There’s an argument to be made that the single image which best exemplifies pure cinematic wonder is the Archers logo. The introductory title reel belonged to the production company of Michael Powell and Emeric Pressburger, a guarantee that whatever film followed would whisk the viewer away to a world of ecstatic imagination. The British filmmaking duo delivered sweeping, epic tales on a vibrant cinematic canvas painted with a style uniquely their own, and often found themselves on the periphery of their country’s popular cinema during their careers. While they came to be appreciated in the decades that followed the peak of their creative output, they have long passed, so David Hinton’s riveting new documentary Made in England: The Films of Powell & Pressburger brings the most qualified voice possible to speak on their contributions to the medium: Martin Scorsese.
Considering Scorsese’s close connection to their work, from...
Considering Scorsese’s close connection to their work, from...
- 6/12/2024
- by Jordan Raup
- The Film Stage
"What they offer is a vision of love... of longing and loss, hope and expectation of wonder... I've watched these movies so many times, they've become part of my life." Cohen Media Group has also released their own official trailer for the wondrous documentary film titled Made in England: The Films of Powell & Pressburger, set for a run this summer in limited theaters. The doc is a cinema history look back at the iconic Powell & Pressburger filmmakers. Narrated and presented by Martin Scorsese, this explores the history of the two famous filmmakers Michael Powell & Emeric Pressburger, known for their beloved films including Black Narcissus, The Red Shoes, A Matter of Life and Death, A Canterbury Tale, and Gone to Earth. It is "a love letter to one of cinema's greatest partnerships" with Scorsese taking us through his own admiration for their creations. Drawing on a rich array of archive material,...
- 6/11/2024
- by Alex Billington
- firstshowing.net
True cinephilia lives outside the confines of your front door, way past the boundaries of your home and native language. So, for all the talk of Martin Scorsese as a preeminent master of American cinema, it’s always been heartening to know the filmmaker and cineaste has appreciated all aspects of international cinema, from the East to the West and beyond. Those who understand Scorsese’s many cinematic affinities know fully well that one of his longtime personal passions has been the films by the Archers, aka the English filmmaking duo of Michael Powell and Emeric Pressburger (Powell and Pressburger) and their ravishingly colorful, imaginative, and luminous films.
Continue reading ‘Made In England’ Review: Martin Scorsese Offers An Intimate Tour Through The Radical Romanticism Of Powell & Pressburger Cinema [Tribeca] at The Playlist.
Continue reading ‘Made In England’ Review: Martin Scorsese Offers An Intimate Tour Through The Radical Romanticism Of Powell & Pressburger Cinema [Tribeca] at The Playlist.
- 6/10/2024
- by Rodrigo Perez
- The Playlist
‘Made in England: The Films of Powell and Pressburger’ Review: Martin Scorsese-Led Doc Gets Personal
Martin Scorsese’s voiceover narration and on-camera presence foregrounds the personal nature of “Made in England: The Films of Powell and Pressburger,” an irresistible documentary survey about the formative movies of mid-century British writer/director Michael Powell and his co-writer Emeric Pressburger.
Scorsese didn’t direct “Made in England,” but his insights and relationship with Powell and Pressburger’s movies serve as the clothesline that director David Hinton hangs his movie’s footage on, including clips from both his title subjects’ movies as well as some charming archival interview footage (both Powell and Pressburger are now dead). Even Hinton’s tendency of focusing on Powell over Pressburger makes sense when you consider Scorsese’s presence as the lightly held lens through which the movie presents formative Powell and Pressburger dramas like “The Life and Death of Colonel Blimp,” “The Red Shoes,” and “The Tales of Hoffmann.”
“Made in England” begins...
Scorsese didn’t direct “Made in England,” but his insights and relationship with Powell and Pressburger’s movies serve as the clothesline that director David Hinton hangs his movie’s footage on, including clips from both his title subjects’ movies as well as some charming archival interview footage (both Powell and Pressburger are now dead). Even Hinton’s tendency of focusing on Powell over Pressburger makes sense when you consider Scorsese’s presence as the lightly held lens through which the movie presents formative Powell and Pressburger dramas like “The Life and Death of Colonel Blimp,” “The Red Shoes,” and “The Tales of Hoffmann.”
“Made in England” begins...
- 6/7/2024
- by Simon Abrams
- The Wrap
It’s been decades since they’ve passed, but this summer is shaping up to be the season of Michael Powell and Emeric Pressburger. Alongside MoMA’s massive retrospective of their work, Annie Baker will introduce The Tales of Hoffmann at Film at Lincoln Center next weekend, the Martin Scorsese-narrated documentary Made in England: The Films of Powell & Pressburger will arrive later this summer, and a new 4K restoration of their underseen gem The Small Back Room will be coming to Film Forum at the end of the month courtesy of Rialto Pictures.
In their classically romantic suspense thriller The Small Back Room, David Farrar stars as a bomb disposal expert Sammy Rice, embittered by a tin leg courtesy of an on-the-job snafu and battling addiction (giving Powell and Pressburger the opportunity for a bizarre Dt fantasy sequence), until faced with the ultimate explosive challenge: a German bomb sporting an unbeatable booby trap.
In their classically romantic suspense thriller The Small Back Room, David Farrar stars as a bomb disposal expert Sammy Rice, embittered by a tin leg courtesy of an on-the-job snafu and battling addiction (giving Powell and Pressburger the opportunity for a bizarre Dt fantasy sequence), until faced with the ultimate explosive challenge: a German bomb sporting an unbeatable booby trap.
- 6/4/2024
- by Leonard Pearce
- The Film Stage
While filmmaking duo Michael Powell and Emeric Pressburger — aka The Archers — may be best known for their extravagant color films like “The Life and Death of Colonel Blimp,” “A Matter of Life and Death,” “Black Narcissus,” and “The Red Shoes,” their underseen black-and-white, post-wwii potboiler “The Small Back Room” may be their most daring.
Following a wartime weapons expert whose experiences studying and disarming bombs have led to injuries and a nasty drinking habit, the film came at a time when audiences were ready to look past the fighting, so it didn’t perform well at the box office. Now, thanks to Rialto Pictures, the film is set to hit theaters once again on June 28 with a 4K restoration. Watch the new trailer, an IndieWire exclusive, below.
The restoration, handled by The Film Foundation and the BFI National archives, in association with StudioCanal, was also conducted with the help of...
Following a wartime weapons expert whose experiences studying and disarming bombs have led to injuries and a nasty drinking habit, the film came at a time when audiences were ready to look past the fighting, so it didn’t perform well at the box office. Now, thanks to Rialto Pictures, the film is set to hit theaters once again on June 28 with a 4K restoration. Watch the new trailer, an IndieWire exclusive, below.
The restoration, handled by The Film Foundation and the BFI National archives, in association with StudioCanal, was also conducted with the help of...
- 6/4/2024
- by Harrison Richlin
- Indiewire
Courtesy of Studiocanal
by James Cameron-wilson
Hard to believe today, but Michael Powell and Emeric Pressburger’s 1949 drama was a flop. A glum, perhaps cynical, claustrophobic piece of film noir shot in black-and-white, The Small Back Room was released just four years after the end of the Second World War – and it was not what postwar audiences wanted to see. Indeed, it is hardly one of the most celebrated titles in the Powell/Pressburger catalogue and I, for one, had never seen it before. Even so, having just watched this consummately photographed and magically restored work, I would say without hesitation it is one of my very favourite Powell and Pressburger films.
With the psychological complexity of a good play and replete with telling touches, it blends both the disciplines of Hollywood film noir with the Expressionism of the Weimar cinema of Germany, but with its own ineffable, stiff upper lip Englishness.
by James Cameron-wilson
Hard to believe today, but Michael Powell and Emeric Pressburger’s 1949 drama was a flop. A glum, perhaps cynical, claustrophobic piece of film noir shot in black-and-white, The Small Back Room was released just four years after the end of the Second World War – and it was not what postwar audiences wanted to see. Indeed, it is hardly one of the most celebrated titles in the Powell/Pressburger catalogue and I, for one, had never seen it before. Even so, having just watched this consummately photographed and magically restored work, I would say without hesitation it is one of my very favourite Powell and Pressburger films.
With the psychological complexity of a good play and replete with telling touches, it blends both the disciplines of Hollywood film noir with the Expressionism of the Weimar cinema of Germany, but with its own ineffable, stiff upper lip Englishness.
- 6/3/2024
- by James Cameron-Wilson
- Film Review Daily
"A valentine to British cinema's greatest dreamers." This one is for all the die-hard cinephiles! Mubi has unveiled the official trailer for the cinema history documentary film called Made in England: The Films of Powell & Pressburger, made by filmmaker David Hinton. This originally premiered at the 2024 Berlin Film Festival earlier this year, and it's next screening at the 2024 Tribeca Film Festival in NYC coming up this June. The doc is narrated and presented by Martin Scorsese, who explores the history of these two famous filmmakers: Michael Powell and Emeric Pressburger, known for their beloved films including Black Narcissus, The Red Shoes, A Matter of Life and Death, A Canterbury Tale, and Gone to Earth. It is "a love letter to one of cinema's greatest partnerships." Drawing on a rich array of archive material, Scorsese explores in full the collaboration between the Englishman Powell and Hungarian Pressburger who thrived in...
- 5/30/2024
- by Alex Billington
- firstshowing.net
David Niven and Kim Hunter of the set of A Matter Of Life And Death (1946). Photo: courtesy of Altitude
Director David Hinton's Made In England: The Films Of Powell And Pressburger draws on a rich array of archival material to craft a captivating celebration of one of cinema's great collaborative partnerships. Together, the English Michael Powell and Hungarian Emeric Pressburger were the creative forces behind some of British cinema's most memorable films: The Red Shoes, Black Narcissus, A Matter Of Life And Death, The Life And Death Of Colonel Blimp and The Tales Of Hoffmann.
Martin Scorsese narrates and hearing him express his love for these films makes it feel like Made In England is a meeting with destiny. He was the only choice, not only because of his personal and professional relationships with Powell and his longtime editor, and Powell's widow Thelma Schoonmaker, but because of his enthusiastic energy,...
Director David Hinton's Made In England: The Films Of Powell And Pressburger draws on a rich array of archival material to craft a captivating celebration of one of cinema's great collaborative partnerships. Together, the English Michael Powell and Hungarian Emeric Pressburger were the creative forces behind some of British cinema's most memorable films: The Red Shoes, Black Narcissus, A Matter Of Life And Death, The Life And Death Of Colonel Blimp and The Tales Of Hoffmann.
Martin Scorsese narrates and hearing him express his love for these films makes it feel like Made In England is a meeting with destiny. He was the only choice, not only because of his personal and professional relationships with Powell and his longtime editor, and Powell's widow Thelma Schoonmaker, but because of his enthusiastic energy,...
- 5/24/2024
- by Paul Risker
- eyeforfilm.co.uk
George Miller gets biblical in the opening moments of Furiosa: A Mad Max Saga, the fifth installment in his postapocalyptic action franchise. The young Furiosa, played by Alyla Browne, picks a ripe piece of fruit from a tree growing at the edge of a verdant forest. “We’ve come too far,” says her companion, emphasizing the forbidden nature of the act with the perfect amount of allegorical on-the-noseness. What happens next certainly has the aura of divine punishment, as Furiosa is whisked away from her home (“the Green Place” first mentioned in Miller’s Mad Max: Fury Road) by a masked group of motor bikers.
She’s no helpless waif, mind you, and with her steadfast mother, Mary Jo Bassa (Charlee Fraser), in hot pursuit, Furiosa gives as good as any of the lecherous brutes tormenting her. But the fates, not to mention the narrative dictates of an origin story with an already fixed outcome,...
She’s no helpless waif, mind you, and with her steadfast mother, Mary Jo Bassa (Charlee Fraser), in hot pursuit, Furiosa gives as good as any of the lecherous brutes tormenting her. But the fates, not to mention the narrative dictates of an origin story with an already fixed outcome,...
- 5/16/2024
- by Keith Uhlich
- Slant Magazine
Disney’s Kingdom Of The Planet Of The Apes leads the new titles at this weekend’s UK-Ireland box office, with the ape adventure starting in over 650 sites.
Directed by Wes Ball, Kingdom is the fourth film since the Planet Of The Apes series reboot in 2011; and 10thPlanet Of The Apes film overall since the series began with Franklin J. Schaffner’s 1968 classic starring Charlton Heston.
Set 300 years after the events of 2017’s War For The Planet Of The Apes, Kingdom sees a young chimpanzee hunter embark on a journey with a human woman, to a dangerous holdout ruled by an ambitious bonobo monarch.
Directed by Wes Ball, Kingdom is the fourth film since the Planet Of The Apes series reboot in 2011; and 10thPlanet Of The Apes film overall since the series began with Franklin J. Schaffner’s 1968 classic starring Charlton Heston.
Set 300 years after the events of 2017’s War For The Planet Of The Apes, Kingdom sees a young chimpanzee hunter embark on a journey with a human woman, to a dangerous holdout ruled by an ambitious bonobo monarch.
- 5/10/2024
- ScreenDaily
Legendary film editor Thelma Schoonmaker is honoring the films of filmmaking duo Michael Powell and Emeric Pressburger with an upcoming retrospective at MoMA.
Titled “Cinema Unbound: The Creative Worlds of Powell and Pressburger,” the screening series is presented in collaboration with the BFI and will take place from June 21 to July 31. The program includes more than 50 films — many of which are new restorations — and was curated by conservation experts, archivists, and curators at the BFI National Archive.
Oscar-winning editor Schoonmaker will open the series on June 21 with an introduction to the new digital restoration of “Black Narcissus” (1947). Schoonmaker was married to British director Powell from 1984 until his death in 1990.
Powell and Pressburger’s cultural legacy is most notably recognized in their film “The Red Shoes” (1948), which has inspired sequences in films such as Luca Guadagnino’s “Challengers,” Darren Aronofsky’s “Black Swan,” and Martin Scorsese’s “Raging Bull,” which Schoonmaker edited.
Titled “Cinema Unbound: The Creative Worlds of Powell and Pressburger,” the screening series is presented in collaboration with the BFI and will take place from June 21 to July 31. The program includes more than 50 films — many of which are new restorations — and was curated by conservation experts, archivists, and curators at the BFI National Archive.
Oscar-winning editor Schoonmaker will open the series on June 21 with an introduction to the new digital restoration of “Black Narcissus” (1947). Schoonmaker was married to British director Powell from 1984 until his death in 1990.
Powell and Pressburger’s cultural legacy is most notably recognized in their film “The Red Shoes” (1948), which has inspired sequences in films such as Luca Guadagnino’s “Challengers,” Darren Aronofsky’s “Black Swan,” and Martin Scorsese’s “Raging Bull,” which Schoonmaker edited.
- 5/1/2024
- by Samantha Bergeson
- Indiewire
Kevin Macdonald's High & Low – John Galliano is now showing exclusively on Mubi in many countries.High & Low – John Galliano.What are the limits of forgiveness? Is making a documentary about a disgraced public figure, in which that remorseful person is allowed to try to explain their actions, inherently an act of damage-control propaganda? Or can it be a way of letting them tighten their own noose? Since its premiere at Telluride last September, Kevin Macdonald’s High & Low – John Galliano (2023) has fueled such heated conversations. Leaving many of its inquiries open-ended, this documentary is about neither complete condemnation nor exoneration. Instead, Macdonald tries to make sense of the enigma at his film’s center: a man who does not deny committing a hate crime over a decade ago, but who still claims to have no memory of the events or how he got there.Widely admired for his audacious style and designs,...
- 4/26/2024
- MUBI
Following the best movie of last year, 2024 brings a lesson in cinema history from Martin Scorsese. He’s narrated a new documentary on two of the greatest directors of all time, Michael Powell and Emeric Pressburger, the duo responsible for The Red Shoes, Black Narcissus, A Matter of Life and Death, and The Life and Death of Colonel Blimp. Considering Scorsese’s close connection to their work, from being captivated at a young age and much later becoming friends with Michael Powell (who was married to Scorsese’s long-time editor Thelma Schoonmaker), he’s the perfect guide through their filmography.
Following the Berlinale premiere of David Hinton’s Made in England: The Films of Powell and Pressburger, it’ll now get a U.K. and Ireland release on May 10 from Altitude and the first trailer has arrived. With U.S. distribution coming from Cohen Media Group, Mubi has also...
Following the Berlinale premiere of David Hinton’s Made in England: The Films of Powell and Pressburger, it’ll now get a U.K. and Ireland release on May 10 from Altitude and the first trailer has arrived. With U.S. distribution coming from Cohen Media Group, Mubi has also...
- 4/15/2024
- by Jordan Raup
- The Film Stage
Those attending the 15th annual TCM Classic Film Festival in Hollywood next month will have an opportunity to engage with Mel Brooks and Vitaphone, both born in 1926. One’s extinct, the other’s still going strong.
While Brooks, 97, will be on hand for a closing-night screening of his 1987 comedy Spaceballs, six Vitaphone vaudeville shorts from the 1920s will be projected in 35mm, with sound played back from their original 16-inch discs on a turntable designed and engineered by Warner Bros.’ postproduction engineering department.
Also announced Thursday:
• Steven Spielberg will participate in a Q&a with Howard Suber — the UCLA faculty member at the center of the recent six-part TCM documentary The Power of Film — ahead of a director’s cut of Close Encounters of the Third Kind (1977);
• Nancy Meyers and Alexander Payne, respectively, will introduce world premiere restorations of Alfred Hitchcock’s North by Northwest (1959) and John Ford’s The Searchers...
While Brooks, 97, will be on hand for a closing-night screening of his 1987 comedy Spaceballs, six Vitaphone vaudeville shorts from the 1920s will be projected in 35mm, with sound played back from their original 16-inch discs on a turntable designed and engineered by Warner Bros.’ postproduction engineering department.
Also announced Thursday:
• Steven Spielberg will participate in a Q&a with Howard Suber — the UCLA faculty member at the center of the recent six-part TCM documentary The Power of Film — ahead of a director’s cut of Close Encounters of the Third Kind (1977);
• Nancy Meyers and Alexander Payne, respectively, will introduce world premiere restorations of Alfred Hitchcock’s North by Northwest (1959) and John Ford’s The Searchers...
- 3/21/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Toronto’s Hot Docs, North America’s largest documentary festival, has unveiled the full lineup of films that will screen in its Special Presentations program. The festival runs April 25 to May 5.
World premieres include “Red Fever,” which sees Cree filmmaker Neil Diamond travel to the four corners of Turtle Island and across Europe to explore the world’s fascination with Native Americans; “American Cats: The Good, the Bad, and the Cuddly,” in which “Full Frontal With Samantha Bee” correspondent Amy Hoggart explores the controversial practice of declawing cats; “The Ride Ahead,” an expansion of co-director Samuel Habib’s short film “My Disability Roadmap” (which got an Honorable Mention in the International Shorts section of Hot Docs in 2022), exploring a typical 21-year-old itching to move out, start a career and find love—all while navigating life with a disability; “Lost in the Shuffle,” which follows world champion magician Shawn Farquhar as...
World premieres include “Red Fever,” which sees Cree filmmaker Neil Diamond travel to the four corners of Turtle Island and across Europe to explore the world’s fascination with Native Americans; “American Cats: The Good, the Bad, and the Cuddly,” in which “Full Frontal With Samantha Bee” correspondent Amy Hoggart explores the controversial practice of declawing cats; “The Ride Ahead,” an expansion of co-director Samuel Habib’s short film “My Disability Roadmap” (which got an Honorable Mention in the International Shorts section of Hot Docs in 2022), exploring a typical 21-year-old itching to move out, start a career and find love—all while navigating life with a disability; “Lost in the Shuffle,” which follows world champion magician Shawn Farquhar as...
- 3/12/2024
- by Leo Barraclough
- Variety Film + TV
In the narrator’s seat for David Hinton’s eloquent documentary on the filmmaking duo Michael Powell and Emeric Pressburger, Martin Scorsese is the ultimate fan. Tracing his all-around movie obsession to his first viewing of the U.K.-based pair’s 1948 tour de force, The Red Shoes, he leads us through a dozen of their features and a few of Powell’s solo efforts, connecting key sequences to memorable scenes in his own work. But beyond its clear explication of the films’ imaginative and technical power, Made in England is also a testament to mentorship and friendship; Scorsese was close to Powell, who died in 1990, for the last decade and a half of the British director’s life, and Powell married Scorsese’s longtime editor, Thelma Schoonmaker, in 1984.
The documentary ignites a longing to see the movies, whether for the first time or the umpteenth (many are available on...
The documentary ignites a longing to see the movies, whether for the first time or the umpteenth (many are available on...
- 2/24/2024
- by Sheri Linden
- The Hollywood Reporter - Movie News
The Berlin Film Festival kicked off its 74th edition February 15 with the opening-night world premiere screening of Small Things Like These, the Irish drama starring Oscar-nominated Oppenheimer star Cillian Murphy. It started 10 days of debuts including for movies starring Rooney Mara, Isabelle Huppert, Gael García Bernal, Kristen Stewart and more.
This year’s Competition lineup features films from a swath of international filmmakers including Olivier Assayas, Mati Diop, Hong Sangsoo, Bruno Dumont and Abderrahmane Sissako.
The Berlinale runs through February 25.
Keep checking back below as Deadline reviews the best and buzziest movies of the festival. Click on the titles to read the full reviews.
Another End ‘Another End’
Section: Competition
Director: Piero Messina
Cast: Gael García Bernal, Renate Reinsve, Bérénice Bejo, Olivia Williams, Pal Aron
Deadline’s takeaway: The script, while ambitious, is laden with philosophical musings that often feel detached from the emotional core of the story. Another End...
This year’s Competition lineup features films from a swath of international filmmakers including Olivier Assayas, Mati Diop, Hong Sangsoo, Bruno Dumont and Abderrahmane Sissako.
The Berlinale runs through February 25.
Keep checking back below as Deadline reviews the best and buzziest movies of the festival. Click on the titles to read the full reviews.
Another End ‘Another End’
Section: Competition
Director: Piero Messina
Cast: Gael García Bernal, Renate Reinsve, Bérénice Bejo, Olivia Williams, Pal Aron
Deadline’s takeaway: The script, while ambitious, is laden with philosophical musings that often feel detached from the emotional core of the story. Another End...
- 2/24/2024
- by Stephanie Bunbury, Damon Wise, Pete Hammond and Valerie Complex
- Deadline Film + TV
The 74th Berlin International Film Festival announced the winners of the fest at the awards ceremony held at the Berlinale Palast on February 24.
20 films competed for the awards in this year’s competition with Lupita Nyong’o heading the International Jury alongside Ann Hui, Christian Petzold, Albert Serra, Jasmine Trinca and Oksana Zabuzhko. The Encounters Jury, Lisandro Alonso, Denis Côté and Tizza Covi choose the winners for Best Film, Best Director and the Special Jury Award.
The Golden Bear for Best Film was awarded to Dahomey by Mati Diop. Emily Watson won The Silver Bear for Best Supporting Performance for her role in Small Things Like These, while Sebastian Stan received The Silver Bear for Best Leading Performance in A Different Man. Nelson Carlo De Los Santos Arias was honored with The Silver Bear for Best Director for his film Pepe, and the Silver Bear Jury Prize went to Bruno Dumont for Empire.
20 films competed for the awards in this year’s competition with Lupita Nyong’o heading the International Jury alongside Ann Hui, Christian Petzold, Albert Serra, Jasmine Trinca and Oksana Zabuzhko. The Encounters Jury, Lisandro Alonso, Denis Côté and Tizza Covi choose the winners for Best Film, Best Director and the Special Jury Award.
The Golden Bear for Best Film was awarded to Dahomey by Mati Diop. Emily Watson won The Silver Bear for Best Supporting Performance for her role in Small Things Like These, while Sebastian Stan received The Silver Bear for Best Leading Performance in A Different Man. Nelson Carlo De Los Santos Arias was honored with The Silver Bear for Best Director for his film Pepe, and the Silver Bear Jury Prize went to Bruno Dumont for Empire.
- 2/22/2024
- by Robert Lang
- Deadline Film + TV
For any film lovers who grew up on, generationally depending, the cinema of Michael Powell and Emeric Pressburger, or the essential ’90s cinephile primer “A Personal Journey with Martin Scorsese Through American Movies” — or both, as for this writer — “Made in England: The Films of Powell and Pressburger” arrives as an unmitigated treat.
A straightforwardly constructed documentary trawl through the dizzy highs and sporadic lows of the most iridescently fabulous filmography in British cinema, David Hinton’s film would be plenty pleasurable as a mere feature-length clip reel. That it gets longtime Powell and Pressburger champion Martin Scorsese to narrate the proceedings, with the same blend of scholarly authority and avuncular enthusiasm he brought to “Personal Journey,” makes the doc more than the sum of its already attractive parts: a movingly sincere valentine from a filmmaker now due his own equivalent tributes, shortening the distance between youthful discovery and senior nostalgia.
A straightforwardly constructed documentary trawl through the dizzy highs and sporadic lows of the most iridescently fabulous filmography in British cinema, David Hinton’s film would be plenty pleasurable as a mere feature-length clip reel. That it gets longtime Powell and Pressburger champion Martin Scorsese to narrate the proceedings, with the same blend of scholarly authority and avuncular enthusiasm he brought to “Personal Journey,” makes the doc more than the sum of its already attractive parts: a movingly sincere valentine from a filmmaker now due his own equivalent tributes, shortening the distance between youthful discovery and senior nostalgia.
- 2/21/2024
- by Guy Lodge
- Variety Film + TV
Without Michael Powell and Emeric Pressburger, the films and career of Martin Scorsese would be very different. “Mean Streets” would be less red (thank those titular “Red Shoes”), the title fight in “Raging Bull” wouldn’t have been preceded by that thrilling oner (thank the duel in “Colonel Blimp”), and we wouldn’t have that audacious flash of yellow in “The Age of Innocence,” an idea swiped from the red-hot climax of “Black Narcissus.”
Scorsese has always been admirably honest about his tendency to steal from the best, and “Made in England: The Films of Powell and Pressburger” is at its most fun when Marty talks the audience through how the ironic filmmaking duo’s most striking images reshaped the canon. And what — to him — ultimately made them worth stealing.
These seemingly spontaneous moments are well-illustrated by director David Hinton, a BAFTA-winning documentarian who also made an episode of the...
Scorsese has always been admirably honest about his tendency to steal from the best, and “Made in England: The Films of Powell and Pressburger” is at its most fun when Marty talks the audience through how the ironic filmmaking duo’s most striking images reshaped the canon. And what — to him — ultimately made them worth stealing.
These seemingly spontaneous moments are well-illustrated by director David Hinton, a BAFTA-winning documentarian who also made an episode of the...
- 2/21/2024
- by Adam Solomons
- Indiewire
Martin Scorsese, who helped rescue the British film-makers’ work from obscurity, is the perfect person to discuss their unique and now beloved work
The work of film-makers Michael Powell and Emeric Pressburger is discussed with passion and authority by Martin Scorsese in this richly enjoyable documentary, for which he presents his thoughts and recollections directly to camera. When the British establishment shamed itself by turning its back on these homegrown masters, it took this Italian American film-maker to rediscover them in the 1970s – and now the Powell/Pressburger films almost cannot be seen except through the medium of Scorsese’s glorious evangelism; their movies and his have virtually become intertextual events.
As he takes us through the great Powell/Pressburger films such as The Life and Death of Colonel Blimp, I Know Where I’m Going!, Black Narcissus, Red Shoes and The Tales of Hoffmann, Scorsese also plays clips of his own films,...
The work of film-makers Michael Powell and Emeric Pressburger is discussed with passion and authority by Martin Scorsese in this richly enjoyable documentary, for which he presents his thoughts and recollections directly to camera. When the British establishment shamed itself by turning its back on these homegrown masters, it took this Italian American film-maker to rediscover them in the 1970s – and now the Powell/Pressburger films almost cannot be seen except through the medium of Scorsese’s glorious evangelism; their movies and his have virtually become intertextual events.
As he takes us through the great Powell/Pressburger films such as The Life and Death of Colonel Blimp, I Know Where I’m Going!, Black Narcissus, Red Shoes and The Tales of Hoffmann, Scorsese also plays clips of his own films,...
- 2/21/2024
- by Peter Bradshaw
- The Guardian - Film News
It’s not often that a doc about the transformative power of cinema will deliberately use bad clips of the movies it’s talking about, but that’s part of the point of this insightful, sprawling film, corralled by director David Hinton. Though the masterpieces made by Michael Powell and Emeric Pressburger at the height of their big-screen, Technicolor powers were visually impeccable, their subversive emotional power could still pack a punch through a 16-inch TV screen, even from the most scratched, butchered, and washed-out black-and-white prints.
This is, famously, how the young Martin Scorsese discovered The Archers (as the pairing styled themselves), and in this lengthy discourse he gets to position them both as an influence on his own movies and as unsung heroes in the history of world cinema. Now, there are plenty of people who will immediately say that Powell and Pressburger have actually been sung quite a bit,...
This is, famously, how the young Martin Scorsese discovered The Archers (as the pairing styled themselves), and in this lengthy discourse he gets to position them both as an influence on his own movies and as unsung heroes in the history of world cinema. Now, there are plenty of people who will immediately say that Powell and Pressburger have actually been sung quite a bit,...
- 2/21/2024
- by Damon Wise
- Deadline Film + TV
The European Film Market is heating up as it winds to a close, with several major deals coming out of chilly Berlin. On Monday, art house streamer Mubi announced its first big buy of EFM, snatching up David
Hinton’s Martin Scorsese-narrated documentary, Made in England: The Films of Powell and Pressburger, for much of the world.
Mubi has acquired all rights in German-speaking Europe, Italy, France and Benelux for the doc, as well as Latin America, Turkey and India. The film has its world premiere in Berlin this week as part of the Berlinale Special. The deal was done between Mubi and Altitude Film Sales.
The latest from the BAFTA and Emmy-award winner Hinton (The South Bank Show, All This Can Happen) explores the life and work of British filmmaking duo Michael Powell and Emeric Pressburger, who together created some of the greatest films of the British golden age,...
Hinton’s Martin Scorsese-narrated documentary, Made in England: The Films of Powell and Pressburger, for much of the world.
Mubi has acquired all rights in German-speaking Europe, Italy, France and Benelux for the doc, as well as Latin America, Turkey and India. The film has its world premiere in Berlin this week as part of the Berlinale Special. The deal was done between Mubi and Altitude Film Sales.
The latest from the BAFTA and Emmy-award winner Hinton (The South Bank Show, All This Can Happen) explores the life and work of British filmmaking duo Michael Powell and Emeric Pressburger, who together created some of the greatest films of the British golden age,...
- 2/19/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Exclusive: Martin Scorsese is returning to the Berlin Film Festival tomorrow for the first time in a decade. The cinema legend, currently on the awards circuit with latest epic Killers Of The Flower Moon, will be feted with the Berlinale’s highest honor, its lifetime achievement Golden Bear.
Ahead of the ceremony, the indefatigable Scorsese (81) found time to speak to us. In answer to ‘Deadline’s Five Burning Questions’, the filmmaker discussed a new project he has playing at the festival, some of the career collaborations he is most proud of, the importance of film festivals, his expectations for the future of cinema, and what might be next for him.
Scorsese has been to the Berlinale a number of times before, including with Raging Bull, Gangs of New York and Shutter Island, all of which screened out of competition, and with Berlinale competition entry Cape Fear in 1992. His Rolling Stones...
Ahead of the ceremony, the indefatigable Scorsese (81) found time to speak to us. In answer to ‘Deadline’s Five Burning Questions’, the filmmaker discussed a new project he has playing at the festival, some of the career collaborations he is most proud of, the importance of film festivals, his expectations for the future of cinema, and what might be next for him.
Scorsese has been to the Berlinale a number of times before, including with Raging Bull, Gangs of New York and Shutter Island, all of which screened out of competition, and with Berlinale competition entry Cape Fear in 1992. His Rolling Stones...
- 2/19/2024
- by Andreas Wiseman
- Deadline Film + TV
Courtesy of Studiocanal
by James Cameron-wilson
1960 was a year that sent shockwaves throughout the film industry. Alfred Hitchcock, who was to direct Anna Massey twelve years later in his lurid thriller Frenzy – about a serial killer in central London – opened a movie called Psycho. Psycho was significant in several regards. Hitchcock refused to show the film to critics and barred his two leads, Anthony Perkins and Janet Leigh, from doing any promotional interviews as he wanted total control over the film’s publicity and its content. This was in June of 1960. Two months earlier another celebrated filmmaker had released an equally shocking film called Peeping Tom and whose critical reception ruined both the movie and the reputation of its director, Michael Powell. Hitchcock wanted audiences to judge Psycho for themselves. Most audiences never got a chance to evaluate Peeping Tom.
Both films were about serial killers and both showed the murderer as a self-effacing,...
by James Cameron-wilson
1960 was a year that sent shockwaves throughout the film industry. Alfred Hitchcock, who was to direct Anna Massey twelve years later in his lurid thriller Frenzy – about a serial killer in central London – opened a movie called Psycho. Psycho was significant in several regards. Hitchcock refused to show the film to critics and barred his two leads, Anthony Perkins and Janet Leigh, from doing any promotional interviews as he wanted total control over the film’s publicity and its content. This was in June of 1960. Two months earlier another celebrated filmmaker had released an equally shocking film called Peeping Tom and whose critical reception ruined both the movie and the reputation of its director, Michael Powell. Hitchcock wanted audiences to judge Psycho for themselves. Most audiences never got a chance to evaluate Peeping Tom.
Both films were about serial killers and both showed the murderer as a self-effacing,...
- 2/15/2024
- by James Cameron-Wilson
- Film Review Daily
The build-up to the 74th Berlin Film Festival has been highly politicized, and the international jury press conference Thursday morning was no different.
Lupita Nyong’o presides over the International Competition jury, whose members include American actor and filmmaker Brady Corbet, Hong Kong filmmaker Ann Hui, German director Christian Petzold, Spanish filmmaker Albert Serra, Italian actress Jasmine Trinca and Ukrainian novelist and poet Oksana Zabuzhko.
This wasn’t like most jury press conferences, however, with members drawn into multiple — occasionally testy — discussions about their own political stances on events in Ukraine, Gaza and Germany.
Russia’s war in Ukraine was a central topic, with multiple journalists asking Serra about a 2018 interview in which he supposedly expressed admiration for Vladimir Putin. Serra was asked whether he had changed his mind on Putin since the war:
“I don’t know,” said the director. “This is a political question. Everyone is upset with Russia right now.
Lupita Nyong’o presides over the International Competition jury, whose members include American actor and filmmaker Brady Corbet, Hong Kong filmmaker Ann Hui, German director Christian Petzold, Spanish filmmaker Albert Serra, Italian actress Jasmine Trinca and Ukrainian novelist and poet Oksana Zabuzhko.
This wasn’t like most jury press conferences, however, with members drawn into multiple — occasionally testy — discussions about their own political stances on events in Ukraine, Gaza and Germany.
Russia’s war in Ukraine was a central topic, with multiple journalists asking Serra about a 2018 interview in which he supposedly expressed admiration for Vladimir Putin. Serra was asked whether he had changed his mind on Putin since the war:
“I don’t know,” said the director. “This is a political question. Everyone is upset with Russia right now.
- 2/15/2024
- by Andreas Wiseman and Melanie Goodfellow
- Deadline Film + TV
Cillian Murphy presented Oppenheimer director Christopher Nolan with the BFI Fellowship, the British Film Institute’s highest honor, Wednesday evening at a London dinner event hosted by BFI chair Tim Richards.
“The BFI Fellowship recognizes Nolan’s extraordinary achievements and enormous contribution to cinema as one of the world’s most innovative and influential film directors,” the organization said.
Nolan received the honor at the annual BFI Chair’s Dinner at the Rosewood Hotel in central London. Murphy, who has worked with Nolan on the likes of the Dark Knight trilogy, Inception, Dunkirk and Oppenheimer, was in attendance along with such film industry guests as NBCUniversal Studio Group chair and chief content officer Donna Langley, Kenneth Branagh, Emma Thomas, Michael Caine, Josh Hartnett, Hans Zimmer, Hoyte van Hoytema, Barbara Broccoli, Tom Hiddleston, Michelle Dockery, Gurinder Chadha, Misan Harriman, Molly Manning Walker, BFI CEO Ben Roberts, as well as U.K. Prime...
“The BFI Fellowship recognizes Nolan’s extraordinary achievements and enormous contribution to cinema as one of the world’s most innovative and influential film directors,” the organization said.
Nolan received the honor at the annual BFI Chair’s Dinner at the Rosewood Hotel in central London. Murphy, who has worked with Nolan on the likes of the Dark Knight trilogy, Inception, Dunkirk and Oppenheimer, was in attendance along with such film industry guests as NBCUniversal Studio Group chair and chief content officer Donna Langley, Kenneth Branagh, Emma Thomas, Michael Caine, Josh Hartnett, Hans Zimmer, Hoyte van Hoytema, Barbara Broccoli, Tom Hiddleston, Michelle Dockery, Gurinder Chadha, Misan Harriman, Molly Manning Walker, BFI CEO Ben Roberts, as well as U.K. Prime...
- 2/15/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
Martin Scorsese will narrate and present Made In England: The Films Of Powell And Pressburger, a documentary about the legendary filmmaking duo. It’s out in May.
In the 1940s and early 50s, filmmakers Michael Powell and Emeric Pressburger made some of the best and most important films to emerge from the UK. Among their most admired works are The Life And Death Of Colonel Blimp (1943), Black Narcissus (1947) and The Red Shoes (1948).
Whether they were wartime romances, comedies or dramas with a hint of the fantastical, the duo’s films were beautifully shot uniquely their own, largely because – unusually – they wrote, directed and produced their movies, with almost no studio interference, under their company banner, The Archers.
Narrated by Martin Scorsese, Made In England: The Films Of Powell And Pressburger will explore the pair’s singular life and work, with the feature-length documentary running to a generous 129 minutes. Fittingly, given...
In the 1940s and early 50s, filmmakers Michael Powell and Emeric Pressburger made some of the best and most important films to emerge from the UK. Among their most admired works are The Life And Death Of Colonel Blimp (1943), Black Narcissus (1947) and The Red Shoes (1948).
Whether they were wartime romances, comedies or dramas with a hint of the fantastical, the duo’s films were beautifully shot uniquely their own, largely because – unusually – they wrote, directed and produced their movies, with almost no studio interference, under their company banner, The Archers.
Narrated by Martin Scorsese, Made In England: The Films Of Powell And Pressburger will explore the pair’s singular life and work, with the feature-length documentary running to a generous 129 minutes. Fittingly, given...
- 2/14/2024
- by Ryan Lambie
- Film Stories
Nominations voting is from January 11–16, 2024, with official Oscar nominations announced on January 23, 2024. Final voting is February 22–27, 2024. And finally, the 96th Oscars telecast will be broadcast on Sunday, March 10, and air live on ABC at 8 p.m. Et/ 5 p.m. Pt. We update predictions throughout awards season, so keep checking IndieWire for all our 2024 Oscar picks.
The State of the Race
“Poor Things” prevailed over “Barbie” in the fantasy production design category at the 28th Art Directors Guild Awards and is now in the driver’s seat to win the Oscar. Throughout the season, it has been a race between these two big feminist films constructed around rebirth and unconventional world-building.
Meanwhile, Oscar-nominated “Oppenheimer” took period honors over Oscar-nominated “Killers of the Flower Moon” and “Napoleon,” along with “Asteroid City” and “Maestro.”
In Yargos Lanthimos’ twisted “Frankenstein” gender-bender, “Poor Things,” Bella (Best Actress nominee Emma Stone) is reanimated from the dead...
The State of the Race
“Poor Things” prevailed over “Barbie” in the fantasy production design category at the 28th Art Directors Guild Awards and is now in the driver’s seat to win the Oscar. Throughout the season, it has been a race between these two big feminist films constructed around rebirth and unconventional world-building.
Meanwhile, Oscar-nominated “Oppenheimer” took period honors over Oscar-nominated “Killers of the Flower Moon” and “Napoleon,” along with “Asteroid City” and “Maestro.”
In Yargos Lanthimos’ twisted “Frankenstein” gender-bender, “Poor Things,” Bella (Best Actress nominee Emma Stone) is reanimated from the dead...
- 2/12/2024
- by Bill Desowitz
- Indiewire
In Yorgos Lanthimos’ “Poor Things,” 19th-century scientist Baxter (Willem Dafoe) restores Bella (Emma Stone) to life with the brain of her unborn child — and the surreal visual design reflects her wild imagination as she progresses from infant to liberated woman.
To achieve that, the director instructed production designers James Price (“Paddington 2” art director) and Shona Heath (a collaborator of fashion photographer Tim Walker making her film debut) to create a fantastical world that was a throwback to the old-school style of Michael Powell and Emeric Pressburger’s “Black Narcissus,” with miniatures, painted backdrops, and rear screen projection (high-tech LED screens created the oceans and skies).
“My experience in film is zero,” Heath said in an on-set interview in the video above, “so this wouldn’t be standing if it wasn’t for James.”
What they conjured — to Arts Director Guild- and Academy Award-nominated success — was a retro-futuristic fantasy influenced by...
To achieve that, the director instructed production designers James Price (“Paddington 2” art director) and Shona Heath (a collaborator of fashion photographer Tim Walker making her film debut) to create a fantastical world that was a throwback to the old-school style of Michael Powell and Emeric Pressburger’s “Black Narcissus,” with miniatures, painted backdrops, and rear screen projection (high-tech LED screens created the oceans and skies).
“My experience in film is zero,” Heath said in an on-set interview in the video above, “so this wouldn’t be standing if it wasn’t for James.”
What they conjured — to Arts Director Guild- and Academy Award-nominated success — was a retro-futuristic fantasy influenced by...
- 2/5/2024
- by Bill Desowitz
- Indiewire
The Berlinale Film Festival has unveiled the jury members for its main International Competition, which will be presided over by Lupita Nyong’o.
The members of the International Jury are American actor and filmmaker Brady Corbet, Hong Kong filmmaker Ann Hui, German director Christian Petzold, Spanish filmmaker Albert Serra, Italian actress Jasmine Trinca, and Ukrainian novelist and poet Oksana Zabuzhko.
Nyong’o’s presidential appointment was announced in December.
The festival also unveiled the three-member jury for its Encounters strand. Lisandro Alonso (Argentina), Denis Côté (Canada), and Tizza Covi (Italy) will pick the competition sidebar’s Best Film, Best Director, and Special Jury award winners.
The 2024 Berlin Film Festival runs Feb 15 – Feb 25. The festival opens with the Cillian Murphy movie Small Things Like These. The film reveals truths about Ireland’s Magdalen laundries – horrific asylums run by Roman Catholic institutions from the 1820s until 1996, ostensibly to reform “fallen young women.” It...
The members of the International Jury are American actor and filmmaker Brady Corbet, Hong Kong filmmaker Ann Hui, German director Christian Petzold, Spanish filmmaker Albert Serra, Italian actress Jasmine Trinca, and Ukrainian novelist and poet Oksana Zabuzhko.
Nyong’o’s presidential appointment was announced in December.
The festival also unveiled the three-member jury for its Encounters strand. Lisandro Alonso (Argentina), Denis Côté (Canada), and Tizza Covi (Italy) will pick the competition sidebar’s Best Film, Best Director, and Special Jury award winners.
The 2024 Berlin Film Festival runs Feb 15 – Feb 25. The festival opens with the Cillian Murphy movie Small Things Like These. The film reveals truths about Ireland’s Magdalen laundries – horrific asylums run by Roman Catholic institutions from the 1820s until 1996, ostensibly to reform “fallen young women.” It...
- 2/1/2024
- by Zac Ntim
- Deadline Film + TV
The Strangers’ Case from American filmmaker Brandt Andersen and starring French actor Omar Sy will make its world premiere at this year’s Berlin Film Festival.
The film’s short synopsis reads: Tragedy strikes a Syrian family in Aleppo, starting a chain reaction of events involving five different families in four different countries.
The pic is among a trio of late additions to the Berlinale Special sidebar, announced this morning by the festival. Also showing in Berlin are the two mid-length Japanese films Chime by Kiyoshi Kurosawa and August My Heaven by Riho Kudo.
Chime follows Tashiro, a student at a culinary school, who hears voices in his head. His teacher, Matsuoka, remains unconcerned. But then Tashiro claims that a machine has replaced half of his brain. August My Heaven follows Joe, who earns a living as a professional stand-in actor for hire to play a relative, lover, or friend...
The film’s short synopsis reads: Tragedy strikes a Syrian family in Aleppo, starting a chain reaction of events involving five different families in four different countries.
The pic is among a trio of late additions to the Berlinale Special sidebar, announced this morning by the festival. Also showing in Berlin are the two mid-length Japanese films Chime by Kiyoshi Kurosawa and August My Heaven by Riho Kudo.
Chime follows Tashiro, a student at a culinary school, who hears voices in his head. His teacher, Matsuoka, remains unconcerned. But then Tashiro claims that a machine has replaced half of his brain. August My Heaven follows Joe, who earns a living as a professional stand-in actor for hire to play a relative, lover, or friend...
- 1/25/2024
- by Zac Ntim
- Deadline Film + TV
The Berlin Film Festival on Monday unveiled the titles selected for its official competition and its sidebar Encounters competitive section.
A total of 20 films have been selected for the international competition, with highlights including La Cocina, directed by Alonso Ruiz Palacios and starring Rooney Mara. The pic is described as a “kinetic and cinematic love story” set over a single day in a Times Square kitchen. French-Senegalese filmmaker Mati Diop returns with Dahomey, a 60-minute doc about art repatriation and Hong Sangsoo plays in competition with A Traveler’s Needs, starring Isabelle Huppert. Scroll down for the full lineup.
The Berlin Film Festival takes place February 15-25.
Organizers have already announced more than 100 titles across sidebars spanning Panorama, Forum, and Berlinale Special. Made in England: The Films of Powell and Pressburger, a feature documentary about influential British filmmakers Michael Powell and Emeric Pressburger narrated by Killers of the Flower Moon...
A total of 20 films have been selected for the international competition, with highlights including La Cocina, directed by Alonso Ruiz Palacios and starring Rooney Mara. The pic is described as a “kinetic and cinematic love story” set over a single day in a Times Square kitchen. French-Senegalese filmmaker Mati Diop returns with Dahomey, a 60-minute doc about art repatriation and Hong Sangsoo plays in competition with A Traveler’s Needs, starring Isabelle Huppert. Scroll down for the full lineup.
The Berlin Film Festival takes place February 15-25.
Organizers have already announced more than 100 titles across sidebars spanning Panorama, Forum, and Berlinale Special. Made in England: The Films of Powell and Pressburger, a feature documentary about influential British filmmakers Michael Powell and Emeric Pressburger narrated by Killers of the Flower Moon...
- 1/22/2024
- by Zac Ntim
- Deadline Film + TV
This year’s Berlinale Specials program, the out-of-competition gala section of the Berlin Film Festival, will include a pair of high-octane action movies: Rose Glass’ crime actioner Love Lies Bleeding starring Kristen Stewart, and Korean thriller The Roundup: Punishment from director Heo Myeong-haeng.
Love Lies Bleeding, which co-stars Anna Baryshnikov, Dave Franco, Katy M. O’Brian, Ed Harris and Jena Malone, will have its international premiere in Berlin after its bow in Sundance later this month. The Roundup: Punishment, starring Train to Busan breakout Don Lee, will have its world premiere in Berlin.
Other Berlinale Special highlights, unveiled Monday, include Shikun, the latest drama from Israeli filmmaker Amos Gitai (Kadosh); the documentary project Turn in the Wound, from acclaimed New York auteur Abel Ferrara (Bad Lieutenant), about life in Kyiv since the start of the war in Ukraine; and Supersex, an Italian Netflix drama based on the life of notorious porn star Rocco Siffredi,...
Love Lies Bleeding, which co-stars Anna Baryshnikov, Dave Franco, Katy M. O’Brian, Ed Harris and Jena Malone, will have its international premiere in Berlin after its bow in Sundance later this month. The Roundup: Punishment, starring Train to Busan breakout Don Lee, will have its world premiere in Berlin.
Other Berlinale Special highlights, unveiled Monday, include Shikun, the latest drama from Israeli filmmaker Amos Gitai (Kadosh); the documentary project Turn in the Wound, from acclaimed New York auteur Abel Ferrara (Bad Lieutenant), about life in Kyiv since the start of the war in Ukraine; and Supersex, an Italian Netflix drama based on the life of notorious porn star Rocco Siffredi,...
- 1/15/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The Berlin Film Festival today unveiled further titles for the 2024 edition of its Berlinale Special Presentations sidebar section alongside its classics program. Scroll down for the full list of titles announced today.
Highlights from the latest drop of Specials titles include Made in England: The Films of Powell and Pressburger, a feature documentary about influential British filmmakers Michael Powell and Emeric Pressburger narrated by Killers of the Flower Moon filmmaker Martin Scorsese. The feature is directed by David Hinton and features rare archival material from the personal collections of Powell, Pressburger, and Scorsese.
Love Lies Bleeding, the latest feature from British filmmaker Rose Glass will debut in the Specials program. The feature stars Kristen Stewart alongside Katy O’Brian. A short synopsis describes the pic as “a romance fueled by ego, desire, and the American Dream.” The film will arrive at Berlin following it’s debut at Sundance.
Abel Ferrara is...
Highlights from the latest drop of Specials titles include Made in England: The Films of Powell and Pressburger, a feature documentary about influential British filmmakers Michael Powell and Emeric Pressburger narrated by Killers of the Flower Moon filmmaker Martin Scorsese. The feature is directed by David Hinton and features rare archival material from the personal collections of Powell, Pressburger, and Scorsese.
Love Lies Bleeding, the latest feature from British filmmaker Rose Glass will debut in the Specials program. The feature stars Kristen Stewart alongside Katy O’Brian. A short synopsis describes the pic as “a romance fueled by ego, desire, and the American Dream.” The film will arrive at Berlin following it’s debut at Sundance.
Abel Ferrara is...
- 1/15/2024
- by Zac Ntim
- Deadline Film + TV
Turner Classic Movies (TCM) has a full slate of programming set for this year, as the classic movie home celebrates its 30th anniversary.
The 15th annual TCM Classic Film Festival in April will honor film historian Jeanine Basinger with the Robert Osborne Award, and pay tribute to actor Billy Dee Williams and makeup artist Lois Burwell.
Additionally, The Plot Thickens, TCM’s official podcast about movies and the people who make them will debut later in the year following the release of Talking Pictures: A Movie Memories Podcast, TCM’s latest podcast in tandem with Max.
Extending beyond the screen, Warner Bros. Studio Tour Hollywood will introduce a WB/TCM Classic Movie Tour in April.
“With the 30th year of TCM upon us, we both look back at all that’s been built over the last several decades and look ahead at what is undoubtedly one of the most exciting times in TCM’s history,...
The 15th annual TCM Classic Film Festival in April will honor film historian Jeanine Basinger with the Robert Osborne Award, and pay tribute to actor Billy Dee Williams and makeup artist Lois Burwell.
Additionally, The Plot Thickens, TCM’s official podcast about movies and the people who make them will debut later in the year following the release of Talking Pictures: A Movie Memories Podcast, TCM’s latest podcast in tandem with Max.
Extending beyond the screen, Warner Bros. Studio Tour Hollywood will introduce a WB/TCM Classic Movie Tour in April.
“With the 30th year of TCM upon us, we both look back at all that’s been built over the last several decades and look ahead at what is undoubtedly one of the most exciting times in TCM’s history,...
- 1/12/2024
- by Bruce Haring
- Deadline Film + TV
Turner Classic Movies has a lot going on as it celebrates its 30th anniversary this year.
On Friday, execs from the beloved cable channel unveiled a new podcast, 2024 programming initiatives, a new branded studio tour of the Warner Bros. lot in Burbank and details about the 15th annual TCM Classic Film Festival in April.
On Jan. 16, TCM and sister streamer Max will debut Talking Pictures: A Movie Memories Podcast. TCM host Ben Mankiewicz will join filmmakers and actors as they discuss “their earliest film memories, favorite movies, creative influences and guilty pleasures,” with guests including Mel Brooks, Nancy Meyers and Patty Jenkins.
The TCM podcast The Plot Thickens is returning this year for a fifth season, with the subject yet to be disclosed.
In April, TCM will introduce a new franchise, Two for One, with prominent filmmakers co-hosting a double feature of their choice on Saturday nights. Guests will include Jenkins,...
On Friday, execs from the beloved cable channel unveiled a new podcast, 2024 programming initiatives, a new branded studio tour of the Warner Bros. lot in Burbank and details about the 15th annual TCM Classic Film Festival in April.
On Jan. 16, TCM and sister streamer Max will debut Talking Pictures: A Movie Memories Podcast. TCM host Ben Mankiewicz will join filmmakers and actors as they discuss “their earliest film memories, favorite movies, creative influences and guilty pleasures,” with guests including Mel Brooks, Nancy Meyers and Patty Jenkins.
The TCM podcast The Plot Thickens is returning this year for a fifth season, with the subject yet to be disclosed.
In April, TCM will introduce a new franchise, Two for One, with prominent filmmakers co-hosting a double feature of their choice on Saturday nights. Guests will include Jenkins,...
- 1/12/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
With the New Year upon us, it’s time for our annual tradition of looking at the cinematic horizon. Having highlighted 30 films we guarantee are worth seeing this year and those we hope get U.S. distribution, we now venture into the unknown. We dug deep to chart the 100 films we’re most looking forward to, from debuts to documentaries to the return of some of our most-beloved auteurs, along with a small batch of studio films worth giving attention.
Though the majority lack a set release––let alone a confirmed festival premiere––most have wrapped production and will likely debut at some point in 2024. Be sure to check back for updates over the next twelve months (and beyond).
100. Civil War (Alex Garland; April 26)
A storm brewed across social media with the trailer for Alex Garland’s Civil War. Garland, who last invigorated and disgusted audiences with Men, still boasts...
Though the majority lack a set release––let alone a confirmed festival premiere––most have wrapped production and will likely debut at some point in 2024. Be sure to check back for updates over the next twelve months (and beyond).
100. Civil War (Alex Garland; April 26)
A storm brewed across social media with the trailer for Alex Garland’s Civil War. Garland, who last invigorated and disgusted audiences with Men, still boasts...
- 1/8/2024
- by The Film Stage
- The Film Stage
To fulfill Yorgos Lanthimos’ vision of “Poor Things” as a surreal Victorian world embodying Bella’s (Emma Stone) wild and forward-thinking imagination, Simon Hughes, the production VFX supervisor, got to play with a vast toolbox of traditional and cutting-edge techniques with Union VFX. This included miniatures, painted backdrops, LED screens, CG enhancements, and mixing strange hybrid animal combinations shot in camera and digitally composited. The result is a unique retro-futurism that was achieved in collaboration with production designers Shona Heath and James Price and the art department.
“From the get-go, the idea of avoiding this run-of-the-mill visual effects world was discussed with Yorgos,” Hughes told IndieWire. “So it’s like, how do we embrace some of that traditional approach? ‘Black Narcissus’ [from Michael Powell and Emeric Pressburger] was openly discussed [for its use of miniatures and painted backdrops for the Himalayas]. So that was a huge part of the work that we had to do, creating environments that are photoreal with traditional...
“From the get-go, the idea of avoiding this run-of-the-mill visual effects world was discussed with Yorgos,” Hughes told IndieWire. “So it’s like, how do we embrace some of that traditional approach? ‘Black Narcissus’ [from Michael Powell and Emeric Pressburger] was openly discussed [for its use of miniatures and painted backdrops for the Himalayas]. So that was a huge part of the work that we had to do, creating environments that are photoreal with traditional...
- 12/12/2023
- by Bill Desowitz
- Indiewire
Paul King’s origin musical starring Timothee Chalamet opened in over 700 locations
RankFilm (distributor)Three-day grossTotal gross to dateWeek 1. Wonka (Warner Bros) £8.9m £8.9m 1 2. Wish (Disney) £1.1m £5.8m 3 3. The Ballad Of Songbirds And Snakes (Lionsgate) £960,535 £14.8m 4 4. Napoleon (Sony) £950,261 £11.4m 3 5. Saltburn (Amazon/Warner Bros) £417,477 £4.1m 4
Audiences feasted on Warner Bros’ Wonka at the UK and Ireland box office this weekend as the family musical debuted with a sweet £8.9m.
Paul King’s chocolatier origin story opened in 701 venues, making for a solid £12,693 location average. It is one of the stronger openings of the year, narrowly beating out Universal’s Super Mario Bros: The Movie...
RankFilm (distributor)Three-day grossTotal gross to dateWeek 1. Wonka (Warner Bros) £8.9m £8.9m 1 2. Wish (Disney) £1.1m £5.8m 3 3. The Ballad Of Songbirds And Snakes (Lionsgate) £960,535 £14.8m 4 4. Napoleon (Sony) £950,261 £11.4m 3 5. Saltburn (Amazon/Warner Bros) £417,477 £4.1m 4
Audiences feasted on Warner Bros’ Wonka at the UK and Ireland box office this weekend as the family musical debuted with a sweet £8.9m.
Paul King’s chocolatier origin story opened in 701 venues, making for a solid £12,693 location average. It is one of the stronger openings of the year, narrowly beating out Universal’s Super Mario Bros: The Movie...
- 12/11/2023
- by Ellie Calnan
- ScreenDaily
With her late husband’s 1948 classic back in cinemas, the editor is keen to preserve his legacy and modest about her own phenomenal career
Thelma Schoonmaker was 15 when she first watched The Life and Death of Colonel Blimp, a wartime classic by the British film-making duo Michael Powell and Emeric Pressburger, one day after school.
“It just so happened to be on, but I never forgot it. It reigned in my brain,” she says wistfully, almost 70 years later. “I had no idea it was made by the man I would later marry.”...
Thelma Schoonmaker was 15 when she first watched The Life and Death of Colonel Blimp, a wartime classic by the British film-making duo Michael Powell and Emeric Pressburger, one day after school.
“It just so happened to be on, but I never forgot it. It reigned in my brain,” she says wistfully, almost 70 years later. “I had no idea it was made by the man I would later marry.”...
- 12/8/2023
- by Nadia Khomami Arts and culture correspondent
- The Guardian - Film News
The British Film Institute (BFI) will present English director Christopher Nolan with its highest honor, the BFI Fellowship, in recognition of the Oppenheimer filmmaker’s “extraordinary achievements and enormous contribution to cinema,” the BFI announced Monday.
The BFI Fellowship will be presented to Christopher Nolan at the BFI Chair’s Dinner in London on February 14, 2024, hosted by BFI Chair Tim Richards. This will be followed by an “In Conversation” event with Nolan on Feb.15 at the BFI Southbank theater and a special introduction to Nolan’s 2020 sci-fi film Tenet at the BFI IMAX.
In a statement, the BFI called Nolan the “rare director who marries his epic vision with an intelligent, unique approach to filmmaking and storytelling” and listed his many achievements for his films, which have won a total of 11 Oscars.
“I’m delighted to be honoring and recognizing Christopher Nolan with a BFI Fellowship,” said Richards. “Christopher Nolan...
The BFI Fellowship will be presented to Christopher Nolan at the BFI Chair’s Dinner in London on February 14, 2024, hosted by BFI Chair Tim Richards. This will be followed by an “In Conversation” event with Nolan on Feb.15 at the BFI Southbank theater and a special introduction to Nolan’s 2020 sci-fi film Tenet at the BFI IMAX.
In a statement, the BFI called Nolan the “rare director who marries his epic vision with an intelligent, unique approach to filmmaking and storytelling” and listed his many achievements for his films, which have won a total of 11 Oscars.
“I’m delighted to be honoring and recognizing Christopher Nolan with a BFI Fellowship,” said Richards. “Christopher Nolan...
- 12/4/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Christopher Nolan is to receive a BFI Fellowship, the highest honor bestowed by the UK’s lead organization for film.
The award will be presented to the Oppenheimer filmmaker at the BFI Chair’s Dinner in London on February 14, 2024, hosted by BFI Chair Tim Richards. This will be followed on February 15, 2024, by an In Conversation event at BFI Southbank and a special introduction to Tenet at BFI IMAX, for which public tickets will be available. During the visit, Nolan will also visit the BFI National Archive’s Conservation Centre.
Nolan’s films have won 11 Academy Awards and grossed over $6.1 billion worldwide. The release of his latest film, Oppenheimer, in July 2023 took the world by storm, grossing over $950 million globally for Universal Pictures. The pic is Nolan’s biggest film ever at the UK box office, grossing £58.7 million to date, surpassing The Dark Knight and Dunkirk. The film had a rare...
The award will be presented to the Oppenheimer filmmaker at the BFI Chair’s Dinner in London on February 14, 2024, hosted by BFI Chair Tim Richards. This will be followed on February 15, 2024, by an In Conversation event at BFI Southbank and a special introduction to Tenet at BFI IMAX, for which public tickets will be available. During the visit, Nolan will also visit the BFI National Archive’s Conservation Centre.
Nolan’s films have won 11 Academy Awards and grossed over $6.1 billion worldwide. The release of his latest film, Oppenheimer, in July 2023 took the world by storm, grossing over $950 million globally for Universal Pictures. The pic is Nolan’s biggest film ever at the UK box office, grossing £58.7 million to date, surpassing The Dark Knight and Dunkirk. The film had a rare...
- 12/4/2023
- by Zac Ntim
- Deadline Film + TV
“Oppenheimer” director Christopher Nolan is being accorded a BFI Fellowship, the highest honor bestowed by the British Film Institute.
“The fellowship recognizes Nolan’s extraordinary achievements and enormous contribution to cinema as one of the world’s most successful and influential film directors, constantly pushing the limits of what large-scale filmmaking can be whilst retaining a reverence for the history of the medium and the primacy of cinema-going,” the BFI said in a statement.
The fellowship will be presented to Nolan at the BFI chair’s dinner in London on Feb. 14, 2024, hosted by BFI Chair Tim Richards. This will be followed on Feb. 15, 2024, by an In Conversation event at BFI Southbank and an introduction to “Tenet” at BFI Imax. During his visit, Nolan will also visit the BFI National Archive’s Conservation Centre.
Nolan’s films, which also include “Memento,” “Batman Begins,” “Inception” and “Dunkirk,” have won 11 Oscars and grossed some $6.1 million globally.
“The fellowship recognizes Nolan’s extraordinary achievements and enormous contribution to cinema as one of the world’s most successful and influential film directors, constantly pushing the limits of what large-scale filmmaking can be whilst retaining a reverence for the history of the medium and the primacy of cinema-going,” the BFI said in a statement.
The fellowship will be presented to Nolan at the BFI chair’s dinner in London on Feb. 14, 2024, hosted by BFI Chair Tim Richards. This will be followed on Feb. 15, 2024, by an In Conversation event at BFI Southbank and an introduction to “Tenet” at BFI Imax. During his visit, Nolan will also visit the BFI National Archive’s Conservation Centre.
Nolan’s films, which also include “Memento,” “Batman Begins,” “Inception” and “Dunkirk,” have won 11 Oscars and grossed some $6.1 million globally.
- 12/4/2023
- by K.J. Yossman and Naman Ramachandran
- Variety Film + TV
Scottish director Kevin Macdonald may not have a famous name in Hollywood, but he has garnered impressive credits over the years. Born in Glasgow, Scotland, Macdonald comes from a line of distinguished filmmakers and screenwriters. He’s the grandchild of English actress/screenwriter Wendy Orme and Hungarian-born British Jewish filmmaker Emeric Pressburger, both his maternal grandparents. Unsurprisingly, he took after his grandfather, who has a reputation for his The Archers productions – a successful collaboration between Pressburger and English filmmaker Michael Powell. Macdonald wasn’t the only one influenced by his grandfather’s filmmaking talents, as his brother Andrew Macdonald also became a film...
- 11/28/2023
- by Onyinye Izundu
- TVovermind.com
Jeremy Thomas on Martin Scorsese giving gravitas to Michael Powell and Emeric Pressburger films: “I mean, The Red Shoes, unbelievable! Of course they’re period, Blimp, very period. And Black Narcissus, which I recently saw restored in a square in Bologna with thousands of people.” Photo: Anne-Katrin Titze
In the third instalment with producer Jeremy Thomas we discuss Nicolas Roeg’s Bad Timing leading to a conversation with David Cronenberg wanting to film William Burroughs’s Naked Lunch; Cronenberg’s adaptation of Jg Ballard’s Crash and the author’s reaction; Martin Scorsese reintroducing us to Michael Powell and Emeric Pressburger’s masterpieces, which include The Red Shoes, The Life And Death Of Colonel Blimp, and Black Narcissus.
Jeremy Thomas on David Cronenberg’s adaptation of Naked Lunch by William Burroughs: “It’s magnificent, original work.”
The Cohen Media Group and Posteritati at their gallery hosted a reception for Jeremy...
In the third instalment with producer Jeremy Thomas we discuss Nicolas Roeg’s Bad Timing leading to a conversation with David Cronenberg wanting to film William Burroughs’s Naked Lunch; Cronenberg’s adaptation of Jg Ballard’s Crash and the author’s reaction; Martin Scorsese reintroducing us to Michael Powell and Emeric Pressburger’s masterpieces, which include The Red Shoes, The Life And Death Of Colonel Blimp, and Black Narcissus.
Jeremy Thomas on David Cronenberg’s adaptation of Naked Lunch by William Burroughs: “It’s magnificent, original work.”
The Cohen Media Group and Posteritati at their gallery hosted a reception for Jeremy...
- 11/10/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Thelma Schoonmaker at the Karlovy Vary International Film Festival, 2010. Photo by Petr Novák.At 83 years old, Thelma Schoonmaker has no intention of slowing down. Best known for her career-long collaboration with Martin Scorsese, the three-time Oscar-winning editor is still juggling multiple projects. As we sat down for our conversation in London, the press juggernaut for her latest film with Scorsese, Killers of the Flower Moon, was in full swing, while back in New York, her editing consoles were whirring away, already at work on the duo’s next feature: a documentary on the films of Michael Powell and Emeric Pressburger. It’s a film close to the legendary editor’s heart. Schoonmaker was married to Powell from 1984 until his death in 1990. She was introduced to the filmmaker—one of the greatest in the history of British cinema—by Scorsese, a lifelong admirer who had set out to rehabilitate Powell’s critical reputation.
- 11/6/2023
- MUBI
There’s a scene in the Paul Reubens-starrer Pee-wee’s Big Adventure that finds its titular character setting off on a vagabond adventure. He hops aboard a train to sit side-by-side with a grizzled, toothless man known as Hobo Jack, and they sing camp songs until Pee-Wee suddenly sours on the moment. The disgust radiates from his face and he makes a rash decision to jump off the moving train and tumble into the dirt below. The scene lasts all of 53 seconds.
“It’s such a committed, incredibly short joke that takes so much effort and I think that that has embedded somewhere deep inside me,” Greta Gerwig explained from the podium inside Tcl Chinese Theatre in Hollywood on Thursday night while introducing a screening of Tim Burton’s 1985 film as part of AFI Fest. The blockbuster Barbie director turned up as part of her guest-directing duties for the Los Angeles-based festival,...
“It’s such a committed, incredibly short joke that takes so much effort and I think that that has embedded somewhere deep inside me,” Greta Gerwig explained from the podium inside Tcl Chinese Theatre in Hollywood on Thursday night while introducing a screening of Tim Burton’s 1985 film as part of AFI Fest. The blockbuster Barbie director turned up as part of her guest-directing duties for the Los Angeles-based festival,...
- 10/27/2023
- by Chris Gardner
- The Hollywood Reporter - Movie News
One of the most unassuming filmmakers of Britain’s early period, Michael Powell entered the golden age of his career with The Edge of the World. Though he had already made over 20 films by 1937, it represented one of his first successfully realized and self-actualized stabs at what would become one of his chief directorial strengths: the ability to film a very specific and localized environment in a manner that emphasizes its otherworldly fantasias and, paradoxically, remains faithful to the area’s ethnographical features.
To watch the film is to bear witness to Powell’s unique alchemy. Throughout, he infuses a weather-battered island community off the coast of Scotland on the verge of abandonment with off-kilter camera angles, dreamily gauzy cinematography, and a becalmed detachment that lets the characters and scenario do the work for him.
Which isn’t to say that Powell occasionally indulges in a few melodramatic flourishes that...
To watch the film is to bear witness to Powell’s unique alchemy. Throughout, he infuses a weather-battered island community off the coast of Scotland on the verge of abandonment with off-kilter camera angles, dreamily gauzy cinematography, and a becalmed detachment that lets the characters and scenario do the work for him.
Which isn’t to say that Powell occasionally indulges in a few melodramatic flourishes that...
- 10/20/2023
- by Eric Henderson
- Slant Magazine
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