but don't have to anymore -- everything from Paul Thomas Anderson's "The Master" (starring the late, great Philip Seymour Hoffman) to this year's "Wolf Creek 2," a high-octane Australian thriller that seriously doesn't disappoint.
There are also...
There are a bunch of new Christmas movies on the streaming service, part of the company's "Christmas in July" program (things like "Bad Santa" and "The Nightmare Before Christmas"), as well as a handful of Disney classics (like "Tarzan" and "Honey, I Shrunk the Kids"). There are also, as always, newer films that you might have missed, but don't have to anymore -- everything from Paul Thomas Anderson's "The Master" (starring the late, great Philip Seymour Hoffman) to this year's "Wolf Creek 2," a high-octane Australian thriller that seriously doesn't disappoint.
There are also...
- 6/30/2014
- by Drew Taylor
- Moviefone
Looking back at 2012 on what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2012—in theaters or at a festival—and creatively pair it with an old film they also saw in 2012 to create a unique double feature.
All the contributors were asked to write a paragraph explaining their 2012 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch in that perfect world we know doesn't exist but can keep dreaming of every time we go to the movies.
How would you program some...
All the contributors were asked to write a paragraph explaining their 2012 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch in that perfect world we know doesn't exist but can keep dreaming of every time we go to the movies.
How would you program some...
- 1/9/2013
- by Daniel Kasman
- MUBI
Movie about cult leader, likened to founder of Scientology L Ron Hubbard, could set new benchmark for independent cinema
The Master, the latest staging post in the extraordinary cinematic journey of director Paul Thomas Anderson, looks set to break box office records for an arthouse release after it opened to packed houses in New York and Los Angeles.
According to the Hollywood Reporter, the film has already set a new record for most money taken on a single day in an art cinema – grossing $242,127 (£149,250) across five La and New York venues to give an average of $48,425.
That breaks the previous record established by Wes Anderson's Moonrise Kingdom, which took an average of $43,082 on its opening day last year.
The Master, an exploration of a charismatic cult leader loosely based on the founder of Scientology, L Ron Hubbard, is also on course to smash Moonrise Kingdom's opening weekend record...
The Master, the latest staging post in the extraordinary cinematic journey of director Paul Thomas Anderson, looks set to break box office records for an arthouse release after it opened to packed houses in New York and Los Angeles.
According to the Hollywood Reporter, the film has already set a new record for most money taken on a single day in an art cinema – grossing $242,127 (£149,250) across five La and New York venues to give an average of $48,425.
That breaks the previous record established by Wes Anderson's Moonrise Kingdom, which took an average of $43,082 on its opening day last year.
The Master, an exploration of a charismatic cult leader loosely based on the founder of Scientology, L Ron Hubbard, is also on course to smash Moonrise Kingdom's opening weekend record...
- 9/16/2012
- by Ed Pilkington
- The Guardian - Film News
In the battle of the Paul Andersons at the box office, each one of them gets to be a winner in their own way. Paul Thomas, director of the fascinating new film The Master, is leading the critical pack with an 88% fresh rating on Rotten Tomatoes, while Paul W.S. will be sitting happily on top of the box office with Resident Evil: Retribution. The fifth film in the franchise based on the video game franchise made $8.8 million on Friday, setting it up for a $23 million weekend and an easy #1 spot at the box office. Coming in at second place is a 3D version of a giant hit from almost a decade ago-- according to the numbers at Deadline, Finding Nemo 3D made $5 million Friday, on its way to an estimated $18 million weekend. That puts it way, way ahead of the third-place finisher, The Possession, which spent the previous two...
- 9/15/2012
- cinemablend.com
The still-young director's highly praised film represents an effort to hang with cinema's biggest guns. He seems to have done it
Last week, the Toronto film festival was treated to a rare sighting of Paul Thomas Anderson, who with his unkempt hair and bushy demeanor resembles a cross between a film director and a marmoset.
"I just want to tell you that I don't consider that we're dealing with a cult," he told the assembled journalists about his film, The Master, which is based in part on the founding of Scientology.
"Trust me, it's not about Scientology," said its star, Philip Seymour Hoffman, earlier in the year – a mixture of concerted PR voodoo and counter-bluff worthy of Orson Welles, who famously denied that William Randolph Hearst had been any kind of inspiration for Citizen Kane.
California is, of course, the home of the cult. Anderson grew up in the San Fernando valley,...
Last week, the Toronto film festival was treated to a rare sighting of Paul Thomas Anderson, who with his unkempt hair and bushy demeanor resembles a cross between a film director and a marmoset.
"I just want to tell you that I don't consider that we're dealing with a cult," he told the assembled journalists about his film, The Master, which is based in part on the founding of Scientology.
"Trust me, it's not about Scientology," said its star, Philip Seymour Hoffman, earlier in the year – a mixture of concerted PR voodoo and counter-bluff worthy of Orson Welles, who famously denied that William Randolph Hearst had been any kind of inspiration for Citizen Kane.
California is, of course, the home of the cult. Anderson grew up in the San Fernando valley,...
- 9/13/2012
- by Tom Shone
- The Guardian - Film News
Church of Scientology reportedly planning publicity drive to undermine Paul Thomas Anderson film based on L Ron Hubbard
Scientologists have stepped up their campaign against Paul Thomas Anderson's controversial new film The Master in the wake of the film's critically acclaimed debuts at the Venice and Toronto film festivals, a Us newspaper is alleging. The New York Post says the Oscar-winning producer Harvey Weinstein, who runs the film's distributor The Weinstein Company with his brother Bob, has increased his personal security.
The Master, which has long been billed as Paul Thomas Anderson's "new film about Scientology" has been the talking point of the autumn festival season so far. The film-maker himself has admitted Phillip Seymour Hoffman's snake-like charmer, the nascent cult leader Lancaster Dodd, is partly based on Scientology founder L Ron Hubbard, but has also argued that his film does not deal with the organisation at a wider level.
Scientologists have stepped up their campaign against Paul Thomas Anderson's controversial new film The Master in the wake of the film's critically acclaimed debuts at the Venice and Toronto film festivals, a Us newspaper is alleging. The New York Post says the Oscar-winning producer Harvey Weinstein, who runs the film's distributor The Weinstein Company with his brother Bob, has increased his personal security.
The Master, which has long been billed as Paul Thomas Anderson's "new film about Scientology" has been the talking point of the autumn festival season so far. The film-maker himself has admitted Phillip Seymour Hoffman's snake-like charmer, the nascent cult leader Lancaster Dodd, is partly based on Scientology founder L Ron Hubbard, but has also argued that his film does not deal with the organisation at a wider level.
- 9/11/2012
- by Ben Child
- The Guardian - Film News
September is about to offer quite the selection to movie-goers (even for those not heading to Venice, Telluride or Toronto), with over 35 films on Indiewire's September calendar. As an extension of our recent fall movie preview, Indiewire is offering the first of four monthly fall "must-see" lists to make cinematic decision-making over the next 30 days as easy as possible. From Paul Thomas Anderson and Ira Sachs to some mean bachlorettes and a teenage wallflower, check out Indiewire's picks for September's 7 best options, and then check out the full September calendar, as there are many worthy films that didn't end up making this list. 1. The Master (September 14) Director: Paul Thomas Anderson Cast: Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams, Laura Dern Distributor: The Weinstein Company Why Is It a "Must See"? Clearly one the year's most anticipated films among many a film lover, Paul Thomas...
- 8/31/2012
- by Peter Knegt
- Indiewire
Paul Thomas Anderon’s The Master, his follow-up to 2007’s Oscar-winning There Will Be Blood, will be heading to Venice at the start of next month, and the anticipation is naturally buzzing. The writer-director has five Oscar nominations to his name, and expectations are for him to be adding to that this year.
Philip Seymour Hoffman and Joaquin Phoenix star opposite each other in the leads, and after getting a pretty remarkable first trailer last month, the film’s official site has debuted a new clip.
“Written and directed by Academy Award nominee Paul Thomas Anderson (the acclaimed director of, There Will Be Blood, Magnolia and Boogie Nights), this story stars Academy Award winner Philip Seymour Hoffman (Capote) and Academy Award-nominee Joaquin Phoenix (Walk the Line). Set in America in the years following World War II, a charismatic intellectual (Hoffman) launches a faith-based organization and taps a young drifter (Phoenix) as his right-hand man.
Philip Seymour Hoffman and Joaquin Phoenix star opposite each other in the leads, and after getting a pretty remarkable first trailer last month, the film’s official site has debuted a new clip.
“Written and directed by Academy Award nominee Paul Thomas Anderson (the acclaimed director of, There Will Be Blood, Magnolia and Boogie Nights), this story stars Academy Award winner Philip Seymour Hoffman (Capote) and Academy Award-nominee Joaquin Phoenix (Walk the Line). Set in America in the years following World War II, a charismatic intellectual (Hoffman) launches a faith-based organization and taps a young drifter (Phoenix) as his right-hand man.
- 8/16/2012
- by Kenji Lloyd
- HeyUGuys.co.uk
This week on Toh, we eagerly anticipate the Toronto and Venice film fests, we review both "The Bourne Legacy" and the surprise screening of PTA's "The Master," we consider the best films of the year so far and more! Interviews: Ted Hope Explains His Surprise Move to San Francisco Dax Shepard Talks Diy Road Movie "Hit and Run," Co-Starring Kristen Bell and Bradly Cooper "Game of Thrones" Writer Vanessa Taylor Talks Streep Drama "Hope Springs" Festivals: Tiff Preview: First-Time Writer-Director Josh Boone Talks "Writers," Starring Greg Kinnear, Jennifer Connelly and Lily Collins Toronto Preview: New Images for "Anna Karenina"; "Les Miz" Won't Make Fall Fests News: "The Hobbit" Takes the Safe Route: 24 Fps Goes Wide, 48 Fps Goes Limited Reviews: Gilroy's "The Bourne Legacy" Delivers, Thanks to Renner Paul Thomas...
- 8/10/2012
- by TOH!
- Thompson on Hollywood
Role of cult comedian, who died aged 32, open for casting
Russell Crowe has confirmed that he will direct a biopic of Bill Hicks, according to Sydney's Telegraph. Crowe was originally thought to be playing the comedian, but Mark Staufer, the actor's schoolmate and writer on the film, has suggested the part is now open for casting.
"It is a huge role for someone, made all the more special, or downright scary, by the fact the director is an Oscar-winning actor like Russell," Staufer said. Casting will have to be finalised before production starts early next year.
Crowe is currently playing Noah in Darren Aronofsky's big-budget telling of the story of the ark, which is filming in Iceland. He's also set to appear as Dracula in Eli Roth's Bram Stoker adaptation, throw kung fu shapes in the RZA's The Man with the Iron Fists and go for a...
Russell Crowe has confirmed that he will direct a biopic of Bill Hicks, according to Sydney's Telegraph. Crowe was originally thought to be playing the comedian, but Mark Staufer, the actor's schoolmate and writer on the film, has suggested the part is now open for casting.
"It is a huge role for someone, made all the more special, or downright scary, by the fact the director is an Oscar-winning actor like Russell," Staufer said. Casting will have to be finalised before production starts early next year.
Crowe is currently playing Noah in Darren Aronofsky's big-budget telling of the story of the ark, which is filming in Iceland. He's also set to appear as Dracula in Eli Roth's Bram Stoker adaptation, throw kung fu shapes in the RZA's The Man with the Iron Fists and go for a...
- 7/24/2012
- by Henry Barnes
- The Guardian - Film News
Whether it's a hard-hitting Scientology satire or a slippery human study, Anderson's latest is sure to provoke some strong opinions
Reading this on mobile? View The Master trailer here
The recent death of Andy Griffith jogged my memory of the man's electrifying turn as Lonesome Rhodes, the denim-clad demagogue in A Face in the Crowd. Elia Kazan's undervalued 1957 drama spins the tale of a fast-talking hobo who becomes a TV star. Lonesome purports to represents the interest of "just plain folks" while actually pushing the agenda of his corporate sponsor and a rightwing politician who wants to tear up social security. He's surfing a wave of public gullibility, riding his luck and selling snake oil to the masses. He is a very American breed of monster.
Early reports suggest that The Master is cut from the same chambray as A Face in the Crowd. Paul Thomas Anderson's forthcoming...
Reading this on mobile? View The Master trailer here
The recent death of Andy Griffith jogged my memory of the man's electrifying turn as Lonesome Rhodes, the denim-clad demagogue in A Face in the Crowd. Elia Kazan's undervalued 1957 drama spins the tale of a fast-talking hobo who becomes a TV star. Lonesome purports to represents the interest of "just plain folks" while actually pushing the agenda of his corporate sponsor and a rightwing politician who wants to tear up social security. He's surfing a wave of public gullibility, riding his luck and selling snake oil to the masses. He is a very American breed of monster.
Early reports suggest that The Master is cut from the same chambray as A Face in the Crowd. Paul Thomas Anderson's forthcoming...
- 7/20/2012
- by Xan Brooks
- The Guardian - Film News
“The Hunger Games” had tons of A-list talent, and “Catching Fire” is keeping up that trend by casting Philip Seymour Hoffman! Hoffman has been cast as Plutarch Heavensbee, the head Gamemaker for The Hunger Games. Before being cast, Hoffman has finished his Broadway run as Wily Loman in the revival of “Death of a Salesman,” which earned him a Tony Award nomination. He’s also been working on Paul Thomas Andersons’ “The Master” and independent film “A Late Quartet” with Catherine Keener and Christopher Walken. “Catching Fire,” the next part of “The Hunger Games” trilogy, stars Jennifer Lawrence as Katniss Everdeen and Josh Hutcherson as Peeta Mellark, the two winners from [ Read More ]...
- 7/9/2012
- by monique
- ShockYa
Actor turned director Dexter Fletcher on Paul Thomas Anderson's Hard Eight
I was out in America. Lock, Stock and Two Smoking Barrels had happened a few years before, it was maybe 2000 or 2001, and I went out to La. I was just pursuing my acting, like you do, out there for the pilot season looking for work.
I stumbled across Hard Eight [also known as Sydney] rather than being directed towards it – I think I saw it first on a movie channel. I had seen Boogie Nights by the director Paul Thomas Anderson; this is his first film. The title is a gambling term for craps on the craps table. I don't understand the finer workings of craps but I know that a "hard eight" is a particularly difficult number to hit.
It's the story of an old guy in Las Vegas played by Philip Baker Hall who takes a young man, John C Reilly,...
I was out in America. Lock, Stock and Two Smoking Barrels had happened a few years before, it was maybe 2000 or 2001, and I went out to La. I was just pursuing my acting, like you do, out there for the pilot season looking for work.
I stumbled across Hard Eight [also known as Sydney] rather than being directed towards it – I think I saw it first on a movie channel. I had seen Boogie Nights by the director Paul Thomas Anderson; this is his first film. The title is a gambling term for craps on the craps table. I don't understand the finer workings of craps but I know that a "hard eight" is a particularly difficult number to hit.
It's the story of an old guy in Las Vegas played by Philip Baker Hall who takes a young man, John C Reilly,...
- 3/19/2012
- The Guardian - Film News
Financial backer says follow-up feature from the There Will Be Blood director is likely to arrive in the autumn
Five years after his Oscar-winning drama There Will Be Blood hit cinemas, Paul Thomas Anderson's follow-up The Master looks set to arrive on the big screen in October, according to one of its financial backers.
Financier Megan Ellison said on Twitter yesterday that the film, which began shooting in June, was likely to arrive in the autumn. Anderson's sixth full-length movie will feature Philip Seymour Hoffman, Joaquin Phoenix, Amy Adams, and Laura Dern. It centres on a pseudo-religious movement named the Cause, which has been compared by some to Scientology.
"I know you guys are waiting on a release date for The Master," said Ellison in a response to an inquiry from Anderson fan site Cigarettes and Red Vines. "It's still a bit early, but I'd keep my eyes on October.
Five years after his Oscar-winning drama There Will Be Blood hit cinemas, Paul Thomas Anderson's follow-up The Master looks set to arrive on the big screen in October, according to one of its financial backers.
Financier Megan Ellison said on Twitter yesterday that the film, which began shooting in June, was likely to arrive in the autumn. Anderson's sixth full-length movie will feature Philip Seymour Hoffman, Joaquin Phoenix, Amy Adams, and Laura Dern. It centres on a pseudo-religious movement named the Cause, which has been compared by some to Scientology.
"I know you guys are waiting on a release date for The Master," said Ellison in a response to an inquiry from Anderson fan site Cigarettes and Red Vines. "It's still a bit early, but I'd keep my eyes on October.
- 3/7/2012
- by Ben Child
- The Guardian - Film News
Steve Martin's novel, "Object of Beauty" is being adapted into film form as a producing and starring vehicle for Amy Adams. Maven Pictures' Trudie Styler and Celine Rattray will also produce. The story follows an art entrepreneur over a decade and a half as she has a series of romances, gets her own gallery and travels the world. Styler and Rattray call Adams "brilliant" and Martin's novel "smart." Maven's goal -- as with Kristin Wiig vehicle "Imogene," now in post -- is to produce films that "highlight strong female characters and talent.” Adams has been busy, shooting Zack Snyder's "Man of Steel," Paul Thomas...
- 2/9/2012
- Thompson on Hollywood
The Fades, Series One
Created by Jack Thorne (whose previous writing credits include Skins, This Is England and Shameless), this six-part supernatual horror series which originally aired in the UK on BBC3 last year, has now arrived on BBC America. Perhaps half-inspired by the success of E4′s superhero drama Misfits, The Fades marks BBC3′s next foray into the subgenre of the youth-skewed horror-fantasy. The Fades may just very well be one of the most promising new series of 2011, in the sense that it has the potential to really make waves if given a second series. The series manages to kick plenty of ass by breathing some much needed fresh air into the over-saturated genre; will that be enough for the series to sign for another year, or will The Fades simply fade away as the next “one-season wonder”?
Those hungry for dark science fiction, look no further. This highly ambitious,...
Created by Jack Thorne (whose previous writing credits include Skins, This Is England and Shameless), this six-part supernatual horror series which originally aired in the UK on BBC3 last year, has now arrived on BBC America. Perhaps half-inspired by the success of E4′s superhero drama Misfits, The Fades marks BBC3′s next foray into the subgenre of the youth-skewed horror-fantasy. The Fades may just very well be one of the most promising new series of 2011, in the sense that it has the potential to really make waves if given a second series. The series manages to kick plenty of ass by breathing some much needed fresh air into the over-saturated genre; will that be enough for the series to sign for another year, or will The Fades simply fade away as the next “one-season wonder”?
Those hungry for dark science fiction, look no further. This highly ambitious,...
- 1/20/2012
- by Ricky
- SoundOnSight
#03. The Master Director/Writer: Paul Thomas AndersonProducers: Anderson, Annapurna Pictures' Megan Ellison (Wettest County), Daniel Lupi (There Will Be Blood), Ghoulardi Film Company's JoAnne Sellar (she has been producing for PTA since Boogie Nights). Distributor: The Weinstein Co. The Gist: Set in America in the years following World War II, a charismatic intellectual (Philip Seymour Hoffman) launches a faith-based organization and taps a young drifter (Phoenix) as his right-hand man. But as the faith begins to gain a fervent following, the onetime vagabond finds himself questioning the belief system he has embraced, and his mentor. The drama explores the need to believe in a higher power, the choice of which one to embrace and the point at which a belief system graduates into a religion....(more) Cast: Amy Adams, Philip Seymour Hoffman, Joaquin Phoenix and Laura Dern ... Helen List Worthy Reasons...: Firstly, the excellent Hoffman saddles back...
- 1/10/2012
- IONCINEMA.com
Chapter headings are a sure sign an English-language director wants to be taken seriously as an auteur
In The Brothers Bloom, writer-director Rian Johnson bends over backwards to let us know how literary he is; not just with that Joycean title, but with references to Melville (Herman, not Jean-Pierre, alas) and Greek mythology. And then there are the chapter headings, as in "Bloom meets Penelope", preceding a sequence in which, yes, Bloom meets Penelope. Hey, why just show when you can show and tell?
Melville's satirical allegory The Confidence Man, acknowledged by Johnson as an inspiration for his movie, contains some amusingly prolix chapter headings, though mercifully Johnson is content to play with snappier captions such as "The Set-Up", perhaps in deference to that other conman tale The Sting, in which the viewer is guided through each stage of the elaborate scam by headings such as "The Wire" or "The...
In The Brothers Bloom, writer-director Rian Johnson bends over backwards to let us know how literary he is; not just with that Joycean title, but with references to Melville (Herman, not Jean-Pierre, alas) and Greek mythology. And then there are the chapter headings, as in "Bloom meets Penelope", preceding a sequence in which, yes, Bloom meets Penelope. Hey, why just show when you can show and tell?
Melville's satirical allegory The Confidence Man, acknowledged by Johnson as an inspiration for his movie, contains some amusingly prolix chapter headings, though mercifully Johnson is content to play with snappier captions such as "The Set-Up", perhaps in deference to that other conman tale The Sting, in which the viewer is guided through each stage of the elaborate scam by headings such as "The Wire" or "The...
- 6/3/2010
- by Anne Billson
- The Guardian - Film News
The Oscar-winning actor's directorial debut, Jack Goes Boating, shows that he's learned some tricks from his own directors, but fellow debutant Mark Ruffalo fails to make the cut
It seems inevitable, these days, that an actor will eventually turn his (much more rarely, her) hand to directing. It's just a couple of feet to the other side of the camera, isn't it? Well, not exactly. Not every career change will bear the same creative fruit as Beatty's, Eastwood's or, latterly, Clooney's. But try to tell them that.
This year at Sundance two of the festival's favourite actors – Philip Seymour Hoffman and Mark Ruffalo – have arrived with their directorial debuts. Each has been derived from a source close to the actor, each has been made with friends, as a labour of love. One is rather good; the other, I'm sad to say, is a Sundance stinker.
Jack Goes Boating is adapted...
It seems inevitable, these days, that an actor will eventually turn his (much more rarely, her) hand to directing. It's just a couple of feet to the other side of the camera, isn't it? Well, not exactly. Not every career change will bear the same creative fruit as Beatty's, Eastwood's or, latterly, Clooney's. But try to tell them that.
This year at Sundance two of the festival's favourite actors – Philip Seymour Hoffman and Mark Ruffalo – have arrived with their directorial debuts. Each has been derived from a source close to the actor, each has been made with friends, as a labour of love. One is rather good; the other, I'm sad to say, is a Sundance stinker.
Jack Goes Boating is adapted...
- 1/27/2010
- by Demetrios Matheou
- The Guardian - Film News
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