Johnny Greenwood is scoring Paul Thomas Anderson’s next film.
The news comes via an interview Greenwood did with the Guardian promoting his new eight-hour organ composition. Towards the end of the interview, Greenwood was asked about his other projects and he confirmed that he’s actively working on the score for Anderson’s next film.
“I’m incredibly lucky that Paul indulges me and gives me so much time to experiment and compose,” he said. “That’s not usually the case in Hollywood, where the soundtrack writers are often very far down the food chain, and are sometimes given only a couple of days to bash out a complete score.”
The as-yet-untitled film, which stars Leonardo DiCaprio, Regina Hall, Sean Penn, Alana Haim, and Teyana Taylor, is currently shooting in California. A release date has been set for August 8th, 2025 through Warner Bros.
Greenwood previously scored Anderson’s films There Will Be Blood,...
The news comes via an interview Greenwood did with the Guardian promoting his new eight-hour organ composition. Towards the end of the interview, Greenwood was asked about his other projects and he confirmed that he’s actively working on the score for Anderson’s next film.
“I’m incredibly lucky that Paul indulges me and gives me so much time to experiment and compose,” he said. “That’s not usually the case in Hollywood, where the soundtrack writers are often very far down the food chain, and are sometimes given only a couple of days to bash out a complete score.”
The as-yet-untitled film, which stars Leonardo DiCaprio, Regina Hall, Sean Penn, Alana Haim, and Teyana Taylor, is currently shooting in California. A release date has been set for August 8th, 2025 through Warner Bros.
Greenwood previously scored Anderson’s films There Will Be Blood,...
- 5/10/2024
- by Scoop Harrison
- Consequence - Film News
Johnny Greenwood is scoring Paul Thomas Anderson’s next film.
The news comes via an interview Greenwood did with the Guardian promoting his new eight-hour organ composition. Towards the end of the interview, Greenwood was asked about his other projects and he confirmed that he’s actively working on the score for Anderson’s next film.
“I’m incredibly lucky that Paul indulges me and gives me so much time to experiment and compose,” he said. “That’s not usually the case in Hollywood, where the soundtrack writers are often very far down the food chain, and are sometimes given only a couple of days to bash out a complete score.”
The as-yet-untitled film, which stars Leonardo DiCaprio, Regina Hall, Sean Penn, Alana Haim, and Teyana Taylor, is currently shooting in California. A release date has been set for August 8th, 2025 through Warner Bros.
Greenwood previously scored Anderson’s films There Will Be Blood,...
The news comes via an interview Greenwood did with the Guardian promoting his new eight-hour organ composition. Towards the end of the interview, Greenwood was asked about his other projects and he confirmed that he’s actively working on the score for Anderson’s next film.
“I’m incredibly lucky that Paul indulges me and gives me so much time to experiment and compose,” he said. “That’s not usually the case in Hollywood, where the soundtrack writers are often very far down the food chain, and are sometimes given only a couple of days to bash out a complete score.”
The as-yet-untitled film, which stars Leonardo DiCaprio, Regina Hall, Sean Penn, Alana Haim, and Teyana Taylor, is currently shooting in California. A release date has been set for August 8th, 2025 through Warner Bros.
Greenwood previously scored Anderson’s films There Will Be Blood,...
- 5/10/2024
- by Scoop Harrison
- Consequence - Music
Radiohead side project the Smile have released a music video for their recent single, “Friend Of A Friend,” which was directed by filmmaker Paul Thomas Anderson. The video premiered in 35mm alongside a surround sound album playback of the group’s new LP, Wall of Eyes, at a series of events at independent cinemas held in 18 cities.
In the clip, the three-piece band, which includes Radiohead members Thom Yorke and Johnny Greenwood alongside drummer Tom Skinner, performs in a school gym in front of a crowd of children. Most of...
In the clip, the three-piece band, which includes Radiohead members Thom Yorke and Johnny Greenwood alongside drummer Tom Skinner, performs in a school gym in front of a crowd of children. Most of...
- 1/26/2024
- by Emily Zemler
- Rollingstone.com
The latest Paul Thomas Anderson film is here! Well, not exactly a film, just another music video from the master filmmaker. PTA has directed the video for the song "Wall of Eyes" from the band The Smile. He's obviously involved with The Smile, as it's a new band made up of his friends - Radiohead's Thom Yorke and Johnny Greenwood along with drummer Tom Skinner. Their new album will be launching in January, and this music video is the first one made to help promote the release. They filmed it just a few weeks ago! The credits on Yt state this was shot on location in London at the The Mildmay Club (see Google Maps) in late October. This B&w "Wall of Eyes" music video features Yorke hanging out around this bar staring at the camera and singing. There are also a number of shots that are literally eyes (or an eye) on walls.
- 11/13/2023
- by Alex Billington
- firstshowing.net
If you purchase an independently reviewed product or service through a link on our website, Rolling Stone may receive an affiliate commission.
The Smile, Big Thief, and Kelela are among the indie darlings headed to Chicago this summer for the 2023 Pitchfork Music Festival, taking place July 21 through 23 at Union Park.
The Smile — the Radiohead offshoot with Thom Yorke, Johnny Greenwood, and Tom Skinner — will headline day one of the festival, which will also feature Alvvays and Perfume Genius. Additional acts include Roc Marciano and the Alchemist, Youth Lagoon, Ric Wilson,...
The Smile, Big Thief, and Kelela are among the indie darlings headed to Chicago this summer for the 2023 Pitchfork Music Festival, taking place July 21 through 23 at Union Park.
The Smile — the Radiohead offshoot with Thom Yorke, Johnny Greenwood, and Tom Skinner — will headline day one of the festival, which will also feature Alvvays and Perfume Genius. Additional acts include Roc Marciano and the Alchemist, Youth Lagoon, Ric Wilson,...
- 3/20/2023
- by Jon Blistein
- Rollingstone.com
Last Updated February 11: The original score Oscar nominees — “Don’t Look Up” (Netflix), “Dune” (Warner Bros.), “Encanto” (Disney), “Parallel Mothers” (Sony Pictures Classics), and “The Power of the Dog” (Netflix) — are graced by experimentation and invention. Significantly, “Encanto’s” Germaine Franco represents the first woman to be nominated for a Disney animated feature.
Oscar winner Hans Zimmer (“The Lion King”), though, could win his second award for Denis Villeneuve’s ambitious “Dune.” His score is a musical masterpiece of experimental invention in conveying the beauty and danger of the Arrakis desert planet — from the rhythm of the wind pushing the sand between the rocks to the pounding percussion of the monstrous sandworms. Zimmer leaned on the spiritual, driven by a choir of female voices. As part of the hallucinatory nature, Zimmer didn’t want any of the culturally diverse instruments identifiable, so he disguised everything with the help of sculptor...
Oscar winner Hans Zimmer (“The Lion King”), though, could win his second award for Denis Villeneuve’s ambitious “Dune.” His score is a musical masterpiece of experimental invention in conveying the beauty and danger of the Arrakis desert planet — from the rhythm of the wind pushing the sand between the rocks to the pounding percussion of the monstrous sandworms. Zimmer leaned on the spiritual, driven by a choir of female voices. As part of the hallucinatory nature, Zimmer didn’t want any of the culturally diverse instruments identifiable, so he disguised everything with the help of sculptor...
- 2/11/2022
- by Bill Desowitz
- Indiewire
The mighty “Dune” (from Warner Bros.) affirmed its craft dominance on Tuesday by grabbing eight out of a possible nine Oscar nominations (original song wasn’t in play). Thus, Denis Villeneuve’s sweeping and heady sci-fi ran the field with everything else: cinematography, costume design, editing, makeup/hair, original score, production design, sound, and visual effects. Historically, that puts “Dune” right behind “The Lord of the Rings: The Return of the King” and “Titanic,” which both had nine craft noms.
The closest competitors with four noms were Jane Campion’s Netflix western, “The Power of the Dog”, and Steven Spielberg’s “West Side Story” remake at Fox/Disney — which was two shy of the 1961 original. Landing three noms were Guillermo del Toro’s “Nightmare Alley” at Searchlight/Disney and Daniel Craig’s James Bond finale, “No Time to Die,” at MGM/UA.
Collecting two craft noms were Netflix’s “Don’t Look Up...
The closest competitors with four noms were Jane Campion’s Netflix western, “The Power of the Dog”, and Steven Spielberg’s “West Side Story” remake at Fox/Disney — which was two shy of the 1961 original. Landing three noms were Guillermo del Toro’s “Nightmare Alley” at Searchlight/Disney and Daniel Craig’s James Bond finale, “No Time to Die,” at MGM/UA.
Collecting two craft noms were Netflix’s “Don’t Look Up...
- 2/8/2022
- by Bill Desowitz
- Indiewire
One of the year’s most acclaimed films has a brand-new trailer that should do little to dampen its pre-release buzz and anticipation. Out December 1 on Netflix following a brief theatrical run in November, Jane Campion’s “The Power of the Dog” is already one of 2021’s top contenders: In the combined Gold Derby odds, the Western starring Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, and Kodi Smit-McPhee is the top choice in Best Picture, Best Director for Campion, Best Adapted Screenplay for Campion, and Best Supporting Actress for Dunst, and a serious threat in Best Actor for Cumberbatch, and Best Supporting Actor for both Smit-McPhee and Plemons.
All of the stars are given room to shine in the new teaser that Netflix released Thursday, which mixes footage from the movie — Campion’s first in 12 years — with euphoric pull quotes about the performances. Composer Johnny Greenwood’s score is also teased in the trailer.
All of the stars are given room to shine in the new teaser that Netflix released Thursday, which mixes footage from the movie — Campion’s first in 12 years — with euphoric pull quotes about the performances. Composer Johnny Greenwood’s score is also teased in the trailer.
- 11/4/2021
- by Christopher Rosen
- Gold Derby
Last year at this time, Chloe Zhao’s “Nomadland” ran through the upended festival gauntlet, with high profile debuts at the Venice Film Festival, Telluride Film Festival, Toronto International Film Festival, and New York Film Festival en route to an eventual Best Picture victory. This year, another major project from a celebrated female filmmaker is set to do the same thing: Jane Campion’s “The Power of the Dog,” which just debuted at the Venice Film Festival before lavish screenings at Telluride, Toronto, and New York follow later this month. Based on the initial reviews, Gold Derby prognosticators with the Netflix film prominently featured in their predictions across multiple categories could be ahead of the coming curve.
“Twelve years after her last feature, Jane Campion makes a thrilling return with ‘The Power of the Dog,’ a work as boldly idiosyncratic, unpredictable and alive with psychological complexity as anything in the revered director’s output,...
“Twelve years after her last feature, Jane Campion makes a thrilling return with ‘The Power of the Dog,’ a work as boldly idiosyncratic, unpredictable and alive with psychological complexity as anything in the revered director’s output,...
- 9/2/2021
- by Christopher Rosen
- Gold Derby
The most recent season of “The Crown” tackled the Princess Diana saga with Emma Corrin in the central role, but it should come as no surprise that it’s not the only recent effort to grapple with her legacy. In “Spencer,” Chilean director Pablo Larraín follows a transformative Kristen Stewart as the troubled princess on the weekend she decides to separate from Prince Charles. Yet Larraín’s film adopts a radical new approach to the ubiquitous character by reinventing her story — and giving her the last laugh, no matter what the history books say.
There are many reasons why Diana, otherwise known as Diana Spencer, continues to fascinate the public nearly 25 years after her death: The late member of the Royal family projected a powerful individualism at odds with the buttoned-up image of the regal world she married into and then rejected in public; her death is a tragic embodiment...
There are many reasons why Diana, otherwise known as Diana Spencer, continues to fascinate the public nearly 25 years after her death: The late member of the Royal family projected a powerful individualism at odds with the buttoned-up image of the regal world she married into and then rejected in public; her death is a tragic embodiment...
- 9/2/2021
- by Eric Kohn
- Indiewire
Polish composer and conductor Krzysztof Penderecki, whose often disturbing and challenging avant-garde music has turned up in films from “The Shining” to “The Exorcist” and “Children of Men,” and as recently as the TV series “Twin Peaks: The Return,” died at his home in Krakow on Sunday, March 29. He was 86 years old.
Penderecki’s greatest influence on any modern composer can perhaps be found in the work of Johnny Greenwood, the lead guitarist and keyboardist of Radiohead and musician behind the soundtracks for films including Paul Thomas Anderson’s “There Will Be Blood,” “Phantom Thread” and “The Master,” as well as Lynne Ramsay’s “We Need to Talk About Kevin” and “You Were Never Really Here.”
More from IndieWireDavid Lynch Is Coming to Disney+ in April, So Get Your Children ReadyKyle MacLachlan 'Excited' for Villeneuve's 'Dune' to Differ From David Lynch's Vision
“What sad news to wake to. Penderecki...
Penderecki’s greatest influence on any modern composer can perhaps be found in the work of Johnny Greenwood, the lead guitarist and keyboardist of Radiohead and musician behind the soundtracks for films including Paul Thomas Anderson’s “There Will Be Blood,” “Phantom Thread” and “The Master,” as well as Lynne Ramsay’s “We Need to Talk About Kevin” and “You Were Never Really Here.”
More from IndieWireDavid Lynch Is Coming to Disney+ in April, So Get Your Children ReadyKyle MacLachlan 'Excited' for Villeneuve's 'Dune' to Differ From David Lynch's Vision
“What sad news to wake to. Penderecki...
- 3/29/2020
- by Ryan Lattanzio
- Indiewire
As I have mentioned before, adapting Haruki Murakami’s works in cinema is definitely an arduous task, due to the surrealism, the minimalism, the abstractness and the lack of action and “proper” finale that characterize most of his novels. However, Tran Anh Hung’s effort was quite successful, particularly due to Mark Lee’s cinematography, Johnny Greenwood’s music and the connection with the homonymous song by The Beatles.
The story takes place during the 60’s and begins with the school years of three friends, Toru, Kizuki and Naoko, with the last two being a couple since childhood almost. At one point, and without any particular reason, Kizuki commits suicide and Toru, who had no other friends except him, moves to Tokyo to study but also to get away from the pain. While there, he meets Naoko again and the two start hanging out, joined, in some way,...
The story takes place during the 60’s and begins with the school years of three friends, Toru, Kizuki and Naoko, with the last two being a couple since childhood almost. At one point, and without any particular reason, Kizuki commits suicide and Toru, who had no other friends except him, moves to Tokyo to study but also to get away from the pain. While there, he meets Naoko again and the two start hanging out, joined, in some way,...
- 1/18/2020
- by Panos Kotzathanasis
- AsianMoviePulse
Not all movie scores have the potency to stick with viewers long after the credits rolled. But a great film score not only stands out in our minds, it can bring back the emotions we felt during a particular scene. We can relive the thrill of danger or adventure, tears can well up in our eyes over romantic or mournful notes. Without looking, some scores can even conjure up images from the movie, clear and crisp as when we first watched it, because the music pinned those moments to our memories. There have been hundreds of scores that have had this effect on us over the decade. Here are just a handful of some of our most unforgettable favorites:
10. “Arrival,” Jóhann Jóhannsson
For a movie about communicating with other lifeforms from outer space, some of the most poignant moments of Denis Villenueve’s “Arrival” are actually more terrestrial. As Amy...
10. “Arrival,” Jóhann Jóhannsson
For a movie about communicating with other lifeforms from outer space, some of the most poignant moments of Denis Villenueve’s “Arrival” are actually more terrestrial. As Amy...
- 12/12/2019
- by Monica Castillo
- The Wrap
Paul Thomas Anderson has a surprise new project heading to Netflix and select IMAX theaters later this month: “Anima,” a musical short film starring Thom Yorke. The “one-reeler” is being billed by the streaming giant as a “mind-bending visual piece. Best played loud.” The film will feature three tracks from Yorke’s upcoming album of the same name.
In the “Anima” teaser clip below, Yorke defines a one-reeler as “a motion picture, especially a cartoon or comedy, of 10-12 minutes duration and contained on one reel of film; popular especially in the era of silent films.”
For Anderson, “Anima” marks his first directorial release since “Phantom Thread,” his acclaimed Daniel Day Lewis-starring drama that picked up Oscar nominations for Best Picture, Best Director, and Best Actor, among others. The film won the Academy Award for Best Costume Design. Anderson has yet to announce a follow-up feature to “Phantom Thread,” which...
In the “Anima” teaser clip below, Yorke defines a one-reeler as “a motion picture, especially a cartoon or comedy, of 10-12 minutes duration and contained on one reel of film; popular especially in the era of silent films.”
For Anderson, “Anima” marks his first directorial release since “Phantom Thread,” his acclaimed Daniel Day Lewis-starring drama that picked up Oscar nominations for Best Picture, Best Director, and Best Actor, among others. The film won the Academy Award for Best Costume Design. Anderson has yet to announce a follow-up feature to “Phantom Thread,” which...
- 6/20/2019
- by Zack Sharf
- Indiewire
Radiohead is a hugely successful English rock band that was formed in 1985. The band consists of Thom Yorke, Johnny Greenwood, Colin Greenwood, Ed O’Brien, and Philip Selway. They released their debut album ‘Pablo Honey’ and their debut single ‘Creep’ in 1992. By 2011, this band had sold more than 30 million albums worldwide and they have released nine albums to date. Many of their songs have been used in television series and films. The use of their tracks has helped to deliver the plot or to connect the audience emotionally with the storyline. Here are five of the best
The Best Uses of Radiohead Songs in Movies or TV...
The Best Uses of Radiohead Songs in Movies or TV...
- 8/8/2018
- by Nat Berman
- TVovermind.com
To mark the release of You Were Never Really Here on 2nd July, we’ve been given 1 copy to give away on Blu-ray.
Joe, a tormented but ruthlessly brutal hired gun sets out to rescue a young girl from a sex ring, only to find himself weathering a storm of gruesome conspiracy and violent retribution when matters go awry. As the violence swirls both around him and through him, Joe’s deeply damaged psyche is revealed, but will this maelstrom lead to his awakening?
Written and directed by Ramsay and based on the book by Jonathan Ames, You Were Never Really Here marks an outstanding breakout performance by Ekaterina Samsonov, and yet another mesmerising, eerie score from Radiohead’s Academy Award® nominee Johnny Greenwood.
Please note: This competition is open to UK residents only
a Rafflecopter giveaway
The Small Print
Open to UK residents only The competition will close 16th...
Joe, a tormented but ruthlessly brutal hired gun sets out to rescue a young girl from a sex ring, only to find himself weathering a storm of gruesome conspiracy and violent retribution when matters go awry. As the violence swirls both around him and through him, Joe’s deeply damaged psyche is revealed, but will this maelstrom lead to his awakening?
Written and directed by Ramsay and based on the book by Jonathan Ames, You Were Never Really Here marks an outstanding breakout performance by Ekaterina Samsonov, and yet another mesmerising, eerie score from Radiohead’s Academy Award® nominee Johnny Greenwood.
Please note: This competition is open to UK residents only
a Rafflecopter giveaway
The Small Print
Open to UK residents only The competition will close 16th...
- 6/29/2018
- by Competitions
- HeyUGuys.co.uk
Author: Euan Franklin
Film is one of the few mediums to ingratiate many other art forms. Novels, plays, painting, and photography – movies provide them all at once. But one form stands out from all the rest. The average cinema-goer may forget the direction, the dialogue, and the cinematography – but never the music. They’ve all hummed the themes to Star Wars and Pirates of the Caribbean and Lord of the Rings. Barely anyone discusses the cinematography of Phantom Thread, but they all rave about Johnny Greenwood’s soundtrack (promptly saved on their Spotify accounts). The film score may well be the aspect most remembered and recalled after the end credits roll up. In this documentary from Matt Schrader, Score goes deeper into the history and impact of film music.
The film starts in Malibu, California, where composer Marco Beltrami (Scream, The Hurt Locker) has tied a piano atop a shipping...
Film is one of the few mediums to ingratiate many other art forms. Novels, plays, painting, and photography – movies provide them all at once. But one form stands out from all the rest. The average cinema-goer may forget the direction, the dialogue, and the cinematography – but never the music. They’ve all hummed the themes to Star Wars and Pirates of the Caribbean and Lord of the Rings. Barely anyone discusses the cinematography of Phantom Thread, but they all rave about Johnny Greenwood’s soundtrack (promptly saved on their Spotify accounts). The film score may well be the aspect most remembered and recalled after the end credits roll up. In this documentary from Matt Schrader, Score goes deeper into the history and impact of film music.
The film starts in Malibu, California, where composer Marco Beltrami (Scream, The Hurt Locker) has tied a piano atop a shipping...
- 2/26/2018
- by Euan Franklin
- HeyUGuys.co.uk
A Look At 2017 Films Nominated For Prominent Oscars
By Lee Pfeiffer
The most over-rated of this year's Best Picture Oscar nominees is director Paul Thomas Anderson's "Phantom Thread", a bizarre, off-putting drama that succeeds in presenting unusual characters in offbeat situations. It's a film saturated in atmosphere and intriguing plot scenarios that ultimately never delivers on presenting satisfactory conclusions to any of them. Daniel Day Lewis, in what is his self-described final screen appearance before entering retirement, is Reynolds Woodcock, a London dressmaker who has become a legend in his own time. The House of Woodcock designs top-line dresses for the international jet set as well as royals from around the globe. He prides himself on his obsession with his work and he runs the business with his humorless, equally dedicated sister Cyril (Lesley Manville). Their design house is run like a military base with discipline and dedication expected of their devoted,...
By Lee Pfeiffer
The most over-rated of this year's Best Picture Oscar nominees is director Paul Thomas Anderson's "Phantom Thread", a bizarre, off-putting drama that succeeds in presenting unusual characters in offbeat situations. It's a film saturated in atmosphere and intriguing plot scenarios that ultimately never delivers on presenting satisfactory conclusions to any of them. Daniel Day Lewis, in what is his self-described final screen appearance before entering retirement, is Reynolds Woodcock, a London dressmaker who has become a legend in his own time. The House of Woodcock designs top-line dresses for the international jet set as well as royals from around the globe. He prides himself on his obsession with his work and he runs the business with his humorless, equally dedicated sister Cyril (Lesley Manville). Their design house is run like a military base with discipline and dedication expected of their devoted,...
- 2/25/2018
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Luca Guadagnino’s Italy-set romance nabs best film.
Call Me By Your Name has scooped the best picture prize at the 15th International Cinephile Society awards.
Luca Guadagnino’s Italy-set romance also took best actor for Timothee Chalamet, supporting actor for Michael Stuhlbarg, and adapted screenplay for James Ivory.
Paul Thomas Anderson’s Phantom Thread topped the awards table with five: best director, actress for Vicky Krieps, supporting actress for Lesley Manville, score for Johnny Greenwood, and original screenplay for director Anderson.
Further awards went to Blade Runner 2049 (cinematography for Roger Deakins and production design for Dennis Gassner), Visages Villages (best documentary for Agnes Varda and Jr), Good Time (editing for Ronald Bronstein and Benny Safdie), Bpm (Beats Per Minute) (ensemble cast), and The Girl Without Hands (animated films).
A 15th anniversary award was presented to Leos Carax’s Holy Motors.
The International Cinephile Society was formed in 2003 and is made up of around 100 journalists, film scholars...
Call Me By Your Name has scooped the best picture prize at the 15th International Cinephile Society awards.
Luca Guadagnino’s Italy-set romance also took best actor for Timothee Chalamet, supporting actor for Michael Stuhlbarg, and adapted screenplay for James Ivory.
Paul Thomas Anderson’s Phantom Thread topped the awards table with five: best director, actress for Vicky Krieps, supporting actress for Lesley Manville, score for Johnny Greenwood, and original screenplay for director Anderson.
Further awards went to Blade Runner 2049 (cinematography for Roger Deakins and production design for Dennis Gassner), Visages Villages (best documentary for Agnes Varda and Jr), Good Time (editing for Ronald Bronstein and Benny Safdie), Bpm (Beats Per Minute) (ensemble cast), and The Girl Without Hands (animated films).
A 15th anniversary award was presented to Leos Carax’s Holy Motors.
The International Cinephile Society was formed in 2003 and is made up of around 100 journalists, film scholars...
- 2/7/2018
- by Tom Grater
- ScreenDaily
Thom Yorke has composed an atmospheric new track for a short film starring Kate Mara and Ansel Elgort. Titled “Why Can’t We Get Along?,” the song features Yorke’s pretty falsetto over an ethereal electronic beat. The video is a collaboration for fashion label rag & bone, and features Mara and Elgort performing a spare modern dance. Shot in a dimly lit warehouse, the dancers interact with industrial elements as sculptural set pieces. In a slow-motion version of something that could have been a cut “Baby Driver” stunt, Elgort is gently rolled inside a metal pipe, or lowered slowly to the floor on an angled fork lift.
Read More:Jonny Greenwood’s Oscar-Worthy ‘Phantom Thread’ Score is Now Streaming in Its Entirety — Listen
A variety of bodies help fill in the large open space, including dancers from American Ballet Theater, HipLet Ballerinas, Bulletrun Parkour, and Musical.ly star Kandi Reign.
Read More:Jonny Greenwood’s Oscar-Worthy ‘Phantom Thread’ Score is Now Streaming in Its Entirety — Listen
A variety of bodies help fill in the large open space, including dancers from American Ballet Theater, HipLet Ballerinas, Bulletrun Parkour, and Musical.ly star Kandi Reign.
- 2/2/2018
- by Jude Dry
- Indiewire
Paul Thomas Anderson has only made 8 films throughout his illustrious career, but his latest directorial effort–Phantom Thread–just received a handful of oscar nominations for it’s direction, acting, original score, and costume design. In what was touted as Daniel Day-Lewis‘ final on-screen performance, Phantom Thread follows renowned dressmaker Reynolds Woodcock (Day-Lewis) as he traverses the center of british fashion in the 1950’s, when his life is disrupted with the entrance of Alma (Vicky Krieps), who becomes both his muse and lover.
These featurettes and clips seem to highlight the incredible costume design by Mark Bridges, and all of the work that the costume team put into the designing each piece of wardrobe for the actors. This is no surprise, since PTA’s films are notoriously meticulous, especially his period ones. What’s really awesome here is that we’re give some insight into the Anderson and Bridges were...
These featurettes and clips seem to highlight the incredible costume design by Mark Bridges, and all of the work that the costume team put into the designing each piece of wardrobe for the actors. This is no surprise, since PTA’s films are notoriously meticulous, especially his period ones. What’s really awesome here is that we’re give some insight into the Anderson and Bridges were...
- 1/29/2018
- by Taylor Salan
- Age of the Nerd
It’s been quite the past year for Barry Jenkins. After earning acclaimed for his breakthrough feature Moonlight, it went on to win Best Picture in a surprising, welcome victory and now he’s already begin working on his follow-up, an adaptation of James Baldwin’s If Beale Street Could Talk (which nearly made the top spot on our list of the most-anticipated films of 2018, if it wasn’t for a new film from one of Jenkins’ favorite directors). We now have news on another project from the director in what will be a genre shift.
Deadline reports that the Moonlight helmer will direct the thriller Expatriate, set to star Chadwick Boseman (Black Panther, 42). Scripted by the actor himself alongside Logan Coles, Universal will produce the project, backed by Marc Platt. Although no details are known outside of it being “an international thriller set around a 1970s plane hijacking,” with this star and director attached,...
Deadline reports that the Moonlight helmer will direct the thriller Expatriate, set to star Chadwick Boseman (Black Panther, 42). Scripted by the actor himself alongside Logan Coles, Universal will produce the project, backed by Marc Platt. Although no details are known outside of it being “an international thriller set around a 1970s plane hijacking,” with this star and director attached,...
- 1/15/2018
- by Jordan Raup
- The Film Stage
Paul Thomas Anderson’s “Phantom Thread” has quickly become a favorite among some of our favorite directors, including Edgar Wright, Rian Johnson, and now Barry Jenkins. The “Moonlight” Oscar winner finally caught up with the romantic drama in the new year and had nothing but raves to share with his social media followers.
Read More:Paul Thomas Anderson’s Beautiful Struggle: Trump, Retirement, and Death Made ‘Phantom Thread’ One of His Hardest Films
“‘Phantom Thread’ is just exquisite, an unfiltered work; a sublime object,” Jenkins wrote about the film. “Object in the sense that, when viewed from different angles, in varying moods, it reveals more and more of itself, other emotions and, for a film overrun with aesthetic objects, deepened ideas.”
Jenkins was particularly impressed with the fact Anderson was able to pull off such an achievement while handling so many on-set duties. “Phantom Thread” marked the first time the director worked without a cinematographer.
Read More:Paul Thomas Anderson’s Beautiful Struggle: Trump, Retirement, and Death Made ‘Phantom Thread’ One of His Hardest Films
“‘Phantom Thread’ is just exquisite, an unfiltered work; a sublime object,” Jenkins wrote about the film. “Object in the sense that, when viewed from different angles, in varying moods, it reveals more and more of itself, other emotions and, for a film overrun with aesthetic objects, deepened ideas.”
Jenkins was particularly impressed with the fact Anderson was able to pull off such an achievement while handling so many on-set duties. “Phantom Thread” marked the first time the director worked without a cinematographer.
- 1/12/2018
- by Zack Sharf
- Indiewire
The 75th Annual Golden Globe Awards kicked off Sunday at the Beverly Hilton in Beverly Hills, California, marking the beginning of awards season and symbolizing a new era in Hollywood.
As expected, actors and actresses wore black on the red carpet to symbolize their solidarity with victims of sexual harassment and those fighting for gender inequality in the workplace; many shared with Et the significance the Time's Up initiative has to them personally.
While the red carpet became a place for thoughtful discussion and powerful statements, it was also a place to celebrate the night's nominees. Female-led shows like Big Little Lies and Feud: Bette and Joan led the pack with six and four nominations each, while on the film side, The Shape of Water earned seven nominations. Three Billboards Outside Ebbing, Missouri and The Post tied with six nominations each.
See which of your favorites took home trophies below.
Film
Best Picture...
As expected, actors and actresses wore black on the red carpet to symbolize their solidarity with victims of sexual harassment and those fighting for gender inequality in the workplace; many shared with Et the significance the Time's Up initiative has to them personally.
While the red carpet became a place for thoughtful discussion and powerful statements, it was also a place to celebrate the night's nominees. Female-led shows like Big Little Lies and Feud: Bette and Joan led the pack with six and four nominations each, while on the film side, The Shape of Water earned seven nominations. Three Billboards Outside Ebbing, Missouri and The Post tied with six nominations each.
See which of your favorites took home trophies below.
Film
Best Picture...
- 1/8/2018
- Entertainment Tonight
Fox Searchlight had a lovely Golden Globes nominations morning, notching 15 nominations as Guillermo del Toro’s “The Shape of Water” continued its Critics Choice surge with seven nominations, followed by Martin McDonagh’s “Three Billboards Outside Ebbing, Missouri” with six. The other expected drama nominations were Fox’s Steven Spielberg journalism valentine “The Post” (six), Sony Pictures Classics gay love story “Call Me By Your Name” (three), and Warner Bros.’ Christopher Nolan war movie “Dunkirk” (three).
Finally, Working Title/Focus Features’ other World War II drama, “Darkest Hour,” seems to be strictly a Gary Oldman Drama Actor play, while Paul Thomas Anderson’s “Phantom Thread” landed nods for Daniel Day-Lewis and Johnny Greenwood for Score. Greta Gerwig’s “Lady Bird” (A24) posted strong results on the Comedy side (four), but no director nod. In fact, the Globes gave all five director slots to men.
The typically idiosyncratic — and senior — Hollywood Foreign Press...
Finally, Working Title/Focus Features’ other World War II drama, “Darkest Hour,” seems to be strictly a Gary Oldman Drama Actor play, while Paul Thomas Anderson’s “Phantom Thread” landed nods for Daniel Day-Lewis and Johnny Greenwood for Score. Greta Gerwig’s “Lady Bird” (A24) posted strong results on the Comedy side (four), but no director nod. In fact, the Globes gave all five director slots to men.
The typically idiosyncratic — and senior — Hollywood Foreign Press...
- 12/11/2017
- by Anne Thompson
- Thompson on Hollywood
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