Good Drama

by Bored_Dragon | created - 18 Mar 2017 | updated - 1 week ago | Public
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1. The Accused (1988)

R | 111 min | Crime, Drama

65 Metascore

After a young woman suffers a brutal gang rape in a bar one night, a prosecutor assists in bringing the perpetrators to justice, including the ones who encouraged and cheered on the attack.

Director: Jonathan Kaplan | Stars: Kelly McGillis, Jodie Foster, Bernie Coulson, Leo Rossi

Votes: 40,001 | Gross: $32.07M

For this role Jodie received bunch of nominations and six awards, including her first Oscar. In my opinion, her role of Nell deserves an Oscar much more than this one or her role in "Silence of the Lambs" and this is far from being her best movie, but it has really strong story and it's worth watching.

7/10

2. Do the Right Thing (1989)

R | 120 min | Comedy, Drama

93 Metascore

On the hottest day of the year on a street in the Bedford-Stuyvesant section of Brooklyn, everyone's hate and bigotry smolders and builds until it explodes into violence.

Director: Spike Lee | Stars: Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson

Votes: 112,381 | Gross: $27.55M

"It ain't never too hot or never too cold for fuckin'!"

On the hottest day of the year, in some street in Brooklyn, people are becoming more and more nervous, until prejudice and hatred accumulated in them start to emerge to the surface and culminate in violence.

The film is written and directed by Spike Lee, and the scenario is deservedly nominated for an Oscar. It tells the story of quite ordinary people and how easily ordinary everyday life turns into an extreme situation. There is not a lot of action here, the film is low budget, and the only thing that stands out is the excellent characterization and the good actors able to convincingly present it. If you do not have too high expectations, this humorous drama will entertain you, but also give you a reason for reflection.

Fun fact - the word "fu-ck" is mentioned about 250 times, which, given the duration of the film, is an average of two times every minute.

7/10

3. Henry & June (1990)

NC-17 | 136 min | Biography, Drama

62 Metascore

Anaïs Nin meets American writer Henry Miller in Paris in 1931. She keeps a diary of her sexual awakening, which includes Henry and his wife June.

Director: Philip Kaufman | Stars: Fred Ward, Uma Thurman, Maria de Medeiros, Richard E. Grant

Votes: 14,188 | Gross: $11.57M

"Abnormal pleasures kill the taste for normal ones"

Henry & June is a biographical erotic drama about Henry Miller, writer of the cult "Tropic of Cancer", and his wife, June, from the pen of his mistress Anaïs Nin. "Tropic of Cancer" is gathering dust on my bookshelf for decades, but after watching this movie I had to read it. Frankly, halfway through the book, I was on the verge of giving up reading, but the movie is good. Especially the performances of Fred Ward, Uma Thurman and Maria de Medeiros. And to spice things up, there is also brilliant Kevin Spacey.

7/10

4. Rocky V (1990)

PG-13 | 104 min | Drama, Sport

55 Metascore

Reluctantly retired from fighting, Rocky takes charge of Mickey's gym and agrees to train a young protégé who's hungry for success.

Director: John G. Avildsen | Stars: Sylvester Stallone, Talia Shire, Burt Young, Sage Stallone

Votes: 150,569 | Gross: $40.95M

Refreshing change

He finally gave up on four times repeated pattern and made a completely different story. This is not the story of a boxer who has to fight a bigger and bigger opponent in every sequel anymore, this is an emotional drama of a man who started from nothing, reached the stars and hit the bottom once again. A movie about being able to distinguish true values in life from current goals that blur the mind. The movie is not excellent in any aspect, but the story is the most interesting so far. Rocky's son is portrayed by Stallone’s son, which gives this father-son relationship more credibility. Music is not bad, but it cannot be compared with prequels, except for fantastic "The Measure of a Man" by Alan Menken, performed by Elton John. Definitely worth watching.

7,5/10

5. Outbreak (1995)

R | 127 min | Action, Drama, Thriller

64 Metascore

Army doctors struggle to find a cure for a deadly virus spreading throughout a California town that was brought to America by an African monkey.

Director: Wolfgang Petersen | Stars: Dustin Hoffman, Rene Russo, Morgan Freeman, Kevin Spacey

Votes: 137,726 | Gross: $67.82M

There is a pandemic of an extremely infectious and fast-acting virus with a hundred percent fatal outcome. While virologists are trying to curb the spread and save the sick, the army is preparing to bomb the affected area to prevent anyone from finding out it was a biological weapon they lost control of. Pretty tense and very well done with a fantastic cast - Dustin Hoffman, Rene Russo, Morgan Freeman, Kevin Spacey, Cuba Gooding Jr., Donald Sutherland, Patrick Dempsey.

8/10

6. Stigmata (1999)

R | 103 min | Horror, Mystery

28 Metascore

When a young woman becomes afflicted by stigmata, a priest is sent to investigate her case, which may have severe ramifications for his faith and for the Catholic Church itself.

Director: Rupert Wainwright | Stars: Patricia Arquette, Gabriel Byrne, Jonathan Pryce, Nia Long

Votes: 72,241 | Gross: $50.05M

"The kingdom of God is within you and all around you. It is not within buildings of wood or stone. Split a piece of wood and you will find me. Look beneath a stone and I am there."

"Stigmata" deals with religious themes of stigmata and the "Gospel of Thomas," the oldest known gospel, which is considered to be the closest to the teachings of the historical Jesus. It is not included in the "New Testament", and the church considers it to be heretical. Although the film makes some historical and factual mistakes, it is not a documentary but fiction, so we can regard them as artistic freedoms, which, even if they do not contribute to the quality of the film, certainly do not diminish its strength. Patricia Arquette excellently portrays the role of a young atheist whose life is headed upside down by the inexplicable appearance of wounds similar to crucifixion wounds of Jesus Christ, and Gabriel Byrne plays a priest sent from the Vatican to investigate her case. The chemistry between them is good and is the backbone of the film, and the powerful explicit scenes of stigmata appearance spice it up with horror atmosphere, although I would describe this movie as a drama rather than a horror.

7,5/10

7. Girl, Interrupted (1999)

R | 127 min | Biography, Drama

51 Metascore

A directionless teenager, Susanna, is rushed to Claymoore, a mental institution, after a supposed suicide attempt. There, she befriends a group of troubled women who deeply influence her life.

Director: James Mangold | Stars: Winona Ryder, Angelina Jolie, Clea DuVall, Brittany Murphy

Votes: 211,213 | Gross: $28.87M

Role of her life I was amazed by this movie when it was released. Two decades later I run into it and decided to watch it again. I must admit I have no idea why was I so thrilled back when I was 20. It is undeniably good, but it does not break into "required reading". The cast is excellent. Angelina Jolie inviolably dominates the movie and, although she is in supporting role, I think this was the role of her life. She deservedly took Academy Award and a dozen more first places on various film festivals. Winona is Winona, I was never able to form a coherent opinion about her. There are also Jared Leto, Whoopi Goldberg, Brittany Murphy, Elisabeth Moss, Vanessa Redgrave... Surely this movie is worth watching, if for no other reason than for really good acting. 7/10

8. The Devil's Backbone (2001)

R | 106 min | Drama, Horror, Thriller

78 Metascore

After Carlos - a 12-year-old whose father has died in the Spanish Civil War - arrives at an ominous boys' orphanage, he discovers the school is haunted and has many dark secrets which he must uncover.

Director: Guillermo del Toro | Stars: Marisa Paredes, Eduardo Noriega, Federico Luppi, Fernando Tielve

Votes: 70,992 | Gross: $0.75M

Not as good as Pan's Labyrinth, but definitely worth watching.

9. The Crime of Padre Amaro (2002)

R | 118 min | Drama, Romance

60 Metascore

Politics and sexual passions threaten to corrupt a young, newly-ordained priest in a small Mexican town.

Director: Carlos Carrera | Stars: Gael García Bernal, Ana Claudia Talancón, Sancho Gracia, Angélica Aragón

Votes: 14,425 | Gross: $5.71M

"I made you the priest's whore"

"The Crime of Father Amaro" tells a story about a young Mexican priest who is lost in a world of romance and politics, a world that is completely new for him. With this theme and justified R classification, there were numerous controversies and attempts to ban it, but instead it became a big hit, earned more than any other Mexican film before it, and was nominated for the Best Foreign Film Oscar. Personally, I think it is overrated and I do not see the quality that deserves an Oscar nomination, but I quite liked it and warmly recommend it.

7/10

10. Indecent Proposal (1993)

R | 117 min | Drama, Romance

45 Metascore

A billionaire offers $1,000,000 to a young married couple for one night with the wife.

Director: Adrian Lyne | Stars: Robert Redford, Demi Moore, Woody Harrelson, Seymour Cassel

Votes: 78,084 | Gross: $106.61M

"If you want something very badly, set it free. If it comes back to you, it's yours forever. If it doesn't, it was never yours to begin with."

Terribly underrated movie. Although the basic premise is somewhat unrealistic, consequences are something many couples, if not the majority of them, can relate to. Almost everyone at least once had essentially similar situation, regardless of the fact that specific circumstances were different. If nothing else, Woody, Demi, and Robert are enough reason to see this film.

8/10

11. The Magdalene Sisters (2002)

R | 114 min | Drama

83 Metascore

Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.

Director: Peter Mullan | Stars: Eileen Walsh, Dorothy Duffy, Nora-Jane Noone, Anne-Marie Duff

Votes: 28,458 | Gross: $4.89M

You're not a man of God

Magdalene Asylum were institutions funded by the Catholic Church in Ireland in which young girls served a "prison sentence" for moral dangers for themselves and others. Moral offenses in the form of pregnancy outside of marriage, flirting with boys, and even being a victim of rape, brought these young girls to these laundries, with the legal consent of their fathers or family. The girls were brought without trial and were sentenced to forced labor for the rest of their lives. They suffered a barbaric treatment from the nuns and priests who led these institutions, justified by a conservative hysteria about sex. Magdalene Laundries destroyed about 30,000 women, and the last of these perverse institutions was closed only in 1996.

7/10

12. The Libertine (2004)

R | 114 min | Biography, Drama, History

44 Metascore

The story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life's work.

Director: Laurence Dunmore | Stars: Johnny Depp, Samantha Morton, John Malkovich, Paul Ritter

Votes: 37,770 | Gross: $4.84M

Sex, drugs and rock and roll in the 17th-century style

This is the story of John Wilmot, the Earl of Rochester, playwright and poet of the 17th century, the man who led a bohemian life to the extreme and drove himself to an early grave at 33. This role brought Johnny Depp award for the most offensive male role (Women Film Critics Circle Awards), and there are also fantastic John Malkovich, funny Richard Coyle, and beautiful Rosamund Pike. Sex, drugs and rock and roll in the 17th-century style.

8/10

13. Rocky Balboa (2006)

PG | 102 min | Action, Drama, Sport

63 Metascore

Thirty years after the ring of the first bell, Rocky Balboa comes out of retirement and dons his gloves for his final fight against the reigning heavyweight champ Mason 'The Line' Dixon.

Director: Sylvester Stallone | Stars: Sylvester Stallone, Antonio Tarver, Milo Ventimiglia, Burt Young

Votes: 231,426 | Gross: $70.27M

Rounds up the Rocky story

There are so many Rocky movies one gets a feeling he's watching TV series. And when series is good we tend to emotionally tie to characters and now I'm sorry it's over. I thought, after 16 years since the last Rocky movie, this will be just another cheap attempt to squeeze more money out of the ancient franchise, but I was wrong. "Rocky Balboa" very nicely rounds up and closes this dear franchise. The story is emotional, has depth and it's very convincing, more than its prequels. I enjoyed every moment of this movie.

7,5/10

14. Hounddog (2007)

R | 98 min | Drama, Music

31 Metascore

A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.

Director: Deborah Kampmeier | Stars: Dakota Fanning, David Morse, Piper Laurie, Granoldo Frazier

Votes: 6,535 | Gross: $0.13M

I saw Elvis, and he blew a kiss just for me!

I think this is a great drama, but I'm not really sure because I was crying most of the time...

8,5/10

15. The Remains of the Day (1993)

PG | 134 min | Drama, Romance

86 Metascore

A butler who sacrificed body and soul to service in the years leading up to World War II realizes too late how misguided his loyalty was to his lordly employer.

Director: James Ivory | Stars: Anthony Hopkins, Emma Thompson, John Haycraft, Christopher Reeve

Votes: 84,403 | Gross: $22.95M

"If you have a normal 21st century attention span, you won't get it."

8/10

P.S. Hannibal Lecter as Superman's butler :D

16. September Dawn (2007)

R | 111 min | Drama, History, Romance

25 Metascore

A love story set during a tense encounter between a wagon train of settlers and a renegade Mormon group.

Director: Christopher Cain | Stars: Jon Voight, Trent Ford, Tamara Hope, Terence Stamp

Votes: 3,071 | Gross: $1.07M

Religious fanaticism at its worst

9/11, but century and a half before the recent one. Back in 1857, in Utah, a group of settlers was killed by local Mormons. This movie tells a story about more than a hundred men, women, and children who lost their lives in the horrifying massacre. It's not a masterpiece of cinema, but it is definitely worth your time.

7/10

17. The Brave One (2007)

R | 122 min | Action, Crime, Drama

56 Metascore

Struggling to recover emotionally from a brutal assault that killed her fiancé and left her in a coma, a radio personality begins a quest for vengeance against the perpetrators that leaves a bloody trail across New York City.

Director: Neil Jordan | Stars: Jodie Foster, Terrence Howard, Naveen Andrews, Nicky Katt

Votes: 63,485 | Gross: $36.79M

Brutal drama

The story is similar to "I Spit on Your Grave", but instead of a brutal horror manner, it's done as a mainstream drama. Jodie Foster is expectedly excellent. The movie blurs the line between good and evil in a way that will appeal both to mainstream audience and fans of brutal horrors.

8/10

18. Let the Right One In (2008)

R | 114 min | Drama, Fantasy, Horror

82 Metascore

Oskar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl.

Director: Tomas Alfredson | Stars: Kåre Hedebrant, Lina Leandersson, Per Ragnar, Henrik Dahl

Votes: 226,722 | Gross: $2.12M

I prefer the remake

Finally, I watched the Swedish version and I have to say that I prefer the American remake. This one is maybe a bit more realistic and more complete in some aspects, but I could not connect with characters on a deeper level, while remake blew me away emotionally. The movie is pretty good but I definitely wouldn't watch it again, while remake entered my list of favorite movies of all time after first watching. However, I recommend both, because although it is basically the same story, movies are very different.

7/10

19. Incendies (2010)

R | 131 min | Drama, Mystery, War

80 Metascore

Twins journey to the Middle East to discover their family history and fulfill their mother's last wishes.

Director: Denis Villeneuve | Stars: Lubna Azabal, Mélissa Désormeaux-Poulin, Maxim Gaudette, Mustafa Kamel

Votes: 200,117 | Gross: $6.86M

Overall impression + spoilers + my ideas to improve the story

Warning: Spoilers

Great idea but a weak realization. The story has strength and depth and, if it was made by the book, the book probably kicks ass, but the movie left me indifferent. I cannot say what is the issue, if it is acting or directing or music or what... but until just a few minutes before the end I had absolutely no emotions towards what I was watching and I was bored. For the idea and the very end of the movie... 9/10, but the overall impression is about 5/10.

!!! SPOILER ALERT !!!

Christian girl gets involved with a Muslim refugee and gets pregnant. Christian police kill the Muslim and her child is taken away at birth and sent to an orphanage. Many years later she gets revenge for the tragedy of her youth by killing the leader of Christian police. She ends up in prison where she is raped by the cruelest guard. She gets pregnant again and gives birth to twins. After she is released from prison, she takes her children to Canada.

After she died her testament sends her children in a quest to find their father and brother and deliver letters from her. The daughter goes to search for the father and the son searches for the brother and they both find the same person.

The orphanage was destroyed in the war and the child was adopted by attackers and trained to be a killing machine. He ends up as a prison guard where he rapes a female prisoner, not knowing it was his mother.

Twins first get to know that their father is not killed in the war, as they were told. They find out that they are a result of their mother being raped in prison while she was serving sentence for murder. Then as icing on the cake, they find out that she was raped by the long lost son. So, in adult age, you find out that your whole life was a lie. Your mother is a murderer, you are a rape child, the rapist is your older brother, and you are just a side effect of sadistic, incestuous rape, and now you are expected to continue with your life as a mentally stable person... yea, right, like it is possible...

So, I would like to improve this already sick movie by adding some epilogue to it:

a) Father/brother receives both letters and, when his brain finally realizes shocking truth, he drops letters on the floor and jumps through the window (shoot himself in the head), while twins end up in a closed section of a sanitarium.

or, for those who root for a happy ending...

b) Twins cry in embranchment, which ends up "horizontally", and father/brother accepts his newfound family and joyfully awaits the birth of his grandchild/nephew and they lived happily ever after.

P.S. Yup, I know, I'm sick.

7/10

20. Black Swan (2010)

R | 108 min | Drama, Thriller

79 Metascore

Nina is a talented but unstable ballerina on the verge of stardom. Pushed to the breaking point by her artistic director and a seductive rival, Nina's grip on reality slips, plunging her into a waking nightmare.

Director: Darren Aronofsky | Stars: Natalie Portman, Mila Kunis, Vincent Cassel, Winona Ryder

Votes: 824,346 | Gross: $106.95M

Overrated

Natalie did deserve her Oscar, but the movie overall is extremely boring. The first hour is agonizing, and then, after some 65 minutes, something finally begins to happen and the finale is great. But I was at the edge of giving up ten times and missing that good ending, because it takes real effort to go through the first hour.

Natalie: 9/10 Overall: 6/10

21. Hick (2011)

R | 99 min | Comedy, Drama

28 Metascore

A Nebraska teen gets more than she bargained for when she sets out for the bright lights of Las Vegas.

Director: Derick Martini | Stars: Chloë Grace Moretz, Blake Lively, Rory Culkin, Eddie Redmayne

Votes: 20,832

Chloë saved it

"Hick" is a drama about a white trash teenage girl who abandons her alcoholic parents and the violent redneck environment she grows up in and, with determination and a gun, she leaves for Las Vegas. The story of an unhappy childhood, the struggle for survival and the desire for adventure from the perspective of a teenage girl, mediocrely written but brilliantly presented by then-thirteen-year-old Chloë Grace Moretz, followed by a supporting cast that does not lag behind. At times humorous but overwhelmingly heavy and painful, this film is, in my opinion, unfairly underrated.

7/10

22. Rust and Bone (2012)

R | 120 min | Drama, Romance

73 Metascore

Put in charge of his young son, Alain leaves Belgium for Antibes to live with his sister and her husband as a family. Alain's bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.

Director: Jacques Audiard | Stars: Marion Cotillard, Matthias Schoenaerts, Armand Verdure, Céline Sallette

Votes: 70,288 | Gross: $2.06M

Alain: Do you want to fuck? Stephanie: Huh? Alain: You want to know if it still works? So, let's fuck! Stephanie: Just like that? Alain: Yeah! Stephanie: I don't know if I can do it just like that. Alain: When you feel like it, tell me.

Alain and his son move from Belgium to the French Riviera, where he meets Stephanie, a girl who trains killer whales. After she experiences an accident and remains disabled, their relationship begins to deepen. "Rust and Bone" is a bit morbid but realistic and essentially beautiful love drama, which will tie you to its protagonists and keep you focused from the beginning to the end. The movie is nothing spectacular, but it is quite a refreshment within the genre and I warmly recommend it.

7/10

23. Gone Girl (2014)

R | 149 min | Drama, Mystery, Thriller

79 Metascore

With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.

Director: David Fincher | Stars: Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry

Votes: 1,066,908 | Gross: $167.77M

"We have each other. Everything else is background noise."

The idea is great and well developed. At first glance, it seems predictable, but in fact, it is not. It has unexpected... not exactly twists or turnovers, let's say unexpected situation development. Unfortunately, in a manner of many movies these days, a fantastic 90 minutes story was stretched and raped to 150 minutes and the final blow to the quality of this movie inflicts Ben Affleck who is lousy by default. I never saw a movie where Affleck gives a stunning performance and even my favorite "Chasing Amy" is partially ruined by his sleaziness. All in all, replace Affleck and cut it under 2 hours and you'll get strong 9/10. But this way... 7, maybe

7,5/10

24. Demolition (2015)

R | 101 min | Comedy, Drama

49 Metascore

A successful investment banker struggles after losing his wife in a tragic car crash. With the help of a customer service rep and her young son, he starts to rebuild, beginning with the demolition of the life he once knew.

Director: Jean-Marc Vallée | Stars: Jake Gyllenhaal, Naomi Watts, Chris Cooper, Judah Lewis

Votes: 112,113 | Gross: $1.98M

After 15 minutes I was at the edge of giving up on it... It's good that I didn't. Movie starts a bit slower and it takes some time for viewer to connect with main character and understand what is that all about... and then this movie blows you away. It is not for action fans that seek adrenaline fun, but drama fans will love it.

8/10

25. 12 Years a Slave (2013)

R | 134 min | Biography, Drama, History

96 Metascore

In the antebellum United States, Solomon Northup, a free Black man from upstate New York, is abducted and sold into slavery.

Director: Steve McQueen | Stars: Chiwetel Ejiofor, Michael Kenneth Williams, Michael Fassbender, Brad Pitt

Votes: 741,113 | Gross: $56.67M

Excellent, but somehow, not powerful enough

Excellent story, excellent choice of actors, excellent acting, excellent directing, excellent everything. However, the story this powerful should have blown me away, so that I cannot come to my senses for quite some time after seeing it. But it did not. I don't know why. I cannot find any flaws in this movie, yet, it did not leave an impression strong enough for 10/10. I am aware that I just saw a great movie, but I'm not thrilled. Therefore, here's one completely unsubstantiated

8/10

26. Lucky Them (2013)

R | 97 min | Comedy, Drama

65 Metascore

A rock journalist is assigned to track down her ex-boyfriend.

Director: Megan Griffiths | Stars: Toni Collette, Thomas Haden Church, Nina Arianda, Oliver Platt

Votes: 4,111 | Gross: $0.03M

Lovely

This movie was on my watch-list only because Johnny Depp was in it. It turned out that his character, although the whole story rotates about him, shows up for just a few minutes, but instead I was pleasantly surprised with the excellent cast. I never saw Toni Collette before, but she was awesome carrying her role and basically the whole movie. And if I knew that Ryan Eggold is one of the main actors this movie would be on my watch-list even if there was no Johnny Depp.

This is slow and easy emotional drama about rock reporter whose career withers away and who gets the assignment to write an article about the popular musician who went missing decade ago, leaving behind his career and her, his long-term girlfriend. While it was generally accepted that he committed suicide, his body was never found and she has several reasons to believe he is still somewhere out there. Accompanied by another ex-boyfriend, who wants to shot a documentary about the whole thing, she begins the quest to find him. While searching for answers for her article, in the process she explores her own past, her emotions and meaning of own life. At the end she finds not exactly what she was searching for, but what she needed to take back control over her own life and future. This is not a cinematographic masterpiece, but it is a warm human story in which we can all find parts of ourselves, cause every one of us, at least once in our lives, had some part of our past dragged along for too long.

7,5/10

27. The Wire (2002–2008)

TV-MA | 60 min | Crime, Drama, Thriller

The Baltimore drug scene, as seen through the eyes of drug dealers and law enforcement.

Stars: Dominic West, Lance Reddick, Sonja Sohn, Wendell Pierce

Votes: 377,232

Mandatory for every real fan of 7th art

The first episode of "The Wire" was really boring to me. I was at the edge of giving it up after 20 minutes, and I was almost sure that I won't continue to watch it further than the pilot. Then, I decided to give it a chance because of its reputation and I was hooked. Unlike other crime series where every episode has own, more or less independent plot, while all are connected by common background or group of main characters, here the whole season is one story, like an extremely long movie. Just imagine one episode of some crime show stretched to 13 hours. Of course, it will seem boring at the start, but at the other hand, this approach gives authors a chance to develop every aspect of the story to the smallest details and to do a deep characterization of every character and their mutual relationships and backgrounds. Combine this with excellent cast capable to carry this kind of story and with extreme level of realism, without good guys and bad guys, just regular people with all their virtues and flaws, whose lives took various paths and took them to opposite sides of drug war, and you'll get strong and deep human drama. This is not a crime show, this is a heavy drama that tries to show the reality of people in the specific surrounding. I will restrain from rating, at least until I'm done with the first season, but it seems it will justify its reputation. Give it a chance. It takes just a little patience to get through the introduction and once you are pulled in you'll see it was worth it.

* * * *

Last night I finished the first season. You know that feeling when it hurts that there's no more. I mean, yes, there are four more seasons, but if I understood right, they are independent stories without connection to previous seasons. I don't have a feeling that I just finished the show, but more like I spent whole life with those people. It’s like I personally know and love every single one of them and now they are all gone at the same time and I miss them badly. I'm not sure I can go that far to say it's the best TV show ever made, especially before I go through all five seasons, but it surely is pure 10/10. And nonetheless movie 10/10. Cause in every aspect, except for its length, this is more one big movie than a regular TV show. Anyway, this is something everyone should see, regardless of personal taste and interest, in the same way as everyone should read Dostoevsky. This is, or surely will become, classic for all times.

10/10

28. The Last Princess (2016)

Not Rated | 127 min | Action, Biography, Drama

The last remaining princess of the Joseon Dynasty leaves her home for Japan, under Japanese colonial rule. Her childhood friend makes a vow to retrieve her and help her make her way back to Korea.

Director: Hur Jin-ho | Stars: Son Ye-jin, Park Hae-il, Ra Mi-ran, Jung Sang-hoon

Votes: 2,183 | Gross: $0.03M

Accidentally similar or copied

The movie is pretty much emotional and, I admit, it made me cry at the end, but besides that, really nothing special. If you watch it you won't regret it, but if you skip it you won't miss much. Technically speaking, the movie is OK, it does not fail anywhere, but it does not impress either, and the acting is good. The plot is ordinary occupation story, with the fact that in Europe we are used to seeing German occupation of European countries while here we have Japanese occupation of Korea. But besides location and different race of actors, this is basically nothing new. I believe that younger generations of Japanese and Korean people should see it, but for the rest of the world, I doubt it is too interesting. Honestly, I was a bit bored. Not enough to give up on it, but if, for example, I was forced to stop watching for some reason, I believe I would not continue later. I would probably completely forget about it. Leading actress is real sweetheart thou, and she was great in her role, but besides that overall impression of the movie is

6,5/10

Eight months later, when I was watching "The Last Emperor", I had the impression that some parts of it were very familiar, as if I had already watched it, and I was sure I didn't. It was only in the last scene that I realized why, because the loan was so large that it could not go unnoticed. "The Last Princess" was apparently created after the model of "The Last Emperor". The titles of the films are almost identical, the story has a lot of similarities, and the end of "The Last Princess" is almost copied from "The Last Emperor". The fact is that the stories of the last Korean princess and the last Chinese emperor by their very nature must have some similarities, but the similarity of these two films is too large to be attributed to coincidence. All other similarities could be accidental, although I do not believe they are, but the end is definitely ripped off.

29. You're Not You (2014)

R | 102 min | Drama

56 Metascore

A drama centered on a classical pianist who has been diagnosed with ALS and the brash college student who becomes her caregiver.

Director: George C. Wolfe | Stars: Hilary Swank, Emmy Rossum, Josh Duhamel, Stephanie Beatriz

Votes: 26,823

Authors of "Me Before You"should watch this and then go to corner to be ashamed of themselves. Yes, I cried, so what?! :P

8,5/10

Ending song is really performed by Bec. Beside singing it, Emmy Rossum also wrote it. She instantly became one of my favorite actresses.

P.S. The Intouchables still holds the throne on this topic.

30. Stand by Me (1986)

R | 89 min | Adventure, Comedy, Drama

75 Metascore

A writer recounts a childhood journey with his friends to find the body of a missing boy.

Director: Rob Reiner | Stars: Wil Wheaton, River Phoenix, Corey Feldman, Jerry O'Connell

Votes: 441,460 | Gross: $52.29M

Many claim this to be the best adaptation of Stephen King. I will refrain from such claims until I saw them all (so far I have seen 14 out of around 80), but it sure is great. Story is not typical King, but, even if I didn't know what I'm watching, I would recognize King by overall atmosphere. This adventure is placed at the end of '50s, also one of King's signatures, and followed by excellent choice of music from that period. Fans of horror, fantasy and suspense adventure may be disappointed by the lack of all, cause this movie almost has no plot and it's based on characterization and human relationships. For just hour and a half, that summarize two days of boys adventure, we get to know those four twelve years old boys so good that we get impression we grew up together with them. Besides King's writing and Reiner's directing, great merits for such an impression go to four boys that will soon grow up into famous actors - star of Star Trek Wil Wheaton, prematurely deceased River Phoenix (who, strangely, dies prematurely in movie too), less famous but very productive Corey Feldman (Gremlins, Goonies, voice of Donatello in TMNT), Kiefer Sutherland and lots more of more or less known faces. All in all, if you don't expect typical King and know how to enjoy good family drama, this movie would be shame to miss.

8/10

31. Judgment Night (1993)

R | 110 min | Action, Crime, Drama

46 Metascore

Four young friends, while taking a shortcut en route to a local boxing match, witness a brutal murder which leaves them running for their lives.

Director: Stephen Hopkins | Stars: Emilio Estevez, Cuba Gooding Jr., Denis Leary, Stephen Dorff

Votes: 18,793 | Gross: $12.14M

Soundtrack for this movie is one of the first CDs I got and one of the most worn out ones. But it took me more than two decades to finally see the movie too. I suppose I was dodging it because of pretty much bad reviews and, once again, I missed the good movie. Ok, it's not masterpiece, but for an action drama it is above average. And music kicks ass!

7/10

32. Big Little Lies (2017–2019)

TV-MA | 60 min | Crime, Drama, Mystery

The apparently-perfect lives of upper-class mothers of students at a prestigious elementary school unravel to the point of murder when a single mother moves to their quaint California beach town.

Stars: Reese Witherspoon, Nicole Kidman, Shailene Woodley, Adam Scott

Votes: 224,121

Season 1

Slow start but an awesome finale

I came from work around eight, got some food and coffee, and sat to watch this seven hours long movie in a single run. I say movie because this is not a regular TV series, but more TV movie cut to pieces because of length. Fact that I saw seven hours show in less than eight tells you that it's a good one, but, in my opinion, they failed terribly at the beginning. It starts slow and after the first episode, that lasts nearly an hour and nothing happens at all, I almost gave up. Still, reviews are mostly good and many friends did recommend it, so I decided to give it a shot. I watched the second episode and started to question who's crazy, bored me or thrilled reviewers. After three episodes I was seriously annoyed. It reminded me of "Desperate Housewives". Although it's better written and done, but also less fun. A story about people who's life is too good so they invent problems where there are none and then exaggerate them to epic proportions, until they hit the ceiling. In everyday common issues, they react like crazy and if there are people like that in real life I do not know them and I'm glad about it. Both characters and the story were completely redundant to me. I rated it weak six and continued to watch only because I hate leaving things unfinished. But when the show was over and impressions were settled I completely changed my mind. It still reminds me of "Desperate Housewives", maybe even more, and some things are really retarded, but characters are phenomenally developed and acted, and every succeeding episode is better than previous. Finale nailed it. If the story wasn't so lengthy, but made as a movie two or three hours long, I would probably rate it even higher, but as the seven hours long mini-series it deserves

8/10

(there are some spoilers below)

P.S. Until the last episode, I had no idea who was dying, but as soon as I figured out who the victim will be, I knew immediately who will kill. Although it's totally unpredictable who the killer is, I knew. Maybe it was because I was expecting an unexpected end, so I bet on the most illogical person. That spoiled the ending a little, because the surprise effect is important here. Overthinker...

Season 2

When I heard that there would be a second season, I wondered why, because the first is a well-rounded whole that needs no extension. On the one hand, I was right, the second season is not really necessary, but on the other, it is not superfluous and did not spoil the impressions the first one left. The season brings seven episodes that deal with the psychological and practical consequences of the heroine's decision to hide the murder. The fear of being discovered, paranoia and guilt slowly erode them, gradually destroying their mutual relations and their families. The script maintains a great characterization from the first season, and maybe even rise it to a slightly higher level. The season also introduces some new characters, most notably the Mary Louise character played by the fantastic Meryl Streep. In all the roles I've seen her so far, Meryl captivates with her incredible charisma and you just can't help but love her. But here she played the role of "villain" so convincingly that I hated her from the first episode. The series finale, though somewhat expected, spoiled my impressions a bit, because that decision, however morally right, leaves seven children without mothers, and some even without both parents. Overall, the rating remains the same.

8/10

33. Metalhead (2013)

Not Rated | 97 min | Drama

79 Metascore

A girl is caught between the life that took her brother and her own inability to strike out on her own. In her grief, she finds solace in the dark music of Black Metal and dreams of becoming a rock star.

Director: Ragnar Bragason | Stars: Thora Bjorg Helga, Ingvar Sigurdsson, Halldóra Geirharðsdóttir, Sveinn Ólafur Gunnarsson

Votes: 7,867

I saw bunch of "metal" movies. Usually they are documentary about specific bands or metal culture overall, B-production horrors, comedies or horror-comedies, but this is the very first time I ran into drama. This Icelandic movie brings painful story about girl whose metalhead brother died when she was twelve. Trying to deal with her pain she turns to his music, loses faith in God and finally, under influence of burning churches in Norway in early 90's, she turns to black metal. Story about loss, thoughtlessness, unconformity and rebellion, growing up and finding one true self. Slow, heavy and realistic movie that stands out from the mass of template teenage drama to which we are accustomed. It's not masterpiece, but it is worth your time and I warmly recommend it.

8/10

34. Boogie Nights (1997)

R | 155 min | Drama

86 Metascore

Back when sex was safe, pleasure was a business and business was booming, an idealistic porn producer aspires to elevate his craft to an art when he discovers a hot young talent.

Director: Paul Thomas Anderson | Stars: Mark Wahlberg, Julianne Moore, Burt Reynolds, Luis Guzmán

Votes: 281,964 | Gross: $26.40M

At the end of 70's, porn director, who dreams of making porn and "real" movie fusion as his life masterpiece, meets extremely endowed young man, and there starts the story of the rise, culmination and downfall of the great porn star. This drama which, without prejudice and attitude, impartially tells about 70's porn industry, at the very transition from a theaters to video tapes, I watched primarily because of fantastic cast. Burt Reynolds, Julianne Moore, John C. Reilly, Heather Graham, William H. Macy, William H. Macy and three Academy Awards nominations grant at least that it's not a bad movie. Screenplay is pretty much cliche story about rise and fall of any star in showbusiness, but acting and characterization are really good and make us bind to the characters real easy. Also, beautiful (and naked) women and good music are always welcome bonus. But this potential masterpiece is flawed by its length. It is good, but not good enough to hold undivided attention for two and a half hours. Somewhere about half it's began to loosen its grip and, I can not say I was bored, but it simply lost me. Still, it's cast is reason enough to recommend it anyway.

7/10

35. Bicentennial Man (1999)

PG | 132 min | Drama, Romance, Sci-Fi

42 Metascore

An android endeavors to become human as he gradually acquires emotions.

Director: Chris Columbus | Stars: Robin Williams, Embeth Davidtz, Sam Neill, Oliver Platt

Votes: 124,647 | Gross: $58.22M

When I saw who made this movie I knew what to expect. Screenplay was adapted from novels by Isaac Asimov and Robert Silverberg, which by itself guarantees good story. It's directed by Chris Columbus, director of Home Alone, Mrs. Doubtfire and first two Harry Potter movies. And in leading role we have Robin Williams, man capable of pulling out great performances even from the worst screenplays. This movie simply could not fail.

Williams plays home android, who shows signs of creativity and emotions because of some strange malfunction. Movie follows its/his evolvent through several generations of family that bought him, him gradually becoming independent, his relations with people and fight to be recognized as a human being. Audience expect Robin Williams movies to be comedies and with such expectations you will be disappointed. Bicentennial Man is not a comedy, nor it is SF in the true sense of the word. This is drama about search for ones true self and it's place in the world. About essence of humanity being in mortal body or in personality and soul. There are no definite answers to life's greatest questions, but it's always worth looking at things from a new perspective. Perhaps the production is far behind it, but essentially this film stands side by side with Kubrick's and Spielberg's Artificial Intelligence.

9/10

36. Fanny and Alexander (1982)

R | 188 min | Drama

100 Metascore

Two young Swedish children in the 1900s experience the many comedies and tragedies of their lively and affectionate theatrical family, the Ekdahls.

Director: Ingmar Bergman | Stars: Bertil Guve, Pernilla Allwin, Kristina Adolphson, Börje Ahlstedt

Votes: 67,475 | Gross: $4.97M

Bergman's swan song bedeviled me pretty much. Movie lasts more than three hours and at the very beginning it already bored me to death. Still, I was aware it's Bergman so I didn't wanna give up easily. But hour came and passed and the film was close to half when I finally became agitated and pushed stop button. Settings, costumes, acting, camera work and directing are fantastic. Trouble is that it's beautifully filmed Nothing. For the duration of an average movie, we are looking at a somewhat unusual family that, at the beginning of the twentieth century, lives a boring day-to-day life. No plot, no story, drama, humor, nothing at all.

One of the most boring movies I have ever seen. I went to eat something and make a coffee and after a while I got back to my computer to watch the show I started yesterday. But my precious OCD wouldn't let me concentrate. I never leave movies I once started and I simply couldn't do it now. So I got back to Bergman.

Literally minutes later things began to happen and form one pretty decent story. Ok, it was still slow and nothing special, but satisfying enough to hold my attention till the end. First half of the movie had no story at all and all the magnificence of other aspects of the film is in vain when they do not have any purpose. Even if everything else is for ten, if story is terrible you get lousy movie. Story in second half of the movie is really nothing special, but it's good enough not to destroy beauty of the rest of the movie. If story was at level with everything else this would be 10/10. If there was no first hour of the movie it would be 8,5/10. But I simply can not forgive the agony first hour put me through. I'm not rating only camera or only directing, only it's soul or just the last hour. I'm rating overall impression of movie as a whole. And for that reason I rate it 7/10. But at the same time I want to recommend it as feat for the eyes of those who cherish aesthetics enough to ignore lack of plot.

7/10

Movie was nominated for 6 Oscars and it won 4. All 4 well deserved. In my opinion, Bergman also deserved his nomination for directing to win too. But nomination for the best screenplay sounds to me like bad joke.

Actress who plays grandmother, and who is maybe even leading character of this movie, irresistibly reminds me of Cameron Diaz. I wonder is this just me or there's more people who see this resemblance.

37. The Silence (1963)

R | 96 min | Drama

Two estranged sisters, Ester and Anna, and Anna's 10-year-old son travel to the Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka.

Director: Ingmar Bergman | Stars: Ingrid Thulin, Gunnel Lindblom, Birger Malmsten, Håkan Jahnberg

Votes: 21,335

Camera and directing make this film visually perfect. Every frame is black and white art photography, many of which leave you breathless. There's hardly a dialogue in the movie and sound is so naturally blended with picture that at times it seems like a silent movie. There are not many developments and for a while it was quite boring to me, but when it ended I instantly wished to see it again. Bergman doesn't need action and dialogues to tell a story. Camera and body language are more than enough. Ingrid Thulin and Gunnell Lindblom will impress you with their acting, and also with beauty. This movie opens many questions and doesn't provide answers, but rather leaves that task to our subjective interpretations. I was going through some reviews and came across a variety of interpretations, but I think that attempts to explain this film are essentially a waste of time. It's quite enough just to experience it in and for yourself.

8/10

38. Stoker (2013)

R | 99 min | Drama, Thriller

58 Metascore

After India's father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him.

Director: Park Chan-wook | Stars: Mia Wasikowska, Nicole Kidman, Matthew Goode, Dermot Mulroney

Votes: 114,516 | Gross: $1.70M

The first half an hour story (or lack of it) was quite boring and I was thinking of giving up, but camera and directing got a hold of me. Later this dark and bizarre drama turns into a decent thriller, but, although surprises are not predictable, the story has been quite ineffective for me until the end. What rises this film above mediocrity is excellent cinematography, acting and music, which build the atmosphere much stronger and more chilling than the story itself. I have only two objections. The first is a waste of Nicole Kidman. They should've given her more space or throw her out completely. The second flaw is song that goes with the final scene. This song does not fit with the rest of the music nor the scene itself, and it literally struck me from the trance in which the movie put me in and spoiled overall impression.

7,5/10

39. Funny Games (1997)

Not Rated | 108 min | Crime, Drama, Thriller

69 Metascore

Two violent young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.

Director: Michael Haneke | Stars: Susanne Lothar, Ulrich Mühe, Arno Frisch, Frank Giering

Votes: 84,035

I'm a great fan of Naomi Watts, so when I saw Funny Games from 1997, I could not resist watching a remake immediately. After a few minutes, I realized that this is not a classic remake, but literally to the detail the same movie, only shot at another location and with the other set of actors. Ok, they've changed dog breed and cell phone and kitchen appliances are more modern, but everything else is identical. Every scene, every cadre, every word. I do not understand why Haneke had the need to do something like this, without even trying to bring at least a little original spirit into this remake. After fifteen minutes I got bored, so , out of love for Naomi, I just skipped to the key points and watched the most important scenes. At first I was sorry I did not watch the remake first, because of Naomi of course, but I soon discovered that I did not make a mistake because the original is somewhat better.

Funny Games is a psychological thriller/horror, which shows the family on vacation in the middle of nowhere. A couple of young sociopaths break into their house and start a psycho-physical terror. Story is solid, with no big holes and illogicality, and shows the situation very realistically. The directing is excellent and manages to build an extremely stressful atmosphere completely without explicit scenes, with this tension somewhat stronger in the original. As far as acting is concerned, it's hard to say which cast is better overall. Although Michael Pitt is really creepy, Arno Frisch and Frank Giering are much better in roles of young sociopaths. On the other hand, Naomi Watts is slightly better Anna than Susanne Lothar, while Tim Rot completely overshadows Ulrich Mühe from the very start.

!!! SPOILER ALERT !!!

All in all, this more than a solid thriller, with a strong atmosphere that kept me on the edge of the seat, would have earned a strong eight, maybe even nine, if Haneke did not come to a totally moronic idea to add a "fourth dimension", i.e. direct communication with the audience. On several occasions we have freezing of the image, actors talking to the audience, and on top of everything, one of the characters takes the remote control in the middle of denouement, rewinds the movie few minutes back, and then movie takes completely different direction. This kind of scene is suitable only and exclusively in comedies, and even there it's outworn, but for a serious psychological thriller it is a complete deal-breaker and spoils overall impression to seven tops. Due to a certain difference in the atmosphere of the original and the remake, I give them half a score up and down.

1997. - 7,5/10 2007. - 6,5/10

Arno & Frank - 8/10 Naomi & Tim - 9/10

40. Funny Games (2007)

R | 111 min | Crime, Drama, Thriller

44 Metascore

Two psychopathic young men take a family hostage in their cabin.

Director: Michael Haneke | Stars: Naomi Watts, Tim Roth, Michael Pitt, Brady Corbet

Votes: 103,807 | Gross: $1.29M

I'm a great fan of Naomi Watts, so when I saw Funny Games from 1997, I could not resist watching a remake immediately. After a few minutes, I realized that this is not a classic remake, but literally to the detail the same movie, only shot at another location and with the other set of actors. Ok, they've changed dog breed and cell phone and kitchen appliances are more modern, but everything else is identical. Every scene, every cadre, every word. I do not understand why Haneke had the need to do something like this, without even trying to bring at least a little original spirit into this remake. After fifteen minutes I got bored, so , out of love for Naomi, I just skipped to the key points and watched the most important scenes. At first I was sorry I did not watch the remake first, because of Naomi of course, but I soon discovered that I did not make a mistake because the original is somewhat better.

Funny Games is a psychological thriller/horror, which shows the family on vacation in the middle of nowhere. A couple of young sociopaths break into their house and start a psycho-physical terror. Story is solid, with no big holes and illogicality, and shows the situation very realistically. The directing is excellent and manages to build an extremely stressful atmosphere completely without explicit scenes, with this tension somewhat stronger in the original. As far as acting is concerned, it's hard to say which cast is better overall. Although Michael Pitt is really creepy, Arno Frisch and Frank Giering are much better in roles of young sociopaths. On the other hand, Naomi Watts is slightly better Anna than Susanne Lothar, while Tim Rot completely overshadows Ulrich Mühe from the very start.

!!! SPOILER ALERT !!!

All in all, this more than a solid thriller, with a strong atmosphere that kept me on the edge of the seat, would have earned a strong eight, maybe even nine, if Haneke did not come to a totally moronic idea to add a "fourth dimension", i.e. direct communication with the audience. On several occasions we have freezing of the image, actors talking to the audience, and on top of everything, one of the characters takes the remote control in the middle of denouement, rewinds the movie few minutes back, and then movie takes completely different direction. This kind of scene is suitable only and exclusively in comedies, and even there it's outworn, but for a serious psychological thriller it is a complete deal-breaker and spoils overall impression to seven tops. Due to a certain difference in the atmosphere of the original and the remake, I give them half a score up and down.

1997. - 7,5/10 2007. - 6,5/10

Arno & Frank - 8/10 Naomi & Tim - 9/10

41. The Hidden Face (2011)

R | 97 min | Drama, Mystery, Thriller

Shattered by the unexpected news of their irreversible break-up, an aspiring orchestra conductor is puzzled by his girlfriend's mysterious and seemingly inexplicable case of disappearance. But can he look beyond the facts?

Director: Andrés Baiz | Stars: Quim Gutiérrez, Martina García, María Soledad Rodríguez, Jose Luis Garcia

Votes: 46,276

Movie begins slow and seems to be shallow love drama, but somewhere in the middle a surprise awaits you that will justify your patience. It's hard to give even brief summary without spoilers. I strongly advise you not to read reviews nor in any case watch the trailer, because the essence of this psychological drama is in the horror you feel when you finally realize what is actually going on and later in quite predictable, but no less terrible plot twist. Acting and directing are good, and excellent music perfectly contributes to the stressful atmosphere of the movie. Huge recommendation.

8,5/10

42. The End of the F***ing World (2017–2019)

TV-MA | 25 min | Adventure, Comedy, Crime

James is 17 and is pretty sure he is a psychopath. Alyssa, also 17, is the cool and moody new girl at school. The pair make a connection and she persuades him to embark on a road trip in search of her real father.

Stars: Jessica Barden, Alex Lawther, Steve Oram, Christine Bottomley

Votes: 219,809

James is a seventeen-year-old who thinks he's a psychopath and dreams about murdering someone. He meets Alyssa, moody peer who is leaving her mother and step-father to start a search for her father. James comes with her in order to kill her on the way, but this adventure gets unpredictable twist which will stick you to the screen. Jessica Barden and Alex Lawther perfectly portrayed two eccentric teenagers. The series has eight twenty-minute episodes and there was no way I could stop until I saw it through. I dare you to try.

8/10

43. Rain Man (1988)

R | 133 min | Drama

65 Metascore

After a selfish L.A. yuppie learns his estranged father left a fortune to an autistic-savant brother in Ohio that he didn't know existed, he absconds with his brother and sets out across the country, hoping to gain a larger inheritance.

Director: Barry Levinson | Stars: Dustin Hoffman, Tom Cruise, Valeria Golino, Gerald R. Molen

Votes: 546,426 | Gross: $178.80M

My main man

A young, self-centered businessman, on the verge of bankruptcy, finds out, after his father's death, that he has an autistic brother who'll get entire inheritance. To gain half the money he thinks rightfully belongs to him, he "kidnaps" the brother from the sanatorium, but the time they'll spend together will change them both. This beautiful, emotional drama, with a touch of humor, deservedly took four Oscars (best picture, screenplay, director and male leading role), and Dustin Hoffman played probably the best role in his career. Even Tom Cruise, about whom I do not have a high opinion, bought with his performance, and especially the chemistry he has with Hoffman. One of those movies that is forever remembered.

10/10

44. The Eighth Day (1996)

118 min | Comedy, Drama

An unusual and wonderful friendship develops between a busy but unhappy salesman and a resident of a mental asylum.

Director: Jaco Van Dormael | Stars: Daniel Auteuil, Pascal Duquenne, Miou-Miou, Henri Garcin

Votes: 10,080 | Gross: $0.33M

On the eighth day God created Georges.

After "Rain Man" and "Forrest Gump" the time has come for "The Eighth Day", a Belgian film about the accidental (was it?) and unusual friendship of a young man with Down's syndrome and a successful salesman who allowed his career to ruin his life. A touching drama with lots of humor, which, with its story, message and excellent acting, parries the aforementioned masterpieces, but, unfortunately, it's not filmed that well. The main roles are played by Pascal Duquenne, a Belgian theater actor with Down's syndrome, and French actor Daniel Auteuil. They shared the Best Actor Award at the 1996 Cannes Film Festival for their roles in this film, which is a unique case in the history of the festival. If you have let a tear while watching "Rain Man" and "Forrest Gump", for this film you should prepare the whole package of handkerchiefs, because this is one of those movies with which you never get tired of crying. The first time I watched it about twenty years ago, this was my third or fourth viewing, and surely I will repeat it few more times.

8/10

45. Driving Miss Daisy (1989)

PG | 99 min | Comedy, Drama

81 Metascore

An old Jewish woman and her African-American chauffeur in the American South have a relationship that grows and improves over the years.

Director: Bruce Beresford | Stars: Morgan Freeman, Jessica Tandy, Dan Aykroyd, Patti LuPone

Votes: 117,520 | Gross: $106.59M

"Driving Miss Daisy" was nominated for nine and it won four Academy Awards, and it is considered one of the best films of all time. Although I liked the film and I enjoyed watching it, I really can't see how it deserves its reputation. Jessica Tandy and Morgan Freeman are really fantastic together and I fully support their nominations, but I wonder what was the competition back in 1990 if this film won Oscar for the Best Picture. Apart from the performance of the two main actors, this drama, in my opinion, does not particularly stand out in any way.

7/10

46. Good Morning, Vietnam (1987)

R | 121 min | Biography, Comedy, Drama

67 Metascore

In 1965, an unorthodox and irreverent DJ named Adrian Cronauer begins to shake up things when he is assigned to the U.S. Armed Services radio station in Vietnam.

Director: Barry Levinson | Stars: Robin Williams, Forest Whitaker, Tom T. Tran, Chintara Sukapatana

Votes: 153,728 | Gross: $123.92M

Robin Williams... what more can you ask for...

For this role, Robin Williams was nominated for an Oscar and it's a shame he didn't get it. It's hard to say if this was the role of his career because he nailed literally every role he ever played and he was one of the best comedians and actors of all time. Beside this nomination, both Robin and Forest Whitaker got a bunch of other awards, completely deserved. In my opinion, this movie deserves to be considered one of the best movies in the history of cinema.

10/10

47. Frida (2002)

R | 123 min | Biography, Drama, Romance

61 Metascore

A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.

Director: Julie Taymor | Stars: Salma Hayek, Alfred Molina, Geoffrey Rush, Mía Maestro

Votes: 95,298 | Gross: $25.89M

Very unusual movie experience

This strange art-drama is an adaptation of the biography of famous Mexican artist Frida Kahlo. On the story itself I have no objections, but it did not leave a particularly strong impression on me either. But the performance of Salma Hayek and the way in which the movie was filmed are truly impressive. The camera, directing and editing are very unusual and interesting, especially the way in which the animation is integrated (Frida's paintings coming to life and the surreal scenes that illustrate Frida's states of mind), as well as excellent music.

7,5/10

48. Shameless (2011–2021)

TV-MA | 60 min | Comedy, Drama

A scrappy, feisty, fiercely loyal Chicago family makes no apologies.

Stars: Emmy Rossum, William H. Macy, Ethan Cutkosky, Jeremy Allen White

Votes: 285,073

The perfect title

I just finished the first season of the American version of "Shameless". I never saw the British original, nor do I intend to, because the majority says that "remake" is better. Is it really better I can not say, but it is awesome.

How to describe this show in just one word? Shameless! I've never seen anything with a name that fits so perfectly and I can not decide if this show is more sick or ingenious. The story is boldly lifelike and, with a combination of heavy drama and hilarious comedy, it will hit you like a hammer. Whether you like it or not, there's no chance you'll be bored. Directing and music are great and the cast is more than excellent. From episode to episode it leaves me speechless. Complete nuthouse.

****

After 11 seasons, the series that I experienced as a parallel life ended. For something that lasts so long, the quality necessarily varies, but despite all the downs, the series has always managed to recover and maintain average quality at a fairly high level. I may have become too attached to it to be objective, but overall, I think it deserves

8,5/10

49. The Grapes of Wrath (1940)

Passed | 129 min | Drama

96 Metascore

An Oklahoma family, driven off their farm by the poverty and hopelessness of the Dust Bowl, joins the westward migration to California, suffering the misfortunes of the homeless in the Great Depression.

Director: John Ford | Stars: Henry Fonda, Jane Darwell, John Carradine, Charley Grapewin

Votes: 99,924 | Gross: $0.06M

Oranges

This historical drama tells the story about poor Midwest family forced off their land during the Great Depression. Homeless people then traveled to California in hope to get back on their feet as fruit pickers. But the reality of California was far from the promised land they hoped it would be. The movie has touching story, dark and heavy atmosphere, great cast and directing, and it must have left the strong impression because, a few years after watching, I remember it as if I watched it a few days ago. Although I'm aware of its objective qualities, for some reason I did not enjoy it. I suppose it's just a matter of taste, but I can not give a higher rating to something I did not like.

7/10

50. Zaboravljeni (1988)

105 min | Drama

Two boys and a girl escape from a home for abandoned children for a wild weekend.

Director: Darko Bajic | Stars: Mirjana Jokovic, Srdjan 'Zika' Todorovic, Boris Milivojevic, Vera Cukic

Votes: 453

On October 1st, 1985, a group of minors destroyed a city. Behind them, there was a desolation and a question: Why?

Every teenager and anyone who still remembers what it's like to be a teenager, each abandoned child, and anyone who can, at least roughly, imagine how it is to be one of them, should be able to feel the answer to this question, even if they do not know how to explain it rationally. This drama is, like the most of the domestic movies, pretty lousy made, and it's impossible to find good, or at least decent copy, so it is really tiring to watch. However, the film has quite a strong and moving story, good actors who provoke sympathy, and the great soundtrack by Lazar Ristovski and Vlatko Stefanovski, which provides a really good atmosphere.

6,5/10

51. American History X (1998)

R | 119 min | Crime, Drama

62 Metascore

Living a life marked by violence, neo-Nazi Derek finally goes to prison after killing two black youths. Upon his release, Derek vows to change; he hopes to prevent his brother, Danny, who idolizes Derek, from following in his footsteps.

Director: Tony Kaye | Stars: Edward Norton, Edward Furlong, Beverly D'Angelo, Jennifer Lien

Votes: 1,185,896 | Gross: $6.72M

Even amazing Edward Norton could not make me blind for its flaws

I understand how this film managed to hype the masses, but it's a complete mystery to me how it withstood the test of time and even after twenty years it is considered to be one of the best films of all time. The movie undoubtedly has its qualities, but its flaws are much more numerous and painful.

On the positive side, if the idea was to criticize Neo-Nazism and racism, I support that. I also like the idea to make the movie more effective by running the whole thing from the angle of a skinhead. And the strongest trump of the film is that this skinhead was played by Edward Norton. His appearance, charisma, acting skills and the transformation of his character through the film definitely deserve an Oscar, but unfortunately, he was in competition with Benigni's performance in "Life Is Beautiful", against whom no one would stand a chance.

Furlong's performance is not for underestimation either, but besides two of them, the most of other characters are pale and uninteresting. In fact, most of the film is totally unconvincing, which may be a good thing, because if it already (accidentally) sends the wrong message, it is better that it is not powerful. I am literally allergic to racism and Neo-Nazism and I found myself rooting for Skinheads... Although I believe that the author's intention was to criticize it, the film instead romanticizes the "white power" movement. I suppose the purpose of this romanticizing is to show us how it all looks in the eyes of the kids who decide to join it, and that would be perfectly fine if the film showed the other side of the coin equally striking. But if I, in my forties, so easily fell under the influence of this romanticizing and found myself rooting for Skinheads during almost the entire film, I am afraid to even imagine the influence it could have on immature kids with crazed hormones, and that is something I can not forgive. There are many examples, but the basketball game is one of the most obvious. I'm pretty sure we all rooted for Skinheads to win the bet, and even worse, they did. And then follows zenith of believability when black guys quietly pick up their things and leave the court with lowered tails. Yea, sure, in reality it would happen exactly like that.

By far the weakest point of the film is the end. I think the idea was to aggravate the overall impression and strength of the film with earthquake tragedy, but that murder in the school toilet was so stupid and unconvincing that, instead of tears, caused my jaw to fall in disbelief. Neither there was appropriate motivation for it, nor would anyone, even wildly adolescent, brought it up in such a place and in such way. I knew that in the end one of the brothers would have to die, but I expected them to get killed out of the passing car as they walked to the school, or through the restaurant window, and I expected the gang to kill Norton as a retaliation for the black guys he had killed. That would be upsetting and make sense. But this toilet murder was simply stupid. And what's even worse, it's not even the original end of the movie. After the toilet murder, there was supposed to be a scene which would somewhat repair the damage made by this ridiculous killing. According to the script, the film ends with a scene in which Norton stands in front of a mirror shaving his head. This scene would round the story perfectly, made it more realistic, convincing and vigorously tragic, but Norton refused to do it.

Norton's performance is fantastic and so striking that it is perfectly understandable that it has blinded many eyes and distracted them from all the drawbacks of this film. If you are watching a movie focused exclusively on Norton, you will easily overlook all its shortcomings and experience it as a masterpiece, but I think that, if you watch the film again after reading this review, you will understand what I'm talking about and deprive it of some undeserved credit. Ten out of ten for Edward Norton, but about four or five for all the flaws, some of which I did not mention.

7/10

52. Dolores Claiborne (1995)

R | 132 min | Crime, Drama, Mystery

62 Metascore

A big city reporter travels to a small town where her mother has been arrested for the murder of an elderly woman for whom she worked as a housekeeper.

Director: Taylor Hackford | Stars: Kathy Bates, Jennifer Jason Leigh, Christopher Plummer, Judy Parfitt

Votes: 48,371 | Gross: $24.36M

"Sometimes, being a bitch is all a woman has to hang onto"

A young New York journalist returns to her hometown in Maine, as she learned that her mother, whom she had not seen for fifteen years, was charged with murdering a woman she had been nursing for over two decades. This drama follows the murder investigation, as well as the renewal of the relationship between mother and daughter, while frequent flashbacks show us their very traumatic past and slowly reveal the events that caused the breakdown in the family and indirectly brought Dolores to the indictment bench.

The movie gathers a great cast. Jennifer Jason Leigh plays Selena, woman fractured by childhood trauma, who escaped from her past burying herself in career and alcohol. John C. Reilly plays the local sheriff, Selena's childhood friend, who is torn between the desire to help and apparent guiltiness of her mother. Oscar-winning Christopher Plummer plays the detective who leads the case against Dolores and who, at all costs, tries to maintain his "perfect score". And, of course, leading role is entrusted to phenomenal Kathy Bates, to which this is the third appearance in the adaptation of Steven King, after "Misery" and "The Stand". The only reason why I'm not impressed with her performance in this film is that, with her role in "Misery", she set the standard so high that it is almost impossible to surpass. But with Dolores, she came close enough. Directing and camera are very good, and I especially liked the colors in some flashback scenes.

While watching this movie, I could almost visualize the book by which it was written. I was imagining the way King wrote the things that I see on the screen and details that have been omitted in the adaptation. And now, when the film is finished, I feel like I've read a good book. Although I haven't read this novel, I think it's safe to say - Bravo, this is the way to adapt Stephen King.

8/10

53. Brief Encounter (1945)

Not Rated | 86 min | Drama, Romance

92 Metascore

Meeting a stranger in a railway station, a woman is tempted to cheat on her husband.

Director: David Lean | Stars: Celia Johnson, Trevor Howard, Stanley Holloway, Joyce Carey

Votes: 44,215

It was inspired by Anna Karenina, isn't it?

The director known for his epic spectacles, such as "Lawrence of Arabia" and "Bridge on the River Kwai", began his career quite differently. This intimate and simple romantic drama tells quite an ordinary story of two quite ordinary people, ordinary-looking, who lead ordinary lives and whose paths cross by chance. They fall in love, but as they are both in marriages with children, their love must not be realized. There is nothing spectacular about this story and all you will see in this film millions of people experience every day. Technically, the film also isn't anything special. Leading roles are interpreted by Celia Johnson, a television actress with only a few films in her career, and Trevor Howard, to whom this is the first serious role. However, these two, with the help of David Lean's excellent directing, managed to bring to life emotion so powerful that, from this potentially mediocre film, it made an unforgettable masterpiece of the genre. If you have never been in love with all your being, there is a real chance that you'll find "Brief Encounter" totally uninteresting, but if you at least once experienced this pervading feeling... still, you better skip it, because it will rip you apart. And the ending... oh my God.

10/10

"Simple, honest, and unforgettable." - Harold Robbins

54. The Butterfly Effect (2004)

R | 113 min | Drama, Sci-Fi, Thriller

30 Metascore

Evan Treborn suffers blackouts during significant events of his life. As he grows up, he finds a way to remember these lost memories and a supernatural way to alter his life by reading his journal.

Directors: Eric Bress, J. Mackye Gruber | Stars: Ashton Kutcher, Amy Smart, Melora Walters, Elden Henson

Votes: 521,000 | Gross: $57.94M

Event Reborn

Someone in my FB movie group recently mentioned this movie and I couldn't recall it in my memory, so I went to take a look at my own review. But there wasn't one. When I saw it again, I understood why I didn't write anything after the previous watching. I had to sleep on it, for impressions to settle, before I was able to evaluate it, even subjectively.

"It has been said that something as small as the flutter of a butterfly's wing can ultimately cause a typhoon halfway around the world." - Chaos Theory

And in essence, this is the basis of the film's plot. Ashton Kutcher plays a young man who finds a way to change the details of his own past, thus completely changing the present and the future. Unfortunately, every time he fixes one thing, he simultaneously messes up something else, embroiling himself in playing God more and more.

It's fun to watch actors from your favorite series ("That '70s Show", "Daredevil", "My name is Earl"...) all together in the same movie. When actors go from film to film, there is not enough time to connect them closely with the characters they interpret, as is the case with actors who interpret the character in the series from episode to episode for many seasons. And when they appear in a movie, after we've watched them for years as the same characters in a series, it is a bit strange. And when there are more such actors in the same movie... confusing.

For its relatively small $ 13 million budget, the film is technically great, the acting is good, and the story keeps your attention from start to finish. I mostly like the fact that the film has a mindfak charm, although it's not one, because everything's pretty much clear all the time. There are four alternative endings and both times I saw "director's cut", which has the most striking finale. I don't want to write spoilers, but if you saw or will see this version, pay attention to the relation between the scene where Ashton's mother tells him that she had a few miscarriages and the way our protagonist resolves the whole situation. When my brain linked these two things, the entire movie significantly gained strength.

8/10

55. The Outer Limits (1995–2002)
Episode: The Conversion (1995)

TV-PG | 45 min | Drama, Fantasy, Horror

An omniscient friendly stranger tries to convince a man on the run who tried to kill his corrupt backstabbing boss but ended up accidentally killing three bystanders instead that there is a way for him to redeem himself.

Director: Rebecca De Mornay | Stars: John Savage, Beau Starr, Rebecca De Mornay, Frank Whaley

Votes: 669

Your hand doesn't end where mine begins. It never ends.

A young businessman involved in financial manipulation ends up in prison, while his accomplices go unpunished and turn their back on him. After release from prison, he decides to retaliate, but things go wrong and he ends up seriously wounded and guilty of triple murder. On the run, a complete stranger approaches him and offers him a chance for redemption and a new beginning. The episode is very atmospheric and deals with the inner struggle of the individual between good and evil, selfishness and selflessness, instinct and self-control, material and spiritual. Although its mostly two men talking at the restaurant table, this is the best episode of the series so far, and it's unlikely they'll surpass it.

7,5/10

56. The Illusionist (2006)

PG-13 | 110 min | Drama, Fantasy, Mystery

68 Metascore

In turn-of-the-century Vienna, a magician uses his abilities to secure the love of a woman far above his social standing.

Director: Neil Burger | Stars: Edward Norton, Jessica Biel, Paul Giamatti, Rufus Sewell

Votes: 389,599 | Gross: $39.87M

Just to be with her

At the turn of the nineteenth to the twentieth century, the poor boy falls in love with a young duchess, but because of class differences, they were forbidden to see each other. Soon he leaves Vienna, but fifteen years later returns and, under the new name, becomes a famous illusionist. They meet on one of his performances and the old flame revives. Since she is now a fiancé of the Prince, it will take much more than the cheap tricks to reunite them.

This mysterious romantic drama features superb cinematography, dark atmosphere and a great cast, led by Edward Norton, one of the greatest actors of his generation. The main female role was meant to be interpreted by Liv Tyler, but, luckily, she gave up at the last minute, and in her place came the fascinating Jessica Biel. There are also Rufus Sewell in the role of Prince and Paul Giamatti, who was excellent in perhaps the most interesting role in the film. The story is told elegantly, with a sophisticated sense of humor and details, and all the time keeps you in anticipation and speculation, not allowing your imagination to sleep.

8,5/10

57. The Others (2001)

PG-13 | 104 min | Horror, Mystery, Thriller

74 Metascore

In 1945, immediately following the end of Second World War, a woman who lives with her two photosensitive children on her darkened old family estate in the Channel Islands becomes convinced that the home is haunted.

Director: Alejandro Amenábar | Stars: Nicole Kidman, Christopher Eccleston, Fionnula Flanagan, Alakina Mann

Votes: 393,120 | Gross: $96.52M

"Sometimes the world of the living gets mixed up with the world of the dead"

While I watched it several times since it came out, until a moment ago I had no idea that the film is Spanish. And not only is it Spanish, but it's also the only film that has ever won the award for the best Spanish film, without having a word in Spanish. Although the original script was written in Spanish, it was translated into English, it stars an Australian woman playing an English woman, it's backed by Americans and the story is placed in Jersey, but it is filmed in Spain and directed by Spaniard. IMDb classifies him as a horror/mystery/thriller, but even though the story itself is a mystery and perhaps somewhat a thriller, and the film has an atmosphere that balances on the verge of horror, in my opinion, essentially, this is primarily a strong psychological drama. Nicole Kidman once again proves her acting size and steals every scene in which she appears, but the rest of the team are not to be underestimated, especially eleven-year-old Alakina Mann. One of the strongest features of this film should be the surprise brought by the final plot twist, but since I saw it several times, I knew what would happen, and I really can not remember whether I predicted this twist or not when I first watched it, almost two decades ago, and if I did, in which part of the film it happened, and therefore I can not comment on its effectiveness. But even without the mindfuck factor, this movie has a lot of qualities and deserves a high rating.

8,5/10

58. Nymphomaniac: Vol. I (2013)

Not Rated | 117 min | Drama

64 Metascore

A self-diagnosed nymphomaniac recounts her erotic experiences to the man who saved her after a beating.

Director: Lars von Trier | Stars: Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf

Votes: 131,504 | Gross: $0.79M

Nymphomaniac (2013) [Director's Cut]

"When we are, death has not come. When death has come, we are not."

"Nymphomaniac" is the final part of Lars von Trier's "Trilogy of Depression", after the "Antichrist" (2009), which was to me inexplicably dull and unjustified morbid, and "Melancholy" (2011), which I have not yet come to see. Originally, "Nymphomaniac" was conceived as a single film but, due to its inhumane length, in the theatrical release, it was divided into two two-hour films. I am watching the director's cut, which lasts five and a half hours.

The first film begins with a scene in which an older man encounters a beaten woman lying on the street. After she refuses an ambulance and the police, he takes her to his apartment and places her in bed. Then he sits down next to her and she tells him her whole life, the life of a nymphomaniac. Occasionally he interrupts her with interesting comments on various topics, such as philosophy, nature, music, literature, mathematics and even fishing, but all these digressions are directly or metaphorically related to the main subject of the film and represent life philosophies that will lead you to thinking and self-analysis, especially if in some of them you recognize yourself.

The film is full of explicit pornography, but this time it is not there just to shock and cause controversy, but it greatly enhances the artistic power of film and contributes to the credibility and the dramatic nature of the story. The sex scenes are not simulated, they are genuine pornography, but they were shot by porn actors and subsequently edited together with the bodies of the main actors. The film is fantastically shot and directed, and drama and pornographic scenes alternate in perfect harmony. The atmosphere is hypnotically dark and depressing, additionally empowered with an interesting selection of music, which ranges from industrial metal band Rammstein, through rock classics, to Bach's organ compositions. Although the movie is very slow and long, my attention has not been weakened for a moment.

In all three films of the "Trilogy of Depression", Charlotte Gainsbourg plays the main role, but as the first part of the "Nymphomaniac" takes us through her childhood and girlhood, in the main role we see Stacy Martin, who, although not particularly beautiful, is extremely cute and sexual, and in every way a sight for sore eyes in comparison with Charlotte. Charlotte's rescuer is played by Stellan Skarsgård, who appears in a total of seven von Trier's films. There is also Christian Slater in the role of Nymphomaniac's father, as well as Uma Thurman, who gave perhaps the best performance in her career. Stacy, Charlotte, and Stellan topped their roles, but in her relatively short scene, Uma Thurman completely overshadowed them. Her scene is totally over the top, but still somehow realistic and believable. This somewhat relates to the film in its entirety, but Uma's scene is one of the most powerful I've ever seen. Ruthlessly awkward, strongly emotional and definitely unforgettable. Uma deserved an Oscar big as the Statue of Liberty.

There's still three hours of the second movie left for me to make a final judgment, but for now, this is a pure ten.

Seligman: "Well, I divide humanity into two groups: the people who cut the nails on the left hand first, and the people who cut the nails of the right hand first. My theory is that the people who cut the nails of the left hand first they're more light-hearted. They have a tendency to enjoy life more, because they go straight for the easiest task, and save the difficulties for later. So, what do you do?" Joe: "Always the left hand first. I don't think there's a choice. Go for the pleasure first, always. And then when you've done the left hand, only the right hand remains. That's the easiest one left." Seligman: "I never thought of it like that. Well, you're never too old. Never too old to learn."

10/10

59. The Outer Limits (1995–2002)
Episode: I, Robot (1995)

TV-PG | 45 min | Drama, Fantasy, Horror

Legendary lawyer Thurman Cutler is hired to defend Adam, a humanoid robot with many human qualities including speech, rational mind and empathy, who's been accused of murdering his creator. Cutler suspects there's more to the story.

Director: Adam Nimoy | Stars: Cynthia Preston, Barbara Tyson, Nathaniel DeVeaux, Leonard Nimoy

Votes: 509

What makes us human?

Self-conscious android kills its creator, but does not remember it. The prosecution is trying to force its destruction, while the daughter of the murdered scientist sees it as a brother and hires a top lawyer to save it. This SF courtroom drama deals with the question of whether artificial intelligence can be considered a personality and have equal rights to people of flesh and blood. The story is very well told, the acting is on an enviable level in relation to most of the series of this type, and the episode finale, although already seen cliché, is quite effective. One of the best episodes of the first season.

8/10

60. Good Will Hunting (1997)

R | 126 min | Drama, Romance

71 Metascore

Will Hunting, a janitor at M.I.T., has a gift for mathematics, but needs help from a psychologist to find direction in his life.

Director: Gus Van Sant | Stars: Robin Williams, Matt Damon, Ben Affleck, Stellan Skarsgård

Votes: 1,067,400 | Gross: $138.43M

Beautiful 22 June 2017

I return to this movie from time to time for the last two decades. I do not like Damon and Affleck, but this is their lifetime achievement and the most deserved Oscar they will ever win. Beautiful drama about finding yourself, finding a balance between the essence of life and its everyday appearance, about love and friendship. Realistic, unpretentiously philosophical and warm movie about life. Two main trumps of this movie are its perfect script and brilliant Robin Williams, the actor that adds warmth and love in everything he does. I can not say it's a masterpiece of cinematography, but it surely is beautiful, intelligent and it never gets old.

9/10

61. Brokeback Mountain (2005)

R | 134 min | Drama, Romance

87 Metascore

Ennis and Jack are two shepherds who develop a sexual and emotional relationship. Their relationship becomes complicated when both of them get married to their respective girlfriends.

Director: Ang Lee | Stars: Jake Gyllenhaal, Heath Ledger, Michelle Williams, Randy Quaid

Votes: 382,094 | Gross: $83.04M

"I wish I knew how to quit you"

For more than a decade, I refused to watch a movie about gays. Man, was I wrong! Although technically the movie is about gays, essentially this is a film about forbidden love, with which many of us can identify, regardless of sexual orientation and the specific circumstances of our own experiences. A well-told story, so emotionally charged that it will make even homophobe cry. The fantastic performances of Heath Ledger and Jake Gyllenhaal are incredibly convincing and deserve Oscars, not just nominations. And let's not get any further on, the film is simply perfect. Pure ten.

10/10

62. Requiem for a Dream (2000)

R | 102 min | Drama

71 Metascore

The drug-induced utopias of four Coney Island people are shattered when their addictions run deep..

Director: Darren Aronofsky | Stars: Ellen Burstyn, Jared Leto, Jennifer Connelly, Marlon Wayans

Votes: 898,368 | Gross: $3.64M

"In the end it's all nice"

When I first saw "Requiem for a Dream" I watched it with a company, so I've probably seen it in its entirety, but, since I was extremely bored, ask God where my thoughts were. A couple of years later I reprised it and it was so boring that I gave up before the end. When one of the movie groups on Facebook became like second home to me, I noticed that this film is quite popular among its members and that many even rank it among the favorite films, so I decided to give it one more chance. It bored me to the extent that I was not able to analyze it, and I only assessed my subjective impression by rating it three out of ten. This caused general bashing after yours truly. For this reason, for the first time in my life, I did not just reprise, but for the fourth time I watched a film that I did not like. This time I was mentally prepared to be fully focused from start to finish and be as objective as possible.

I must admit that the movie is visually really masterfully filmed. It contains a lot of unforgettable scenes that are, each for itself, striking artwork of photography. The camera work, the use of colors, editing and music perfectly conjures up the psychic and emotional states of the characters and effectively insert the viewer into it. The acting is flawless, and particularly strong impression leaves Ellen Burstyn, who deservedly picked up a bunch of awards and nominations. Still, despite all this, I simply do not like "Requiem". I don't enjoy it, it's boring to me, and despite all efforts, I just couldn't force myself to watch it whole at once. I have often paused, checking how much is left to the end, and dragged it through the entire day. Although I can not disprove its artistic value or essential power, I simply can not stand this film and I'm through with it once and for all.

8/10 (subjectively, it's still 3/10)

63. The Human Stain (2003)

R | 106 min | Drama, Romance, Thriller

57 Metascore

When a disgraced former college dean has a romance with a mysterious younger woman haunted by her dark, twisted past, he is forced to confront a shocking fact about his own life that he has kept secret for fifty years.

Director: Robert Benton | Stars: Anthony Hopkins, Nicole Kidman, Ed Harris, Gary Sinise

Votes: 32,252 | Gross: $5.38M

Deeply sad and beautiful

Drama about fear and prejudice, about false morality and double standards, about racism and political correctness that goes more and more into extremes, until it becomes equally evil as the evil it fights against. I always loved Hopkins and with every new movie I love him more. I think there's no role he cannot nail and make story deeper and stronger. And if I continue to watch movies with Nicole Kidman I risk falling in love. A few days ago, when I saw "Far and Away", my antipathy towards her weakened, and after "The Human Stain" it completely disappeared. Now I just need to see "Moulin Rouge" once again and I'll start sticking her posters around the room like a teenager.

8,5/10

64. Apt Pupil (1998)

R | 111 min | Crime, Drama, Thriller

53 Metascore

A boy blackmails his neighbor after suspecting him to be a Nazi war criminal.

Director: Bryan Singer | Stars: Ian McKellen, Brad Renfro, Joshua Jackson, Mickey Cottrell

Votes: 41,604 | Gross: $8.84M

"Oh, my dear boy, don't you see? We are fucking each other."

In the mid-eighties, a high-school student, obsessed with Nazi crimes during WWII, accidentally stumbles upon an old SS officer, hiding under a false identity right in his own neighborhood. He gathers proofs of the old man's past and blackmails him into vivid storytelling about his firsthand experiences, details they don't teach you in school and that you can not find in history books. But this relationship turns out to be much harder to handle than he expected.

Although considered a "king of horror", classic horror is not King's stronger suit. Besides his masterpiece, an epic adventure "The Dark Tower", his best work lies in dark drama that only tends to horror. It is interesting that in the sea of bad adaptations of King, three very good ones come from the same book. The story "Apt Pupil" was published in the short stories collection, which includes "The Body", adapted into the movie "Stand by Me", and "Rita Hayworth and Shawshank Redemption", after which was made probably the best adaptation of this author and one of the best movies of all time, "The Shawshank Redemption" from 1994. And all three are drama, not horror.

Ian McKellen nailed the aged Nazi officer. His performance is flawless and it will make you disgust and sympathize with his character at the same time. The fourteen-year-old rising star, Brad Renfro, has very well presented the role of a young sociopath and it is a great pity that he allowed the drugs to ruin his promising career and soon afterwards his life. He was OD'd at twenty-five, not giving himself a chance to really shine. The story is a dark drama with a touch of thriller and is based mainly on the characterization of these two characters and the development of their relationship. Brian Singer's directing is great, which is no surprise when we know his previous film is cult "The Usual Suspects". After two such films, his switch to the "X-Men" franchise is, although financially understandable, a great disappointment for me. The movie has a slightly slower pace, but has a good atmosphere and keeps the attention from beginning to end, and the ending, although completely different from King's, is in my opinion much more suited to the genre and the story itself, and has contributed significantly to the power of the overall impression.

8/10

65. A Ghost Story (2017)

R | 92 min | Drama, Fantasy, Mystery

84 Metascore

In this singular exploration of legacy, love, loss, and the enormity of existence, a recently deceased, white-sheeted ghost returns to his suburban home to try to reconnect with his bereft wife.

Director: David Lowery | Stars: Casey Affleck, Rooney Mara, McColm Cephas Jr., Kenneisha Thompson

Votes: 79,600 | Gross: $1.60M

It's "sheet", not "shit", you impatient illiterates!

I am reading reviews written by people who have bashed this film and generously rated it one and two out of ten, and I am shocked that all of them have failed to point out some of the biggest drawbacks of this pretentious garbage. First, if the ghost is shown as a white sheet, where are the chains?! Every ghost with any self-respect should rattle chains all night long. Secondly, it is widely known that ghosts rattle chains in the attic and, in this case, I'm not sure whether the house has an attic at all. Thirdly, this is an art film, and a good art film must necessarily be filmed in black and white.

Impatient superficial audience of the 21st century, your arguments against this film are valid about as much as those mentioned above.

This is a story about the ghost, where, instead of special effects and CG, we have an actor covered with a white sheet. But do not let that deter you from this unique cinematic experience. This is a film that shows that idea and talent are more important than budget, that emotions and atmosphere are more powerful than a story, that good directing and acting can hold your attention more firmly than dialogue and action, that with a little one can say and accomplish much. One of the slowest movies I have ever seen, almost without plot and dialogues, and yet, it was not boring for a moment. On the contrary, I do not remember when a movie left me with such a strong impression.

9/10

66. Pretty Baby (1978)

R | 110 min | Drama

66 Metascore

A preteen girl lives as a prostitute in New Orleans in 1917.

Director: Louis Malle | Stars: Brooke Shields, Keith Carradine, Susan Sarandon, Frances Faye

Votes: 12,822 | Gross: $5.79M

"There's only two things to do on rainy days, and I don't like to play cards"

The image of an adult world through a child's eyes. Brooke Shields is a daughter of a prostitute (Susan Sarandon) who grew up in brothel at the beginning of the twentieth century. After her mother marries and leaves her, she finds rescue from the brothel in a marriage with the photographer who has often photographed the acts of her and her mother. This historical drama is inspired by Al Rose's 1974 non-fictional book "Storyville, New Orleans". Although the film has no explicit scenes or even vulgar language, it has caused controversy because it came out at the time when child pornography and child abuse were in the public eye. From today's perspective, the film is pretty mainstream.

7/10

67. Straw Dogs (1971)

R | 113 min | Crime, Drama, Thriller

73 Metascore

A young American and his English wife come to rural England and face increasingly vicious local harassment.

Director: Sam Peckinpah | Stars: Dustin Hoffman, Susan George, Peter Vaughan, T.P. McKenna

Votes: 64,484

"Why don't you grow up?"

A young American scientist with a very attractive wife comes in rural England, hoping that the quiet environment will help him to write his book and smooth relations in the shaky marriage. But soon he discovers that the locals are not very friendly to newcomers and is forced to deal with an extremely violent environment.

The film starts slowly and in the first part deals with the characterization of the young couple and their unstable relationship, while building the uneasy atmosphere of their surroundings. In the second part, this discomfort culminates with open conflict between them and the locals, which somewhat resembles clashes in western movies. In order to survive, a young city nerd must overcome his cowardice and find a way to defeat significantly more numerous enemies.

If we watch this movie as a thriller or even horror, the emphasis will be put on a brutal finish, while the first part will look like an overly stretched and boring introduction. But I think that such an approach is wrong. I see this film as a psychological drama, the essence of which is the characterization of the protagonist and his transformation from an insecure city child, which is pushing problems under the carpet in the fear of confronting them, to a man, whose extreme situation in which he finds himself, forced to grow up, confronts with reality and assumes responsibility and control over his life. His relationship with his wife is merely "randomly" chosen tool for portraying his personality, while the violent ending is just one of the countless possible situations that would make this person transform. Essentially, this is the same story as one in which the nerd is bullied at school until he snaps and shows his teeth, only displayed in a much more brutal way.

From today's perspective, the film is not particularly explicit or controversial, but in the early seventies, due to fairly convincing scenes of rape and violence, and especially because of the implication that the victim herself caused rape and somewhat enjoyed it, Sam Peckinpah struggled to pass the censorship, and the original uncut version was released on DVD only in 2002.

In the beginning, I wasn't particularly impressed by Susan George, but in the rape scene she is so convincing that you could almost physically feel her breaking, and after that scene she is quite impressive until the end. Dustin Hoffman has pretty well put forward the transformation of the main character, though I think he could have done it better. And as directing is concerned, if you watched "The Wild Bunch", I think Sam Peckinpah does not require further comments.

8/10

68. Persona (1966)

Not Rated | 83 min | Drama, Thriller

86 Metascore

A nurse is put in charge of a mute actress and finds that their personae are melding together.

Director: Ingmar Bergman | Stars: Bibi Andersson, Liv Ullmann, Margaretha Krook, Gunnar Björnstrand

Votes: 130,864

Monodrama

The famous "Persona" by Ingmar Bergman illustrates the relationship between the silent actress and her talkative caretaker, and in the end, it turns out that they are two "personalities" of the same person. Some believe that this is a film about multiple personalities, but I think that they are simply ego and alter ego, or a mask that Elizabeth shows to the outside world and her suppressed true being hiding under that mask and trying to break through to the surface.

The whole film comes down to the endless monologues of Alma ("alma" in Spanish means "soul"), who opens completely and finally breaks before her "interlocutor". I say "interlocutor" because, although Liv Ullmann does not speak a word during the whole film, she actively participates in these "conversations" with her facial expression. Both actresses were fantastic in their roles, and Sven Nykvist made a great effort that we do not miss a single detail of their performance. The acting and perfect black-and-white cinematography are for ten out of ten. The rest of it...

Although one part of Alma's monologues is essential to the understanding of the story, a good part of it is confusing and, at least apparently, meaningless and unnecessary. Perhaps every last word makes sense and is of key importance in Bergman's head, but if that's the case he was not able to or he did not want to share with us in an understandable way. There are also very irritating flashy piles of pictures of all sorts of things unrelated to the plot of the film, which appear at the beginning and middle of the film, just perfect for causing seizures. These flashes also may have some sort of sense in Bergman's head, but I experienced them as a very unpleasant and unprovoked throwing out of the track. Although it lasts less than 90 minutes, the film gives the impression that it lasts for an entire eternity. No, I was not bored for a moment, but I think it is unduly burdensome.

I think that the extremely high reputation of "Persona" is more consequence of the extremely strong reputation of Bergman than the quality of the film itself, and that a large part of the audience praise it by inertia, or because they are embarrassed to admit that they actually do not like something that is generally recognized as a masterpiece, or simply do not understand it at all. I have no problem saying things as I see them, and therefore

7/10

69. City of God (2002)

R | 130 min | Crime, Drama

79 Metascore

In the slums of Rio, two kids' paths diverge as one struggles to become a photographer and the other a kingpin.

Directors: Fernando Meirelles, Kátia Lund | Stars: Alexandre Rodrigues, Leandro Firmino, Matheus Nachtergaele, Phellipe Haagensen

Votes: 800,713 | Gross: $7.56M

Subjective taste is crucial...

Rio's favelas are ruled by poverty and the struggle for survival. Teenagers and even children are turning to crime and only the most violent and the most unscrupulous survive. And even then only until someone even crazier comes along to kill them off and replace them. This explicitly brutal film portrays such a life very realistically, at the same time criticizing the state of society and giving a glimmer of hope that it may still be possible to get out of it all. Shocking story with a strong message, superbly shot for relatively little money. The impression is even stronger when you take into account that in most roles are not professional actors, but children who grow up in such an environment and contribute firsthand to the script. The ending, while somewhat expected, further intensifies the story, and I cannot point to any specific flaws of this film. However, it did not emotionally move me nearly as much as is necessary for the highest rating. Maybe it's up to the movie, maybe it's up to me, but I can't go over

8,5/10

70. Premeditated Murder (1995)

94 min | Drama, Romance

Men, women, and war. Jelena Panic is a young woman in Belgrade in the early 1990s, during Serbia's war with Croatia; she's making a book of her grandmother's diaries from the end of World ... See full summary »

Director: Gorcin Stojanovic | Stars: Branka Katic, Nebojsa Glogovac, Ana Sofrenovic, Dragan Micanovic

Votes: 2,177

All true romances are sad

Branka Katic is a young photographer who, in Belgrade, during the war with Croatia, writes a book about her grandmother, a member of the Belgrade aristocracy at the end of World War II. In parallel, the story follows her love for a wounded man determined to return to the front and her grandmother's tensions between a former lover and a primitive Partisan officer who could save her stepfather and smooth her the transition to communism. The film, rather plausibly and realistically, shows the situation in Belgrade in the early nineties, the echoes of the horrors of war that reached Belgrade, as well as Partisan "occupation" of Belgrade half a century earlier. The story is simple and everyday, so charged with emotions that I was unable to objectively grasp the technical aspects of the film. This is one of those movies where objective quality is not so important, that overwhelms you on a much deeper, human level, and if you are at least a little bit of a movie-weeper like me, it's guaranteed to leave you in tears.

8/10

71. The Knife (1999)

135 min | Drama

In attempt to find out who he is and where his roots lie, Alija Osmanovic discovers something far deeper and more important. He slowly discovers an evil that follows him as his destiny ... See full summary »

Director: Miroslav Lekic | Stars: Zarko Lausevic, Bojana Maljevic, Aleksandar Bercek, Ljiljana Blagojevic

Votes: 3,688

Faith brings you closer to God, religion is a highway to Hell

I get creeps every time I hear a split on Serbs and Muslims. Being a Serb is a national affiliation, being a Muslim is a religious affiliation. It's as if we divided cars into German and sports, or movies into comedies and black and white. The tragedy of this area is ironic and I do not know what these people have sinned so much to deserve such karma. Demos divided into three religions, imbued and poisoned with religious hatred, brainwashed to slaughter each other again and again. It would be funny to me if I didn't belong to that folk. As if we have fallen out of some morbid joke. If we neglect the production and flaws of the domestic film that we learned to ignore, we are left with a story that perfectly and painfully portrays all the irony and all the meaninglessness of the Balkan wars. For most of the movie I felt disgust and shame, and in the scene where Halil crossed on his knees over the ruins of the church, I've shed a tear. I think it's one of the most powerful scenes in domestic cinematography. Draskovic wrote this novel in 1982, and with all my heart I would like to believe that the bullcrap of the 1990s would not happen if everyone had read it then. But I don't.

8/10

72. Scent of a Woman (1992)

R | 156 min | Drama

57 Metascore

A prep school student needing money agrees to "babysit" a blind man, but the job is not at all what he anticipated.

Director: Martin Brest | Stars: Al Pacino, Chris O'Donnell, James Rebhorn, Gabrielle Anwar

Votes: 328,622 | Gross: $63.90M

"Super! Superior! Superfluous!"

The only Oscar in Pacino's career (why the hell does he only have one?!) came from a role Pacino initially rejected, and the agent persuaded him to change his mind. Fortunately, he succeeded. Without Pacino this film would probably be only mediocre and passed completely unnoticed.

"Scent of a Woman" was inspired by Giovanni Arpino's 1969 novel "Il buio e il miele", but shares only the basic premise with the source material. I can't say with certainty, but I think this is one of those instances where the film transcends the book, as it has remained in my living memory for decades, while the impressions of reading the novel have long faded. A high school student is taking the job of accompanying a blind retired officer over the weekend, unaware that this seemingly harmless task will turn into an adventure that will change both of their lives.

As a kid I was thrilled with the Ferrari scene, as a teenager I was enthralled by Pacino's tango with Gabrielle Anwar, and now I was blown away by Pacino's frightening plausibility in the role of a blind man (no dark glasses), and by that I mean not just facial expression, but the whole range of emotions that he handled with incredible ease. The story itself and the message it carries are nothing special, and the technical aspects of the film are not particularly impressive, but besides Pacino's performance, you will not pay attention to anything else anyway.

8/10

73. Citizen Kane (1941)

PG | 119 min | Drama, Mystery

100 Metascore

Following the death of publishing tycoon Charles Foster Kane, reporters scramble to uncover the meaning of his final utterance: 'Rosebud.'

Director: Orson Welles | Stars: Orson Welles, Joseph Cotten, Dorothy Comingore, Agnes Moorehead

Votes: 465,856 | Gross: $1.59M

Rosebud

"There's only one person in the world who's going to decide what I'm going to do and that's me."

When I first watched this movie, I barely made it to the end. Superb photography, direction, editing, music, a strong atmosphere, excellent study of personality ... and boring. For some reason, it was unbearably boring to me, and it completely sidelined all qualities. Whoever I told I didn't like the movie considered me a fool, and for years I couldn't bring myself to give it (or myself) a second chance. I made the same mistake with Kubrick's "2001: A Space Odyssey". After decades of quitting halfway through, when I finally watched it in its entirety, I came out of the theater thrilled. It motivated me to re-watch some more cult classics that I hastily wrote off. "Citizen Kane" didn't have nearly as strong an effect on me as "A Space Odyssey," but this time I saw it through without yawning and it left a much better impression than before. The objective qualities that make it a timeless masterpiece are undeniable, and now that I've read a bit about the film, I'm additionally impressed by some amazing facts. This is a Chaplin-like achievement for Orson Welles. He co-wrote, directed, starred and produced it at just 25, personally picking up the Academy Award for screenplay and nominations for directing (and this was his feature film directorial debut) and leading role, as well as 6 other nominations for the film, including the Best Picture. He was the first-ever to be nominated for the directing and leading role for the same movie. Movies "Stagecoach" (1939) and "Rebecca" (1940) had a major impact on Welles and many similarities in the story, set design, and shooting techniques can be seen in this film. There is a lot more interesting information that I read before I re-watched the film and that helped me to see it in a whole new light. Who knows, maybe after another viewing, it could go up to ten, but for now

8,5/10

74. Cool Hand Luke (1967)

GP | 127 min | Crime, Drama

92 Metascore

A laid-back Southern man is sentenced to two years in a rural prison, but refuses to conform.

Director: Stuart Rosenberg | Stars: Paul Newman, George Kennedy, Strother Martin, J.D. Cannon

Votes: 188,477 | Gross: $16.22M

"What we've got here is failure to communicate"

Paul Newman is Cool Hand Luke, a man who has been sentenced to two years in prison for drunkenly damaging public property and who uses that time to openly but subtly irritate guards and warden, while slowly gaining cult status with prisoners. Unfortunately, his stubbornness and unbreakable spite eventually destroy him.

Technically, the movie is brilliantly done. Everything from acting, through the camera and directing, to music is at a really high level. But the story, although well developed, with excellent characterization and a healthy dose of humor, just does not work for me. I understand that this is a character study of a non-conformist and rebel and I get a message that the film conveys, but no one would be driven to death this absurdly and unnecessary. If our main character was a mental patient, sentenced to life, or if this was some surreal movie, it would be something else, but in a realistic drama, a capable, intelligent, charismatic man, sentenced to just two years... It just doesn't make any sense. This movie has the potential for a maximum rating, but for that, it needs a much more serious and compelling story and a more powerful emotion. It appealed to me, but it did not leave an essentially strong impression.

8/10

75. Days of Heaven (1978)

PG | 94 min | Drama, Romance

94 Metascore

A hot-tempered farm laborer convinces the woman he loves to marry their rich but dying boss so that they can have a claim to his fortune.

Director: Terrence Malick | Stars: Richard Gere, Brooke Adams, Sam Shepard, Linda Manz

Votes: 62,733

"Nobody's perfect. There was never a perfect person around. You just have half-angel and half-devil in you."

Richard Gere and Brooke Adams are a couple of manual workers, who in the early twentieth century survive as day laborers in the grain fields. They are posing as siblings, and when a wealthy farmer dying of an incurable disease falls in love with Brooke, the "brother" persuades her to marry him in order to inherit the estate. Of course, such conspiracies usually do not go as planned ...

The movie won the Academy Award for Best Cinematography and that aspect of the film is really brought to perfection. Ennio Morricone was deservedly nominated for the music and that would pretty much be all I enjoyed. The whole plot can be recounted in detail in a few sentences and, when you stretch it to ninety minutes, the story gets so indescribably slow and boring that I was on the verge of quitting a few times. Also, Richard Gere is somehow always Richard Gere to me. I can not seem to see him as a character he plays. Whatever movie of his I watched, he always bounces off, like a color detail in a black and white movie, as if he had wandered into the wrong set. I can't say his acting is unconvincing, he just sticks out of the movie and keeps me from delving into the story.

Still, even though I was pretty bored and planned to bury it with the grade, it ended leaving me with surprisingly strong impressions and I don't believe I'll easily forget it. Maybe my rating is not adequate to what I wrote above, but I subjectively feel it as an eight and no objective reasons can change this rating either upwards or downwards.

8/10

76. Five Easy Pieces (1970)

R | 98 min | Drama

85 Metascore

A dropout from upper-class America picks up work along the way on oil rigs when his life isn't spent in a squalid succession of bars, motels, and other points of interest.

Director: Bob Rafelson | Stars: Jack Nicholson, Karen Black, Billy Green Bush, Fannie Flagg

Votes: 40,522 | Gross: $19.40M

Bergman liked it

Bergman stated that he enjoyed watching this movie. No wonder, because it is quite similar to his style. The story itself is stretched and boring, but the story here is just the backdrop for characterization of our anti-hero, and that part is fantastically done. Nicholson was deservedly nominated for an Oscar for this role, and his performance somewhat reminded me of the one in "The Shining", though here his character is much more realistic and easier to relate to his state of consciousness. I think many men will at least partially find themselves in this character, which adds significantly to his credibility and strength. On the one hand, we have a superb character study, excellent acting, and a technically well-made movie, but on the other hand, at times it was almost unbearably boring and the music (I don't mean classical) was driving me crazy.

7/10

77. Amores Perros (2000)

R | 154 min | Drama, Thriller

83 Metascore

An amateur dog fighter, a supermodel, and a derelict assassin, all separately struggling to find love, find their lives transformed by a devastating car wreck in Mexico City.

Director: Alejandro G. Iñárritu | Stars: Emilio Echevarría, Gael García Bernal, Goya Toledo, Álvaro Guerrero

Votes: 252,835 | Gross: $5.38M

"If you want to make God laugh... tell Him your plans."

The movie debut of the already cult Iñárritu brings us three torturous life stories of love and hate. The name of the movie, which could be translated as "Love is a Bitch," is a play on words, as all three stories are closely related to dogs. Classified as a thriller, but in my opinion, the elements of the thriller are negligible in relation to the drama, a story so convincing and powerful that the film is, for the most part, painful to watch. Great, somewhat complicated directing, and excellent characterization for whom both the high-quality script and the superb performances of the cast are equally deserving. Although the film's theme and genre are not my cup of tea, it has left quite a strong impression and definitely deserves cult status and awards won. If his debut is this good, I can't wait to see other Iñárritu films.

8,5/10

78. And Your Mother Too (2001)

R | 106 min | Drama

89 Metascore

In Mexico, two teenage boys and an older woman embark on a road trip and learn a thing or two about life and each other.

Director: Alfonso Cuarón | Stars: Maribel Verdú, Gael García Bernal, Daniel Giménez Cacho, Ana López Mercado

Votes: 128,866 | Gross: $13.62M

  • You have to make the clitoris your best friend.
  • What kind of friend is always hiding?


"And Your Mother Too" is a Mexican road-trip drama about growing up, imbued with a bit of vulgar humor, a teenage look at life, friendship, love, sex ... It is slow-paced, but the atmosphere held my undivided attention. The film was nominated for an Academy Award for Best Original Screenplay, and it is its strongest asset.

7/10

79. From Here to Eternity (1953)

Passed | 118 min | Drama, Romance, War

85 Metascore

At a U.S. Army base in 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his commanding officer's wife and top aide begin a tentative affair.

Director: Fred Zinnemann | Stars: Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed

Votes: 50,799 | Gross: $30.50M

Army version of the "Cool Hand Luke"

This drama by Fred Zinnemann brings us the story about the life of American soldiers in Hawaii just before Pearl Harbor. A realistic portrayal of a soldier's life, with an emphasis on two romantic relationships and a stubborn soldier that is irresistibly reminiscent of the protagonist of the 1967 movie "Cool Hand Luke". The film won eight Oscars out of thirteen nominations. The Academy Award for Best Black and White Cinematography seems to me deserved, and even the Oscars for sound and the best supporting role that went into Frank Sinatra's hands, but thirteen nominations is really too much. I wonder what the competition was like if this was the best movie that year. On the other hand, I may not be able to look at it objectively because I have a big problem connecting with characters like these. Similar to Japanese films, where the cultural gap is almost insurmountable to me, the military mentality is so alien to me that their perspective on things, their motivation, and decisions, seems totally illogical and even sick, so I am not able to sympathize with them and for the most of the movie I was thinking - God, what a moron, no normal person would do this. Because of this, the end of the film was not distressing to me but rather irritating and, although I cannot say that I did not like the movie, it did not leave a particularly strong impression, so I give it one extremely subjective seven.

7/10

80. 21 Grams (2003)

R | 124 min | Crime, Drama, Thriller

70 Metascore

A freak accident brings together a critically ill mathematician, a grieving mother, and a born-again ex-con.

Director: Alejandro G. Iñárritu | Stars: Sean Penn, Benicio Del Toro, Naomi Watts, Danny Huston

Votes: 245,833 | Gross: $16.29M

"Life has to go on, Jack. With or without God."

Excellent performances by Sean Penn, Naomi Watts, Benicio Del Toro, and Charlotte Gainsbourg in a powerful, dramatic and upsetting story, which is totally spoiled by maniacal directing. To be clear, I prefer non-linear storytelling to linear, but this is too much.

7/10

81. The Heiress (1949)

Not Rated | 115 min | Drama, Romance

A naive young woman falls for a handsome young man her emotionally abusive father suspects is only a fortune hunter.

Director: William Wyler | Stars: Olivia de Havilland, Montgomery Clift, Ralph Richardson, Miriam Hopkins

Votes: 17,339

"Yes, I can be very cruel. I have been taught by masters."

"The Heiress" is a drama set in the mid-nineteenth century, about a girl who is already running out of years to marry, and who has little to offer besides inheritance. When a suitor finally appears, her father protests, firmly convinced that the poor young man is only interested in her money. The heiress, of course, refuses to believe it ...

Impeccable black-and-white cinematography and directing by William Wyler, and theatrics of Olivia de Havilland, who deservedly took home the Oscar, followed by nothing worse performances by Montgomery Clift and Ralph Richardson. But, to me, the story was too lukewarm and the ending utterly disappointing. The film has eight Oscar nominations, but the screenplay is not one of them, and for me, without a good story, there can not be an exceptional movie, no matter how good the other aspects are.

7/10

82. Lambs of God (2019)

54 min | Drama

Lambs of God is a dark, gothic tale about three nuns, each a generation apart, living in an isolated convent by the coast, and an unwelcome visitor who enters their lives and changes their world forever.

Stars: Essie Davis, Jessica Barden, Sam Reid, Ann Dowd

Votes: 2,551

Mesmerizing

"Lambs of God" is an Australian Gothic drama about three nuns living in the ruins of an island monastery, cut off from and nonexistent to the world, until the Church decides to sell the property to build a luxury hotel. The young priest, Bishop's secretary, comes to scout the officially abandoned ruin, and the situation develops in, for both sides, completely unexpected direction.

The film combines drama, thriller and psychological horror, with a touch of fantasy and romance. The story is multi-layered and powerful, with just the right amount of mystery and plot twists. Beautiful photography and quality directing fall into the shadow of the fantastic acting of all four main actors, whose performances bring a captivating restlessness to the heart. I watched four hours in one breath, sitting on the edge of the chair quite a lot, and impressions after viewing will not soon fade.

9/10

83. How Green Was My Valley (1941)

Passed | 118 min | Drama, Family

88 Metascore

At the turn of the century in a Welsh mining village, the Morgans, he stern, she gentle, raise coal-mining sons and hope their youngest will find a better life.

Director: John Ford | Stars: Walter Pidgeon, Maureen O'Hara, Anna Lee, Donald Crisp

Votes: 26,479

It swiped the Oscar in front of Citizen Kane's nose

Best Picture in 1941, Academy Awards for directing and black-and-white cinematography, a total of five Oscars out of ten nominations. Nine out of ten were clear to me long before the movie ended, but for most of its duration, I wondered how the hell something so boring and needless was nominated for Best Screenplay. During the first hour, I had thought of giving up. I didn't. And so I kept watching and watching until the end and a good chunk of time after the movie was over I was still staring at the black screen. Maybe there's not much going on in this movie, but the atmosphere of one past time, the emotion it conveys, and the impressions it left, totally dazed me. And now I can not even understand anymore how this could have been boring... It defeated "Citizen Kane" and it beat it deservedly.

8/10

84. The Hustler (1961)

Not Rated | 134 min | Drama, Sport

90 Metascore

An up-and-coming pool player plays a long-time champion in a single high-stakes match.

Director: Robert Rossen | Stars: Paul Newman, Jackie Gleason, Piper Laurie, George C. Scott

Votes: 86,774 | Gross: $8.28M

"You bum, you pool room bum"

Paul Newman is a young talented pool player who wanders from town to town, living from hustling mediocre players into playing for money. He is convinced that he is the best, and he dreams of proving it by defeating the famous "Minnesota Fats" and taking him at least ten thousand dollars (the equivalent of today's hundred thousand). Unfortunately, as with most things in life, talent and skill are not enough, and the difference between winners and losers is largely determined by maturity and character.

"The Hustler" is, on the one hand, one of the best billiard films. Games were choreographed by fourteen-time world champion Willie Mosconi, who was also in charge of performing the most complex shots. And, on the other hand, this is an excellent character study of a man incapable to snap out and make something of his life until he touches the bottom first. The film deservedly won Best Cinematography, Black-and-White, and Best Art Direction-Set Decoration, Black-and-White Oscars, and all the main actors were nominated. It was also nominated for Best Picture, Best Director, and Best Writing, so there is no need to rattle about technical qualities. My subjective impression is a strong eight and I warmly recommend it.

8/10

85. I Am a Fugitive from a Chain Gang (1932)

Passed | 92 min | Crime, Drama, Film-Noir

Wrongly convicted James Allen serves in the intolerable conditions of a Southern chain gang, which later comes back to haunt him.

Director: Mervyn LeRoy | Stars: Paul Muni, Glenda Farrell, Helen Vinson, Noel Francis

Votes: 14,434 | Gross: $1.42M

"What are you taking the rap for, kid? - For looking at a hamburger."

After the First World War, the decorated veteran returns in the middle of the Great Depression and, during a long and arduous search for a job, he finds himself in the wrong place at the wrong time. For robbery of five dollars, which was committed under duress, gets sentenced to ten years of hard physical labor. The labor camps in the south of the United States are ruled by brutal, cruel, completely inhumane conditions, so he decides to flee. He goes to Chicago and progresses over the years from an ordinary laborer on a construction site to one of the most respected civil engineers. But after a few years, the dark past starts to haunt him. He is discovered and, although the authorities of his new home refuse to extradite him to Georgia, he voluntarily returns to serve his sentence because of the promise that he will be pardoned after three months. They tricked him, and after a year he flees again, and this time remains underground, forced to turn to crime to survive.

The film is, with some changes, based on the autobiography of a man who really experienced this. At the time, this was an extremely bold move by Warner Bros. The film was banned in Georgia for a long time, caused numerous controversies and a lot of lawsuits, but it achieved great popularity, attracted public attention and eventually led to the pardon of our hero, as well as to the improvement of conditions in prisons in the South.

On the technical side, the film was masterfully done, it was nominated for Oscars for best film, best actor, as well as for sound. The powerful and bitter story without idleness, the grim and tense atmosphere that kept my undivided attention from beginning to end and the convincing acting of Paul Muni left the impression as I was a participant in these events, as well as a serious stomach cramp. After such an explicit social critique, a stormy reaction from the public was inevitable, and the film has not lost much of its relevance even today, almost a hundred years later.

9,5/10

86. In a Lonely Place (1950)

Not Rated | 94 min | Drama, Film-Noir, Mystery

A potentially violent screenwriter is a murder suspect until his lovely neighbor clears him. However, she soon starts to have her doubts.

Director: Nicholas Ray | Stars: Humphrey Bogart, Gloria Grahame, Frank Lovejoy, Carl Benton Reid

Votes: 35,234

"I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me."

Humphrey Bogart and Gloria Grahame are breathtaking in this tragic noir romance. Bogart very convincingly presented the role of an explosive and violent, but essentially positive man, sincerely in love. Perhaps because the character of the eccentric screenwriter Dixon is the role most similar to real-life Bogart's, as actress Louise Brooks stated in her essay "Humphrey and Bogey." On the other hand, at first glance an ice queen, Gloria Grahame perfectly portrays the soul of a woman at the same time madly in love and mortally frightened by the same man. The film does not bring us much action, but relies mostly on the characterization of the pair and the development of their relationship, as well as on the building of simultaneously romantic and very tense mysterious atmosphere. The result is mesmerizing and charged with diverse, often conflicting emotions. The overall impression reminded me a bit of Hitchcock's classic "Rebecca". A warm recommendation.

8,5/10

87. Leave Her to Heaven (1945)

Passed | 110 min | Drama, Film-Noir, Romance

A writer falls in love with a young socialite and they're soon married, but her obsessive love for him threatens to be the undoing of them both as well as everyone around them.

Director: John M. Stahl | Stars: Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price

Votes: 14,770

Colour Noir

The obsessively possessive psycho-woman leads the chosen man into marriage after only a few days of knowing, and then does her best to have him all to herself. She wants his attention twenty-four hours a day and, in order to separate him from all other people, she is ready and capable of anything, even the unthinkable.

This film is considered a color noir and that paradox aroused my curiosity. I could hardly wait to see how they pulled it off and I have to admit that I was quite disappointed when I realized I was watching a classic melodrama of its time. Morbid, yes, and with a touch of thriller, but still only a melodrama. Cornel Wilde seemed stiff to me, Gene Tierney has amazing eyes, and Vincent Price is Vincent Price, I like him too much to be objective. Its story is unusual and interesting, and it deservedly won the Oscar for color cinematography, and yet, possibly because I had different expectations, the general impression that the film left on me was rather weak.

7/10

88. The Lost Weekend (1945)

Passed | 101 min | Drama, Film-Noir

The desperate life of a chronic alcoholic is followed through a four-day drinking bout.

Director: Billy Wilder | Stars: Ray Milland, Jane Wyman, Phillip Terry, Howard Da Silva

Votes: 40,179 | Gross: $9.46M

"One's too many an' a hundred's not enough"

"The Lost Weekend" is an adaptation of the eponymous autobiographical novel by Charles R. Jackson from 1944, known for its realistic depiction of a man destroyed by alcohol. This drama strikingly conveys all the horror, despair, and pathetic of alcoholism in a way that could easily disgust the very thought of drinking. The film picked up numerous awards. Ray Milland was so convincing in the role of a ruined man that he won first prize in the Cannes Film Festival, Best Actor in a Leading Role Oscar and a Golden Globe. The movie itself also won all three awards, and Billy Wilder is the first person to win Oscars for screenwriting and directing for the same film. Subjectively, I think the film is quite strenuous, but worth the effort.

8/10

89. The Curious Case of Benjamin Button (2008)

PG-13 | 166 min | Drama, Fantasy, Romance

70 Metascore

Tells the story of Benjamin Button, a man who starts aging backwards with consequences.

Director: David Fincher | Stars: Brad Pitt, Cate Blanchett, Tilda Swinton, Julia Ormond

Votes: 695,506 | Gross: $127.51M

Amazing life in reverse

For me, this is one of the best movies of all time. The story is well developed, there are no significant flaws or illogicality, the idea is original and interesting, acting and directing very good. It lasts more than two and a half hours, but with a curious story, strong dialogues, depth, and well-measured tempo it keeps attention on a high level from the beginning till the end. I would not be myself if I didn't have some objections, of course, but this time I don't want to spoil.

10/10

90. The Shape of Water (2017)

R | 123 min | Drama, Fantasy, Romance

87 Metascore

At a top secret research facility in the 1960s, a lonely janitor forms a unique relationship with an amphibious creature that is being held in captivity.

Director: Guillermo del Toro | Stars: Sally Hawkins, Octavia Spencer, Michael Shannon, Doug Jones

Votes: 447,541 | Gross: $63.86M

"Life is but the shipwreck of our plans"

Or is it...? Guillermo del Toro returns to the big screens in his recognizable style. If you've watched at least "Pan's Labyrinth", you know what to expect and that's exactly what you'll get. A fairytale and, at the same time, a cruelly realistic story about a romance doomed to tragedy. The film picked up a bunch of Oscars and nominations, of which only the nomination for Best Original Screenplay is not quite justified. The basic premise is good and somewhat original, but the whole development of the story is quite clichéd and predictable. However, that is the only weak point of this film. The characters are convincing, the performances of all the actors are top-notch, the film is visually beautiful, and although it is not particularly tense and it is quite slow, the emotion is strong, and the almost creamy atmosphere kept my undivided attention.

8,5/10

91. McCabe & Mrs. Miller (1971)

R | 120 min | Drama, Western

93 Metascore

A gambler and a prostitute become business partners in a remote Old West mining town, and their enterprise thrives until a large corporation arrives on the scene.

Director: Robert Altman | Stars: Warren Beatty, Julie Christie, Rene Auberjonois, William Devane

Votes: 27,635 | Gross: $8.20M

"Sometimes, when I take a look at you, I just keep looking and looking. I wanna feel your little body up against me so bad, I think I'm gonna bust... You're freezing my soul, that's what you're doing."

The story of a gambler and a prostitute who, in a remote settlement somewhere in the Wild West, manage an elite brothel in partnership, until capitalists far above their level interfere. Altman's revisionist western (or anti-western) is more of a life drama and tragic romance set in the Wild West than a western in the classical sense. The fight of heroic cowboys against evil and primitive Indians is replaced by the fight of anti-heroes, small entrepreneurs against corporate capital, and instead of good and bad guys, we have real convincing people with whom we can more easily identify. And the environment itself ceases to be a fairy-tale town on the prairie, instead of which Altman portrays the harsh living conditions of the American Northwest at the time. Everything in this film leaves a realistic impression, from the environment, the characters, and their development, the story itself, to the pace at which it takes place. And the strong emotion that permeates it is further enhanced by the beautiful songs of Leonard Cohen. If you are looking for magical landscapes, constant action and gunfights, heroes and their heroines, and the inevitable happy ending, this film is not for you. But if you like a solid drama that shows life as it really is and that does not hide the flaws of individuals and society under the carpet, you will enjoy it.

7,5/10

92. Breaking Bad (2008–2013)

TV-MA | 45 min | Crime, Drama, Thriller

A chemistry teacher diagnosed with inoperable lung cancer turns to manufacturing and selling methamphetamine with a former student in order to secure his family's future.

Stars: Bryan Cranston, Aaron Paul, Anna Gunn, Betsy Brandt

Votes: 2,134,763

"I won."

The sentence that should have ended this unusual TV show.

Walter White is a middle-aged chemist, husband, and father of a teenager suffering from cerebral palsy and a newborn girl. When he learns that he is dying of cancer and that treatment will lead his family to bankruptcy, he embarks on the production and distribution of narcotics, in order to secure his family in case he dies.

The road to Hell is paved with good intentions, and over the course of four seasons, we observe how a bad company, big money, and a sense of power gradually turn a decent man into a monster. The Machiavellian principle that the end justifies the means pushes our hero, step by step, closer and closer to the point of no return. This transformation is presented so convincingly and impressively that in itself is a sufficient reason to watch the series, and it is difficult to say whether it is more due to the excellently written character of Walter White or Brian Cranston's fantastic performance, if these two elements should be separated at all.

The other characters and acting performances do not lag behind the main character either. Aaron Paul and Jesse Pinkman's search for himself; Anna Gunn and the drama of a woman torn between preserving family and morals, love and fear of her own husband; Dean Norris and a DEA agent obsessed with an intriguing case whose solving is constantly eluding him; Jonathan Banks, calculated and consistent mercenary with a soul; Giancarlo Esposito in the role of an uncompromising and untouchable drug lord who hides in the open in the public spotlight; and of course Bob Odenkirk, whose "comic relief" character Saul Goodman definitely deserves a spin-off series. There is also a multitude of more or less important characters, where even the most secondary ones are carefully constructed and assigned to actors who will present them in the best way.

When we add a quality camera and direction with a lot of interesting solutions to a very good script and even better acting performances, a perfectly measured tempo whose rhythm, although constantly varying, never becomes too fast or too slow, witty moments in the script, direction and the soundtrack, we get a series that has deservedly received hundreds of nominations and awards and is rightly highly rated by critics and audience.

"I won," Walter White declares at the end of the fourth season and perfectly completes this powerful crime drama. And then, for mysterious reasons, they film the fifth season and screw the whole thing. While the entire series was realistic, or at least maintained the semblance of realism, the fifth season goes into exaggerations in the story, emphasizes characters who are not nearly acceptable by the standards that previous seasons have set and, although somewhat interesting and karmically rounds the story, does irreparable damage to the overall impression of the series and leaves a bitter taste in the mouth.

If they hadn't filmed the fifth season, it would have been 9/10.

8/10

Edit:

After reading the reactions to my review, I realized that I may not have best expressed my view of the fifth season. No, I don't think Walt should have emerged victorious from this story and any kind of happy ending would be inadequate. He ended up exactly as he should have. I'm not criticizing the point of the fifth season, but the form. I was bothered by the unnecessary elaboration of the supporting characters that were totally irrelevant until then, and they remained irrelevant until the end. Characters who do not meet the standards set by the series itself in the previous four seasons should not have been highlighted. The story becomes too complicated and goes into unconvincing exaggerations, which leave the impression of a bad copy of Tarantino's style. The whole season seems forced, written out of compulsion and not out of inspiration. It was as if they knew what kind of end they wanted, but not how to bring the story to it, so they threw in whatever to fill the time until the planned finale. I don't think it would have been better if Walt had won, but even that would be better than to have a whole disappointing season just to bring the story to the end it deserves at any cost.

93. Babel (I) (2006)

R | 143 min | Drama

69 Metascore

Tragedy strikes a married couple on vacation in the Moroccan desert, which jump starts an interlocking story involving four different families.

Director: Alejandro G. Iñárritu | Stars: Brad Pitt, Cate Blanchett, Gael García Bernal, Mohamed Akhzam

Votes: 317,096 | Gross: $34.30M

"Don't walk between the graves."

Two years before the famous "Benjamin Button", Cate Blanchett and Brad Pitt played a married couple whose family was brought to the brink of disaster due to a series of unfortunate circumstances. "Babel" consists of four seemingly unrelated stories, which take place on opposite sides of the world, but eventually merge into one. This is a drama about the fragility of human fate. About how seemingly harmless moves can cause tragic consequences, how a moment of stupidity, recklessness, carelessness, one wrong step, can plunge the culprit into ruin and destroy many more innocent lives along the way. The film brings a wide range of characters who, like the story itself, are rarely realistic, perfectly believable and lifelike. The tempo is a bit slower, but that is not a flaw here, because it contributes to a realistic atmosphere and leaves us room to truly experience the powerful emotions of the characters. I also have to mention the hand-held camera, excellent directing and editing, and the beautiful music for which it won an Oscar. A warm recommendation.

8/10

94. Mildred Pierce (1945)

Approved | 111 min | Crime, Drama, Film-Noir

88 Metascore

A hard-working mother inches towards disaster as she divorces her husband and starts a successful restaurant business to support her spoiled daughter.

Director: Michael Curtiz | Stars: Joan Crawford, Jack Carson, Zachary Scott, Eve Arden

Votes: 28,644

"It's your fault I'm the way I am."

Although it is also Film-Noir, this film is primarily a drama (I would dare say a melodrama) about how motherly love can ruin a child. Joan Crawford deservedly won the Oscar for the role of Mildred Pierce, a single mother, a strong, capable and ambitious woman, whose strength to achieve everything she intends is given by her obsessive love for her daughter, whom she extremely spoiled and made a self-centered monster. It's not a masterpiece, but I expected a certain level from the author of "Casablanca" and "Yankee Doodle Dandy" and I'm not disappointed. It is worth watching.

7,5/10

95. Mutiny on the Bounty (1935)

Passed | 132 min | Adventure, Biography, Drama

87 Metascore

First mate Fletcher Christian leads a revolt against his sadistic commander, Captain Bligh, in this classic seafaring adventure, based on the real-life 1789 mutiny.

Director: Frank Lloyd | Stars: Charles Laughton, Clark Gable, Franchot Tone, Herbert Mundin

Votes: 24,840

"He doesn't punish men for discipline. He likes to see men crawl."

This adventurous drama about a rebellion against a sadistic captain on the British ship "Bounty" in the late eighteenth century may not be historically accurate, but it is certainly spectacularly filmed and very entertaining. It is one of the most expensive films of its time and this money was really used to the maximum. It was filmed on a full-size replica of the Bounty, on the real ocean, and in Tahiti. The cast is great and this is the only film in history to pick up three Oscar nominations for the Best Actor in a Leading Role. Charles Laughton stole the film with a fantastic performance of a skilled, experienced, and brave, but arrogant and sadistic captain, whom you will easily hate from the very beginning, but Clark Gable, in the opinion of many I join, is a complete miscast for the role of the first officer that hijacks the ship. Although his performance is good, he simply does not fit in this role and his appearance itself is unconvincing. The perfectly balanced pace is light enough to allow you to sink into the story completely, and yet fast enough that your attention does not diminish for a moment. The film lasts over two hours, but not a single shot is superfluous, not a single scene too stretched. Moreover, the ending may even be a bit hasty, and I think the movie needed at least another twenty minutes to maintain a steady rhythm until the end. Yet, although it has its flaws, this epic spectacle is fascinating even by today's standards.

8,5/10

96. A Time to Kill (1996)

R | 149 min | Crime, Drama, Thriller

53 Metascore

In Canton, Mississippi, a fearless young lawyer and his assistant defend a black man accused of murdering two white men who raped his ten-year-old daughter, inciting violent retribution and revenge from the Ku Klux Klan.

Director: Joel Schumacher | Stars: Matthew McConaughey, Sandra Bullock, Samuel L. Jackson, Kevin Spacey

Votes: 181,588 | Gross: $108.77M

"Now imagine she's white."

When I first watched this film twenty years ago, I had to read a book as well. When I finished the book, I had to watch the movie again. "A Time to Kill" is one of the few examples where I can't decide whether it's a better novel or an adaptation, although I return to the film more often, simply because it requires less time and leaves an equally strong impression.

Somewhere in Mississippi, a ten-year-old black girl was raped and otherwise brutally abused to the brink of death. The perpetrators were immediately arrested, but the girl's father, fearing that they could be released, took matters into his own hands and killed them while they were entering the court. Both of these events are explicitly shown in the introductory part of the film, but the story concentrates on the trial of the father for double murder and the consequences that this case left on everyone involved. The public is divided into those who demand that the father be released and those who demand the death penalty. The KKK enters the scene and terrorizes the family and associates of the defense attorney, who, risking the lives of himself and his loved ones, still drives the case to the end.

This is basically a court drama, but as much as it deals with the events in the courtroom, so much does it dedicate itself to the psychological drama of everyone involved as well as the events that follow the whole situation, which give the film the features of a thriller. The excellent characterization is supported by a fantastic cast. Matthew McConaughey plays a young but capable lawyer who tries to save the avenging father (Samuel L. Jackson), and in the process resolve his inner turmoil, calm his conscience and find confirmation for his beliefs. He is assisted by a former top lawyer from whom he learned (Donald Sutherland) and a young, ambitious law student (Sandra Bullock). The relentless public prosecutor is played by the perfect Kevin Spacey, and the KKK's revenge is led by Kiefer Sutherland. There are also Oliver Platt, Charles S. Dutton, Ashley Judd, and other famous faces, and the cast itself is reason enough to give this film a chance.

When John Grisham tried to publish his first novel, he had a lot of trouble finding a publisher because of the controversial content of this story. The film didn't go much better either, so the reviews of the audience and the critics were extremely divided. People either praise it and highly rate it as a top drama, or spit on it as a propaganda film that supports revenge murder and one-sidedly portrays racism, presenting blacks as victims and whites from the American South as primitive racist villains. There's both, and I fully understand the angle from which people hate this movie. However, I think that the haters also look at it one-sidedly and do not fully understand it, and I join those who support the film. Will you perceive this film as a strong and incredibly emotional life drama or as propaganda garbage ... I think it comes down to whether you would send the avenging father to the gas chamber or you would do the same in his place.

The controversial last sentence of the defense closing speech, the sentence that is the biggest cause of resistance to this film, made me genuinely cry. If you find it disgusting at first glance, try to suppress that first reaction and look deeper and more sincerely into your heart, because we all have prejudices, even if we are not aware of them and no matter how painful it is for us to admit them.

8,5/10

97. Network (1976)

R | 121 min | Drama

83 Metascore

A television network cynically exploits a deranged former anchor's ravings and revelations about the news media for its own profit, but finds that his message may be difficult to control.

Director: Sidney Lumet | Stars: Faye Dunaway, William Holden, Peter Finch, Robert Duvall

Votes: 170,562

"So, turn off your television sets... Turn them off and leave them off!"

The television company, which is struggling with the ratings, is taking advantage of the nervous breakdown of the fired host and returning him to the program as a crazy messiah in order to improve the ratings and recover financially.

The film shows what is hidden on the other side of TV screens and what is at stake. Television, like the whole world, revolves around the profits of large corporations, so not only the truth, but also the bare life of an individual, are only statistics and irrelevant in relation to the profits and political games of the powerful. The screenwriter and director stated that this film is not a satire, but a realistic picture of the world of television and corporate society in general.

It was nominated for ten Oscars, of which it won four. Besides "A Streetcar Named Desire", this is the only movie to win three Oscars for acting, the last one with five acting nominations, and the role of Beatrice Straight is the shortest Oscar-winning role in history, with a total screen time of only five minutes.

At first, the film may seem too ordinary, unimpressive, but in the second half, the atmosphere thickens, the story and characters gain strength, and dialogues and monologues begin to hit the target mercilessly. I recommend it primarily because I think it is even more relevant today than at the time of its creation.

8/10

98. Now, Voyager (1942)

Passed | 117 min | Drama, Romance

70 Metascore

A frumpy spinster blossoms under therapy and becomes an elegant, independent woman.

Director: Irving Rapper | Stars: Bette Davis, Paul Henreid, Claude Rains, Gladys Cooper

Votes: 19,009

"I'm not afraid. I'm not afraid, mother. I'm not afraid."

A life and love drama about a lonely spinster, held on a short leash by her old mother who systematically destroys her spirit, until a nervous breakdown takes her to a sanatorium, from which she comes out as a completely different person and takes control of her life.

Bette Davis' most successful film is far from her best, but the transformation from an old maid to a seductress is one of her most memorable performances. We must not forget Gladys Cooper in the role of her tyrannical mother, for which she was nominated for an Oscar, nor the charismatic Claude Rains in the role of the psychiatrist who initiated this transformation.

Basically, this is a soap opera spiced with a little bit of feminism, a film that very successfully targeted female audiences. From today's perspective, the story is somewhat naive and even boring, but we must not ignore the fact that it was written in 1941, when social norms were different. As the film progresses, the story deepens and towards the end brings some very emotional moments, strong and sincere enough to deserve that we turn a blind eye on the movie's obvious shortcomings.

7/10

99. The Ox-Bow Incident (1942)

Passed | 75 min | Drama, Western

When a posse captures three men suspected of killing a local farmer, they become strongly divided over whether or not to lynch the men.

Director: William A. Wellman | Stars: Henry Fonda, Dana Andrews, Mary Beth Hughes, Anthony Quinn

Votes: 24,949 | Gross: $1.64M

"12 Angry Men" of Wild West

More drama than a western, this film is about a murder and the posse which caught the wrong man and is now trying to decide whether to hang him immediately or bring him to trial. All the evidence points to guilt, but suspicion is ubiquitous, because the defendant seems innocent and has good arguments. Neither guilt nor innocence can be proven on the spot and the final decision depends more on the character of the people in pursuit than on the facts available. The film lasts a little more than an hour and stands out only with diversity and good characterization of the characters, but a story like this doesn't need anything else.

8/10

100. Biutiful (2010)

R | 148 min | Drama, Romance

58 Metascore

A man dying of cancer tries his best to leave the world on his own terms.

Director: Alejandro G. Iñárritu | Stars: Javier Bardem, Maricel Álvarez, Hanaa Bouchaib, Guillermo Estrella

Votes: 94,596 | Gross: $5.10M

Powerful

The divorced father of two small children, who swims in the murky waters of crime, finds out that he is dying of prostate cancer and tries to provide for the children, tie all loose ends and leave in peace.

Unlike Iñárritu's previous works, the story is completely linear, but in everything else "Biutiful" is very similar to them. The story, the characters, the overall atmosphere ... everything is so alive and real, that I almost forgot I'm watching a movie. Iñárritu once again confirmed his ability to find and show the beauty in the grayness of life, even through tragedy. And the strongest trump card of the film is the impressive performance of Javier Bardem, for which he was nominated for an Oscar (the first nomination for Best Performance by an Actor in a Leading Role entirely in Spanish).

8/10



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