At the 27th Academy Awards, Oscar helped Edmond O’Brien win an Oscar.
O’Brien played sleazy show biz publicist Oscar Muldoon in 1954’s “The Barefoot Contessa,” which starred Humphrey Bogart and Ava Gardner. Bogart had been crowned Best Actor of 1951 for “The African Queen,” and had also contended for the same award for 1943’s Best Picture, “Casablanca.” Gardner was coming off of her first and only nomination, for Best Actress in 1953’s “Mogambo.” “The Barefoot Contessa” was written and directed by Academy favorite Joseph L. Mankiewicz, who had won back-to-back Best Director and Best Adapted Screenplay Oscars for 1949’s “A Letter to Three Wives” and 1950’s Best Picture, “All About Eve.”
”The Barefoot Contessa” didn’t fare quite as well at the Oscars as “Letter” or “Eve.” Neither Bogart or Gardner received nominations, though Bogart was cited for his role in that same year’s Best Picture entry “The Caine Mutiny.
O’Brien played sleazy show biz publicist Oscar Muldoon in 1954’s “The Barefoot Contessa,” which starred Humphrey Bogart and Ava Gardner. Bogart had been crowned Best Actor of 1951 for “The African Queen,” and had also contended for the same award for 1943’s Best Picture, “Casablanca.” Gardner was coming off of her first and only nomination, for Best Actress in 1953’s “Mogambo.” “The Barefoot Contessa” was written and directed by Academy favorite Joseph L. Mankiewicz, who had won back-to-back Best Director and Best Adapted Screenplay Oscars for 1949’s “A Letter to Three Wives” and 1950’s Best Picture, “All About Eve.”
”The Barefoot Contessa” didn’t fare quite as well at the Oscars as “Letter” or “Eve.” Neither Bogart or Gardner received nominations, though Bogart was cited for his role in that same year’s Best Picture entry “The Caine Mutiny.
- 6/4/2024
- by Tariq Khan
- Gold Derby
Given the back-to-back additions of Alicia Vikander and Viola Davis to the list of Best Supporting Actress Oscar winners with the five highest amounts of screen time, one might have reasonably expected subsequent recipients of the award to follow suit. However, since they all clocked in under 29 minutes, none of the last half dozen victors even cracked the top 30, and that trend is almost sure to continue in 2024. Indeed, all but one of the category’s five current hopefuls are nominated for performances that are shorter than at least half of the ones that have ever merited this honor.
The 2024 supporting actress nominees have an average screen time of 29 minutes and 48 seconds, or 22.97% of their respective films. These amounts are almost four minutes and over 3% greater than last year’s. In terms of physical time, their average is the 16th highest in the category’s 88-year history, while their percentage mean is the 25th highest.
The 2024 supporting actress nominees have an average screen time of 29 minutes and 48 seconds, or 22.97% of their respective films. These amounts are almost four minutes and over 3% greater than last year’s. In terms of physical time, their average is the 16th highest in the category’s 88-year history, while their percentage mean is the 25th highest.
- 3/5/2024
- by Matthew Stewart
- Gold Derby
Every school has that certain teacher who is a bully, heartless and at times sadistic. Everyone must take their class, but no one finishes the course unscathed. Paul Hunham (Paul Giamatti) of Alexander Payne’s acclaimed comedy-drama “The Holdovers” is one such instructor. Set in 1970, “The Holdovers” revolves around the by-the-books classics professor teaching at the same New England boarding school he had attended. Hunham is hated by his students, as well as his fellow teachers. And he’s also in hot water, after he failed one of the school’s largest donor’s son in his class. During the Christmas break, he is forced to supervise the “holdovers — -the students who for various reasons must stay on campus. He ends up sharing the holidays with one troubled student (Dominic Sessa) whose mother recently remarried; and the cafeteria administrator (Da’Vine Joy Randolph) grieving her only son’s death in the Vietnam War.
- 12/15/2023
- by Susan King
- Gold Derby
Christmas comes early on Max, as the streamer adds a bevy of holiday movies to its library for the month of November, alongside new TV debuts, a noteworthy documentary and more. “Elf,” “Christmas Vacation,” “Arthur Christmas,” “The Shop Around the Corner” and “Four Christmases” are some of the holiday films arriving on the streaming platform on Nov. 1.
This month also sees the Season 2 premieres of “Rap Sh!t” (on Nov. 9) and “Julia” (on Nov. 16) and the series premiere of “Two and a Half Men” creator Chuck Lorre’s new sitcom “Bookie” starring Sebastian Maniscalco (on Nov. 30).
On Nov. 11, check out the documentary “Albert Brooks: Defending My Life” in which the comedian, actor and filmmaker’s best friend Rob Reiner peppers him with questions about his life and career.
And Chip and Joanna Gaines renovate a 100-year-old building in “Fixer Upper: The Hotel,” which premieres on Nov. 8.
Check out the full list...
This month also sees the Season 2 premieres of “Rap Sh!t” (on Nov. 9) and “Julia” (on Nov. 16) and the series premiere of “Two and a Half Men” creator Chuck Lorre’s new sitcom “Bookie” starring Sebastian Maniscalco (on Nov. 30).
On Nov. 11, check out the documentary “Albert Brooks: Defending My Life” in which the comedian, actor and filmmaker’s best friend Rob Reiner peppers him with questions about his life and career.
And Chip and Joanna Gaines renovate a 100-year-old building in “Fixer Upper: The Hotel,” which premieres on Nov. 8.
Check out the full list...
- 11/3/2023
- by Adam Chitwood
- The Wrap
It’s a lean month for new original content on HBO/Max. November will see the return of two scripted series in Julia and Rap Sh!t, both of which are debuting their respective second seasons, but this month’s fresh highlight is likely to be Bookie, a new comedy series from the partnership of The Big Bang Theory creator Chuck Lorre, and Nick Bakay. The show tracks an LA bookie called Danny (Sebastian Maniscalco), whose business is in peril as California movies to legalize sports gambling.
Elsewhere in November, there quite a few interesting documentaries to keep an eye on, and two that jump out as “must watch”. The first is Albert Brooks: Defending My Life, which chronicles the aging comedian’s life and career. The second is the previously-released Little Richard: I Am Everything, which tries to peel back the whitewashed canon of Richard Penniman in a true...
Elsewhere in November, there quite a few interesting documentaries to keep an eye on, and two that jump out as “must watch”. The first is Albert Brooks: Defending My Life, which chronicles the aging comedian’s life and career. The second is the previously-released Little Richard: I Am Everything, which tries to peel back the whitewashed canon of Richard Penniman in a true...
- 11/1/2023
- by Kirsten Howard
- Den of Geek
Max out your November viewing with Max! The streamer is starting the new month with a wide variety of additions to its combined library of HBO and Max exclusives, plus titles from Food Network, Cartoon Network, HGTV, and more.
While also racing toward the official holiday season with dozens of Christmas classics like “A Christmas Story” and “Elf,” you can also stream new documentaries on Albert Brooks and Little Richard, catch the premieres of new seasons of “Rap Sh!t” and “Julia,” and much more.
Check out The Streamable’s top picks for what’s new this month on Max, and then continue below to see the full list of everything new in November!
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What are the 5 Best Shows and Movies Coming to Max in November 2023? “Rap Sh!t” Season 2 | Thursday, Nov. 9
Issa Rae is back on her “Rap Sh!
While also racing toward the official holiday season with dozens of Christmas classics like “A Christmas Story” and “Elf,” you can also stream new documentaries on Albert Brooks and Little Richard, catch the premieres of new seasons of “Rap Sh!t” and “Julia,” and much more.
Check out The Streamable’s top picks for what’s new this month on Max, and then continue below to see the full list of everything new in November!
7-Day Free Trial $9.99+ / month Max via amazon.com
Get 20% Off Your Next Year of Max When Pre-Paid Annually
What are the 5 Best Shows and Movies Coming to Max in November 2023? “Rap Sh!t” Season 2 | Thursday, Nov. 9
Issa Rae is back on her “Rap Sh!
- 10/31/2023
- by Ashley Steves
- The Streamable
Sarah Lancashire and David Hyde Pierce in ‘Julia’ season 2 (Photograph by Sebastein Gonon/Max)
Max’s November 2023 schedule includes season two of Julia starring Sarah Lancashire as Julia Child and the return of Rap Sh!t with Aida Osman and Mia KaMillion. Bookie, a new comedy about sports gambling created by Chuck Lorre, makes its debut on November 30th with Sebastian Maniscalco starring as an LA bookie.
HBO documentaries Albert Brooks: Defending My Life and South to Black Power will stream on Max this November, along with CNN Films’ Little Richard: I Am Everything.
Series & Films Arriving On Max In November 2023:
November 1
Act of Valor (2012)
After the Thin Man (1936)
Aliens (1986)
The Ant Bully (2006)
Arthur Christmas (2011)
The Avengers (1998)
The Bachelor (1999)
The Bad and the Beautiful (1952)
Bells Are Ringing (1960)
Black Beauty (1994)
Boys’ Night Out (1962)
Breakin’ 2: Electric Boogaloo (1984)
Brigadoon (1954)
Charlie and the Chocolate Factory (2005)
A Christmas Carol (1938)
Christmas Cookie Challenge, Seasons...
Max’s November 2023 schedule includes season two of Julia starring Sarah Lancashire as Julia Child and the return of Rap Sh!t with Aida Osman and Mia KaMillion. Bookie, a new comedy about sports gambling created by Chuck Lorre, makes its debut on November 30th with Sebastian Maniscalco starring as an LA bookie.
HBO documentaries Albert Brooks: Defending My Life and South to Black Power will stream on Max this November, along with CNN Films’ Little Richard: I Am Everything.
Series & Films Arriving On Max In November 2023:
November 1
Act of Valor (2012)
After the Thin Man (1936)
Aliens (1986)
The Ant Bully (2006)
Arthur Christmas (2011)
The Avengers (1998)
The Bachelor (1999)
The Bad and the Beautiful (1952)
Bells Are Ringing (1960)
Black Beauty (1994)
Boys’ Night Out (1962)
Breakin’ 2: Electric Boogaloo (1984)
Brigadoon (1954)
Charlie and the Chocolate Factory (2005)
A Christmas Carol (1938)
Christmas Cookie Challenge, Seasons...
- 10/26/2023
- by Rebecca Murray
- Showbiz Junkies
The same season that Steven Spielberg, Martin Scorsese, and Paul Thomas Anderson took it virtually upon themselves to help save Turner Classic Movies following a series of layoffs that was pointing to what could have been its demise, the trio are showing just how hands-on they’ll be. For September, the trio has each compiled a list of recommendations that will air on TCM throughout the month. From melodramas and film noirs to tantalizing tales and giant ants, let’s see what Spielberg, Scorsese and PTA have to recommend.
Steven Spielberg’s September TCM picks are: Douglas Sirk’s Imitation of Life (1959), the sci-fi monster movie Them! (1954), Alfred Hitchcock’s The Wrong Man (1956), and two Vincente Minnelli films, musical Meet Me in St. Louis (1944) and The Bad and the Beautiful (1952).
Martin Scorsese went a bit more obscure for his TCM picks, selecting British drama Madonna of the Seven Moons (1945), pre-code...
Steven Spielberg’s September TCM picks are: Douglas Sirk’s Imitation of Life (1959), the sci-fi monster movie Them! (1954), Alfred Hitchcock’s The Wrong Man (1956), and two Vincente Minnelli films, musical Meet Me in St. Louis (1944) and The Bad and the Beautiful (1952).
Martin Scorsese went a bit more obscure for his TCM picks, selecting British drama Madonna of the Seven Moons (1945), pre-code...
- 9/4/2023
- by Mathew Plale
- JoBlo.com
Following David Zaslav’s despicable gutting of Turner Classic Movies earlier this summer––one of many anti-art maneuvers the money-hungry Warner Bros. Discovery CEO and president has commandeered in his embarrassing, hopefully short-lived tenure––he hoped to curry some favor by bringing together the holy trinity of filmmakers to guide the future of the channel. Now, after a few weeks on the job of “network advisors,” Martin Scorsese, Steven Spielberg, and Paul Thomas Anderson have shared their picks of what to see on the channel this month.
The first two mentioned filmmakers provided videos of their recommendations, with the Killers of the Flower Moon director recommending the Boris Karloff-led Isle of the Dead, Two Sisters from Boston, Victor Fleming’s melodrama Red Dust, and Joseph Losey’s Accident.
Spielberg recommends a pair of Vincente Minnelli films, Meet Me in St. Louis and The Bad and the Beautiful, Douglas Sirk’s Imitation of Life,...
The first two mentioned filmmakers provided videos of their recommendations, with the Killers of the Flower Moon director recommending the Boris Karloff-led Isle of the Dead, Two Sisters from Boston, Victor Fleming’s melodrama Red Dust, and Joseph Losey’s Accident.
Spielberg recommends a pair of Vincente Minnelli films, Meet Me in St. Louis and The Bad and the Beautiful, Douglas Sirk’s Imitation of Life,...
- 9/4/2023
- by Jordan Raup
- The Film Stage
To briefly remind readers of the saga:
Back in June of 2023, it was announced that the leadership behind Turner Classic Movies, a long-beloved curator of cinema from Hollywood's Golden Age and beyond, would be laid off. VP of enterprises and strategic partnerships Genevieve McGillicuddy, senior VP of programming and content strategy Charles Tabesh, executive vice president and general manager Pola Changnon, marketing VP Dexter Fedor, and VP of studio production Anne Wilson all lost their jobs. The future of TCM was suddenly up in the air. This not only outraged fans of classic cinema but threw some of Hollywood's most beloved filmmakers into a panic. Was David Zaslav, the CEO of the beleaguered Warner Bros. Discovery nixing the entire TCM brand the same way he did with so much of the films and TV shows on HBO Max? Perhaps Zaslav, having already accrued a horrendous reputation for a long series of consumer-hostile business decisions,...
Back in June of 2023, it was announced that the leadership behind Turner Classic Movies, a long-beloved curator of cinema from Hollywood's Golden Age and beyond, would be laid off. VP of enterprises and strategic partnerships Genevieve McGillicuddy, senior VP of programming and content strategy Charles Tabesh, executive vice president and general manager Pola Changnon, marketing VP Dexter Fedor, and VP of studio production Anne Wilson all lost their jobs. The future of TCM was suddenly up in the air. This not only outraged fans of classic cinema but threw some of Hollywood's most beloved filmmakers into a panic. Was David Zaslav, the CEO of the beleaguered Warner Bros. Discovery nixing the entire TCM brand the same way he did with so much of the films and TV shows on HBO Max? Perhaps Zaslav, having already accrued a horrendous reputation for a long series of consumer-hostile business decisions,...
- 9/1/2023
- by Witney Seibold
- Slash Film
Moviegoers around the world are about to be taken to school by some of the top masters of the field this fall, between new movies by Ridley Scott, Michael Mann, David Fincher, and Martin Scorsese, among others. But as much as cinephiles can spend their entire day arguing about each and every one of these heralded directors online, what can truly compare to getting a little crash course in film history by someone who's commonly considered the greatest filmmaker alive? Many would agree that Steven Spielberg is simply in a class of his own, and thanks to his new role as part of the advisory panel for the esteemed Turner Classic Movies institution, that's exactly what fans are getting.
We previously covered the whole saga surrounding Warner Bros. Discovery's shameful treatment of the hardworking folks over at TCM, necessitating A-list filmmakers like Spielberg, Scorsese, and Paul Thomas Anderson to...
We previously covered the whole saga surrounding Warner Bros. Discovery's shameful treatment of the hardworking folks over at TCM, necessitating A-list filmmakers like Spielberg, Scorsese, and Paul Thomas Anderson to...
- 8/30/2023
- by Jeremy Mathai
- Slash Film
What’s so inspiring and energizing about Steven Spielberg is that he isn’t just one of the greatest filmmakers ever, he’s an eclectic cinephile who talks about his favorite films with the boyish enthusiasm of a fan.
So he was a natural fit, alongside Martin Scorsese and Paul Thomas Anderson, for the advisory panel that came together in June to support Turner Classic Movies. As part of that role, he’s recorded his first “Spielberg’s Picks” video, a recommendations list of his personal faves from the September 2023 TCM lineup. Watch the video above, an IndieWire exclusive, for not just his choices, but his incisive comments.
For his debut picks, he chose Vincente Minnelli’s “Meet Me in St. Louis” (1944), Douglas Sirk’s “Imitation of Life” (1959), Gordon Douglas’s “Them!” (1954), Minnelli’s “The Bad and the Beautiful” (1952), and Alfred Hitchcock’s “The Wrong Man” (1957). Scorsese and Anderson’s own picks are forthcoming,...
So he was a natural fit, alongside Martin Scorsese and Paul Thomas Anderson, for the advisory panel that came together in June to support Turner Classic Movies. As part of that role, he’s recorded his first “Spielberg’s Picks” video, a recommendations list of his personal faves from the September 2023 TCM lineup. Watch the video above, an IndieWire exclusive, for not just his choices, but his incisive comments.
For his debut picks, he chose Vincente Minnelli’s “Meet Me in St. Louis” (1944), Douglas Sirk’s “Imitation of Life” (1959), Gordon Douglas’s “Them!” (1954), Minnelli’s “The Bad and the Beautiful” (1952), and Alfred Hitchcock’s “The Wrong Man” (1957). Scorsese and Anderson’s own picks are forthcoming,...
- 8/30/2023
- by Christian Blauvelt
- Indiewire
The 80th annual Venice Film Festival launches on the Lido on August 30. This edition features a slew of Oscar hopefuls including Sofia Coppola’s “Priscilla,” Bradley Cooper’s “Maestro,” David Fincher’s “The Killer,” Yorgas Lanthimos’ “Poor Things” and Michael Mann’s “Ferrari.” They’re all vying for the top prize, the Golden Lion.
Seventy years ago, there were four now-classics in competition: William Wyler’s “Roman Holiday,” for which Audrey Hepburn would win Oscar, John Huston’s “Moulin Rouge,” Samuel Fuller’s “Pickup on South Street” and Vincente Minnelli’s “The Bad and the Beautiful,” which had recently picked up five Oscars. But the Golden Lion didn’t roar at the 14th edition of the international film festival.
The jury headed by future Nobel Prize laureate in literature Eugenio Montale just couldn’t decide on the best of the fest because according to the New York Times “the quality...
Seventy years ago, there were four now-classics in competition: William Wyler’s “Roman Holiday,” for which Audrey Hepburn would win Oscar, John Huston’s “Moulin Rouge,” Samuel Fuller’s “Pickup on South Street” and Vincente Minnelli’s “The Bad and the Beautiful,” which had recently picked up five Oscars. But the Golden Lion didn’t roar at the 14th edition of the international film festival.
The jury headed by future Nobel Prize laureate in literature Eugenio Montale just couldn’t decide on the best of the fest because according to the New York Times “the quality...
- 8/29/2023
- by Susan King
- Gold Derby
Viola Davis shines in Ben Affleck‘s “Air,” which tells the true story of how Nike signed Michael Jordan and made the Air Jordan shoe. Matt Damon portrays Nike marketing executive Sonny Vaccaro who negotiates a deal with Jordan’s mother. As Deloris Jordan, Davis deliver a powerful performance.
The actress imbues quiet strength, a sense of duty and honor, and a fierce motherly love into the stony exterior of an ambitious woman who knows her son’s worth and loves her family. It’s an enjoyable performance and it helps elevate the film from the average depths it likely would have sunken to without her. And critics agree.
Peter Travers (ABC News) explained: “Jordan himself insisted that only one actress could play his mom — Egot winner Viola Davis. Smart choice since the triumphant Davis is a primal force who powers the role of Deloris by nailing every nuance with maternal fire and feeling.
The actress imbues quiet strength, a sense of duty and honor, and a fierce motherly love into the stony exterior of an ambitious woman who knows her son’s worth and loves her family. It’s an enjoyable performance and it helps elevate the film from the average depths it likely would have sunken to without her. And critics agree.
Peter Travers (ABC News) explained: “Jordan himself insisted that only one actress could play his mom — Egot winner Viola Davis. Smart choice since the triumphant Davis is a primal force who powers the role of Deloris by nailing every nuance with maternal fire and feeling.
- 8/11/2023
- by Jacob Sarkisian
- Gold Derby
Actors John Wayne and Kirk Douglas had their fair share of disagreements over the course of their careers. However, that didn’t stop them from working together a few times. They represented entirely different political ideologies, which caused many of their fans to believe that they must have hated one another. Douglas once spoke about the respect that he had for Wayne, which was reciprocated by the Western movie star.
John Wayne and Kirk Douglas were in 3 movies together L-r: John Wayne and Kirk Douglas | FilmPublicityArchive/United Archives via Getty Images
Wayne and Douglas starred in three movies over their long-running careers. The first was Otto Preminger’s In Harm’s Way, which hit theaters in 1965. The story takes place during World War II, following the lives of several naval officers in Hawaii after Pearl Harbor. One of them gets another opportunity to prove himself when he gets promoted to Rear Admiral.
John Wayne and Kirk Douglas were in 3 movies together L-r: John Wayne and Kirk Douglas | FilmPublicityArchive/United Archives via Getty Images
Wayne and Douglas starred in three movies over their long-running careers. The first was Otto Preminger’s In Harm’s Way, which hit theaters in 1965. The story takes place during World War II, following the lives of several naval officers in Hawaii after Pearl Harbor. One of them gets another opportunity to prove himself when he gets promoted to Rear Admiral.
- 4/10/2023
- by Jeff Nelson
- Showbiz Cheat Sheet
Four years after “Black Panther” became the first Oscar-winning film in the Marvel Cinematic Universe, “Black Panther: Wakanda Forever” cast member Angela Bassett has made history as the first person to achieve academy recognition for an MCU performance. Included among the numerous actors with whom she reunites in the 2022 sequel is Lupita Nyong’o, who first played her role of Nakia four years after earning a Best Supporting Actress Oscar for “12 Years a Slave.” If Bassett ends up prevailing in the same category this year, Nyong’o will be the 16th woman to have acted in a film that won the same Oscar she previously received.
Until this year, “12 Years a Slave” was the only acting Oscar-nominated film Nyong’o had appeared in. Two of her cast mates in the 2014 Best Picture winner – Chiwetel Ejiofor and Michael Fassbender – respectively competed for the male lead and supporting prizes but eventually...
Until this year, “12 Years a Slave” was the only acting Oscar-nominated film Nyong’o had appeared in. Two of her cast mates in the 2014 Best Picture winner – Chiwetel Ejiofor and Michael Fassbender – respectively competed for the male lead and supporting prizes but eventually...
- 3/7/2023
- by Matthew Stewart
- Gold Derby
Babylon (2022).Hollywood has been making movies about movies for almost as long as there have been movies. This is not surprising given the town’s penchant for self-mythologizing; the dramatic potential of silver-screen fame, always an Icarus flight on wax wings melting in the California sun; and the allure of a glimpse behind the scenes into the factory where the dreams are made. It would be hypocritical to mock the self-importance of a place that exerts such an inexhaustible fascination—on me, I own, and probably on you—and Hollywood’s addiction to turning the cameras on itself has produced a few masterpieces of clear-eyed ambivalence. It has also revealed, even in less successful efforts, a strain of insecurity and self-loathing under the celebratory tinsel. Some films portray the industry as crass and cruel, spitting out used-up stars and corrupting artistic integrity; some exploit chaotic, unhinged movie sets for laughs or thrills.
- 2/3/2023
- MUBI
In a missive sent around to 2022’s Oscar nominees, stars were told to “read the room” when delivering speeches at the Academy Awards this month. Translation: Get off the stage before the orchestra is forced to awkwardly play you out.
In 1943, Greer Garson set a Guinness World Record for Longest Oscars Acceptance Speech, with her address upon accepting her Best Actress award forMrs Miniver clocking in at five and a half minutes.
Garson isn’t the only winner guilty of indulgence though. Hilary Swank, Adrien Brody and Al Pacino have all ignored the 45-second limit and consequently found themselves at the receiving end of a passive aggressive “Will you wrap this up?” stare.
Some actors, however, know that not every story needs to be so long and that brevity is an undervalued quality. Franklin D Roosevelt’s adage – “Be sincere, be brief, be seated” – could very well be the tagline for this year’s ceremony.
In 1943, Greer Garson set a Guinness World Record for Longest Oscars Acceptance Speech, with her address upon accepting her Best Actress award forMrs Miniver clocking in at five and a half minutes.
Garson isn’t the only winner guilty of indulgence though. Hilary Swank, Adrien Brody and Al Pacino have all ignored the 45-second limit and consequently found themselves at the receiving end of a passive aggressive “Will you wrap this up?” stare.
Some actors, however, know that not every story needs to be so long and that brevity is an undervalued quality. Franklin D Roosevelt’s adage – “Be sincere, be brief, be seated” – could very well be the tagline for this year’s ceremony.
- 1/30/2023
- by Annabel Nugent
- The Independent - Film
In a missive sent around to 2022’s Oscar nominees, stars were told to “read the room” when delivering speeches at the Academy Awards this month. Translation: Get off the stage before the orchestra is forced to awkwardly play you out.
In 1943, Greer Garson set a Guinness World Record for Longest Oscars Acceptance Speech, with her address upon accepting her Best Actress award forMrs Miniver clocking in at five and a half minutes.
Garson isn’t the only winner guilty of indulgence though. Hilary Swank, Adrien Brody and Al Pacino have all ignored the 45-second limit and consequently found themselves at the receiving end of a passive aggressive “Will you wrap this up?” stare.
Some actors, however, know that not every story needs to be so long and that brevity is an undervalued quality. Franklin D Roosevelt’s adage – “Be sincere, be brief, be seated” – could very well be the tagline for this year’s ceremony.
In 1943, Greer Garson set a Guinness World Record for Longest Oscars Acceptance Speech, with her address upon accepting her Best Actress award forMrs Miniver clocking in at five and a half minutes.
Garson isn’t the only winner guilty of indulgence though. Hilary Swank, Adrien Brody and Al Pacino have all ignored the 45-second limit and consequently found themselves at the receiving end of a passive aggressive “Will you wrap this up?” stare.
Some actors, however, know that not every story needs to be so long and that brevity is an undervalued quality. Franklin D Roosevelt’s adage – “Be sincere, be brief, be seated” – could very well be the tagline for this year’s ceremony.
- 1/29/2023
- by Annabel Nugent
- The Independent - Film
In a missive sent around to last year’s Oscar nominees, stars were told to “read the room” when delivering speeches at the Academy Awards this month. Translation: Get off the stage before the orchestra is forced to awkwardly play you out.
In 1943, Greer Garson set a Guinness World Record for Longest Oscars Acceptance Speech, with her address upon accepting her Best Actress award forMrs Miniver clocking in at five and a half minutes.
Garson isn’t the only winner guilty of indulgence though. Hilary Swank, Adrien Brody and Al Pacino have all ignored the 45-second limit and consequently found themselves at the receiving end of a passive aggressive “Will you wrap this up?” stare.
Some actors, however, know that not every story needs to be so long and that brevity is an undervalued quality. Franklin D Roosevelt’s adage – “Be sincere, be brief, be seated” – could very well be...
In 1943, Greer Garson set a Guinness World Record for Longest Oscars Acceptance Speech, with her address upon accepting her Best Actress award forMrs Miniver clocking in at five and a half minutes.
Garson isn’t the only winner guilty of indulgence though. Hilary Swank, Adrien Brody and Al Pacino have all ignored the 45-second limit and consequently found themselves at the receiving end of a passive aggressive “Will you wrap this up?” stare.
Some actors, however, know that not every story needs to be so long and that brevity is an undervalued quality. Franklin D Roosevelt’s adage – “Be sincere, be brief, be seated” – could very well be...
- 1/29/2023
- by Annabel Nugent
- The Independent - Film
In a missive sent around to this last year’s Oscar nominees, stars were told to “read the room” when delivering speeches at the Academy Awards this month. Translation: Get off the stage before the orchestra is forced to awkwardly play you out.
In 1943, Greer Garson set a Guinness World Record for Longest Oscars Acceptance Speech, with her address upon accepting her Best Actress award forMrs Miniver clocking in at five and a half minutes.
Garson isn’t the only winner guilty of indulgence though. Hilary Swank, Adrien Brody and Al Pacino have all ignored the 45-second limit and consequently found themselves at the receiving end of a passive aggressive “Will you wrap this up?” stare.
Some actors, however, know that not every story needs to be so long and that brevity is an undervalued quality. Franklin D Roosevelt’s adage – “Be sincere, be brief, be seated” – could very well...
In 1943, Greer Garson set a Guinness World Record for Longest Oscars Acceptance Speech, with her address upon accepting her Best Actress award forMrs Miniver clocking in at five and a half minutes.
Garson isn’t the only winner guilty of indulgence though. Hilary Swank, Adrien Brody and Al Pacino have all ignored the 45-second limit and consequently found themselves at the receiving end of a passive aggressive “Will you wrap this up?” stare.
Some actors, however, know that not every story needs to be so long and that brevity is an undervalued quality. Franklin D Roosevelt’s adage – “Be sincere, be brief, be seated” – could very well...
- 1/29/2023
- by Annabel Nugent
- The Independent - Film
The year 1953 surely left even the most devoted Oscar fans scratching their heads. One of the biggest upsets ever for Best Picture, some shocking snubs and all major awards going to different films led to some baffling anomalies at the 25th Academy Awards ceremony on March 19, 1953. This was also the year that the film industry finally capitulated to its rival source of entertainment, television, and for the first time broadcast the lavish ceremony live for viewers at home – so perhaps they wanted to dazzle and stun. Let’s flashback to the Oscars from 70 years ago.
With the cameras switching back and forth between Bob Hope hosting in Los Angeles and Conrad Nagel hosting in New York, the event attracted the largest single television audience to date in that medium’s young history. Five films were nominated for Best Picture, including the expected winner “High Noon,” plus “The Quiet Man,” “Moulin Rouge” and “Ivanhoe.
With the cameras switching back and forth between Bob Hope hosting in Los Angeles and Conrad Nagel hosting in New York, the event attracted the largest single television audience to date in that medium’s young history. Five films were nominated for Best Picture, including the expected winner “High Noon,” plus “The Quiet Man,” “Moulin Rouge” and “Ivanhoe.
- 1/26/2023
- by Susan Pennington
- Gold Derby
Warner Bros. Discovery has had a rough go of it recently. The newly-formed mega corporation’s decision to callously prune HBO Max’s servers of hours of content has led to mountains of bad PR and billions of dollars in market cap losses. Suffice it to say, a jam-packed list of new HBO Max releases for September 2022 would provide some welcome relief for the “House of the House of the Dragon.”
Unfortunately, HBO Max’s new releases this month are uncommonly light. It’s impossible to say whether this is the result of more Wbd meddling or simply some bad scheduling luck but either way it’s not going to make any executives’ seats less warm. There are only a handful of notable originals this month, led by season 2 of the Spanish language comedy Los Espookys on Sept. 16. That is joined by a pair of documentaries, Escape from Kabul on Sept.
Unfortunately, HBO Max’s new releases this month are uncommonly light. It’s impossible to say whether this is the result of more Wbd meddling or simply some bad scheduling luck but either way it’s not going to make any executives’ seats less warm. There are only a handful of notable originals this month, led by season 2 of the Spanish language comedy Los Espookys on Sept. 16. That is joined by a pair of documentaries, Escape from Kabul on Sept.
- 9/1/2022
- by Alec Bojalad
- Den of Geek
Netflix has the right to flex after this weekend’s trio of big wins from the Directors Guild of America (DGA), BAFTA and Critics Choice Awards, where it won the top prizes with Jane Campion’s “The Power of the Dog.” With its mighty 12 nomination haul, and the criticism from Oscar-nominee Sam Elliott over the movie’s homosexual themes, arguably helping it along, the film could be headed for B-e-s-t-p-i-c-t-u-r-e (so to speak). However, with two 50/50 screenplay categories up for grabs — “Belfast” and “Licorice Pizza” battling for original, and “Coda” and “The Power of the Dog” angling for adapted — the answer to which film wins the Academy’s top prize is within those races.
Walking into a ceremony with the most nominations is not always a given for Oscar success, shown by our last three tally leaders: “Mank” (2020), “Joker” (2019), “The Favourite” and “Roma” (2018). Campion’s methodical drama has brought Netflix...
Walking into a ceremony with the most nominations is not always a given for Oscar success, shown by our last three tally leaders: “Mank” (2020), “Joker” (2019), “The Favourite” and “Roma” (2018). Campion’s methodical drama has brought Netflix...
- 3/14/2022
- by Clayton Davis
- Variety Film + TV
You can find strange similarities between almost any two years for Oscar prognosticating. Just days away from the 28th Screen Actors Guild Awards and three weeks out from BAFTA and Critics Choice ceremonies, there are odd correlations between this year’s crop of nominees and the ceremony that rewarded the 1952 cinematic year.
Denis Villeneuve’s omission from best director for the sci-fi drama “Dune” was the most shocking when Oscar nominations were announced. Nevertheless, the film landed 10 nominations, including best picture, adapted screenplay and every technical category, the sixth film in history to achieve this feat.
In the current Oscar projections, the Warner Bros. adaptation of the famous series is projected to win anywhere between three and eight statuettes. However, if it manages to pick up more than five, it will surpass “The Bad and the Beautiful” (1952) as the most awarded film that was not nominated for best director.
Read...
Denis Villeneuve’s omission from best director for the sci-fi drama “Dune” was the most shocking when Oscar nominations were announced. Nevertheless, the film landed 10 nominations, including best picture, adapted screenplay and every technical category, the sixth film in history to achieve this feat.
In the current Oscar projections, the Warner Bros. adaptation of the famous series is projected to win anywhere between three and eight statuettes. However, if it manages to pick up more than five, it will surpass “The Bad and the Beautiful” (1952) as the most awarded film that was not nominated for best director.
Read...
- 2/22/2022
- by Clayton Davis
- Variety Film + TV
Director Sidney J. Furie discusses his favorite films he’s watched and re-watched during quarantine with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Dr. Blood’s Coffin (1961)
The Ipcress File (1965) – Howard Rodman’s trailer commentary, Glenn Erickson’s Blu-ray review
The Appaloosa (1966)
The Naked Runner (1967)
Lady Sings The Blues (1972)
The Entity (1982) – Luca Gaudagnino’s trailer commentary
The Boys in Company C (1978)
2001: A Space Odyssey (1968) – John Landis’s trailer commentary, Dennis Cozzalio’s review
Full Metal Jacket (1987)
The Apartment (1960) – Dan Ireland’s trailer commentary, Glenn Erickson’s Blu-ray review, Randy Fuller’s wine pairing
The Best Years Of Our Lives (1946)
Twelve O’Clock High (1949)
A Place In The Sun (1951) – Glenn Erickson’s Blu-ray review
Out Of Africa (1985)
The Last Picture Show (1971) – Mark Pellington’s trailer commentary, Randy Fuller’s wine pairing
Annie Hall (1977)
The Bad And The Beautiful (1952)
Once Upon A Time In Hollywood (2019)
The Tender Bar...
Show Notes: Movies Referenced In This Episode
Dr. Blood’s Coffin (1961)
The Ipcress File (1965) – Howard Rodman’s trailer commentary, Glenn Erickson’s Blu-ray review
The Appaloosa (1966)
The Naked Runner (1967)
Lady Sings The Blues (1972)
The Entity (1982) – Luca Gaudagnino’s trailer commentary
The Boys in Company C (1978)
2001: A Space Odyssey (1968) – John Landis’s trailer commentary, Dennis Cozzalio’s review
Full Metal Jacket (1987)
The Apartment (1960) – Dan Ireland’s trailer commentary, Glenn Erickson’s Blu-ray review, Randy Fuller’s wine pairing
The Best Years Of Our Lives (1946)
Twelve O’Clock High (1949)
A Place In The Sun (1951) – Glenn Erickson’s Blu-ray review
Out Of Africa (1985)
The Last Picture Show (1971) – Mark Pellington’s trailer commentary, Randy Fuller’s wine pairing
Annie Hall (1977)
The Bad And The Beautiful (1952)
Once Upon A Time In Hollywood (2019)
The Tender Bar...
- 2/15/2022
- by Kris Millsap
- Trailers from Hell
Bradley Cooper is an established awards magnet, with eight nominations in the past nine years. Four of those have been in the acting category — for “Silver Linings Playbook” (2012), “American Hustle” (2013), “American Sniper” (2014) and “A Star Is Born” (2018). This year he has an opportunity to land three more nominations.
The 46-year-old actor delivers two powerhouse performances, both worthy of recognition. His first comes as Jon Peters — the producer, hairdresser and ex-boyfriend of Barbra Streisand — in Paul Thomas Anderson’s coming-of-age comedy “Licorice Pizza” from MGM/United Artists Releasing.
His other turn comes as Stanton Carlisle, the ambitious and manipulative carny in Guillermo del Toro’s neo-noir thriller “Nightmare Alley” from Searchlight Pictures, on which Cooper also is a producer.
Will this year finally give him a long-overdue Oscar?
It seems like ages ago that Cooper was just the jerk boyfriend in “Wedding Crashers” (2005) and the Wolfpack leader in “The Hangover” (2009). In “Licorice,...
The 46-year-old actor delivers two powerhouse performances, both worthy of recognition. His first comes as Jon Peters — the producer, hairdresser and ex-boyfriend of Barbra Streisand — in Paul Thomas Anderson’s coming-of-age comedy “Licorice Pizza” from MGM/United Artists Releasing.
His other turn comes as Stanton Carlisle, the ambitious and manipulative carny in Guillermo del Toro’s neo-noir thriller “Nightmare Alley” from Searchlight Pictures, on which Cooper also is a producer.
Will this year finally give him a long-overdue Oscar?
It seems like ages ago that Cooper was just the jerk boyfriend in “Wedding Crashers” (2005) and the Wolfpack leader in “The Hangover” (2009). In “Licorice,...
- 12/23/2021
- by Clayton Davis
- Variety Film + TV
October’s here and it’s time to get spooked. After last year’s superb “’70s Horror” lineup, the Criterion Channel commemorates October with a couple series: “Universal Horror,” which does what it says on the tin (with special notice to the Spanish-language Dracula), and “Home Invasion,” which runs the gamut from Romero to Oshima with Polanski and Haneke in the mix. Lest we disregard the programming of Cindy Sherman’s one feature, Office Killer, and Jennifer’s Body, whose lifespan has gone from gimmick to forgotten to Criterion Channel. And if you want to stretch ideas of genre just a hair, their “True Crime” selection gets at darker shades of human nature.
It’s not all chills and thrills, mind. October also boasts a Kirk Douglas repertoire, movies by Doris Wishman and Wayne Wang, plus Manoel de Oliveira’s rarely screened Porto of My Childhood. And Edgar Wright gets the “Adventures in Moviegoing” treatment,...
It’s not all chills and thrills, mind. October also boasts a Kirk Douglas repertoire, movies by Doris Wishman and Wayne Wang, plus Manoel de Oliveira’s rarely screened Porto of My Childhood. And Edgar Wright gets the “Adventures in Moviegoing” treatment,...
- 9/24/2021
- by Leonard Pearce
- The Film Stage
Olivier Assayas takes a very different trip into silent movie nostalgia, with a director’s ill-fated attempt to remake the 1915 serial Les Vampires. Hong Kong action star Maggie Cheung is cast as the erotic rooftop nightcrawler Irma Vep! We see the state of Paris filmmaking in the mid-90s, with a clueless, frustrated director (Jean-Pierre Léaud) out of ideas — what business has Irma Vep in the modern world? Meanwhile, Cheung dons her vinyl catsuit for a personal creepy crawly mission — just to see if it gives her a thrill. Criterion’s special edition contains both a full episode of the silent serial plus a must-see documentary on the life and work of the legendary Musidora, a major sex symbol of the silent era.
Irma Vep
Blu-ray
The Criterion Collection 1074
1996 / Color / 1:66 widescreen / 99 min. / available through The Criterion Collection / Street Date April 27, 2021 / 39.95
Starring: Maggie Cheung, Jean-Pierre Léaud, Nathalie Richard, Bernard Nissile,...
Irma Vep
Blu-ray
The Criterion Collection 1074
1996 / Color / 1:66 widescreen / 99 min. / available through The Criterion Collection / Street Date April 27, 2021 / 39.95
Starring: Maggie Cheung, Jean-Pierre Léaud, Nathalie Richard, Bernard Nissile,...
- 4/17/2021
- by Glenn Erickson
- Trailers from Hell
The Academy Awards celebrated its 25th anniversary on March 19, 1953 by being telecast for the first time in its history. Bob Hope hosted the celebration for NBC at the Rko Pantages Theater in Hollywood while Conrad Nagel had the Mc duties at the NBC International Theatre in New York. And the show captured the largest single TV audience at the time.
The Best Picture nominees were Fred Zinnemann’s thrilling Western “High Noon,” MGM’s lavish epic “Ivanhoe,” John Huston’s dazzling biopic on Toulouse Lautrec “Moulin Rouge,” John Ford’s warm hug of an Irish romantic comedy “The Quiet Man” and Cecil B. DeMille’s penultimate film as a director, “The Greatest Show on Earth.”
The surprise winner was “The Greatest Show on Earth,” which was the box office champ of the year earning $14 million domestically and $36 million worldwide. Critics were not so kind to his cotton-candy colored melodrama set...
The Best Picture nominees were Fred Zinnemann’s thrilling Western “High Noon,” MGM’s lavish epic “Ivanhoe,” John Huston’s dazzling biopic on Toulouse Lautrec “Moulin Rouge,” John Ford’s warm hug of an Irish romantic comedy “The Quiet Man” and Cecil B. DeMille’s penultimate film as a director, “The Greatest Show on Earth.”
The surprise winner was “The Greatest Show on Earth,” which was the box office champ of the year earning $14 million domestically and $36 million worldwide. Critics were not so kind to his cotton-candy colored melodrama set...
- 4/6/2021
- by Susan King
- Gold Derby
After unveiling the discs that will be arriving in April, including Bong Joon Ho’s Memories of Murder, Olivier Assayas’ Irma Vep, and more, Criterion has now announced what will be coming to their streaming channel next month.
Highlights include retrospectives dedicated to Guy Maddin, Ruby Dee, Lana Turner, and Gordon Parks, plus selections from Marlene Dietrich & Josef von Sternberg’s stellar box set. They will also present the exclusive streaming premieres of Bill Duke’s The Killing Floor, William Greaves’s Nationtime, Kevin Jerome Everson’s Park Lanes, and more.
Jim Jarmusch’s Ghost Dog: The Way of the Samurai, which recently arrived on the collection, will be landing on the channel as well, along with a special “Lovers on the Run” series including film noir (They Live by Night) to New Hollywood (Badlands) to the French New Wave (Pierrot le fou) to Blaxploitation (Thomasine & Bushrod) and beyond. Also...
Highlights include retrospectives dedicated to Guy Maddin, Ruby Dee, Lana Turner, and Gordon Parks, plus selections from Marlene Dietrich & Josef von Sternberg’s stellar box set. They will also present the exclusive streaming premieres of Bill Duke’s The Killing Floor, William Greaves’s Nationtime, Kevin Jerome Everson’s Park Lanes, and more.
Jim Jarmusch’s Ghost Dog: The Way of the Samurai, which recently arrived on the collection, will be landing on the channel as well, along with a special “Lovers on the Run” series including film noir (They Live by Night) to New Hollywood (Badlands) to the French New Wave (Pierrot le fou) to Blaxploitation (Thomasine & Bushrod) and beyond. Also...
- 1/26/2021
- by Leonard Pearce
- The Film Stage
With a screen time total of 18 minutes and 36 seconds, Laura Dern’s 2020 Best Supporting Actress-winning performance in “Marriage Story” was noted for its brevity. However, it ranks as the 24th shortest to ever win in the Oscar category, proving the academy’s particular and everlasting fondness for smaller supporting female roles. Here is a look at the 10 winners with the least amount of screen time. (And here’s the equivalent list for Best Supporting Actor.)
10. Jo Van Fleet (“East of Eden”)
15 minutes, 4 seconds (12.82% of the film)
After a decade of stage acting, Tony winner Jo Van Fleet earned an Oscar for her film debut as child abandoner and brothel operator Kate Ames. Many of the votes she received were likely in honor of her body of work in 1955, since she also had roles in two other Oscar-nominated films that year (“I’ll Cry Tomorrow” and “The Rose Tattoo”). Her few scenes in “East of Eden,...
10. Jo Van Fleet (“East of Eden”)
15 minutes, 4 seconds (12.82% of the film)
After a decade of stage acting, Tony winner Jo Van Fleet earned an Oscar for her film debut as child abandoner and brothel operator Kate Ames. Many of the votes she received were likely in honor of her body of work in 1955, since she also had roles in two other Oscar-nominated films that year (“I’ll Cry Tomorrow” and “The Rose Tattoo”). Her few scenes in “East of Eden,...
- 12/22/2020
- by Matthew Stewart
- Gold Derby
A valentine to Hollywood it’s not. “Mank” marks David Fincher’s return to the two-hour movie after a sojourn in Netflix series television. His 11th feature film came about when content execs Ted Sarandos and Cindy Holland asked their “House of Cards” and “Mindhunter” creator if he had something he’d always wanted to do.
It turns out he’d kept his father’s Jack’s script for “Mank” in the trunk for decades. (Jack Fincher died in 2003.) Fincher dusted off the movie, which tells the controversial backstory of how one-time MGM screenwriter Herman J. Mankiewicz wrote “Citizen Kane” for Rko and New York wunderkind Orson Welles (Tom Burke), and had to fight to get screen credit. (They shared the film’s only Oscar in 1942.)
Any self-respecting cinephile will revel in this gloriously mounted black-and-white flashback to the Golden Age of Hollywood, where the wittiest Algonquin writers slummed for...
It turns out he’d kept his father’s Jack’s script for “Mank” in the trunk for decades. (Jack Fincher died in 2003.) Fincher dusted off the movie, which tells the controversial backstory of how one-time MGM screenwriter Herman J. Mankiewicz wrote “Citizen Kane” for Rko and New York wunderkind Orson Welles (Tom Burke), and had to fight to get screen credit. (They shared the film’s only Oscar in 1942.)
Any self-respecting cinephile will revel in this gloriously mounted black-and-white flashback to the Golden Age of Hollywood, where the wittiest Algonquin writers slummed for...
- 10/30/2020
- by Anne Thompson
- Thompson on Hollywood
A valentine to Hollywood it’s not. “Mank” marks David Fincher’s return to the two-hour movie after a sojourn in Netflix series television. His 11th feature film came about when content execs Ted Sarandos and Cindy Holland asked their “House of Cards” and “Mindhunter” creator if he had something he’d always wanted to do.
It turns out he’d kept his father’s Jack’s script for “Mank” in the trunk for decades. (Jack Fincher died in 2003.) Fincher dusted off the movie, which tells the controversial backstory of how one-time MGM screenwriter Herman J. Mankiewicz wrote “Citizen Kane” for Rko and New York wunderkind Orson Welles (Tom Burke), and had to fight to get screen credit. (They shared the film’s only Oscar in 1942.)
Any self-respecting cinephile will revel in this gloriously mounted black-and-white flashback to the Golden Age of Hollywood, where the wittiest Algonquin writers slummed for...
It turns out he’d kept his father’s Jack’s script for “Mank” in the trunk for decades. (Jack Fincher died in 2003.) Fincher dusted off the movie, which tells the controversial backstory of how one-time MGM screenwriter Herman J. Mankiewicz wrote “Citizen Kane” for Rko and New York wunderkind Orson Welles (Tom Burke), and had to fight to get screen credit. (They shared the film’s only Oscar in 1942.)
Any self-respecting cinephile will revel in this gloriously mounted black-and-white flashback to the Golden Age of Hollywood, where the wittiest Algonquin writers slummed for...
- 10/30/2020
- by Anne Thompson
- Indiewire
Exclusive: He Dreams Of Giants, the feature documentary about Terry Gilliam’s long-troubled Don Quixote adaptation, has been picked up for UK release by Blue Finch Films.
The doc is a follow up to Keith Fulton and Lou Pepe’s previous chronicle of Gilliam’s doomed efforts to get his film made, 2002’s Lost In La Mancha. Both films were produced by Lucy Darwin. The deal was made by Mike Chapman on behalf of Blue Finch and Ed Parodi on behalf of Film Constellation.
Mike Chapman commented, “We were huge fans of the documentary upon first seeing it and are thrilled to be working on the release in the UK and Ireland. It’s a compelling look at the trials and tribulations of the artistic process, where fact is perhaps wilder than fiction.”
Blue Finch has also acquired Tribeca selection Banksy Most Wanted, an investigation into the real identity of the infamous street artist.
The doc is a follow up to Keith Fulton and Lou Pepe’s previous chronicle of Gilliam’s doomed efforts to get his film made, 2002’s Lost In La Mancha. Both films were produced by Lucy Darwin. The deal was made by Mike Chapman on behalf of Blue Finch and Ed Parodi on behalf of Film Constellation.
Mike Chapman commented, “We were huge fans of the documentary upon first seeing it and are thrilled to be working on the release in the UK and Ireland. It’s a compelling look at the trials and tribulations of the artistic process, where fact is perhaps wilder than fiction.”
Blue Finch has also acquired Tribeca selection Banksy Most Wanted, an investigation into the real identity of the infamous street artist.
- 10/26/2020
- by Tom Grater
- Deadline Film + TV
The festival will take place as a physical-online hybrid.
Marjane Satrapi’s Marie Curie biopic Radioactive and Gregory Kirchhoff’s Germany comedy Baumbacher Syndrome will bookend the ninth Majorca International Film Festival (Emiff), which will take place both physically and online from October 23-29.
Radioactive debuted at Toronto 2019, and stars Rosamund Pike and Sam Riley. French-Iranian filmmaker Satrapi was previously announced as the recipient of the festival’s Vision award, while she will also be honoured at the centrepiece gala tribute and screening.
Baumbacher Syndrome stars Tobias Moretti, whose credits include Terrence Malick’s A Hidden Life, and Elit Iscan,...
Marjane Satrapi’s Marie Curie biopic Radioactive and Gregory Kirchhoff’s Germany comedy Baumbacher Syndrome will bookend the ninth Majorca International Film Festival (Emiff), which will take place both physically and online from October 23-29.
Radioactive debuted at Toronto 2019, and stars Rosamund Pike and Sam Riley. French-Iranian filmmaker Satrapi was previously announced as the recipient of the festival’s Vision award, while she will also be honoured at the centrepiece gala tribute and screening.
Baumbacher Syndrome stars Tobias Moretti, whose credits include Terrence Malick’s A Hidden Life, and Elit Iscan,...
- 10/7/2020
- by Ben Dalton
- ScreenDaily
Normal 0 false false false En-gb X-none X-none
By Darren Allison
“Casablanca - Classic Film Scores for Humphrey Bogart” (CDLK4639 ) was originally recorded on September 6th & 7th, 1973 and released on vinyl (on both the RCA Gold and Red Seal label in 1974). It was also released on a Quadraphonic LP the same year. The album masters were remastered at BMG Studio D on August 18, 1989 and from that came the CD for which we are probably most familiar (a successful series which came in a dark blue coloured tray and recognised by the silver film strip across the top right of the cover of the 20 page booklet). The recordings by Charles Gerhardt and The National Philharmonic Orchestra are quite spectacular, from the opening Warner Bros logo and the superb suite from Casablanca (1942) to Passage to Marseille (1944) to The Treasure of the Sierra Madre (1948)… in fact, name just about any Bogart classic and it...
By Darren Allison
“Casablanca - Classic Film Scores for Humphrey Bogart” (CDLK4639 ) was originally recorded on September 6th & 7th, 1973 and released on vinyl (on both the RCA Gold and Red Seal label in 1974). It was also released on a Quadraphonic LP the same year. The album masters were remastered at BMG Studio D on August 18, 1989 and from that came the CD for which we are probably most familiar (a successful series which came in a dark blue coloured tray and recognised by the silver film strip across the top right of the cover of the 20 page booklet). The recordings by Charles Gerhardt and The National Philharmonic Orchestra are quite spectacular, from the opening Warner Bros logo and the superb suite from Casablanca (1942) to Passage to Marseille (1944) to The Treasure of the Sierra Madre (1948)… in fact, name just about any Bogart classic and it...
- 9/13/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Our 100th Guest! Comedy icon Martin Short joins us to discuss a few of the movies that made him.
Show Notes: Movies Referenced In This Episode
Innerspace (1987)
The 7th Voyage of Sinbad (1958)
On The Waterfront (1954)
To Kill A Mockingbird (1962)
Terms Of Endearment (1983)
Moby Dick (1956)
The Exorcist (1973)
King Kong (1933)
A History Of Violence (2005)
A Song To Remember (1945)
Some Like It Hot (1959)
Annie Hall (1977)
The Oscar (1966)
Sleeper (1973)
Bananas (1971)
City Lights (1931)
September (1987)
The Harder They Fall (1956)
Bad Day At Black Rock (1955)
Reservoir Dogs (1992)
Schindler’s List (1993)
Kiss Me Stupid (1964)
The Ox-Bow Incident (1942)
The Bad And The Beautiful (1953)
Ben-Hur (1959)
Spartacus (1960)
The Ten Commandments (1956)
The Night of the Hunter (1955)
The Diary of Anne Frank (1959)
Who’s Afraid of Virginia Woolf? (1966)
The Graduate (1967)
Klute (1971)
Blow-Up (1966)
Blow Out (1981)
The Godfather (1972)
The Godfather Part II (1974)
The Godfather Part III (1990)
Burn! (1970)
Reflections In A Golden Eye (1967)
Grease 2 (1982)
The Conversation (1974)
Back To The Future (1985)
Other Notable Items
Saturday Night Live TV...
Show Notes: Movies Referenced In This Episode
Innerspace (1987)
The 7th Voyage of Sinbad (1958)
On The Waterfront (1954)
To Kill A Mockingbird (1962)
Terms Of Endearment (1983)
Moby Dick (1956)
The Exorcist (1973)
King Kong (1933)
A History Of Violence (2005)
A Song To Remember (1945)
Some Like It Hot (1959)
Annie Hall (1977)
The Oscar (1966)
Sleeper (1973)
Bananas (1971)
City Lights (1931)
September (1987)
The Harder They Fall (1956)
Bad Day At Black Rock (1955)
Reservoir Dogs (1992)
Schindler’s List (1993)
Kiss Me Stupid (1964)
The Ox-Bow Incident (1942)
The Bad And The Beautiful (1953)
Ben-Hur (1959)
Spartacus (1960)
The Ten Commandments (1956)
The Night of the Hunter (1955)
The Diary of Anne Frank (1959)
Who’s Afraid of Virginia Woolf? (1966)
The Graduate (1967)
Klute (1971)
Blow-Up (1966)
Blow Out (1981)
The Godfather (1972)
The Godfather Part II (1974)
The Godfather Part III (1990)
Burn! (1970)
Reflections In A Golden Eye (1967)
Grease 2 (1982)
The Conversation (1974)
Back To The Future (1985)
Other Notable Items
Saturday Night Live TV...
- 8/25/2020
- by Kris Millsap
- Trailers from Hell
Amazon Studios brings the story of Marie Curie to the screen with Radioactive starring Oscar-nominated actress Rosamund Pike as the pioneering scientist.
Directed by Marjane Satrapi (Persepolis) and written by Jack Thorne, Radioactive is based on the 2010 graphic novel Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout by Lauren Redniss. The film adaptation follows Curie’s life and the legacy of scientific breakthroughs. At the same time, the story tells the darker consequences that came about after her amazing work.
Curie married fellow scientist Pierre Curie (Sam Riley) who went on to raise two daughters and change the face of science forever by jointly winning the Nobel for the discovery of radium in 1903. After the death of her husband, Curie continues her research and invites scandal when she has an affair with another prominent scientist, Paul Langevin (Aneurin Barnard). However, it is Marie’s commitment to science which prevails,...
Directed by Marjane Satrapi (Persepolis) and written by Jack Thorne, Radioactive is based on the 2010 graphic novel Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout by Lauren Redniss. The film adaptation follows Curie’s life and the legacy of scientific breakthroughs. At the same time, the story tells the darker consequences that came about after her amazing work.
Curie married fellow scientist Pierre Curie (Sam Riley) who went on to raise two daughters and change the face of science forever by jointly winning the Nobel for the discovery of radium in 1903. After the death of her husband, Curie continues her research and invites scandal when she has an affair with another prominent scientist, Paul Langevin (Aneurin Barnard). However, it is Marie’s commitment to science which prevails,...
- 7/24/2020
- by Dino-Ray Ramos
- Deadline Film + TV
Perverse, erotic, debasing, and powerful, fashion photographer Helmut Newton’s photographs throughout the 20th century displayed a worship of women similar to a domineering male director and his female star. Fittingly, Newton is most famous in cinephile circles for a 1988 photograph he took in Los Angeles of David Lynch and his muse Isabella Rossellini, at the height of their “Blue Velvet” fame. In the black-and-white photo, the filmmaker fondles Rossellini’s face, looking into her soul not as a human being, but as a vessel for an idea. He’s a puppeteer, and she his puppet.
That’s very much how the German-Australian Newton perceived his mainly female subjects, and Gero von Boehm’s new documentary “Helmut Newton: The Bad and the Beautiful” spends the majority of its short, yet encompassing running time talking to those women, whom Newton clearly idolized. It’s a striking lineup of talking heads: Rossellini herself,...
That’s very much how the German-Australian Newton perceived his mainly female subjects, and Gero von Boehm’s new documentary “Helmut Newton: The Bad and the Beautiful” spends the majority of its short, yet encompassing running time talking to those women, whom Newton clearly idolized. It’s a striking lineup of talking heads: Rossellini herself,...
- 7/23/2020
- by Ryan Lattanzio
- Indiewire
When you look at the photographs of Helmut Newton, with their spectacularly cold and severe Amazon-women-on-the-moon erotic shock value, and you try to imagine the man behind the camera (it’s sort of hard not to), you tend to picture him as a figure every bit as kinky and forbidding as the outrageous things he’s photographing. There’s a famous shot of Newton: the clowning-around photograph of him wearing high heels (pictured above), which only enhanced his image as a Eurotrash decadent who turned his fantasies into flesh.
But in “Helmut Newton: The Bad and the Beautiful,” , Newton emerges as friendlier and more “normal” than you’d expect — though he does have a mischievous twinkle that suggests a lot.
The documentary was shot when Newton was in his early 80s, and he’s disarmingly ageless, with floppy thick hair and circular glasses setting off a face that grins...
But in “Helmut Newton: The Bad and the Beautiful,” , Newton emerges as friendlier and more “normal” than you’d expect — though he does have a mischievous twinkle that suggests a lot.
The documentary was shot when Newton was in his early 80s, and he’s disarmingly ageless, with floppy thick hair and circular glasses setting off a face that grins...
- 7/22/2020
- by Owen Gleiberman
- Variety Film + TV
Fear City: New York vs The Mafia
A new Netflix documentary series revisits New York City in the 1970s – an era where the city’s promise of fun was replaced with great fear instilled by the mob, until the FBI decided to go after all five families. “The boss asked me to come into his office,” remembers a man who worked closely on the case. “Said, we want to indite all five families at the same time. I said, what, are you shitting me?” The series details how the FBI...
A new Netflix documentary series revisits New York City in the 1970s – an era where the city’s promise of fun was replaced with great fear instilled by the mob, until the FBI decided to go after all five families. “The boss asked me to come into his office,” remembers a man who worked closely on the case. “Said, we want to indite all five families at the same time. I said, what, are you shitting me?” The series details how the FBI...
- 7/18/2020
- by Natalli Amato
- Rollingstone.com
One of the great photographers of the 20th century, even if you have yet to hear the name Helmut Newton, you have certainly seen one of his photos. After fleeing Nazi-occupied Germany when he was a teenager and finding photographer work in Singapore, his career would take him across the world, eventually working for Vogue, Harper’s Bazaar, Playboy, and much more. The German-Australian photographer’s life and work is now the subject of a new documentary.
Directed by Gero von Boehm and featuring interviews with Grace Jones, Isabella Rossellini, Anna Wintour, Charlotte Rampling, Marianne Faithfull, Claudia Schiffer, Nadja Auermann, and more, the first trailer has now landed ahead of a Kino Marquee release beginning next week. As one can see in the Nsfw preview (not that you are actually at work right now), the artist was best known for capturing women in starkly beautiful black-and-white photos.
See the trailer below.
Directed by Gero von Boehm and featuring interviews with Grace Jones, Isabella Rossellini, Anna Wintour, Charlotte Rampling, Marianne Faithfull, Claudia Schiffer, Nadja Auermann, and more, the first trailer has now landed ahead of a Kino Marquee release beginning next week. As one can see in the Nsfw preview (not that you are actually at work right now), the artist was best known for capturing women in starkly beautiful black-and-white photos.
See the trailer below.
- 7/17/2020
- by Jordan Raup
- The Film Stage
In just the past few days alone, the entertainment industry has lost some icons and favorites from film, television and Broadway. Our newly updated photo gallery above now features 29 people who have died in the first half of 2020, included the recent losses of TV legend Carl Reiner, Oscar-winning composer Ennio Morricone, veteran newsman Hugh Downs, theatre star Nick Cordero and Country Music Hall of Famer Charlie Daniels.
Here are some of the bios included in our special photo gallery tribute:
NBA superstar Kobe Bryant died on January 26 in a helicopter crash at age 41. After he retired from playing, he won an Oscar for his animated short “Dear Basketball” in 2018.
Broadway star Nick Cordero died on July 5 age age 41 after complications from Covid-19. He was a Tony nominee for “Bullets Over Broadway” and also starred in “Rock of Ages,” “Waitress” and “A Bronx Tale.”
Singer, songwriter and fiddler Charlie Daniels died...
Here are some of the bios included in our special photo gallery tribute:
NBA superstar Kobe Bryant died on January 26 in a helicopter crash at age 41. After he retired from playing, he won an Oscar for his animated short “Dear Basketball” in 2018.
Broadway star Nick Cordero died on July 5 age age 41 after complications from Covid-19. He was a Tony nominee for “Bullets Over Broadway” and also starred in “Rock of Ages,” “Waitress” and “A Bronx Tale.”
Singer, songwriter and fiddler Charlie Daniels died...
- 7/7/2020
- by Chris Beachum
- Gold Derby
Throughout 2020, Gold Derby continues to update our photo gallery above with major celebrity deaths from film, television, theater and music. Tour through our pictures so far with the following 11 people currently featured:
Max von Sydow died on March 8 at age 90. The Swedish actor often worked with Ingmar Bergman, including in “The Seventh Seal,” “The Passion of Anna” and “Shame.” He received Oscar nominations for “Pelle the Conqueror” and “Extremely Loud and Incredibly Close” plus Emmy bids for “Red King, White Knight” and “Game of Thrones.”
SEEIngmar Bergman movies: 25 greatest films ranked worst to best
James Lipton, longtime host of “Inside the Actors Studio,” is dead at the age of 93 on March 2. He received 20 Emmy nominations for that Bravo program and won the award in 2013. He was also nominated in 1988 for an original song on a Bob Hope comedy special.
Actor Robert Conrad died on February 8 at age 84. He was the...
Max von Sydow died on March 8 at age 90. The Swedish actor often worked with Ingmar Bergman, including in “The Seventh Seal,” “The Passion of Anna” and “Shame.” He received Oscar nominations for “Pelle the Conqueror” and “Extremely Loud and Incredibly Close” plus Emmy bids for “Red King, White Knight” and “Game of Thrones.”
SEEIngmar Bergman movies: 25 greatest films ranked worst to best
James Lipton, longtime host of “Inside the Actors Studio,” is dead at the age of 93 on March 2. He received 20 Emmy nominations for that Bravo program and won the award in 2013. He was also nominated in 1988 for an original song on a Bob Hope comedy special.
Actor Robert Conrad died on February 8 at age 84. He was the...
- 3/9/2020
- by Chris Beachum
- Gold Derby
Fade In: Soundstage, Universal Studios. Interior — Nightclub. Kirk Douglas, Gig Young and I are rehearsing a scene from our film, “For Love or Money,” a fizzy, frothy 1963 opus in which Kirk and I were cast as a version of “Rock & Doris” in this variation on their fizzy, frothy opuses with elegant sets and witty banter drenched in beautiful Jean Louis costumes. In this scene, Kirk and I are having an argument that plays out on a dance floor as we gyrate to the then-popular dance craze, the Twist.
I was casually observing Kirk’s preparation for the dance, which seemed very Method, very interpretive. “What is that, Kirk?” I asked demurely. “It’s the Twist,” he answered with all the confidence of Spartacus. When I assured him, again demurely, that what he was doing bore more resemblance to the “March of the Wooden Soldiers” than the Twist, he agreed to let me teach him.
I was casually observing Kirk’s preparation for the dance, which seemed very Method, very interpretive. “What is that, Kirk?” I asked demurely. “It’s the Twist,” he answered with all the confidence of Spartacus. When I assured him, again demurely, that what he was doing bore more resemblance to the “March of the Wooden Soldiers” than the Twist, he agreed to let me teach him.
- 2/12/2020
- by Mitzi Gaynor
- Variety Film + TV
Netflix may get most of the attention, but it’s hardly a one-stop shop for cinephiles who are looking to stream essential classic and contemporary films. Each of the prominent streaming platforms caters to its own niche of film obsessives.
From chilling horror fare on Shudder, to the boundless wonders of the Criterion Channel, and esoteric (but unmissable) festival hits on Film Movement Plus and Ovid.tv, IndieWire’s monthly guide highlights the best of what’s coming to every major streaming site, with an eye towards exclusive titles that may help readers decide which of these services is right for them.
Here’s the best of the best for February 2020.
“Close-Up”
The Criterion Channel invariably offers the deepest and most compelling slate of any streaming service, but this month’s additions almost border on overkill; how is anyone supposed to choose where to start? The programming lineup kicks off...
From chilling horror fare on Shudder, to the boundless wonders of the Criterion Channel, and esoteric (but unmissable) festival hits on Film Movement Plus and Ovid.tv, IndieWire’s monthly guide highlights the best of what’s coming to every major streaming site, with an eye towards exclusive titles that may help readers decide which of these services is right for them.
Here’s the best of the best for February 2020.
“Close-Up”
The Criterion Channel invariably offers the deepest and most compelling slate of any streaming service, but this month’s additions almost border on overkill; how is anyone supposed to choose where to start? The programming lineup kicks off...
- 2/10/2020
- by David Ehrlich
- Indiewire
We lost Kirk Douglas last week, and TCM today set a 24-hour marathon of programming featuring the legend of Hollywood’s Golden Age. The seminar actor’s life and career will be in the spotlight on March 5.
The “TCM Remembers Kirk Douglas” block will showcase 11 of his classic films — including Spartacus, Man with a Horn and Paths of Glory — along with the 2018 special
Live from the TCM Classic Film Festival: Michael Douglas, in which Ben Mankiewicz interviews the late star’s actor-producer son, Michael Douglas, at the 2017 TCM Classic Film Festival. See the full program below.
Speaking of Spartacus and the TCM film fest, the event’s 2020 edition in April has set a 60th anniversary screening of the classic pic in a world-premiere 70mm print from a 4k restoration by Universal Pictures.
Peter Bart: Remembering Kirk Douglas, Michael Douglas & ‘One Flew Over The Cuckoo’s Nest’
Here’s the schedule for...
The “TCM Remembers Kirk Douglas” block will showcase 11 of his classic films — including Spartacus, Man with a Horn and Paths of Glory — along with the 2018 special
Live from the TCM Classic Film Festival: Michael Douglas, in which Ben Mankiewicz interviews the late star’s actor-producer son, Michael Douglas, at the 2017 TCM Classic Film Festival. See the full program below.
Speaking of Spartacus and the TCM film fest, the event’s 2020 edition in April has set a 60th anniversary screening of the classic pic in a world-premiere 70mm print from a 4k restoration by Universal Pictures.
Peter Bart: Remembering Kirk Douglas, Michael Douglas & ‘One Flew Over The Cuckoo’s Nest’
Here’s the schedule for...
- 2/10/2020
- by Erik Pedersen
- Deadline Film + TV
The star of Spartacus and Paths of Glory is included in the Academy’s In Memoriam section
Kirk Douglas, the actor who became one of Hollywood’s biggest stars of the 1950s and 60s, has been remembered at the 92nd Academy Awards in Hollywood.
Douglas died aged 103 on Thursday, just a few days before the ceremony, and was considered the last surviving link to the golden age of Hollywood studio film-making. His square-jawed machismo was put to good use in early films such as Champion, but he showed unexpected range with the satirical Billy Wilder comedy Ace in the Hole, in which he played a rapacious reporter, and The Bad and the Beautiful, as a backstabbing film producer.
Kirk Douglas, the actor who became one of Hollywood’s biggest stars of the 1950s and 60s, has been remembered at the 92nd Academy Awards in Hollywood.
Douglas died aged 103 on Thursday, just a few days before the ceremony, and was considered the last surviving link to the golden age of Hollywood studio film-making. His square-jawed machismo was put to good use in early films such as Champion, but he showed unexpected range with the satirical Billy Wilder comedy Ace in the Hole, in which he played a rapacious reporter, and The Bad and the Beautiful, as a backstabbing film producer.
- 2/10/2020
- by Guardian film
- The Guardian - Film News
Kirk Douglas was laid to rest by his family members just two days after his death at the age of 103.
The Hollywood icon’s funeral was attended by his relatives, including his wife of 65 years, Anne Buydens, who arrived in a wheelchair, as well as his three surviving sons: Michael, Peter and Joel.
Other relatives, including Michael’s wife Catherine Zeta-Jones and his son, Cameron, were also present for the service at the Pierce Brothers Westwood Village Memorial Park and Mortuary in Los Angeles, California.
The Spartacus star died on Wednesday, almost two months after his last birthday.
In a statement to People,...
The Hollywood icon’s funeral was attended by his relatives, including his wife of 65 years, Anne Buydens, who arrived in a wheelchair, as well as his three surviving sons: Michael, Peter and Joel.
Other relatives, including Michael’s wife Catherine Zeta-Jones and his son, Cameron, were also present for the service at the Pierce Brothers Westwood Village Memorial Park and Mortuary in Los Angeles, California.
The Spartacus star died on Wednesday, almost two months after his last birthday.
In a statement to People,...
- 2/7/2020
- by Alexia Fernandez
- PEOPLE.com
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