Seen Every Film (Directors)
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Highly inventive U.S. film director/producer/writer/actor Sam Raimi first came to the attention of film fans with the savage, yet darkly humorous, low-budget horror film, The Evil Dead (1981). From his childhood, Raimi was a fan of the cinema and, before he was ten-years-old, he was out making movies with an 8mm camera. He was a devoted fan of The Three Stooges, so much of Raimi's film work in his teens, with good friends Bruce Campbell and Rob Tapert, was slapstick comedy based around what they had observed from "Stooges" movies.
Among the three of them, they wrote, directed, produced and edited a short horror movie titled Within the Woods (1978), which was then shown to prospective investors to raise the money necessary to film The Evil Dead (1981). It met with lukewarm interest in the U.S. with local distributors, so Raimi took the film to Europe, where it was much more warmly received. After it started gaining positive reviews and, more importantly, ticket sales upon its release in Europe, U.S. distributors showed renewed interest, and "Evil Dead" was eventually released stateside to strong box office returns. His next directorial effort was Crimewave (1985), a quirky, cartoon-like effort that failed to catch fire with audiences. However, he bounced back with Evil Dead II (1987), a racier and more humorous remake/sequel to the original "Dead" that did even better at the box office. Raimi was then given his biggest budget to date to shoot Darkman (1990), a comic book-style fantasy about a scarred avenger. The film did moderate business, but Raimi's strong visual style was evident throughout the film via inventive and startling camera work that caught the attention of numerous critics.
The third chapter in the Evil Dead story beckoned, and Raimi once again directed buddy Campbell as the gritty hero "Ash", in the Gothic horror Army of Darkness (1992). Raimi surprised fans when he took a turn away from the fantasy genre and directed Gene Hackman and Sharon Stone in the sexy western, The Quick and the Dead (1995); four years later, he took the directorial reins on A Simple Plan (1998), a crime thriller about stolen money, starring Bill Paxton and Bridget Fonda. In early 1999, he directed the baseball film, For Love of the Game (1999), and, in 2000, returned to the fantasy genre with a top-flight cast in The Gift (2000). In 2002, Raimi was given a real opportunity to demonstrate his dynamic visual style with the big-budget film adaptation of the Stan Lee comic book superhero, Spider-Man (2002), and fans were not disappointed. The movie was strong in both script and effects, and was a runaway success at the box office. Of course, Raimi returned for the sequel, Spider-Man 2 (2004), which surpassed the original in box-office takings.It's Murder! (1977)
The Evil Dead (1981)
Crimewave (1985)
Evil Dead II (1987)
Darkman (1990)
Army of Darkness (1992)
The Quick and the Dead (1995)
A Simple Plan (1998)
For Love of the Game (1999)
The Gift (2000)
Spider-Man (2002)
Spider-Man 2 (2004)
Spider-Man 3 (2007)
Drag Me to Hell (2009)
Oz the Great and Powerful (2013)
Doctor Strange in the Multiverse of Madness (2022)
Total number: 16- Producer
- Director
- Writer
Sir Peter Jackson made history with The Lord of the Rings trilogy, becoming the first person to direct three major feature films simultaneously. The Fellowship of the Ring, The Two Towers and The Return of the King were nominated for and collected a slew of awards from around the globe, with The Return of the King receiving his most impressive collection of awards. This included three Academy Awards® (Best Adapted Screenplay, Best Director and Best Picture), two Golden Globes (Best Director and Best Motion Picture-Drama), three BAFTAs (Best Adapted Screenplay, Best Film and Viewers' Choice), a Directors Guild Award, a Producers Guild Award and a New York Film Critics Circle Award.
As a follow up to The Lord of the Rings trilogy, in 2005, Jackson directed, wrote, and produced King Kong, for Universal Pictures. The film grossed over $500 million and won three Oscars®.
Jackson previously received widespread acclaim for his 1994 feature Heavenly Creatures, which received an Academy Award® nomination for Best Screenplay. Other film credits include The Frighteners, starring Michael J. Fox; the adult puppet feature Meet the Feebles; and Braindead, which won 16 international science fiction awards, including the Saturn. Jackson also co-directed the television documentary Forgotten Silver, which also hit the film festival circuit.
Jackson directed the Academy Award®-nominated The Lovely Bones, an adaptation of the acclaimed best-selling novel by Alice Sebold and produced the worldwide sci-fi hit District 9. He was a producer on Steven Spielberg's The Adventures of Tintin: The Secret of the Unicorn in 2011, with two more films set to come out in the future.
His most recent films include producer of 2018's action film Mortal Engines, based on a post-apocalyptic world where cities ride on wheels and consume each other to survive. Following Mortal Engines, he produced They Shall Not Grow Old, a documentary on World War I with never-before-seen footage. BAFTA nominated the film for Best Documentary, and it won the award for Outstanding Achievement in Sound Editing from the Motion Picture Sound Editors.
Jackson's next project is the music documentary The Beatles: Get Back, which he directed and produced, due to be released August, 2021.
Jackson works closely with partner Dame Fran Walsh, with whom he shares his writing and producing credits, as well as a family. Jackson has a special interest in WWI memorabilia and is the proud owner of several aircraft from that era.Bad Taste (1987)
Meet the Feebles (1989)
Dead Alive (1992)
Heavenly Creatures (1994)
The Frighteners (1996)
The Lord of the Rings: The Fellowship of the Ring (2001)
The Lord of the Rings: The Two Towers (2002)
The Lord of the Rings: The Return of the King (2003)
King Kong (2005)
The Lovely Bones (2009)
The Hobbit: An Unexpected Journey (2012)
The Hobbit: The Desolation of Smaug (2013)
The Hobbit: The Battle of the Five Armies (2014)
Total number: 13- Director
- Writer
- Producer
Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films.
Jack Kubrick's decision to give his son a camera for his thirteenth birthday would be an even wiser move: Kubrick became an avid photographer, and would often make trips around New York taking photographs which he would develop in a friend's darkroom. After selling an unsolicited photograph to Look Magazine, Kubrick began to associate with their staff photographers, and at the age of seventeen was offered a job as an apprentice photographer.
In the next few years, Kubrick had regular assignments for "Look", and would become a voracious movie-goer. Together with friend Alexander Singer, Kubrick planned a move into film, and in 1950 sank his savings into making the documentary Day of the Fight (1951). This was followed by several short commissioned documentaries (Flying Padre (1951), and (The Seafarers (1953), but by attracting investors and hustling chess games in Central Park, Kubrick was able to make Fear and Desire (1952) in California.
Filming this movie was not a happy experience; Kubrick's marriage to high school sweetheart Toba Metz did not survive the shooting. Despite mixed reviews for the film itself, Kubrick received good notices for his obvious directorial talents. Kubrick's next two films Killer's Kiss (1955) and The Killing (1956) brought him to the attention of Hollywood, and in 1957 he directed Kirk Douglas in Paths of Glory (1957). Douglas later called upon Kubrick to take over the production of Spartacus (1960), by some accounts hoping that Kubrick would be daunted by the scale of the project and would thus be accommodating. This was not the case, however: Kubrick took charge of the project, imposing his ideas and standards on the film. Many crew members were upset by his style: cinematographer Russell Metty complained to producers that Kubrick was taking over his job. Kubrick's response was to tell him to sit there and do nothing. Metty complied, and ironically was awarded the Academy Award for his cinematography.
Kubrick's next project was to direct Marlon Brando in One-Eyed Jacks (1961), but negotiations broke down and Brando himself ended up directing the film himself. Disenchanted with Hollywood and after another failed marriage, Kubrick moved permanently to England, from where he would make all of his subsequent films. Despite having obtained a pilot's license, Kubrick was rumored to be afraid of flying.
Kubrick's first UK film was Lolita (1962), which was carefully constructed and guided so as to not offend the censorship boards which at the time had the power to severely damage the commercial success of a film. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) was a big risk for Kubrick; before this, "nuclear" was not considered a subject for comedy. Originally written as a drama, Kubrick decided that too many of the ideas he had written were just too funny to be taken seriously. The film's critical and commercial success allowed Kubrick the financial and artistic freedom to work on any project he desired. Around this time, Kubrick's focus diversified and he would always have several projects in various stages of development: "Blue Moon" (a story about Hollywood's first pornographic feature film), "Napoleon" (an epic historical biography, abandoned after studio losses on similar projects), "Wartime Lies" (based on the novel by Louis Begley), and "Rhapsody" (a psycho-sexual thriller).
The next film he completed was a collaboration with sci-fi author Arthur C. Clarke. 2001: A Space Odyssey (1968) is hailed by many as the best ever made; an instant cult favorite, it has set the standard and tone for many science fiction films that followed. Kubrick followed this with A Clockwork Orange (1971), which rivaled Lolita (1962) for the controversy it generated - this time not only for its portrayal of sex, but also of violence. Barry Lyndon (1975) would prove a turning point in both his professional and private lives. His unrelenting demands of commitment and perfection of cast and crew had by now become legendary. Actors would be required to perform dozens of takes with no breaks. Filming a story in Ireland involving military, Kubrick received reports that the IRA had declared him a possible target. Production was promptly moved out of the country, and Kubrick's desire for privacy and security resulted in him being considered a recluse ever since.
Having turned down directing a sequel to The Exorcist (1973), Kubrick made his own horror film: The Shining (1980). Again, rumors circulated of demands made upon actors and crew. Stephen King (whose novel the film was based upon) reportedly didn't like Kubrick's adaptation (indeed, he would later write his own screenplay which was filmed as The Shining (1997).)
Kubrick's subsequent work has been well spaced: it was seven years before Full Metal Jacket (1987) was released. By this time, Kubrick was married with children and had extensively remodeled his house. Seen by one critic as the dark side to the humanist story of Platoon (1986), Full Metal Jacket (1987) continued Kubrick's legacy of solid critical acclaim, and profit at the box office.
In the 1990s, Kubrick began an on-again/off-again collaboration with Brian Aldiss on a new science fiction film called "Artificial Intelligence (AI)", but progress was very slow, and was backgrounded until special effects technology was up to the standard the Kubrick wanted.
Kubrick returned to his in-development projects, but encountered a number of problems: "Napoleon" was completely dead, and "Wartime Lies" (now called "The Aryan Papers") was abandoned when Steven Spielberg announced he would direct Schindler's List (1993), which covered much of the same material.
While pre-production work on "AI" crawled along, Kubrick combined "Rhapsody" and "Blue Movie" and officially announced his next project as Eyes Wide Shut (1999), starring the then-married Tom Cruise and Nicole Kidman. After two years of production under unprecedented security and privacy, the film was released to a typically polarized critical and public reception; Kubrick claimed it was his best film to date.
Special effects technology had matured rapidly in the meantime, and Kubrick immediately began active work on A.I. Artificial Intelligence (2001), but tragically suffered a fatal heart attack in his sleep on March 7th, 1999.
After Kubrick's death, Spielberg revealed that the two of them were friends that frequently communicated discreetly about the art of filmmaking; both had a large degree of mutual respect for each other's work. "AI" was frequently discussed; Kubrick even suggested that Spielberg should direct it as it was more his type of project. Based on this relationship, Spielberg took over as the film's director and completed the last Kubrick project.
How much of Kubrick's vision remains in the finished project -- and what he would think of the film as eventually released -- will be the final great unanswerable mysteries in the life of this talented and private filmmaker.Fear and Desire (1952)
Killer's Kiss (1955)
The Killing (1956)
Paths of Glory (1957)
Spartacus (1960)
Lolita (1962)
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
2001: A Space Odyssey (1968)
A Clockwork Orange (1971)
Barry Lyndon (1975)
The Shining (1980)
Full Metal Jacket (1987)
Eyes Wide Shut (1999)
Total number: 13- Producer
- Director
- Writer
David Fincher was born in 1962 in Denver, Colorado, and was raised in Marin County, California. When he was 18 years old he went to work for John Korty at Korty Films in Mill Valley. He subsequently worked at ILM (Industrial Light and Magic) from 1981-1983. Fincher left ILM to direct TV commercials and music videos after signing with N. Lee Lacy in Hollywood. He went on to found Propaganda in 1987 with fellow directors Dominic Sena, Greg Gold and Nigel Dick. Fincher has directed TV commercials for clients that include Nike, Coca-Cola, Budweiser, Heineken, Pepsi, Levi's, Converse, AT&T and Chanel. He has directed music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels and, most recently, A Perfect Circle.
As a film director, he has achieved huge success with Se7en (1995), Fight Club (1999) and, Panic Room (2002).- Animation Department
- Writer
- Art Department
Hayao Miyazaki is one of Japan's greatest animation directors. The entertaining plots, compelling characters, and breathtaking visuals in his films have earned him international renown from critics as well as public recognition within Japan.
Miyazaki started his career in 1963 as an animator at the studio Toei Douga studio, and was subsequently involved in many early classics of Japanese animation. From the beginning, he commanded attention with his incredible drawing ability and the seemingly endless stream of movie ideas he proposed.
In 1971, he moved to the A Pro studio with Isao Takahata. In 1973, he moved to Nippon Animation, where he was heavily involved in the World Masterpiece Theater TV animation series for the next 5 years. In 1978, he directed his first TV series, Future Boy Conan (1978). Then, he moved to Tokyo Movie Shinsha in 1979 to direct his first movie, the classic Lupin III: The Castle of Cagliostro (1979). In 1984, he released Nausicaä of the Valley of the Wind (1984), which was based on the manga of the same title he had started 2 years before. The success of the film led to the establishment of a new animation studio, Studio Ghibli. Since then, he has since directed, written, and produced many other films with Takahata. More recently, he has produced with Toshio Suzuki. All enjoyed critical and box office success, in particular Princess Mononoke (1997). It received the Japanese equivalent of the Academy Award for Best Film and was the highest-grossing (about USD $150 million) domestic film in Japan's history at the time of its release.
In addition to animation, he also draws manga. His major work was Nausicaä, an epic tale he worked on intermittently from 1982 to 1984 while he was busy making animated films. Another manga Hikotei Jidai, later evolved into Porco Rosso (1992).Lupin III: The Castle of Cagliostro (1979)
Nausicaä of the Valley of the Wind (1984)
Castle in the Sky (1986)
My Neighbor Totoro (1988)
Kiki's Delivery Service (1989)
Porco Rosso (1992)
Princess Mononoke (1997)
Spirited Away (2001)
Howl's Moving Castle (2004)
Ponyo (2008)
The Wind Rises (2013)
The Boy and the Heron (2023)
Total number: 12- Actor
- Writer
- Producer
Mel Brooks was born Melvin Kaminsky on June 28, 1926 in Brooklyn, New York. He served in WWII, and afterwards got a job playing the drums at nightclubs in the Catskills. Brooks eventually started a comedy act and also worked in radio and as Master Entertainer at Grossinger's Resort before going to television.
He was a writer for, Your Show of Shows (1950) Caesar's Hour (1954) and wrote the Broadway show Shinbone Alley. He also worked in the creation of The 2000 Year Old Man (1975) and Get Smart (1965) before embarking on a highly successful film career in writing, acting, producing and directing.
Brooks is famous for the spoofs of different film genres that he made such as Blazing Saddles (1974), History of the World: Part I (1981), Silent Movie (1976), Young Frankenstein (1974), Robin Hood: Men in Tights (1993), High Anxiety (1977), Dracula: Dead and Loving It (1995), and Spaceballs (1987).- Producer
- Writer
- Actor
Quentin Jerome Tarantino was born in Knoxville, Tennessee. His father, Tony Tarantino, is an Italian-American actor and musician from New York, and his mother, Connie (McHugh), is a nurse from Tennessee. Quentin moved with his mother to Torrance, California, when he was four years old.
In January of 1992, first-time writer-director Tarantino's Reservoir Dogs (1992) appeared at the Sundance Film Festival. The film garnered critical acclaim and the director became a legend immediately. Two years later, he followed up Dogs success with Pulp Fiction (1994) which premiered at the Cannes film festival, winning the coveted Palme D'Or Award. At the 1995 Academy Awards, it was nominated for the best picture, best director and best original screenplay. Tarantino and writing partner Roger Avary came away with the award only for best original screenplay. In 1995, Tarantino directed one fourth of the anthology Four Rooms (1995) with friends and fellow auteurs Alexandre Rockwell, Robert Rodriguez and Allison Anders. The film opened December 25 in the United States to very weak reviews. Tarantino's next film was From Dusk Till Dawn (1996), a vampire/crime story which he wrote and co-starred with George Clooney. The film did fairly well theatrically.
Since then, Tarantino has helmed several critically and financially successful films, including Jackie Brown (1997), Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), Inglourious Basterds (2009), Django Unchained (2012) and The Hateful Eight (2015).- Writer
- Producer
- Director
James Francis Cameron was born on August 16, 1954 in Kapuskasing, Ontario, Canada. He moved to the United States in 1971. The son of an engineer, he majored in physics at California State University before switching to English, and eventually dropping out. He then drove a truck to support his screenwriting ambition. He landed his first professional film job as art director, miniature-set builder, and process-projection supervisor on Roger Corman's Battle Beyond the Stars (1980) and had his first experience as a director with a two week stint on Piranha II: The Spawning (1982) before being fired.
He then wrote and directed The Terminator (1984), a futuristic action-thriller starring Arnold Schwarzenegger, Michael Biehn and Linda Hamilton. It was a low budget independent film, but Cameron's superb, dynamic direction made it a surprise mainstream success and it is now regarded as one of the most iconic pictures of the 1980s. After this came a string of successful, bigger budget science-fiction action films such as Aliens (1986), The Abyss (1989) and Terminator 2: Judgment Day (1991). In 1990, Cameron formed his own production company, Lightstorm Entertainment. In 1997, he wrote and directed Titanic (1997), a romance epic about two young lovers from different social classes who meet on board the famous ship. The movie went on to break all box office records and earned eleven Academy Awards. It became the highest grossing movie of all time until 12 years later, Avatar (2009), which invented and pioneered 3D film technology, and it went on to beat "Titanic", and became the first film to cost two billion dollars until 2019 when Marvel took the record.
James Cameron is now one of the most sought-after directors in Hollywood. He was formerly married to producer Gale Anne Hurd, who produced several of his films. In 2000, he married actress Suzy Amis, who appeared in Titanic, and they have three children.- Actor
- Writer
- Director
Joseph Frank Keaton was born on October 4, 1895 in Piqua, Kansas, to Joe Keaton and Myra Keaton. Joe and Myra were Vaudevillian comedians with a popular, ever-changing variety act, giving Keaton an eclectic and interesting upbringing. In the earliest days on stage, they traveled with a medicine show that included family friend, illusionist Harry Houdini. Keaton himself verified the origin of his nickname "Buster", given to him by Houdini, when at the age of three, fell down a flight of stairs and was picked up and dusted off by Houdini, who said to Keaton's father Joe, also nearby, that the fall was 'a buster'. Savvy showman Joe Keaton liked the nickname, which has stuck for more than 100 years.
At the age of four, Keaton had already begun acting with his parents on the stage. Their act soon gained the reputation as one of the roughest in the country, for their wild, physical antics on stage. It was normal for Joe to throw Buster around the stage, participate in elaborate, dangerous stunts to the reverie of audiences. After several years on the Vaudeville circuit, "The Three Keatons", toured until Keaton had to break up the act due to his father's increasing alcohol dependence, making him a show business veteran by the age of 21.
While in New York looking for work, a chance run-in with the wildly successful film star and director Roscoe 'Fatty' Arbuckle, resulted in Arbuckle inviting him to be in his upcoming short The Butcher Boy (1917), an appearance that launched Keaton's film career, and spawned a friendship that lasted until Arbuckle's sudden death in 1933. By 1920, after making several successful shorts together, Arbuckle moved on to features, and Keaton inherited his studio, allowing him the opportunity to begin producing his own films. By September 1921, tragedy touched Arbuckle's life by way of a scandal, where he was tried three times for the murder of Virginia Rapp. Although he was not guilty of the charges, and never convicted, he was unable to regain his status, and the viewing public would no longer tolerate his presence in film. Keaton stood by his friend and mentor through out the incident, supporting him financially, finding him directorial work, even risking his own budding reputation offering to testify on Arbuckle's behalf.
In 1921, Keaton also married his first wife, Natalie Talmadge under unusual circumstance that have never been fully clarified. Popular conjecture states that he was encouraged by Joseph M. Schenck to marry into the powerful Talmadge dynasty, that he himself was already a part of. The union bore Keaton two sons. Keaton's independent shorts soon became too limiting for the growing star, and after a string of popular films like One Week (1920), The Boat (1921) and Cops (1922), Keaton made the transition into feature films. His first feature, Three Ages (1923), was produced similarly to his short films, and was the dawning of a new era in comedic cinema, where it became apparent to Keaton that he had to put more focus on the story lines and characterization.
At the height of his popularity, he was making two features a year, and followed Ages with Our Hospitality (1923), The Navigator (1924) and The General (1926), the latter two he regarded as his best films. The most renowned of Keaton's comedies is Sherlock Jr. (1924), which used cutting edge special effects that received mixed reviews as critics and audiences alike had never seen anything like it, and did not know what to make of it. Modern day film scholars liken the story and effects to Christopher Nolan Inception (2010), for its high level concept and ground-breaking execution. Keaton's Civil War epic The General (1926) kept up his momentum when he gave audiences the biggest and most expensive sequence ever seen in film at the time. At its climax, a bridge collapses while a train is passing over it, sending the train into a river. This wowed audiences, but did little for its long-term financial success. Audiences did not respond well to the film, disliking the higher level of drama over comedy, and the main character being a Confederate soldier.
After a few more silent features, including College (1927) and Steamboat Bill, Jr. (1928), Keaton was informed that his contract had been sold to MGM, by brother-in-law and producer Joseph M. Schenck. Keaton regarded the incident as the worst professional mistake he ever made, as it sent his career, legacy, and personal life into a vicious downward spiral for many years. His first film with MGM was The Cameraman (1928), which is regarded as one of his best silent comedies, but the release signified the loss of control Keaton would incur, never again regaining his film -making independence. He made one more silent film at MGM entitled Spite Marriage (1929) before the sound era arrived.
His first appearance in a film with sound was with the ensemble piece The Hollywood Revue of 1929 (1929), though despite the popularity of it and his previous MGM silents, MGM never allowed Keaton his own production unit, and increasingly reduced his creative control over his films. By 1932, his marriage to Natalie Talmadge had dissolved when she sued him for divorce, and in an effort to placate her, put up little resistance. This resulted in the loss of the home he had built for his family nicknamed "The Italian Villa", the bulk of his assets, and contact with his children. Natalie changed their last names from Keaton to Talmadge, and they were disallowed from speaking about their father or seeing him. About 10 years later, when they became of age, they rekindled the relationship with Keaton. His hardships in his professional and private life that had been slowly taking their toll, begun to culminate by the early 1930s resulting in his own dependence on alcohol, and sometimes violent and erratic behavior. Depressed, penniless, and out of control, he was fired by MGM by 1933, and became a full-fledged alcoholic.
After spending time in hospitals to attempt and treat his alcoholism, he met second wife Mae Scrivens, a nurse, and married her hastily in Mexico, only to end in divorce by 1935. After his firing, he made several low-budget shorts for Educational Pictures, and spent the next several years of his life fading out of public favor, and finding work where he could. His career was slightly reinvigorated when he produced the short Grand Slam Opera (1936), which many of his fans admire for giving such a good performance during the most difficult and unmanageable years of his life.
In 1940, he met and married his third wife Eleanor Norris, who was deeply devoted to him, and remained his constant companion and partner until Keaton's death. After several more years of hardship working as an uncredited, underpaid gag man for comedians such as the Marx Brothers, he was consulted on how to do a realistic and comedic fall for In the Good Old Summertime (1949) in which an expensive violin is destroyed. Finding no one who could do this better than him, he was given a minor role in the film. His presence reignited interest in his silent films, which lead to interviews, television appearances, film roles, and world tours that kept him busy for the rest of his life.
After several more film, television, and stage appearances through the 1960s, he wrote the autobiography "My Wonderful World of Slapstick", having completed nearly 150 films in the span of his ground-breaking career. His last film appearance was A Funny Thing Happened on the Way to the Forum (1966) which premiered seven months after Keaton's death from the rapid onset of lung cancer. Since his death, Keaton's legacy is being discovered by new generations of viewers every day, many of his films are available on YouTube, DVD and Blu-ray, where he, like all gold-gilded and beloved entertainers can live forever.- Producer
- Writer
- Director
Adam McKay (born April 17, 1968) is an American screenwriter, director, comedian, and actor. McKay has a comedy partnership with Will Ferrell, with whom he co-wrote the films Anchorman, Talladega Nights, and The Other Guys. Ferrell and McKay also founded their comedy website Funny or Die through their production company Gary Sanchez Productions. He has been married to Shira Piven since 1999. They have two children.- Producer
- Director
- Writer
Matthew Vaughn is an English film producer and director. He is known for producing such films as Lock, Stock and Two Smoking Barrels (1998) and Snatch (2000) and for directing the crime thriller, Layer Cake (2004), the fantasy epic, Stardust (2007), the superhero comedy, Kick-Ass (2010), and the superhero film, X-Men: First Class (2011). Vaughn was educated at Stowe School in Buckingham, England. Taking a gap year between Stowe and university, he traveled the world on a Hard Rock Cafe tour and landed in Los Angeles, U.S. Here, he began working as an assistant to a director. He returned to London, attending University College London where he studied anthropology and ancient history. But the film bug had taken hold. He dropped out of university after a few weeks and returned to Los Angeles to start his career. He quickly realized, however, that everyone in town was trying to do the same thing, so he crossed back over the Atlantic to make a name for himself in England. At 25, he produced a little-seen thriller, The Innocent Sleep (1995), starring Annabella Sciorra and Michael Gambon. Vaughn continued as a producer on close friend Guy Ritchie's film, Lock, Stock and Two Smoking Barrels (1998). The film was a success in all aspects; earning Vaughn and Ritchie £9 million each. Vaughn would go on to produce Ritchie's equally acclaimed Snatch (2000) and the critically-mauled, Swept Away (2002). Vaughn made his directorial debut in 2004 with Layer Cake (2004). The film was well-received and its success led to Vaughn being tapped to direct X-Men: The Last Stand (2006) but he later dropped out only two weeks before filming began. Vaughn was, subsequently, very critical of Brett Ratner's direction of X-Men: The Last Stand (2006) (aka X-Men 3). Vaughn next directed Stardust (2007) and a movie adaption of Mark Millar's Kick-Ass. He was also in talks to direct an adaptation of "Thor", but left that project. In May 2010, 20th Century Fox confirmed that Vaughn will direct X-Men: First Class (2011) and announced the film will be released on June 3, 2011. Vaughn is best known for starting his career working as a producer for the Guy Ritchie films, Lock, Stock and Two Smoking Barrels (1998), Snatch (2000) and Swept Away (2002). Jane Goldman is one the screenwriters who Vaughn collaborated with for the films, Stardust (2007), Kick-Ass (2010) and the upcoming X-Men: First Class (2011). The actors that Vaughn usually works with in his films are Jason Statham, Vinnie Jones, Jason Flemyng, Adam Fogerty, Sienna Miller, Brad Pitt (as a producer on Kick-Ass (2010)), Mark Strong, Robbie Gee, Alan Ford, Tamer Hassan and Dexter Fletcher. Vaughn's wife is German supermodel Claudia Schiffer, whom he married in Shimpling, Suffolk, in 2002. The couple have three children: son Caspar Matthew (born 30 January 2003), daughter Clementine de Vere Drummond (born 11 November 2004) and a second daughter, Cosima Violet (born 14 May 2010). They have homes in Suffolk and Notting Hill. He has hired ex-Gurkha soldiers for security for him and his wife following reports of stalkers apparently intruding their house.- Writer
- Producer
- Director
Lana Wachowski and her sister Lilly Wachowski, also known as the Wachowskis, are the duo behind such ground-breaking movies as The Matrix (1999) and Cloud Atlas (2012). Born to mother Lynne, a nurse, and father Ron, a businessman of Polish descent, Wachowski grew up in Chicago and formed a tight creative relationship with her sister Lilly. After the siblings dropped out of college, they started a construction business and wrote screenplays. Their 1995 script, Assassins (1995), was made into a movie, leading to a Warner Bros contract. After that time, the Wachowskis devoted themselves to their movie careers. In 2012, during interviews for Cloud Atlas and in her acceptance speech for the Human Rights Campaign's Visibility Award, Lana spoke about her experience of being a transgender woman, sacrificing her much cherished anonymity out of a sense of responsibility. Lana is known to be extremely well-read, loves comic books and exploring ideas of imaginary worlds, and was inspired by Stanley Kubrick's 2001: A Space Odyssey (1968) in creating Cloud Atlas.- Writer
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Director, writer, and producer Lilly Wachowski was born in 1967 in Chicago, the daughter of Lynne, a nurse and painter, and Ron, a businessman. Lilly was educated at Kellogg Elementary School in Chicago, before moving on to Whitney M. Young High School. After graduating from high school, she attended Emerson College in Boston but dropped out.
Lilly teamed up with her older sibling, Lana Wachowski, and began working on films. Their first script was optioned and formed the basis for the film Assassins (1995). The Wachowskis went on to make their directorial debut with the self-written Bound (1996), which was well-received. They followed this with the smash hit The Matrix (1999) and went on to produce two successful sequels, The Matrix Reloaded (2003) and The Matrix Revolutions (2003).
Other projects include scripting and producing the cult hit V for Vendetta (2005), a live-action version of a Japanese anime series; Speed Racer (2008); Cloud Atlas (2012); and the ambitious epic Jupiter Ascending (2015).- Director
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Edgar Howard Wright (born 18 April 1974) is an English director, screenwriter, producer, and actor. He is best known for his comedic Three Flavours Cornetto film trilogy consisting of Shaun of the Dead (2004), Hot Fuzz (2007), and The World's End (2013), made with recurrent collaborators Simon Pegg, Nira Park and Nick Frost. He also collaborated with them as the director of the television series Spaced.- Producer
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Jeffrey Jacob Abrams was born in New York City and raised in Los Angeles, the son of TV producer parents. At 15, he wrote the music for Don Dohler's Nightbeast (1982). In his senior year of college, he and Jill Mazursky teamed up to write a feature film, which became Taking Care of Business (1990). He went on to write and produce Regarding Henry (1991) and Forever Young (1992). He also co-wrote Gone Fishin' (1997) with Mazursky. Along with other Sarah Lawrence alumni, he experimented with computer animation and was contracted to develop pre-production animation for Shrek (2001).
Abrams worked on the screenplay for Armageddon (1998) and co-created (as well as composing the opening theme of) Felicity (1998), which ran for four seasons. He founded the production company Bad Robot in 2001 with Bryan Burk. He created and executive-produced Alias (2001) and Lost (2004), composing the theme music for both, and co-writing episodes of "Lost". He also co-wrote and produced thriller Joy Ride (2001). He made his feature directing debut with Mission: Impossible III (2006), reinvigorating the series. He produced the hit mystery film Cloverfield (2008) and co-created Fringe (2008).
He directed the Star Trek (2009) reboot, proving successful with fans and newcomers to the franchise. He next directed Super 8 (2011), co-produced by Steven Spielberg and produced Mission: Impossible - Ghost Protocol (2011). He returned to direct the follow-up to his reboot, Star Trek Into Darkness (2013). Disney and Lucasfilm announced J.J. as their choice for director of the first episode in the new 'Star Wars' trilogy, Star Wars: Episode VII - The Force Awakens (2015). He initially resisted, as he didn't want to travel away from his family to London, but Kathleen Kennedy convinced him that his voice would be the best to reinvigorate this franchise, as he had done with two others before. He also produced Mission: Impossible - Rogue Nation (2015) and Star Trek Beyond (2016), and executive-produced Star Wars: Episode VIII - The Last Jedi (2017). When it was announced that Colin Trevorrow would no longer direct Star Wars: Episode IX - The Rise of Skywalker (2019), it was announced that J.J. would return to complete the trilogy he started.- Additional Crew
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Phillip Bradley "Brad" Bird is an American director, screenwriter, animator, producer and occasional voice actor, known for both animated and live-action films. Bird was born in Kalispell, Montana, the youngest of four children of Marjorie A. (née Cross) and Philip Cullen Bird. His father worked in the propane business, and his grandfather, Francis Wesley "Frank" Bird, who was born in County Sligo, Ireland, was a president and chief executive of the Montana Power Company. On a tour of the Walt Disney Studios at age 11, he announced that someday he would become part of its animation team, and soon afterward began work on his own 15-minute animated short. Within two years, Bird had completed his animation, which impressed the cartoon company. By age 14, barely in high school, Bird was mentored by the animator Milt Kahl, one of Disney's legendary Nine Old Men. Bird recalls Kahl's criticisms as ideal: Kahl would point out shortcomings by gently delivering thoughts on where Bird could improve. After graduating from Corvallis High School in Corvallis, Oregon in 1975, Bird took a three-year break. He was then awarded a scholarship by Disney to attend California Institute of the Arts, where he met and befriended another future animator, Pixar co-founder and director John Lasseter.- Writer
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James Gunn was born and raised in St. Louis, Missouri, to Leota and James Francis Gunn. He is from a large Catholic family, with Irish and Czech ancestry. His father and his uncles were all lawyers. He has been writing and performing as long as he can remember. He began making 8mm films at the age of twelve. Many of these were comedic splatter films featuring his brothers being disemboweled by zombies. He attended Saint Louis University High (SLUH) college preparatory school but later dropped out of college to pursue a rock and roll career.
His band, "the Icons", released one album, "Mom, We Like It Here on Earth". He earned very little money doing this and so during this time, he also worked as an orderly in Tucson, Arizona, upon which many of the situations in his first novel, "The Toy Collector", are based. He wrote and drew comic strips for underground and college newspapers.
Gunn eventually returned to school and received his B.A. at Saint Louis University in his native St. Louis. He moved to New York where he received an MFA in creative writing from Columbia University, which he today thinks may have been a wonderfully expensive waste of time. While finishing his MFA, he started writing "The Toy Collector" and began working for "Troma Studios", America's leading B-Movie production company. While there he wrote and produced the cult classic Tromeo and Juliet (1996) and, with Lloyd Kaufman, he wrote "All I Need to Know about Filmmaking I Learned from the Toxic Avenger".
Gunn had a spiritual awakening in Cannes in 1997 and quit Troma and relocated from New York to Los Angeles. He wrote and acted in the film The Specials (2000) with Rob Lowe, Jamie Kennedy, Thomas J. Churchill and his brother Sean Gunn. He wrote two scripts for Warner Brothers live action movies: Spy vs. Spy (1985) and Scooby-Doo (2002). In 1999, after almost five years, he finished "The Toy Collector". After doing Scooby-Doo 2: Monsters Unleashed (2004), Gunn made his directorial debut with Slither (2006). He later made the superhero film Super (2010) and the successful Marvel films Guardians of the Galaxy (2014) and its sequel Guardians of the Galaxy Vol. 2 (2017)
Gunn has four brothers, all of whom are in the entertainment industry. His brother, Patrick Gunn, is a Senior VP at Artisan Entertainment, the company responsible for distributing (and the marketing campaign of) The Blair Witch Project (1999). His brother, Brian Gunn, is a screenwriter who works in partnership with their cousin Mark Gunn.
Gunn's brother, Matt Gunn wrote and starred in the winner of the 1997 Sundance Film Festival, Man About Town (1997). Gunn's brother, Sean Gunn, is an actor regularly seen in films, commercials, and such TV shows as Angel (1999). James and Sean have collaborated on two occasions Sean starred in Tromeo and Juliet (1996), and they acted together and co-produced The Specials (2000). The brothers have one sister, Beth, who is a lawyer.
Gunn married actress and cartoonist Jenna Fischer in 2000. They divorced in 2008. He is now in a relationship with Jennifer Holland- Writer
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George Walton Lucas, Jr. was raised on a walnut ranch in Modesto, California. His father was a stationery store owner and he had three siblings. During his late teen years, he went to Thomas Downey High School and was very much interested in drag racing. He planned to become a professional racecar driver. However, a terrible car accident just after his high school graduation ended that dream permanently. The accident changed his views on life.
He decided to attend Modesto Junior College before enrolling in the University of Southern California film school. As a film student, he made several short films including Electronic Labyrinth THX 1138 4EB (1967) which won first prize at the 1967-68 National Student Film Festival. In 1967, he was awarded a scholarship by Warner Brothers to observe the making of Finian's Rainbow (1968) which was being directed by Francis Ford Coppola. Lucas and Coppola became good friends and formed American Zoetrope in 1969. The company's first project was Lucas' full-length version of THX 1138 (1971). In 1971, Coppola went into production for The Godfather (1972), and Lucas formed his own company, Lucasfilm Ltd.
In 1973, he wrote and directed the semiautobiographical American Graffiti (1973) which won the Golden Globe and garnered five Academy Award nominations. This gave him the clout he needed for his next daring venture. From 1973 to 1974, he began writing the screenplay which became Star Wars: Episode IV - A New Hope (1977). He was inspired to make this movie from Flash Gordon and the Planet of the Apes films. In 1975, he established ILM. (Industrial Light & Magic) to produce the visual effects needed for the movie. Another company called Sprocket Systems was established to edit and mix Star Wars and later becomes known as Skywalker Sound. His movie was turned down by several studios until 20th Century Fox gave him a chance. Lucas agreed to forego his directing salary in exchange for 40% of the film's box-office take and all merchandising rights. The movie went on to break all box office records and earned seven Academy Awards. It redefined the term "blockbuster" and the rest is history.
Lucas made the other Star Wars films and along with Steven Spielberg created the Indiana Jones series which made box office records of their own. From 1980 to 1985, Lucas was busy with the construction of Skywalker Ranch, built to accommodate the creative, technical, and administrative needs of Lucasfilm. Lucas also revolutionized movie theaters with the THX system which was created to maintain the highest quality standards in motion picture viewing.
He went on to produce several more movies that have introduced major innovations in filmmaking technology. He is chairman of the board of the George Lucas Educational Foundation. In 1992, George Lucas was honored with the Irving G. Thalberg Award by the Board of Governors of the Academy of Motion Picture Arts and Sciences for his lifetime achievement.
He reentered the directing chair with the production of the highly-anticipated Star Wars prequel trilogy beginning with Star Wars: Episode I - The Phantom Menace (1999) . The films have been polarizing for fans and critics alike, but were commercially successful and have become a part of culture. The animated spin-off series Star Wars: The Clone Wars (2008) was supervised by Lucas. He sold Lucasfilm to Disney in 2012, making co-chair Kathleen Kennedy president. He has attended the premieres of new Star Wars films and been generally supportive of them.- Writer
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Makoto Shinkai is a Japanese director, writer, producer, animator, editor, cinematographer, voice actor, manga artist and former graphic designer. Shinkai studied Japanese literature at Chuo University where he was a member of juvenile literature club where he drew picture books. In 1999, Shinkai released She and Her Cat, a five-minute short piece done in monochrome. His best knows films are The Place Promised in Our Early Days (2004), 5 Centimeters Per Second (2007), Children Who Chase Lost Voices (2011), The Garden of Words (2013), and Your Name (2016). His favorite anime is Castle in the Sky (1986) by Hayao Miyazaki.- Actor
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Since starring in his first film, Splendor in the Grass (1961), Warren Beatty has been said to have demonstrated a greater longevity in movies than any actor of his generation. Few people have taken so many responsibilities for all phases of the production of films as producer, director, writer, and actor, and few have evidenced so high a level of integrity in a body of work.
In Rules Don't Apply (2016), he writes, produces, directs and stars in. Only Beatty and Orson Welles (Citizen Kane) have been nominated by the Academy of Motion Picture Arts and Sciences as an actor, a director, a writer, and a producer for the same film. Beatty is the only person ever to have done it twice, for Heaven Can Wait (1978) and again for Reds (1981). Beatty has been nominated 15 times by the Academy of Motion Pictures Arts and Sciences, and 8 films he has produced have earned 53 Academy nominations. In 1982 he won the Academy Award for Directing and in 2000 was given the Academy's highest honor, the Irving G. Thalberg Award.
He was awarded Best Director from the Directors Guild of America and Best Writer three times from the Writers Guild of America. He has received the Milestone Award from the Producers Guild, the Board of Governors Award from the American Society of Cinematographers, the Directors Award from the Costume Designers Guild, the Life Achievement Award from the Publicists Guild, and the Outstanding Contribution to Cinematic Imagery Award from the Art Directors Guild. The National Association of Theater Owners has honored him as Director of the Year, as Producer of the Year and as Actor of the Year.
He has won 16 awards from the New York and Los Angeles Film Critics, the National Board of Review, and the Golden Globes. In 1992, he was made a Commander of the Order of Arts and Letters in France; in Italy he received the David di Donatello award in 1968 and again in 1981 and its Lifetime Achievement Award in 1998; in 2001, he received the Donostia Lifetime Achievement Award from the San Sebastian International Film Festival; in 2002, he received the British Academy Fellowship from BAFTA; and in 2011, he was awarded the Stanley Kubrick Britannia Award for Excellence in Film.
In December 2004, Beatty received The Kennedy Center Honor in Washington, D.C. In addition, he is the recipient of the American Film Institute's Lifetime Achievement Award, the HFPA Cecile B. DeMille Award and many others. Politically active since the 1960's, Beatty campaigned with Robert F. Kennedy in his 1968 presidential campaign. That same year he traveled throughout the United States speaking in favor of gun control and against the war in Vietnam. In 1972 he took a year off from motion pictures to campaign with George McGovern.
In 1981, Beatty was a founding board member of the Center for National Policy. He is a founding member of The Progressive Majority, a member of the Council on Foreign Relations, and has participated in the World Economic Forum at Davos, Switzerland.
Beatty serves on the Board of Directors of the Motion Picture and Television Fund Foundation. He previously served on the Board of Trustees of The Scripps Research Institute for several years. He has received the Eleanor Roosevelt Award from the Americans for Democratic Action, the Brennan Legacy Award from the Brennan Center for Justice at the New York University School of Law, and the Philip Burton Public Service Award from The Foundation for Taxpayer and Consumer Rights.
In multiple forums he has addressed campaign finance reform, the increasing disparity of wealth, universal health care and the need for the Democratic Party to return to its roots.
In March of 2013, he was inducted into the California Hall of Fame.
Beatty was born in Richmond, Virginia. He and his wife, Annette Bening, live in Los Angeles and have four children.
His mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and his father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. His sister is actress Shirley MacLaine (born Shirley MacLean Beaty). His ancestry is mostly English and Scottish.- Producer
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Damien Sayre Chazelle is an American director and screenwriter. He was born in Providence, Rhode Island. His mother, Celia Sayre (Martin) Chazelle, is an American-Canadian writer and professor of history at The College of New Jersey. His father, Bernard Chazelle, is a French-American Eugene Higgins Professor of computer science at Princeton University, originally from Clamart, France. Chazelle has a sister, Anna, who is an actress and circus performer.- Producer
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Although born in Hollywood, John and his twin sister Johanna were raised in Whittier near Los Angeles. His parents were Jewell Mae (Risley), an art teacher, and Paul Eual Lasseter, a parts manager at a Chevrolet dealership. His mother's profession contributed to his interest in animation and particularly the Bugs Bunny and Daffy Duck cartoons which he would watch on television. It was when he was in High School that he realized that he could have a career in animation and he wrote to the Walt Disney Studios but nothing happened then In 1975 the Disney company started an animation course at Calarts - The California Institute of the Arts- and John, with encouragement from his mother, was one of the first to sign up. He and his class mates, who included the future animators and directors Brad Bird, and Tim Burton were taught by some of Disney's veteran animators such as Ollie Johnston and Frank Thomas. During his time there John produced two animated shorts - Lady and the Lamp (1979) and Nitemare (1980) - which both won the Student Academy Award for Animation. On graduating in 1979 John was taken on as an animator at the Disney Studios. In 1983, while working on Mickey's Christmas Carol some friends invited him to see some footage of Tron that they were working on using CGI and he immediately saw the potential of it to enhance animated films. John and a colleague made a short test film and satisfied with the result and full of enthusiasm started work on a feature without consulting their superiors who when they found out about it canceled it and sacked John. Having made contacts in the computer industry he was quickly taken on by Lucasfilm which was bought by Steve Jobs for $5 million with a further $5 million invested as working capital and the company renamed Pixar. John soon convinced Steve that the future lay in computer animation by bringing his desk lamp to life in the short 'Luxor Jr' which was shown at a computer graphics conference and got a standing ovation. The first computer animated feature soon followed in the form of 'Toy Story' winning John an Oscar for Special Achievement to go with one he got for Animated Short Film - Tin Toy. He's also had Oscar nominations for Animated Feature - Monster Inc and Cars, Original Screenplay -Toy Story, Animated Short Story - Luxor Jr while the short Knick Knack was selected by Terry Gilliam as one of the best 10 animated films of all time. In 2008, he was honored with the Winsor McCay Award, - the lifetime achievement award for animators. He oversees 3 animation studios - Pixar, Disney Animation and DisneyToon He spent 9 year (2005 - 2014) on the board of governors of the Academy of Motion Picture Arts and Sciences, only relinquishing his seat due to term limits. He was presented with a star on the Hollywood Walk of Fame in Hollywood in November 2011.- Actor
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Laurence Olivier could speak William Shakespeare's lines as naturally as if he were "actually thinking them", said English playwright Charles Bennett, who met Olivier in 1927. Laurence Kerr Olivier was born in Dorking, Surrey, England, to Agnes Louise (Crookenden) and Gerard Kerr Olivier, a High Anglican priest. His surname came from a great-great-grandfather who was of French Huguenot origin.
One of Olivier's earliest successes as a Shakespearean actor on the London stage came in 1935 when he played "Romeo" and "Mercutio" in alternate performances of "Romeo and Juliet" with John Gielgud. A young Englishwoman just beginning her career on the stage fell in love with Olivier's Romeo. In 1937, she was "Ophelia" to his "Hamlet" in a special performance at Kronborg Castle, Elsinore (Helsingør), Denmark. In 1940, she became his second wife after both returned from making films in America that were major box office hits of 1939. His film was Wuthering Heights (1939), her film was Gone with the Wind (1939). Vivien Leigh and Olivier were screen lovers in Fire Over England (1937), 21 Days Together (1940) and That Hamilton Woman (1941).
There was almost a fourth film together in 1944 when Olivier and Leigh traveled to Scotland with Charles C. Bennett to research the real-life story of a Scottish girl accused of murdering her French lover. Bennett recalled that Olivier researched the story "with all the thoroughness of Sherlock Holmes" and "we unearthed evidence, never known or produced at the trial, that would most certainly have sent the young lady to the gallows". The film project was then abandoned. During their two-decade marriage, Olivier and Leigh appeared on the stage in England and America and made films whenever they really needed to make some money.
In 1951, Olivier was working on a screen adaptation of Theodore Dreiser's novel "Sister Carrie" (Carrie (1952)) while Leigh was completing work on the film version of the Tennessee Williams' play, A Streetcar Named Desire (1951). She won her second Oscar for bringing "Blanche DuBois" to the screen. Carrie (1952) was a film that Olivier never talked about. George Hurstwood, a middle-aged married man from Chicago who tricked a young woman into leaving a younger man about to marry her, became a New York street person in the novel. Olivier played him as a somewhat nicer person who didn't fall quite as low. A PBS documentary on Olivier's career broadcast in 1987 covered his first sojourn in Hollywood in the early 1930s with his first wife, Jill Esmond, and noted that her star was higher than his at that time. On film, he was upstaged by his second wife, too, even though the list of films he made is four times as long as hers.
More than half of his film credits come after The Entertainer (1960), which started out as a play in London in 1957. When the play moved across the Atlantic to Broadway in 1958, the role of "Archie Rice"'s daughter was taken over by Joan Plowright, who was also in the film. They married soon after the release of The Entertainer (1960).- Writer
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Andrew Stanton has been a major creative force at Pixar Animation Studios since 1990, when he became the second animator and ninth employee to join the company's elite group of computer animation pioneers. As Vice President, Creative he currently oversees all shorts and feature projects at the studio. Stanton wrote and directed the Academy Award®-winning Disney and Pixar feature film "WALL.E," for which he also received a Best Original Screenplay Oscar®-nomination. In 2016 Stanton directed Disney and Pixar's "Finding Dory," which, upon release, became the highest-grossing domestic animated feature of all time and in 2019 Stanton served as screenwriter and executive producer of "Toy Story 4."
Stanton made his directorial debut with the record-shattering "Finding Nemo," an original story of his that he also co-wrote. The film garnered Stanton two Academy Award® nominations (Best Original Screenplay and Best Animated Film), and "Finding Nemo" was awarded an Oscar® for Best Animated Feature Film of 2003, the first such honor Pixar Animation Studios received for a full-length feature film.
One of the four screenwriters to receive an Oscar® nomination in 1996 for his contribution to "Toy Story," Stanton went on to receive credit as a screenwriter on every subsequent Pixar film - "A Bug's Life," "Toy Story 2," "Monsters, Inc." and "Finding Nemo." Additionally, he served as co-director on "A Bug's Life," and was the executive producer of "Monsters, Inc.," and "Monsters University," and Academy Award®-winning films "Ratatouille" and "Brave."
In addition to his multi-award winning animation work, Stanton made his live-action writing and directorial debut with Disney's "John Carter," released in March 2012.
A native of Rockport, Massachusetts, Stanton earned a Bachelor of Fine Arts in Character Animation from California Institute of the Arts (Cal Arts), where he completed two student films. In the 1980s, he launched his professional career in Los Angeles animating for Bill Kroyer's Kroyer Films studio, and writing for Ralph Bakshi's production of "Mighty Mouse, The New Adventures" (1987).- Additional Crew
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Lee Unkrich is an Academy Award-winning director at Pixar Animation Studios. He most recently directed Disney.Pixar's critically-acclaimed "Coco", which received the Academy Award for Best Animated Feature and Best Song.
As the director of Disney.Pixar's "Toy Story 3," Lee was also awarded an Academy Award for Best Animated Feature.
Lee joined Pixar in 1994, and has played a variety of key creative roles on nearly every animated feature film made at the studio. Before co-directing the Oscar-winning "Finding Nemo," he was co-director of "Monsters, Inc." and the Golden Globe-winning "Toy Story 2."
He began his Pixar career as a film editor on "Toy Story" and was supervising film editor on "A Bug's Life." Lee also contributed his editing skills to numerous Pixar films, including his role as supervising film editor on "Finding Nemo".
In 2009 Lee and his fellow directors at Pixar were honored at the 66th Venice International Film Festival with the Golden Lion for Lifetime Achievement.
Prior to joining Pixar, Lee worked in television as an editor and director. He graduated from the University of Southern California's School of Cinema/Television in 1991.
He grew up in Chagrin Falls, Ohio.